Blake Evans Architecture Portfolio 2013

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N S architecture portfolio 2008-2013



This collection is comprised of my work from the past 5 years at Iowa State University. The following projects demonstrate the many challenges and growth in understanding the built environment. Through many iterations I have strengthened my knowledge of architecture not only as an object but an interaction and experience with people and the environment around me. Growing from my experience I look to better my understanding and skills in a professional manner while being able to make a difference in people’s lives, pursuing successful and elegant responses, and reinforcing my understanding of the built environment.



SELECTED WORKS

Public

Residential

Educational

Urban

Miscellaneous

01

MacBride Learning Center / Iowa City, IA

02

Experimental Music Hall / Boston, MA

03

Lakeview Park Pavilion / Urbandale, IA

04

Industrial Design Museum / Columbus, IN

05

NYC Artist In Residence / New York City, NY

06

Desk Hammock / Ames, IA


MACBRIDE RECREATION CENTER IOWA CITY, IA . SPRING 2012 . KEVIN NORDMEYER PARTNERS: MITCH HARTIG . STEPHANIE HAUGE *POTENTIAL LEED PLATINUM CERTIFICATION To promote greater understanding and appreciation for the natural environment, the building is designed to emulate the qualities of the dominant feature of its site: the canopy. Like the natural canopy, the building responds to water and light, adapts to seasonal changes, and serves as a filter between the interior and exterior environment. School of the Wild is an accredited environmental school offering immersion programs involving direct participation and observation in our natural world. They focus on ecology, science, natural history, personal growth, and team building. The mission is to awaken an awareness of the wildlife and natural ecosystems in our area, develop and appreciation of the natural world, and encourage a balanced environmental ethic and caretaker attitude with respect for the earth. Classes are aligned with National Environmental Education Standards.

01 Ed



+170’

+155’

+160’

+140’

+95’

+0’


PUBLIC PARKING

TOWER

PLAZA

LEARNING CENTER

WALKING TRAIL

7 8

RIVER


TOWER ENTRY RENDER

EXTRUSION / MOVEMENT

UPPER LEVEL PLAN

SINGLE POINT OF VIEW

LOWER LEVEL PLAN MOVEMENT + VIEWS


9 10 TOWER FINAL RENDER


EVENT AND ADMINISTRATION

TRANSVERSE SECTION

CIRCULATION

CLASSROOM PROGRAM

EVENT PROGRAM


WEST PERSPECTIVE RENDER

11 12


SUSTAINABLE STRATEGIES 1. CONSTRUCTED WETLANDS 2. WATER COLLECTION 3. CISTERN 4. SHADING SYSTEMS 5. SOLAR PANEL SYSTEM

1 2 4

5

3

PHASED BUILDING CONSTRUCTION PHASE 1 - ADMINISTRATION

PHASE 2 - EVENT SPACE

PHASE 3 - ADDITIONAL EVENT SPACE


MAIN LEVEL

4

6

1. LOBBY 2. OFFICE 3. PRIVATE OFFICE 4. BREAK ROOM 5. RESTROOM 6. CONFERENCE/CLASSROOM 7. EVENT 8. COURTYARD 9. AMPHITHEATRE

3

5 2 DN

9

8

1

7

13 14


CLASSROOM RENDER

GREAT HALL RENDER

BUILDING ENTRY RENDER


15 16



02 Ur

THE BOSTON JAZZ CENTER BOSTON, MA . FALL 2013 . TIM HICKMAN PARTNER: SCOTT JOHNSON *CSI COMPETITION FINALIST The Boston Center is a Compostion of site and city with an emphasis on public movement and pedestrian circulation. The placement of the building within the site allows for movement that makes a more cohesive Connection of many dis- connected paths within the city. The building allows an opportunity for Public Performance by displaying circulation internally and externally. Placed within a vacant lot in the heart of downtown Boston. The client asked for a new Jazz/Concert hall for the Boston Symphony Orchestra.The program asked for the combination of two theater spaces: a 1,200 seat acoustically design concert hall and a flexible 300 seat experimental hall. Along with some additional support spaces.


PURC

HASE

AT LA

NT

IC

AV E

STRE

ET

NU

E

E

ENU IC AV LANT

NORTHERN AVE.

T BLVD.

SEAPOR

SEAPOR

CHANNEL

T BLVD.

AT


BOARDWALK PERSPECTIVE RENDER

THEATER RELATIONSHIP

PUBLIC SPACE

ADMINISTRATION

SITE ALTERATION WITHIN BUILDING

B.O.H. PROGRAM

19 20


ATLANTIC AVE.

0’

1 3

SEA

POR TB

LVD .

4

2

5 0’

PARKING -8’

-8’

L VE LE

L VE LE ET RE

D 2N

ST

TRANSVERSE SECTION


H 5T

H 4T

D 3R

L VE LE

L VE LE

L VE LE

ATRIUM SECTION

21 22


FLOOR-BEAM CONNECTION DETAIL


BIG DIG PERSPECTIVE RENDER

SOUTHWEST ELEVATION

SOUTHEAST ELEVATION

NORTHWEST ELEVATION

23 24


COLUMN FOOTING STRUCTURE

SHEER WALL STRUCTURE

FLOOR TRUSS STRUCTURE

SLOPED ATRIUM STRUCTURE

EXTERIOR DIAGRID STRUCTURE

PUBLIC ATRIUM MODEL PHOTO


25 26


MAIN HALL PERSPECTIVE RENDER


MAIN HALL ACOUSTICAL STUDY

MAIN HALL PERSPECTIVE RENDER

EXTERIOR CONCERT HALL WALL DETAIL

27 28 MAIN HALL PERSPECTIVE RENDER



03 Pu

LAKEVIEW PARK PAVILION URBANDALE, IA . SPRING 2013 . BRUCE BASSLER COMBINED STUDIO OF 24 STUDENTS *AIA IOWA RECOGNITION . DESIGN-BUILD Working in partnership with the Urbandale, Iowa Park and Recreation program, we were able to design and construct a unique park pavilion to inhabit one of the most used parks in central Iowa. Ideas began with a simple movement of expressing the tectonic presences of the structure while detailing the form with a light, stereotomic response. The composition offers a very functional space that allows users to flow through the pavilion. Openness became a necessity for security but creating an enclosure that permits a unique experience within the space. The city asked for a pavilion that was between 600-700 square feet and could be reserved to the public. Leaving a very generous opportunity for our own designs, we decided to create a complete composition by designing the shelter, landscape, tables and chairs, grill, and patio area. The complete budget was $27,000. and the total project time was 4 months.


HORIZONTAL

RYTHMIC

FLUID

OPENNESS


31 32 NORTH PERSPECTIVE RENDER


TWINWALL POLYCARBONATE LEXAN 1/4” SHEET. 6’x18’

STEEL BEAM STRUCTURE W12x17

TIGERWOOD ROOF STRUCTURE LATERAL SUPPORT, 5/4”x6”

STEEL STRUCTURAL COLUMN 3x3 ANGLE

VERTICAL COLUMN INSERT 2x4 TIGERWOOD

TIGERWOOD SLAT WALL 5/4”x4” DECKING

STEEL KNIFE-PLATE, BASE PLATES SHEET STEEL

FIBERGLASS REINFORCED CONCRETE SLAB 6” THICK

CONCRETE PIER STRUCTURE 6’ DEEP FOR MOMENT RESISTANCE

GRAVEL FOUNDATION BED 18” THICK


EAST PERSPECTIVE RENDER

11

COLUMN TOP SIDE ELEVATION DETAIL 1

NORTH ELEVATION

INTERIOR PERSPECTIVE RENDER

33 34 6

COLUMN BASE ELEVATION DETAIL 1

ENTRY PERSPECTIVE RENDER


WEST ELEVATION

EAST ELEVATION

WEST ELEVATION


35 36 DUSK RENDER


ROOF DETAIL PHOTO


ENTRY PATH PHOTO

AXIAL VIEW PHOTO

37 38 COLUMN BASE PHOTO


INDUSTRIAL DESIGN MUSEUM COLUMBUS, IN . FALL 2012 . LADAN OMIDVAR PARTNER: CHARLIE CUTLER *FIGGE MUSEUM SELECTION FINALIST The overall theme of the museum is an innovative-based museum focused on the processes of innovation in an educational manner. We arrived at the basis of this idea through an in depth look at what innovation means, and based the layout of our galleries around these ideas. Our intent was to design a continually changing museum that serves both the local and tourist population in the area. We did this by dividing up the building into different parts that would serve the community in different ways. This allowed for our building to be integrated well into the existing site and context. Cited within a “Museum city� of world renoun buildings and designs, the Indianapolis Museum of Innovative Objects asked for proposals of a museum to house works or art and objects that reflect the history and forward thinking ideas of the city of Columbus.

04 Pu




AERIAL PERSPECTIVE

41 42 LONGITUDINAL SECTION


INTEGRATION

BASEMENT LEVEL PLAN

AXIAL

MAIN LEVEL PLAN

PUBLIC PERFORMANCE

SECOND LEVEL PLAN


INTERSECTION

SEPERATION

EXPERIENCE

43 44 SECTIONAL MODEL


STUDIO RENDER

CAFE RENDER


FLEXIBLE GALLERY RENDER

45 46


GALLERY PRODUCTS PROCESSES

BACK OF HOUSE

TECHNOLOGIES COMMUNITY

GALLERY VERTICAL CIRCULATION

GALLERY PROGRAM

BUILDING PROGRAM

PRODUCTS PROCESSES

BACK OF HOUSE

TECHNOLOGIES

NITY GALLERY PROGRAM

GALLERY PRODUCTS PROCESSES

BACK OF HOUSE

TECHNOLOGIES GALLERY

COMMUNITY

GALLERY PROGRAM

BUILDING PROGRAM

PRODUCTS PROCESSES

BACK OF HOUSE

TECHNOLOGIES COMMUNITY GALLERY PROGRAM

BUILDING PROGRAM

lighting

BUILDING ENTRANCES

BUILDING ENTRANCES

lighting

BUILDING ENTRANCES

lighting

BUILDING ENTRANCES

LERY PRODUCTS PROCESSES TECHNOLOGIES

GALLERY PROGRAM

EXTERIOR GALLERY NIGHT RENDER


47 48



05

NYC ARTIST IN RESIDENCE

Re

NEW YORK, NY . SPRING 2011 . SAMANTHA KRUKOWSKI PARTNER: LINDSEY HINNI *BWBR COMPETITION SEMI-FINALIST Developing a program that offered a pubic presence at street level and a creative working environment above made for a challenging opportunity. Inspired by the lack of recycling in New York, the ground floor was proposed as a drop off center for recycled objects. Within the spirit of recycling offered a way to educate and create public art by having the artists use the goods to create from. The floors above were programmed with single units where artists could live privately, as well as many communal spaces to create collaboration and display of work. The New York Foundation of Arts requested ideas for a new artist in residence facility to be built on an abandoned corner lot in the Soho District. We were given the option of creating our own program or generalizing the typical high-density housing program within New York City. We were required spaces for living, working, and playing.


PUBLIC COURTYARD IMAGE

SITE

EXTRUDE

SUBTRACT


RECYCLED

MATERIAL

SECTIONAL

SPACE

STUDY

DIAGRAM

51 52 UTILITY

FLOORS

SHIFT


NIGHT RENDER


GROUND LEVEL

1ST

2ND + 4TH

3RD + 5TH

Level 6

Level 5

SINGLE UNIT RENDER

53 54


STREET PERSPECTIVE RENDER


PRIVATE SPACE

UNIT PERSPECTIVE RENDER

COMMUNAL SPACE

COMMUNAL SECTION RENDER

55 56


DESK HAMMOCK CHAIR AMES, IA . SPRING 2012 . CHRIS MARTIN PARTNER: REED COUNTS *B. R. ART COMPETITION FINA LIST Project consisting of found recycled materials that then can be machined at low cost and fabricated in less than 8 hours. Beginning with ideas of relaxation and lounging, the “Desk Hammock” evolved from a typical desk chair into something more playful and pleasing. Structural rigidity of the plywood and tension strength of the rope led us to a “form-fitting” design. The suspended paper tubes conform to each individual’s silhouette while creating support for lounging. The addition of the adjustable neck rest completed the composition. -Recycled Paper Tubes -Recycled Plywood -Rope 32” x 50” x 48”

06 Mi




59 60


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architecture portfolio 2008-2013

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blake evans / 4005 quebec street (ames, iowa) 50010 / 515.238.8675 / bevans@iastate.edu


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