Wandelweiser 6

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Further Reading Version of record first published: 17 May 2012

To cite this article: (2011): Further Reading, Contemporary Music Review, 30:6, 543-549 To link to this article: http://dx.doi.org/10.1080/07494467.2011.676903

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Contemporary Music Review Vol. 30, No. 6, December 2011, pp. 543–549

Further Reading This list is a summary of writing by or about the Wandelweiser composers. Many of the texts are available online at the Edition Wandelweiser website, in addition to the original printed sources. Where English translations of German texts are available, information is given subsequent to the main entry, in square brackets.

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Baumgartner, P. (2011). Erfahrungen mit stu¨ck 1998‘‘ von Manfred Werder. Sonic Bloom. Retrieved 5 August 2011, from http://www.sonic-bloom.ch/texte_essays_werder.html. Beuger, A. (1999a). Grundsa¨tzliche Entscheidungen. Positionen, 41, 8–9. Reprinted in E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der WandelweiserKomponisten (pp. 116–121). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http://www.timescraper.de/beuger/ABTexte.html. Beuger, A. (1999b). die kunst, die liebe. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 142–143). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http://www.timescraper.de/ beuger/ABTexte.html. Beuger, A. (2001). Programmnotiz. andere saiten, Kunstraum Du¨sseldorf, March– October 2001 [programme book]. Reprinted in E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (p. 11). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http://www.timescraper.de/ beuger/ABTexte.html. Beuger, A. (2003). Nichts als der Ort. KunstMusik, 1, 14–21. Dieterle, M. & Kamm-Gabathuler, S. (2008). Moments Musicaux – Mouvements Musicaux. Zu¨rich: Edition Howeg. Frey, J. (1996). Es gibt das Leben [Life is present]. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/frey/JFTexte_d.htm. Frey, J. (1998). Architektur der Stille [Architecture of silence]. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/frey/JFTexte_d.htm. Frey, J. (1999a). Wo ist das Stu¨ck?. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 62–63). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http://www.timescraper.de/ frey/JFTexte_d.htm. Frey, J. (1999b). Material. Positionen, 38, 22–25. Reprinted in E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 12–25). Zu¨rich: Edition Howeg.

ISSN 0749-4467 (print)/ISSN 1477-2256 (online) ª 2011 Taylor & Francis http://dx.doi.org/10.1080/07494467.2011.676903


Further Reading

Frey, J. (2008a). Und weiter ging’s [And on it went]. KunstMusik, 11, 2–7. Retrieved 23 June 2011, from http://www.timescraper.de/frey/JFTexte_d.htm. Frey, J. (2008b). Raum. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 26–33). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http://www.timescraper.de/frey/JFTexte_d.htm. Frey, J. (2008c). Weite der Landschaft – Tiefe der Zeit. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/frey/JFTexte_d.htm. Fricke, S. (1999). 3 Jahre, 156 musikalische Ereignisse, eine Skulptur: Ein Projekt in der Zionskirche, Berlin-Mitte. Neue Zeitschrift fu¨r Musik, 6, 20. Glover, R. (2010). Michael Pisaro’s pi and numerical representation. Cerenem Journal, 1. Retrieved 23 June 2011, from http://www2.hud.ac.uk/mhm/mmt/ research/cerenem-journal/issue-1.php. Gottschalk, J. (2008). Perception and actuality: An application of William James’s experiential approach to the music of Alvin Lucier and Michael Pisaro (Unpublished doctoral dissertation, Northwestern University, 2008). Grant, M. J. (1999). Dynamik des Besta¨ndigen. Positionen, 41, 39–41. Grant, M. J. (2000). Vergangenheit, Gegenwart und Zukunft vereint: Zum Projekt 3 Jahre—156 musikalische Ereignisse—1 Skulptur in Berlin. Neue Musikzeitung, 2, 32. Houben, E.-M. (2000a). Antoine Beuger: unwritten page – Unscha¨rfe des Scharfen, Scha¨rfe des Unscharfen. In Houben, E.-M (Ed.), Alte Musik mit neuen Ohren. Schubert – Bruckner – Wagner – . . . (pp. 62–72). Saarbru¨cken: PFAU Verlag. Retrieved 23 June 2011, from http://www.timescraper.de/beuger/ABTexte.html. Houben, E.-M. (2000b). Vera¨nderung des Ho¨rens durch Grenzerfahrungen. In E.-M. Houben (Ed.), Alte Musik mit neuen Ohren. Schubert – Bruckner – Wagner –. . . (pp. 8–15). Saarbru¨cken: PFAU Verlag. Retrieved 23 June 2011, from http:// www.timescraper.de/houben/emhtext1.html. Houben, E.-M. (2004). stichnoten: ein vorlesebuch. Berlin: Edition Juliane Klein. Retrieved 23 June 2011, from http://www.timescraper.de/houben/emhtext1.html. Houben, E.-M. (2005). Situationen des Ho¨rens. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 64–69). Zu¨rich: Edition Howeg. Houben, E.-M. (2006). Ja‘‘ sagen. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 74–78). Zu¨rich: Edition Howeg. Houben, E.-M. (2007). Laissez vibrer!‘‘. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 130–138). Zu¨rich: Edition Howeg. Houben, E.-M. (2010). Presence–silence–disappearance. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/houben/presence.html. Houben, E.-M. & Schlothauer, B. (Eds.). (2007). MusikDenken: Texte der Wandelweiser-Komponisten. Zu¨rich: Edition Howeg. ‘‘

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Further Reading

Houben, E.-M. & Maxelon, M. (2010). ho¨rbilder. lesestu¨cke zum ho¨ren – ho¨rstu¨cke zum lesen. partiturbilder – bildpartituren. Zu¨rich: Edition Howeg. Houben, E.-M. & Zelenka, I. (2009). 1 Milieu – ein Buch nicht nur zum Lesen. Zu¨rich: Edition Howeg. Jackson, J. & Miller, A. (2011). 2005(1) Manfred Werder. anteroom. Retrieved 5 August 2011, from http://www.anteroom.net/?p¼106. Kaiser, M. (2001). ohne Titel. andere saiten, Kunstraum Du¨sseldorf, March–October 2001 [programme book]. Reprinted in E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (p. 61). Zu¨rich: Edition Howeg. Karallus, M. (2011, August). Das Wesen des Klangs . . .’’. Der Holla¨nder Antoine Beuger. MusikTexte, 130, 38–43. Ko¨sterke, D. (1998). Starke stille Ga¨ste – Aus der Umgebung von John Cage. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/DK2.html. ¨ ber den Komponisten Antoine Beuger. Edition Wandelweiser. Ko¨sterke, D. (1999a). U Retrieved 23 June 2011, from http://www.timescraper.de/DK3.html. Ko¨sterke, D. (1999b). ‘‘. . . die ich dringend brauche . . .’’ – Musik und Lebensart der Wandelweiser. Edition Wandelweiser. Retrieved 23 June 2011, from http:// www.timescraper.de/dk1.html. ¨ Kosterke, D. (n.d.). Neunstu¨ndige Inse. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/DK4.html. Lely, J. (2012 [forthcoming]). Commentary: 20051. In J. Lely & J. Saunders (Eds.), Word events: Perspectives on verbal notation. New York: Continuum. Mettler, M. (1996). Handschriften des Zufalls. Manfred Werder horcht Kla¨nge aus. du, 5, 72–73. ¨ berraschend: die Urauffu¨hrung Meyer, T. (1998). Vielfa¨ltige Klanglandschaft – U von ‘‘Weisse Bewegung’’ von Alfred Zimmerlin. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/zimmerlin/AZTexte.html. Montgomery, W. (2012). Five ways of looking at Manfred Werder. Wolf Notes, 3, 14– 16. Mu¨ller, P. (2002). Manfred Werder. Contemporary Swiss Composers. Zu¨rich: Pro Helvetia. Nauck, G. (2000). Am Rande der Wahrnehmung. Gespra¨ch mit Rolf Julius, Klaus Lang und Carlo Inderhees. Positionen, 44, 10–15. Philippakopoulos, A. (2005). Die Mo¨glichkeit der Melodie. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (p. 129). Zu¨rich: Edition Howeg. Pisaro, M. (1997a). Der Untergrund der Zeit [Time’s underground]. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/pisaro/ MPTexte_e.html. Pisaro, M. (1997b). Ein Instrument mit vier Faltungen [One instrument with four folds]. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.time scraper.de/pisaro/MPTexte_e.html. ‘‘

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Further Reading

Pisaro, M. (1998). Hit or miss. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 53–60). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http://www.timescraper.de/ pisaro/MPTexte_e.html. Pisaro, M. (2004/2006). Elf Thesen zum Stand der Neuen Musik (nach Alain Badiou) [Eleven theses on the state of new music]. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 53–60). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http://www.timescraper.de/ pisaro/MPTexte_e.html. Pisaro, M. (2006). Harmony series. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 139–141). Zu¨rich: Edition Howeg. Pisaro, M. (2008). James Benning, musician. In B. Pichler & C. Slanar (Eds.), ¨ sterrreichisches Filmmuseum/ James Benning (pp. 232–237). Vienna: O SYNEMA. Pisaro, M. (2009a). On difficulty. In M. Greil (Ed.), Best music writing 2009 (pp. 174– 179). New York: DaCapo Press. Pisaro, M. (2009b). Wandelweiser. Erstwords. Retrieved 3 July 2011, from http:// erstwords.blogspot.com/2009/09/wandelweiser.html. Pisaro, M. (2009c). Writing, music. In J. Saunders (Ed.), The Ashgate research companion to experimental music (pp. 27–76). Farnham, UK: Ashgate. Pisaro, M. (2011). nicht alles, nicht nichts: etwas: The opposing tensions of John Cage’s 0’00’’ and Roaratorio. TACET: Experimental Music Review, 1, 110– 125. Pisaro, M. (2012 [forthcoming]). Ten encounters (A personal text score history). In J. Lely & J. Saunders (Eds.), Word events: Perspectives on verbal notation. New York: Continuum. Saunders, J. (2004a). Antoine Beuger. In J. Saunders (Ed.), The Ashgate research companion to experimental music (pp. 231–242). Farnham, UK: Ashgate. Reprinted as: Saunders, J. (2011). ‘‘Zeit ist niemandes Eigentum’’. Ein EmailInterview mit Antoine Beuger (Dezember 2003 bis Ma¨rz 2004) (G. Gronemeyer, Trans.). MusikTexte, 130, 44–50. Saunders, J. (2004b). Manfred Werder. In J. Saunders (Ed.), The Ashgate research companion to experimental music (pp. 353–358). Farnham, UK: Ashgate. Saunders, J. (Ed.). (2009). The Ashgate research companion to experimental music. Farnham, UK: Ashgate. Saunders, J. (2012a [forthcoming]). Commentary: one tone. rather short. very quiet. In J. Lely & J. Saunders (Eds.), Word events: Perspectives on verbal notation. New York: Continuum. Saunders, J. (2012b [forthcoming]). Commentary: Only. In J. Lely & J. Saunders (Eds.), Word Events: Perspectives on verbal notation. New York: Continuum. Schlothauer, B. (1995). Gedanken u¨ber das Klavier. Retrieved 3 July 2011, from http://www.kompositionskunst.de/Texte/abtasten.htm.


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Schlothauer, B. (1998). Gedanken zu ‘‘posaune blasen’’ und ‘‘aus atem’’. Edition Wandelweiser. Retrieved 3 July 2011, from http://www.kompositionskunst.de/ Texte/Gedanken%20zu%20blasen%20und%20atmen.htm. Schlothauer, B. (2000). Die Vergeblichkeit der Antwort. Positionen, 42, 46–48. Retrieved 23 June 2011, from http://www.kompositionskunst.de/bustexte.htm. Schlothauer, B. (2002a). Etwas u¨ber Wandelweiser. Edition Wandelweiser. Retrieved 3 July 2011, from http://www.kompositionskunst.de/Texte/wandelweiser.htm. Schlothauer, B. (2002b). John Cage – Komponist. Edition Wandelweiser. Retrieved 3 July 2011, from http://www.kompositionskunst.de/Texte/cage.htm. Schlothuaer, B. (2002c). Programmtext des 2.Wandelweiserfestivals in Berlin 2002. Edition Wandelweiser. Retrieved 3 July 2011, from http://www.kompositionskunst.de/bustexte.htm. Schlothauer, B. (2003a). Zellula¨r – eine Performance von Antoine Beuger im Kunstbunker Mai 2003. Edition Wandelweiser. Retrieved 3 July from http:// www.kompositionskunst.de/bustexte.htm. ¨ berlegungen zum Terminus. In P. N. Schlothauer, B. (2003b). Reduktion – kritische U Wilson (Ed.), Reduktion: Zur Aktualita¨t einer musikalischen Strategie. Mainz: Schott Verlag. Retrieved 23 June 2011, from http://www.kompositionskunst.de/ bustexte.htm. Schlothauer, B. (2003c). Zur Funktion zeitgema¨sser Kunst. KunstMusik, 1, 41–48. Schlothauer, B. (2004). Seven (1988), 15 similar events (2002) [CD liner notes]. Haan: Edition Wandelweiser Records. Retrieved 23 June 2011, from http:// www.kompositionskunst.de/bustexte.htm. Schlothauer, B. (2005a). Vom ,Scho¨n-Finden’! Fu¨r eine Revision des Verha¨ltnisses von Tonkunst und Scho¨nheit. Positionen, 64, 21–4. Reprinted in E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 79–96). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http:// www.kompositionskunst.de/bustexte.htm. Schlothauer, B. (2005b). ChamberEvents [CD liner notes]. Haan: Edition Wandelweiser Records. Retrieved 23 June 2011, from http://www.komposition skunst.de/Texte/Kammermusik%-20CD-korrigiert.htm. Schlothauer, B. (2006a). Musik-Zeit-Leben-Raum. Edition Wandelweiser. Retrieved 3 July 2011, from http://www.kompositionskunst.de/Texte/KunstraumTextBuLang.htm. Schlothauer, B. (2006b). Was ist Musik? Einige Definitions-versuche. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der WandelweiserKomponisten (pp. 122–128). Zu¨rich: Edition Howeg. Schlothauer, B. (2007a). Abstrakte Musik. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 34–49). Zu¨rich: Edition Howeg. Schlothauer, B. (2007b). Fu¨hlbare Musik: Gedanken zu einem neuen Expressivita¨tsbegriff. Positionen, 73, 13–16. Retrieved 23 June 2011, from http:// www.kompositionskunst.de/bustexte.htm.


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Further Reading

Shepard, C. (2000). Excerpts from a letter to Dorothy Crisafulli – December 4, 2000. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper. de/shepard/CSTexts.html. Shepard, C. (2005). Remain silent. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (p. 97). Zu¨rich: Edition Howeg. Shepard, C. (2008). On foot. Zu¨rich: Edition Howeg. Shepard, C. (2012 [forthcoming]). Use of text notation. In J. Lely & J. Saunders (Eds.), Word events: Perspectives on verbal notation. New York: Continuum. ¨ sthetik der Steins, H. (2010). Seelenverwandtschaft im Zeichen der Stille: Zur A Edition Wandelweiser. MusikTexte, 125, 85–88. Stiegler, T. (2004). Klang/Ko¨rper. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 50–52). Zu¨rich: Edition Howeg. Straebel, V. (1999a). Kunst der Reduktion: Carlo Inderhees/Christoph Nicolaus: garonne (24) fu¨r sich. Positionen, 38, 14–16. Straebel, V. (1999b). 3 Jahre—156 musikalische Ereignisse—1 Skulptur. Dissonanz, 62, 39–40. Retrieved 23 June 2011, from http://www.straebel.de/praxis/ index.html?/praxis/text/t-zionskirche.htm. Straebel, V. (2008). Aspects of conceptual composing. The Open Space Magazine, 10, 69–78. Retrieved 23 June 2011, from http://www.straebel.de/praxis/index.html. Vriezen, S. (2007). Componistengroep Wandelweiser. Samuel Vriezen. Retrieved 27 June 2011, from http://sqv.home.xs4all.nl/wandelweiser.html. Warburton, D. (2001a). The sound of silence: The music and aesthetics of the Wandelweiser group. Retrieved 23 June 2011, from http://www.wandelweiser.de. Warburton, D. (2001b). Radu Malfatti – ‘Die Temperatur der Bedeutung/Das Profil des Schweigens. Edition Wandelweiser. Retrieved 23 June 2011, from http:// www.timescraper. de/malfatti/RMTexte.html. Werder, M. (2001). Kompositorische Entscheidungen. Edition Wandelweiser. Retrieved 23 June 2011, from http://www.timescraper.de/werder/MWTexte2.html. Werder, M. (2005a). Das Klingen der Welt. In E.-M. Houben & B. Schlothauer (Eds.), MusikDenken: Texte der Wandelweiser-Komponisten (pp. 70–73). Zu¨rich: Edition Howeg. Retrieved 23 June 2011, from http://www.timescraper.de/ werder/MWTexte1.html [The sounding of the world (N. Melia, Trans.). Retrieved 23 February 2012, from http://www.soundsofeurope.eu/wpcontent/uploads/2011/11/the-sounding-of-the-world-Werder.pdf]. Werder, M. (2005b). La musique du silence, ou le ’’sonner’’ du monde. In P. Chartier & T. Marchaisse (Eds.), Chine/Europe. Percussions dans la pensee´. A partir du travail de Franc¸ois Jullien (pp. 106–108). Paris: PUF/Quadrige. Retrieved 23 June 2011, from http://www.times craper.de/werder/MWTexte.html. Werder, M. (2012 [forthcoming]). Text scores – Statement (1). In J. Lely & J. Saunders (Eds.), Word events: Perspectives on verbal notation. New York: Continuum.


Further Reading

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Werder, M. (2012b [forthcoming]). Statement on indeterminacy. In J. Lely & J. Saunders (Eds.), Word events: Perspectives on verbal notation. New York: Continuum. Wittrock, E. (2005). In der Wu¨ste der Stille – Ein Kommentar zu Michael Pisaro’s everyday. Retrieved 23 June 2011, from http://www.timescraper.de/pisaro/ MPTexte_d.html. Zama, Y. (2010a). Michael Pisaro’s music. View from elsewhere. Retrieved 23 June 2011, from http://d.hatena.ne.jp/yukoz/20100213. Zama, Y. (2010b). Notes on Michael Pisaro’s silence. View from elsewhere. Retrieved 23 June 2011, from http://d.hatena.ne.jp/yukoz/20100225.


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