Designs_On Packaging

Page 1


DESIGNS

ON:

PACKAGING


5

DESIGNS ON:

IDEO, in an attempt to drive thinking and discussion around design issues of every stripe and kind, publishes a semi-annual review called Designs On, part personal perspective, part collective manifesto. It addresses tricky, vexing issues of the day ranging from global warming to time, food, and birth. Or in this particular case, packaging. Not a pressing concern, but a potent theme, and the one we’ve adopted for this issue. Designs On is a publication. Designs On is a website. Designs On is, at its core, a flexible forum that drives exploration, iterative thinking, early prototyping, and sharing, minus boundaries or constraints. Join us.


DESIGNS

ON:

PACKAGING


5

DESIGNS ON:

IDEO, in an attempt to drive thinking and discussion around design issues of every stripe and kind, publishes a semi-annual review called Designs On, part personal perspective, part collective manifesto. It addresses tricky, vexing issues of the day ranging from global warming to time, food, and birth. Or in this particular case, packaging. Not a pressing concern, but a potent theme, and the one we’ve adopted for this issue. Designs On is a publication. Designs On is a website. Designs On is, at its core, a flexible forum that drives exploration, iterative thinking, early prototyping, and sharing, minus boundaries or constraints. Join us.


6

7

THE BRIEF

For Designs On: Packaging, we asked designers across our global locations to collaborate with a partner (or two) in their home studio. Teams were instructed to choose an everyday object, select a verb, and pick an emotion. For example: The object, an alarm clock; the verb, to vibrate; the emotion, a sense of excitement. An alarm clock elicits excitement through vibration. Using these three interdependent elements (object, verb, and emotion), contributors generated unexpected packaging ideas around everyday tools, objects, or containers. Entries were sent in by the dozens and editors narrowed the list down to 20. Of these final 20, each found a thematic twin: its natural pair or mirror opposite. These ‘twins’ appear in the pages following as either exemplars of a relationship, or of a tension. We’ve named the two sections accordingly. We’ll start by exploring relationships.


6

7

THE BRIEF

For Designs On: Packaging, we asked designers across our global locations to collaborate with a partner (or two) in their home studio. Teams were instructed to choose an everyday object, select a verb, and pick an emotion. For example: The object, an alarm clock; the verb, to vibrate; the emotion, a sense of excitement. An alarm clock elicits excitement through vibration. Using these three interdependent elements (object, verb, and emotion), contributors generated unexpected packaging ideas around everyday tools, objects, or containers. Entries were sent in by the dozens and editors narrowed the list down to 20. Of these final 20, each found a thematic twin: its natural pair or mirror opposite. These ‘twins’ appear in the pages following as either exemplars of a relationship, or of a tension. We’ve named the two sections accordingly. We’ll start by exploring relationships.


RELATIONSHIPS


RELATIONSHIPS


10

DESIGNS ON: PACKAGING

Packaging Fear:

Packaging Fear:

BEAUTY

BEAST

Expired Kuen Chang Jin Ko Noun: Medicine Verb: Expire Emotion: Disgust

Vita Flower Kuen Chang Pam Daniels Noun: Vitamin Verb: Bloom Emotion: Happiness

Flintstones Chewables: trusted by moms, loved by kids. Centrum CX: trusted by physicians, loved by pensioners. For the synaptically superior set—those of you in late-adolescence, your odyssey years, or adulthood—there’s now a playful way to monitor your pill-popping regimen. Vita Flower allows users to arrange all over-the-counter prescription medications in an alluring, floral pattern. The exposure to friends and family members is designed to help promote adherence to a specified drug regimen. Users are less inclined to skip or forget a day when people are watching. And there’s a secondary benefit: it beautifies tables and countertops formerly sullied by amber pill cases or real flowers wilting.

11

RELATIONSHIPS

According to some fathers, medication never goes bad. Ever. (And they would be wrong.) The truth is, knowing when medicine is, and respectively is not, safe to ingest is essential. Current packaging provides more confusion than clues. Labels are congested, hard to read and interpret. Trying to find vital safety information is difficult. Why not turn to bananas for a few simple hints?

Bananas are the perfect source of design wisdom. Those elongated, delicious yellow semi-circles clearly betray signs of readiness for consumption (ripeness) or imminent decay. Why couldn’t over-the-counter and prescription drug packaging do the same? Consumers could vividly and intuitively detect when medicine is no longer safe to take. Save money. Save medicine. Just mind the spots.


10

DESIGNS ON: PACKAGING

Packaging Fear:

Packaging Fear:

BEAUTY

BEAST

Expired Kuen Chang Jin Ko Noun: Medicine Verb: Expire Emotion: Disgust

Vita Flower Kuen Chang Pam Daniels Noun: Vitamin Verb: Bloom Emotion: Happiness

Flintstones Chewables: trusted by moms, loved by kids. Centrum CX: trusted by physicians, loved by pensioners. For the synaptically superior set—those of you in late-adolescence, your odyssey years, or adulthood—there’s now a playful way to monitor your pill-popping regimen. Vita Flower allows users to arrange all over-the-counter prescription medications in an alluring, floral pattern. The exposure to friends and family members is designed to help promote adherence to a specified drug regimen. Users are less inclined to skip or forget a day when people are watching. And there’s a secondary benefit: it beautifies tables and countertops formerly sullied by amber pill cases or real flowers wilting.

11

RELATIONSHIPS

According to some fathers, medication never goes bad. Ever. (And they would be wrong.) The truth is, knowing when medicine is, and respectively is not, safe to ingest is essential. Current packaging provides more confusion than clues. Labels are congested, hard to read and interpret. Trying to find vital safety information is difficult. Why not turn to bananas for a few simple hints?

Bananas are the perfect source of design wisdom. Those elongated, delicious yellow semi-circles clearly betray signs of readiness for consumption (ripeness) or imminent decay. Why couldn’t over-the-counter and prescription drug packaging do the same? Consumers could vividly and intuitively detect when medicine is no longer safe to take. Save money. Save medicine. Just mind the spots.


12

DESIGNS ON: PACKAGING

Packaging Air:

City Scent Rhea Jeong

REMEMBER

Noun: City Verb: Remember Emotion: Nostalgia

Jerusalem smells of mint and jasmine at sundown. Paris: Guerlain eau de cologne, fresh bread, and bicycle tires with a hint of Gitane tobacco. New York: brown sugar-tossed almonds with hot brick, hair product, and oodles and oodles of greenbacks. Tokyo smells like the future. Every one the world’s most memorable cities exudes a fragrance, a scent, an olfactory profile uniquely its own.

13

RELATIONSHIPS

Packaging Air:

PROTECT

This particular concept tells the story of at least seven of the world’s most memorable cities by bottling specific attributes. Each scent is housed in a simplified form of one iconic structure that defines that city’s skyline. In essence, City Scent transforms the traditional idea of a souvenir from something visual (and tangible) to something more sensual, more ethereal, more directly connected to memory.

CO(me) Stephan Merkle Top Tulyathorn Noun: Air Verb: Protect Emotion: Delight

In the days of stamps and letter writing, C/O read ‘care of.’ These days, the same two letters (CO) look a little less innocent, fault of associations with carbon dioxide (CO2), a greenhouse gas that keeps at least a few climate scientists up at night. But we produce CO2 every time we exhale. And as the teachings of the Great Buddha remind us, “Nirvana is but a breath away.” Sounds close. We might be able to experience a bit of the sublime if we start sending care packages to strangers or loved ones in a protective vessel filled with our breath. This concept explores that possibility. Breathe in. Breathe out. Transcend greed, hatred, and delusion (but make sure to send the packages via USPS).


12

DESIGNS ON: PACKAGING

Packaging Air:

City Scent Rhea Jeong

REMEMBER

Noun: City Verb: Remember Emotion: Nostalgia

Jerusalem smells of mint and jasmine at sundown. Paris: Guerlain eau de cologne, fresh bread, and bicycle tires with a hint of Gitane tobacco. New York: brown sugar-tossed almonds with hot brick, hair product, and oodles and oodles of greenbacks. Tokyo smells like the future. Every one the world’s most memorable cities exudes a fragrance, a scent, an olfactory profile uniquely its own.

13

RELATIONSHIPS

Packaging Air:

PROTECT

This particular concept tells the story of at least seven of the world’s most memorable cities by bottling specific attributes. Each scent is housed in a simplified form of one iconic structure that defines that city’s skyline. In essence, City Scent transforms the traditional idea of a souvenir from something visual (and tangible) to something more sensual, more ethereal, more directly connected to memory.

CO(me) Stephan Merkle Top Tulyathorn Noun: Air Verb: Protect Emotion: Delight

In the days of stamps and letter writing, C/O read ‘care of.’ These days, the same two letters (CO) look a little less innocent, fault of associations with carbon dioxide (CO2), a greenhouse gas that keeps at least a few climate scientists up at night. But we produce CO2 every time we exhale. And as the teachings of the Great Buddha remind us, “Nirvana is but a breath away.” Sounds close. We might be able to experience a bit of the sublime if we start sending care packages to strangers or loved ones in a protective vessel filled with our breath. This concept explores that possibility. Breathe in. Breathe out. Transcend greed, hatred, and delusion (but make sure to send the packages via USPS).


14

DESIGNS ON: PACKAGING

RELATIONSHIPS

Packaging Senses:

Packaging Senses:

SCENT

TASTE

Sharing Scent Andrew Burroughs Joseph Graceffa Jeremiah O’Leary Noun: Scent Verb: Smell Emotion: Anticipation

Lights are fast. Candles are slow. Slower even are these embedded-scent candles. Like wooing a lover, spear fishing, or standing in line at the D.M.V., these little wax luminaries teach the principle of patience. This concept celebrates the notion of waiting. Of anticipation. Of delayed gratification. The scented wax capsule is visible, right out of the box, but inaccessible for a period of ‘burn time.’ Only hints of the scent can be detected until the fragrance center is breached by light, over time. When the scent expires, it leaves behind only a clear candle and a string of cherished memories.

98.6 / Chocolet Joseph Graceffa Jeremiah O’Leary Carly Price Noun: Chocolate Verb: Warm Emotion: Love

15

Hershey’s might have cornered the market on the miniature candy kiss, but lovers of cacao can still find other ways to ‘edibly’ express their feelings for one another. One in particular: this jewelry piece, 98.6 / Chocolet. The pendant grips thin chocolate disks for people to drape around their neck, close to their heart. This softens the candy, improves its texture, and boosts the flavor profile. A loving gesture never felt or tasted quite like it.


14

DESIGNS ON: PACKAGING

RELATIONSHIPS

Packaging Senses:

Packaging Senses:

SCENT

TASTE

Sharing Scent Andrew Burroughs Joseph Graceffa Jeremiah O’Leary Noun: Scent Verb: Smell Emotion: Anticipation

Lights are fast. Candles are slow. Slower even are these embedded-scent candles. Like wooing a lover, spear fishing, or standing in line at the D.M.V., these little wax luminaries teach the principle of patience. This concept celebrates the notion of waiting. Of anticipation. Of delayed gratification. The scented wax capsule is visible, right out of the box, but inaccessible for a period of ‘burn time.’ Only hints of the scent can be detected until the fragrance center is breached by light, over time. When the scent expires, it leaves behind only a clear candle and a string of cherished memories.

98.6 / Chocolet Joseph Graceffa Jeremiah O’Leary Carly Price Noun: Chocolate Verb: Warm Emotion: Love

15

Hershey’s might have cornered the market on the miniature candy kiss, but lovers of cacao can still find other ways to ‘edibly’ express their feelings for one another. One in particular: this jewelry piece, 98.6 / Chocolet. The pendant grips thin chocolate disks for people to drape around their neck, close to their heart. This softens the candy, improves its texture, and boosts the flavor profile. A loving gesture never felt or tasted quite like it.


16

DESIGNS ON: PACKAGING

Packaging Essentials:

Packaging Essentials:

FOOD

17

RELATIONSHIPS

HYGIENE

Lux Paper James Prince Volker Roos Noun: Toilet Paper Verb: Carry Emotion: Envy

Rice Sue Tan Eric Toyofuku Noun: Rice Bag Verb: Carry Emotion: Pride

Mi is the Chinese character for rice, one of the world’s single most important staple foods. The symmetry and simple structure of this character aligns with its role as the anchor of the Asian diet, feeding the rich and poor alike. The great unifier. Though rice remains a vital source of nourishment, its packaging looks bland, utilitarian, even coldly industrial. To elevate its role as an everyday hero and push it into modernity, these designs make the grain easier to recognize and carry in urban settings.

There’s nothing particularly chic about purchasing a 12-pack of ‘extra soft’ or ‘extra strength’ toilet paper and shlepping it around town—even if that town is more familiar with using leaves than a proper roll of Charmin. But, a few simple changes to the plastic wrap (opaque film, vacuum sealed to enhance the forms inside, and straps) might just transform an everyday essential into a luxury good. Or something approaching true luxury—LV and Prada are still several seasons shy of rolling out a proper toilet paper tote.


16

DESIGNS ON: PACKAGING

Packaging Essentials:

Packaging Essentials:

FOOD

17

RELATIONSHIPS

HYGIENE

Lux Paper James Prince Volker Roos Noun: Toilet Paper Verb: Carry Emotion: Envy

Rice Sue Tan Eric Toyofuku Noun: Rice Bag Verb: Carry Emotion: Pride

Mi is the Chinese character for rice, one of the world’s single most important staple foods. The symmetry and simple structure of this character aligns with its role as the anchor of the Asian diet, feeding the rich and poor alike. The great unifier. Though rice remains a vital source of nourishment, its packaging looks bland, utilitarian, even coldly industrial. To elevate its role as an everyday hero and push it into modernity, these designs make the grain easier to recognize and carry in urban settings.

There’s nothing particularly chic about purchasing a 12-pack of ‘extra soft’ or ‘extra strength’ toilet paper and shlepping it around town—even if that town is more familiar with using leaves than a proper roll of Charmin. But, a few simple changes to the plastic wrap (opaque film, vacuum sealed to enhance the forms inside, and straps) might just transform an everyday essential into a luxury good. Or something approaching true luxury—LV and Prada are still several seasons shy of rolling out a proper toilet paper tote.


T E N S I O N S


T E N S I O N S


20

DESIGNS ON: PACKAGING

21

TENSIONS

Packaging Invisibility:

Packaging Invisibility:

FULL

EMPTY

Synthetic Biology Will Carey Adam Reineck Object: Cup Verb: Grow Emotion: Love

In the years to come, synthetic organisms will start producing materials that function as both product and packaging. Synthetic biology is already creating fuels and chemicals that serve existing industrial supply chains. Envision a product that is ‘fixed’ by light: exposure to a specific wavelength causes the organism to morph into a rigid, waterproof material. During shipping and storage, these light-molded cups remain alive but dormant. With exposure to water, the organism hydrates and begins expressing pathways that produce fragrance and flavor compounds, creating an effervescent and probiotic drink. After several uses, the cup walls begin to degrade and the container can be composted.

4G Tapes Kerry O’Connor Dominique Ng Hannes Harms Noun: Tape Verb: Resurrect Emotion: Satisfaction

Acid-washed jeans. Crimped hair. Z-Cavaricci’s. And mixed tapes. At least ones of those deserves resurrection from the dun-colored grave of obsolescence: the mixed tape. Tapes were personal. Intimate. Poetic. And physical. Music-sharing as of late has lost that materiality. A cardboard cassette tape offers a seductive solution that leverages the advantages of digital music but reclaims the lost element of physicality. Sound tracks can be selected and programmed directly through iTunes. Song lists can be linked to a colorful QR code on the side of the cassette, and listeners need only scan the code from their smart phone to instantly enjoy the personalized line-up. Tapes are environmentally sound, and can be decorated – like the side of your Chucks or your old middle school text books. The smart phone interface resembles a classic Sony Walkman— hit ‘play’ and your mix tape playlist begins. Certain things, we believe, deserve a comeback.


20

DESIGNS ON: PACKAGING

21

TENSIONS

Packaging Invisibility:

Packaging Invisibility:

FULL

EMPTY

Synthetic Biology Will Carey Adam Reineck Object: Cup Verb: Grow Emotion: Love

In the years to come, synthetic organisms will start producing materials that function as both product and packaging. Synthetic biology is already creating fuels and chemicals that serve existing industrial supply chains. Envision a product that is ‘fixed’ by light: exposure to a specific wavelength causes the organism to morph into a rigid, waterproof material. During shipping and storage, these light-molded cups remain alive but dormant. With exposure to water, the organism hydrates and begins expressing pathways that produce fragrance and flavor compounds, creating an effervescent and probiotic drink. After several uses, the cup walls begin to degrade and the container can be composted.

4G Tapes Kerry O’Connor Dominique Ng Hannes Harms Noun: Tape Verb: Resurrect Emotion: Satisfaction

Acid-washed jeans. Crimped hair. Z-Cavaricci’s. And mixed tapes. At least ones of those deserves resurrection from the dun-colored grave of obsolescence: the mixed tape. Tapes were personal. Intimate. Poetic. And physical. Music-sharing as of late has lost that materiality. A cardboard cassette tape offers a seductive solution that leverages the advantages of digital music but reclaims the lost element of physicality. Sound tracks can be selected and programmed directly through iTunes. Song lists can be linked to a colorful QR code on the side of the cassette, and listeners need only scan the code from their smart phone to instantly enjoy the personalized line-up. Tapes are environmentally sound, and can be decorated – like the side of your Chucks or your old middle school text books. The smart phone interface resembles a classic Sony Walkman— hit ‘play’ and your mix tape playlist begins. Certain things, we believe, deserve a comeback.


22

DESIGNS ON: PACKAGING

23

TENSIONS

Packaging Meals:

Packaging Meals:

BEFORE

AFTER

Chopsticks Gregory Perez Guoning Hu Noun: Chopsticks Verb: Break Emotion: Guilt

An estimated 25 million trees are chopped down every year in China to support the country’s insatiable appetite for disposable chopsticks: 45 billion pairs per annum. Even with the adoption of policies in certain locales to reduce the use of one-off or wooden chopsticks, the environmental impact on forests is immense. These ¥5,000 (about $750), limited-edition chopsticks remind us that wooden chopsticks are, in fact, costly in more ways than one.

Leftovers Karl Abele Matt Brown Mark Jones Michelle Kwasny Strick Walker Noun: Leftovers Verb: Privilege Emotion: Shame

Often, refrigerators are scarcely more than a morgue for half-eaten food: a cold, lonely place to solemnly view and store the worldly remains of some anonymous life form, pending a proper ground burial. So how might we encourage people to actually eat their leftovers? To savor culinary memories before they’re devoured by mold or ravenous high school students on the post-midnight prowl? Down with doggie bags and earth-killing ”take-away” containers. Proper packaging ought to feature complete meal and detailed caloric information. They ought to include photos of the original dish; a reminder of the chef or line cook that thoughtfully prepared it for you; the name of the server. Even how much you spent. Suddenly, those leftovers look every bit like something you’d love to eat.


22

DESIGNS ON: PACKAGING

23

TENSIONS

Packaging Meals:

Packaging Meals:

BEFORE

AFTER

Chopsticks Gregory Perez Guoning Hu Noun: Chopsticks Verb: Break Emotion: Guilt

An estimated 25 million trees are chopped down every year in China to support the country’s insatiable appetite for disposable chopsticks: 45 billion pairs per annum. Even with the adoption of policies in certain locales to reduce the use of one-off or wooden chopsticks, the environmental impact on forests is immense. These ¥5,000 (about $750), limited-edition chopsticks remind us that wooden chopsticks are, in fact, costly in more ways than one.

Leftovers Karl Abele Matt Brown Mark Jones Michelle Kwasny Strick Walker Noun: Leftovers Verb: Privilege Emotion: Shame

Often, refrigerators are scarcely more than a morgue for half-eaten food: a cold, lonely place to solemnly view and store the worldly remains of some anonymous life form, pending a proper ground burial. So how might we encourage people to actually eat their leftovers? To savor culinary memories before they’re devoured by mold or ravenous high school students on the post-midnight prowl? Down with doggie bags and earth-killing ”take-away” containers. Proper packaging ought to feature complete meal and detailed caloric information. They ought to include photos of the original dish; a reminder of the chef or line cook that thoughtfully prepared it for you; the name of the server. Even how much you spent. Suddenly, those leftovers look every bit like something you’d love to eat.


24

DESIGNS ON: PACKAGING

25

TENSIONS

Packaging Anticipation:

Packaging Anticipation:

RITUALIST

HEDONIST

CNDM Jeremy Innes-Hopkins Nils-Johan Eriksson Noun: Condom Verb: Purchase Emotion: Embarrassment

Once Andrew Burroughs Joseph Graceffa Jeremiah O’Leary Noun: Scent Verb: Anticipate Emotion: Longing

Drawing inspiration from the Talipot ­Palm—a monocarphic plant, native to parts of India and Sri Lanka, which flowers a single time over the course of a 30-to-80-year lifecycle— Once blossoms for 24 hours, one time annually. Only a lucky few are fortunate enough to catch a whiff of the bouquet, every year. To reduce the possibility of missing the moment, Once places people “on notice” as the scent capsules approach bloom, using a series of soft chimes as the days count down from seven. Following the dispersion, the product returns to hibernation, inaugurating the energy-storing process for the next year’s blossom.

Playing on the salacious idea of undressing or ‘unzipping’ for recreational fun, CNDM lets men abandon the clunky geometry of grocery store condoms in favor of a sleeker, sexier love glove. CNDM’s discreet branding, and pocket-friendly form, generates a potent mixture of curiosity and excitement for everyone involved—including the cashier.


24

DESIGNS ON: PACKAGING

25

TENSIONS

Packaging Anticipation:

Packaging Anticipation:

RITUALIST

HEDONIST

CNDM Jeremy Innes-Hopkins Nils-Johan Eriksson Noun: Condom Verb: Purchase Emotion: Embarrassment

Once Andrew Burroughs Joseph Graceffa Jeremiah O’Leary Noun: Scent Verb: Anticipate Emotion: Longing

Drawing inspiration from the Talipot ­Palm—a monocarphic plant, native to parts of India and Sri Lanka, which flowers a single time over the course of a 30-to-80-year lifecycle— Once blossoms for 24 hours, one time annually. Only a lucky few are fortunate enough to catch a whiff of the bouquet, every year. To reduce the possibility of missing the moment, Once places people “on notice” as the scent capsules approach bloom, using a series of soft chimes as the days count down from seven. Following the dispersion, the product returns to hibernation, inaugurating the energy-storing process for the next year’s blossom.

Playing on the salacious idea of undressing or ‘unzipping’ for recreational fun, CNDM lets men abandon the clunky geometry of grocery store condoms in favor of a sleeker, sexier love glove. CNDM’s discreet branding, and pocket-friendly form, generates a potent mixture of curiosity and excitement for everyone involved—including the cashier.


26

DESIGNS ON: PACKAGING

27

TENSIONS

Packaging Consumption:

Packaging Consumption:

GROWTH

DECAY

Mr. Carcass Lynda Deakin Tracy DeLuca Ian Groulx Object: Meat Verb: Divide Emotion: Happy

Cigg Seeds Ben Forman Object: Cigarette Verb: Grow Emotion: Indifference

An estimated 10 million Britons still suck down cigarettes faster than a troupe of aging rockers in rehab straining to cough out another hit tune. In the UK, cigarette butts sully streets and parks everywhere. What if this nasty habit could contribute to, rather than subtract from, the beauty of outdoor spaces? CiggSeeds aim to do precisely that. A variety of smokes outfitted with biodegradable filters that contain wild flower seeds, they sprout and blossom into wildflower meadows when finished and flicked, or deposited on the ground. Butts into blooms. Cigarettes into snowdrops—the floral not frozen variety, to be sure.

Look no further than Jamie Oliver, world food price fluctuations, or the renewed American love affair with farmers markets, and it seems clear: a food revolution is underway. Sharpen your knives, and bring in the butchers— preferably the conscientious ones, like Mr. Carcass, who believes that animals should live well, roam free, eat what their ancestors ate (other than primordial man), steer clear of performance enhancing drugs, and taste… amazing, morsel after morsel. Mr. Carcass supports snout-to-tail dinners, live butchering demonstrations, and informed approaches to shopping for the world’s best flesh. For the slightly squeamish or truly afraid of blood, Mr. C. offers clever wrapping, strong branding, and a reassuring tone to make the meat go down smoothly.


26

DESIGNS ON: PACKAGING

27

TENSIONS

Packaging Consumption:

Packaging Consumption:

GROWTH

DECAY

Mr. Carcass Lynda Deakin Tracy DeLuca Ian Groulx Object: Meat Verb: Divide Emotion: Happy

Cigg Seeds Ben Forman Object: Cigarette Verb: Grow Emotion: Indifference

An estimated 10 million Britons still suck down cigarettes faster than a troupe of aging rockers in rehab straining to cough out another hit tune. In the UK, cigarette butts sully streets and parks everywhere. What if this nasty habit could contribute to, rather than subtract from, the beauty of outdoor spaces? CiggSeeds aim to do precisely that. A variety of smokes outfitted with biodegradable filters that contain wild flower seeds, they sprout and blossom into wildflower meadows when finished and flicked, or deposited on the ground. Butts into blooms. Cigarettes into snowdrops—the floral not frozen variety, to be sure.

Look no further than Jamie Oliver, world food price fluctuations, or the renewed American love affair with farmers markets, and it seems clear: a food revolution is underway. Sharpen your knives, and bring in the butchers— preferably the conscientious ones, like Mr. Carcass, who believes that animals should live well, roam free, eat what their ancestors ate (other than primordial man), steer clear of performance enhancing drugs, and taste… amazing, morsel after morsel. Mr. Carcass supports snout-to-tail dinners, live butchering demonstrations, and informed approaches to shopping for the world’s best flesh. For the slightly squeamish or truly afraid of blood, Mr. C. offers clever wrapping, strong branding, and a reassuring tone to make the meat go down smoothly.


28

DESIGNS ON: PACKAGING

29

TENSIONS

Packaging Access:

Packaging Access:

D I F F I C U LT

EASY

Light My Ire Judy Guo Engin Kapkin Object: Cigarette Verb: Resist Emotion: Apathy

What if prying open a package of cigarettes were difficult right down to the very last grunt? What if gaining access to a single smoke was as hard as solving a Rubik’s cube, blind-folded, one-handed, underwater, disoriented, sleep-deprived, and heavily sedated? Would that help reduce smoking frequency? Might that even help combat the habit, and promote smoking cessation? Just maybe. It’s certainly worth a shot.

Pique Joseph Graceffa Jeremiah O’Leary Object: Toy Verb: Arouse Emotion: Excitement

It’s a peephole. It’s a (visual) plane. It’s your private perversion, packaged. Based on predetermined ‘preferences,’ this sleek, little device constantly updates imagery and video clips just for you—or for your paramour. Or for some unsuspecting picker-upper. When the need for a ‘fix’ arises, simply take a pique.


28

DESIGNS ON: PACKAGING

29

TENSIONS

Packaging Access:

Packaging Access:

D I F F I C U LT

EASY

Light My Ire Judy Guo Engin Kapkin Object: Cigarette Verb: Resist Emotion: Apathy

What if prying open a package of cigarettes were difficult right down to the very last grunt? What if gaining access to a single smoke was as hard as solving a Rubik’s cube, blind-folded, one-handed, underwater, disoriented, sleep-deprived, and heavily sedated? Would that help reduce smoking frequency? Might that even help combat the habit, and promote smoking cessation? Just maybe. It’s certainly worth a shot.

Pique Joseph Graceffa Jeremiah O’Leary Object: Toy Verb: Arouse Emotion: Excitement

It’s a peephole. It’s a (visual) plane. It’s your private perversion, packaged. Based on predetermined ‘preferences,’ this sleek, little device constantly updates imagery and video clips just for you—or for your paramour. Or for some unsuspecting picker-upper. When the need for a ‘fix’ arises, simply take a pique.


30

DESIGNS ON: PACKAGING

RELATIONSHIPS

31

INDEX

TENSIONS

Vita Flower Kuen Chang, Pam Daniels

Expired Keun Chang, Jin Ko

City Scent Rhea Jeong

Synthetic Biology Will Carey, Adam Reineck

4G Tapes Kerry O’Connor, Dominique Ng, Hannes Harms

Chopsticks Gregory Perez, Guoning Hu

CO(me) Stephan Merkle, Top Tulyathorn

Sharing Scent Andrew Burroughs, Joseph Graceffa, Jeremiah O’Leary

98.6 / Chocolet Joseph Graceffa, Jeremiah O’Leary, Carly Price

Leftovers Karl Abele, Matt Brown, Mark Jones, Michelle Kwasny, Strick Walker

Once Andrew Burroughs, Joseph Graceffa, Jeremiah O’Leary

CNDM Jeremy Innes-Hopkins, Nils-Johan Eriksson

Rice Sue Tan, Eric Toyofuku

Lux Paper James Prince, Volker Roos

Cigg Seeds Ben Forman

Mr. Carcass Lynda Deakin, Tracy DeLuca, Ian Groulx

Light My Ire Judy Guo, Engin Kapkin

Pique Joseph Graceffa, Jeremiah O’Leary


30

DESIGNS ON: PACKAGING

RELATIONSHIPS

31

INDEX

TENSIONS

Vita Flower Kuen Chang, Pam Daniels

Expired Keun Chang, Jin Ko

City Scent Rhea Jeong

Synthetic Biology Will Carey, Adam Reineck

4G Tapes Kerry O’Connor, Dominique Ng, Hannes Harms

Chopsticks Gregory Perez, Guoning Hu

CO(me) Stephan Merkle, Top Tulyathorn

Sharing Scent Andrew Burroughs, Joseph Graceffa, Jeremiah O’Leary

98.6 / Chocolet Joseph Graceffa, Jeremiah O’Leary, Carly Price

Leftovers Karl Abele, Matt Brown, Mark Jones, Michelle Kwasny, Strick Walker

Once Andrew Burroughs, Joseph Graceffa, Jeremiah O’Leary

CNDM Jeremy Innes-Hopkins, Nils-Johan Eriksson

Rice Sue Tan, Eric Toyofuku

Lux Paper James Prince, Volker Roos

Cigg Seeds Ben Forman

Mr. Carcass Lynda Deakin, Tracy DeLuca, Ian Groulx

Light My Ire Judy Guo, Engin Kapkin

Pique Joseph Graceffa, Jeremiah O’Leary


32

33

CREDITS

www.designs-on.com www.ideo.com Editors Scott Tong stong@ideo.com Blaise Bertrand bbertrand@ideo.com Michael Phillips Moskowitz mmoskowitz@ideo.com

Design & Layout

Scott Tong

Copywriting

Michael Phillips Moskowitz

Special Thanks Angelique Ilusorio Thomas Brisebras Engin Kapkin Hannes Harms Ricardo Figueiroa Printing Michael Hicks michael@andresensf.com

Copyright Š 2011 IDEO. All rights reserved.


32

33

CREDITS

www.designs-on.com www.ideo.com Editors Scott Tong stong@ideo.com Blaise Bertrand bbertrand@ideo.com Michael Phillips Moskowitz mmoskowitz@ideo.com

Design & Layout

Scott Tong

Copywriting

Michael Phillips Moskowitz

Special Thanks Angelique Ilusorio Thomas Brisebras Engin Kapkin Hannes Harms Ricardo Figueiroa Printing Michael Hicks michael@andresensf.com

Copyright Š 2011 IDEO. All rights reserved.



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.