Pro AVL MEA January–February 2025

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Speakers

Editor’s Letter

By the time you read this, Chris will already be in America preparing for The NAMM Show and I’ll be following him there not long after. Then it’s a short hop over to ISE, and we’re fully back into tradeshow season (which looks even more jam-packed in 2025 than normal). February’s ISE exhibition is promising a 10% increase over last year, so it’s a good job that the team here at Blank Canvas has grown considerably over the last 12 months. You’ll see more of our faces trawling the aisles this year than ever before. Having been a huge success in prepandemic times, we were also very pleased to restart our Pro AVL Connect networking nights during the latter half of last year, and have already hosted successful evenings in Singapore, Mumbai and Dubai. We’ll be bringing these back with increasing frequency again this year.

As we head into 2025, we’re at the halfway point between the pandemic

There’s still a lot to accomplish. But while Saudi’s near-constant announcements of megaprojects steal the global headlines, the UAE and other regional players aren’t so willing to be outpaced. Ras Al Khaimah has become an increasingly popular tourist hotspot in the UAE, driving a real-estate boom and offering a compelling alternative to the more established markets of Dubai and Abu Dhabi. Impressive developments in Yas Island, Saadiyat and Al Qana are close to fruition, creating an even more diverse set of options for those same tourists Saudi is trying to court. This is fuelling live events and entertainment as the fastest-growing AV integration sectors in the region. Regardless of which territorial borders the business is taking place in, it all means good things for AV.

Email: sluckhurst@proavl-mea.com

Richard Lawn General manager rlawn@proavl-mea.com

Nick Smith Digital media manager nsmith@proavl-mea.com

Sue Gould Advertising director sgould@proavl-mea.com

Chris Yardley Video editor cyardley@proavl-mea.com

Carolyn Valliere Sales associate cvalliere@proavl-mea.com

Jack Stennulat Digital content creator jstennulat@proavl-mea.com

Caroline Moss Contributing editor cmoss@proavl-mea.com

Adrian Baker Production manager abaker@proavl-mea.com

Karen Wallace Editorial coordinator kwallace@proavl-mea.com

Marne Mittelmann Circulation manager circulation@proavl-mea.com

Bea Meikle News editor bmeikle@proavl-mea.com

Sue Su Guangzhou manager ssu@proavl-mea.com

QSC to be acquired by Acuity Brands

QSC has reached a definitive agreement to be acquired by industrial technology company Acuity Brands for US$1.215b. Through the agreement, QSC will become part of Acuity’s Intelligent Spaces Group to execute both parties’ joint vision of developing technologies that leverage data interoperability.

Acuity Brands will acquire the company for a purchase price of $1.1b, net of expected tax benefits, which represents approximately 14 times QSC’s estimated EBITDA for the last 12 months and double sales of $535m. It is expected to be accretive to Acuity’s fiscal 2025 full year adjusted diluted earnings per share.

“Bringing QSC together with Acuity underscores the critical role AV technology plays in live, hybrid and virtual experiences,” said Joe Pham, chairman and CEO, QSC. “Our two organisations are aligned on a long-term mission and core values that drive our mutual passion for innovation, customer satisfaction and employee well-being.”

“In our Intelligent Spaces business, we are delivering meaningful outcomes for end users that are powered by disruptive technologies and that generate strong financial results,” said Neil Ashe, chairman, president and CEO, Acuity Brands. “QSC has built a differentiated cloud-manageable audio, video and control

platform that controls what happens in a built space. Our acquisition of QSC builds on our vision of data interoperability as we continue to make spaces smarter, safer and greener.”

Jatan Shah, president, QSC, added: “From our roots in pro audio to our Q-SYS platform solutions, our talented teams are well-positioned to bring our mission to life for our customers, ecosystem partners and our systems integrators who serve them. With Acuity’s Intelligent Spaces Group, our rich landscape of data will deliver dynamic and engaging experiences that captivate and inspire.”

www.qsc.com

d&b announces Middle East subsidiary

MIDDLE EAST

d&b audiotechnik has announced the opening of a Middle East subsidiary in Dubai. d&b audiotechnik Middle East (ME) will be led by general manager Brad Maiden, supported by a team for regional sales and education and application support. The ME team will provide product and market expertise, as well as develop strategic partnerships and a regional training programme, which is already in place.

An official entity of the company, d&b audiotechnik ME will work closely with its sales partners in the region such as Provision AVL, 7Hertz, Technology KAR and Southby Middle East, alongside integration and rental partners Creative Technology ME, AVI-SPL, Quality AV and Vibe. The manufacturer emphasised the roles these partners play in distribution, education, event delivery and systems integration, serving a wide range of industries.

“The launch of d&b audiotechnik Middle East is an important milestone in our global growth strategy,” said Amnon Harman, CEO,

d&b group. “Our new entity accelerates our efforts to bring our advanced technologies to our customers in this exciting and dynamic region, helping them to create exceptional

experiences for audiences of all sizes. Our commitment to the region is underlined by the expertise and market knowledge of our exceptional local team.”

Maiden remarked: “Our vision for the region is to further promote our signature sound and advanced technologies. The Middle East is technologically progressive and with the award-winning SL-Series taking the world by storm, d&b Soundscape and the roster of new products we have coming to market in the next 12 months, we are excited to unlock even greater possibilities for various industries. We have a great team, a great partner network and are eager to contribute to the entertainment and cultural landscape in an impactful and sustainable way.”

Additionally, d&b audiotechnik ME is the official technology partner of Dubai Opera, reflecting the company’s commitment to supporting iconic cultural institutions.

www.dbaudio.com

Bose Professional opens Dubai office

Located in the Sharjah district, the new office combines modern business spaces and meeting rooms with an experience centre, designed for education and demonstration and featuring Bose Professional’s lineup of loudspeakers, power amplifiers, processors, controllers and software.

The opening ceremony was attended by CEO John Maier, vice president of international sales, Hans Vereecken and director of sales – EMEA, Nittin Dargan, alongside industry leaders and partners. The event featured speeches with Maier serving as guest of honour, a ribbon cutting ceremony and presentations.

“The new Bose Professional office and experience centre will serve as a regional centre to demonstrate innovative audio solutions to all our distributors, systems

integrators and consultants,” said Dargan.

“The new space further demonstrates our commitment to the MEA region. The Bose Professional team and our distributors will continue to ensure that our customers get best-in-class products, locally available.”

“It’s our mission to deliver amazing audio solutions and services to our customers around the globe,” added Maier. “I am so proud of what the team here in Dubai, and around the world, have accomplished by achieving these operational milestones in our company’s history. I can’t wait to travel to more offices and cut more ribbons as we deepen our 50-year legacy of partnerships and continue to grow our global organisation.”

www.boseprofessional.com

experience centre in Dubai, the 10th leaders and partners from the MEA region.
QSC CEO Joe Pham
L–R: d&b’s Middle East team – Brad Maiden, Richard Fenton and Kassim Salim

DaVinci Resolve now includes new real time editing tools, making it the world’s fastest editor for broadcast editing in feature film quality. But you can even use it for live action replay! You can edit while HyperDecks are recording live and you can even cut in the viewer to edit without a timeline! Imagine doing broadcast replays and then posting them to social media!

Get Started in a Few Simple Steps!

DaVinci Resolve lets you do replay in a few simple steps. It’s as simple as watching the input view in the viewer and then pressing the POI button when an exciting event happens. That will switch you from the input view to playback media, where you can see the different camera angles you have in a multi-view. Now just scroll back, select a camera and you’re ready to play by pressing the run button.

Build the Custom Replay System You Need!

Building a high end replay system is easy as it’s storage centric, where multiple HyperDecks record and DaVinci Resolve handles the playback. Then add more storage when you need extra space and higher speed. Plus, you can add more than one DaVinci Resolve system and they will collaborate globally using Blackmagic Cloud shared projects.

Load HyperDeck Files Even While Recording

To start working with replay, you simply load the HyperDeck recordings into the bin. One of the reasons DaVinci Resolve can be used for replay is it can edit media files even while those files are still being recorded on disk. The viewer will automatically advance as the files grow in length, so you can scroll forward and get to the latest media being recorded.

Add a DaVinci Resolve Replay Editor

The DaVinci Resolve Replay Editor is a hardware control panel that combines features for both replay and for multicam editing. Its affordable design has the same high quality keys that gaming keyboards use, so it’s reliable and feels nice to use. With features for both replay and editing, it means the same operator can work on replays while loading them into the timeline.

Digital Projection delivers in Egypt

HiLights Group recently executed a 3D projection mapping installation on the New Administrative Capital Stadium in Egypt, featuring 64 Digital Projection Titan 37000 WUXGA laser projectors. Located in the New Administrative Capital, which is currently being built 30 miles east of Cairo, the 93,940-capacity stadium is the largest sports arena in Egypt and the second biggest in Africa. The spectacle was created in collaboration with Aroma Studios, which provided expertise in crafting 3D content, animations and graphics specifically tailored to the stadium’s layout.

“The immersive visuals, achieved through meticulous planning and cutting-edge technology, brought a 3D experience to life in a way that had never been attempted in the region,” said Yara Mahran, senior digital marketing specialist, HiLights Group. “Our goal was to push the boundaries of

visual immersion in a stadium setting. By transforming the space with high-definition, high-brightness visuals, we created an unforgettable experience that would engage the audience from every angle.”

An edge-to-edge 90° projection technique integrated the stadium’s floors and walls into a cohesive display, covering an expansive area of over 12,000m2. The team aligned the projectors to ensure depth and layering, as Mahran explained: “By integrating custom 3D content and synchronisation animations, we created visuals that seemed to leap off the stadium’s surfaces, achieving the desired effect.”

The projectors, positioned in different corners of the stadium, were mapped and aligned by 10 Dataton Watchpax 60 media servers, combined with Olympic pixel manager, featuring 20,000 pixels. The

installation boasted a pixel resolution of 10mm with a brightness of 300 lux per m2 Additional equipment used included lighting fixtures from Vari-Lite and Robert Juliat.

“The Titan’s brightness levels were pivotal in meeting the brief’s requirements for high-lux visuals on both the floor and walls, allowing us to deliver a vibrant and impactful display,” Mahran concluded. “This 3D projection mapping project sets a new benchmark

for future immersive events. The technical insights we gained here will influence our upcoming projects, enabling HiLights Group to continue breaking new ground in 3D projection mapping, all made possible thanks to the capabilities of Digital Projection Titan projectors.”

www.digitalprojection.com

www.hilightsgroup.me

NMK gets InterActiVe AVenger debuts Ecler in the GCC

NMK Electronics recently hosted its networking event NMK InterActiVe 2024 at the Opal Ballroom, Mövenpick Riyadh. Bringing together over 400 professionals from the region’s thriving AV industry, the event showcased new technologies and fostered partnerships.

The company cited the importance of hosting the event in the region, with Saudi Arabia’s professional AV market reportedly set to grow at a CAGR of over 7% by 2026, driven by Vision 2030 initiatives.

A highlight of the evening for many was the live demonstration of Shure’s Axient Digital PSM wireless monitoring system. Also showcased was Epson’s 4K projector as well as Arthur Holm’s Dynamic 3.

NMK also announced the opening of its new experience centre in Riyadh, a handson facility where partners and clients can explore its AV technologies. The event also celebrated partnerships, with awards handed out to clients for outstanding projects completed in the last year. Guests enjoyed an

Speaking during the event, Stephen Fenby, group managing director, Midwich, said: “Saudi Arabia represents one of the most dynamic AV markets globally. NMK’s ongoing commitment to this region ensures that we remain at the forefront of innovation, collaboration and growth.”

NMK InterActiVe attracted a diverse audience of partners, vendors, clients and end users, including representatives from brands such as Shure, Epson, Barco, L-Acoustics, Neat, Televic and Arthur Holm, which presented their latest AV solutions tailored for the Saudi market.

L-Acoustics L-ISA, accompanied by music from local artists. Adding an interactive element, attendees received PixMob light wristbands that synchronised with the light and sound show, creating a memorable and engaging experience.

“NMK InterActiVe highlights our role as a trusted partner in Saudi Arabia’s AV industry,” commented Alex Kemanes, regional director, NMK Middle East. “By connecting global brands with local opportunities, we aim to deliver impactful solutions that align with the Kingdom’s ambitious vision.”

www.nmkelectronics.com

AVenger Electronics recently hosted “The Sound Odyssesy” Ecler Audio product launch at the Hyde Hotel in Dubai, marking the European manufacturer’s debut in the GCC region. The event was directed by Ecler general manager Jan Pagès, MEA area manager Marco Rostagno, specialist in products Marc Rovira and Jithin Jose, sales manager for the Middle East, alongside AVenger’s technical support team.

The brand’s introduction to the UAE market attracted more than 100 AV design engineers and consultants eager to explore Ecler’s newest audio and video solutions, including the VIDA Series of amplifiers and NIMBO designed loudspeakers. Rovira gave an exclusive preview of the EclerCLOUD platform for remote management and supervision, while Pagès presented an overview of the brand, highlighting its fundamental values and extensive history as it celebrates its

“We were happily astonished by the crowd at this product launch event and the keen interest shown in discovering more about us and Ecler’s solutions,” said Rostagno. “The enthusiasm and participation of the attendees made this event exceptionally unique. Visitors showed significant interest in our newest offerings: VIDA, NIMBO and EclerCLOUD, highlighting the appetite for cutting-edge audio technologies in this sector.”

According to Jose, the event stood out as a “remarkable gathering for Ecler in the GCC region – enabling us to showcase the latest products and features with great success”. Following the launch, Ecler conducted practical training at AVenger’s onsite training centre, with the distributor noting it is now able to provide continuous training programmes for its partners in the MEA region.

www.avengerproav.com

SAUDI ARABIA
The NMK Electronics team

Groupe Novelty goes global

European provider of technical solutions for the event and rental staging market, Groupe Novelty-Magnum-Dushow has announced its rebranding as Groupe Novelty. The move, which includes a new logo and fresh corporate identity, positions the rapidly expanding company for further growth and underlines its position as a 360° provider of technical services on a global scale.

A strategic move designed to support its international expansion, the streamlining of the Groupe Novelty brand is intended to create a cohesive identity for the

live events, television productions and fixed installations.

Collectively, Groupe Novelty’s companies are involved in over 15,000 events annually and employ 3,500 contract workers each month. The group has 20 offices boasting warehouses in France along with another 12 internationally, including seven in Europe and five in the MENA region, and an annual turnover of over €370m, of which it invests close to 10% in new equipment every year.

“With 15 companies under one roof, Groupe Novelty is able to manage every aspect of an event or fixed install project

multifaceted organisation. “Our new name, Groupe Novelty, unifies our diverse stable of specialist businesses and sets the stage for further international expansion,” said Jacques de La Guillonière, founder and president, Groupe Novelty. “With over 40 years of experience and hundreds of thousands of events under our belt, all of our companies already enjoy an extremely strong reputation in France and abroad; with this rebrand, we want to share our unique strengths as a business with an even wider audience.”

Groupe Novelty’s core brands are Novelty, which specialises in AV solutions for events of all kinds, including fashion shows, expos, brand launches and corporate and cultural events; Magnum, a French technical service provider for large-scale indoor and outdoor events; and Dushow, a live entertainment expert specialising in technical solutions for

in a way that very few businesses can,” explained de La Guillonière. “This gives us a unique insight into what it takes for an event to be a success and our clients know they can trust us to be with them at every stage of the journey.”

Looking to the future, the founder enthused about the possibilities presented by the new identity: “The name ‘Groupe Novelty’ embodies both our global ambitions and our values as a business: excellence, innovation and our signature ‘French touch’. Our existing clients are increasingly relying on us to support them abroad. With the recent appointment of Christophe Piette as deputy CEO, we are best equipped to support this international growth and help to strengthen our industry commitment on the global stage.”

www.groupe-novelty.com

Witbe opens Dubai office

Witbe has expanded its automated video testing support for MEA providers with the opening of a dedicated office location in Dubai. The facility opened its doors with a grand ceremony led by the company’s president and co-founder, Marie-Véronique Lacaze.

“We are incredibly proud of the success of our local Dubai team and are excited to expand Witbe’s support for video service providers in the MEA region with this new dedicated office,” said Lacaze. “Opening the MEA location comes at an exciting time, as our virtual network operation centre technology empowers video service providers

INFiLED takes centre stage for Jason Derulo

Jason Derulo recently headlined the EarthSoul concert in Dubai’s Coca-Cola Arena, backed by an INFiLED solution to deliver visuals. The eco-conscious music festival featured a lineup of top artists, including regional stars like Shae Gill, Arqam and Celine Dee Matahari.

AVL partner for the event SLS Production was engaged to create an upstage LED wall, along with image screens and several LED front walls for the band and dancer risers. The aim of the design was to create a vibrant visual experience that complemented the live performances. The setup included a large 9m x 5m upstage 4.6 GXmk2 LED wall that became the focal point of the performance, as well as two IMAG screens measuring 6m x 3.5m and 12m2 of 4.6 GXmk2 LED fascia for the band and dancer risers.

According to Edgar Pulido, head of the video department at SLS Production, the installation process was smooth

“The flexibility of the LED panels also allowed us to adapt them perfectly to the band and dancer risers, adding depth and dimensions to the stage.

“The panels offer exceptional colour accuracy, punchy colour profiles and high contrast, making them ideal for delivering crisp, vibrant visuals that enhanced the overall look of the stage. The use of reliable technology like INFiLED’s LED panels helped us meet the client’s expectations without any issues and the end result was an impactful performance that captivated the audience.”

Provided by Derulo’s touring team, the visual content was designed to complement the singer’s high-energy performance. The video media was preloaded to a Disguise VX4 media server. “This system ensured that the visual elements integrated smoothly with the overall production, delivering flawless

to easily monitor and control all their local testing devices at any time from any web browser.”

The company began working in the MEA region in 2015 and has been actively operating in Dubai since 2017. The new Dubai office is fully staffed with team members across sales, engineering, customer success and business development, which Witbe says demonstrates its commitment to the region’s video streaming market and continued investment in working closely with local customers.

www.witbe.net

The Witbe team in Dubai
Image courtesy of SLS Production

NXL 14-A SMALL FRAMEWORK. MASSIVE SOUND.

COMPACT ACTIVE POINT SOURCE SPEAKER

Minimal dimensions with the power of a giant. The new NXL 14-A is the most compact active speaker in the professional NXL series. It features two 6” woofers in a symmetrical configuration and the new 1.75” Precision Transducers PKX driver loaded on a rotatable TRW waveguide, all powered by a 2,100W two-channel amplifier with FiRPHASE and Bass Motion Control processing. Available in black or white finish, the NXL 14-A is designed to deliver definition, power, and portability in any live application. Perfect for vocal reproduction, ideal in compact live systems paired with SUB series subwoofers, in immersive applications, or as a fill speaker.

rcf.it

#ExperienceRCF

ETHNO camp inspires young musicians

Bringing together aspiring musicians from Mozambique, Malawi, Zimbabwe, Tanzania and India, Music Crossroad’s ETHNO camp in Maputo leveraged Allen & Heath’s Qu-24 digital mixer for various camp activities. The non-profit organisation hosted the camp to inspire young musicians, deepen their musical abilities and foster a global network that supports their artistic growth and career development.

ETHNO camp gave participants an opportunity to sharpen their personal and professional skills while connecting with fellow musicians from diverse backgrounds. The Qu-24 digital mixer was on mix for workshops, jam sessions, rehearsals and live performances with experienced sound engineer Noel Semo, giving the young participants a glimpse into the professional world of sound engineering. The camp wrapped up proceedings with a concert for over 2,000 attendees, enjoying professional sound quality made possible by Allen & Heath’s mixer in Semo’s capable hands.

Music Crossroads has integrated the Qu-24 into many training sessions at its music academies in Mozambique and Zimbabwe, where students are learning the nuances of sound engineering in real-world settings.

“We’re incredibly grateful to Allen & Heath for investing in the future of young musicians,” said a spokesperson for Music Crossroads. “Their support through the provision of the Qu-24 has unleashed the potential of these artists and is helping create positive change.”

www.allen-heath.com

Media

Modulo Pi has announced the certification of its first official trainers in the Middle East. Steve Critchley and Peter Winter from illumin8studios in Dubai recently completed the company’s trainer certification programme at its headquarters in France.

Known for its media server technology, Modulo Pi certified Critchley and Winter following a week of hands-on training with its Modulo Player and Modulo Kinetic systems. This certification enables them to train other professionals in the region.

illumin8studios, based in the UAE, has been involved in various projects across the Middle East, with its team drawing on over a decade of experience in creative and technical solutions. This certification will enable the company to support the growing demand for media server expertise in the region.

“Steve and Peter’s strong experience and passion for innovation made them the perfect choice for this certification,” said Yannick Kohn, Modulo Pi’s founder and CEO. “We are confident

that their knowledge and dedication will help effectively share our media server expertise with professionals across the Middle East, empowering others to make the most of our solutions.”

“It was an incredible experience spending a week at Modulo Pi’s headquarters in Paris for the ‘train the trainer’ course,” commented Critchley, founder of illumin8studios. “After years of working with the Modulo Kinetic system and more recently with Modulo Player, this was a meaningful step for illumin8studios. We believe this training further solidifies our longstanding partnership and commitment to growing our relationship for years to come. We are truly honoured to have the opportunity to train at the highest level and demonstrate the full potential of the Modulo Pi ecosystem. This experience reinforces our dedication to mastering the system and showcasing its remarkable capabilities to the region.”

www.modulo-pi.com

The young musicians got hands-on with the Qu-24 digital mixer
L–R: Peter Winter of illumin8studios, Yan Kaimakis of Modulo Pi, Steve Critchley of illumin8studios and Modulo Pi’s Yannick Kohn

Acoustic Star Events enhances Zee Nation Fest

Acoustic Star Events supplied full technical support for the Zee Nation Fest at the Johannesburg Expo Centre, deploying L-Acoustics, Robe and MA Lighting solutions provided by DWR Distribution.

The project, which took place during the company’s 11th year in business, marked one of the biggest events Acoustic Star Events has managed, with nearly 11,000 people in attendance.

Founded by Katlego Masoga and Khutso Kekana, Acoustic Star Events combines Masoga’s technical knowledge, gained from working for companies such as Sound Corp and MGG, with Kekana’s strong business acumen from working for a South African bank.

The brainchild of one of the country’s popular female DJs, DJ Zinhle, Zee Nation Fest 2024 featured a lineup of South African artists such as MÖRDA, Young Stunna, Focalistic, Kwesta and Cassper Nyovest.

The event company has worked with DJ Zinhle for several years.

“When we got the brief about Zee Nation, we didn’t take it lightly,” explained Masoga. “DJ Zinhle always wants the best for her brand and, with this in mind, we knew we had to deliver. We wanted to deliver a world-class festival. We made sure we used the best products to achieve that level of quality and the feedback has been incredible.”

The lighting setup included a grandMA full-size console with NPU, Robe BMFL RoboSpot systems, Robe Pointes, Robe LEDBeam 350s and Vari-Lite VLZs among other lighting equipment.

The L-Acoustics PA system featured six K1, 24 Kara and 12 KUDO loudspeakers with 24 KS28 and 16 SB28 subs, all powered by 42 LA12X and six LA8 amplified controllers. System management was provided by four P1 processors – two at front of house, one onstage and one for delays.

“I had an incredible experience with Acoustic Star,” commented DJ Zinhle. “The quality of the stage setup was truly impressive, creating a perfect atmosphere for each performance. Every detail was thoughtfully executed, making it feel like a world-class production. The sound quality was outstanding as well – crystal

clear, powerful and perfectly balanced, which made it easy to enjoy every beat and lyric. Katlego really knows how to elevate the concert experience to the next level. I can’t wait to work with Acoustic Star on our future events.”

www.acousticstar.co.za www.dwrdistribution.co.za

Adopting 1G and 10G AV over IP solutions elevates visual quality with 4K support, delivers seamless scalability, ensures synchronized audiovisuals with ultra-low latency, and strengthens security. These adaptable systems are simple to install and effectively future-proof your AV investments for any professional setting.

From small setups to extensive networks, tailored to grow with your needs.

Supports various input and output formats, fitting effortlessly into diverse AV setups.

SOUTH AFRICA

Claypaky lights up Saudi Games 2024

Lighting and stage designer Steve Wary utilised 50 Claypaky Skylos fixtures for the opening ceremony of the Saudi Games 2024. Held in Riyadh, the games featured over 9,000 athletes competing in 52 sports, making it the largest national sporting event in the country.

Unlike previous years, the opening ceremony was held in Boulevard City, requiring temporary infrastructure to accommodate the event. The existing LED screens on surrounding buildings served as a backdrop to a centrally positioned stage which hosted the athletes’ parade and featured the symbolic games’ flame as a key design element.

Wary’s stage design consisted of two overlapping rings, 36m x 18m in diameter, with a 7° slope. At the top centre, a cauldron for the flame was integrated alongside a flat area for speeches and ceremonial activities. The lighting was distributed across four levels, including laser beams on the floor, rounded towers for beams and back spots and towers behind the stands equipped with FOH spotlights and 24 B-EYE K20 washes.

“The Skylos created beams of light in the Riyadh sky, which is very favourable for this purpose since there’s haze all year round that creates a nice mist,” noted Wary.“The B-EYE K20 washes on the main FOH tower helped create an even area to emphasise the FOH up close. They proved their worth since we needed a powerful light output and a good beam angle to assist the FOH projectors in areas we couldn’t reach.”

The Saudi Games marked the first time that Wary used Skylos, which he called “the

ideal choice for this kind of large-scale show. They are made for outdoor use and I knew they would withstand the high temperatures of this country during full sun. Despite the lens treatment, and their ability to endure extreme temperatures, we still planned a head-down position in the console to protect the lenses during the day.”

He mounted the Skylos atop rooftops, giving texture to the Riyadh sky. “The power of Skylos quickly got everyone on the same wavelength and there were exclamations of ‘wow!’ everywhere as I turned them on and people looked up,” he reported.

“Besides the powerful and clean beam,

Skylos offered other major advantages. There were excellent choices on the colour wheel, making it clear that each colour was chosen to lose the least possible power in light output, particularly the amber colours that are generally hard to bring out in a large beam – on Skylos these colours were impressive.”

Production was managed by LAB2580, with lighting supplied by LabLive/SLS Production. Jean-Yves Orcel served as lighting director, with Wary and Jerome Claude as lighting operators.

www.claypaky.it/en

TT+ Audio and AVenger showcase GTX

Together with its UAE distributor AVenger Electronics, TT+ Audio hosted an audio demonstration of the GTX 12 line array and GTS 29 subwoofer system at Jumeirah Beach, Dubai Marina. The event drew over 80 industry professionals, including prominent sound engineers and audio specialists, eager to experience the system’s capabilities.

Led by the manufacturer’s application engineer Lucio Boiardi Serri, the day kicked off with a close look at the GTX 12, GTS 29 and XPS 16K systems. Participants gained insights into system setup and optimisation through an indepth exploration of the RDNet platform for control and real-time diagnostics, covering the fundamental aspects of

FBT’s Myra debuts in South Africa

Italian manufacturer FBT’s Myra line array system has made its debut in South Africa. Designed for touring and high-end installations, the system features the 214L mid/high line array and the 218S subwoofer.

South African sound engineer Kyle Freemantle recently had the opportunity to experience the Myra system firsthand. “Equipped with one of the most simple and straightforward rigging systems, so easy you’ll think you’re

RDNet Measure for accurate system alignment. The session culminated in an outdoor demonstration to showcase the GTX system’s sound quality and adaptability in a real-world environment.

“We welcome the overwhelmingly positive response from our guests,” commented Joseph Ninel Rebero, general manager, AVenger Electronics. “We are confident that this system has the right features for our market, covering all aspects we require to satisfy the premium-level clients of the Gulf region.

The GTS 29’s powerful, articulate bass impressed everyone, proving that TT+ Audio is setting new benchmarks in the live sound industry.”

Luca Ombrati, TT+ Audio’s area manager, added: “This is the first official demo of the GTX in the UAE, but I was confident of the outcome. The system is gaining popularity worldwide despite being such a new brand on the market and we see this as a big opportunity for growth. A significant thanks from TT+ Audio to the entire AVenger team for the flawless organisation. It’s reassuring to have a partner with a similar appetite for perfection as we do.”

www.avengerproav.com www.ttaudio.com

doing it wrong, the Myra is extremely quick to fly. The touring chariots are sturdy and well-designed, which helps to make truck packing and storage easy. The cabinets are lighter than they seem, with a solid handle, making the handling process comfortable.

“Sonically, these cabinets require very little work to get them sounding awesome,” continues Freemantle.

“System EQ and other tuning features are all handled onboard by the amps through the remote software. The Myra gives you a big sonic hug while it handles anything you throw at it with ease. A great-sounding cabinet, complemented by an immense double 18 subwoofer – together they make up everything you’d want from a largeformat sound system. FBT has done some great work with this system, and I look forward to seeing it in the field.”

www.fbt.it

SAUDI ARABIA
SOUTH AFRICA
Image courtesy of Your Wolf Agency
Kyle Freemantle with the Myra system

MAXIMUM AUDIO PERFORMANCE MINIMUM VISUAL IMPACT

Meet the LRC series – three passive column loudspeakers designed for main, delay or distributed sound reinforcement duties. Based around purpose-built 2.5” drivers and proprietary PaSS dispersion control technology, all models provide carefully controlled vertical dispersion and smooth frequency response for environments where both audio quality and clean aesthetics are required.

The design concept is focused on easy installation, with a range of integrator-friendly features.

BIG SOUND THAT BLENDS INTO THE BACKGROUND SIMPLICITY, PRACTICALITY AND FLEXIBILITY

• Smooth, full-bandwidth clarity and coverage

• Multi-function flush/pan/tilt bracket for close wall mounting

• Passive designs with integrated 70/100V + Lo-Z transformers*

• Perfect for houses of worship, hospitality areas, transportation hubs, commercial interiors and more

• Low-profile, architecture-friendly design

• Paintable enclosures in white or black, suitable for indoor or outdoor use

CCG makes landmark L-Acoustics purchase

Qatari event production company

Creative Communication Group (CCG) has advanced its technical capabilities with a landmark acquisition of new L-Acoustics equipment from Edge, NMK’s partner company in Qatar. This new investment establishes CCG as the largest holder of L-Acoustics gear in the country.

Amid rising demand for the L2 series, CCG has received an initial delivery of L2 loudspeakers, L2D models and KS28 subwoofers. “With the L2D and L2 systems, we’re now equipped to redefine audio production quality in Qatar,” commented Shaun Brown, director of audio, CCG. “Edge has been a crucial

partner in reaching this milestone and we’re excited to bring extraordinary soundscapes to our audiences.”

Pratap Singh, general manager, Edge, remarked: “We are proud to support CCG with this top-of-the-line audio technology. CCG’s dedication to high-quality sound aligns perfectly with Edge’s mission to provide world-class AV solutions to Qatar’s thriving event industry. With the L2D, L2 and KS28 systems, CCG now boasts Qatar’s most advanced and versatile L-Acoustics inventory, ready to meet the demands of any event.”

www.ccg-events.com

www.nmkelectronics.com

Midwich Ignite’s Ciqurix investment

Midwich Ignite has invested in Ciqurix, a UK-based company that develops video flame detection technology. Midwich Group’s corporate venture capital arm acted as lead investor in the funding round and will take a seat on the manufacturer’s board. Ciqurix’s solutions are designed to detect fire in challenging environments where traditional heat or smoke detection is ineffective, including industrial areas, damp or wet environments, extreme temperatures and outside areas like waste management plants. The business’s flagship product Ciqurix CORE uses infrared and video analytics to detect the presence of fire. Midwich Ignite’s funding will be used to help Ciqurix achieve accreditation under the new fire standard LPS1976, which will reportedly make the CORE the only accredited product on the market.

“We are delighted to partner with Ciqurix at this pivotal moment in the company’s development,” said Will Fenby, investment manager, Midwich Ignite. “We have been highly impressed by the team’s innovative approach to fire safety technology, with the company instrumental in drafting the new standard for VFDs, and believe the business is well-placed to take advantage of new regulatory tailwinds.”

Paul Seligman, CEO, Ciqurix, added: “Partnering with Midwich represents an exceptional opportunity for us to broaden the reach of our FCam CORE system. With their industry expertise and global network, we’re well positioned to expand our market and advance the adoption of video flame detection worldwide.”

www.ciqurix.com

www.midwichignite.com

WORLD
DANTE EMBEDDED
Unica 8M
Unica 4L
The CCG team with its new L-Acoustics gear

Fohhn Audio AG has announced its successful certification to the ISO 9001 and ISO 14001 standards for quality and environmental management. The ISO 9001 certification confirms that Fohhn meets globally recognised quality standards, serving as a benchmark for efficient processes and customer satisfaction. This certification shows that the manufacturer consistently works to improve its internal processes, identify potential risks early and ensure continuous progress.

Fohhn has also been certified to ISO 14001 for environmental management

systems. This standard ensures that the company systematically reduces its environmental impact and uses resources more efficiently. Fohhn has

established a Sustainability Committee to promote environmental protection and help the company reach its sustainability goals. A key part of the strategy is

the long-term commitment to climate neutrality, which will be achieved through specific measures and the calculation of the annual Corporate Carbon Footprint (CCF).

Additionally, several Fohhn loudspeakers have been certified to EN 54-24, making them suitable for use in voice alarm systems. This standard is crucial for fire safety in public buildings, ensuring that the certified loudspeakers deliver clear and reliable voice transmission in case of an emergency.

www.fohhn.com

So capable. So Unica.

Unica will have a fresh-out-of-the-box feel throughout its life, and it will be possible to integrate features and functionalities down the line, making it truly futureproof. Proving the engineering efforts undertaken in the development of this platform are 5 registered patents

Plug & Play Events Solutions recently provided the AVL system for Namibia’s Deep Dive Seafood & Wine Festival. The event marked the company’s largest deployment of solutions to date and incorporated its newly acquired Martin Audio WPC line array system, as well as products from Chauvet Professional and Allen & Heath. All the products were supplied to the event production company by South African distributor, Audiosure. The Deep Dive event saw performances by acts such as Gloria Del Mar, Samson Brothers, Jacob & Taylor, Watershed and many more to entertain the lively crowd. Twelve WPC boxes served as the PA system, partnered with six SXH218 subwoofers for

low-end reinforcement, while power was courtesy of nine iKON iK42 amplifiers. For monitoring, eight Blackline XP12s and one Blackline XP118 were used onstage, with the Blackline XP118 subwoofer incorporated for bass reinforcement for the drummer. At FOH, the Plug & Play team set up the Allen & Heath SQ7 digital mixer paired with a GX4816 stagebox, while the smaller SQ5 was deployed for monitoring. Chauvet’s COLORado PXL Curve 12 LED batten lights completed the setup, providing visuals for the performances.

www.allen-heath.com

www.chauvetprofessional.com

www.martin-audio.com

Level Production elevates MOTF gala

that cascaded across the curved ceiling and walls, complementing the space’s unique architectural details. To create this effect, Level Production relied on an extensive remit of Prolights fixtures, including 32 Astra Wash 19 Pix, 24 Astra Hybrid 330, 10 Ra2000HB profiles, 24 SunBar 2000FC and eight ECL Profile CT+, all programmed on a ChamSys MQ250M console. For visual displays, the company supplied a 10m x 4.5m curved LED screen with a 2.6mm pixel pitch, as well as a 3m x 3m sliding screen for the main entrance.

15-inch rear-facing. Additionally, six of the manufacturer’s C15 coaxial speakers were implemented for side fills and stage monitors, complemented by Powersoft’s X Series amplifiers and a Midas M32 digital mixing desk.

The venue was bathed with pink, purple and warm hues of light, as well as textural effects

“Level Production is honoured to have been part of the XM Arabia Gala,” concluded Al-Doumani. “Working in such an iconic building as the Museum of The Future, with its unique architectural design, made the experience truly extraordinary. From the outset, the client placed their trust in us and we embraced the responsibility to deliver next-level quality to strengthen that trust. Our lighting took the production to the next level, showcasing the venue’s features and enhancing the overall atmosphere of the event. Collaborating with the Solicet Events team filled us with immense pride and the overwhelmingly positive feedback from them made all the challenges we faced fade away.”

HiLights goes big in Riyadh

Part of Riyadh Season 2024, The 1001 Seasons of ELIE SAAB fashion showcase featured an extensive AVL setup deployed by HiLights Group in collaboration with its partner Proline International. Celebrating the Lebanon-based designer’s 45-year legacy, the event was inspired by the One Thousand and One Nights collection of Middle Eastern folktales and included performances by international artists Jennifer Lopez, Camila Cabello, Amr Diab and Nancy Ajram.

HiLights Group provided a range of solutions and production expertise to complement the 300 looks styled by Carine Roitfeld which graced the catwalk. Over 1,500 lighting fixtures were leveraged across 150 universes, including Ayrton’s Domino Profile S, Domino LT, Argo Wash 6 FX, Kayalmi and Cobra luminaires. A range of Vari-Lite fixtures were also used, such as the VL3600 profile, VLZ Wash, VLZ Profile, VL 2600 Profile, SL Bar 720ZT, SL STRIP 10 IP, Fresnel 400F, CW and Fresnel 200F, CW. In addition, ClayPaky’s HY B-Eye K15, the JDC2 IP by GLP, the Zenit Z180 G2 by Cameo and Robe’s Robospot BMFL Follow Spot were incorporated into the design. MA Lighting controlled the setup, with six grandMA3 full-size and four grandMA3 lighting consoles deployed, alongside two grandMA NPU M, and four grandMA NPU XL and grandMA NPU L.

For visuals, a 1,300m 2 LED screen setup combined LED walls, floor and mesh screens with a 270° projection design, powered by Barco’s UDX4K40 Flex projector. This was controlled by 26 Dataton WatchPax 60 media servers, Barco’s E2 Event Master switcher and two H15 and four H9 videowall splicers from Novastar Technology, enabling transitions and visual depth.

L-Acoustics provided sound for the various performances, with K2 and Kara speakers for PA and KS28 subs for low-end reinforcement, powered by LA12X amplifiers. AVB protocol was used via DirectOut’s Prodigy.MP audio processors to send signals to the LA12Xs, with an Optocore X6R system also used as a backup to transmit signals to the amplifiers. Two DiGiCo Quantum7 and SD11 each plus a Quantum225 and SD12 were used for mixing. Microphones from Shure were also incorporated, equipped

with DPA Microphones capsules for sound capture, while Shure’s PSM 1000 in-ear monitoring system provided 60 channels of uninterrupted audio.

For structural support, there were over 270 rigging points powered by ChainMaster motors and over 3,000m of Eurotruss, integrating HD, FD, TT and ST trusses with a stacked Layher scaffolding system. For automation, Kinesys systems and 40 Apex winches handled precision timing for entrances and movements of set elements.

www.hilightsgroup.me

Image courtesy of Gilbert Haddad

Bosch sells security and communications product business to Triton

Bosch is selling its Building Technologies division’s product business for security and communications technology to European investment firm, Triton. The transaction encompasses three business units – video, access and intrusion and communication – the entire product business of Bosch Building Technologies that was offered for sale. Through the agreement, all 4,300 associates employed in these units at over 90 locations worldwide will be taken over. The purchase price and other details of the purchase agreement will not be disclosed and the transaction is expected to be closed by the end of the first half of 2025.

In October 2023 Bosch announced that it would be selling most of the division’s product business. “It was our aim to find a suitable buyer who will acquire all three security and communications technology business units and offer their associates an outlook for the future,” said Christian Fischer, deputy chairman of the board of management of Robert Bosch, with responsibility for Bosch Group portfolio management. “We have achieved that aim. Triton has presented a sustainable and credible growth strategy for the business. As an investor, it can provide a high level of industrial expertise and many years of experience in taking comparable companies forward.”

Unilumin opens KSA service centre

LED manufacturer Unilumin has opened a new service centre in Riyadh. The local hub aims to enhance the experience of its Middle East and Saudi clientele, providing more personalised, flexible and efficient services.

To celebrate the opening of the new centre, a high-profile event was hosted and attended by several senior executives, including Daoren Yuan, VP of Unilumin Group, Breeze Ho, general manager of

Claus von Hermann, managing partner and co-lead of Triton’s industrial tech team, said: “We want to support the management and employees to continue the strong growth trajectory that this business recently saw by providing not only capital, but also our know-how from having owned and successfully developed other companies in the security space.”

Peter Loeffler, CEO, Bosch Building Technologies’ product business, added: “With Triton as our new owner, we will work together to push ahead with innovations in the security

and communications area. The entire team is looking forward to making our new company a success and will remain a reliable partner for our customers.”

Through the realignment, the Building Technologies division is to focus on its regional integrator business and the product business with fire-alarm systems is to be merged with the integrator business. Following this transaction, the division will have approximately 8,000 associates in eight countries.

www.boschsecurity.com

Namibian Oncology Centre turns to SAW

sales localisation, service localisation and manufacturing localisation.

“Saudi Arabia stands as a vibrant market replete with immense potential,’ commented Ho. “With the establishment of this service centre, we are not merely elevating the standards of service excellence we deliver, we are also deeply embedding our commitment to localising sales, service and manufacturing within this region. This strategic move

general manager of the international sale and service centre, and Jason Yang, GM of VF Lighting.

During the opening remarks, the leadership emphasised why Riyadh was chosen as the location for the new centre. As a city where the company has already successfully delivered numerous Metasight visual display projects, Riyadh, they said, is a natural hub for further strengthening local relationships. The Unilumin KSA team can now better serve its local customers, pursuing the ultimate goal of

comprehensive solutions that resonate deeply with our customers’ needs, solidifying our position as a market leader.”

To show appreciation for the local customer support, Unilumin hosted several activities that were enjoyed by all attendees. The event concluded with a guided tour of the service centre, where guests explored the manufacturer’s LED solutions.

www.unilumin.com

The Namibian Oncology Centre’s new Chemotherapy Facility in Windhoek, Namibia, features an AV system provided by Stage Audio Works (SAW). The centre, which offers comprehensive and progressive cancer treatment and care in comfortable, modern surroundings, has implemented the system to provide digital signage and entertainment for patients receiving treatment.

SAW successfully secured the project following an invitation to submit a tender. “We are honoured to have been chosen for this installation at the Namibian Oncology Centre,” said Emcé Smit, technical manager at SAW Namibia. “Our goal was to provide a modern, reliable and high-quality AV solution that offers comfort and entertainment to patients undergoing chemotherapy. The installation needed to meet the client’s high standards of performance and durability, ensuring a long life of satisfactory, trouble-free operation with minimal maintenance.”

The project included an audio system for background music in the reception waiting area, the installation of Smart TVs in the shared treatment area and individual Smart TVs for each patient in the private treatment rooms.

An Audac all-in-one audio solution was implemented with ceiling loudspeakers and an audio streaming module. For visuals, several UHD screens were installed, with entertainment provided via individual Apple TV units to allow for on-demand streaming services.

As the site was under construction during the integration, coordinating installation services within the stipulated time frame posed challenges. However, SAW Nambia noted that through effective collaboration with the engineers at Emcon Consulting Engineers and the construction team from Decora cc, the team delivered the project successfully and on time.

“The high-quality audio and visual systems we installed are not just end user-friendly but also significantly enhance the environment for patients receiving treatment,” concluded Smit. “This project is important to us because it directly impacts the wellbeing of patients, providing them with much-needed comfort and distraction during their treatment.”

www.audac.eu

www.stageaudioworks.com/namibia

SAUDI ARABIA
NAMIBIA
The new Chemotherapy Facility in Windhoek

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Event Technology

The Kampi Ya Boma hotel just outside Kolwezi has installed an audio solution featuring Blaze Audio, EAW and Work Pro systems, provided by Surgesound. Serving as a social hub for the community, the hotel hosts gatherings, social and corporate events for local and international guests.

Surgesound’s objective for the project was to provide a robust yet user-friendly sound system that integrates across the hotel’s various venues while maintaining

Kampi Ya Boma turns it up a notch 7Hertz hosts KLANG masterclass

As part of its ongoing commitment to empowering audio professionals, 7Hertz recently partnered with KLANG:technologies to deliver a two-day, hands-on in-ear mixing masterclass at its Dubai headquarters. Led by Phil Kamp, KLANG’s head of sales, the event catered to engineers and sound professionals looking to deepen their technical expertise in immersive in-ear monitoring (IEM) solutions. Attendees explored the capabilities of the manufacturer’s 3D audio processing technology, focusing on the latest advancements and refined workflow of version 5.6 of the KLANG:app. The sessions included in-depth discussions on spatial audio placement and personalised mix creation for diverse environments from live gigs and tours to studio and theatre applications. Kamp also covered DiGiCo console integration and the ability to easily use KLANG with any MADI- or Dante-enabled console.

The masterclass demonstrated how KLANG’s binaural processing enhances

independent operation. Given the local climate, the outdoor areas and most indoor facilities have been equipped with IP-rated Work Pro loudspeakers. The Cobalt VIP bar, which hosts high-profile social events, features EAW’s latest range from the MKC series.

All amplification is powered by Blaze Audio’s PowerZone Connect series amplifiers, leveraging the onboard DSP for utilisation of various sound sources

S1-Wall controllers offer integration and control over zone volume and sound source selection. Preconfigured loudspeaker presets provide the optimum

managed by Dante-enabled amplifiers, allowing for signal transmission via a network infrastructure.

Attendees also learned about the personal monitoring capabilities of the KLANG:kontroller, which allows musicians to control their own mixes. By the end of

audio experiences for both performers and engineers alike.

“I really enjoyed the two days of intense KLANG masterclasses at 7Hertz,” said

www.surgesound.co.za

Kamp. “I am proud to have such capable and well-connected partners onsite who easily gather some of the elite of Dubai’s AV scene, who were interested and asked sharp, deep questions. This reassures me of a great future for KLANG in the region.”

John Parkhouse from 7Hertz remarked: “We have been speaking with Phil about coming over for some time. Visits from manufacturers are always very powerful for us, as evidenced by the remarkably quick uptake in online registrations for the sessions at 7Hertz. Phil’s training was exemplary, detailed and comprehensive. He demonstrated the powerful advancements the technology has undergone in terms of workflow and ease of operation. KLANG is a highly engaging solution, enabling engineers to get the best possible sound for musicians and performers. We look forward to building on Phil’s visit by running further sessions soon.”

www.klang.com

www.the7hz.net

KLANG’s Phil Kamp led the training

Production Crew chooses FOR-A for OB unit

SAUDI ARABIA

Designed and built by Dubaibased systems integrator El Baba Smart Technology, a new outside broadcast unit has been commissioned by Production Crew, including technology provided by FOR-A. The truck will support the rapid growth in sports coverage in Saudi Arabia, where it will be based. The capability of producing highquality television in 4k Ultra HD is critical for these applications.

Production Crew was keen to maintain simple and secure operations in the new unit, opting for a native 12G-SDI infrastructure rather than IP connectivity. Working with El Baba, it looked at all the key vendors, and selected FOR-A because of its consistent, proven support for 12G-SDI to achieve a compact architecture.

Centrepiece of the truck is the FOR-A HVS-6000 production switcher, coupled with the HVS3355OUA panel. This gives operators up to four M/E banks and 80 inputs, with full pre-programmable macros, DVEs and graphics layering. The curved layout of the panel puts all functionality within ergonomic reach of the operator for completely reliable production under pressure.

goal for this new outside broadcast truck was to be capable of world-class sports coverage, using hardware that would be reliable and easy to troubleshoot. This led us directly to a 12G native environment, where FOR-A excels. The company’s products work seamlessly with other key equipment in this environment, such as Ikegami’s 12G native cameras. It was also extremely helpful to have strong local support on our doorstep, from the FOR-A team in Dubai. From initial conversations to final commissioning, they have been completely supportive and responsive.”

www.for-a.com

configured up to 72x72 to meet the practical needs of a live production. Signal conversion and distribution uses the FOR-A USF modular system, capable of hosting as many as 12 cards in a 2U rack equipped with the 12G distribution amplifiers with video and audio processing.

“It was important to us that we got the right production flexibility and creativity,” said Shady Mokdad, MD, Production Crew. “That drove us towards the FOR-A HVS-6000. Working with El Baba on the system design, we also saw other, practical advantages like the multiviewer hosted in the switcher, saving us precious onboard rack space.”

Ihab El Baba, MD, El Baba Smart Technology, added: “The design

L–R: FOR-A regional manager Mohammed Abu Ziyadeh and Ihab El Baba

Loud N Clear with DiGiCo Quantums

Loud N Clear (LNC) has expanded its inventory with the addition of DiGiCo Quantum338 and Quantum852 consoles. Founded in 1985 by passionate audiophile Roger Bou Farhat in Lebanon, the company provides sound systems for events and concerts across the Middle East, including for artists like Shakira, Armin Van Buuren and Amr Diab.

LNC received the consoles from local distributor Less db. “We have a special friendship with Less db going back to the 1990s in Lebanon which has given us confidence and trust in the decades since,” remarked Farhat, who explains why he invested in the new gear. “DiGiCo has been requested by more and more teams over the years. As we run several big events at the same time in different countries, it only

Roger Bou Farhat with LNC’s Quantum852

made sense to expand our range. “The 338 is flexible, that’s why it gets used the most – from small corporate events to larger live bands. The 852 is a beast of a console

that we mainly use for extra-large events that include multiple artists, bands and even orchestras that require over 200 performing members at once.”

LNC, which also utilises the SD10 and Quantum7, said it has had a good history with DiGiCo. “When we receive the new consoles, our team will undergo training with Less db to really grasp all the features, routing and workflow so we are prepared to use them right away,” furthered Farhat. “The great synergy for us comes from DiGiCo’s global support as well as Less db – we share knowledge and experience to enhance our audio together. If we face an issue, the DiGiCo support team is on standby 24/7 to help us solve technical enquiries. We also appreciate the frequent firmware updates that are made with user feedback to enhance the experience.”

www.digico.biz www.loudnclear.me

L-Acoustics enlivens Jabulani Amphitheatre

The Jabulani Amphitheatre has enhanced its audio capabilities with the installation of an L-Acoustics Kara II system, supplied by DWR Distribution. Established in 1952, the iconic venue is neighboured by the Soweto Theatre which was built

on the same plot of land in 2010 and features three fully equipped auditoriums. Constructed during apartheid, the 3,000seat Jabulani Amphitheatre was originally intended for cultural and sporting gatherings and became a significant hub for the arts.

Academy platform to offer new tools and methods to enhance the learning experience of its employees, partners, consultants and integrators. The Learning Management System (LMS) platform will allow participants to gain certifications, general expertise and communication badges.

“We took a close look at our existing LMS platform and applied user feedback to make enhancements that improve the user experience,” said John McGregor, manager, Sound Academy, Sennheiser. “Our goal was to align the strategy of our learning platform with those of our business; and by making the platform easier to use and engage with, we have synced up with the stated goal for our products.”

The LMS platform will provide a deeper understanding of the manufacturer’s

Richard Smith from DWR, alongside Andi Rodgers and Marlene Riley, oversaw the installation. The team recommended a setup that included 24 Kara II professional loudspeakers, alongside eight SB18 and six KS28 subwoofers, along with all the required cabling and rigging. The Kara II system was chosen for its Wavefront Sculpture Technology, which enables it to provide sound distribution across the large theatre, as well as its capabilities for both musical and speech applications.

“The system is powered by LA12X amplified controllers, but what brings the system into a new era, is that it runs on an AVB network,” noted Smith. “In a nutshell, this means a much higher audio quality and reliability. To accomplish this, the system contains a P1 Processor and LS10 AVB switches.

“I remember when many years ago this was just a dream. Seeing it all come to life was truly special. The Jabulani Amphitheatre deserves to be celebrated, a

platform for beautiful artists and musicians to be heard.”

Acting general manager of Soweto Theatre, Franklin Ngcaba, commented: “This sound system is a game-changer for Jabulani Amphitheatre. We now have a world-class setup that is perfect for the festivals, concerts and live events to come. The quality and clarity of the sound will enhance the experience for both artists and audiences, creating unforgettable performances for years ahead.”

“The PA system was the right specification for the venue. It sounds amazing and everyone loves it,” concluded Jaco Beukes, a member of the DWR audio team. “It was a pleasure working with the Soweto Theatre crew – they were incredibly excited and helpful. I’m looking forward to seeing the audio being used to its full potential.”

www.dwrdistribution.co.za

www.l-acoustics.com

products, including unique features, use cases, competitive advantages and benefits to customers and integrators. Through learning via advanced and

engaging online sessions, participants will gain significant knowledge relative to their role and relationship with Sennheiser.

Integrators, consultants and end customers will learn how best to install and configure Sennheiser’s AV and IT solutions for education and corporate environments. These learners can also be sure that they have access to the most current product updates, new methods and technology insights by using the LMS platform. Certification, CTS credits and communication badges for social media will also be available upon completion of certain courses. Sennheiser employees will also benefit by having access to the same information as external parties, so that they may offer the best customer and partner support possible. Employees will also have access to new learning tools to assist with their career planning.

www.sennheiser.com

Soweto Theatre

Immersive experiences can transform the ordinary into something remarkable. They’re even more powerful when you have interactivity, engaging content, and Christie ® smart technology to power them.

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Particles glowed under their feet, light explosions were triggered at the touch of their hands, and ripples followed their path. Any movement had a direct impact on the visuals generated around them and made them co-creators of the artwork they witnessed.

Marguerite Tricaud Creative Director, Théoriz

Blackmotion chooses Robe

Blackmotion, a Johannesburg-based rental company, has recently expanded its lighting inventory with the addition of Robe LEDBeam 150 units, supplied by DWR Distribution. The new units are set to be used on an upcoming television show airing on SABC 2 (South African Broadcasting Corporation) every Sunday.

Kagiso Moima Masimini has been a long-time user of Robe lighting products, with 24 Robe LEDBeam 100 already in use. Reflecting on his experience with the LEDBeam 150, Masimini noted their performance at recent

with eight units, but the goal is to build up to at least 24.”

The new fixtures are expected to play an important role in upcoming live concerts and television studio productions. They will also be available for dry hire through Blackmotion’s sister company, Outlaw Gear Rental.

“Thank you DWR for this amazing partnership,” Masimini said. “It has been 20 years of great support and the team is amazing, always willing to help and to come onboard to assist me.”

Optimal Audio for Vaagh Sandton

The Vaagh Sandton restaurant and nightclub recently opened with an Optimal Audio, Allen & Heath, Martin Audio and Wharfedale Professional solution, provided by Audiosure. Located in Sandton, the venue is split across two levels with a luxurious restaurant on the first floor and a nightclub area on the second.

Allen & Heath’s AHM 16x16 matrix processor runs the audio for both floors which each have source selection and volume control, it has also been implemented to protect the system for longevity.

The restaurant area features eight Martin Audio Blackline X8 loudspeakers, with two Optimal Audio Sub 15s to cover the low end. Two X8s have been distributed for the main

floor, alongside a selection of X12s, paired with more Sub 15s. For speaker processing, three Wharfedale Pro DP-4100 amplifiers provide long-term system reliability. Allen & Heath product specialist, Lesedi Maponya, commented: “The AHM made this installation a breeze. The system manager allows us to configure the system in the background without affecting the running of the venue. We can make changes on the fly. Custom control is what we give the customer once we finish configuring the backend. The venue manager has been given an easyto-use interface without any complicated controls.”

www.audiosure.co.za

Second Sphere to be built in Abu Dhabi

Sphere Entertainment and Abu Dhabi’s Department of Culture and Tourism (DCT) have announced plans to develop the world’s second Sphere entertainment venue in Abu Dhabi, UAE. The facility is expected to contribute to the city’s growing entertainment offerings for both residents and visitors.

“The vision for Sphere has always included a global network of venues and the announcement is a significant milestone towards that goal,” said James L Dolan, executive chairman and CEO, Sphere Entertainment. “Sphere is redefining live entertainment and extending the reach of its transformative impact. We are proud to collaborate with DCT Abu Dhabi to develop Sphere in their city.”

H E Mohamed Khalifa Al Mubarak, chairman of DCT Abu Dhabi, said: “Sphere Abu Dhabi will seamlessly integrate advanced technology with captivating storytelling,

creating unforgettable memories for everyone who visits. This partnership aligns with our Tourism Strategy 2030, further establishing Abu Dhabi as a vibrant hub for culture and innovation. By embracing cutting-edge entertainment like Sphere, we’re not only

Dubai-based technical production and AV rental company Giochi di Luce (GDL) has expanded its inventory with Chauvet Professional fixtures. Facilitated by NMK Electronics, the acquisition aims to elevate GDL’s event production services across the region.

The investment includes the Color Strike M, Rogue Outcast 1 Beamwash, Colorado PXL Bar 8 and Rogue Outcast 1L Beam luminaires. These fixtures have been designed for use on a

wide range of events, from corporate gatherings to large-scale productions.

“We are thrilled to partner with GDL on this exciting expansion,” commented Jesse Dullabh from NMK Electronics. “The fixtures they’ve chosen are some of the best in the industry and we’re confident they will help GDL continue to deliver exceptional event experiences. It’s always a pleasure to support a company that shares our passion for quality and innovation.”

elevating our global profile but also setting new standards in immersive experiences and cultural offerings.”

Planned to be located in a key area of Abu Dhabi, the new venue will be similar in scale

It is expected to attract both residents and international visitors, hosting events, concerts and shows in a distinctive setting.

Sphere Entertainment and DCT Abu Dhabi have agreed to collaborate on the project, with final agreements yet to be completed. Under the terms, DCT Abu Dhabi will pay a franchise fee to Sphere Entertainment for the rights to build the venue using Sphere’s designs and technology. DCT Abu Dhabi will finance the construction, with Sphere Entertainment providing expertise in development, construction and pre-opening activities. Following the venue’s opening, Sphere Entertainment plans to continue its partnership with DCT Abu Dhabi, which is expected to include annual fees for creative content, use of Sphere’s brand and technology, and operational support.

dct.gov.ae/en

L–R: GDL’s general manager Stefano Duchi, HOD lighting Davide Bombardieri and COO Andrea Campironi
Kagiso Moima Masimini from Blackmotion and the LEDBeam 150s
Martin Audio Blackline X8s deliver sound in the restaurant
Image courtesy of Sphere Entertainment

CTME nurtures Saudi’s youth talent

Creative Technology Middle East (CTME) recently partnered with the BEAST Ed programme and the Academy of Live Technology (ALT) to provide hands-on training for aspiring AV technicians in Saudi Arabia. As the region’s entertainment and event sector experiences unprecedented growth, CTME said it is taking decisive steps in helping to develop local talent and support the Kingdom’s evolving event industry through education initiatives.

The training programme offered students a blend of theoretical knowledge and practical experience, allowing them to experiment with various tools, technologies and solutions while contrasting their own experiential knowledge. Martin Hall, KSA general manager, expressed his gratification to Melanie Lemnios and Grace Hardman for delivering the BEAST Ed programme, with both playing a pivotal role in its success. Hall also expressed thanks to Johnny Wood and Matt Glynn from ALT for their support.

“Through education, technology and our strong expertise in the AV industry, we hope our expertise will benefit these students,” said Hall. “Creative Technology is helping shape the future of Saudi Arabia’s event industry. We are doing this by supporting local talent and top-notch training. We are excited to see these talented students showcase their skills in upcoming events in Saudi Arabia. This will help strengthen the Kingdom’s role as a leader in global entertainment and sports. CT’s team in Riyadh also contributed significantly, demonstrating the company’s commitment to nurturing local talent.”

CTME noted that it is dedicated to supporting the Kingdom’s 2030 vision and the Saudi youth empowerment. It stated that it is not only training technicians but cultivating the next generation of AV innovators. Building on the momentum of the BEAST Ed programme, CTME has participated in the Soundstorm Job Fair. Taking place at the Soundstorm site, the event represented another

Stefano Duchi, GM, GDL, said: “The flexibility and performance of Chauvet Professional’s products allows us to create even more immersive and visually captivating events. Partnering with NMK has made this process seamless and we look forward to delivering exceptional lighting experiences across the region.”

opportunity for CT to engage with and inspire future professionals in the field and also create career opportunities within the Saudi AV industry. As these initiatives unfold, CTME said it is eager to see the talented students from the BEAST Ed programme and potential recruits from the Soundstorm Job Fair showcase their skills in upcoming Saudi events. Furthermore, the company said that these contributions will undoubtedly play a crucial role in cementing the Kingdom’s foreseeable growth in global entertainment and sports experiences.

www.ct-group.com/me

SAUDI ARABIA
CTME and BEAST Ed Saudi student training

Prosound brings the Central Bank of Lesotho up to date

Prosound has recently delivered a new multipurpose conferencing setup for the Central Bank of Lesotho (CBL). The CBL is the primary institution overseeing the monetary and financial system of the small but influential landlocked country sitting within the borders of South Africa. As part of its mandate, it often hosts national and international forums, conferences and diplomatic events. This year, the CBL identified the need within its recreational centre to have a modern multipurpose conference, which meant building a comprehensive new facility housing video, discussion and interpretation systems.

Prosound South Africa took on the challenge of turning what was initially an incredibly basic setup into a multipurpose conferencing hub to meet the client’s demands for efficiency and versatility, making adjustments that accommodate various configurations, such as classroomstyle presentations, executive committee meetings and hybrid events.

The space has been equipped with a Yealink Microsoft Teams Rooms system including touchscreen controls, Bring Your Own Device (BYOD) adapters, an AV hub interface and two PTZ cameras which provide wide coverage of the room as well as the clarity to focus clearly on individual speakers in specified areas. Video

broadcast is supported by a Grandview 150-inch motorised screen with IR control, a Vivitek 7,000-lumen DU4871Z laser projector and two Samsung 75-inch UHD panels.

Delegate audio input comes from a selection of Sennheiser microphones, with an Aurora IP touch control RXT-8 and RXC-4

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control processor. Signals are channelled through two Bosch PRM-4P600 power amplifiers, a Symetrix Radius NX 12x8 programmable DSP and Symetrix singlecore Acoustic Echo Cancellation (AEC) coprocessor. In-room reinforcement is supported by a fixed audio system of seven Bosch LC2-PC30G6-8 ceiling speakers

and four Bosch LC2-PC60G6-10 in-ceiling subwoofers, while further flexibility is added with two EV Evolve 50 portable column systems that can be wheeled out when required.

Stage lighting ensures that presenters, speakers and panellists are clearly visible to both in-room and remote participants during discussions, and was achieved with ETC ColorSource Spot Jr, ColorSource PAR Jr and diffusion lens fixtures.

Finally, the portable delegate discussion and language distribution system captures discussions through 26 Bosch CCSD-DS discussion units to two HDP-IHDO interpreter headphones, a CCSD-CURD control unit and an INT-TX08 transmitter. The translated audio is distributed back to the delegates wirelessly by Bosch LLB4512/00 RF radiators to 56 LBB4540/08 pocket receivers and 10 lightweight HDP-LW headphones.

“The ability to adapt the space to different needs was a big priority,” explained Prosound’s Brendan Venter. “We merged corporate requirements with our expertise in large-scale venues, ensuring the room serves multiple purposes while maintaining a polished, professional aesthetic.”

www.prosound.co.za

LESOTHO

mediaPro’s mammoth INFiLED investment

Audiovisual solutions provider mediaPro has expanded its INFiLED fleet with the acquisition of 2,000m2 of ARmk2 screens, raising its stock from 150m2 of DB1.5 M4 panels, which it acquired last year.

The UAE-based company has been working with INFiLED for two years. “We first initiated a purchase of INFiLED’s

According to Pola, the overall specifications and performance of the ARmk2 screens meet mediaPro’s high standard for reliability and efficiency. “One of the most important features of INFiLED’s products are the highquality LED lamps, which deliver exceptional brightness, the touring frame structure, providing flexibility for frequent use and the

1.5mm panels and then progressed to the purchase of a higher volume of the ARmk2 range,” said Neeraj Pola, video technical

ease of installation, making it feasible for large-scale setups,” he said.

Samer Otaibi, INFiLED’s VP of sales for the

events and projects, such as the Abu Dhabi Afterlife Tour and UAE National Day celebrations.

The purchase was focused on the touring frames and the ability to secure a large single batch of LED screens, which allows mediaPro to meet its goal of fulfilling client expectations for large-scale wall displays. This latest inventory expansion will enable mediaPro to offer INFiLED LED displays across its service regions in the Middle East, Europe and Asia.

we are eager to support the team on their upcoming projects.”

Looking ahead, the company is exploring additional INFiLED options, including the Titan X frames, as it continues to expand its LED capabilities. Pola concludes: “The quality of INFiLED products consistently meets our standards and we look forward to working with INFiLED in the future.”

www.infiled.com

www.mediaproav.com

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L–R: Karthik Nair of INFiLED with mediaPro’s Rachel Fernandes and Neeraj Pola
L–R: mediaPro staff with INFiLED’s Karthik Nair and Samer Otaibi

Ironman

Karan Nagpal, director of Indian distributor Sonotone, talks to Bea Meikle about his journey training for and completing the mammoth Berlin Ironman

What does your role at Sonotone entail?

As a director of Sonotone, my role involves overseeing daily operations, coordinating with department heads for planning and reports, executing strategies and managing customer and vendor communications. I ensure productivity and goal alignment while fostering a collaborative environment, often staying late to reflect and prepare for the next day.

Congratulations on completing the Berlin Ironman! How did the competition go?

It was excellent! My finishing time was much quicker than my target, probably thanks to Berlin’s cold weather keeping my electrolytes in check. Compared to India’s hot weather, I felt fresher during the course. Although the water was 15° – too cold for comfort.

What motivated you to take part in the Ironman?

I’ve been an active sportsman since childhood and was a national gold medallist (under 13s) in swimming. As I grew older, I placed more of a focus on education which meant there was limited time for swimming and my physical fitness was running and going to the gym. I was completely disconnected from the sport until my son started swimming three years ago and to inspire him, I participated in his competition in the master’s categories. One practice session before a competition, I met the celebrity Saiyami Kher who revealed she was participating in the Berlin 70.3 Ironman, which is when I thought “if an actor has the time to do it, I can definitely attempt it”. Once the seed was planted, I never looked back and kept going.

What was the most challenging aspect of the triathlon?

Swimming wasn’t the concern and I have done half marathons in Mumbai in the past. The challenge was cycling – I neither owned a bike nor knew anything about this leg. Mumbai isn’t cycle friendly at all; the traffic is crazy and there is no space to walk safely, let alone cycle. Also, when diving down further into the costs of a road racing bike, it was 10 times what I expected due to my lack of awareness of the sport. On one of the trips to China for the GETshow, one of our suppliers who cycles regularly said I must attempt the triathlon and gave me his bicycle since the monsoon season was coming up and he had no use for a road bike for the next six months. I was hesitant at first, but he was kind enough to talk me through everything about it and then took me out to practise one day and dismantled it and gave it to me along with a trainer to mount it on and cycle at home.

What sort of training did you have to do in preparation?

The most vital part of this journey was information. I came in blind but now I have so much knowledge of the sport I am a changed person. A large part of training was educating myself about the calories expelled and replenishing them. The first time I rode on the bike I burnt 1,100 calories; aside from being elated at the high count I was also dizzy. That is when I started reading about how much sodium, potassium and magnesium is typically lost and the journey ahead was all about experimenting on how I feel with different quantities of electrolytes and what was working for my body. For the physical training, I followed a beginner programme over 20 weeks recommended by a friend who completed Ironman. The week included different drills for

swimming, cycling and running – some to build speed, some to build mileage. The weekend was brick workouts of two or all three to get into the flow. The challenge was work and holiday travel in between but abstaining from unhealthy food helped retain the fitness levels.

How did you fit the training around your daily working life in Mumbai?

I went to bed earlier and changed my alarm to 5:30am. Weekend parties turned into coffee meetups and cinema nights turned to short Netflix sessions. But the change was all worth it – there was something to look forward to every day, a new challenge, goal and training regime and I had my heart in it.

Why do you feel it is important to have an outlet such as this outside of work?

When you embark on something you have never done before, whether an Ironman or anything else, your perspective on non-monetary matters changes. When you find something to put your heart and mind into, I believe the creative part of the brain is alive with energy and when you are brimming with life, you are happier in your relationships, work, sleep and all the problems that previously seemed mammoth now seem miniscule. Isn’t this the goal in life?

What advice would you give to someone who is embarking on a triathlon or similar physical challenge?

If you have any doubts or any hesitation about the idea of doing something new – that is a good thing, that’s when you know you must pursue it no matter what challenges lie ahead.

Karan Nagpal
Karan Nagpal found cycling the biggest challenge of the race
The race consists of a 2.4-mile swim, 112-mile bike ride and 26.2-mile run
Triathletes have up to 17 hours to reach the finishing line

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FBT unveils two new VERTUS CLA point source models built in aluminium extrusion. The CLA 204T and the IP55 certified weather resistant CLA 203T that includes water resistant enclosure, water resistant treated loudspeakers, a grille with hydrophobic fabric and hermetic terminal box. These models are also EN 54-24 certified for emergency and evacuation systems, with a ceramic terminal block and thermal fuse ensuring protection for the line connection in case of fire. A range of accessories is available to enhance the product’s functionality.

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Balancing business with emotion

Richard Lawn sits down with RCF’s Arturo Vicari to hear about the Italian manufacturer’s growth plans following a recent round of investment

BALANCING SPREADSHEETS WITH A PASSION FOR ARTS and science has traditionally defined success in the pro audio industry. For over three-quarters of a century, RCF has passionately built an electroacoustic brand, but the last 21 years bear closer scrutiny. Having named the first, revered RCF pro audio speakers – the ART Series – after himself, CEO and visionary Arturo Vicari continues to lead the global Italian brand. From the jaws of chapter 11 in December 2003, Signor Vicari and his team are writing a new instalment.

Headquartered in Reggio Emilia, Italy, the group – which includes dBTechnologies, EAW and Montarbo in addition to RCF – reported a turnover of approximately €250m in 2023. Represented in more than 130 countries, RCF has approximately 600 employees and operates seven plants in Italy, Albania, the United States and Mexico.

The recent agreement by Global Sound Technologies Participations (Investindustrial) to invest in the RCF Group came as a surprise to many. Vicari is keen to highlight the fact that RCF wouldn’t have attracted a financial partner had the business not been in a position of strength. “Investindustrial only looks at a business if it’s in very good shape,” he explains. “However, I really want them to understand what we do; that we are in the business of creating emotion.”

With a particular focus on APAC, the Middle East and the US, Investindustrial aims to accelerate the RCF Group’s international expansion both organically and through acquisitions. Currently representing approximately 70% of its capital, Investindustrial has been a successful investor in niche manufacturing companies including Fassi (truck-mounted hydraulic cranes), Amalfi (private label food manufacturing platform), Ceme (precision fluid control solutions), CSM Ingredients (food ingredients technology), Guala Closures (high-end specialty closures for spirits and beverages) and Omnia Technologies (automation technologies for the beverage and pharmaceutical sectors).

dramatic demand largely generated by live concerts. “Business grew a lot more than forecast and, by late 2022, we received a huge backlog of unexpected orders. Something special had

happened because, after two years of being confined to small groups, people started to understand that they could not live in isolation anymore. Whether that is a concert or a football game, passion draws us together. At that point I understood that the RCF Group was in the right place at the right time, and growth was inevitable.”

In a bid to become a public listed company, the acquisitions of DPA Microphones, EAW and Montarbo prior to the pandemic could have proved fateful. But the group rode out the storm and ultimately prospered. “We sold DPA Microphones at a profit in 2022 and repaid the fund that had initially allowed us to purchase the Danish brand. When a company stops growing, it will die, but the RCF Group continues to grow. However, there are times when you need more money than you can make and that is when you need an investor, so the RCF Group signalled for funding to the investment bank, Gruppo Mediobanca.”

Having received multiple international enquiries, Vicari concluded that none were suitable: “We were looking for a partner beyond finance who would understand our direction in the export market. With our facilities located around the world, it is vital to be more self-sufficient in the manufacture of electronics should there be further market disruption. When we discussed our unique business to Investindustrial’s industrial advisory board chairman Andrea C Bonomi, he perfectly understood and reassured us that they are more than just a fund.”

Investindustrial’s long track record of successful investments in family-owned companies, industrial approach and global infrastructure were key factors in the partnership. Bonomi is widely regarded as an expert in finding the right entrepreneurial partners looking to elevate business to the next level of global expansion. “Known for its strong growth, tradition of quality, innovation and commitment to sustainability, I was drawn to the RCF Group as an Italian leader in the professional audio market,” comments Bonomi. “We are embarking on a growth project that focuses on consolidating RCF’s presence in its existing markets. Together, we share the same vision to make the RCF Group even stronger and the global leader in the professional audio market.”

The current RCF management team will play a key role in future development, with Vicari and Alfredo Macchiaverna continuing as chief executive officer and chairman of the board of directors, respectively. “Despite being represented in 130 countries worldwide, the RCF Group still has huge potential in APAC and Latin America,” furthers Vicari. The RCF Group has enjoyed significant growth in APAC over the last 21 years, working with key distributors. “The potential for APAC is that the region could become our largest market in the world. With Investindustrial, we will have access to their dedicated and ample resources to scout the market and get more information and required support.”

Currently at the beginning of a policy strategy, the RCF Group aims to strengthen in all global regions. “We are in the business of creating emotions because this is the strength we bring to the world,” concludes Vicari. “Every day, working in this business brings me happiness, especially when I listen to our loudspeaker systems at a concert and witness the joy in people’s eyes. Our business is not simply about making money, because it strikes into the hearts of people. The added financial support we required is merely a tool to continue stimulating emotions.”

www.rcf.it

Always looking to the future – Arturo Vicari
Arturo Vicari with the original ART 300A speaker system from 1997

Procom to distribute zactrack in the GCC and Lebanon

Procom Middle East has been appointed as the official distributor of zactrack in the GCC and Lebanon. Through the deal, the Dubai-based company will offer zactrack’s PRO, SMART and mini track kits, and will be responsible for sales, after-sales service, technical support, training and marketing for the products throughout the region.

“We are excited to join forces with Procom and look forward to this partnership,” said Stephan Saremba, managing director, zactrack International. “Both companies have a clear focus on providing high-quality products, excellent customer service and solutions to address customer needs in

StageOne has partnered with LightShark in South Africa. Through the agreement, the distributor will leverage its regional network to offer the Spanish manufacturer’s lighting

Rami Harfouch, general manager, Procom Middle East, remarked: “We have seen the demand for tracking solutions precede the product offerings available and we are happy to make it accessible in the region. I am especially excited about the zactrack mini kit which offers affordable tracking for everyone.” Procom Middle East will showcase the capabilities of the tracking systems in its dedicated display area and showroom in Dubai, where customers can experience zactrack firsthand through a personalised

control systems in the country. StageOne has already received its first shipment of products, including the LS1 Lighting Controller and the

to the company’s portfolio: “We needed a small, well-priced, easy-to-use lighting desk to complement our existing lighting solutions and

Pro Lab and IDK join forces

IDK Corporation has selected Pro Lab as its official distributor for the GCC. IDK is headquartered in Kanagawa, Japan, with a strong presence across the US, Europe and Asia. The manufacturer boasts 30 years of experience in the pro AV industry and offers multiswitchers, video converters and AV-over-IP solutions.

Through the agreement, Pro Lab will bring the manufacturer’s IP-based AV technology solutions to the region’s evolving audiovisual industry. The distributor noted that IDK’s comprehensive product range and its commitment to quality and in-house vertical integration make it an ideal partner.

“We are thrilled to partner with IDK Corporation, whose solutions are transforming pro AV technology,” said Rami

Vestel teams up with Thomsun StageOne partners with LightShark

“We are delighted to have StageOne as our distributor in South Africa,” added LightShark’s CSO, Juan José Vila. “Their expertise and strong presence in the local market make them the ideal partner to bring our innovative lighting control systems to the region. We look forward to a successful collaboration.”

www.lightshark.es

www.stage-one.co.za

Thomsun has added Vestel to its growing portfolio of brands, with the Turkish manufacturer hoping that the new partnership will expand its presence in the Middle East. The relationship was announced at GITEX Dubai 2024, where Thomsun dedicated a portion of its booth to showcasing Vestel’s digital signage and interactive flat panel display solutions.

“We are always looking for the right partner when we enter a new market and region, and we’re always trying to provide a total solution to our customers,” commented Vestel’s head of sales, Burak Özdemir. “This is why Thomsun is the right partner for us – they can also provide

a complete solution for pro AV customers together with the other brands they already offer. Furthermore, they have an extensive network in the UAE and GCC region.”

While Vestel makes digital signage solutions catering to all areas of the market, it sees the most potential in the GCC in corporate, retail and transportation projects. “These are the key verticals for us currently,” furthered Özdemir, “but we of course have some education verticals as well, both with our non-touch and touch displays.”

delivering seamless, future-ready systems that empower our customers. IDK’s dedication to research and development and vertically integrated production approach ensures we’ll offer products of the highest standard.”

Petteri Partinen, senior business development manager, IDK, noted his enthusiasm for the deal: “Our partnership with Pro Lab will make IDK Corporation’s innovative products more widely available to clients in the UAE and KSA

“Thomsun has been heavily involved in providing audio solutions for many years, but we

a complete package,” said Thomsun general manager Davis Varkey. “To help build awareness of the brand in the region, we plan to host regular training activities. We have already held

receive full training directly from the company.”

www.thomsunmusic.com

www.vestelvisualsolutions.com

L–R: Rami Harfouch of Procom, Kenneth Kibiru and Stephan Saremba of zactrack and Procom’s Raja Harfouche and Wiam Boutine
L–R: Thomsun’s Madhu Sudhanan Subramaniam, Cagdas Bulut of Vestel, Davis Varkey of Thomsun and Ayse Ince, Burak Ozdemir and Ali Abdallah of Vestel
L–R: Pro Lab’s Rami Haber and Mina Goumenaki with Petteri Partinen of IDK

Lindy appoints AV Pro

MIDDLE EAST

Lindy has launched a distribution agreement with Audio Visual Pros Trading (AV Pro) in the Middle East. The manufacturer said the collaboration underscores its commitment to expanding its reach and providing advanced solutions to meet the region’s growing demand. AV Pro brings to the partnership deep local market insight and specialised expertise to enhance customer engagement and service. Lindy stated that the partnership will enhance its ability to deliver connectivity products and solutions across industries, including AV, education,

SSL’s new Turkish distributors

TURKEY

Solid State Logic (SSL) has appointed two new partners in Turkey. Asimetrik has been selected as the exclusive distributor for its entire line of audio creation products (ACP), while Mavi Group assumes distribution of SSL’s broadcast solutions.

“We’re excited to announce our partnership with Asimetrik,” said Genevieve Little, sales executive of audio creation products, SSL. “We believe their expertise and reach into the wider Turkish retail market will be a real asset in delivering and supporting our range of audio creation products locally.”

Ugur Dogan, sales manager, Asimetrik, added: “SSL’s innovative technology and industry leadership align perfectly with our vision and we are excited to bring their world-class products to Turkey’s vibrant audio production community.”

Mavi Group, a subsidiary of the Atempo Group, was formed in 2001 to focus on the radio and TV broadcasting sectors and specialises in IP-based systems. “We are excited to bring SSL’s well-known products and advanced technology to Turkey and provide strong technical support to our customers,” noted Özcan Küçükçelik, international business development manager, Atempo. “We look forward to making great progress in the Turkish market together with SSL.”

Rob Davidson, VP of consoles sales, SSL, remarked: “Mavi and Atempo will help us deliver a full range of services to broadcast customers including product demonstration, training and, importantly, local skilled and rapid technical support. Broadcasters everywhere increasingly require a systems-based approach and a strong understanding of IP solutions and I know that Mavi have the necessary experience in both areas.”

www.solidstatelogic.com

healthcare, hospitality and corporate environments.

Furthermore, the company said the collaboration highlights its dedication to innovation, efficiency and customer satisfaction.

“With AV Pro as our new distributor, we are confident in our ability to deliver superior solutions and services across the Middle East,” said Alexandru Tunaru, head of international sales at Lindy.

www.avp.ae www.lindy.com

• BUSINESS DEVELOPMENT

Paxt welcomes new hires

Paxt has expanded its in-territory sales team with the hires of Nisal Jayasinghe in Dubai and Adetokunbo Kola Adebunmi in Abuja, Nigeria. Both will be supported by Ili Brooks, who recently joined as international marketing coordinator. “With a young and vibrant demographic, rich musical heritage and global investments on the rise, Africa’s time is now,” stated Tim Pollard, MD and owner, Paxt.

“With music and pro audio professionals on the ground, supported by an experienced and growing team in the UK, Paxt is poised to meet the needs of Africa’s music community.”

In his new role, Adebunmi is responsible for developing retail sales across West Africa, as well as a growing roster of premium installation projects with a focus on the AV/IT market. He will also expand Paxt’s roster of installation integrators and retailers across the region.

Jeff Gorton joins LEA Professional

EMEA MEA

LEA Professional has strengthened its EMEA team with the appointment of Jeff Gorton as sales director. In his new role, Gorton will focus on enhancing sales in the region by leveraging his close relationship with LEA’s network of EMEA distributors.

Gorton brings to the role nearly 20 years of experience in pro AV sales where he has improved sales for leading companies and overseen global distribution.

At LEA, he will help bring the manufacturer’s entire catalogue to customers in the locales.

“I’m thrilled to have joined the LEA team,” commented Gorton.

“It’s always an honour to be associated with a company that upholds exceptional technological standards and values. We have an amazing team here and I have no doubt we’ll do great work together.”

strategy officer (CSO). GallagherPowell has a background in driving strategic initiatives in previous roles at PwC, RFRSH and CSM Sports and Entertainment.

“As we continue to strengthen our team with the best of the best, we look forward to Jeff’s immediate contributions to sustaining growth and success in the region.”

www.leaprofessional.com

“I am thrilled to welcome James to our executive team and to the d&b family,” commented Amnon Harman, CEO of d&b Group. “Our ambition has always been to address future trends and create technologies, business models and organisational structures accordingly. With James’s

to set trends and support our customers in transforming their businesses.”

Added Gallagher-Powell: “I’m delighted to join d&b at such an exciting phase of its growth story. d&b has set such a high standard in the industry, and I look forward to working with the talented team here to continue shaping our future trajectory and expanding our global reach.”

www.dbaudio.com

Adetokunbo Kola Adebunmi
Nisal Jayasinghe

Sonic Electronics enhances MEA team

Sonic Electronics has announced three new appointments in the Middle East and Africa (MEA) regions. Joby Patrick joins as channel sales manager for Abu Dhabi, Alekha Rakesh has been appointed MEA channel sales manager, while Rizwan Nizam has been named AV design engineer in Saudi Arabia.

In his new role, Patrick’s key responsibilities will include developing and managing relationships with channel partners, driving sales growth and ensuring the successful implementation of Sonic Electronics’ AV solutions in Abu Dhabi. He will also focus on expanding the company’s market presence and supporting partners with tailored solutions.

“I am thrilled to join Sonic Electronics. This role presents a great opportunity to work closely with our partners, providing innovative AV solutions and ensuring their success,” he said. “I look forward to contributing to the company’s growth and

• EMEAI SALES LEADER

innovative AV solutions,” she noted. “I look forward to driving growth and building strong, collaborative relationships that will contribute to our shared success.”

As AV design engineer, Nizam will be responsible for designing and implementing AV solutions within Sonic Electronics’ Saudi Arabia branch. His role involves creating tailored designs that meet client requirements, supporting project execution and ensuring the highest quality of AV integration.

Regy MP, general manager, UAE, Sonic Electronics, remarked: “As we continue to expand our presence across MEA, we are thrilled to welcome Alekha, Joby and Rizwan to the team. We are confident that they will play a key role in driving our success and strengthening our relationships with clients and partners

MEA
Joby Patrick Alekha Rakesh Rizwan Nizam

Best of both worlds

AI technologies are reaching the point where computers are beginning to compete with humans. Are an experienced interpreter’s days numbered?

in AI have dominated the technology conversation above all else. One area in particular it excels at is dictation –the ability to turn the words coming out of our mouths into digital characters on a screen without any human intervention.

It has got so good, so fast, that you probably didn’t even realise much change had really happened. But now ask yourself, when was the last time you had to reutter your Siri commands multiple times in frustration. It’s already a problem of the past.

That’s the current landscape when it comes to technology inside the home, but what about when we enter the commercial domain? Having helped facilitate some of the most important global and government summits over its 30-plus years in business, DLC Events is well-situated to explore this new world of automatic AI interpretation.

In early November the perfect opportunity presented itself when the Abu Dhabi Department of Health (DoH) hosted the prestigious Emergency Medical Teams (EMT) Global Meeting at the Conrad Abu Dhabi Etihad Towers in the UAE. Organised by the World Health Organization (WHO) in partnership with the EMT Network, the annual event brings together a diverse range of stakeholders, including national and international organisations, academic institutions and humanitarian agencies from the global health emergency sector.

To support seamless communication across the event’s plenary sessions and six parallel breakout rooms, the DoH enlisted DLC Events to provide simultaneous language translation into the UN’s six official languages over the three-day meeting. Faced with the challenge of delivering interpretation in multiple languages simultaneously across various rooms, the DoH sought a scalable, cost-effective solution.

Traditional interpretation setups involving onsite interpreters were impractical in this instance due to logistical constraints and costs. Instead, DLC proposed an

AI-powered solution through its strategic partnership with Interprefy, a leader in remote interpretation technology.

DLC has become well-known for its remote interpretation services in the Middle East and has been pioneering AI-driven speech translation since the pandemic. At EMT, the team installed Shure digital infrared (IR) transmission systems in all meeting rooms. Delegates accessed the translated audio using industry-standard receivers, while interpretation booths were replaced with laptops equipped with Dante Virtual Soundcards. The event’s audio was then streamed to Interprefy’s platform, where AI-driven engines provided real-time translations in the various languages. These were routed through an audio panel on the platform, then converted to analogue using a Glensound Dark88 AoIP interface before finally being transmitted via the IR system.

“The frequency of use is still very low right now since it is an emerging technology and not particularly common,” DLC Events’ Mark Breakspear explains. “It is not a like-for-like replacement for interpretation but, for some cases, such as EMT, a number of barriers exist.”

almost all are blown away by the initial demos; however, understandably there is a lot of concern about accuracy,” he furthers. “When the conditions are right, the accuracy is impressive, and I believe we’ll see more demand and uptake over the coming years.”

This does beg the question though about the highly experienced human interpreters that have powered this domain for so long. Are their days numbered? DLC doesn’t think so. “It is a very different solution to humans,” Breakspear confirms. “It is a literal translation of one audio source, so whatever is said onstage is translated, rather than the accurate in-depth summarisation of content interpreters deliver. It works very well with prepared speeches, training sessions and structured meetings, but lacks efficiency during panel discussions or those events that have more reliance on cultural nuances and context.

“We view it very much as a tool to use when human interpreters are not feasible, for any of the reasons mentioned before. The technology is obviously improving rapidly over time, but it will never get to a standard of being more advanced or more accurate than an interpreter.”

Fear not then, interpreters, for there is a place at the table for everyone. The real winners are clients like the DoH that now have a greater set of options, and at a greater variation of price points, than they could ever entertain previously. Despite having less than a week’s notice, DLC Events successfully executed the project, significantly reducing costs for the client by over 80% by eliminating the need for internationally sourced interpreters and associated travel expenses.

“As a forward-thinking company, we are always eager to embrace the latest technology and this project highlights how cutting-edge AI technology, combined with DLC Events’ expertise, is redefining the possibilities for language services at events in the region,” concludes Breakspear.

www.dlcevents.com

www.interprefy.com

The Interprefy interface

Going to Ibiza

DAS Audio’s SARA cardioid subwoofers are ensuring that the owners of Dubai’s latest beach club, O Beach, are keeping the peace with the neighbours

HAVING BECOME A STAPLE OF THE IBIZA BEACH club scene, famed for its huge pool parties, roster of international DJs and legendary champagne spray shows, O Beach has just opened the doors of a satellite venture in Dubai’s JBR district, bringing everything that made it famous in the Mediterranean to the emirate that never sleeps. Owned and operated by IMI Group and running well into the night seven days a week, O Beach promises patrons fully immersive entertainment shows and Instagram-worthy performances from all angles – the sky, ground and pool. But it couldn’t create such awe-inspiring shows without the backing of a powerful audiovisual setup. Enter Procom Middle East, which as the region’s DAS Audio distributor, was pulled in to support the project at the management’s insistence that audio at the new Dubai outlet be powered by the Spanish manufacturer’s loudspeakers in order to faithfully match its offering in Ibiza.

“The owners, clients, the guests, everyone was super happy with the DAS system in Ibiza,” explains Procom Middle East’s Anro Schroeder. “So, when they decided to come here, we discussed, in tandem with DAS, doing a similar setup in Dubai. We’re very proud of the fact that it’s using SARA for the first time in the region and for the first time in a beach club.”

The choice of SARA speakers made perfect sense in the uniquely shaped space, explains Schroeder. “The venue really is a step above the standard beach club experience in that there’s tonnes of entertainment going on all around. They’ve got a massive crane that hangs over the pool and drops down giant set pieces and inflatables, as well as aerial artists on wires and poles around the pool. Everything has been designed very much with the show in mind.”

This isn’t an understatement. Spanning over 5,000m venue has both indoor and outdoor spaces, including luxury cabanas and showcase VIP beds, a nearly 400m pool and a unique elevated restaurant with 360° views over

the beach. The main pool area is where the party happens –there’s a dancefloor area in front of the pool serving as the main DJ booth, adorned with LED screens. Behind is a dedicated VIP area.

“The use of the SARA subwoofers specifically, which are cardioid, naturally developed out of the need for O Beach not to have any sound spilling into the harbour residences, as the club is located right next to hotels and apartment blocks. Obviously, they want to play music at a decent level within the venue, but they have to respect the neighbours.”

Audio in the main dancefloor is delivered primarily from 28 arrays of DAS WR-320-DXW dual 1-inch line array cabinets, with low-end reinforcement from six SARA-SUB-W subwoofers and a further dedicated double 18-inch WR-218S-DXW dancefloor sub. Multiple ARTEC-510-W and ARTEC-322S-W cabinets provide additional fill as required.

A total of 19 ARTEC-508-W keep the cabanas and 360° restaurant fully covered in combination with four ARTECS15-W, while 24 DECO-8-T-W extend BGM to the changing rooms and bathrooms. All cabinets have been finished in pure white to match the venue aesthetic and are powered collectively by a combination of seven DAS PA-4000, eight PA-1500, 12 PA-2700 and nine PA-500 amplifiers. Everything is networked over Dante through six Netgear GSM4230P switches, with 36 Blustream DA11ADE decoding the Dante digital streams down to 2-channel analogue audio. “Everything was designed collectively with DAS, it was very much a team effort,” explains Schroeder. “The result is a very linear and time-aligned directional system that accounts for noise spill. This was very important in order to meet the requirements of the owners, the surrounding venues and, of course, the landlord. The entire system works in harmony as a single solution over a very large area, delivering exceptional clarity and tonnes of punch. It met all the requirements needed in terms of weatherisation, the cardioid configuration, dispersion and SPL levels.”

While blending into the poolside aesthetic, audio is front and centre at O Beach
Main hangs of DAS WR-320-DXW cover the dancefloor area

As is common in Dubai, Procom only got the call to assist on the O Beach project just a few weeks before the doors were due to open. Nevertheless, its expertise quickly went beyond simple assistance with speakers. “The primary focus for Procom was supporting the audio integration as the client was adamant they wanted really good sound and that everything must be DAS. But we also recommended several lighting fixtures we knew would work well inside the venue, which led to Ayrton moving heads being deployed around the venue.” Given the fact that the Dubai venue would be wiling away the hours until the early morning, whereas O Beach Ibiza is typically more of a daytime affair, lighting in Dubai takes on increased emphasis. “There’s a lot more lighting here,” admits Schroeder, “and a lot more effects as the party carries on all the way into the evening. This is something that we’ve tried to account for. Ayrton was ideal because the venue is completely outdoor. The equipment has to be able to withstand day and night, 365 days without covers or any protection. It’s in the sun and right on the beach.”

Fixtures supplied by Procom include six Ayrton Argo 6 washes, eight Rivale Profile S, 16 Kayalami, 35 CPX418OP, six Flash202, two Flash202RGB, three FlashBar600, three RAW20FB4 IP65 lasers and 11 Whopper409RGBW20 for uplights. Control of the system is from an Avolites Tiger Touch II console, which together with the audio is managed in-house by the venue’s dedicated technical team. A Madrix Luna handles distribution. The dancefloor LED screen is formed from 3.9mm pixel pitch panels from Visitek with processing from a Novastar VX600. A Blustream IP200UHD-RX and IP200UHD-TX manage video transmission.

Like the loudspeakers, all the lighting fixtures have been custom-finished in white to match the décor. “It’s worked really well because during the night when they’re dropping all of those things down into the pool with the crane, we have tonnes of fixtures with profile settings to uplight everything. We can also light the performance when there’s a stage in the middle of the pool.”

ARTEC-508-Ws extend coverage to the cabanas

It appears as if venue operator IMI Group has succeeded in its mission to bring a taste of Ibiza to the melting pot that is Dubai Marina. “We are incredibly happy with the results achieved here with the DAS sound system,” concludes Duance Linekar, partner at IMI Group. “The directional control of all frequencies is incredible, and the cardioid subs really help keep the sound within the club, minimising disturbance to neighbours. Over the last three years, we have installed new DAS speakers in both venues in Ibiza and Dubai, and both have yielded similar results: less

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noise spillage to neighbours and surrounding areas. We are very pleased with the outcome and Procom has been a great partner to work with, providing exceptional sound and lighting solutions. They have been very supportive throughout the process and completed everything under very tight and demanding circumstances.”

www.dasaudio.com www.obeachdubai.com www.procom-me.com

Smooth sailing

ONCE THE HEART OF DUBAI’S SHIPPING INDUSTRY, the iconic waters of Mina Rashid now welcome the world’s most prestigious superyachts. However, towards the end of the year when the Dubai weather begins to cool down and the events season gets into full swing, Mina Rashid swaps out the superyachts for F50 catamarans which battle it out on the waters for the SailGP.

Having only debuted in the region last year, SailGP returned on 23–24 November to kick off the long-awaited 2025 Season, which will unfold over a 12-month period with 12 teams on the start line and 14 events across five continents, before returning to the UAE in late 2025 for the Grand Final in Abu Dhabi.

To commence the season in style, SailGP and its sponsor Rolex unveiled their new title partnership at an official launch event held at Expo City’s UAE Pavilion. The high-profile affair was attended by approximately 300 guests from the sailing world, including all 12 national teams who got an immersive glimpse into what the upcoming season held in store. Managing an occasion of this scale required seasoned expertise. The project ultimately fell to Dune 23 Sports Management, which placed its trust in Level Production for all AV requirements. As the largest event held in the UAE Pavilion since the Expo, conversations between Level Production’s operations director, Jalal Al-Doumani, and the client began three years prior. Set against the striking backdrop of the Al Wasl dome, the UAE Pavilion “Pearl Dome” was designed by world-renowned architect Dr Santiago Calatrava as a “falcon in flight”, drawing inspiration from the national bird of the UAE. It’s an architecturally complex structure.

“There weren’t any 3D models of the site available, so it took us over a month to begin the infrastructure planning and AutoCAD 3D modelling,” notes Al-Doumani. “Inside, we needed to do projection mapping onto the dome structure, but we didn’t have any of its measurements. We had to measure everything manually, creating simulations to achieve the exact canvas we were working with. It was a very challenging process.”

The exterior of the pavilion features over 25 feather-like carbon panels, each fitted with RGB strip lighting running over Madrix software. The lights were programmed with the red, white and green colours of the national flag that move through the concaves of the structure. To complement this, the entire pavilion was bathed in hues of interchanging red and green light from 36 Vision Pro VW 8004 wash lights positioned on the walkway encasing the building, facing the tail-end of the wings to reflect the light back onto the structure. Twenty-four Prolights Solar 48Q wash lights were placed at the entrance facing the glass railings to reflect the light backwards onto the building, while two Digital Projection M-Vision 23000 WUs projected the SailGP and Rolex logos on either side of the entrance doors. Inside, the architectural marvel of the four-storey, 27.8m-high building presented the perfect canvas for more projection and lighting techniques. As attendees walked in, they were greeted by the 25m x 10m (HxW) dome in the centre of the room which was projection mapped with stacked M-Vision 23000 WU projectors. The 23000 WUs delivered rolling video content of the SailGP teams out on the water, managed by a Dataton

WatchPax 60 media server. The dome’s curved ceiling also features the wing shapes of the outside of the structure, with a hanging feature mirroring the Expo 2020 Dubai logo at the centre. These almost sail-like curves were illuminated with green light from a combination of Prolights Astra Wash19Pix and Astra Hybrid330 fixtures positioned on the fourth floor of the building facing the glass mezzanine.

Alongside managing the event, Al-Doumani was responsible for the lighting design which incorporated feather-like effects created via the gobos of eight Prolights RA2000HB moving heads. All lighting was controlled by a ChamSys MQ250M stadium console. “For the interior lighting, we purposely positioned the fixtures close to the glass of the mezzanine to create a reflection to the rear that efficiently extends the coverage,” he explains. “This allowed us to use fewer fixtures but still achieve a full effect of filling the space.”

For sound, Level Production deployed stacks of TW Audio T24 dual 12-inch cabinets, supplemented by eight Vera S33 subwoofers. “It’s a reflective space, and so our engineers worked on the audio design using EASE Focus to achieve the right angles and coverage, ensuring significant changes to reduce echo,” adds Al-Doumani. “Thanks to Smaart software, we were able to tune the audio properly, resulting in a clear sound that benefitted the overall performance.”

The system was powered by Powersoft’s X Series amplifiers, while a Midas M32 console handled mixing. Shure’s ULXD1 wireless bodypack transmitter as well as a Beta 58A vocal microphone assisted the speeches.

“Level Production is honoured to have contributed to the success of the SailGP – Rolex Event at the UAE Pavilion,” concludes Al-Doumani. “We continuously strive to push the limits of what’s possible and the trust we received from Dune 23 Sports Management was instrumental in our success. The project went beyond our expectations, showcasing the incredible potential of collaboration and innovation.”

www.level-production.com

Bea
The Pearl Dome was illuminated with hues of the UAE flag
The event was attended by 300 guests from the world of SailGP
Digital Projection 23000 WUs delivered rolling video content of the SailGP teams onto the dome structure

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A grounding in sound

Miquette Caalsen discovers how research into elephant communication is teaching us more about the practical use of infrasound

FOR ALL OF HUMANITY’S EXISTENCE, WE HAVE BEEN captivated by sound. From ancient myths to modern technology, humans sought to understand and harness its power. Now, a groundbreaking study is turning to the natural world for inspiration. There is a deep, historical root in the pursuit by humans to extend the reach of sound and music through reinforcement, with the technological advancements starting well before the electronic age. From the incredible precision of the design in ancient Greek amphitheatres mimicking the natural amplification effect of hills and slopes, designed to carry voices over large audiences, to the latest piezoelectric silk-based acoustic systems in microphones and speakers inspired by certain orb-weaving spiders, nature continues to serve as inspiration for innovation in sound technology.

What if the natural world has more to teach us about sound? Or more specifically, what if nature can teach us more about infrasound, those sounds below 20Hz, classically known as the human threshold of hearing? Although human communication is typically above 85Hz, we do perceive sub-audible infrasound that gives us a more complete sensory experience and contextual understanding of a low-frequency sound event. When we hear an explosion, for example, we hear the audible range of the noise (above 20Hz) as well as perceiving the infrasonic (below 20Hz) range, which is responsible for the physical sensation of pressure, rumbling and vibrations in the chest or head. Infrasound conveys more information about the explosion than just visual and audible cues, such as the distance from, and type of, explosion and how large it was.

Getting set up – curiosity was getting the better of some of the test subjects

with the sounds propagated through the ground (recorded by an accelerometer); only a specific range of frequencies travels through the ground. However, the correlation between the sounds recorded through the air and those recorded through the ground were much more similar than expected.

In elephant terms, these preliminary findings raise interesting questions on whether they may be actively communicating in two ways, not only through the air, but also through vibrations transmitted through the ground. This “secondary communication path” needs more tests and data to be confirmed but, in terms of professional sound engineering, it suggests a dual-path sound design, using both airborne sound and ground-borne vibrations through tactile transducers for more immersive and natural sound reproduction systems which could simulate the “feeling” of sound in synchronicity with the audio.

A surprising number of animal species use infrasound to communicate, including elephants, whales, alligators and crocodiles, tigers, birds, hippopotamuses and bats. Researchers are studying these infrasound communications to attempt to

decode how the animals are producing and responding to these low frequencies, and what information they are sharing with each other. Among these, are Dr Angela Stöger-Horwath and Gunnar Heilmann who are using advanced bioacoustic techniques and artificial intelligence to focus on the decoding of complex elephant vocalisations.

Findings from previous outings to record elephant sounds found that, as expected, the ground acts as a “pass-filter” when comparing airborne sounds (captured by microphone)

Beyond the animal world, Heilmann’s research into low-frequency sound perception and transmission offers critical insights that can enhance the reproduction of low-frequency sounds in immersive audio environments such as Dolby Atmos, cinema experiences and even large concerts. The research, which shows how these waves propagate and are perceived in both a physical and emotional level, could help sound engineers recreate not only the sound but the “feel” of these low frequencies in a controlled setting. Back to nature and the hope is also that by better understanding how animals perceive and respond to sound across the full sound spectrum, commercial solutions can be developed utilising this knowledge to help steer animal behaviour in certain environments or situations.

But for all this advancement to become possible, the researchers needed to find some researcher-friendly elephants. Generally, wild elephants are not known for safe close human interactions, at best one can hope for cautious curiosity (a quality

elephants seem to have in abundance) to defensive or aggressive responses depending on the elephant’s general demeanour as well as on previous human encounters. Putting any kind of recording equipment in front of a random elephant and asking it to say something is unlikely to yield predictable results and quite possibly some expensive broken equipment.

This is where a truly special facility in South Africa becomes a key part of the future of the sound engineering evolution. Located near the town of Bela-Bela in the Limpopo province, around an hour-and-a-half’s drive from OR Tambo International Airport, Adventures with Elephants offers unique immersive experiences with a small herd of African elephants.

These elephants are amenable to close human interactions under the watchful guidance of their specialised, dedicated human companions. Visitors can learn more about their anatomy, behaviour and intelligence through direct human interactions, enjoy nature walks or, on a warm Highveld day, even go for a swim with these gentle giants. The elephants at Adventures with through the Rory Hensman Conservation & Research Unit NPO, a benefit that makes the research by Stöger-Horwath and Heilmann possible.

Armed with a MicroQ Independent Date acquisition system made by Mecalc Technologies, a ½-inch pre-polarised free-field condenser microphone and a PCB Triaxial Accelerometer and ICP Digitiser, the team set off to the Dead Tree Grove – a scenic area that lends a sense of protection to the humans when the elephants meet and interact with one another.

To set the stage for the recording sessions, the equipment was set up some distance away from the herd, and when ready one of the experienced handlers called an elephant closer to the test area – yes, the elephants respond to their names being called. When the elephant is standing at the right distance, the handler gently taps them on the trunk and asks them to “speak” – ask being the operative word as you cannot compel a 3-tonne elephant to do anything they don’t feel like doing.

The first elephant to approach was Zambezi, who was a bit

the youngster of the herd, she didn’t understand the brief and preferred to play.

Thankfully the researchers and handlers had a third option ready, they would separate two elephants from the main herd and –with them being a short distance away – possibly record a more energetic vocalisation and rumble. This worked wonderfully as the two elephants chosen for the third recording session included the endearing bull elephant, Chova, who obliged the team with quite a loud trumpet and rumble without any encouragement. Despite the hurdles of dealing with live test subjects, these vocalisations yielded ample data to satisfy the research visit.

The latest research trip served as a test run for Heilmann to determine the best equipment to use in 2026 when the research team will again visit Adventures with Elephants, this time to take measurements that supports the team’s various research objectives, research that seems set to revolutionise not only the future of conservation but also the future of sound engineering.

Measurements as the elephant make vocalisations The big rumble recorded from Chova
An accelerometer was used to analyse sounds travelling through the ground

Making space

Turkey’s MGX Studio has developed a new method to streamline virtual production using only 2D content

changing world. Turkey’s MGX Studio was in the latter. Restrictions on physical filming coincided with the maturing of video technology, which overnight created a burgeoning new virtual production (VP) industry. With Disney’s The Mandalorian showing everyone what was possible with VP, MGX felt that its base in Istanbul offered several advantages that western competitors lacked. MGX was, and still is, at the forefront of the VP and XR (extended reality) market. The benefits of VP are now well-known. MGX’s virtualised setup allows it to create environments of any type, at any time – creating some potentially huge cost savings. “Time control is the biggest benefit,” shares Fatih Eke, studio manager at MGX Studio. “We don’t have to wait for the sun to come out, or for it to set in order to shoot night scenes. Directors don’t have to skip shots because the weather changes. You have full control of the environment, which means no more wasting time.”

Operations at MGX centre around its 100m2 curved LED wall (constructed from LDSISP02.6XR Ledeca LED panels) and 125m2 ceiling LED, which is used for lighting and reflections. The walls are driven by Brompton Technology’s 4K Tessera SX40 LED processors, which is integral for its precise colour accuracy and features such as OSCA, ChromaTune, PureTone and Brompton HDR. Together with Tessera XD data distribution units, “the results are exceptional,” notes Eke. The entire system is powered by the Disguise Extended Reality (xR) workflow, which consists of vx and rx machines used for real-time rendering.

The traditional MGX workflow would see the SX40 processors and XD 10G data distribution units used to provide a 10-bit colour depth image, then Unreal Engine employed to create and publish 3D content. The scenes are then passed through a process to optimise them for Disguise. Creating all this 3D content in Unreal Engine, however, is no small feat.

Aside from everyday production capabilities, when the studio opened its doors in 2020, a healthy share of resources was set aside for future R&D initiatives,

Fatih Eke
The impressive LED videowall setup at MGX

for the MGX team. “Since inception, our R&D department has prioritised creating innovative solutions to common challenges in the VP field. Our Spatial Video Shifter [SVS] tool is one of the most significant solutions developed by our department yet,” describes Eke.

Intended to solve issues that arise when manipulating 2D content within a 3D production environment, SVS operates by using previously shot linear-moving plate videos. “Creating a 3D atmosphere is a very time-consuming process, especially in the cinema sector,” notes R&D director Halit Gülmez. “Sometimes customers approach us wanting just a couple of scenes

2D video in a similar way to how we would with a 3D model.”

SVS essentially allows MGX to place 3D effects onto the 2D content. Video can be taken from practically any source and uploaded to the Disguise media server solution. From here, SVS retrieves information such as frame count, FPS and video length, and using this data, start and end points for filming on LED screens are defined. SVS synchronises tracked camera movements to display the correct frame from the video, thereby creating a parallax effect with the camera movements on the LED screen. “By syncing the LED wall output with the tracking data from the real-time camera, we can add a mock 3D effect to the original content and the entire process takes less than 15 minutes to do,” says Gülmez.

The benefits of the tool are obvious for clients. The parallax effect adds depth and dimension to 2D images, allowing it to be manipulated like a 3D model. It provides viewers with a more convincing and engaging experience, while also offering a practical and cost-effective alternative to complex Unreal scene designs. The solution is both quicker and easier than the alternative.

The idea for SVS has been quietly burning away in the back of Gülmez’s mind for the last three years, but has taken the team approximately three months to create once practical development started in earnest.

“One of our goals at MGX is to show that we can do things that are normally considered difficult quite easily with this technology, and to show the advantages it provides to the production teams in terms of budget. SVS is not the first time we have developed new technology, and it won’t be the last,” says Eke. “There’s always a difficulty, there’s always a challenge. Our aim is to delete all the challenges in order to be more practical and move on faster. With the support of our strong network of industry-leading partners, including Brompton Technology, Ledeca, Disguise and others, we are uniquely positioned to deliver exceptional value and drive transformative results for our clients.”

www.mgxfilm.com

Halit Gülmez

Joining the dots

An extensive Taiden interpretation solution kept multilingual attendees in the know when the World Urban Forum came to Egypt

ESTABLISHED BY THE UNITED NATIONS IN 2002 TO examine what it considers to be one of the most pressing issues facing the world today, the World Urban Forum meets every two years to assess the affects of rapid urbanisation and its impact on local communities.

Taking place in Egypt from 4–8 November, WUF12 returned to the African continent for the first time since its inception and welcomed more than 20,000 influential national, regional and local delegates from 182 countries spanning government and business representatives, academics, civil society and urban planners to address the topic. Held at several sites across the Egyptian capital, WUF12 comprised more than 800 sessions across 43 continuously operating conference rooms. The mammoth summit was co-hosted by the United Nations Human Settlements Programme (UN-Habitat) and the Egyptian government. Given the importance of the summit and the delegates present, facilitating high-level discussions between everyone was no simple task.

Local systems integrator Mideast Communication Systems (MCS) worked closely with Dubai-based distributor Venuetech LLC to deliver an extensive interpretation and conference solution comprising Taiden equipment, claiming to set new standards in multilingual conferencing and hybrid communication while helping showcase Egypt’s position as a prime destination for hosting global conferences.

The pair’s extensive contribution included the installation and management of interpretation systems across all 46 conference rooms. The overall setup comprised over 120 technical interpretation booths and facilitated all of the 800+ sessions making up WUF12. Given the scale of the task at hand, MCS undertook an extensive 60-day preparation, highlighting its commitment to ensure that attendees from around the globe could engage seamlessly in meaningful discourse. Engineers from the manufacturer’s technical team arrived 20 days prior to the forum to configure and test the Taiden interpretation systems and ensure their flawless operation during the discussions.

Venuetech was also vital to the success of the project, with both teams demonstrating exceptional coordination and expertise.”

With the four-day forum running without a hitch, Youssef Elbossaty, senior business advisor for the government sector at MCS, expressed his pride in the team’s work and the reliability of the products used. “Taiden’s interpretation technology in combination with flexibility of the DCS software made the operation of a very large setup so easy,” he explains. “Combined with the operational expertise of MCS and the support of Venuetech, I believe we set a new benchmark for quality and innovation in the conferencing field. This was a testament to the extraordinary attention to detail and collaborative spirit of all involved.”

“The partnership between MCS and Venuetech, along with our trusted partner Taiden, exemplifies what can be achieved when multiple dedicated teams work towards a common goal,” explains Venuetech COO Abdulrazaqqa Assafiri. “We are incredibly proud to have been a driving force behind technological successes that define high-profile international mega-events.”

In total, MCS deployed 6,500 Taiden HCS-5100R/B digital

infrared receivers capable of handling up to 16 channels simultaneously in any room. One hundred and twenty-three fully flexible Taiden HCS-8385N interpreter desks allowed participants real-time simultaneous translation across 15 languages. The system was also connected via zoom to support hybrid meetings in every room and in all languages.

Taiden HCS-8600MIO 16-channel audio input/output distributors were crucial in ensuring both in-person and remote attendees could receive high-quality sound without delay. These devices converted the conference’s digital audio signals into multiple outputs, facilitating the synchronisation of local interpretation for online attendees.

The manufacturer’s equipment also played a key role in broadcasting the forum to a global audience. Its HCS-4342X4 64-channel×4 portable audio distributor, featuring fourchannel output with independent channel selector and volume control, enabled real-time interpretation broadcasts on Egypt TV and UN Web TV, allowing online viewers to follow discussions in their native languages. Highlighting the scale of operations, simply coordinating the daily distribution of the IR receivers and headphones required more than 300 ushers, while more than 150 operators were required to manage the system via DCS software.

“MCS’s solution was instrumental in breaking down language barriers, fostering cross-cultural communication and enhancing the overall conference experience,” furthers Assafiri. “The synergy between MCS and

According to Rawad Al Sahmarani, project manager at Venuetech, MCS’s dedication was evident not only in systems installation, such as its attention to detail with even the smallest aspects like cable dressings, but also in its ability to create an inclusive environment for global dialogue. “The partnership between MCS and Venuetech showcased what can be achieved when two dedicated teams work together towards a common goal. The technical quality and the commitment to seamless execution made WUF12 a resounding success. It was an honour to be part of this event, leading the coordination between different parties, the amazing team of the Information Systems Department of the Egyptian Armed Forces Ministry of Defense, whose support was crucial for the forum’s logistical and security aspects, and friends from many audiovisual companies who collaborated with us to deliver audio for the audience for over 26 silent rooms via Taiden interpretation.”

According to the teams involved, the 12th World Urban Forum ended up being much more than just an event; it serves as a blueprint for future global conferences.

“And as the world looks forward to more ambitious events, MCS stands ready to continue innovating and exceeding expectations,” says Elbossaty.

www.mcsholding.com

www.taiden.com

www.venuetech.ae

Teams from MCS, Venuetech and Taiden worked closely together onsite to ensure WUF’s success
Inside the interpreter’s booth

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A letter from America

Dan Daley discusses the decision to move the AES Show from New

THE AES SHOW AND ITS AEGIS ORGANISATION, THE Audio Engineering Society, are both foundational institutions in the pro audio universe. The parent dates back to 1948, followed two years later by the first AES Convention.

It would be another few decades before it came to be known as the AES Show, but that slight change in moniker also reflected a pivot in the industry, which was shifting away from the era of lab coats and ties in the recording studio. The music production and pro audio community was becoming a far more open technology landscape, where mere mortals could not only touch the consoles but also own them, or at least one of the dozens of more affordable, less technically intimidating versions. Once digital became ubiquitous, pro audio was available to the masses. The problem was that pro audio as an institution inevitably lagged behind its culture. Just as the record labels of the late 1990s fought the arrival of file sharing in courts, the institutions of pro audio had their own latency. For instance, the AES finally recognised the notion of the project

studio only in 2012, 30 years after Tascam introduced the PortaStudio 244 four-track cassette recorder.

Institutions inherently resist change; they are intended to act as reliable repositories of tradition to guide new standards and methodologies. But that same institutional resilience can become stodgy and fusty; in the digital era, that’s potentially fatal. Thus, it’s not surprising that the AES Show has, this century, been steadily growing smaller, even as the music industry makes more money than ever. As recently as 2005, 452 exhibitors greeted 20,260 attendees when they walked through the doors of New York’s Javits Center convention hall. In October 2024, following a steady decline, fewer than 6,000 came to the same venue to see the wares of just over 100 exhibitors. And the announcement near the end of that show that 2025’s conclave would be in Long Beach, California drew puzzled looks from attendees and exhibitors alike: it’s 25 miles from downtown Los Angeles, a tortuous hour’s drive each way on the usually throttled 110 Freeway. But it’s no mystery for the accountants. Long Beach offers a decent meeting venue costing far less than New York, Los

A letter from Europe

York to Long Beach in 2025

Angeles or San Francisco, the three most common sites of previous AES events. And, like institutions or people entering their senectitude, AES is carefully counting its pennies.

Meanwhile, over the same period, the annual NAMM Show has become a far better fit for what the AES constituency has become. The freewheeling makers of modern music are the artists, engineers, producers and entrepreneurial moguls all rolled into one. AES remains an important forum for the dissemination of the science of audio and sound, and that will likely be its main function going forward. But, in becoming a purely academic proposition, it risks its remaining relevance to contemporary culture. If, however, AES and NAMM can find their way together in the future, as it had with NAB for a number of years, they’d create a synergy from which both communities will benefit.

Meanwhile, as AES prepares its move to California for the Fall 2025 AES Convention, the 2025 New York NAB show will continue as usual, and is scheduled to return to the Javits Center from 22–23 October 2025.

Phil Ward looks at how AI is assisting the recording industry, with a cautionary reminder to beware of its pitfalls

ARE YOU SURE YOU KNOW THE DIFFERENCE BETWEEN misinformation and disinformation? Both mean facts that are wrong, but disinformation is deliberate, and misinformation is not. If I told you it was the other way round, that would be disinformation. Sounds petty, but journalism is under threat: so much so that in 2019 the UK government set up a “rapid response unit” to combat both types of error online, although it didn’t stop some news outlets reporting that Queen Elizabeth II died after being shot in Detroit.

That mistake was not deliberate, being largely irrelevant to anyone’s political agenda, and is attributed to AI: the way that AI’s data-trawling Large Language Models collate and conflate facts until they become a jumble of vaguely linked “truths” without any human intervention of the “hang on, is that really likely?” kind. Computers have no common sense and can’t vote. What they are good at is number crunching, just as the pocket calculator always was, while we make the tea or mix a hit single. Every studio uses AI most of the time, especially in calibrating monitors for a specific room or upmixing from stereo to multichannel. Speaking about his company’s new ORIA Immersive Audio Interface and Monitor Controller,

designed for the rapidly growing immersive audio market for music, film, TV, game and VR production, Audient’s Andrew Allen describes “onboard room and speaker calibration DSP, true immersive monitoring control and professional audio performance, alongside intelligent integrations with Sonarworks and Dolby Atmos”. It does all this by itself, provided you push the right buttons.

And in this extrapolating world of online information, no self-respecting news-bot could fail to recognise sensibly that Dolby Atmos is a driving force across the European studio community, stealthily transcending its origins in cinema. That community is in rude health anyway, but as immersive audio remodels every kind of content new and old – not just into Atmos but a host of different formats in the shape-shifting world of digital art and entertainment – facilities are gearing up for it.

A new facility for Sony Music in Madrid claims to be “the largest new studio complex to open in Europe in recent years”, and at 1,800m2 over three floors in the San BlasCanillejas district, it has some justification. There are Neve consoles and PMC monitors, both highly traditional pieces of inventory in their own way, but Room Two has a 9.1.4 Dolby

Atmos monitoring system and there is also a “media” room with Doby Atmos 7.1.4.

Here’s another typical example: in Rome, there is a new Dolby Atmos mixing facility “to highlight the creative possibilities of this exciting new audio format” and it’s not a commercial studio, or a bureau, of any kind. It’s at Milk Audio Store, a synthesiser and pro audio equipment distributor. For the benefit of its customers, the business commissioned a bespoke room from Florence-based acoustic design and consultancy, Studio Sound Service. Meanwhile, in London, Qube – “the world’s first members’ studio for musicians, podcasters and content creators” – has added Dolby Atmos to Qube East at Canary Wharf alongside Neumann 7.1.4 monitoring, Merging Technologies platforms and Anubis and Hapi processing. If much of this infrastructure wouldn’t work without AI, the creative process does not work with it. It can, as in the case of the last Beatles single Now and Then, extricate a vocal track from a mixed piano/vocal take, but it cannot generate a John Lennon tune. Any attempt would, firstly, be awful and, secondly, would most certainly be disinformation, even if in some Dystopian future it was heralded openly as a technological breakthrough. That’s a fact, I promise you.

The Miniature Clip Microphone system (MCM) delivers true Neumann sound on stage for wired and wireless operation. Flexible mounting options, fully modular, ultra durable.

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Getting the right start

Backed by the resources and expertise of the Midwich Group, Will Fenby and Alex Kemanes are casting their investmentfocused eyes on the world of AV and tech startups

AV HAS TRADITIONALLY BEEN SEEN AS A FAIRLY homegrown industry. In audio, for example, many of the now prolific and world-renowned brands enjoying success started out as nothing more than a spark of genius in a garden shed. If you were a touring engineer trying to accomplish a specific goal, there weren’t many resources to turn to and you were likely left having to invent a new tool to get the job done the way you wanted it done. You were left to knuckle down and figure out a solution on your own.

That’s far from the case today. The industry (and the world it resides in) has changed massively. It’s no longer just a collection of microphones and loudspeakers, and there is no shortage of helpful partners and resources on-hand to guide newcomers through appropriate procedures and next steps. But who you look to for help can be the difference between a make or break. A major challenge today is finding the right partner to help move your idea to the next stage.

Enter Will Fenby and Alex Kemanes, the team behind Midwich Group’s new venture arm Midwich Ignite. Operating as a standalone enterprise targeting innovative seed-stage investments, while utilising the group’s global connections and expertise garnered over nearly half a century, the team has had a busy year since launching at ISE 2024. The focus is primarily on investments in high-growth startups within AV and the wider technology ecosystem, such as smart and connected spaces, hospitality and event technology, and robotics and automation.

Fenby recently joined the group from Alantra Corporate Finance, a mid-market mergers and acquisitions business where he focused on the technology market having previously qualified as a chartered accountant. Kemanes, meanwhile, is regional director for the Middle East at Midwich Group-owned NMK Electronics. “Between the two of us I think we offer very complementary skillsets,” Fenby explains. “I’m fairly new to the AV industry itself but have lots of relevant experience in the financial and deal execution side of things. On top of this, we have the Midwich Group’s global network of vendors, integrators, consultants and technicians at our fingertips.” It’s a rare blend of skills

that the pair feel makes Midwich Ignite uniquely positioned to help new companies get their foot in the door.

Despite several high-profile success stories over the last few years, Kemanes believes the industry is ripe for investment from an insider. “We’ve identified that the AV market is still very small in terms of investment,” explains Kemanes. “Private equity firms are looking to place their money in more established places. For companies that we would classify as startups, there’s really not many touching this space. For a traditional VC [venture capitalist] that wants tech multiples, AV is still a bit too niche. We slot into that gap perfectly. We have a large network within the group and that’s a big advantage for us: we can pull any resource,” notes Kemanes. “That was really a major impetus for starting the fund. We have all these resources, let’s utilise them in a way that benefits the whole business and the wider industry.”

With Fenby jumping onboard in late November 2023 to assist with initial activities and getting everything up and running, the fund launched officially at the end of January last year and “it’s been all guns blazing since,” he says. “We’ve been delighted at how quickly we’re able to move as a fund, despite being part of a large business. We think we’ve managed to overcome the classic pitfalls of corporate venture investing – namely, the layers of red tape and conflicting investment criteria that seem to feature in so many corporate VCs. We are a very lean team with a lean reporting structure, and we are committed to keeping our investments at arms’ length to the group; we don’t want anyone thinking that an investment from us is going to tie them into the wider distribution business. We want to leverage the network and expertise to help our investments grow, while the group itself gets the benefit of seeing the latest technology trends ahead of our competition. Our aim is to position Midwich at the heart of the audiovisual innovation ecosystem.”

Less than a year on from the initial launch and Midwich Ignite has enjoyed several success stories, with five investments under its belt already. As the pair sit down to discuss the topic with Pro AVL MEA, the news comes through that they’ve closed another big investment – this one into

Highlighting the effect of the Midwich network, Kadence recently secured an integration partnership with Neat

Ciqurix, a UK-based company that develops video flame detection technology. As part of the drive to support their portfolio beyond mere financial investment, the Ignite team will be working closely with Ciqurix to support its go-to-market and marketing strategy and drive forward regulatory backing under the UK’s newest fire industry accreditation. Similarly, earlier in the year it was Midwich’s network that helped hybrid workplace platform Kadence, based in the US, to announce an integration partnership with a major UC hardware vendor.

As Fenby notes, “when we started out on this journey, we had a theory of how it would work with our combined background and our value add as a big group. But the proof is in the pudding, and I think 12 months on, we can confidently say it has worked. Our goal has been to support innovation (and innovative entrepreneurs), and we truly believe our ‘pay it forward’ approach can help drive positive collaboration in the industry as a whole.”

The Midwich Ignite team will be back at ISE this year as they celebrate their first anniversary as a fund and look ahead with excitement to 2025. The pair urge anyone interested in learning about the fund to visit them on the Midwich stand.

www.midwichignite.com

Alex Kemanes
Kadance is hybrid workplace management software that empowers companies to streamline operations and optimise their productivity
Will Fenby

Processing change

As audio processor manufacturer NST celebrates its first decade, Sue Gould explores the British company’s evolution as it holds firm to its “audio quality first and foremost” mantra

THE VILLAGE OF MALTON IN THE NORTH YORKSHIRE hills doesn’t conjure up audio manufacturing associations but, for husband-and-wife team Dan and Sally Cartman, the choice of location has been intrinsically linked to NST’s expansion. “We can’t quite believe we’re 10 years old because, in some ways, it’s gone in the blink of an eye,” relates operations director Sally. “In other ways, we feel like we’ve worked our socks off and remember every detail: all the struggles and difficulties. When I first met Dan, he talked about building a business. I never for a second doubted his ability or his drive but, honestly, this is not where I thought we would end up.” Engineering graduate and NST MD Dan earned his spurs at BSS, Turbosound and XTA, but the desire to launch independently was always on his mind. “One of the reasons I left it so long was that I was very aware of how tough it could be and how many young businesses fail,” he admits. “I wanted to be in a position where I gave myself the best chance of gaining experience, both on a technical and a business level. The goal to start with was simple: to earn a living.”

Those early years would stretch the couple to their limits. “The original idea was to design product and software, but never to manufacture,” Sally recalls. However, it quickly became apparent that the market needed and wanted quality, and the only way to deliver that was to manufacture themselves. Lengthy R&D processes meant the first products took time to arrive and, during the first five years, all the production, packaging and shipping took place in the loft of the family’s small cottage. First up was the D48, a 4-in/8-out speaker processor with native Ethernet and USB remote control for live applications, swiftly followed by the ID48 installation version.

As the orders grew, a move in 2019 to a converted cowshed provided more room and the ability to increase production. The team increased to six as the 8-in/8-out Dante VMX88 processor launched. Today, the company employs 10 staff in a large industrial unit on the outskirts of the village complete with loading area, dedicated production and R&D offices and ample storage, and capacity to expand further.

“We’ve put a lot of effort into finding the right people with the right skills, but also the right personalities,” says

Sally. “In a small business, it only works when everyone’s putting in the same level of effort. When I think about what we’ve achieved, it’s the staff that bring me huge joy: they’re hardworking and, crucially, care about what they do.”

One of the key hires was technical brand manager Waring Hayes, whom Dan had worked with and known for over 15 years. “I’d followed the company; I knew about Dan’s attention to detail and the quality of the products and it sounded like things were really moving up a gear,” explains Hayes, who is clearly relishing the challenge. “I’m very lucky that I’m part of a team that gets on so well and can speak their minds. Your opinion matters and everybody’s input is considered and that goes for customers as well. Nothing gets thrown away or dismissed.”

ISE 2022 proved a tipping point for NST as the first tradeshow the company committed to after the pandemic. “It was amazing,” recalls Sally. “So many people sought us out, and we were overwhelmed with distribution options.” With the industry experiencing huge supply chain issues, the Cartmans’ forward thinking and risk taking put them at a huge advantage as they were one of the few companies at the show able to fulfil orders.

The “audio quality first and foremost” mantra continues to run deep. NST products have to be reliable, easy to use, rugged and robust. The D48 and the ID48 models are now in their third generation, and all are still available.

While NST might not have the R&D resources of larger corporations, its size offers flexibility. “We can aim to compete feature-wise but still keep our core focus: usability, reliability and sound quality,” says Dan.

Dan Cartman
In 2015, the first batch of D48s was prepared in the loft
The current HQ in Malton
The move to a converted cowshed in 2019 provided more space to increase production

Building the brand and expanding distribution haven’t been without challenges, however. “People stick with brands they know and trust and when someone new comes along, it’s tricky,” he continues. “But my years in the business enabled me to make a lot of solid contacts. Personal relationships, people who have faith and trust in you, have made a massive difference.” This is evident in Asia, where Dave McKinney, a former BSS colleague of Dan’s, takes care of the brand under his Generation AV umbrella. “The added challenge is that the two dominant markets – the US and China – are so completely different from the rest of the world that it’s difficult to have a global strategy, so I’m very fortunate we have Dave looking after us in Asia.”

As the company has grown, Dan finds the most rewarding aspects of running the business is often right on the doorstep. “It’s what enables us to help other people: consulting with universities, taking on industrial placement students from York University, teaching our younger staff members and getting them onto a career path. But it’s also the smaller stuff, being able to sponsor the kids football teams here in Malton.

L–R: Dan and Sally Cartman and Waring Hayes at ISE 2024

Off the grid

healthy dose of electricity to do their job. And given the noise component, it’s often preferable for the biggest outdoor festivals to be somewhat off the beaten path and kept away from civilisation. With little physical infrastructure in place, the mighty diesel generator ends up ruling the roost.

Rather than squeezing out every last electron via ultraefficient amplifier technology, perhaps there is another approach. What if attention was turned to the other end of the chain? That’s been the overriding mentality behind UK-based grassroots company Greenwaves, which over the last year has matured its lineup of solarpowered amplifiers to the point where it’s ready to take its message of “saving the planet, one show at a time” around the world.

“Our mission is to reduce the carbon footprint of outdoor events companies and the entertainment industry as a whole,” explains Greenwaves technical director Andy Haynes. “Our amplifiers and solar-powered GreenBank units offer a clean alternative to diesel generators.”

The team officially unveiled the brand to the public at this year’s PLASA Leeds

Developed in conjunction with RF and microwave amplifier manufacturer Aber Electronics over the course of two years, the Greenwaves portfolio has grown to include several power-focused innovations to make good on its promise, including audio amplifiers, charging solutions and power banks. Its initial product, the GW2X2K, is a 2x2,000W battery-powered amplifier capable of running for up to eight hours at full volume on a single charge. “All of our tests actually prove that eight hours is conservative; 10 is more representative,” says Haynes. “And it’s more like 15 hours when running vocals and mid-tops only without bass.”

When power does run out, the device can be recharged using mains or solar via one of the company’s portable power banks such as the GreenBank MK1, which is capable of delivering 2,500W peak power and can run a GW2X2K amplifier for a further eight hours. The GreenBank is a portable rechargeable power bank in a rugged Pelican case and features various mains output sockets to deliver 230VAC to whatever the user wants to power.

The GW2X2K battery-powered amplifier is joined by a 1x4,000W product, with a 1x500W on the way soon. “Our upcoming single-channel 1x500W RMS into 3Ω mono version is a lower-powered amplifier for use in pop-up events or fixed installations like nightclubs or theatres,” explains Greenwaves head of engineering Matthew Evans PhD. “It is still solar rechargeable using our charging solutions and is much more portable for a small solution that still packs a decent punch. We envisage it as a DJ box that they can throw in their bags and go to run an event. We are also investigating the possibility of making this IP6X-rated, so it is waterproof to expand the possible applications.”

proposition, undertaking development of solar charging solutions. “Using our solutions, if you are running on diesel or petrol generators, then you need a much smaller rig,” explains Greenwaves operations manager Richard Lister. “Alternatively, you can run directly from solar which ensures a nice eco-friendly off-grid audio solution. The GreenBank power bank product lineup stemmed from the need for customers to be entirely off-grid – their laptops, mixing desks, in-ear monitoring and radio mics can all be run off the GreenBank, or it can be used as a backup power reserve for the amplifiers to extend runtime.”

Of course, this development process was not a quick journey, and not without its headaches. “The challenges during the development process were significant due to the nature of the technology, and there are important safety considerations when working with batteries due to their high power density,” explains Evans. “We tried a couple of different approaches to the battery power management aspect of the system and settled on what is now a patent-pending efficient technology, but that took approximately 12 months to develop in its entirety. We also developed a secondary method of achieving the same result, but this costs more to implement.

1U and 2U rackmount solar chargers extend the ecosystem further by providing a modular and scalable charging solution for bigger setups, capable of powering one or two amps in a single rack. Used in combination, the products can lower the requirements for generators that have become a frequent sight at outdoor concerts.

“Currently, a 30kW audio system would require at least a 30kW/30kVA generator, usually more for a bit of headroom and to run everything else,” says Evans. “This is so it can service the peaks in the audio waveforms. With our Greenwaves system, a similar 30kW audio rig only requires a 3kW/3kVA generator, which is a size requirement reduction of up to 90%.”

The idea for solar-powered amplifier technology originated from Professor Stuart Walker at the University

for a full and rich bass output, for example. According to Evans, the Greenwaves amps have already proved their capabilities on several high-profile fixtures. “Due to the energy storage and the efficient way in which we are using the available power to provide the audio output level, we can deliver a much better sustained bass performance compared to anything else on the market,” he assures. “This has been proven at multiple events, including Notting Hill Carnival 2024. We recently ran a system which consisted of six of our amplifiers –four were used to drive a single subwoofer at 4,000W each, one was used to drive the main bass and the final amp was used to drive the mid-tops. Needless to say, this system effortlessly rattled the whole building with booming bass.”

The team quickly realised that being able to recharge the amplifiers by solar would also be an attractive

“The audio aspect of the system was also a significant engineering challenge,” he continues. “We have an enhanced electronically balanced audio input circuit as well as loudspeaker protection circuitry, which all needed development time from scratch. Audio amplifier circuitry is traditionally sensitive to rapid changes in the power supply, which causes issues when connecting a nearly unlimited peak power delivery source – a highenergy battery – hence the requirement for the patentpending protection circuitry.”

Since debuting the brand, audio developer Reclaim Audio has been a vocal backer of the sustainable technology and the impact it could have on outdoor events. “While many festivals and live events talk about their sustainable credentials, one of the uncomfortable truths is that they require a lot of power to run them,” says Bishopsound/Reclaim Audio founder Andrew Bishop. “I feel the Greenwaves amplifier is the perfect product to help deliver on those sustainable aims without impacting what performers or audiences experience. The overall cost of delivering an event is also reduced, making Greenwaves a solution that will benefit everyone involved in a live event.”

With most of the hard development work now done, and having tested their burgeoning amplifier lineup successfully at numerous events, the small team’s ambitions are quickly growing. “We see these products going global, and have already had interest from companies in Brazil, Colombia, Spain, Jamaica and even Bermuda,” furthers Haynes. “We have a key contact in the Middle East already who knows a lot of the right people for us to speak to, and that is an avenue we are actively pursuing. The solar recharging aspect is ideal for the Middle East market, parts of Asia, Africa and the Mediterranean due to the number of daylight hours every day, as well as the strength of the sunlight. This would mean recharging times would often be greatly reduced compared to the UK.”

While the team’s initial offering is now largely completed, there is no intention of slowing down development efforts moving forward. “We have multiple products in the pipeline for the future too, including upgraded versions of each of our existing amplifiers to deliver a greater user experience and added features,” concludes Evans. “We are also developing wind power to complement the solar charging solutions which will still allow for charging overnight once the sun goes down, or even just supplement the solar supply.”

www.greenwaves.pro

Greenwaves first product to debut was the GW2X2K 2x2,000W amplifier
The GreenBank MK1 rechargeable power bank

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Shure unveils first digital wideband IEM system

The Axient Digital PSM is Shure’s

THE AXIENT Digital PSM offers highperformance RF and spectral efficiency that caters to the rapidly evolving wireless landscape. This system is Shure’s first Wireless Multichannel Audio System (WMAS) enabled product line, empowering audio professionals to adapt to a wide variety of environments. With a forwardlooking design, the Axient Digital PSM is said to represent a long-term investment, enhancing flexibility and scalability. With a next-generation digital radio and headphone amplifier design, Shure says performers will enjoy the highest audio quality with no compromises to signal reliability and less than 2.9ms latency. The system features a multichannel wideband mode that significantly increases spectral efficiency, up to 28 channels per 6MHz in the US and 40 channels per 8MHz in Europe. With multichannel wideband mode, users can free up radios for improved RF performance or channel count scalability. Narrowband provides access to more RF output power per channel and maintains spectral efficiency at 17 channels per 6MHz.

Spatial Diversity employs two transmit diversity antennas, each sending an identical signal on the same frequency, providing RF engineers with a new, easier option for supporting separate zones and optimising coverage for stadiums, indoor venues and broadcast studios. When Spatial Diversity transmitters engage with True Digital Diversity bodypack receivers, the Axient Digital PSM combines four discrete signal paths per channel to deliver advanced protection against multipath interference and RF noise.

and ShowLink ecosystem, which means that for the first time, monitor engineers can enjoy remote management of every bodypack receiver onstage, with visibility to key parameters and the ability to make adjustments if necessary.

Intended for either home or studio recording of both vocals and instruments, the SM4 is a large-diaphragm condenser microphone housing a dual-diaphragm capsule and a patent-pending RF shielding system. According to the American manufacturer, it allows artists to create professional-quality recordings regardless of their setup, environment or experience level. The SM4 is intended to streamline the recording experience and features multiple layers of plosive protection and integrated components. The dual-diaphragm capsule reduces popping noises and comes with reduced proximity effect. With patent-pending Interference Shielding Technology, users don’t have to worry about unwanted RF interference noise from wireless devices commonly found in at-home recording environments, such as smartphones,

Futhermore, the Axient Digital PSM transmitters support both analogue and digital input formats, including AES3, Dante and AES67, which enables monitor engineers to easily connect to modern consoles. Standard AES256 encryption is available for secure transmission. The Axient Digital PSM is supported by Shure’s Wireless Workbench

In brief, the manufacturer has introduced the MXA902 + ANIUSB-MATRIX audio conferencing kit, which includes the MXA902 ceiling array microphone with a built-in loudspeaker paired and pre-routed with the ANIUSB-MATRIX audio network interface. The kit is certified for Microsoft Teams Rooms and Zoom Rooms and works with Google Meet.

www.shure.com

to faithfully reproduce both high and low frequencies, with a bass tube ensuring an accurate and extended low-end response. The MD 421 Kompakt also provides effective feedback rejection, and is able to handle exceptionally high sound pressure levels in the most demanding environments.

Meanwhile, the manufacturer has introduced the Profile Wireless, a 2-channel 2.4GHz wireless microphone system that connects to mobile phones, cameras or

provide users with audio, even in difficult conditions. Firstly, each clip-on microphone has 16GB memory for internal recording. Secondly, when the creator activates Backup Recording Mode, internal recording will be automatically turned on if the wireless signal gets too weak. Lastly, a

Hi on the list

Genelec adds to UNIO ecosystem

FORMING PART of the UNIO personal reference monitoring solution, the 8550A professional reference headphones are said to create an even more seamless bridge between professional in-room loudspeakers and personal headphone monitoring. With the additional headphone calibration features available within Genelec GLM software – and the optional Aural ID V2.0 binaural headphone monitoring technology – users can enjoy a “personal and truthful” headphone monitoring experience.

The UNIO ecosystem brings together Genelec’s Smart Active Monitors, GLM calibration software and Aural ID personal headphone technology, all managed by the 9320A controller via the user’s MyGenelec account. By combining a calibrated Smart Active Monitoring system and professional headphones with Aural ID, customers can enjoy mixes that translate reliably between monitors and headphones for an uninterrupted workflow.

The active design of the 8550A allows the headphone output of the 9320A controller to adjust to an individual 8550A headphone

factory calibration to bring precise resolution to the optimised UNIO solution.

According to the manufacturer, this active principle of using the 8550A headphones

of head and ears with a durable, adjustable design and replaceable component parts.

The 8550A’s dynamic design features 40mm transducers and neodymium magnets to

to accurately calibrate the headphone stage of the 9320A provides linearity, acoustic precision and neutral sound character.

The closed, circumaural 8550A provides sound isolation and comfort for all sizes

CATERING TO audio professionals, content creators and musicians, Austrian Audio’s Hi-X20 expands the brand’s range of professional, closed-back headphones. response. It delivers a frequency range of 12Hz–24kHz, with 25Ω impedance and input power of 150mW. Meanwhile, its black and red aesthetic boasts metal hinges and a metal headband, while its foldable design allows for easy storage and transportation. It also features memory foam padding grants and a detachable 3m cable with a 3.5mm connector.

www.austrian.audio

With the calibration file for the 8550A headphones stored within the matching 9320A controller, further personal optimisation is available via Genelec’s GLM 5 calibration software, including slope adjustment, parametric EQ and L-R level balancing. The optional Aural ID V2.0 models the user’s own head and upper torso features to calculate their unique personal HRTF (head-related transfer function) –delivering headphone mixes with externalised presentation, including precise azimuth and elevation, and producing a sense of space and direction that closely resembles in-room loudspeaker monitoring.

deliver a 15Hz–20kHz frequency response, level matching and 119dB of short-term SPL via the 9320A controller. The headphones ship with both leather and velvet ear cushions, and straight and coiled cables.

Aural ID V2.0 is said to heighten the experience further via early reflection room modelling and integrated webcam head tracking support – which tracks the user and maintains a stationary acoustic presentation even when the head moves, for a more natural listening experience. Additionally, support for the Open Sound Control (OSC) standard interface for hardware head trackers provides maximum system compatibility.

www.genelec.com

Profile Wireless
MD 421 Kompakt
UNIO includes the 9320A SAM and the 8550A headphones

anytime – from stereo to immersive.

Now, with the introduction of Personal Reference Monitoring – our pioneering new active monitoring headphone solution –UNIO offers the very highest level of headphone accuracy.

genelec.com/unio

The sound of metal

IN ADDITION to providing custom colour and individual wood finishes to its range of hand-built audio systems, US speaker specialist 1 SOUND now provides metallic finishes to its range of speakers. With metallic finishes for loudspeaker cabinets and metal plating for metal grilles, the company can deliver a range of materials including chrome, brass, gold and nickel, and all finishes are

THE DECO series from Spanish speaker specialist DAS Audio is a family of ceiling loudspeakers that blend into their environment thanks to a mechanical design incorporating a grille that covers the entire system. The DECO-5, DECO-6, DECO-6TB and DECO-8 models a l l feature a frameless grille that extends just 3mm from the ceiling, and all but the DECO-5 boast a 1-inch ferrofluid-cooled soft dome tweeter. The DECO-5, DECO-6 and DECO-8 units are designed for low impedance and are equipped with 5.25-, 6.25- and 8-inch drivers respectively. In addition, the DECO-6TB is a wide-range, passive, two-way system featuring a 6.25-inch low-frequency woofer and i s e quipped with a 15W 100V in-line transformer with multi-pass selector for both high and low impedance.

The DECO-40-T, DECO-65-T and DECO-80-T boast steel enclosures and a durable polypropylene front, and are equipped with a four-way Phoenix connector for parallel connectivity. All three operate at 8W nominal impedance or in a 100V line system, with tap settings of 10W, 20W and 30W accessible at the front on the DECO-40-T, and 15W, 30W and 60W on the 65-T and 80-T. The DECO-40-T has an RMS power handling of 50W, peak power of

200W and maximum peak SPL of 112dB. Meanwhile, the 65-T has an RMS power handling of 60W, a peak power of 240W and a maximum peak SPL of 118dB, while the 80-T has an RMS power handling of 125W, a peak power of 500W and a maximum peak SPL of 121dB. In addition, the DECO-80-TS is a high-performance ceiling subwoofer that provides omnidirectional coverage with a frequency range of 50–190Hz. It is also equipped with a four-way Phoenix connector and operates at 8W nominal impedance or in a 100V line system, with transformer tap settings of 25W, 50W and 100W. It has an RMS power handling of 200W and a peak of 800W, and a maximum peak SPL of 115dB. All four can be transformed into a pendant speaker to enhance their utility in spaces where ceiling mounting is not optimal.

Finally, the DECO-40-T-LP has tap settings of 10W, 20W and 30W, RMS power handling of 50W and peak power of 200W, and a maximum peak SPL of 110dB. The company says its recessed backcan depth of 99mm and auto-locking tabs allow straightforward installation in ceilings with minimal clearance.

www.dasaudio.com

AVAILABLE IN four colours, the battery-powered ANNY 8 is a bluetooth PA speaker from LD Systems and is the

applicable to both indoor and outdoor applications. The company says that with local sourcing of building materials, 1 SOUND is able to manufacture custom loudspeakers in a quick turnaround time of less than four weeks.

www.1-sound.com

application presets, effects such as reverb and delay are also available and can be switched on and off using

Switch up the sound with CR Series

WITH THE addition of sound shaping features to the third generation of Mackie’s Creative Reference powered studio monitors, the US audio specialist is aiming to adapt studio-quality audio to a variety of environments, from music producing to casual listening and partying.

Pitching them as “everything” speakers, Mackie says the CR Series’ built-in tone control knob and location switch enable users to shape the sound based on their specific use case. A front-mounted tone control knob starts with the transparent, flat response of a reference monitor, and turning the knob gradually boosts the bass and high end for gaming, casual listening and party environments. Meanwhile, a rear-mounted location switch means CR Series monitors can also adapt to where they are placed.

listening.

The CR Series speaker range features TRS, RCA and 3.5mm connectivity, a built-in headphone output, as well as Bluetooth on selected models. Each speaker contains a silk dome tweeter and woven-fibre woofers and are available in 3.5-, 4.5-, 5.25- and 8-inch sizes. The CR Series also includes a CR8SBT Creative Reference subwoofer, designed specifically to work with Creative Reference monitors, which also boasts Bluetooth to enable wireless connectivity to any non-Bluetooth speakers connected to the subwoofer.

www.mackie.com

Asymmetrical coverage in smaller spaces

BOSE PROFESSIONAL’S

EdgeMax

EM90-LP and EM180-LP in-ceiling directional loudspeakers are now available worldwide. The LP models have been designed to provide asymmetrical coverage to smaller rooms and more

challenging spaces and work together with the original EdgeMax loudspeakers to provide performance across projects where specifications and installation conditions vary.

The EdgeMax LP loudspeakers have a 4-inch backcan depth, 60% shallower than the original models, making them suitable for rooms with above-ceiling limitations and tighter clearances. The LP models also feature an 80° vertical coverage angle that is ideal for conference rooms and workspaces

The LPs have been designed to bring the same benefits as the original EdgeMax loudspeakers, which cater for larger, busy rooms with higher SPL needs. Just like the original EdgeMax models, the LPs feature dual-drivers and PhaseGuide technology to project focused sound asymmetrically into a room, delivering directionality and voice intelligibility, all while allowing placement in discreet, out-of-the-way locations.

Montarbo releases Nettuno Series

DBTECHNOLOGIES BRAND

Montarbo has released the Nettuno 10, 20 and 50 speakers. Designed to meet the needs of sound professionals and event organisers, the Nettuno 10 is suitable for live concerts, large venues and outdoor events. Equipped with advanced Digital Signal Processing (DSP), the speaker can reportedly adapt to any environment. Its compact size allows for easy transportation, while its rugged build means it can withstand the rigours of daily use in demanding live environments.

The Nettuno 10 features an integrated 8-channel mixer, with each channel equipped with dedicated DSP to enable detailed sound shaping to suit different input types. The mixer also includes a range of built-in effects such as reverb and delay, which can be applied independently to each channel. This feature provides users the ability to enhance performances and presentations with real-time sound effects without the need for external processors. The onboard compression feature provides additional control over dynamics, preventing distortion and ensuring that sound remains balanced and clear, even at high volumes. The Nettuno 10 also features Bluetooth connectivity, allowing users to stream audio wirelessly from any Bluetooth-enabled device.

Nettuno 50

At the heart of the Nettuno 20 is its 1,600W RMS power capability, designed to deliver a dynamic and immersive sound experience. Equipped with dual 15-inch subwoofers with 3-inch voice coils, the Nettuno 20 offers a deep, punchy bass that can “effortlessly” fill large spaces. The system also features four 8-inch mid-frequency drivers with 2-inch voice coils and a 1.4-inch HF driver with a 3-inch voice coil, providing clear and balanced mids and highs, ideal for music performances, conferences and

The 90° x 40° (HxV) dispersion ensures that sound is distributed evenly across large areas, providing consistent audio quality to audiences regardless of their position. With a maximum SPL of 137dB, the Nettuno 20 is designed to handle high-demand situations where loud, clear and undistorted

The Nettuno 50 comes with a 4,800W RMS power output, dual 18-inch subwoofers, each with a 4-inch voice coil, two 12-inch mid-frequency drivers with 2.5-inch voice coils and a 1.4-inch highfrequency driver with a 3-inch voice coil. It has a 100° x 50° (HxV) dispersion and is designed to provide wide, even sound coverage across large listening areas.

www.montarbo.com

RECENTLY ACQUIRED from Cornered Audio ApS of Denmark, the Ci Series of loudspeakers from Blaze Audio is a range of five speakers and two subwoofers designed for use in commercial and hospitality locations. The Ci2, Ci4, Ci4-V, Ci5 and Ci5-V are surface-mounted loudspeakers that the company says deliver wide and uniform coverage, clarity and reliability. The IP65rated loudspeakers (IP64 for Ci2) are all two-way, full-range loudspeakers and boast a patented 90° triangular ABS cabinet with built-in sliders to fit perfectly into vertical

and horizontal corners. They can also be coupled together to increase coverage to 180° or 270°. For enhanced bass performance, all Ci series’ loudspeakers can be teamed indoors with the series’ C8S and C12S subwoofers.

Designed in Denmark, the Ci Series is available in black and white, with models featuring a switchable 100V/70V or 8Ω mode, a switchable limiting circuit for the tweeter and 100° vertical and horizontal dispersion.

www.blaze-audio.com

AVE Stuttgart steers towards Ascolto

THE FULL-RANGE

digitally steerable coaxial loudspeakers from AVE Stuttgart feature a 4-inch woofer and a 1-inch dome tweeter, both made from neodymium. With a design that aims to closely integrate with cutting-edge technology, the FF Series has been created to provide even more precise, clear and refined sound behaviour. The series focuses on natural sound reproduction and clarity, particularly in acoustically challenging environments such as halls, lecture halls, churches, mosques, conference rooms and museums, where conventional active line array speakers often fall short.

The Ascolto FF Series is available in three different sizes: the FF0870, FF1670 and FF2470. The FF0870 model is more suited for short distances, while the FF1670 and FF2470 are recommended for longer distances. With a pronounced bass presence, all three

www.ave-stuttgart.de

Ascolto FF0870
EdgeMax EM180-LP

Getting down with Celestion

THE CF1230BMB is a 12-inch cast aluminium chassis, ferrite magnet bass/ mid-bass driver from British speaker specialist Celestion. Engineered for a longer throw than conventional mid-bass speakers, it features a 3-inch copperclad aluminium voice coil, providing 700W continuous power rating and 96dB sensitivity with an output frequency range of 50–3,000Hz. The company says the elastomer surround enables a longer Xmax compared to a conventional 12-inch mid-bass speaker, allowing the CF1230BMB to better reproduce lower frequencies. This reportedly makes it a natural solution for discreet, compact subwoofer applications, while its lowfrequency performance also makes it an option for 2-way designs.

As well as extended low-frequency performance, the CF1230BMB features Celestion’s smart airflow vented magnet assembly for dynamic heat dispersion to minimise power compression during operation, and a modified T-pole magnet

DESIGNED FOR low-impedance education and commercial applications, Atlona’s 50W mixer-amplifier and companion volume control wallplate extends the company’s GAIN series of audio products. The AT-GAIN-M50-LZ is a 2-input mixer amplifier that delivers o channels of 25W each into 4 W or 8 W , or a single channel of 50W. It features two unbalanced stereo audio inputs on RCA and 3.5mm connections with independent level control for each, while an unbalanced 3.5mm output can pass the mixed signal to an assistive listening system or separate audio system.

assembly to enhance performance through improved Bl symmetry.

www.celestion.com

DESCRIBED AS the most powerful amplifier in its IPX series, Lab Gruppen’s IPX 4800 has been designed to drive larger, more power-hungry subwoofers in larger venues. Suitable for permanent installations, portable corporate AV systems or live PA setups, the compact 4,800W 2-channel amplifier comes with a DSP engine equipped with up to 40 real-time, multi-slope parametric EQs along with adjustable gain, input and output delay – and both high- and low-

pass filters adjustable to any frequency. The DSP also provides extensive protection for loudspeaker systems thanks to the software-controlled Speaker

Additional features designed for the education market include audio ducking, which lowers the programme audio level

on input one when a teacher speaks into a microphone system connected to input two. Its PA sense function also mutes the amplifier’s output upon detecting activity on the school public address system. Mounting flexibility and energy efficiency are also enhanced with a UL 2043-rated low-profile enclosure and an ENERGY STAR qualification. The AT-GAIN-M50-LZ has a manual interface for controlling GAIN-M50-LZ volume levels when a traditional AV control system is not being used in the room; the AT-GAIN-VOL is housed in a US one-gang enclosure intended for wallplate openings and includes interchangeable black or white trim kits.

www.atlona.com

using two navigation buttons, a rotary encoder and the backlit display. Individual channel mute buttons are also available, and up to 50 user-defined presets may be stored onboard.

Meanwhile, the E 20:2 2,000W and E 40:2 4,000W 2-channel amplifiers form part of the manufacturer’s E Series and feature Lab Gruppen’s IDEEA (IntelliDrive Energy

Protect Limiter. Users can access all setup parameters for input mixing, DSP features and limiter settings on the front panel,

Efficient Amplifier) technology. Based around a patented Class-D variant output stage, IDEEA produces high power levels with very

low distortion while drawing minimal mains current. Rail Sense Limiter (RSL) is also exclusive to the E Series and reduces signal clipping to ensure high-quality audio output. User configurable for Hi-Z (70V) or Lo-Z, RSL senses rail voltages and optimises each output for instantaneous load conditions. RSL settings also facilitate asymmetric loading of the channels to optimise performance and efficiency. Total available output power can be allocated among the channels as required by the application. This makes it possible, for example, to drive a small sub on one channel and a number of 70V ceiling loudspeakers on the second channel.

www.labgruppen.com

THE DA4 HD 8K L and DA6 HD 8K L from Extron are 4- and 6-output distribution amplifiers for HDMI 2.1 signals. They support resolutions up to 8K/30 at 4:4:4, including 5K applications such as Microsoft Teams 21:9 in front row

simultaneous distribution of HDCPencrypted content. Automatic input equalisation, selectable output muting and Ethernet monitoring and control are also provided. Both units are intended for presentation spaces and esports venues,

installations. Each distribution amplifier supports data rates up to 40.1Gbps, HDR, Deep Color up to 12 bits, 3D and HD lossless audio formats. They also provide CEC capability to streamline operation. Features include EDID Minder Plus which provides support of additional memory blocks, while Key Minder ensures

providing reliable distribution of a high data rate HDMI source signal to multiple displays.

The MVC 121 xi is compact, three source audio mixer, featuring audio DSP for mixing and signal processing. It provides a stereo line level input and two mic/line level inputs with 48V phantom power for

condenser microphones, plus fixed and variable stereo line level outputs. It offers gain, filters, bass and treble tone controls, along with parametric EQ. Quick and intuitive configuration of essential parameters is possible using the front

panel controls or DSP Configurator Pro software.

The manufacturer has also announced that new drivers are now available for Pro Series control systems, enabling NAV endpoint PoE control on NETGEAR AVoIP switches. Global Configurator control system software lets system designers create energy-efficient NAV systems and reduce power consumption by powering down NAV encoders and decoders when they are not in use. Using the new drivers, PoE can be turned on or off for each port of the NETGEAR switch based on time of day, occupancy or other criteria. Global Configurator works with TouchLink Pro touchpanels, IPCP Pro xi Series control processors, NETGEAR AVoIP switches, along with NAVigator and NAV encoders and decoders.

www.extron.com

Keeping the volts constant

THE SF-PA100A 100W RMS constant voltage amplifier from RDL receives three audio channels on an RJ45 Format-A connector. A selector feeds Pair A, Pair B or Pair C audio to the amplifier that provides a 70V or 100V constant voltage amplified output. At the normal gain setting, the output provides 100W for an audio level of +22dBu. The three Format-A pairs feed through to the Loop Out jack to feed additional amplifiers or other Format-A receivers.

The SF-MA100A audio power amplifier receives three audio channels on an RJ45 Format-A connector. The three inputs are mixed either by the three rear-panel potentiometers or remotely by the three potentiometers on the remote control (available separately). Local or remote control is defined by the Mode switch on the rear panel. If the mixer is remotecontrolled, the rear-panel potentiometers set the maximum gain applied to each input.

The SF-NP100A is an audio power amplifier that receives four Dante (or AES67) network audio channels. It converts one of the Dante channels to a 70V or 100V constant voltage amplified output. The output provides 100W for a network digital audio level of 0dBFS. The other three Dante audio channels are converted to RDL Format-A to feed additional amplifiers or other Format-A receivers.

Input gain on all three models is set by the installer using a rear-panel single-turn potentiometer with an associated dualLED VU meter calibrated to 10dB below maximum power output. They are equipped with an internal VCA for setting the amplifier output level. It is also possible to use the RJ45 jack to connect an external 10kΩ potentiometer or a 0–10Vdc control voltage.

www.rdlnet.com

Stepping up to MKII

BOASTING LEGACY

enhancement which claims to add the flavour of its SL 4000 Series console at home, in the studio and on the road, Solid State Logic has launched the SSL 2 MKII and SSL 2+ MKII audio interfaces. Building on the success of their predecessors, the USB-C bus-powered audio interfaces are compatible with Mac/PC and deliver enhanced features, comprehensive I/O and the SSL Production Pack software bundle.

The SSL 2 MKII features two balanced outputs for connecting monitors, while the SSL 2+ MKII features a total of four balanced outputs for connecting monitors and additional line level equipment. Both feature dual high-performance mic/line pres, dedicated Hi-Z instrument inputs, 32-bit/192kHz converters and redesigned

Fireface 800 goes dark as RME celebrates its 20th

IN CELEBRATION of the 20th anniversary of the Fireface 800, RME has introduced an exclusive special edition: the Fireface 802 FS AE. The unit boasts an elegant and dark design, inspired by the successful ADI-2 series with an optionally available, new colour-matching ARC USB Remote Control.

The Fireface 802 FS AE is technically identical to the Fireface 802 FS and offers the same features and functions. This includes precise AD/DA conversion, flexible I/O options and high-audio quality. The device is a highly integrated pro audio solution for live and studio use in a 19-inch enclosure and offers 60 audio channels, high-end microphone preamps, reference-class converters, a complete effects section and operation at up to 192kHz. Active SteadyClock FS jitter suppression, DC-coupled outputs for all eight analogue line outputs, individually switchable reference levels for all inputs and outputs, full standalone functionality and identical operation on Windows PC and Mac complete the package.

The Fireface 802 FS AE comes with the TotalMix FX DSP mixer offering routing and monitoring options, as well as the DigiCheck NG Analyzer allowing users to measure and analyse the digital data feed in both directions. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latencyfree monitor mixes with EQ, dynamics, reverb and delay for any outputs, including main monitors and headphone mixes for musicians. Additionally, the Fireface 802 FS AE features the Room EQ from the Fireface UFX III with nine-band PEQ, delay, volume calibration and crossfeed.

The Fireface 802 FS AE also offers an optional Class-Compliant (CC) mode (30 channel I/O with up to 192kHz) and operation with TotalMix FX for iPad. The alternative CC mode can be activated via a recessed pushbutton switch directly at the back of the interface. For controlling TotalMix FX including the latest Room EQ feature, users will find a USB-A port for direct connection of the optional available ARC USB.

www.rme-audio.de

microphone preamps, which deliver 64dB gain range and 116.5dB dynamic range. Each channel also features independently switchable high pass filters as well as switchable +48V phantom power. Their combi-XLR inputs double up as line level inputs and feature a 117dB dynamic range

detect instrument inputs allow users to record anything with a high-impedance output, while the interfaces also offer DC-coupled balanced outputs with 120dB dynamic range. Both have dual headphone outputs that feature high-current NJM headphone amps; these are capable of driving any type of headphone

and boast a 119.5dB dynamic range. A “Mix” control on the front panel allows users to blend between the USB output (DAW) and input sources for zero-latency monitoring, while the SSL 2+ MKII’s headphone outputs A and B feature independent volume control and can also be fed from different DAW outputs. SSL says this can be used for creating separate “artist” and “producer” headphone mixes. The SSL 2+ MKII includes MIDI I/O to control keyboards, drum machines, trigger samplers and sequencers. Its DCcoupled outputs are capable of sending CV (control voltages) to compatible instruments and processors, and both MKII interfaces feature stereo loopback to keep content creators and streamers in the flow.

www.solidstatelogic.com

Neutrik heads onstage

EXTENDING ITS range of “gig-ready” robust stageboxes, Neutrik has a d ded the NA-4I4O-AES72 4-channel, AES72-4E model. Complementing the manufacturer’s series of NA2 I-O DLINE devices, it shares the same signature ruggedised, miniature form factor. AES72-4E defines a standard and wiring s c heme for the assigning and transmitting of four channels of analogue or AES3 digital audio signals, DMX control signals or various other COMS signals, via a single RJ45 connected quad twisted pair Cat cable, providing for lower complexity connectivity networks with reduced cable, connector, installation and termination costs and requirements.

Iconic IONIC

FOLLOWING IN the footsteps of the IONIC 16, Waves has announced the release of the IONIC 24, a 24 mic/line in/18 out SoundGrid stagebox. Powered by Waves Signature Preamps, the IONIC 24 stagebox reportedly delivers superior sound quality with “exceptional punch and clarity” in any live sound scenario and complements the sonic performance of the Waves eMotion LV1 Live mixer. Waves Signature Preamps’ HMX harmonic enhancement feature allows users to choose between timeless analogue warmth and a more neutral sound. The HMX harmonic enhancer is said to deliver a rich, full-bodied sound usually found only in high-end mixing consoles, without compromising any punch or clarity. This feature can be turned on or off per input, with “off” providing a more neutral sound.

Meanwhile, the eMotion LV1 Classic comes with 64 stereo channels and 44 stereo busses, an intuitive workflow, 16 onboard Waves Signature Preamps and Waves processors included with the console. The hardware mixing desk builds upon the Waves LV1 mix engine, which until now has only been available as a software-based modular system.

The rubber-encased unit has been specifically designed for use onstage and in the field in challenging production environments, live event, touring and fixed and location media production applications. With four self-locking balanced combo XLR/ jack inputs and four balanced male XLR outputs, a single NA-4I4O-AES72 can assign and transmit balanced mic or line level analogue or AES3 digital-pair audio signals, DMX lighting control data or various other communication signals via a Cat5/6 STP-type cable. Each input features ground lift and polarity inversion switches –

point mix engine, operating at 44.1–96kHz sample rates. It can also be expanded with Waves IONIC stageboxes that also include Waves Signature Preamps.

The manufacturer has also launched a new version of its eMotion LV1 live mixer software, which also powers the eMotion LV1 Classic. The

NA-4I4O-AES72 will pass phantom power when used with shielded STP-type Cat cables. With input signals present at the corresponding XLR outputs, the NA-4I4OAES72 also provides for the splitting of these signals for monitoring. Self-locking etherCON ports on both rear and front fascia respectively provide for transmission of the AES72-4E assigned input signals and the feedthrough of other AES72-4E signals to loop these to other devices, such as mixing

navigation, channel naming and aux sends. There are also various new features in the LV1’s mobile and tablet apps, such as a flipped landscape mode in the MixTwin tablet apps and more user control in the MyMon personal monitor mixing app.

In brief, the manufacturer has updated its Cloud MX Audio Mixer Premium subscription by adding Waves Stream to the list of available plugins. It has also released Curves Equator,

immersive in-ear mixing via the eMotion LV1 mixer. Waves said that the eMo IEM is a simple software upgrade to the LV1 with no expensive external hardware or complex routing needed. Live sound engineers can set the LV1 mixer’s monitor output to “Immersive” and the performers will receive immersive

a resonance suppression plugin created to improve any vocal, instrument, sample track or full mix with targeted, artefact-free linear-phase filtering to remove problematic frequencies, fix resonances, balance inconsistencies or adjust frequencies within overlapping sounds.

www.waves.com

controlled from AEQ’s ControlPhoenix software, while an API is available to integrate it with orchestrators and third-party applications. Apart from the recommended OPUS algorithm and the uncompressed PCM format, it incorporates the G711 and G722 algorithms to communicate with VoIP devices. For special uses, C and apt-X encoding algorithms are available.

Meanwhile, AEQ’s audio codecs enable the Smart RTP communications protocol to simplify connectivity, and they support SIP and other commonly used encoding algorithms, including those in the N/ACIP EBU Tech3326 recommendation. www.aeq.eu

IONIC 24
Curves Equator

to the core

THE LP321XY 32x1.5mm² multicore speaker cables from Klotz AIS have been developed particularly for multi-amplifier systems such as L-Acoustics and are 100% compatible with L-Acoustics SC32 cables. Designed to transmit an unaltered signal over long distances, the centrepiece of the cables is the LSC3215YS Xtreme speaker multicore with LCP (Liquid Crystal Polymer) braiding, called Vectran. This braiding integrated into the PVC jacket reportedly ensures a sturdy structure and maximum tensile strength, and prevents the outer sheath from stretching during vertical suspension. The complex core stranding remains exactly where it, even under extreme stress. The LSC3215YS bulk cable remains cold-flexible down to –20°C. The premade LP321XY cables are fitted with high-quality RMP 37p connectors with silver-plated contacts and are also equipped with transparent shrink sleeves on both sides for free labelling. The manufacturer has also released the CP7L Cat7 10Gb long-run network and data cables for transmission lengths of up to 100m. Suitable for analogue and digital signals up to 600MHz, the cables can be used in Class-D, -E, -EA and -F applications such as 10Base-T, 100Base-T, 1000Base-T, 10GBase-T, audio networks such as Ethersound, AES67, Dante and Ravenna, plus video networks such as AVB, SMPTE ST 2110 and DMX lighting control systems. Two cable reels are available: the CP7LEEPWH is assembled with Neutrik etherCON Cat6A

RJ45 connectors. One connector is at the end of the cable, the other is designed as a built-in socket in the drum with a 60° angled outlet. The CP7LREPWH has shielded Telegärtner RJ45 8p M metal connectors with one RJ45 at one end and an etherCON Cat6A RJ45 in the drum as a built-in socket with angled outlet at 60° at the other. The SCY2025WT and SCY2060WT speaker cables have been designed for permanent installation in both fresh water and soil. To ensure smooth outdoor operation in the long term, the SCY..WT series cables have an outer jacket made of a waterproof PVC compound. The PVC of the core insulation and the outer sheath fulfils all the requirements of standard HD 603 S1/A3:2007-04 type DIV 4. Furthermore, the outer sheath conforms to classes DMV 5, DMV 6 and DMV 18 of standard HD 603 S1/A3

Ethernet cables for every task Touring

TWISTED PAIRS are being increasingly used in areas beyond simple data transfer, such as digital audio applications, to create a network between professional devices. By using one type of cable, wiring is simpler and results in a much lower budget. Tasker’s range of Ethernet cables is broken into different categories –5e, 6A, 7, 7a and 8 – according to the transmission speeds and types of shielding applied to the single cables.

For mobile installations, the C725 (Cat5e S-UTP), C728 (Cat6A S-FTP) and C726 (Cat7 S-FTP) cables have been designed for extra flexibility, thanks to their elementary stranded formation. They are available in PVC extra flex jackets, LSZH or PUR and

and an increased fire load and flame resistance in accordance with IEC 60332-1. They have an extended operating temperature range of –30°C to +80°C.

Finally, the StraightLink ST1200MFE stagebox is available with 8–16 inputs or 8–12 inputs and four returns. For a quick changeover onstage with two existing, pre-wired StraightLink boxes, users need to connect the multicore cable to the respective StraightLink box via the RMP plug. All StraightLink variants can be used as a small sub-stagebox or a complete multicore system.

www.klotz-ais.com

A COMPANION to the GTX 10 compact two-way line array module and the larger three-way GTX 12, the TTR 16K touring amplification rack from TT+ Audio can house up to three XPS 16K 4-channel DSP amplifiers, integrating AC power distribution, signal routing and network connectivity (including a Dante option). Each XPS 16K 4-channel DSP amplifier delivers a full system worth of DSP (including advanced, proprietary algorithms) and 4x4,000W Class-D continuous power at 2.7Ω, 40-bit floating point processing at 96kHz and 32-bit internal routing. A single XPS 16K amplifier powers every four GTX 10 modules. A single TTR 16K touring rack can power a complete

6+6 GTX 10 system with four GTS 29 double 19-inch subwoofers. The racks also feature rugged S-COM and P-COM multipole connectors for signal and power, network switches for Dante audio transport, AC power inputs and outputs, network control and an easy-to-access XLR and AES/EBU patch-bay for rapid routing. The rack design also optimises air ventilation between devices.

Meanwhile, the GTS 19G is a hypervented 19-inch subwoofer for low-frequency extension in touring and install applications. Suitable for both indoor and outdoor use, it is designed for ground-stacked applications and is recommended for sound systems built around

are particularly recommended for external applications.

For fixed installations, CPR homologated cables are becoming increasingly popular, particularly for medium and high fire risk.

The C723 B2ca is a LAN Cat7A S/FTP 4x2x0.25mm² cable that can be used in multiple applications and is approved for the maximum CPR risk class. For all applications where such legislation is not yet in place and where a connection over 2GHz is required, Tasker offers the C724 Cat8 S/FTP cable which can also be used for automation systems.

www.tasker.it

the XPS 16K DSP power platform. Up to eight GTS 19G modules can be connected to a single P-COM 8 connector and controlled via RDNet management software, and the GTS 19G enclosure features three waterproof P-COM 8 pole bayonet connectors on the back panel. Claiming an unconventional motor structure that delivers low-frequency reproduction using a high excursion piston, the Italian company says its 19-inch cone and 4-layer inside/outside voice coil is capable of delivering 140dB max SPL, and it can be used vertically, horizontally or in cardioid/endfire configurations.

www.ttaudio.com

LP321XY
CP7L

Altair expands the IPcom ecosystem

FOLLOWING THE IPcom intercoms system in 2022, Altair has enhanced their ecosystem with the addition of the AirP4ck wireless beltpack. Incorporating cue lights denoting send and receive communications for duplex operation, the 4-channel IPBW-304 operates in the 1.9 GHz licence-free frequency band. Digital encrypted for secure communications, the beltpack also features a built-in speaker and talkback mic for desktop use. Remote GPIO functionality promotes digital management of parameters including battery live and coverage. Operating within a range of 50–350m around base antennas, the removeable battery can operate for up to 12 hours.

A head of the game

AIMING TO enhance long-range communication across a range of events, the Solidcom SE wireless intercom from Hollyland is a lightweight, full-duplex communication system providing reliable communication at ranges up to 350m. It can support up to eight headsets, while its frequency hopping technology automatically avoids radio interference for more stable communications in crowded, radionoisy environments. It comes with advanced Environmental Noise Cancellation (ENC) technology which helps dispel water and wind

making it suitable for streamlined coordination across various departments like production, camera and lighting, with added role and number customisation for enhanced on-set efficiency. The Solidcom C1 Pro – Roaming Hub is compatible with the Solidcom C1 and C1 Pro headsets. It offers two industry-standard mounting holes, 5⁄8-inch and 3⁄8-inch, which enable the attachment of a wide variety of accessories, such as tripods and light stands. On more complex film sets, communication is frequently hindered by

The IPD-3 AirP4ck wireless base antenna ensures digitally encrypted secure communications for up to eight beltpacks, and to a maximum of 40 beltpack users with multiple antennas. The PoE remotepowered antenna requires an RJ45 cable for connectivity and external antenna ports reinforce the coverage.

PoE switch, the IPcom system does not require a dedicated matrix. Operation with uncompressed digital audio, 24-bits/48kHz can be streamed over IP, under the proprietary Altair protocol. Capable of hosting up to 128 users and 128 groups, the IPcom network can be shared with other systems. Accessories include an AC/DC adaptor, A100 headsets and antennas including cable extensions and dividers.

www.altairaudio.com

Yamaha stands tall with König & Meyer

YAMAHA HAS collaborated with stand manufacturer König & Meyer to produce a range of bracket and stand hardware which is fully compatible with Yamaha equipment. The first two products from the collaboration, the 19400 and 19410, will be stands that are compatible with the manufacturer’s monitor speakers and analogue mixers.

The 19400 is an adapter that mounts a small mixer or monitor speaker on a microphone stand. This solution is aimed at musicians who want a mixer at their fingertips or to set up a simple loudspeaker system. It is fully compatible with the MG series analogue mixers, the mixer section of STAGEPAS BT series portable PA systems and MSP3A powered monitor speakers.

The 19410 allows equipment to be installed on a desk or other surface using a clamp. The stand allows the position and angle of the speakers to be adjusted and it is compatible with the MSP3A powered monitor and MS101-4 compact speaker for multipurpose applications. It has been designed to enable freedom in installations and for locations where working space is limited.

www.k-m.de/en

www.yamaha.com/2/proaudio

Solidcom SE

links in larger or more complex areas. According to the manufacturer, the solution revolutionises film and TV production with its ability to connect up to 20 full-duplex headsets to a single hub, minimising communication gaps, even in intricate shooting environments. In addition, the effective range of a single hub has increased from the previous max line of sight of 350m to 500m, bolstering reliability and flexibility on large sets. It also supports up to six communication groups,

signal, and disconnect from the original hub device. The switching process is said to be swift, the user’s communication connection will not be affected and the voice quality will always remain clear and stable. Even if the user moves quickly in a complex environment, the communication will not be interrupted due to signal loss.

www.hollyland.com

New compression

BUILDING ON circuitry of the original 525 Discrete Compressor launched in the 1970s, the 525A FET Compressor maintains the discrete audio path and expands the feature set for even more applications in the modern studio. It combines API’s proprietary transformers, 2510 and 2520 op-amps, retaining the sonic characteristics of the original while promoting the reliability, long life and uniformity of all API products.

Features new to the 525A include variable attack adjustable from 15μs to 15ms and seven

selectable release modes (.05–2.0s). As with its predecessor, the 525A also includes ceiling control which simultaneously combines threshold and make-up gain, a classic 1970s’ analogue gain reduction VU meter, a traditional API discrete audio path circuit design, a proprietary API output transformer, balanced inputs/outputs and a

Absolutely BURLed over The sound of Dante

HOPING TO deliver higher channel counts at a lower price per channel than the BURL GREEN series, the BURL BLACK range of daughter cards from Californian audio manufacturer BURL Audio are designed for the BURL Audio B80 and B16 motherships.

it features the BOPA14 op-amp as well as a smaller form factor DAC chip for increased channel density.

Also for the BURL Audio B80 and B16 motherships, the BDA12 ORCA is a BURL BLACK ORCA monitor and DAC daughter

They claim to deliver a superior recording quality to a recording musician and professional recording studio.

The BAD16 is an ADC daughter card that boasts 16 channels of all discrete transistor, Class-A, transformer-coupled, analogue-todigital conversion. It also features BURL Audio’s BX8 transformer, a smaller form factor input transformer for higher channel density. Meanwhile, the BDA16 has 16 channels of all discrete transistor op-amp, Class-A, digital-to-analogue conversion, plus

card that features 12 channels of Class-A, discrete transistor op-amp, digital-to-analogue conversion, plus stereo, Class-A, speaker and headphone monitoring. Like the BDA16, it employs the latest BURL Audio NextGen analogue section featuring the BOPA14 op-amp and multichannel DAC chip technology. The company says the BDA12 in a B16 chassis is the ideal 12-channel line output plus stereo monitor section solution.

www.burlaudio.com

manufacturer Digigram has added a Dante sound card to its ALP-X range. A lighter version of the PCIe sound card that benefits from its most prominent features, the ALP-DANTE-LE was designed using the same sturdy hardware platform as the rest of the ALP-X range. The card also features a low-profile form factor, coupled to a fanless design to address audio applications where space and reliability are at stake. The ALPDANTE-LE operates under Windows and Linux drivers and is compatible with AES67 and SMPTE 2110-30 protocols, increasing its versatility in a variety of applications, regardless of the environments. The card integrates Dante networks thanks to the usual Dante Controller interface. The ALPDANTE-LE comes with adjusted connectivity, while keeping the same number of channels. This optimised card will power a larger array of 365/24/7 applications that require recording, playout or real-time processing.

In other news, the manufacturer has announced the release of an optional MPEG-TS service applicable to its IQOYA X/LINK and SERV/LINK audio gateway ranges. The company hopes that the addition will provide new decoding possibilities in markets where

Brace yourself for a recording double

BOASTING THE ability to undertake recording tasks commonly associated with larger devices, the FR-AV2 from Tascam is a compact 32-bit float field recorder and timecode generator with mixer. The handheld device features dual ADCs with 32-bit float point record capability and supports sample rates up to 192kHz, reportedly a unique feature for recorders of this size. With its dual analogue-to-digital converter technology, Tascam says it is impossible to clip the recording; when editing audio recorded in 32-bit float, quiet passages can be brought up in level while louder parts can be scaled down without introducing additional noise.

distribution and live contributions involving multiple channels. IQOYA X/LINK and SERV/ LINK already provided MPEG-TS compatibility on the encoding phase but the update means that the manufacturer’s audio codecs will be MPEG-TS compatible for decoding, and will allow for the transport of multiple channels over IP networks keeping inter-channel synchronisation. Integration into existing equipment is described as straightforward –the MPEG-TS option is provided through a simple software upgrade on installed devices, extending their sustainability and durability.

www.digigram.com

The FR-AV2 also supports wireless Bluetooth audio monitoring to give users the ability to check microphone placement, monitor incoming signal levels and alert them to unwanted background noises in real time. The FR-AV2 can also generate timecode to enable videographers to synchronise cameras and audio, and can synchronise and receive timecode from other timecode gear, including JamSync. Bluetooth wireless timecode synchronisation using AK-BT2 and Atomos UltraSync BLUE products is also available.

The FR-AV2 has dual XLR/TRS inputs with an EIN (Equivalent Input Noise) of –127dBu, and with two dual XLR/TRS combo jacks it can accommodate most types of external gear. The FR-AV2 can function both as a

standalone recorder or as a USB audio interface, it can be connected to iOS devices, Mac or PC computers, and it can be used as a 2-in/2-out USB audio interface via the USB-C port.

Meanwhile, Tascam’s Studio Bridge is a standalone 24-track audio recorder with a 24-channel USB audio interface that acts as a bridge between analogue and digital domains. Users can record directly to the product itself, which supports Punch In/Out and uses SDXC cards up to 512GB as storage media, or record to a DAW using the device as a 24-in/24-out interface. The Studio Bridge can be used on a desktop or rack-mounted for integration with analogue vintage consoles and outboard gear. It handles 24-bit audio at 44.1kHz

and 48kHz, and simplifies mix summing by allowing recorded tracks to be output from an analogue console and summed with outboard gear before being recorded back

into the DAW or recorder itself. Summing is also possible from tape or tracks recorded using the Studio Bridge. As a USB MIDI interface, the Studio Bridge can synchronise with MIDI instruments and devices such as drum machines and sequencers. It features dual footswitch control for customisable functions, and a Mac and Windows control panel, including a meter bridge for visually monitoring signals and adjusting parameters.

Finally, Tascam’s free v2.0 firmware update for its Portacapture X8 and Portacapture X6 portable audio recorders introduces the Pocketstudio app. Designed especially for musicians, the Pocketstudio app delivers the familiarity of the Portastudio-style interface and a host of features like overdub and mixdown. Tascam says it empowers users to mix all existing tracks to a 2-channel stereo file, import, then continue overdubbing to take four or six tracks and turn them into many more.

www.tascam.com

32Classic configurations

EXTENDING BEYOND the standard 32/48 channel console frame, Harrison has introduced custom configurations for its 32Classic Console. Launched last year, the 32Classic is designed to be integrated into a DAW-driven studio environment and is reportedly the first console to feature 64 channels of premium

AD/DA conversion, coupled with a Dante AoIP interface, all built into the console. The custom configurations have been introduced to adapt the console to a variety of installation requirements and workflows.

www.harrisonaudio.com

Pliant launches wireless intercom solutions

PLIANT TECHNOLOGIES has unveiled a range of wireless intercom solutions including the updated SB11L2 SmartBoom LITE Headset and the PHS-IEHU Miniature In-ear Headset, as well as accessories such as the PBT-VMNT Radio Transceiver Battery Adapter and the PAC-RTM-SMU Universal Single RT Mounting Bracket.

The SB11L2 SmartBoom LITE Headset has been enhanced with features for improved flexibility, stability and a more comfortable fit, including a new fieldreplaceable cable and a newly designed swivel earcup. The headset features the SmartBoom muting feature, which allows the adjustable microphone boom to act as an on/off switch for quick muting. It also incorporates a closed back, supra-aural on-ear design and a single-ear lightweight form factor for enhanced acoustic isolation. The ambidextrous, swivelling mic boom has a noise-cancelling directional microphone optimised for voice communications.

The PHS-IEHU In-ear Headset utilises silicone ear concha locks and earbuds for either left ear or right ear orientation. It allows for the use of custom ear moulds designed specifically for the individual user’s ear by Coda Room Audio and Sensaphonics. The PHS-IEHU features a miniature electret microphone and windscreen with a small boom designed for flexibility. An offering of models based on various connectivity allows for use with most industrystandard intercom beltpacks via four- or fi

Studio sound in a desktop size

ADAM AUDIO has released the D3V, a desktop monitoring system designed for songwriters, producers and audiophiles. Available in both white or black, it is equipped with 3.5-inch aluminium woofers and an 80W amplifier to provide a “deep, precise bass” down to 45Hz. D-ART (Desktop Accelerated Ribbon Tweeter) technology ensures that high frequencies are reproduced with the same accuracy and fatigue-free quality as other ADAM Audio products.

Avid partners with Native Instruments and Steinberg

pin XLR connections as well as six-pin female Mini XLR (TA6F) connectivity. There is also an option for dual 3.5mm connectivity allowing for its use with MicroCom M or MicroCom XR wireless intercom models. An optional inline PTT (Push-toTalk) button will also be available for applications where external remote momentary talk on/off operation is

The PAC-RTM-SMU Universal Single RT Mounting Bracket and PBT-VMNT Radio Transceiver Battery Adapter have been designed to transform any current CrewCom RT into one that will allow placement of an RT with connectivity to fibre where no AC power is accessible, providing approximately 16 hours of RT battery life, depending on battery size/ capacity.

With accessibility in mind, users can slide on any V-Mount battery to the PBT-VMNT battery adapter and plug it in directly to the 48V port of any CrewCom RT. The battery adapter also allows for the use of any industry-standard V-Mount battery to be used to power an RT for approximately eight hours or more, depending on battery size/capacity. Designed for maximum adaptability and flexibility, the PAC-RTM-SMU universal RT mount supports Manfrotto-style Hex, 1⁄4-inch-20, 5⁄8-inch-27 and 3⁄8-inch-16 mount thread sizes. www.plianttechnologies.com

AVID HAS released the latest evolution of its Pro Tools audio production software, announcing partnerships with leading music technology companies Native Instruments and Steinberg. MIDI plugin partners 510k and BLEASS have also been added to the collection of included MIDI Effect plugins. In addition, MIDI playlists, clip drag-and-drop to virtual instruments and several other MIDI workflow improvements have been introduced. Avid continues to expand its ARA 2 integration with support for Steinberg’s SpectraLayers and WaveLab plugins. ARA integration allows these tools to be accessed directly within Pro Tools, eliminating the need for roundtripping audio for a more fluid creative process. SpectraLayers Go redefines audio workflows with capabilities spanning repair and restoration, with studios able to visualise audio in a hyper-detailed

spectrogram, exploring layer-based editing and AI-assisted vocal extraction. WaveLab Go provides real-time visualisation and analysis tools that can be used for high-quality mastering and music production. Customers with active Pro Tools subscriptions or perpetual upgrade plans will automatically receive SpectraLayers Go and WaveLab Go as part of this release. Avid has also partnered with Native Instruments to integrate its Kontakt 8 Player across all Pro Tools offerings. As the latest release of Native Instruments’ virtual instrument platform, the Kontakt 8 Player adds wavetable synthesis, integrated MIDI tools and Leap, a new way to play and manipulate loops and samples. Hybrid Keys blends sampled pianos, synthesisers and mallets, while Soul Sessions includes keys, live guitar, bass, sax, trumpets and vintage synths.

The D3V’s USB-C input transforms a computer or mobile device into a high-quality audio source, eliminating the need for extra interfaces. For traditional setups, balanced 1 4-inch TRS inputs provide versatile connectivity. User-friendly features include an intuitive backplate with acoustic tuning switches, a front panel with a headphone socket and a multifunction volume knob. The D3V also comes with detachable angled stands and a 3⁄8-inch mounting hole.

www.adam-audio.com

The MIDI plugins include SEQUND Lite from 510k, a sequencer that can easily generate complex polyrhythms with presets containing up to 12 patterns, recallable instantly via MIDI notes; BLEASS Arpeggiator, which extends beyond traditional up-and-down monophonic patterns; MIDI Playlists, which allows users to easily record multiple MIDI takes, then compare and edit them into one

desired result; Drag-and-Drop Clips, which allows users to drag-and-drop mono and stereo clips directly from the Pro Tools timeline, clip list or workspace into a sampler or drum sequencer plugin; and MIDI Editor Collapsible Piano Roll, which focuses on keys with notes and streamlines drum programming.

www.avid.com

PHS-IEHU

AIMING TO support the increasingly high channel counts demanded for live sound presentations and available as a free download for Digital Audio Denmark’s DADman firmware, Control | Pack allows easy configuration of primary and backup audio channels in Thunder | Core for live playout applications. Enabling source and destination selection to be performed manually or with logic-based support, up to 32 independent routing preset groups can be configured via DADman and loaded into the AX64, AX Center or Core 256. Each group can accommodate four layers with up to 256x256 channels per layer. Switching between input layer presets can be automated as signal triggers in the Thunder | Core interface via DADman or controlled from an external device. Detector

and trigger configuration can also be handled independently.

Digital Audio Denmark says switching time between routing groups is zero audio samples when operating manually via DADman or an external control panel. Channel switching can also be actioned by a pilot tone or AE6 digital trigger. The processing time for a preset group is less than two audio samples under AE6-based

control or around 1ms for pilot tone detection. The DAD Thunder | Core has a hardware latency of nine samples, 28-bit floating point resolution and is capable of handling up to 256 bidirectional channels at 48kHz and 96kHz, 128 channels at 192kHz and 64 channels at 384kHz.

www.digitalaudio.dk

A Visionary firmware update

VISIONARY HAS launched a firmware update for its AV-over-IP 5 Series PacketAV Matrix endpoints, introducing native AES67 audio support across the entire product line.

The addition of AES67 enables integration with a range of audio systems that use this protocol. AES67 facilitates high-quality, low-latency audio transmission in networked environments, providing

SPORTING A complete UI/UX redesign, Merging Technologies says the Pyramix 15 DAW’s modern, dark interface is more intuitive and easier to use. Offering track counts and I/O capabilities up to 384 low-latency I/O at 44.1/48kHz and 64 I/O in DSD/DXD, Pyramix 15 boasts an advanced real-time editor, versatile fade editor, complete mixing and mastering functionalities, and immersive workflows that include support for the Dolby Atmos ADM format.

Pyramix 15 introduces a host of features and enhancements, including a fully customisable configuration that enables users to move busses, strips and aux channels to suit their workflows. Clip-based FX enable effects to be applied directly to individual clips, ARA2 support delivers integration with ARA2 plugins and Merging VS3 plugins have been redesigned and optimised for better performance. An enhanced monitoring section introduces speaker group mute/solo features for multichannel workflows which Merging says is especially useful for Dolby Atmos production. Pyramix 15 also

TAKING THE number of HOME apps into double figures, Lawo’s HOME Downstream Keyer is a video app that the German broadcast specialist says is closer to what a vision mixer provides than to what operators expect from a downstream keying function of the past. Providing comprehensive keying and mixing capabilities to meet production needs and enable additional channel branding, HOME Downstream Keyer allows operators to simultaneously and independently transition up to three key layers over an A/B background mix. It comes with eight ST 2110-20 receivers and two ST 2110-20 transmitters. Each of the three keyers can perform Luma, Linear or Self keying to provide the desired processing for high-end broadcast graphics designed with transparency and drop shadows. As part of the HOME Apps suite, HOME Downstream Keyer can be deployed in both SDR and HDR workflows. It supports SMPTE ST 2110

introduces side chain support for VS3/VST3/ VST2 plugins in MassCore and Native modus, including multichannel support with channel selection.

Pyramix 15 remains a native (ASIO/Windowsbased) DAW that works with all sound cards and is available in Element, Pro and Premium

software packages. It also has the option to add the Masscore real-time engine, enabling up to 384 low-latency I/O with Merging converters or direct integration with Ravenna/ AES67/ST 2110.

www.merging.com

interoperability between Visionary’s 5 Series endpoints and an array of AES67-compliant devices.

The firmware also removes the need for jumbo frames, enabling 5 Series endpoints to work on networks with devices that are incompatible with or do not support jumbo frames. Additionally, the update introduces an improvement in latency performance. The 5 Series PacketAV Matrix endpoints now achieve sub-frame latency, with ~2ms of delay.

Also introduced is support for Extreme Networks’ Fabric Attach capability, which automates critical aspects of network configuration, such as VLAN setup, security policies and quality of service.

This feature aims to reduce the potential for configuration errors, while speeding up deployment times and simplifying the management of largescale AV systems.

The firmware is now available for immediate download for all Visionary 5 Series endpoints.

www.visionary-av.com

The Lawo Virtual Sound Card (VSC) for macOS 14 (Sonoma) is a virtual audio device that enables integration of Apple desktops and laptops into Ravenna/AES67 AoIP networks. Providing both a free and an enhanced licensed version, Lawo VSC runs as a background service and converts local audio into Ravenna/ AES67 streams. The licensed VSC version offers support for up to 128 audio devices, 128 senders and receivers, and sample rates up to 96kHz. It also includes features like PTP synchronisation, multicast and unicast streaming, and adherence to SMPTE ST 2110 and ST 2022-7 standards for redundancy. The free version offers basic functionality with one virtual audio device and two channels. Lawo VSC integrates with Lawo HOME, providing centralised management and discovery of devices via mDNS and SAP.

www.lawo.com

Dynamic and Engaging Live Event Sound

Funktion-One’s Vero VX is a highly efficient, sonically engaging live event sound system that is very easy to handle. Its advanced array rigging system, including the award-winning VX M-Beam, ensures fast and accurate deployment. Vero VX delivers full bodied audio with unprecedented dynamic range, dimension and fidelity for next level audience experiences.

PK Sound unveils .dynamics feature updates

PK SOUND has augmented the feature set of its .dynamics software with the release of v1.5 for Windows and macOS. The robotic line source system design, control and monitoring software enables users to take their designs from conception to the real world with real-time coverage adjustments.

V1.5’s new features include the implementation of the manufacturer’s incoming Tx14 and Tx26 intelligent point source modules, enabling users to design and control complete system solutions for various mobile and permanent applications. For enhanced user security and confidence, an Auto-Save feature automatically backs up files every 15 minutes.

The toolset provided in .dynamics includes the Venue tab, where users create, simulate and prepare the virtual workspace; the System tab, where users can discover identity and match real-world sources with simulation; and Robotics, where the system’s multiaxis coverage is articulated and optimised. Other tools include Tune, where customers apply EQ and adjust system parameters through onboard DSP; Live, which enables the user to monitor system performance in real time; and Status, where they can manage diagnostics and log service notes directly in the loudspeaker if needed.

www.pksound.live

AIMING TO streamline workflows for systems integrators and engineers, Allen & Heath’s V1.5 firmware expands the feature set of the company’s AHM series of matrix processors to include EQ ganging, all-pass filters, NTP support and user permissions. The EQ ganging feature allows users to gang together any parametric EQ to enable relative, absolute or mirrored changes on the fly. A bypass option has also been added to quickly punch a single PEQ band in or out, and the Q bandwidth is tighter for demanding applications. Meanwhile, enhanced PA processing tools make it easier to fine-tune any sound

system; each speaker processing band now benefits from an all-pass filter, switchable between 1st and 2nd order, and stereo output zones can now be configured with a mono sub. Crossover frequencies can also be linked or unlinked per band for filter flexibility and control.

Audio and video all wrapped up

THE RØDECASTER Video is a production console that aims to combine video switching, production and recording

ENABLING USERS to design, configure, control, monitor and apply signal processing to its L Class compatible loudspeaker systems, QSC has launched a major update v2.1 to its SysNav (System Navigator) software. The release introduces a range of features, including an inventory function to create and save systems offline, as well as connect virtual loudspeakers and arrays to physical devices. It adds system design functionality to enable array and loudspeaker inventories and DSP settings to be created, saved, recalled and applied to physical devices, as well as user-adjustable EQ and filters; these include a six-band parametric EQ and high-pass filters for use with QSC and generic active subwoofers. V2.1 also makes improvements and refinements to the SysNav AIM (Array Installation Modeling) prediction tool and updates firmware for

the LA108 and LA112 active line array loudspeakers.

The update also provides support for the LS118 (4kW, single 18-inch) active subwoofer, which QSC has announced delivers additional performance above and beyond its published preliminary specification. The company says it now boasts a 4,000W power amplifier that produces a clean and undistorted 138dB of peak SPL. Further product refinements include the ability to generate a cardioid radiation pattern using two or more units, providing up to 15dB of rejection behind the subwoofers’ arrangement, and an onboard DSP that provides optimal cardioid performance for back-to-back, side-by-side and stacked deployments.

www.qsc.com

video podcasters, livestreamers and broadcasters, the RØDECaster Video from Australian manufacturer RØDE pairs a highperformance octa-core CPU with a next-generation video engine. Four HDMI and two USB-C inputs allow for connecting and switching between six video sources simultaneously, including USB webcams, while two Neutrik combo jacks are built in to capture audio from XLR microphones, instruments and other audio

The unit features dual internal wireless receivers for connecting RØDE Series IV wireless microphones such as the Wireless PRO, Wireless ME and Wireless GO II, and its APHEX audio processing includes an EQ, compressor, noise gate, high-pass filter and de-esser, as well as RØDE’s Aural Exciter, Big Bottom and Compellor effects. Its automatic green or blue screen aims to effortlessly replace backgrounds and use video sources in scenes, while its “Inspect” feature enables users to quickly preview and configure any input or scene.

Designed for hands-free switching between video sources and scenes, the RØDECaster Video also boasts an audio-based autoswitching feature for solo creators and for

AHM 1.5 also includes Network Time Protocol (NTP) support, a granular System Manager permissions feature that allows for up to 10 password-protected user profiles and the ability to patch zone outputs directly to input sources. Integration with A&H’s IP series of controllers has also been expanded. The XPoint mixer rotary function for IP1 and IP6 transforms a single rotary control into a full room mixer to provide customised controls. An IP identify function and new display options for IP1, IP6 and IP8 are also included.

www.allen-heath.com

shows without producers. On the output side, the RØDECaster Video can stream directly to all major platforms via Wi-Fi, Ethernet or USB, as well as record directly to an external USB storage device, including multitrack and isolated (ISO) recording for complete post-editing flexibility.

In brief, the manufacturer has also introduced a white edition of the RØDECaster Pro II. It joins its smaller sibling, the RØDECaster Duo, and a number of other products in the RØDE White Collection, including the PodMic microphone, PSA1+ studio arm, NTH-100 headphones and Wireless ME Dual Set.

www.rode.com

Keeping with the flow

AUDIENT HAS added the Softube plugin to its Software Bundle ARC with the company offering a free one-month trial of Softube Flow Mastering Suite software to registered customers. When becoming a paying subscriber, Audient customers will also receive a gift of Softube’s FET Compressor MkII VST/AU/AAX plugin. Flow Mastering Suite offers pro mastering for music producers and enables them to finalise tracks within seconds with signal chains created by professional engineers and gain access to a whole raft of mastering-grade tools. Softube joins Cubase, Strymon, Sonarworks, GForce, Produce Like A Pro and Spitfire Audio on Audient’s Creative Hub ARC.

Designed to speed up workflows, the iPad Remote App is a free application that allows users to control the ORIA Immersive Audio Interface and Monitor Controller remotely from an iPad. Providing access to all of ORIA’s key monitoring features via a touchscreen interface and on a single screen, users can keep an eye on levels, audition speakers and use Profiles to switch between speakers, listening levels and target curves. Audient has also launched a Dante Card as an optional extra for those who require it, providing up to 16 input channels over IP when used as a standalone monitor controller, making it ideal for large studio complexes and education facilities.

www.audient.com

Sending signals where they need to be

THE TX-35-IW-KVM

single-gang, US-style HDBaseT 2.0 transmitter that provides a practical solution for extending video and control signals. With support for 4K60 maximum resolution and USB 2.0 extension (150Mbps), it’s suited for use in conference rooms, classrooms and training facilities, ensuring signals are transmitted effectively to where they are needed. To enhance its performance, pairing it with the RX-500 is recommended. This setup offers a straightforward way to improve signal transmission in any professional environment. Meanwhile, the TX-35-IWC-KVM features a USB Type-C input so that any source support Display Port Alt mode can be extended.

The EX3-100-EARC extends 18Gbps AV signals up to 100m over Cat6a. This extender uses HDBaseT 3.0 technology to send 4K HDR and Dolby Vision content at 60Hz. Compatible with eARC, users can transmit audio signals such as Dolby TrueHD/Atmos and DTS-HD MA 7.1 signals from a smart TV back to an eARC-enabled AVR or soundbar. Flexible control passthrough options including IR, RS-232 and LAN allow users to control a display and get devices connected over long distances.

The EX-100-USB3 100m USB 3.2 HDBaseT extender kit has been created to support the latest USB 3.2 standard. It is designed for the most data-hungry devices like 4K webcams and high-fidelity USB microphones. It offers rapid data transfer speeds of up to 5Gbps,

Defenders ready

to the host PC on the far end. Finally, the APO-SKY-MIC is a ceiling microphone designed for integration with the Apollo Video Bar. Designed for conference rooms and lecture halls, the solution keeps workspaces clutter-free by mounting discreetly on the ceiling, leaving tables free from wires and microphones. It can be paired with the APO-MIC-EXT to cascade up to three times for expanded coverage.

www.wyrestorm.com

AIMING TO address the demand for

matrix switching product operating on a

switching over 10G Ethernet networks, with a range of up to 100m. Its independent USB 2.0 matrix switching layer supports multiple devices and it can create an ecosystem of networked devices and screens from a single source. For larger and more complex AV installations such as control rooms, broadcast centres and high-end corporate use cases, the Gemini GVN is an IP-based

management through the Lightware Device Controller. Offering integration with third-party control systems, the Gemini GVN also allows AV integrators to build large, distributed systems over an IP network, providing the performance of a traditional matrix switch with the flexibility and scalability of IP architectures.

www.lightware.com

AMETEK SURGEX has launched its Defender Series+ line of power protection products to the EMEA and APAC markets. The Defender Series+ has been designed to deliver cost-effective mains protection and conditioning for everyday applications, and features the cloud-connected power quality analytics, fleet management and risk prevention capabilities found within the SurgeX CONNECT platform.

Installed in AV and IT equipment racks, the IP-controlled Defender Series+ features remote turn on/off, power cycling and sequencing, as well as advanced scheduling AutoPing and

complex, processing-heavy AV systems of today, the Defender Series+ is also compatible with popular third-party control systems for integration in commercial applications. Its power filtration technology is said to deliver “pristine” power to equipment to help maintain peak performance for every project. The Defender Series+ joins SurgeX’s Protect + Connect product line. All Protect + Connect products are compatible with SurgeX CONNECT, a cloud-based solution that allows for monitoring and managing an entire fleet of compatible SurgeX devices in a single, centralised dashboard. This integration

Manage

with hardware and software upgrades

UK CONTROL technology specialist Datapath has enhanced its Aetria video management platform with the addition of a dual 4K AVoIP capture card, a dedicated operator workstation and expanded software functionality.

The VisionSC-A2 high-density capture card extends the Aligo AVoIP toolkit by providing cost-effective capture of Aligo streams from an Aetria network, directly into a workstation or videowall controller. With two 10G channels on each card, the VisionSC-A2 aims to meet the requirement for displaying increasing data volumes on a multiscreen operator workstation or a shared large-scale videowall surface. Each channel enables a single VisionSC-A2 card to capture two visually lossless 4K streams, a single 4K and up to four HD streams, or up to eight separate HD streams. It inherits all the benefits of Datapath’s VisionSC range of capture cards, including capture up to 4K at 60fps, 10-bit colour transfer and HDCP compliance. It also gains access to a powerful scaling engine, allowing the capture engine and the graphics to work in harmony, maximising any limited bandwidth availability. Meanwhile, Datapath’s VSNMini 300 can now be pre-configured for use as a dedicated operator workstation PC. It offers up to four 4K

outputs and can be configured with Datapath capture cards to provide a compact solution for control room operators.

Suited for operator workstation installation, the system is configurable with Intel i5, i7 or i9 processors, providing scalable processing power for large video volume installations. When configured as part of an Aetria solution, it allows operators to monitor and control multiple remote sources alongside local applications such as email clients, web browsers and messaging, all from a familiar Windows 11 environment.

Vizrt has a Vizion

VIZRT HAS expanded its TriCaster range with the TriCaster Vizion and TriCaster Mini S. The TriCaster Vizion is the new flagship TriCaster that offers the latest in IP connectivity, configurable SDI I/O supplied by Matrox devices, switching, audio mixing and state-of-the-art graphics. It features

creators and smaller productions, making professional-grade production capabilities “more accessible than ever”. It possesses robust IP connectivity, 4Kp60 streaming and integrated TriCaster Graphics powered by Viz Flowics as standard. Features include live video switching, virtual sets, special effects,

Other features include Wall Manager which allows operators to control any connected videowall directly from the Aetria Workstation interface; Aetria Command Center which provides a central dashboard for administrators to view the status and health of their Aetria Network Manager appliance; and the ability to pan and zoom sources displayed on a videowall in Aetria Command Center. The Aetria Touch control panel has also been updated to include UI Translations, automatic source list decluttering and the ability to add/remove banners, borders and OSD assets.

www.datapath.co.uk

Priming new markets

LOOKING BEYOND its traditional core market, the tuneable Ens ō Prime lenses from ARRI are designed to cater for content creators at earlier stages of their careers. Forming a family of 14 lenses ranging from 10.5–250mm (350/500mm with Ens ō Extenders), each Ens ō lens boasts a magnification ratio of 1:4 on most focal lengths. This is equivalent to 10-inch close focus on the 32mm, which is only 3.7 inches from the front element. ARRI claims that while care has been taken to balance the optical parameters that define the native Ens ō look, each lens can also be tuned with ARRI’s Ens ō Vintage Elements, which are interchangeable optics that attach magnetically to the back of Ens ō lenses to achieve many different looks from a single lens set.

Building on feedback from its Impression Filters for Signature lenses, Ens ō Vintage

TriCaster Graphics powered by Viz Flowics as standard, as well as AIpowered automation of time-consuming tasks. The TriCaster Vizion comes with options in licensing and with a choice of two different hardware platforms supported by HP, so teams in networks or enterprises can decide what suits them best. Support is built into both the perpetual and subscription licensing options.

The TriCaster Mini S is an entry-level, software-only solution for content

Elements produce images that are sharper in the centre which ARRI says makes them easier to focus, but with a stronger detuned effect at the edges of the frame.

They also feature encoded chips that convey metadata about shifts of focal length, T-stop and focus to the camera, and from there to on-set monitors and

audio mixing, recording, social media publishing and web streaming. Using a simple software download, users have the choice of any approved hardware or to use their own.

In brief, the manufacturer has also announced that two of its cloud-ready video production switchers – the TriCaster Vectar and TriCaster Now – are now available in Amazon Web Services (AWS) Marketplace.

www.vizrt.com

postproduction. Focus scale changes caused by the Elements can even be compensated for automatically with the ARRI Hi-5 hand unit, whether crews decide to use the included lens shims or not. Gear rings are in the same position on all 14 of the Ens ō focal lengths, most of which are T2.1 and have a front diameter of 95mm so they can be swapped on the camera without disruption. While ARRI says the focal lengths in the core set will be the most frequently used, the wideangle 10.5mm and 14mm, as well as the telephoto 250mm (350/500mm with its included 1.4x/2x extenders) allow Ens ō shooters to meet more extreme visual demands. The core set of ARRI Ens ō Prime lenses includes six focal lengths and the Vintage Elements Kit at 18mm, 24mm, 32mm, 47mm, 75mm and 105mm.

www.arri.com

TriCaster Vizion

Modulo Pi launches Modulo Kinetic V6

MODULO PI has launched the latest and most advanced version of its realtime media server platform, Modulo Kinetic V6. It introduces new features and improvements, with a focus on upgrading the 3D workflow and unlocking new interactive capabilities.

Modulo Kinetic V6 features a user-friendly interface and improved usability to offer a smoother experience. Bringing enhancements to the 3D workflow, the embedded 3D engine has been upgraded, delivering performance boosts for real-time productions. Photorealistic rendering has also seen enhancements, thanks to extensive work on lighting and textures. In addition, a variety of features are enhancing the media server’s 3D projection study tools, including dynamic projector information, new rendering modes and display of stacked projectors. Preparing client documentation has been simplified thanks to a new editor allowing users to organise 3D scenes snapshots and export books as a PDF.

functionalities designed for interactive experiences. It adds the support of more devices, like the Canon EOS camera and TWAIN protocol for scanners. Furthermore,

Roland’s Bridge Cast One streaming mixer hits desktops

BRINGING PROFESSIONAL audio

mixing tools in a desktop interface for online gamers and content creators, Roland’s Bridge Cast One is the latest addition to the company’s Bridge Cast family of livestreaming products. The interface offers core series features in a compact interface with streamlined multifunction controls. Users have access to dual bus mixes, vocal transformer effects, fast-access presets and support for a broadcastgrade mic and headphones. For more control, the companion Bridge Cast app offers extended audio tools plus royalty-free background music and sound effects through BGM Cast on Roland Cloud. Bridge Cast One is a scaled-down version of the larger Bridge Cast and Bridge Cast X models. Onboard DSP handles the audio load, letting users dedicate their computer’s power to gaming or streaming. The device lets users create independent sound mixes for personal monitoring and online streaming. The personal mix can prioritise game audio and voice chat, while the stream mix can be optimised for maximum viewer engagement. The XLR input features a high-quality preamp with selectable

phantom power for broadcast-grade mics, eliminating the need for an external levelboosting device.

A simplified workflow is also promised via a large control dial, five buttons and a dedicated headphone level control.

Pressing the dial cycles through three different level control assignments, while the three buttons below can be assigned to operate different functions. Two additional buttons provide fast access to voice transformer and Game EQ on/ off and preset selection. The companion Bridge Cast app unlocks additional features for more real-time control while streaming.

Users can adjust mic settings, apply audio processing, tweak voice transformer settings and set up Game EQ presets.

Bridge Cast One provides 5.1 or 7.1 virtual surround sound for headphones and stereo speaker systems. Computer audio is converted to virtual surround sound via the USB connection, providing an immersive sound experience with virtual speaker adjustment using the Bridge Cast app. This feature will also be added to the Bridge Cast and Bridge Cast X models with an upcoming system update.

www.roland.com

Modulo Kinetic’s nodal compositing tool offers additional advanced nodes such as 3D physics engines, QR code image

extractor and dynamic media update. Additionally, Modulo Kinetic now allows real-time capture and extraction of a photograph or image scanned, to update the rendered media in a show. For highly specific needs, users can go further using JavaScript with their preferred integrated development environment. The code editor offers syntax highlighting to make the coding process more intuitive and efficient.

Modulo Kinetic V6 also brings features and improvements designed to facilitate day-to-day operations. Among them, a new EDID generator available in the Kinetic Designer interface aims to help users deal with any type of resolution, especially non-standard resolutions for LED displays.

www.modulo-pi.com

Aten VP2420 switches up collaboration

ATEN INTERNATIONAL has launched the VP2420, a 4x2 True 4K HDMI presentation matrix switch with multiview capabilities. It provides switching between multiple sources across mixed-resolution displays for an uninterrupted flow regardless of whether devices are connected or disconnected. Suitable for huddle rooms, medium-sized meeting spaces and even control rooms, the VP2420 has been designed to elevate collaborative presentations and training sessions with its viewing experience and layout adjustments.

Also suitable for smart classrooms, it offers six different multiview layouts to present teaching materials. This enables instructors to conduct training sessions with options such as quad, triple, picturein-picture (PiP), picture-by-picture (PbP) and full-screen views. Additionally, the VP2420 supports versatile audio setups with options for audio embedding or separate extraction. Whether used as a standalone unit or integrated with control systems, it provides simplified source control and future scalability, with up to four presentation switches cascaded. Control is managed through front panel

to enhance teamwork and decisionmaking. Alongside splitting content, the VP2420 offers two independent displays: one that manages up to four sources at once for comprehensive overviews and another that highlights key content, keeping crucial information in focus.

to distribute large amounts of data across each monitor with multiview layout adjustments. Different layouts can reportedly switch within 1s in True 4K resolution.

www.aten.com

Follow the yellobrik road

LYNX TECHNIK has introduced the yellobrik PEC 1464, a 12G-SDI, HDMI H.264/265 streamer and recorder. It is the successor to the PEC 1864 and brings an array of improved features for elevating AV media production and broadcasting.

The PEC 1464 H.264/265 encoder offers a versatile solution for users who need to stream and record content simultaneously. Users can choose to stream content while recording, stream-only in unicast or multicast, or record-only. Users can stream live events or broadcasts to a content delivery network (CDN) while creating a backup recording for archive; stream to a CDN for global distribution or multicast a video feed within a network; distribute a single stream of audio and video content to multiple recipients simultaneously; or stream live video to popular online video providers like YouTube, Facebook, Twitch and Rumble.

The PEC 1464’s feature enhancements include 12G support and compatibility with SRT, a video transport protocol that

Elite shooting

VADDIO HAS introduced its RoboSHOT Elite series with HDBT, HDMI, USB, SDI and NDI variants. Designed with a 1/2.5-type Exmor R CMOS s e nsor, Elite cameras have been designed to deliver high-definition video image quality. The units’ image signal processing (ISP) reportedly results in better light-gathering capabilities and sharp 1080p/60 video, even in dim lighting conditions. The cameras are equipped with enhanced wide dynamic range, which can help correct for environments with uneven lighting by making darker or over-bright areas in video more visible and detailed. Features include IP streaming (RTSP or RTMP format with H.264 compression) to allow

optimises streaming performance across public networks. It also supports RTMPS, which provides a higher level of security for live streaming. In addition, it can stream multiple protocols simultaneously.

The new yellobrik supports video formats up to 12G/4K UHD and HDMI up to WQUXGA, as well as all popular streaming formats. Video processing capabilities include automatic logo insertion and the ability to insert custom images. Downscaling features optimise resolution management, while frame rate down conversion supports seamless playback compatibility. Text overlay capabilities further enrich content with dynamic textual elements. A versatile logo inserter supports multiple formats, while a transmission fallback option ensures continuity with a test pattern when needed, adding reliability to each workflow. It also includes 8-channel embedded audio processing.

www.lynx-technik.com

users to share live events such as church services over popular applications including YouTube, Livestream and

A web-based user the user camera in the world over an IP network. To watch the IP stream,

do is enter the camera’s streaming URL into any standardsbased (H.264, RTSP format) player. The units can be used for remote management, network operating centres and overall IT control.

www.legrandav.com

Compact camera for creativity

THE SECOND cinema EOS camera to feature Canon’s backside illuminated (BSI) stacked CMOS sensor, the EOS C80 is an RF mount camera that builds on the

180° VR, 3D Theater and spatial video ready to be experienced on devices like Apple Vision Pro and Meta Quest 3. In addition, three RF L series hybrid

lighting conditions with the EOS C80’s triple base ISO of 800/3,200/12,800, while an intelligent auto-switching mode transitions between these base ISO levels to keep pace with dynamic scenes such as news segments or live sports events. Other features include dual pixel CMOS AF II technology that delivers face, eye and head tracking, as well as body and animal tracking. The camera also introduces a brighter LCD panel as well as an improved joystick design closer to the thumb, and its built-in Wi-Fi and Ethernet connectivity reportedly makes file transfers, remote camera control, IP streaming and streamlined collaboration easier. Mirroring the compact form of the EOS C70, the EOS C80 supports 12-bit Cinema RAW Light of up to 6K 30p, as well as MP4 video formats such as XF-AVC S and XF-HEVC S. These options deliver oversampled 4K 4:2:2 10-bit image quality in manageable file sizes, and all recording formats benefit from detailed metadata and structured filenames.

RF50mm F1.4 L VCM have been designed for hybrid use and optimised for those switching from photo and video needs quickly. They feature an optical design that uses the RF mount to achieve high quality across the entire image area. The RF70-200

Designed for social media content creators and enthusiast videographers, the RF-S7.8mm F4 STM Dual lens is compatible with the EOS R7 and becomes the latest addition to the growing EOS VR System lineup. The lens can be used to explore storytelling in the expanding world of VR and 3D content creation.

The 7.8mm focal length and 60° angle of view provide an immersive field of vision, for capturing detailed 3D content, allowing creators to deliver “captivating and lifelike” visual experiences. The lens operates like a traditional 2D RF mount lens, with a straightforward workflow. After capturing video, users can leverage the EOS VR Plug-in for Adobe Premiere Pro to convert footage to 3D 180° VR, or the EOS VR Utility software (separately available with a paid subscription) to convert the footage into 3D

IS USM Z lens balances well as a companion on gimbals and rigs. The manufacturer has also announced a collaboration with Adobe to bring Frame.io’s

F2.8 L IS USM Z

Camera to Cloud connectivity to select cameras, starting with the EOS C400 and EOS C80, enabling users to send proxy files directly from the camera.

www.canon.co.uk

F2.8 L
EOS C80

Blackmagic introduces 17K cinema camera

BLACKMAGIC’S URSA Cine 17K 65 is a digital film camera that includes a new largeformat 65mm format RGBW 17520x8040 sensor. The larger sensor builds on the technology of the URSA Mini Pro 12K with larger photo-sites leading to 16 stops of dynamic range. The RGBW architecture reportedly provides equal amounts of red, green and blue pixels, which means it is optimised to deliver rich colours at all resolutions. It also features interchangeable PL, LPL and Hasselblad lens mounts, and industry-standard Lemo and Fischer connections. It’s been designed for use in high-end production. The camera has multiple mounting options, while the fold-out monitor has a 5-inch HDR touchscreen on one side and an external colour status LCD on the other.

manufacturer’s lineup is the PYXIS Monitor, a 5-inch LCD adjustable high-brightness monitor designed for the Blackmagic PYXIS

camera. Beyond functioning as an external Cine. When recording,

that these custom buttons can be located by feel, even when using the monitor from the front. Lastly, an update for ATEM Switchers has added support for Visca-over-IP camera control on all ATEM Constellation models. With software 9.6.2, customers can now control up to 100 PTZ cameras via their network using the IP address of the camera. This also adds audio output mapping for all Constellation HD models, as well as new multiview and SuperSource features for HD and 4K models. It also provides support for 30fps and 60fps formats in all HD, UltraHD and 8K standards for ATEM Constellation 8K. Previously available on the 4K and 8K models, the 9.6.2 update adds the ability to customise the built-in

models.

Furthermore, ATEM Constellation HD models now feature audio mapping, allowing users to manually route audio channels from all SDI inputs to embedded audio channels in the SDI video outputs. This means customers can connect a range of audio sources such as microphones and cameras and send them to various embedded audio outputs so they can be recorded on a HyperDeck. If the HyperDeck is set to multichannel audio recording, then they will have all the source audio needed for an audio engineer to completely remix the audio in postproduction.

www.blackmagicdesign.com

Emma takes care of your business, so your customers can take care of the show. Behind every great brand is an Emma.

Emma knows and loves the live event technology industry. She cultivates great customer relationships to develop and strengthen your brand.

We work with world-leading Audio, Video and Lighting brands and suppliers to help find top talent for their business and engineering teams in the UK, EMEA, North America and APAC.

Interfacio connects professionals with world-leading pro AVL brands.

www.interfacio.com

connect@interfacio.com Int: +44 208 986 5002 @interfacio

URSA Cine 17K 65
PYXIS Monitor

Focus on the camera

PANASONIC CONNECT Europe has released the AW-UB50 and the AW-UB10. Both box-style cameras are based on LUMIX digital interchangeable lens camera technology and are equipped with a host of new functions designed to streamline video production workflows. They are suitable for the rapidly expanding markets of corporate and education video production, as well as broadcasting and live entertainment.

The UB50 features a full-frame MOS sensor and the UB10 features a MFT (Micro 4/3) sensor, and both support all common IP protocols, such as the Panasonic AW control protocol and RTP, RTSP, RTMPS, SRT1 and NDI HX2 transmission protocols. The UB50 has been optimised for cinematic video production, featuring a shallower depth of field than the UB10. Both the UB50 and

single camera head or in combination with the CFA or a camera control unit (CCU), delivering the highest quality footage in any shooting environment.

The manufacturer has also announced a new auto framing feature for its PTZ cameras that delivers natural, high-quality,

broadcasting and video production. The application will be offered as a paid Advanced Auto Framing plugin for Panasonic’s Media Production Suite software platform from Q2 2025. In addition, selected auto framing features

free of charge for

AW-UE160W/K PTZ camera via firmware and Media Production Suite updates from Q1 2025. Panasonic has extended NDI (Network Device Interface) support to its 4K integrated PTZ cameras (AW-UE40W/K,

automatically identify the subject and keep them in focus.

The AK-UCX100 studio camera and AK-CFA100 camera fibre adaptor (CFA) have also been released. The two products provide customers with increased production flexibility in studio or live events while delivering the highest quality visuals. The UCX100 allows users to choose their operating style to meet their budget and production challenges. It can operate with a

Recorder AG-CX350. The upgrades, which previously required a paid licence from Vizrt NDI AB, are available via a free firmware update until April 2025, after which the models will ship with NDI pre-activated.

In brief, the manufacturer has also announced that its live production platform Kairos is now compatible with Vizrt’s studio automation solution, Viz Mosart.

eu.connect.panasonic.com

Low light visibility

BOLIN HAS introduced the SD530NX Full HD outdoor NDI HX3 PTZ camera, upgraded from the manufacturer’s legacy SD500 Series. It comes equipped with the latest Sony image block that achieves higher visibility by adopting the 8M ultra-highresolution lens, a 4M image sensor and ISP from Sony. Thanks to the new Sony CMOS STARVIS II sensor, the camera is said to produce clear and clean images in extreme low light conditions in colour. The new ICR ON COLOR function enables the camera to capture shots with colour even when the IR

Marshall grows PTZ camera family

TWO PTZ cameras have recently been introduced by Marshall, one with 20x zoom suitable for mid-sized venues and one with 25x zoom better suited to largeformat installations.

interface includes Visca, Visca-over-IP and Onvif protocols.

While most of the features are the same between the two models, the larger 25x zoom CV625 PTZ camera uses AI facial

The CV620 20x PTZ camera incorporates 3G-SDI, HDMI, USB 3.0 and IP outputs, and also benefits from a 57° field of view and support for up to 1080p/60 resolution. The unit features a high-quality Sony sensor and is available in black and white models to fit varying aesthetics. It also features mic and line-in audio options as well as a range of IP protocols, including RTSP, RTMP, RTMPS, SRT and MPEG-TS. The CV620 also features a panning angle of 170°, tilt rotation of –90° to +90°, and variable pan and tilt and preset speeds. There are also setting controls including focus, gain control, white balance, exposure control and Wide Dynamic Range (WDR). The control

learning to automatically track, follow and frame presenters. It features a highperformance 8MP 1/1.8-inch sensor to capture UHD video, delivering up to 3840x2160 resolution at 60fps with an 83° horizontal angle of view. With more and more venues embarking on streaming, the CV625 also has the ability to stream HEVC directly from the camera over IP (RTSP) or USB-C while simultaneously outputting via SDI and HDMI. It can also stream live to various social channels, such as YouTube, Facebook (Meta) or Twitch while capturing local HDMI content.

www.marshall-usa.com

cut filter is removed. Sony’s proprietary AF algorithm enables zoom and focus at the same time and minimises defocusing.

The camera has a 30x zoom range UHD lens to provide Full HD (1080p60) image quality in tough low light environments. It can output to 3G-SDI and NDI HX3 and is fully compatible with NDI-enabled hardware and software for live production in outdoor

environments and extreme weather conditions. Additional features include an SFP optical SDI video output, NDI Control, Visca-over-IP, Onvif and Serial Control. The camera supports RTSP, RTMP and SRT protocols. IP and SDI video formats can be set to independent formats for different application uses.

FreeD helps provide all the axis data needed for a Bolin PTZ camera to intelligently and smoothly pan, tilt and zoom while following targeted objects and people. Broadcasters can combine Bolin’s FreeD-enabled PTZ cameras with available, sophisticated software to automate complex camera operations. It is especially useful for virtual live video productions with baseband video feeds and, with Bolin PTZ cameras, with ultra-low latency AV-over-IP streaming.

www.bolintechnology.com

CV625
CV620

Water,

WITH ITS 120W cool white LED engine, 50,000-hour average life expectancy and internal textured glass wheel, ADJ’s compact H20 Two water simulation fixture builds on the success of the original H20. Designed for a variety of temporary and permanent installation applications, the fixture can generate a wide range of effects, from realistic water simulations to psychedelic projections in a selection of vibrant colours. Its internal glass wheel can be set to rotate at variable speeds and the size of the projection can be altered by switching between the supplied 27° and 37° lenses. The effect can also be customised using the manual focus ring, allowing the texture to be brought into sharp focus or blurred out for a more subtle projection. The fixture’s 5-position colour wheel (orange, green, blue, yellow and purple) offers split colours as well as continuous rotation.

The H20 Two can operate in standalone

Epson’s EB-PQ Series targets large spaces

compatible with DMX control. In addition, it features 5-pin DMX input and output sockets as well as locking power input and output sockets to enable multiple fixtures to be connected to a single power outlet.

www.adj.com

DESIGNED TO enhance the viewing experience in large spaces, Epson’s EB-PQ series of high-brightness 4K business ojectors comprises five models – the EB-PQ2008B, EB-PQ2010B, EB-PQ2213B, EB-PQ2216B and EB-PQ2220B – and offers an enhancement to the existing EB-PU WUXGA range. The models house two technologies designed to improve visual output. 4K Crystal Motion technology is said to offer “stunning” image quality, while 3LCD technology delivers superior colour reproduction. The projectors in this series are not only described as energyefficient, but also lightweight, compact and provide extensive connectivity options.

projected maximum 33x33 matrix. Settings in the Multi-Projection menu enable users to set up multiple projectors that work together to display a single unified image. The series also features a new simple blending function as part of its geometry correction abilities that is suited for complex projections on curved surfaces. Each projector in the EB-PQ series is supplied as “body only”, without a lens. This gives users the flexibility to build the most optimal solution for the right application using Epson’s existing range of 4K lenses. The projectors also include a host of features for fast setup and remote monitoring, such as a built-in near-field communication (NFC), and an optional and

Sharp/NEC portfolio

and compatibility with

LCD laser installation projector under the Sharp brand. The A201U offers very high brightness with a compact, silent and energy-efficient design, and has been designed for corporate auditoriums, universities, museums and immersive projection mapping.

With almost DC-P3 colour space, the Sharp A201U offers a wide LCD projector colour space and uses an RB laser light source. It produces vivid reds and is said to project lifelike images at 20KLm brightness and WUXGA resolution. The A201U features the latest IP5X-rated sealed optical engine which reportedly protects against even the finest dust particles. Brilliant colour brightness is maintained for long-lasting imaging performance with no filter cleaning. Users benefit from multiple lens options from the

The A201U comes with free tilt and portrait installation capability, geometric adjustment, picture in picture, tiling and camera-based blending. Simplified installation is promoted via an HDBaseTout interface that enables daisy-chaining of multiple projectors via cost-efficient network cables to a single source. The model also supports ProAssist which simplifies the projector setup and corrections of system settings. Additional features include picture adjustment, lens adjustment, geometric correction, blending adjustment, colour uniformity, white balance of several projectors and automatic camera-based adjustment of two projectors, all managed with the help of ProAssist.

www.sharpnecdisplays.eu

function that can save a projected screen test pattern and use it for future displays. With a more precise point correction function, projected images can be fine-tuned by adjusting the needed column or row point by point, using a

According to the manufacturer, they are the most dust-resistant of all currently available Epson products.

www.epson.com

COREPLAY SOLO is a single-channel, 4K@60Hz media player designed for liveoperated applications. With a user interface featuring interactive programme and preview panels, playlists and professional playback controls, the system operates what the company describes as a Program – Preview –Take concept. This allows operators to prepare and fine-tune the media on the preview without disrupting playback on the programme feed, making the system safe to operate live and

enabling operators to make changes to the show even during an event. The CorePlay Solo natively supports a variety of different codecs, including h.264, h.265/HEVC, AWX, as well as non-standard resolutions, and offers multichannel audio processing. Additionally, while the CorePlay Solo can drive the display directly, it also acts as a complementary product to Analog Way presentation switchers.

www.analogway.com

AJA HAS extended its Diskover Media Edition plugin network for PixitMedia’s Ngenea data orchestration solution and Spectra Logic’s RioBroker, a media management and archiving platform, alongside a v2.3 software update. The latest developments are said to give AJA Diskover Media Edition users more flexibility to work with a broader range of toolsets and data catalogues with greater efficiency, allowing them to make more informed decisions about the data that lives on their local, remote and cloud storage.

A plugin from AJA and PixitMedia provides direct access to the data orchestrator in the Ngenea Data Acceleration Platform within the Diskover Media Edition UI. The integration enables users to view data across their storage in Diskover Media Edition and then transfer it to the appropriate destinations using Ngenea, a secure solution for transporting data to/from globally distributed cloud, object and tape storage, and traditional network-attached storage (NAS), without leaving the Diskover Media Edition UI. The RioBroker plugin ensures customers can view, access and make more informed decisions about the content in their archives (object, tape and cloud). It also helps drive media retention appropriate

storage. Designed to operate standalone or as part of a Panopto or Kaltura installation, the LC300 supports remote management and control, enabling organisations to centralise media production and distribution. For maximum flexibility, video inputs include IP, NDI, SDI and HDMI cameras and USB webcams, while the system supports seven channels of audio. Users have multiple control options. First, the unit is compatible with the LC-RC01 remote control panel. Both this device and the front-mounted buttons on

Totally Unreal support

IN RESPONSE to customer demand, Matrox Video has announced Unreal Engine plugin support for its DSX LE and X.mio families of SDI and ST 2110 NIC cards. The company’s 12G-SDI cards can support up to four 12G inputs and four 12G outputs. The ST 2110 NIC cards provide 25GbE and 100GbE connections that can support up to eight channels of UHD inputs and outputs or two channels of 8K. The company says the move provides OEMs with the ability to easily integrate SDI and ST 2110, enabling high-

Plugin support covers Matrox’s DSX LE5 and DSX LE6 Series, as well as the X.mio5 12G-SDI and SMPTE ST 2110 network interface controller (NIC) cards. When combined with the Unreal Engine plugin, the company says Matrox Video X.mio5 video boards deliver superior quality when processing interlaced video inputs and outputs. This added feature ensures that the Unreal Engine receives progressive video inputs, using Matrox Video’s onboard broadcast-quality motion adaptive de-interlacer.

the unit itself allow for simple control to start and stop recording and streaming. Users can add an HDMI monitor, keyboard and mouse or connect to the unit over the network for access to the full visual interface and creative options. The LC300 supports the Lumens Deployment Tool 2.0 which delivers network monitoring, control and management over multiple media processors and cameras on the IP network.

www.mylumens.com

time-consuming process of restoring these files to disk and scanning them. With the integration, AJA Diskover Media Edition mines the RioBroker archive database for file metadata and presents it to the user, providing extensive insight into what lies within their modern-day archives. Meanwhile, the manufacturer has also announced a preview of Virtual KONA, a softwaredefined, virtualised video capture/playback solution that is being developed in collaboration with Amazon Web Services (AWS). Virtual KONA integrates the AJA NTV2 Software Development Kit (SDK), which is used by developers to build high-quality workflow solutions with AJA video I/O cards, together with AWS Cloud Digital Interface (CDI). AWS CDI is a network technology for transporting high-quality, uncompressed video inside the cloud with high reliability and latency as low as 8ms. Combined, the technologies break down the barriers between on-premises and cloud for media production, allowing third-party developers to build solutions across both environments for a range of applications

In two places at once with Titan

DELIVERING THE flexibility of programming looks on the fly, without having to keep going back and forth from the stage to the console, Avolites’ upgraded Titan remote app has been given a significant upgrade. Working alongside Avolites lighting consoles running Titan software, the upgrade delivers a raft of additional functionality and means that any Avolites lighting console can be remote-controlled over Wi-Fi from any Android or iOS mobile device. The update enables users to connect to a console and select and control fixtures, as well as change or modify fixture attributes, such as pan/tilt. It also provides the functionality to update, create palettes and apply palettes,

record and play cues, issue command-style fixture selection and intensity control, quick Sketch Legends and view DMX address patches.

Boasting optimised screen layouts and the ability to discover the console manually using its IP address, multiple remote devices can be connected to the console allowing an operator to continue working on it while another user programmes or updates palettes via the remote. Avolites says this is particularly useful when the front of house view is obscured or a significant distance away from the lighting rig or stage, or in tricky outdoor locations.

www.avolites.com

The DSX LE and X.mio NIC cards
Diskover Media Edition v2.3

The Ultimate for large spaces

SPECIALLY DESIGNED for use in large spaces, the Veloce Profile is the second ultra-equipped luminaire in Ayrton’s Ultimate family and has an IP65 rating for use in all conditions, including saline-heavy environments. The Veloce Profile features a sealed monoblock 850W high-efficiency LED module that is calibrated at 6,500K and offers a luminous flux of 43,000 lumens with optimum positioning on the black body to achieve better light neutrality. Meanwhile, its proprietary 13-lens optical system offers a zoom ratio of 13:1 and a zoom range from 4–52°, while its 180mm front lens is capable of delivering an ultra-intensive 4° beam.

reproduction, the Veloce Profile also offers adjustment of the colour rendering index from 70–86.

Its framing module makes it possible to isolate any object thanks to the surgical positioning of each shutter blade over 100% of the surface with ±90° rotation. A fast 15-blade iris diaphragm with an aperture range of 15–100% optimises the beam at tight angles, and the luminaire comes with infinite continuous rotation on both pan and tilt axes as standard. Weighing just 40.5kg, the Veloce Profile also features two superimposed rotating gobo wheels, each

Like all the luminaires in Ayrton’s Ultimate range, the Veloce Profile adopts a CMY colour mixing system with ultra-fast high-definition discs that enable precise colour temperature adjustment from 2,700–6,500K, while a seven-position colour wheel with special filters completes the palette of colour creation tools. For specific applications requiring perfect colour

and two rotatable prisms that can be combined, including a circular 5-facet prism and a linear 4-facet prism for creating 3D effects.

Comprising of aluminium and steel metal plates, with a die-cast composite alloy base, the Ultimate is housed in an IP65 fireretardant ABS moulded cover.

www.ayrton.eu

ETC moves 4WRD

ETC HAS released an RJ45 to XLR Adapter for all Source 4WRD fixtures, designed for users who are converting their incandescent Source Four luminaires to LEDs with ETC’s Source 4WRD family of options. The RJ45 to XLR Adapter allows the connection of DMX in and DMX thru using an XLR connector instead of an RJ45. This ensures these fixtures can expand into even more venues than before, letting them use their normal DMX cable stock. Customers can connect

1.5W

up to 32 fixtures in a single run. The adapter is small enough to let the fixture swing through its yoke and focus in a straight-down position. The RJ45 to XLR Adapter also works with ETC’s PAR and PARNel adapters. Designed in an eight-cell, fanned format, the SolaPix Fan 8 extends the company’s SolaPix family with a range of new design options. In keeping with the rest of the SolaPix range, the Fan 8 features RGBW colour mixing, tuned colour temperature from 2,800–8,000K and 4.5–60° zoom, as well as ETC’s patented HaloGraphic Pixel Definition. The SolaPix Fan 8 adds individual pixel control, paired with the company’s FleX Effects Engine for quick and accessible macros. ETC says its unique fan form factor can create razor sharp beams as well as elegant washes and features infinite pan for even more scenic

The manufacturer has also announced a new patch release for the Hog 4 OS v4.2.1 that addresses a variety of issues discovered in the field, including fixes with importing v3.x show files directly into v4.2.1 software, a

deliver an output exceeding while a marine-grade coating adds additional protection for harsher environments. Meanwhile, fanless convection cooling promotes silent operation, and an integrated accessory slot accommodates optional diffusion filters, ND filters and other optics.

Art-Net, sACN and Kling-Net protocols, and also boast proprietary Aria x2 wireless device management for simplified system setup and maintenance.

www.elationlighting.com

THE PULSE Bar L and Pulse Bar S are the first two products in stage lighting specialist a central strobe line equipped with 400 5W cool-white LEDs across 40 zones,
RJ45 to XLR Adapter

The growing importance of media encryption in AV

Audinate’s audio product marketing manager Greg Kopchinski explains how platforms like Dante can help take the hassle out of important media encryption

ENCRYPTION HAS EXISTED FOR THOUSANDS OF YEARS, stretching back to ancient Egypt. At its most basic, encryption is the process of transforming information or data so that only the parties with the key to unscramble it can access it. Today, encryption is used in the transfer of communication over networks and the internet for security and commerce.

As encryption schemes became increasingly sophisticated, so too did the means to crack the scheme, often by brute computing force. Modern encryption standards use stronger key sizes of (at least) 128- or 256-bits, meaning there are 2128 and 2256 potential secret keys, respectively, to prevent bad actors from cracking the algorithm. The possible number of keys in a 256-bit encryption scheme is a number with 78 digits – one so large that it’s exponentially greater than the number of atoms in the observable universe.

The purpose of encrypting AV media is the same as that of other applications: ensuring the confidentiality of information as it travels across the AV network. Since data may be visible on the internet, sensitive information such as passwords and personal communication may be exposed to potential interceptors. If the information is not encoded, those interceptors can freely read, watch or listen to content not intended for them, which can have disastrous implications. However, it’s essential to recognise that robust cyber security comprises several aspects, including user authentication, firewalls, network segmentation, transaction logging (traceability) and more. Encryption is an important piece of the security hierarchy, but all facets of network security are vital to protect private information from being exposed.

An intro to media encryption

End-to-end media encryption is a network transport method where the content is encrypted on the sending device and only decrypted on the receiving device. Media encryption is crucial for AVoIP networks that transport sensitive information, such

access. For example, encrypting audio captured by an AoIP conference room microphone and decrypting it at the networked loudspeaker or conference system prevents the audio from being intelligible if it is purposely or maliciously routed to another network device.

A proven and trusted encryption method is AES-256 (Advanced Encryption Standard with a 256-bit key). This key size provides a high level of security and is considered robust against brute-force attacks, where an attacker tries all possible keys until finding the correct one. It is widely used across various applications due to its strong security properties and efficiency.

Evolving AV use cases for media encryption

Any security or data privacy breach can severely damage an institution’s reputation, leading to a loss of customer trust and a potential decline in business. Organisations in financial, healthcare and government sectors have heightened requirements for cyber security due to the sensitive nature of the data they handle, the regulatory environment and the potential impact of security breaches. Non-compliance can result in hefty fines and legal repercussions, and all are top targets for cyber threats. Beyond the monetary losses from theft, the financial sector is subject to stringent regulations and standards such as PCI-DSS, GDPR and various national laws. Cyberattacks on healthcare systems can disrupt critical medical services and endanger patient lives. Governments handle classified information critical to national security. Unauthorised access to such data can have far-reaching implications, including threats to national security and international relations.

Media encryption and interoperability

Interoperability and, by extension, encryption between AV equipment from different manufacturers can be very challenging. A classic fix for both interoperability and encryption challenges

downside is that the complete solution is limited to that one brand and the available options, which may not be well-suited to every installation.

Integrating secure AV equipment with encryption between two or more manufacturers can make key management exceptionally challenging. The encryption keys are critical to the process – they’re the secret decoder rings. AES-256 uses the same key for both encryption and decryption, which must be kept secret to maintain the security of the encrypted data. In a multi-manufacturer AV system, identifying the “key master” and synchronising keys is problematic at best, with many solutions requiring manual key management and synchronisation. An alternative solution for multi-manufacturer interoperability and encoding is having a trusted third party develop a fully supported, end-to-end interoperability and encryption solution like Dante. Third-party solutions take the problem of key management out of the hands of manufacturers.

Furthermore, keys – like passwords – must be updated regularly to maintain security, and manually updating them can be time-consuming and subject to human error. With manufacturer-agnostic third-party solutions, keys can be updated or “rolled” on demand and automatically deployed to endpoints through a central control platform rather than undertaking the more convoluted process of individually updating endpoints. By having encryption managed by a platform like Dante instead of equipment manufacturers, integrators can continue building systems with their products of choice, secure in the knowledge that they won’t have to troubleshoot multiple endpoints to get signals encrypted or decrypted successfully. It just works in Dante.

Forecasting the future

While many companies are self-motivated to protect their digital assets, governmental cyber regulations have recently been introduced to protect user data. Manufacturers and integrators have to adhere to these emerging regulations, so more end-toend encrypted solutions will be required in the near future. That said, not every system needs encryption, so the most robust outcome will likely include encryption capabilities in products that can be enabled through a network management system on a device-by-device basis. Media encryption will be crucial for securing and safeguarding information shared in meeting rooms and conference spaces with the next generation of AVoIP installations.

www.audinate.com

Greg Kopchinski

OLA MELZIG

PRODUCTION MANAGER

M&M PRODUCTION MANAGEMENT

I just love the new generation of the Artist user interfaces. The SmartPanel‘s intuitive workflow and its very visual layout are simply fantastic.

I can customize it in any way I need, which is absolutely crucial for the big live events I typically work on.“

ARTIST INTERCOM

Professional and reliable live communications. Seamless integration of Riedel‘s SmartPanel and Bolero wireless intercom. Easily scaling from 16 to 1024 ports with flexible licensing.

Photo by Ralph Larmann

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