A RC HI TE CT UR E P ORTFO LIO Binal Panchal selected wor ks 2014-2020
“ From
walking inside an aureate sunlit room, entering a semi-shaded corridor to strolling on greens, architecture has been a mixed bag of experiences. � Name
Binal Panchal
Birthdate
14 June 1996
Residence
A/602, Shiv Surbhi Apts., Thakur Village, Kandivali - east, Mumbai - 400101
Email ID
ar.binal.panchal@gmail.com
Phone
+91-9819499809
RESUME ABOUT ME
A recent graduate from Bharati Vidyapeeth, I’m a highly organised and an efficient individual who believes in holistic good ideas paired with a multidisciplinary, research-based and a collaborative design process to create beautiful and functional architecture. From being an experience to a guide, architecture has taught me to respect sensitivity, creativity and simplicity. Great design is born of these three. To make this journey more meaningful, I wish to be a responsible, creative and a hardworking architect looking for a rich learning experience.
PROFESSIONAL EXPERIENCE
EDUCATION 2012
S.S.C.
2017 - 2018
Gundecha Education Academy, Kandivali - East, Mumbai 2012 - 2014
P.D.C. Architects Ahmedabad, Gujarat
H.S.C.
2019
Thakur college of Science and Commerce Thakur Village, Kandivali - East, Mumbai 2014 - 2019
B.Arch
Internship
Professional practice Homelane Interiors Under Ar. Shahid Chougley
2019 - 2020
Bharati Vidyapeeth College Of Architecture, Kharghar, Navi - Mumbai
Freelance Residential Interior Design
WORKSHOPS & COMPETITIONS 2014 - 2015
Louis I. Kahn Trophy 2015 - Citation
2017 - 2018
Mitti Workshop
I.S.O.L.A. Trophy LA journal competition MERAKI architecture conference
2015 - 2016
Unit Designee of Z-207 NASA Team
2018 - 2019
MOSAIC of Conversations and Ideas -
Louis I. Kahn Trophy 2016 - Top 10
Co-ordinator
ANDC Trophy 2016 - Top 50
Ferrocement Workshop
HUDCO Trophy 2016 NASA India
Tensegrity Workshop
361° Design conference Acetech 2015 - Volunteered for DNV designs 2016 - 2017
HUDCO Trophy 2017 - Top 11
2019 - 2020
Rwanda Chapel Competition
Re-City: Managing Wet Waste at APMC
The Little Big Loo - Rethinking
Kamu Iyer Design Competition - Shortlisted
public toilets
Writing Architecture Trophy 2017 NASA India
Quechua : The Shadow Pavilion
Tiny House design Competition
Competition
BVCOA Academic Excellence Award 2016-17
SOFTWARE SKILLS
LANGUAGES
Autodesk AutoCad
English
Trimble Sketchup
Hindi
Autodesk Revit
Gujarati
Adobe Photoshop
Marathi
Adobe Illustrator Adobe Indesign
PERSONAL SKILLS AND HOBBIES
V-ray for Sketchup
Painting
Reading
Travelling
Lumion
Sketching
Photography
Cinema
Microsoft Office
Model Making
Writing
PROJECTS
SANVAADA
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design dessertation
THE CHAPEL OF HOPE
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rukomo chapel competition
PUBLIC PLAZA
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semester-9 design
THE FRANK HAUS
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tiny house design competition
THE LITTLE BIG LOO
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rethinking public toilets
PDC
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internship
HOMELANE
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professional practice
INTERIOR DESIGN
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freelance work
MISCELLANEOUS sketches/model/photographs
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SANVAADA LEARNING THROUGH INTERACTION
History has shown us how humans have evolved as social animals where greater importance was given to community gatherings over individualism. Human psyche has thrived on being around one another. Today, we observe isolation of individuals in society due to the advent of technology leading to reduction in horizontal exchange of knowledge among people. As India is marching towards becoming a knowledge based society, the role of learning is growing rapidly as an important component of our lives. With the advent of new learning styles and behaviours, there is a need to reconceptualize flexible learning spaces that not only support different modes of learning but also facilitate social, active and experiential learning. The aim was to reconceptualize and create a flexible platform that achieves interactive learning in a social setting and has the ability to mold itself according to changing learning practices. This thesis tries to establish new modes of learning namely, Aural, Visual, Verbal, Social, Solitary, Logical and Kinesthetic, by widening the concept of a library from a room full of books to a space equipped with different modes of informal learning to cater to people’s likeability and comfort.
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The built forms accomodate different activities based on modes of learning and the open spaces act as a continuation for various programmatic interactions. The open spaces encourage to-and-fro transition thereby facilitating mixing of activities to encourage interaction. The project provides various platforms to individuals to bond over learning as per each person’s needs. Providing a context of learning will bridge the gap between information and engagement, marrying the access to information with a public space.
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Institutions
Auditoriums, Experimental theatres Science parks Libraries
Exhibitions
Human Library Makerspace
Workshops
Location: Pune Context plan showing dispersed centres of a singular mode of learning and their proximity to site. This highlights the need of a single centre comprising of different spaces that cater to all the learning needs of people. The site selected is close to the riverfront for providing views and opening up the site’s edge to the public.
Senses
Context
Interactions
People
Thoughts
Nature a. To connect people to their context/heritage by translating spaces in their local architectural language. b. To allow people to engage in dialogues among themselves in social architectural spaces. c. To encourage people to connect with themselves for uninterrupted thought processes in open green spaces.
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01. Experimental theatre 02. Admin block
03. Foodcourt 04. Exhibition
05. Science park 06. Makerspace
07. Workshops 08. Viewing deck
09. Library 10. Human library
Mula - Mutha Riverfront
30M wide road
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10
Entry
3
1 1
2
5 7
3
9 6
4
Site plan
Main spine opens into a wider space encouraging interaction and ties the built through spilled out activities
Wider open areas and courtyards connected by unobstructed walkways for ease of transition and visual connection
Enclosed open space with a natural material palette built and a proportionate volume to structure ratio
The foodcourt provides open and covered seating spaces as per people’s needs and activities.
The entry juncture connects people to the site providing glimpses of activities and greens that tie up the spaces
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space_concepts
space_activities
LEARNING BY DOING
Blurred boundaries
Enclosed and surrounding open spaces
creating
space for making
LEARNING BY DISCUSSING
talking
space for collaboration
LEARNING BY YOURSELF
Open spaces making it’s way inside the built
reading, research
space for reflection
LEARNING BY EXCHANGING IDEAS
communication, ideas
Uninterrupted sight lines
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space for interaction
THE MAKERSPACE The built accomodates areas for kinesthetic learning i.e. learning by making, experimenting and sense of touch comprising of laser cutting, model making, 3D printing, mechanics, etc. The open spaces seamlessly merge into the built and allows spilling out of activities for users to interact in a natural environment. This encourages open collaboration among users over ideas and inventions with complete access to tools, resources and professionals. This helps promoting innovation in a suitable environment to work in. The building is proposed to keep the ‘Break-Create-Innovate’ culture in Pune to allow indiviuals to interact over learning.
Hard & soft landscape_relaxed interactions Roof lvl. flat slab with skylights
First floor lvl. Workshop area_kinesthetic learning
solitary learning
Semi-covered workshop_coworking space Ground floor lvl. social learning
Enclosed open space_social learning
Makerspace kinesthetic learning
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space_concepts
Open spaces around built
space_activities
LEARNING BY EXPLORING
exploring, sense of touch
space for exhibition
LEARNING BY DISCUSSING
Shaded lawns
talking
space for collaboration
Transition corridors through greens
LEARNING BY YOURSELF
reading, research
space for reflection
LEARNING BY SHARING
communication, ideas
space for interaction Shifted floor plates to open up activities
West Elevation
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THE LIBRARY The built accomodates areas for aural, visual, verbal, social and solitary learning i.e. learning by reading and researching comprising of visual and audio mediums, group activities, book fairs, digital learning etc. The built has been divided into three zones according to function and users, from left, book cafe and public reading, children’s section and group activity areas. Blurring of built’s edges and opening into green spaces provides with a calm environment and encourages users to spill out to interact and introspect. Wide green lawns on the east act as a foreground to the library, shaded with trees for users. The library caters to the different needs of learning and allows locals to explore.
Children’s library_playful interactions Roof lvl. flat slab with skylights
Children’s library_social learning
First floor lvl. solitary and digital learning
Public reading space_coworking space
Ground floor lvl. social learning
Book cafe_social learning and interaction
Library aural, visual, verbal, social, solitary learning
Open space_solitary learning and interaction
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Waterproofing Pivot with ball bearing
150mm thk. RCC slab
25mm x 25mm tie rod ISMB 150
Aluminium fin
Pivot with ball bearing that enables rotation of fin Tie rod connecting and enabling rotation of 7 fins together
Cast-in-situ concrete sill ISMB 150 25mm x 25mm tie rod
DETAIL AT A’_library MS Bracket 25mm x Anodised ellipsoidal aluminium fin 3200mm long Manually operable upto an angle of 110 degrees MC128 Channel Section 8MM thk. Anodised ellipsoidal aluminium fin 3200mm long
PCC Bed 75MM thk.
ISMB 150
Cement Screed
MS support stubs
Ferro Cement Channel
Kadappa Stone 25MM thk. Mud Roof Insulation I-Section ISMB 250 Basalt Stone Masonary 300MM thk.
DETAIL OF LOUVER WINDOW_library
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DETAIL OF MUD ROLL SECTION_exhibition
THE EXHIBITION The built accomodates two expansive halls connected by a green open space for the purpose of visual, aural and social learning through exhibitions, seminars, lectures, etc. The exhibition halls have open facades facing inside onto the green space which encourages utilisation of spaces for different activities at different levels with ease for users. This encourages an activity to be carried out in a closed and open space spontaneously. The double height stone walls and mud rolls waffle slab with tall fenestrations overlooking the green lawn highlight the Indian contemporary architecture while encouraging cross ventilation and sufficient light to enter the space. The mud rolls used in the waffle slab prevent the space from heating up during summers and keep it cool.
Entrance steps_play of light and shadow
Roof lvl. flat slab with skylights
Waffle slab Shaded courtyard_social character
R.C.C. grid with mud roll sections
Ground floor lvl. social learning
Exhibition spaces
Ground floor lvl. built spaces around greens
Exhibition spaces aural, visual, social learning
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THE CHAPEL OF HOPE RUKOMO CHAPEL COMPETITION
Human beings have been known to worship forces of nature and deities under different religions. Temples, cathedrals, mosques and agiyaris have been built as an expression of faith for the community. They have been a symbol of devotion and a yearning for divinity. But these religious spaces also serve as a congregating space for communities to bond and unite through gathering, prayers and contemplation. This project explores a chapel for the people of Rukomo, Rwanda also known as the country of ‘one thousand hills’ with its expansive landscapes. This project aims at designing not just a chapel, but also a community space rooted in its context, to encourage bonding over prayers and spirituality in a natural setting. The chapel has been placed on a clear sloping green plain to make it easily recognizable. The approach to the chapel has been lengthened to provide an experience of a spiritual journey, flanked by aisles to expand the presence of the chapel. The use of wood and bamboo add a warmth to the vernacular brick structure and an earthy palette. The shape of the chapel has been inspired by the traditional huts of Rukomo, circular in shape covered by a conical roof. The roof has been kept white using a lime plaster to keep the interior cool and make it stand out as a distinct element against the mountains.
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12
Site Plan
0 1
2
4
8
Section
A transition of light to dark is created starting from a well-lit entrance to a passage with voids in the brick wall leading one towards the chapel. A skylight in the roof focuses at the centre of the chapel. It symbolizes a journey guided by light towards the heart of the chapel for prayers and gathering.
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Rukomo, a village in Rwanda, is home to a few communities that have overcome moments of great sorrow. The scars of the 1994 genocide still remind people of the indifference and apathy that they faced. In the disarray that followed the genocide, the art form of Imigongo nearly disappeared; but now 25 years later, a wave of cultural resurgence is taking over the country. Imigongo stands as a symbol of incredible resilience and thus, this chapel is a beacon of hope and unity for people of Rwanda.
The void patterns in the wall has been inspired by the geometric Rwandan art of Imigongo that adorns the huts in the village. The walls have been colored white derived from the clay mineral kaolin.
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THE BREATHING SPACE PUBLIC PLAZA This public square in Kharghar is a fresh take on the role of a public space as it explores the dynamics of a water body, an elevated circular yellow bridge that draws attention and circular pockets of greens that provide a wide array of activities and views at different levels. It is a captivating public space with multi-character environments and qualities that are inclusive of different groups of people. The aim was to create an identity, an image for the residents of Kharghar to relax and unwind amidst nature. Climate emergency, pollution and the lack of green social spaces, drives an innovative transformation that draws a comfortable and healthy city. The square plot was broken into circular pockets to cater to different activities for all age groups at different times of the day making the plaza user-friendly and active throughout. The plaza is open on all sides to increase inclusivity, exploration and ease of access. This helps in merging the activities at the edges with the activities within. Pockets have been energized with anchor programs: the yellow bridge other than adding a vertical dimension; shades a cafe under it and the small water body caters as an ar tificial pond for immersion of idols during festivals.
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Morning
Afternoon
Evening
walk, jog, play, run, cycle, meditate, exercise, sit in the shade, stroll around the pond, morning markets, reading newspapers
walk, play, run, cycle, sit and relax in the shade, eat at the cafe
walk, jog, play, cycle, exercise, sit in the shade, mini events at amphitheatre, stroll around the pond, evening markets, group hangouts, eat at the cafe
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THE FRANK HAUS TINY HOUSE DESIGN COMPETITION
As the world sees technology trying to compress and miniaturize everything, some occupants felt the dire need to compress their house, a tiny house. It is a compact and compressed version of a typical family home that incorporates basic necessities in a smart way. The idea behind a tiny house is to enable simpler living in a smaller, more efficient space coupled with environmental consciousness and financial stability. Tiny houses have become a social movement. People are choosing to downsize the space they live in, simplify and live with less. The Frank Haus belongs to Anne Frank and her family. The Franks lived in a small hideout space before the holocaust. Although cramped, that space kept her family together. This tiny house has been so designed that it provides a comfortable home to the family to stay close at all times.The tiny house ties the spaces using elements from their previous home such as a bookshelf and windows, with a change in character. The house boasts a wide porch at the front for the family to relax and unwind with expansive views of nature and trees. The porch allows them to spill out, breathe with freedom and spend quality time.
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Situated on the local mountain Lohrberg, north-east from Frankfurt city centre, the Frank Haus is surrounded by trees and green plains sharing the surroundings with vineyards and farms. This tiny house faces the city skyline with expansive views of greens at the back. The Frank Haus enjoys good connection with the city via transportation and great views. But also treasures its privacy with nature, farms, orchards and vineyards to let the family heal and bond with the peace and tranquil around them.
012 4
8
18
Longitudinal section
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Bookshelf
From hiding behind it
To reading from it
Window
From yearning to look out
To sitting at it all day looking outside
Space
Tiny and suffocating
Tiny, yet liberating
Nature
From being surrounded by buildings
To living amidst nature
A floor to ceiling height bookshelf acts as a partition for the living area and bedroom catering to both the spaces since the Franks loved to read. Here the bookshelf acts as an element of revelation and exploration and not of captivity. The interiors use a palette of warm materials and textures comprising of wood and soft furnishings juxtaposed with a concrete finish exterior. Top and Bottom.
Full height windows have been provided to create an ambience of openness, lightness and transparency. Furniture modules have been minimized to keep the house spacious. Storage has been given in the wardrobe, bed, bookshelf, kitchen and washroom.
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relaxation - reading - cooking
eating together - cooking
relaxation - family time - studying
storage
relaxation - sleeping
washroom Overlapping of activities for maximum utilisation of space
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THE LITTLE BIG LOO RETHINKING PUBLIC TOILETS - Integrating toilets with celebrating spaces
The world today is witnessing an unprecedented demographic growth in urban and rural areas. This gets coupled with poor physical and social infrastructure planning with a lack of sanitary consciousness. Rural areas face a lot of problems caused by poor sanitation facilities such as pollution of water sources and high rate of waterborne diseases. Open defecation and urination is still rampant and such practices pose a grave risk to the health of the citizens. The world is currently facing the COVID-19 pandemic, and thus, owing to the dire importance of communal sanitation and hygiene, there is an urgent need to develop an integrated approach concerning the development of public health services. This community toilet has been designed to facilitate sanitation and social services to the small village of Gadadhar, Gujarat where the practice of using toilets is still ‘something new’ and looked down upon. This project aims at breaking that stereotype by changing the perception of public toilets. It brings day-to-day activities in close proximity with community toilets such that sanitation activities are considered equal as any other activity and are frequently used by all age groups while playing, washing clothes, attending panchayat meetings, learning at school and celebrating.
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4. 3.
4.
2. 5.
1. 6.
1. Womens’ toilet
2. Mens’ toilet
3. Tea and newspaper stall
4. Seating area
5. Courtyard
6. Washing area
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The toilet block is raised atop a stepped concrete platform. These steps double as a shallow area of amphitheatre seating on the east. Based on a radial grid from the centre of the complex, the structure is constructed from a total of 16 branching bamboo columns that support a tensile roof. The gap between the roof and walls give a feeling of lightness and transparency.
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Levels and courtyard being used for weekend schooling and village discussions
Villagers using the space in and around the toilet block to socialize. One of them being women washing clothes.
The courtyard being used by children and youth alike for playing, running, exercising and getting together.
The courtyard being used by the panchayat members for meetings and discussions.
The courtyard being used by the villagers for celebrations, festivals and get-togethers.
Activity isometric views showing the relationship of users with the space
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Stone flooring and compressed stabilized earth blocks keep the space cool under the harsh sun. Each block comprises of four seatings covered with a lime plaster.
The wash basin has been centrally positioned to imbibe the habit of washing hands frequently. It also acts as a social spot for villagers to talk around while washing hands.
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PDC ARCHITECTS INTERNSHIP
PDC Architects, a leading efficient firm at Ahmedabad, Gujarat engages in different programmatic projects such as commercial, residential, recreational, institutional, industrial and interiors. One of the best aspects of this office was it’s open studio without cabins to create non- hierarchal spaces that encourage dialogue between the staff. Having collaborated with a competent team of interior designers and architects on a varied number of projects, I got the opportunity to work on structural details, landscape design, material options and designing for residential, institutional, recreational and interior projects. Wide array of projects taught me to discipline my method of working, organisational skills, development of concepts and ideas, manage timelines, deal with changes and interact with professionals and clients, trying to translate their vision into designs. The experience of working with a team that strived to learn something new each day and that which considered making mistakes as a vital component in every procoess, taught me to explore, to work smart and take inspiration from everything around us and the most important thing, to experiment without the fear of failure.
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RAJYASH RISE Rajyash Rise was a new step towards changing the preset language of commercial buildings. The central plaza hails the same importance as the building. The design program was modified to make the project mixed-used by the addition of recreational and social spaces. The plaza acts as an extension to public space of the city, which can be accessed by all for interaction. Thus, this project becomes was envisioned as an Urban Insert to the city.
600 200 150
350
450
100
100
450
350
600
SIDE ELEVATION
300
300
FRONT ELEVATION
500 50
500
50
SECTION AA'
300
300
600 PLAN
SECTION BB'
592
568
A'
GRANITE CLADDING 16MM THK. B
B' CIRCULAR LED PANEL 120MM DIA. 12MM THK.
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600
A
CONCRETE BLOCK
TREE PLANTER AND SEATING DETAIL
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SQUARE SEATING DETAIL
284
300
284
600
568
300
200 150
300
100
350
450
350 100
450
600
300
600
C
D
A
A'
B
B'
C'
D'
LVL.+3300
LVL.+750 LVL.+300 LVL.+150 LVL.+00 LVL.-150
PERGOLA DETAIL
LVL.+3300
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HOMELANE
PROFESSIONAL PRACTICE UNDER AR.SHAHID CHOUGLEY
At HomeLane, I’ve learnt to bring together functionality and aesthetics to provide homeowners with a customised and an efficient home design to suit their lifestyle. From sophisticated living room and bedroom designs to space-saving and clutter-free storage designs, I learnt to find the best home decor and home design to match every individual’s needs and style. Working at Homelane gave me a fresh experience of dealing with a library full of modular elements and using them in numerous ways to fit the need and necessity. It exposed me to materials, their usage and properties, practical aspects of designing, working within a financial limit set by the client and developing a creative sense of contrasts and complementing modules through colours, tints and tones, textures, accents and soft elements. All of these were achieved by timely client interactions, suggestions and convincing to obtain the desired outcome. These meetings and interactions taught me to address issues with confidence, to create options to widen the opportunities, to understand the client and offer them a good direction to design a home that is comfortable.
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CLIENT : RAJESH KUSHWAHA
This apartment at Vashi was designed keeping in mind the need of a light and warm home as asked for by the client. It was designed with an urban modern approach by introducing large and cosy furniture, decorative accents such as polka dot cushions, metallic and earthern pots for added texture, a pop of colour with an orange armchair and a beige carpet. Plants were added to bring freshness to the space. The TV unit was designed to facilitate storage and showcasing of decor with an exterior of Ashen Krakato textured laminate to create a contrast with the yellow wall. The cream wallpaper serves as the perfect background for the sofa, chair and the console table.
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CLIENT : PRATYUSHA PANICKER (left top and bottom)
The Panicker residence housed a small living area yet it was flooded with a lot of natural light that it only seemed right to design it with a minimal approach and lighter shades to make the room appear spacious. Hence, a simple scandinavian style was selected. The walls and floor were treated in whites and greys to let the furniture stand out. A light grey sofa has been paired with wooden furniture to add warmth with colorful accents such as blue and green cushions, a yellow plant and a soft mustard rug. The theme of the living area has been extended to the balcony by using a wooden set of chairs and table. Metal accents have been used for a bit of gloss and shine against the matt textures . (TV Unit module : Homelane) (Loose furniture : UrbanLadder)
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CLIENT : VINEET DEWAN (right top and bottom)
The Dewans wanted a cosy and a simple house, a muted statement that let them unwind after a long day at work and school. For the palette, I chose a light, wooden suede Canterbury Kaos laminate and paired it with a slate laminate to create a contrast for the TV unit and seating by the window. This room sees a pop of colour in the yellow cushions, a mint blue wallpaper and a centrally placed green potted plant. (TV Unit module and window seating : Homelane) (Loose furniture : UrbanLadder)
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INTERIOR DESIGN FREELANCE INTERIOR PROJECT
The Mehta Residence, a sprawling 1400 sq.ft. 3-BHK is a daramatic take on light and colours reflected by a layout that consists of a foyer, living - dining room, a kitchen, two bedrooms and a library. This home has been designed for the client’s ‘eye for the detail’ right from the plush sofa to a single cushion.
LIVING ROOM Pastels was the one-word that came to mind for the spacious living room. Classic met contemporary in creating a space resplendent of ephemeral light, colours and grandeur. The floor was mantained a light cream marble with faint grey veins that complemented the cream walls and the vertical grey marble slabs at the back of the sofa. Adding a pops of colours to the subtlety is a plush sofa in the colour of the year ‘Classic Blue’ that is every bit bold and comforting; and a soft pink cotton velvet chair that add to the drama of the space. The marble dining table is a perfect extension to the moodboard with its leaf green upholstered chairs and a warm cutlery cabinet in the background. A metallic centre table, chandelier and pendant lights tie the entire living room into one, being the perfect accents.
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KITCHEN The kitchen has been designed as an extension of the living room’s subtle moodboard using back-tinted beige acrylic for the cabinets, a beige granite countertop that merges with the cream-golden hexagonal backsplash tiles. It is a modern and a sleek kitchen that arranges all the cabinets and the chimney in one plain.The kitchen has been designed ergonomically for Mrs. Mehta, keeping in mind ease of access, height of wall units, ease of cleaning and comfort of cooking.
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MASTER BEDROOM Flooded with natural light, this calm master bedroom combines the rich wall mouldings with the floor and the curtains to let the blue bed stand out. A TV unit and dressing table have been so combined as per the client’s demands to prevent two different counters from jutting out and thus, in this way, achieve one seamless space for the two activities that are used at different times of the day. A green pouffe is used by the dressing table as a highlight and to add warmth, veneer has been used for the TV unit drawers and the bedside table
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MISCELLANEOUS SKETCHES
left.case studies/site visits/travel
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right.conceptuals/ideas
PHOTOGRAPHS 1. TIC OFFICE, AHMEDABAD 2. TIC OFFICE ENTRANCE 3. PDC SITE VISIT, AHMEDABAD 4. HUMAYUN’S TOMB, DELHI 5. IIM AHMEDABAD
FERROCEMENT WORKSHOP BLUE STOOL 1. CONCEPTUALIZATION OF IDEA AND FORM USING CLAY. 2. CONVERTING THE CLAY MODEL INTO A 1:1 STOOL. THE FRAME WAS MADE USING 12MM DIA. REBARS. A SQUARE MESH WAS USED TO CREATE SURFACES FOR THE CEMENT MIXTURE TO TAKE FORM. 3. THE STOOL WAS COVERED WITH A CHICKEN MESH. THIS ENABLES CEMENT TO HOLD FORM. 4. CEMENT MIXTURE WAS APPLIED TO THE FRAMEWORK. SURFACES WERE SMOOTHENED FOR A COMFORTABLE EXPERIENCE. 5. BLUE TINT WAS USED FOR THE TOP SURFACE.
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ar.binal. p anchal@gm ail. com +9 1 -9 8 1 9 4 9 9 8 0 9
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