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BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
INSIDE SEPTEMBER, 2009
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Entertainment Seattle Symphony Jazz Alley Federal Way Symphony Puyallup Fair Broadway Center Variety Entertainment Teatro ZinZanni Comedy Pantages Theater Parlor Live Action Dockyard Derby Dames Art & Wine Orting Pumpkin Festival Wine Wine Tips by Lori Newby Dining Sax Restaurant Art Art House Designs Fashion Looking Good Fashion Tips by Mr. mac Music & Business Dean McNeal Cover Mercedes-Benz 2010 E-Class NW Jazz Profile Darren Motamedy Thomas Marriott Kareem Kandi Steve Kim Fon Morcus Cole’lition Emmanuel del Casal The Collective Blues Randy Oxford Maia Santell Kimball Conant Stickshift Annie
Photo Credits: Mercedes-Benz courtesy Mercedes-Benz of Tacoma at Fife Mr. Mac Special Promotion supplied by Mr. Mac Lyle Lovette by Michael Wilson Dockyard Derby Dames by Dave Poole
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BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
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ENTERTAINMENT
Seattle Symphony’ s Beethoven & Wine Festival
Federal Way Symphony
Festival Runs September 9–11 Seattle, WA – Seattle Symphony’ s Beethoven & Wine Festival pairs the finest in Northwest wines with popular Beethoven classics. Each
p.m. On Wednesday, September 9, Seattle Symphony will perform Beethoven’s Symphony No. 7 in A major, Op. 92, and Piano Concerto No. 1 in C major, Op. 15, with Sara Buechner. On Thursday, September 10, the program will feature the Egmont Overture, Op. 84, and Symphony No. 3 in E-flat major, Op. 55, Eroica. On Friday, September 11, the Orchestra will perform the Coriolan Overture, Op. 62, and Symphony No. 5 in C minor, Op. 67. Ticket Information Concert tickets starting at $9 can be purchased by calling the Seattle Symphony Ticket Office at (206) 215-4747 or toll-free at (866) 833-4747, faxing the Symphony at (206) 215-4748, ordering online at www.seattlesymphony.org with the Select Your Own Seat option, or visiting the Seattle Symphony Ticket Office in Benaroya Hall at Third Avenue & Union Street.
Justine Lamb-Budge Season Premiere Concert 2009 Sweet ‘n Savory Strings Sunday, October 4, 2:00 pm
Puyallup Fair Seventeen-year-old, classical violin prodigy Justine Lamb-Budge will perform Mozart’s Violin Concerto no. 5 in A major. She will also join Concertmaster Yuriy Mikhlin for Bach’s Concerto for Two Violins in D minor.
This season, Maestro Gerard Schwarz’s exciting work with Seattle Symphony enters into its 25th year. night begins with wine tasting in the Samuel & Althea Stroum Grand Lobby, arranged by renowned Northwest sommelier David LeClaire and features wines from SageCliffe Cave B Estate Winery and other local vineyards. Following wine tasting, Music Director Gerard Schwarz will lead Seattle Symphony in hour-long performances of Beethoven’s music, presented without intermission. Wine tasting begins at 6:30 p.m. each evening, followed by a performance at 7:30
Dave Koz & Brian Culbertson Special Guest Peabo Bryson Thursday September 24, 7:30 pm
Jazz Alley Seattle, WA Megan Chenovick December Concert, 2009 The Color of Coloratura. Sunday, December 6, 2:00 pm Guest artist Megan Chenovick, renowned local vocalist, joins the Federal Way Symphony with coloratura arias, classical music by Mozart and his contemporaries and holiday favorites.
Both concerts will be held at St. Luke’s 515 S. 312th St., Federal Way, WA 98003
Dave Brubeck Quartet Dr. Lonnie Smith September 8-9, 2009 6
September 10-13, 2009
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
Tickets for each concert: Adults, $25, Senior $20 (65 & older). Students 18 and under are admitted free. Tickets are available at the Symphony office (253-529-9857) and at the door. www.federalwaysymphony.org.
Broadway Center Tacoma, WA
Pink Martini Broadway Center’s 2009-10 Season Opening Night Pantages Theater Thursday, October 8, 2009 at 7:30 p.m. Hailing from Portland, Oregon, Pink Martini is the ‘little orchestra’ with a colossal sound. Melding jazz, rhythm and exotic vocals, Pink Martini’s eclectic splash of world music features songs in Spanish, English, French, Italian, Japanese and Croatian. Pink Martini has been featured on hit television shows like The Sopranos, Desperate Housewives, and The L Word. Tickets: $48, $68 and $88
Lyle Lovett, John Hiatt, Two legendary names, one stage. Pantages Theater Sunday, October 18, 2009 at 7:30 p.m. Together Lyle Lovett, one of the all-time great American singer/ songwriters and John Hiatt, who has been nominated for eleven Grammy’s will perform a rare acoustic show in the intimate Pantages Theater. As two of the most revered musicians of the last century this is one show not to be missed! Tickets: $59, $79, $99 and $129 $129 tickets will include the best seats in the house along with a complimentary pre-party from 5:30 to 6:30 p.m. in the Pantages Mezzanine before the show! BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
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ENTERTAINMENT
VARIETY
COMEDY
ACTION
Pantages Theater
Dockyard Derby Dames
Teatro ZinZanni Tacoma, WA Seattle, WA
Will Durst and Chris Bliss Pantages Theater Sat, November 14, 2009 at 7:30 p.m.
Bottega ZinZanni
Parlor Live All Dressed Up with Some Place to Go Liliane Montevecchi and Frank Ferrante Now playing through October 11
Bellevue, WA
An artistic collaboration with International Fashion Designer Luly, Bottega ZinZanni – All Dressed Up with Some Place to Go is an affectionate send-up of the world of high fashion. Now playing through October 11. 222 Mercer Street in the heart of Seattle Center’s Theatre District. For reservations, call 206.802.0015 or visit zinzanni.org or at the box office at 222 Mercer Street.
The Dockyard Derby Dames roller derby league is a not-for-profit organization run by the skaters. Founded in 2006, DyDD has changed from a small group of women with a dream to skate competitively to a four-team functioning league. Who are the Dockyard Derby Dames? As individuals, they work as teachers, accountants, mothers, lawyers, nurses, machinists, social service workers, journalists, designers, students, business women, sales associates, hairdressers, and engineers. Together, DyDD is composed of over fifty passionate, professional, and athletic women who range in age from 21 to 49 and are devoted to fostering sisterhood and good, clean competition.
SEE THEM IN ACTION BOUT 5: Saturday September 12 at Soccer Center 2610 Bay St E Tacoma, WA Doors @ 5 PM CHAMP BOUT: Saturday October 24 at Soccer Center 2610 Bay St E Tacoma, WA Doors @ 5 PM
BIG FUN ENTERTAINMENT, ARTS & LEISURE PUBLISHER GUIDE / EDITOR-IN-CHIEF DAVID JOHNSON Accounting / Editorial Traffic: Rose Murphy Proofreaders: Se’Lene Sakellis Photography: Sean Cummings, Walter Atkins, Richard Baker Advertising Sales: nwjazzprofile@yahoo.com 253-473-1866 Davidinfo@bigfunmagazine.com Johnson and Gary Grape EMAIL: 253-473-1866 5226 Tacoma Mall Blvd., Tacoma WA 98409
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE is published 12 times a year. The views expressed in BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE are those of their respective contributors and are not necessarily those of its publisher, editors, or staff. All images in advertisements and advertorials/special promotions are supplied by the advertiser. Advertiser guarantee they have the legal right to publish all images supplied to BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE. Copyright 2009 BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE.
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BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
“Come Together” at the Puyallup Art & Wine Walk Semiannual event takes place Saturday, October 3rd. If you enjoy fine wine and local art, then the Fall Art & Wine Walk is the place for you to be this October. The Puyallup Main Street Association’s Art & Wine Walk is held twice-annually—in spring and fall—and is attended by over 5000 people. The event’s main sponsor to date is BECU and everyone is once again expecting a great turnout this fall’s event. Guests will also be able to peruse the local artists’ art market and shop for reasonably priced pieces of art and jewelry. The Fall Art & Wine Walk, taking place Saturday, October 3 from 3:00 pm to 7:00 pm will be in historic downtown Puyallup. This season’s event theme “Come Together,” takes its cue from Beatles’
inspired piece titled “I Am Saved” created by Jack Widmann, Vice Principle at Kalles Jr. High. This never-before-shown piece is comprised of 190 pen and ink drawings that took Widmann five years to complete. In a response to the Beatle’s fifth album “Help,” each drawing represents the artist’s impression of one Beatles’ song. Assembled together, all 190 drawings form yet another composition, which is a classic silhouette of the Fab Four.
Merchants will be accepting donations of new or gently used clothing or toy items to assist this organization’s efforts in supporting many children and healthrelated community programs.
Over twenty downtown merchants will be participating in this popular event. Attendees may stroll through the shops of downtown Puyallup sampling fine blended wines while feasting their eyes on works of art created by members of Valley Arts United and Arts Downtown. This season the Fall Art & Wine Walk will also be supporting MultiCare’s Grannies’ Attic through a children’s clothing and toy drive.
Tickets for the event are $20/person and will go on sale in Salutation: Courtesy September. Tickets of Valley Arts United/ are limited and you Arts Downtown must be at least 21 years old to participate. Tickets can be purchased online at www.puyallupmainstreet.com or at several participating merchants.
Orting Pumpkin Festival Saturday and Sunday, October 10th and 11th, the City Of Orting will host the Orting Pumpkin Festival. Those attending can enjoy an assortment of food with pumpkin as the main ingredient including pumpkin Sloppy Joe burgers, pumpkin cheesecake, pumpkin pizzas, etc. Of course, other food will be available for enjoyment as well. Adults and children will have the opportunity enter their carved pumpkins into the Third Annual Pumpkin Glow with a three dollar entry donation; carved pumpkins will all be lit at once at sundown. Festival goers can also enjoy free entertainment, the Little Pumpkin Pals Parade, arts and crafts vendors, a car show, a pumpkin pyramid, and even a beer garden with pumpkin flavored beer! This is a great event to enjoy some family fun. Fo r mor e inf or mat ion o n t he Or ti ng Pumpkin Fest, visit www.ortingnews.com, or TacomaEvents.com under the Pumpkin Fest tab. BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
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WINE
THE UNKNOWN GRAPE BY LORI NEWBY With thousands of grape varietals in the world, there will be many you have probably never heard of before now. Some have
grown here in Washington State on the property of Whidbey Island Winery. Trebbiano is a grape variety that probably makes more white wine in the world than any other. It gives good yields, but makes undistinguished wine at best. It can be fresh and fruity, but doesn’t keep long. Its high acidity makes it important in cognac production. Also known as Ugni Blanc, Hermitage White, Saint Emilion in France and White Shiraz in Australia. Some of the best known producers of wine using this grape are Farnese, from Italy.
important role in the negotiation of the armistice terms during the closing of the First World War. It is a very early ripening French hybrid grown in Canada, New York and Oregon. Some great examples of this often vibrant, deep purple color, light-medium structure and dark berry fruit grape are Amity Vineyards and Eola Hills in Oregon.
And now, four red grape varieties:
different names because of the country they are grown in or the language that is used in that country. A great example of this confusing lingo is Syrah and Shiraz; same grape, different location. In the Northern Hemisphere, it is called Syrah, and in the Southern Hemisphere it is Shiraz.
First, we will introduce you to four white grape varieties:
Aglianico varietal is admired for is deep, dark garnet graphite scented grape and it’s found on the Campania region of southern Italy. Some of the most recognized wineries in Italy producing wine from this grape are Feudi di San Gregorio and Terredora DiPaolo. Counoise is a grape variety from the Rhone Valley in France. Used as a grape for blending, this grape is now being grown in California and Washington. Known for its peppery flavor and high acidity, it is a rare ingredient in the famous Chateauneuf-du-Pape wines. Maréchal Foch is named after the French marshal Ferdinand Foch who played an
Auxerrois is a slightly fuller, less acidic version of Pinot Blanc widely planted in the Alsace region of France. We have good examples of the grapes varietal from Adelshiem in Oregon and from Gray Monk in Canada. A cooler climate grape it likes the Northwest but is not widely grown ion this area. Muscadelle is one of the three grapes that make up the famous Sauternes from Bordeaux. This variety of grape is in decline in this area, but there is still a lot in the Entre Deux –Mers region of France. It is also used to make the rich, dark fortified wines of Australia known as Tokay, not to be confused with Tokai from Hungary. Siegerrebe is a relatively low yielding grape from Germany, famous for its high ripeness levels. There is a great example of this grape 10
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
Pinot Meunier is a variety of black wine grape most noted for being one of the three main grapes used in the production of champagne (the other two are Pinot Noir and Chardonnay). Until recently, champagne makers did not acknowledge Pinot Meunier, preferring to emphasize the use of the other noble varieties, but now Pinot Meunier is gaining recognition for the body and richness it contributes to champagne. It is believed to be a mutation of Pinot Noir. It is called a “miller’s” vine because its leaves are dusty white underneath. I hope you have enjoyed learning about these somewhat obscure grape varietals. There are many, many more to research and enjoy. Cheers! Lori Newby may be contacted at Corkscrew Cellars, 116 East Stewart Ave Puyallup, WA 98372 Phone: 253-770-9463 Email: wine@nwlink.com
DINING
SAX ON 6TH BY DAVID KEYS Bartender Rick Young has quite a few custom cocktails that will delight your taste buds and set you back in your seat at the same time. People are always telling me that Tacoma needs more places to go hear live jazz. I hear it all the time; ‘Where can I go to get a nice meal, have some drinks and listen to some good jazz?’ Well, go check out Sax Restaurant and Lounge on Sixth Avenue and let them know you’re glad they are there. As the newest spot to present jazz on a regular basis, Sax is doing a good job offering a variety of quality players a place where they can showcase their talent to an attentive audience. The restaurant is booking straightahead jazz, smooth jazz, funky jazz and a sprinkling of R&B and blues throughout the week, so there is something for most folks to get into. Puget Sound’s top Smooth Jazz artist Darren Motamedy just finished a month-long run on Wednesdays, and Tacoma’s Kareem Kandi hosts a Tuesday night jam session that draws a wide variety of musicians, from seasoned pros, to music students who are just entering the scene.
few custom cocktails that will delight your taste buds and set you back in your seat at the same time. He says, “I’m not stingy with my concoctions, so take care and drink responsibly, because I want to serve you for years to come.” There you have it. Now you can stop asking where you can go out to hear live jazz in Tacoma. Sax Restaurant and Lounge is here, and they’re doing a damn good job of filling a void in the city’s nightlife scene. Make sure you put your face in the place and help keep jazz live in Tacoma.
Owner Andy Yee is a sharp cat. He knows that the world doesn’t revolve around jazz, so he’s doing things to make sure his restaurant/live music venue has something to offer beyond jazz. He made room for a dance floor, and after the live music is over, he has good DJs spinning hot dance mixes on Thursday, Friday and Saturday nights. Come on, admit it, even us jazz lovers like to cut loose from time to time and just let off some steam. So, if you want to enjoy your jazz and shake your groove thing all in the same place, Sax is the spot that has what you want. How are the drinks? They’re stiff! And Sax’s seasoned bartender Rick Young has quite a
Roasted Apple-Stuffed Porkloin - $15.00 Served with herb potato caked & garden vegetables. Wine Recommendation: Cono Sur Vision Series Pinot Noir - $7.50 Chicken Angelino - $18.00 Butternut Squash Raviolis tossed in a creamy garlic & black pepper sauce. Topped with grilled chicken, prosciutto & fresh basil. Wine Recommendation: Ajello Majus Rosso Igt or Bogle Sauvignon Blanc - $7.50 Baked Chicken Caprese - $16.00 Topped with fresh basil, tomatoes, mozzarella, prosciutto & served over garlic pasta. Wine Recommendation: Badia Cetamura Chianti - $7.50
Kareem Kandi hosts a jazz jam session every Tuesday night from 6 to 9pm.
Menu Highlights: Sax has a nice, clean, and modern atmosphere. The lighting is low, the seating is not overcrowded, and the place has that fresh, new venue smell about it. Since the room is not small, but cozy, the live music sounds good. You get the feeling that the musicians are playing just for you, and that’s always a nice thing.
Served with garlic pasta & garden vegetables. Wine Recommendation: Ajello Majus Blanco Igt - $7.50
Pan-Seared Jumbo Scallops - $22.00 Served with a microgreen caprese
Chicken Toscana - $15.00 Sundried-tomatoes, artichoke hearts, capers, roasted garlic, lemon juice, basil, white wine & grilled chicken. Tossed with pasta. Wine Recommendation: Ajello Majus Bianco Igt - $7.50 Walnut-Crusted Chicken - $16.00 Served over wild mushroom raviolis and almond broccoli. Wine Recommendation: Droughin Laforet Chardonnay - $6.00 Walnut & Gorgonzola Raviolis - $18.00 Tossed in a creamy gorgonzola sauce. Topped with cranberries, sautéed pears & Roma tomatoes. Wine Recommendation: Barnard Griffin Riesling $5.50 Parmesan-Crusted Porkloin - $17.00 Grilled pork loin topped with basil, Roma tomatoes & parmesan, wrapped with bacon & Photos Courtesy of Sax Restaurant and Lounge
salad. Wine Recommendation: Riff Pinot Grigio - $7.00 Herb-Crusted Halibut Puttanesca - $24.00
Sax Restaurant and Lounge is located at: 2309 6th Avenue, Tacoma, WA 98403. TEL: 253-572-0588 – www.saxon6th.com, MySpace.com/saxon6th Facebook.com/saxon6th
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
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ART
Art House Designs Art House Designs was initially established as a custom picture framing shop, offering the highest standards of quality and care. Art House has also provided an exceptional gallery space with its high ceilings and spacious natural lighting. More recently, a performance space has been added which hosts many different styles of live music, theater and a conference area for meetings and luncheons. The gallery features a large selection of custom framing and fine art, representing both local and internationally acclaimed artists. Conveniently located in downtown Olympia on the corner of 5th and Franklin, Art House is situated with easy parking. After just three years, it has become a cultural center, serving the community with art and music for people of all ages.
Art House Designs 420 Franklin St SE # B Olympia, WA 98501-1120 (360) 943-3377
TOP: SUNLIGHT BY DAVILA (oil on canvas) 12
BOTTOM: UNTITLED BY CHRISTABEL PROUST (oil on canvas)
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
FASHION
There’s Nothing More Fun Than
Looking Good Mr. Mac’s Style Tips for the Fashion-challenged Man For whatever reason, life just seems to be more fun when we feel good. And whether or not we’re willing to admit it, most of us don’t feel as good as we’d like to when we’re in public and we know we don’t look good. I’m aware that the average guy is fashionchallenged in one way or another. Hey, we’re guys after all, and we have other th in gs on o ur mi nd. T hin gs l ike t he mortgage, the car payment, college tuition for our 2.5 kids, keeping a job and making sure the wife, or girlfriend is happy. And that’s just the tip of the iceberg. So, most of us just don’t have time to keep up with fashion trends. We need a way to stay re as ona bl y cur re nt wi thi n ou r e ve rtightening budgets and, with as little effort as possible, look good. Here are some tips that will help you sort it all out.
always safe to stay away from the louder colors. If you’re going out for a night of casual fun, it’s ok to match a brighter shirt with darker slacks and a jacket. If you’re single and on the prowl, all it takes is one showy item attract that fair lady. Less is more. Special Promotion Photos courtesy of MR. MAC 1210 MLK Jr. Blvd., Tacoma, WA 253-383-2737
1. If you don’t know what looks good, ask somebody. Ask the most knowledgeable salesperson where you shop. Ask a trusted female co-worker. Ask a buddy who seems to have everything under control. 2. Buy a men’s fashion magazine at least once each quarter. You won’t have to look hard to find the styles that fit your business and social lives. Then, once you know what to shop for, it’s just a matter of finding the brands that fit your budget. You might not be able to buy that $600.00 pair of shoes, or that designer suit, but there will always be a quality knockoff that will get the job done at the right price. 3. Buy one or two key pi eces at a time . G et staple items like shoes, shirts, slacks and suits fi rst . Go for t he
primary colors like black, brown, gray and tan and then mix and match them for the occasion. 4. Remember to match you leather items. If you are wearing black shoes, match them with a black belt. 5. If you’re not dressing for the stage, it’s BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
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MUSIC & BUSINESS
Dean McNeal Hit Connections Entertainment The one thing you must realize about the music business is... it’s not what it seems. As a musician, you are primarily known as a guitarist. Do you play any other instruments? I sing, but I am “retired” from guitar playing also. For the most part, after 20 years, it was time to put other people to work.
private events will spend $10,000 on food, and then ask a band to play for the exposure and a couple hundred dollars. Does that make any sense to anyone? At the end of the event what will people comment on the most? They talk about the
Tell us about the inner working of Hit Connections Entertainment. What types of shows do you produce? HCE does all types of shows, Top 40, Jazz, Theater, Comedy, and the unusual like “Live Band Karaoke” Star Machine Live. The Casino’s and festivals keep things very well rounded.
Which genre of music is the hardest to make money in at this time? If you are good at promoting and people are interested in your product, they are all the same. Some Jazz artists are booked every week, and some Top 40 and Rock bands are booked every week. It is all about who is putting butts in seats.
How many show do you produce in a calendar year? WOW… Well, in 2009… I need to count. It was roughly 348 shows. Wow. I have never really counted. No wonder I need an assistant! It is hard to say unless I break out the records.
What are the keys to balancing the different facets of your professional life? I have not found balance yet! LOL! I work a lot, I’m out a lot, BUT, when times are rough, I am happy to be busy. Everything has happened pretty quickly in the last 2 years; there will be time for balance soon.
Which internationally respected artists are you working with in the coming months? Tony, Toni, Tone‘, Joyce Cooling, Jeff Lorber, All 4 One, etcetera … Are you performing in any of the productions? Oh, no. I will leave that to the professionals. Are you also involved in recording projects? If so, tell us about your latest recording. I am not involved in the creation but very much involved in the production and promoting end of Virginia Ashby’s next CD release. What are your thoughts concerning the current state of the music and entertainment industry? It always seems that the first place people want to cut back on is their entertainment. For example,
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constantly overcome when searching for gigs for yourself and the musicians you represent? The biggest problem is finding a happy medium between what the bands would like to make, and what the venues are willing to pay. This is nothing new. It’s just that when times get tough, so do negotiations. The biggest benefit a club has for using an agency like HCE is keeping control of the entertainment so that they can run the venue. The club still decides who they want and when. I can send in a band once, and the band has to be responsible to deliver and earn the buy back.
entertainment. The same goes for clubs. They all want a band that will bring in people, but, it takes promotions, good website, good posters and postcards to make that happen. How do you expect any entertainer to do that at a rock bottom price? Entertainment priorities are way off. What are some of the obstacles you have to
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
Why are you successful? What is your most valuable attribute? I would like to think that it is because I can relate to both sides of the table—musicians and venues. My entire mission statement was to keep good musicians working. I can’t keep everyone working, but I try to keep those who work hard, promote hard, and make HCE look good at every event working.
Exceptional Class
2010 Mercedes-Benz E-Class A True Renaissance in Technology and Safety
W
ho would have thought that when Mer cedes -Benz deve loped an entirely new class of automobile 60+ years ago that it would become the standard by which all cars are measured. Fast forward to the 9th generation of the groundbreaking EClass and you will find, perhaps, the most te ch nol og ic all y adv an ced p ro duc ti on automobile ever. It does things that up until now you could have
only imagined. The all-new 2010 MercedesBe nz E- Cl ass S eda ns an d C ou pes a re showcasing futuristic technology. If you are looking into the future of the automobile, you’ll need only to look at the current E-Class. The 2010 E-Class model currently offers the 6cylinder 268 hp E350 as well as an 8-cylinder 382 hp E550 in both Sedan and Coupe. 4Matic Sedans are available for those who need the ad de d c on fid en ce of a pr ove n all -wh ee ldrive system. A 7 - sp e e d
E-Class Coupe 16
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
automatic transmission adapts to your driving style; in addition, touch-shifting enables you to enjoy clutchless shifting as your mood changes. Safety has always been a key component in Mercedes-Benz technology. A look back into history reveals a lengthy list of “firsts” including the patent and introduction of the “crumple zones” concept, the first crash-testing of automobiles (now up to 50,000 crash-tested), the c o-invent ing of a nti-lock brakes, the introduction of airbags as standard safety equipment, and the pioneering use of highstrength, low alloy steel to reduce weight while maintaining structural integrity and raising fuel economy. The 2010 E-Class has introduced to t he in du str y ma ny breakthroughs in the area of safety. The PRE-SAFE system ca n det ec t a n im pen di ng collision by utilizing radar-based sensors. PRE-SAFE activates electric tensioners to tighten front se at be lt s, ad ju st th e f ro nt headrests and passenger seat to a safer position, and close the sunroof and
windows—all to better prepare the occupants. No other manufacturer offers PRE-SAFE as a standard safety system. ATTENTION ASSIST, standard on all E-Class models, continually monitors driving behavior and can alert the driver with both visual and au di ble w arn in gs if it de te cts s ign s of drowsiness on long trips. Lane Keeping Assist lets the driver know if unintended drifting offcourse is detected, by vibrating the steering wheel. Blind Spot Assist monitors blind spots when driving above 18 mph and alerts the driver to potentially unseen vehicles in the next lane.
The Premium 2 Package includes Bi-Xenon headlamps with Active Curve Illumination, Adaptive High-beam Assist, headlamp washing sy st em, L ED da yti me ru nni ng la mp s, KEYLESS-GO (providing access into your car and starting capability without using the key), and an electronic trunk closer. Individual options include a panorama sunroof (standard on the E-Coupe), PARKTRONIC parking guidance, rear seat entertainment system, drive-dynamic multi-contour front seats with massage, split-folding rear seats (standard on the E-Coupe), and full leather upholstery (standard on the E-Coupe).
MAGICO Optional DISTRONIC PLUS takes cruise control “Ultimate” to new levels Speakers of convenience, - $329,000.00 with the Automobile / states “the brand-new E350 is the ability pairto slow the car to a full halt if traffic epitome of dynamic balance, a role model for ahead stops, and then resume automatically. near-perfect chassis compliance…. as far as ride PRE-SAFE Brake, included with DISTRONIC comfort is concerned, it plays in a league of its PLUS, can detect an impending collision and own.” Autoweek says “until now, the only way automatically applies 100% of the vehicle’s to experience the kind of technology featured braking force to help avoid and reduce the in the Mercedes-Benz S-Class was to buy a severity of the impact. Using a camera to detect Mercedes-Benz S-Class. Not anymore. Under vehicles ahead, optional Adaptive High-beam the distinctive new sheet-metal of the 2010 EAssist varies the headlamp range continuously, Class, Mercedes engineers have loaded nearly to maximize illumination of the road without all of the technological wizardry found in the creating glare for other drivers. top-of-the-line luxury S-Class, and then some.” Car and Driver states “the ride is excellent, Optional Night View Assist PLUS projects the car tracks like a locomotive, and the exterior infrared beams that are invisible to human eyes, styling trumps the field…no other car in this an d rea ds th em wi th a spe cia l cam er a, gr ou p f eel s as sol id , u ntw is tab le, a nd displaying a clearer view of the road during reassuringly unbreakable.” darkness. It can even identify and point out pedestrians. In its 124 year heritage Mercedes-Benz has been a pioneering force in the automobile industry. Nine airbags are standard, including a driver’s It is legendary for producing automobiles of knee air bag, plus new pelvic air bags to extra ordinary d urability with 88% o f the complement the dual front, front-seat side- ve hicl es s old in t he l ast 20 y ears and a impact, and curtain air bags. No other car in remarkable 75% of all vehicles ever sold in the its class offers air bag protection in more United States still on the road!! The all-new E-Class Sedans and Coupes continue a tradition locations. of being at the forefront of an industry by Inside the cabin of the new E-Class, you will providi ng the public the safety, c omfort, find an assortment of technology created to performance, and styling it demands. Another make your drive a pleasurable experience, introduction, another benchmark for Mercedeswhether it is a commute to work or a long Benz. vacation drive. A glass sunroof, 14-way power front seats with a 4-way power steering column and memory system, auto-dimming mirrors, rain-sensing windshield wipers, and digital dual-zone climate control are all standard features on the new E-Class. The Premium 1 Package offers a 40 GB hard-driv e-based Navigation system with high-resolution colorLCD display and a console-mounted controller, the Harman/Kardon LOGIC7 surround-sound system with Dolby Digital 5.1, 6GB hard drive with Music Register for upload of MP3 files, an in-dash memory card reader, Gracenote media database and Zagat Survey ratings, HD Digital Radio, iPod/MP3 media interface, SIRIUS Satellite Radio with SIRIUS Traffic, Bluetooth interface, heated front seats, power rear window sunshade, rear view camera, and enhanced voice control for audio, telephone and navigation.
Jim Foster
Jim Foster is the consummate professional sales consulta nt at Me rcedes-Be nz of Tacoma. He has carved out, from his selfdescribed “mid-life crisis,” a very successful 14year career at Mercedes-Benz. His previous 11year career of climbing the corporate ladder at Budget Rent a Car Corp. confirmed to him that a title was not everything in life. “You have to be able to balance your professional, family, and spiritual life; that’s the key.” Jim is the proud husband of 21 years to Donna, father to two beautiful teenage daughters, Alexa, 19, and Kirin, 16, and is a long-time elder at Marine View Presbyterian Church in Northeast Tacoma. His hobbies include most sports, travel, singing in his church contemporary praise band, and, most recently, promoting music. A longtime love of the jazz genre led him to create the successful monthly “Jazz LIVE at Marine View” concert series featuring the finest jazz musicians in the Puget Sound region. “I get a lot of satisfaction combining my love of jazz with my desire to reach out to the community. Great music in the tranquil setting of a church sanctuary—what a great fit.” Jim’s eager to share his wisdom as it relates to Mercedes-Benz, music, and life in general. Give Jim a call at 253-229-9206 or email him at jimfoster@larsonautomotivegroup.com
E-Class Sedan
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Darren Motamedy Sax, Clarinet, Flute, Piano Kent, Washington I chose the saxophone because my jazz band director refused to let me play the clarinet in the jazz band, so I had no choice. Why is music such an important part of being human? Music is an opportunity for us to emote on a subconscious level without needing to use words. It can allow listeners to understand how we are feeli ng at any give n mom ent, or understand the important aspects in our lives when we write music to define our innermost thought. Which internationally respected artists have you worked with? Ro nn ie La ws, T he Ri ppi ng ton s, Gr ov er Washington Junior, Kenny G, Tom Scott, Steve Oliver, Marcus Johnson, Jeff Kashiwa, Ce Ce Penniston, Deniece Williams, and Ernestine Anderson. What’s unique about your latest recording? I’d say that the most unique aspect of the recording is the live sound to it. Dwight Goodman did a lot of writing with me on this recording and he influenced the direction of the recording in a big way. He played keyboards and arranged many of the songs. The most unique aspect of the recording is that it is one of the freshest sounding smooth jazz records in the nation at this time. John Raymond, guitarist with Kenny G, mixed the record. He has always be en an im pe cca bl e a ud io eng in eer a nd guitarist, but he really stepped up to the plate on the current CD. He played a lot of guitar, and also mastered the record.
dynamics, phrasing, great tone, and building motifs. A great solo builds from beginning to end and the audience should feel exhilarated when a solo is finished. It’s very similar to love making: every time is different and should be a journey, and a reflection of how one feels at a specific time in his or her life. It is another way that humans can communicate on a higher level. Do you feel it’s your obligation to escort a star student into the professional arena by showing him, or her, the ropes? Of course, this is our job as musicians. We want to have quality music at “our” funerals as we pass the torch to our students. I would say, in general, that most jazz musicians are happy to pass on the tradition of jazz because it is an art form that is better “caught than taught.” Jazz education has come a long way since I was a boy in school. Our education at that time was to listen to records. I think that a lot of students no w r ead bo oks , s tud y s cal es, wo rk on technique, yet fall short when it comes to connecting with an audience. I host jam sessions for adults so that they can hone their musical skills. Additionally, I can work on my skills as a musician and educator. I learn many things about my playing from my students, and sometimes they teach me little tricks, mostly about style and how to inflect notes. Most of
professionals who come to our jam session every Sunday night at the Muckleshoot Casino in Auburn. Is there ever a time when a teacher should tell a seemingly hopeless or lazy student that he or she should choose another path? NEVER! I hope that I am clear. NEVER! I think that we lose sight of what music is. It’s a chance for us to experience another form of communication. Is the main reason to be a musician an opportunity to tell others that you
My life wouldn’t have substance without my wife, my children and my music. are better than them? NO! Music should be performed because it is FUN! I play to have fun and to relax and to meditate. When I perform I get lost in space and time. When I was in the 6th grade, I was last chair clarinet. I was terrible! When I was in college I was the least technically skilled saxophonist in school, but I continued to practice, to listen, and to try to become the best that I could be. For example, if John Coltrane came to our jam session and played a solo that made angels cry, and then I
Which songs are getting the most airplay at this time? “Love You Just So Much” and “Double Cache`” When is your next project going to be released? I’m almost finished with it now, although “almost” could be three months or six months. The older we become, the more our time becomes valuable and the people that I work with become busier as they become more su cc ess fu l. A dd iti on all y, wr it in g s on gs sometimes takes minutes to accomplish, and sometimes melodies simmer inside of us, waiting to mature before they are recorded. You are also a music educator. Explain the concept of tension and release and how it applies to jazz. Any good song should tell a story. Jazz especially allows musicians the opportunity to tell a current story and build the story through 18
the musicians who attend our jams are highly ski lled t hough . In most c ases, they are professional musicians who keep the music exciting and fresh. Josephine Howell, Butch Harrison, Geoffrey Castle, Dominique…..just a sm all s am ple o f m us ici an s who a re
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
played a solo that was “my best,” well, we both would have succeeded. The intent of music is to perform “your best” at any given time and compare your solos to your ability. Always Continued on page30
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NW JAZZ PROFILE
Thomas Marriott Trumpet & Flugelhorn – Seattle, WA Tell us about your academic background. I don’t have much of one. I went to Garfield High School and the University of Washington for a while. Which internationally respected jazz artists have you worked with? When I moved to New York, I was on Maynard Ferguson’s band. After that, I worked very briefly with the Tito Puente Orchestra just after Tito passed away. That band had a lot of great musicians in it at the time. I worked with Rosemary Clooney for a bit after that. I did a couple of gigs with Eddie Palmieri and subbed a few times with The Chico O’Farrill Orchestra. I played in Joe Locke’s “Wire Walker” band and I am also featured on his newest album. I have worked gigs with Richie “Alto Madness” Cole, Eric Reed, Bryan Lynch, Bobby Shew, Pete Christlieb, Kenny Kirkland, Gary Smulyan, Dennis Irwin, Dafnis Prieto, The Les Brown Band, and lots of others. I have played in bands that have backed-up Jimmy Heath, James Moody, Maria Schneider, Celia Cruz, Gerald Wilson, Natalie Cole, Dianne Schuur, Ernestine Anderson, Manhattan Transfer, and some others. Lately, I have had the pleasure of working quite a bit with Hadley Caliman. Tell us about your latest recording. Who produced it? Where was it recorded? Who’s on it? What’s unique about it? Include release date and label. My newest recording is entitled “Flexicon.” It came out last April on Origin Records and spent almost 14 weeks on the national jazz chart, making it into the top ten. I recorded it at Robert Lang studios in March of 2008. It’s a self-produced album that features Jeff Johnson (bass), Bill Anschell (piano & Rhodes), Matt Jorgensen (drums), Mark Taylor (saxophone), and Joe Locke (vibes). What were some of the obstacles you had to overcome to make the project a reality? The financial obstacles are always the most prevalent in any recording project because you have to pay the musicians, the studio, etc. Also, the night before we went into the studio to record “Flexicon,” my daughter, who was six months old at the time, kept me up literally all night. It was a rough session! Where do you start when you’re composing 20
original music? Do you start with the melody, the harmonic structure, the rhythm or a motif? Sometimes, I start with the melody and try to figure out the form and find chords that fit the melody, and sometimes, I start with a
what jazz musicians have always done, which is to play compelling music and to reinterpret the popular music of the day. I think there are also some really amazing musicians that are weak performers, and I think that that is something we need to think about if we are going to gain new fans.
“My life without music would be, in some ways, far simpler and easier. But as Kurt Vonnegut says, “Being an artist is a crummy way to make a living, but it’s the only way to live as a human being.”
In what other countries have you performed? What was the occasion? I have performed in Germany, France, Spain, The Netherlands, Italy, Luxemburg, Canada & Mexico. Mostly at festivals with various bands I have been on, but with my own bands a little too.
progression and go from there. Other times, I will think of the type of tune I need to write— something fast, something with even eighths, something modal, something dramatic—and
Other than your new recording, what good things have been happening for you during the last several months? I am lucky enough to be working on a second album with Hadley Caliman which is due out this fall. I have been busier and busier out of town, playing with my own band as well, which has really been a blessing. I have been really having fun playing with the Washington Composer’s Orchestra lately too; there are lots of great players in the band and interesting music. It’s also a challenge because the music is very difficult for me. What does success mean to you? Professional success would be working all the time just playing music that I was personally invested in.
see what comes to mind. I think to myself, “If I were going to write this certain type of tune, what would it sound like?” Then, I write down some ideas and see which ones fit together and work it out from there. Do you ever get composer’s block? If so, how do you find inspiration? I am a pretty novice composer, so I get writer’s block all the time. I usually just put on some records I like and ask myself, “What is it about this that I like?” Then, I try to steal that thing! Are you involved in jazz education? If so, what are the most unique aspects of your teaching method? I am not involved in Jazz Education. Jazz represents only two percent of all music sold. Can jazz grow a new fan base? I think jazz can grow a new fan base by doing
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
Give us your performance schedule for September and October? I am doing a tribute to Horace Silver with the great Canadian Tenor player, Cory Weeds, in Vancouver on Labor Day weekend. Then, he’s coming down to Seattle and we are going to do it again at the New Orleans on September 6th with Travis Shook who will be visiting from New York. Tula’s with Hadley Caliman on the 18th of September and October 9th, then a few shows at the Earshot Festival with Greg Williamson, and also with the Washington Composer’s Orchestra. Those are the highlights – but the full schedule is up on my website at www.thomasmarriott.net!
Thomas may be contacted at: Email address: tom@thomasmarriott.net www.thomasmarriott.net
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NW JAZZ PROFILE
Steve Kim Bassist, Educator - Seattle WA He has been commissioned to compose for the Southern Arts Council, the Seattle Arts Commission, choreographers Bill Evans, Clay Talefero and Jeff Bickford, and northwest filmmaker Eric Patton. In 1987 Steve served as a cultural ambassador representing the City of Seattle in Japan, and in 1989 was honored as a Centennial Artist during the Washington State Centennial Celebration. In 2007 he returned to Japan, touring with guitarist Brian Nova & Vibraphonist Kiyoko Ami. He has studied bass with Ray Brown, Gary Peacock and composition and improvisation with Charlie Banacos. Steve Kim is faculty in the music department at Shoreline Community College, and is an adjunct to South Seattle Community College. In addition, he has taught at Pacific Lutheran University, The National Guitar Workshop, The Experience Music Project and the Roberts Music Institute. His second solo recording, entitled The Book Of Changes, was released in the fall of 2005. Currently Steve is composing music for a recording due in late Fall 2009.
Steve Kim is an accomplished bassist, composer and educator. He currently appears in a duo with guitarist Don Mock playing original music and jazz repertoire. He has also performed with Larry Coryell, Alphonse Mouzon, Carter Jefferson, Dave Valentine, Jay Thomas, Scott Cossu, and Brian Nova.
Steve Kim www.kimpossibilities.net kimspeak@cablespeed.com (206) 767-9090
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NW JAZZ PROFILE
Fon Morcus European Drum Soloist Auditions for America’s Got Talent
tired because they have to judge everything, whether it’s good or bad, and all they want to do is go home. So, they asked me to wait outside for about five minutes and then a person came out and explained to me that when I asked to do the solo for the last show, I was actually refusing to do what the judges wanted me to do in order to be on the show. So, he told me I couldn’t be on the show this year and said maybe next season.
David Keys: Fon, I was blown away when I saw your video on YouTube. Your drum solo work is really impressive. You sound like Buddy Rich and Louie Bellson rolled into one with your own personal touch on top. Fon Morcus: Thanks for saying that David. DK: Tell me ab out y our ex perie nce auditioning for America’s Got Talent. Did you make it on the show? FM: Well, I screwed up. I got there at 7:45 am and my audition was at 4:50 pm, so I had to wait for nine hours to see the judges. They asked me all kinds of questions: “How old are you? What do you do for a living? Wh at co un try a re yo u f ro m? Wh at instruments do you play? Why do you think you can win? And what would you do if you won?” Then they looked at my video on their laptop and asked me if I would be willing to do my solo on the show. And here is where I screwed up; I asked them if I could save the solo for the last show. That was the wrong thing to say. You don’t ask them questions. They’re
FM: I think I will try again next year and, if I win, I’ll donate the money to animal shelters. I love all kinds of animals. I would also donate a lot of my time to teaching young kids to play music. DK: When I saw your show last November in Olympia, you were the only one who got a standing ovation. There were many talented people on stage that evening, but for me, you were the main event. Are you planning to do a new show in the near future? FM: I might be able to do something in late November at the Washington Center for the Performing Arts in Olympia. Organizing 60 performers who are dancing, singing and playing takes a lot of rehearsal and I need time to blend all those elements into a smooth, professional presentation. DK: Will you be ending the show with another special solo like you did last year? FM: Yes. I’ll be soloing with 2001: A Space Odyssey. DK: I can’t wait to see and hear it. Make sure you let us know the date and time for the show.
DK: You have great speed and technique in your playing and I think if you got on the show, you would impress the judges and the viewers. Are you going to try again next year?
You can see and rate Fon’s drum solos on YouTube. Make sure to add your comments. He may be reached at 360-701-2235. Write to him at 1 030 N. E. He ns ley S tre et, O lym pi a, Washington, 98516.
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NW JAZZ PROFILE Will the group be touring to support the release? We definitely plan to tour and we have already started laying the ground work for that. We plan to tour locally, regionally, nationally and hopefully internationally as well.
Cole’lition Jazz is more than just notes in time, it’s also very stimulating and thought provoking. When I allow myself to be completely absorbed in the music, whether performing or enjoying fellow artists, I am able to invoke whatever emotion is needed at the time How long has the Cole’lition been together? Since 1994 Are there any new members in the band? Yes, if you visit our website you will see the caption “a whole new thang.” What that means is that around August 30th, 2009, you will see a whole new website representing the new Cole’lition; it is, I think, the “the right mix” of young exciting musicians and seasoned mature musicians. We now have Chris Fuller on keyboards, Ivan Payne on drums, and Howard Molstrom on sax. This new band has a feel and sound all its own and I’m very excited about sharing our gifts. Tell us about your new recording. We are currently in production now. Before we move on I just want to give honor to a fallen friend, producer and sound engineer. Tom Phafel helped produce and engineer our last project and was scheduled to work on this on but was tragically taken from us and we will miss him.
To answer your question, we are working with a number of producers including members of TriQuad productions, Chris Fuller and Michael Cole, Jr. They have a song on Day 26’s new project (Diddy’s new group). My friend Grady Wilkins of the Whispers will be helping if things work out and John Raymond will be doing some mixing as well. This project will be released in two phases, first a pre-release marketing CD (4 tracks) early fall 2009 and the full project later in early 2010. It’s going to be hot and different from anything we have done in the past. It’s titled “The Right Mix.” Do you have any release parties scheduled? We are hoping to do a pre-release party in the early fall 2009. Believe me, the word will definitely be out and we plan to do quite a bit of marketing in most all media. How are you planning to market the project? Well, definitely the internet, some print, live performances and an important element that some of us don’t realize is a must, and that’s why we will be working with a record promoter to get that precious air play on terrestrial, satellite and internet radio. Our last CD got some good airplay in Europe so we plan to market there also.
Emmanuel del Casal Jazz and funk bassist, Emmanuel del Casal, has been a performing and recording artist for over 20 years. Working with notable artists such as Grammy Award-winning Daniel Lanois and Charles Neville of the Neville Brothers, Emmanuel’s musicianship has granted him extensive musical experiences and taken him many places around the world, from Asia to London. Emmanuel’s versatile groups capture the classic and traditional idioms of jazz as well as contemporary modern jazz. For critical listening in a concert setting, or creating the perfect ambient mood for a classy cocktail mixer, Emmanuel del Casal and his jazz groups bring everything right in the groove. Elevate your special event with Emmanuel del Casal. 26
His jazz ensembles can be enjoyed every weekend at The Georgian in The Fairmont Olympic Hotel. Jazz duo featuring Emmanuel and guitarist Dan Sales: Fridays 6pm-10pm and Saturdays 6pm-8pm. Jazz quartet featuring Andre Thomas on drums and Dan Sales with guest vocalists Stephanie Porter, Makini Magee, and Keely Whitney: Saturdays 8pm-10:30pm. For bookings and information: Phone: 866-771-2500 Email: emman@smoothgroove.net Web: www.smoothgroove.net and www.myspace.com/emmanueldelcasal
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
What were some of the obstacles you had to overcome to make the project a reality? Well, without a major label behind us financing, is a challenge but we are making it. As I mentioned earlier, we were slated to do the major live recording at the Tank Studios but we have to find the right room to complete live tracking. I think we are pretty much on schedule though. What good things have been happening for the band during the last year? David, I am so excited about just creating good music. The new members have been fabulous, performing in town. We have a major industry contact we a working with now and that is wonderful. Cole’lition will have a new look, feel and sound without compromising our foundation. I think just loving what we do and being able to continue to share our gift is wonderful. What is the key to Cole’lition’s staying power? Why is the band so popular? Perseverance and just being blessed. As far as being popular, I can’t answer that, but we are sincere and we bring it from the heart. We are on a mission to make people feel good and positive about their experience with Cole’lition. Give us your performance schedule for September and October. Well David, right now it’s mainly studio work and finishing the project, but I am sure if everyone visits us at www.colelition.com they can see where we will be. Discography: On The Move, Seventh Power, and The Right Mix is in production. www.colelition.com
The Collective
Randy Wallace
Michael Jaap Williams
Garey
The Collective, formerly The Jazz Collective, is based on a collaboration that actually started in 1974 when Randy Wallace and W. Michael Jaap first played music together. In a recent interview, Randy stated “Mike Jaap has been a musical mentor and close friend for 35 years.” In 1993, The Jazz Collective was formed with W. Michael Jaap on keys, Kurt Kolstad on drums, and Randy Wallace on guitar. Since then, the group has played venues throughout the Northwest with great success. The decision to change the name of the group after all these years is based on the fact that the group is able to play many styles of music— not only Jazz, give clients exactly what they are looking for, and essentially customize the event for them. The Collective is able to draw on a “collective” of musicians, singers, horn players of all styles and perform in any configuration from a duo to an eight-piece horn band with a female or male lead vocalist. Randy Wallace states, “I believe the key to our success is and always has been client satisfaction.” One of The Collective’s recent projects has been recording a CD for Ron Bates, who is an Olympia based entertainer, well known for his Supper with Sinatra Dinner Shows. The CD was produced by W. Michael Jaap and features Kurt Kolstad on drums and Randy Wallace on g uit ar. The re ar e als o g ue st app eara nces on the CD b y St eve Sarandos, a good friend and NW sax pl ayer, as wel l as Jef f Ma son on Ron Bates harmonica and trombone. Ron Bates is donating a percentage of the proceeds of his CD to our beloved friend and brother, Kurt Kolstad, who has been suffering with cancer. In Kurt’s absence, we have been blessed to have Garey Williams with us on drums. We also recently did a collaboration with Michael Prendergast, an LA based singer by way of Missoula, Montana. Michael will be appearing with The Collective on October 2nd at Baker Street Books in Black Diamond, Washington. Also appearing will be Sidney Wallace (Randy’s wife) who is the former lead vocalist for Apricot Brandy. The Collective’s focus is to provide clients with exactly what they envision their event to be, whether it is jazz, rock, or dance, and to be able to do it by utilizing a collective of the Northwest’s finest musicians.
Michael Prendergast BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
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BLUES
Randy Oxford - ‘Bone Man’
Randy Oxford - trombonist, Blues Performer of the Year, and notorious wild man- has been honored more than 25 times since returning to his home state of Washington several years ago, following a European Tour of duty with the U.S. Army band. He has won multiple Best Horn awards, Entertainer of the Year, Keeping the Blues Alive, as well as induction into the Washington Blues Society’s Hall of Fame. Randy plays the trombone as a lead instrument, inventing a path through the chord progressions, sometimes mimicking the guitars around him, and sometimes taking them with him on one of his wild rides. Symphony conductors have
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admired his tone, but he also knows how to rip a sound or turn it into an animal call. Randy has become a Northwest favorite—hosting popular invitational jams at various venues in the area and also leading his very successful band. Randy has appeared on more than 30 CD’s, including four of his own. One of these, the lively Memphis to Motown, gained recognition as a finalist at the International Blues Challenge in Memphis, Tennessee. His growing popularity nationally has resulted in a regular gig as Jam Host on the Legendary Rhythm and Blues Cruise.
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
The Randy Oxford Band reflects the energy and talent of its leader, showcasing top-notch musicianship, daring arrangements, and an eclectic style Randy calls urban blues. The sixpiece band features Jada Amy on vocals, Eliud Atondo on bass, Asial Gutierras on drums, and tw o gui ta ris ts —Jh o Ble ni s a nd Ra fa el Tranquilino. The two guitarists back each other during solos and, with Randy’s killer trombone, give the band its characteristic big, rich sound. Th e in terp lay bet ween the se perf orme rs pr ov ide s the a udi en ce wi th so met hi ng entertaining to watch, as well as to hear. For mo re in fo rm ati on ab ou t R an dy, v is it randyoxford.com.Asial Gutierras
BLUES
Swingin’ On Sixth Avenue! Eight years ago, Seattle veteran jazz and blues singer Maia Santell married Gary Grape, native Tacoman and entertainment buyer for the Tacoma Events Commission. Little did she know, she’d soon become part of a vibrant, th ri vin g Sou th So un d d an ce sc ene — a community of dancers hungry for live music and a dance band a la “Dancing With The Stars.” Thanks to the old Brickyard Bar and Grill (on 56th Street in South Tacoma), Santell and her ba nd, “Ma ia San tell an d H ous e Bl end ,” established a fan base that flourished in 2002 with swing and ballroom dancers. Fans traveled from as far north as Arlington and as far south as Chehalis to shake a leg and cut a rug to the mix of rhythms and tempos that her band offered up. Today, seven years later, Maia and her band are pa rt of a ne two rk of d anc e e ve nts a nd productions around the Northwest that pairs up with top-notch dance coaches and instructors. Among the many dance events they perform for (USA Dance Tacoma, USA Dance Olympia, Seattle Singles Yacht Club, Northwest Dance Network, Sonny Newman’s, Seattle Sunday Swing at China Harbor), Maia’s favorite (held in her own backyard) is Studio 6 Ballroom in Tacoma’s Entertainment District — founded and operated by master dance coach, Natasha Thayer. On Wednesday, Sept 16th, Studio 6 Ballroom and the Sixth Avenue Business Association present the fifth monthly Progressive Dinner — a restaurant walk that features delectable samples and ample portions of food from restaurants along the avenue, followed by live music by Maia Santell and House Blend. After feasting on tasty fares, the satisfied crowd joins up at Studio 6 Ballroom (2608 6th Ave, Tacoma)
for dessert, coffee, tea and live blues, swing, La tin , j azz st and ards an d c ont emp ora ry favorites. You can dance or just kick back and listen on comfy sofas and floor cushions. If it’s just dancing you’re interested in, arrive early for a dance lesson by Natasha or one of her great team of instructors. Once you’ve sampled a delicious cuisine, paired with the talents of music and dance, you’re sure to come back for refills!
Maia Santell
and House Blend Live in September 13th China Harbor, Seattle, 8pm 16th Studio 6 Ballroom, Tacoma, 8pm 27th Johnny’s Dock, Tacoma, 5pm For booking and information on upcoming performances contact Maia at Santellswings@comcast.net or see: www.MaiaSantell.com For information on dance instruction, special events and the Sixth Avenue Progressive Dinner, contact Natasha Thayer at 253-9055301, Natasha@Studio6Ballroom.com or www.Studio6Ballroom.com What’s in the magic potion that makes you and Stickshift Annie such a successful team? Even the lousiest gig beats watching TV.
Kimball Conant The one thing you must realize about blues is…it’s anything but sad.
BIG FUN IS SEEKING AD SALES PROS REPS WRITERS, CD/DVD REVIEWERS, DISTRIBUTORS 253-473-1866 info@bigfunmagazine.com feel and I have been through that too.”
Other than choosing a career in music; what is the most adventurous or dangerous thing you have ever done? Live in Paraguay for four years.
What’s in the magic potion that makes you and Kimball Conant such a successful team? It is respect, from my perspective. I respect Kimball’s craft; he is an excellent guitar player and musician. I think we have a great time performing together, and we share a common respect for the songs we perform, the other musicians we perform with, and the people that come to see us play. We enjoy what we do and have become good friends with many of the folks that come out to see us. It gets back to that previous statement about the blues.
What do you want people to remember about you and your music? I played my ass off.
Other than choosing a career in music, what is the most adventurous or dangerous thing you have ever done? Bronze casting.
Stickshift Annie
What do you want people to remember about you and your music? I hope they can see and hear that I truly love making music, and that I am always striving to learn and improve. There is always somewhere else to go.
The one thing you must realize about blues is…that it is not about making people sad or blue. Blues is really about making people feel better by sharing their experience and saying, “ I understand how you
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
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Darren Motamedy Continued from page 18 strive for excellence. The day you don’t care about your performance is the day that you lose. As far as the lazy or hopeless student? Their course will be determined by their abilities and their determination. I can only encourage students with “how to practice.” Their job is to take my ideas and work them into their routine. A lazy and hopeless musician will probably not be a working musician. A musician without a lot of “natural ability” is the real challenge. How does one help that musician achieve their goals? It all comes down to pr ac tic e. E xc ell en ce co mes f rom 9 9% perspiration and 1% inspiration. FAMILY LIFE What attracted you to the love of your life? I was attracted to Anita because she was absolutely beautiful. Then, when I got to know her, I came to realize that she had a mission to raise our children and allow them to become confident in themselves. She is an amazing homemaker, interior designer, and a fantastic mother and best friend. After 13 years of marriage, she is even more beautiful inside and out. Tell us about your children. I have three lovely children, Michele, 19, Christina, 17, and Spencer, 10. They are great people, great children, and excellent life-long friends of mine.
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What are the keys to balancing the different facets of your professional life with your family life? This is probably the number one challenge in my life, as I am a professional musician and work three to five nights a week, and I am an educator and work five days a week. I am the financial provider for my family and my wife is the glue that holds our family together. I would have to say that balancing my professional life with my family life is really difficult. I am passionate about both, and there are times when I see my children for minutes a day; that is very hard on me emotionally. This is why I am so proud of my wife for choosing to be a stay at home mother. She keeps my children centered. How often are you able to take family vacations? We take a cruise almost every year, although recently we have been going to Las Vegas for mini family tours. Would you ever encourage one of your youngsters to enter the music business? I would encourage my children to become musicians, although I would highly encourage them to additionally study something to fall back on. I am a musician and also a music educator. I have been able to teach music in the Kent School District to supplement my performances. I think I am really lucky because I love to play and I love teaching music and band to my students. What is your favorite family activity? My favorite family activity is doing home
BIG FUN ENTERTAINMENT, ARTS & LEISURE GUIDE • SEPTEMBER, 2009
improvements with my wife. I would play video games with my son, except I find that he destroys me within 30 seconds of our play together and I end up watching him until his turn is over 15 minutes later. I do love going to movies with my son, having sleepovers, and watching our favorite movie together, Napoleon Dynamite. Other than choosing a career in music; what is the most adventurous or dangerous thing you have ever done? I did two cross country hikes in the Olympic Mountain Range with my best friend. We didn’t see people for a week, and I must admit that each step on the mountain is one that must be perfect. One misstep, and you would fall and bounce thousands of feet down the mountain. I was in a constant state of vigilance while hiking and camping in that situation. What do you want people to remember about you and your music? I would like people to remember that I am a nice man who plays music. Di sc ogr ap hy : 19 89- Mo tto re tt i/F ir st Generation, 1992-Mottoretti/Square One, 1995- Peace/Dar ren Mota medy Chri stmas Album, 1995-Dangerously Close, 1999-It’s All Good, 2002-Relax Your Mind, 2005-Darren Motamedy: The Best of Smooth Jazz, 2007Don’t Cha Know, 2009 or 2010 (New record to be release) Check out www.darrenmotamedy.com for Darren’s performance schedule.
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