Highlight Portfolio: Early 2014 by Brandon Maldonado

CONCEPT +

CARRY THROUGH

brandon lee maldonado

BRANDON LEE MALDONADO bran.maldonado@gmail.com 516.458.5266 56 Firwood Road Port Washington, NY 11050

EDUCATION Syracuse, NY May 2012

Port Washington, NY June 2007

EMPLOYMENT New York, NY October 2012 - Present

New York, NY July 2012 - October 2012 Summer 2011

New York, NY Summer 2010

Port Washington, NY Summer 2009 + 10

Syracuse, NY Spring 2010 + 12 Fall 2010 + 11

Syracuse University School of Architecture

Bachelor of Architecture, Magna Cum Laude, Dean’s List 2007 - 2012, GPA: 3.63 Renee Crown Honors Program Thesis: Corporeal Meeting Place International Study: Florence, Italy

Paul D. Schreiber High School

Advanced Regents Diploma with Honors, GPA: 4.67 Diploma with Distinction in Foreign Language Study: Spanish Advanced Placement Scholar with Distinction

LoT Office for Architecture _Project Leader

Particpate in all aspects of Guilty Beach design and development Conceptualize and execute design for community center in Geneva Manage development and visualization of Rabbit Island Museum

FREE Fernando Romero EnterprisE _Designer

Develop layout and assist in production for Expo at Guggenehiem Museum Participate in all aspects of Busan Opera House competition Conduct preliminary research and scheming for San Diego Museum of Art

ARVELO Architecture + Design _Intern

Sketch and draft multiple concepts for Goenka Residence Redline and revise plans of West 10th Roof Deck before issuing for permit Select finish materials and create schedules for Fierman + Sons office

Pinner Associates _Intern

Conduct site survey and draft plans of Northern Boulevard Car Wash Montage elevations of Suzuki Dealership in Illustrator Coordinate with secondary architect for Tony Roma’s Restaurant

Syracuse University _Tutor

Tutored students in ARC211: Structures I and ARC 311: Structures II [Bending Stress, Bending Moment Diagrams, Trusses, Towers, Wind Loads, Shear Force, Beam Design, Buckling Load, Arch and Suspension Bridges, etc]

SKILLS Digital Physical

Photoshop, Illustrator, InDesign, Lightroom, AutoCAD SketchUp, Rhinoceros, Grasshopper, V-Ray, Magics 3D Printer, Laser Cutter, CNC Mill, Woodshop Basswood, Chipboard, Museum Board, Foam, Foamcore, Plexiglass

HONORS 2010 2007 - 12 2007 - 10 2007

Winner: King + King Design Competition [Best 3rd Year Comprehensive Design] School of Architecture Full Scholarship American Institute of Architects Scholarship Hispanic College Fund Scholarship Excellence in Architectural Drawing Award President’s Award for Educational Excellence

PUBLICATIONS 2013

2012

Athens Voice; HOMEmag Special Edition [Athens Urban Market w/ LoT] LiFO; Web Publication [Guilty Beach + Rabbit Island Museum w/ LoT] Frame Magazine; Web Publication [Guilty Beach w/ LoT] Ellinikes Kataskeves; Issue 179 [Guilty Beach w/ LoT] Archivos de Arquitectura Antillana; Issue 041 [Puntacana Housing w/ Wenjia Wu]

INTERESTS Hobbies International Travel

Psychology, Philosophy, Morals/Ethics, Classical Film, Computer Building, Motorcycle Maintenance, Fitness, Recreational Basketball Dominican Republic, Greece, Turkey, Italy, Hungary, Austria, Denmark, Netherlands, Spain, Germany, United Kingdom

Renee Crown Honors Program Thesis: Corporeal Meeting Place International Study: Florence, Italy Port Washington, NY June 2007

EMPLOYMENT New York, NY October 2012 - Present

New York, NY July 2012 - October 2012 Summer 2011

New York, NY Summer 2010

EDUCATION Syracuse, NY May 2012 Port Washington, NY Summer 2009 + 10

Port Washington, NY Syracuse, NY June 2007 Spring 2010 + 12 Fall 2010 + 11

SKILLS EMPLOYMENT Digital New York, NY October 2012 - Present Physical New York, NY HONORS July 2012 - October 2012 2010 Summer 2011 2007 - 12 2007 - 10 New York, NY 2007 Summer 2010

PUBLICATIONS 2013 Port Washington, NY Summer 2009 + 10 2012

INTERESTS Hobbies Syracuse, NY Spring 2010 + 12 Fall 2010 + 11 International Travel

SKILLS Digital Physical

Paul D. Schreiber High School

Advanced Regents Diploma with Honors, GPA: 4.67 Diploma with Distinction in Foreign Language Study: Spanish Advanced Placement Scholar with Distinction

LoT Office for Architecture _Project Leader

Particpate in all aspects of Guilty Beach design and development Conceptualize and execute design for community center in Geneva Manage development and visualization of Rabbit Island Museum

FREE Fernando Romero EnterprisE _Designer

BRANDON LEE MALDONADO bran.maldonado@gmail.com 516.458.5266 56 Firwood Road Port Washington, NY 11050

ARVELO Architecture + Design _Intern

Syracuse University School of Architecture Bachelor of Architecture, Magna Cum Laude, Dean’s List 2007 - 2012, GPA: 3.63 Pinner Associates _Intern Renee Crown Honors Program Conduct site survey and draft plans of Northern Boulevard Car Wash Thesis: Corporeal Meeting Place Montage elevations of Suzuki Dealership in Illustrator International Study: Florence, Italy Coordinate with secondary architect for Tony Roma’s Restaurant

Paul D. Schreiber High School Syracuse University _Tutor Advanced Regents Diploma with Honors, GPA: 4.67

Tutored students in ARC211: Structures I and ARC 311: Structures II Diploma with Distinction in Foreign Language Study: Spanish [Bending Stress, Bending Moment Diagrams, Trusses, Towers, Wind Loads, Advanced Placement Scholar with Distinction Shear Force, Beam Design, Buckling Load, Arch and Suspension Bridges, etc]

LoT Office for Architecture _Project Photoshop, Illustrator, InDesign, Lightroom, AutoCADLeader Particpate Rhinoceros, in all aspectsGrasshopper, of Guilty Beach design and development SketchUp, V-Ray, Magics Conceptualize and execute design for community center in Geneva Manage development and visualization of Rabbit Island Museum 3D Printer, Laser Cutter, CNC Mill, Woodshop Basswood, Chipboard, Museum Board, Foam, Foamcore, Plexiglass FREE Fernando Romero EnterprisE _Designer

Develop layout and assist in production for Expo at Guggenehiem Museum Winner: King + King Design Competition [Best 3rd Year Comprehensive Design] Participate in all aspects of Busan Opera House competition School of Architecture Full Scholarship Conduct preliminary research and scheming for San Diego Museum of Art American Institute of Architects Scholarship Hispanic College Fund Scholarship ARVELO + Design _Intern Excellence inArchitecture Architectural Drawing Award Sketch and draft conceptsExcellence for Goenka Residence President’s Awardmultiple for Educational Redline and revise plans of West 10th Roof Deck before issuing for permit Select finish materials and create schedules for Fierman + Sons office Athens Voice; HOMEmag Special Edition [Athens Urban Market w/ LoT] LiFO; Web Publication [Guilty Beach + Rabbit Island Museum w/ LoT] Pinner Associates _Intern Frame Magazine; Web Publication [Guilty Beach w/ LoT] Conduct site survey and draft plans of Northern Boulevard Car Wash Ellinikes Kataskeves; Issue 179 [Guilty Beach w/ LoT] Montage elevations of Suzuki Dealership in Illustrator Archivos de Arquitectura Antillana; Issue 041 [Puntacana Housing w/ Wenjia Wu] Coordinate with secondary architect for Tony Roma’s Restaurant

Syracuse University _TutorClassical Film, Computer Building, Psychology, Philosophy, Morals/Ethics, Tutored students in ARC211: Structures I and ARC 311: Structures II Motorcycle Maintenance, Fitness, Recreational Basketball [Bending Stress, Bending Moment Diagrams, Trusses, Towers, Wind Loads, Shear Force, Beam Design, Load,Hungary, Arch andAustria, Suspension Bridges, etc] Dominican Republic, Greece,Buckling Turkey, Italy, Denmark, Netherlands, Spain, Germany, United Kingdom Photoshop, Illustrator, InDesign, Lightroom, AutoCAD SketchUp, Rhinoceros, Grasshopper, V-Ray, Magics 3D Printer, Laser Cutter, CNC Mill, Woodshop Basswood, Chipboard, Museum Board, Foam, Foamcore, Plexiglass

HONORS 2010 2007 - 12 2007 - 10 2007

PUBLICATIONS 2013

2012

INTERESTS Hobbies

Psychology, Philosophy, Morals/Ethics, Classical Film, Computer Building,

Camp Talooli Dining Hall Engaging Two Sides of a Dynamic Slope Winner: King and King Comprehensive Design Competition

[with Jody Chan]

Given the site for this dining hall, we immediately noticed the significance of its sloping topography as a hinge point between the daily activities in the lake below and those occurring on the field above. We attempted to create a conversation, establishing an interface between the campâ&#x20AC;&#x2122;s two most essential gathering points. On approach, the building is relatively low, remaining at a scale welcoming to the children. But as you enter and proceed through, the floor steps down and the roof slopes up, opening the building to a large panoramic view of the lake. Both the horizontality of the north facade and constructed sequence down into the main dining space encourage the occupant to turn their body and experience these vast views. Similarly, the vertically proportioned glazing of the south facade enhances oneâ&#x20AC;&#x2122;s awareness of the dense, tall forest that lays adjacent. The building is also conscious of passive and active environmental systems. The height change between north and south facades creates a pinching that draws cool wind coming from the lake inward and propels it out the south facade. Similarly, the clerestory window and topmost portion of the north facade are operable, allowing rising hot air to escape. The south facade and clerestory have also both been calibrated to solstice sun angles, allowing sunlight to adequately illuminate the dining hall during all months. Additionally, all structure is separate from glazing systems to prevent thermal bridging and insulation in the floor and roof have been increased to offset heat loss through the large facades during the winter months. Lastly, a series of geothermal coils in the lake utilize the water body as a source of constant temperature despite the vast temperature changes between summer and winter months.

RENDERING BY B.M. // PHOTOSHOP BY J.C.

SUM

MER

SUM

MER

SOLS TICE

NTRY COMPRESS TOCOMPRESS CHILD ENTRY SCALE ENTRY TO COMPRESS CHILD TO SCALE CHILD ENTRY SCALE TO CHILD SCALE LIFT ROOF TO LIFT ILLUMINATE ROOF LIFTTO ROOF DINING ILLUMINATE TOLIFT ILLUMINATE ROOF DINING TO DINING ILLUMINATE DINING EXPAND FACADE EXPAND TO EXPAND ENGAGE FACADE LAKE FACADE TOEXPAND ENGAGE TO ENGAGE FACADE LAKE LAKE TO ENGAGE LAKE ESTABLISH CIRCULATION ESTABLISH ESTABLISH CIRCULATION TO CIRCULATION ESTABLISH TO CIRCUL TO AREA AREA AREA AREA VIEW VIEW VIEW VIEW ENCOURAGE PANORAMA ENCOURAGE ENCOURAGE PANORAMA PANORAMA ENCOURAGE PAN

UIN

TICE OLS

U EQ

TE WIN R INTE

TICE SOLS

ALSECTIONAL ISOMETRICS ISOMETRICS 3/4”=1’ 3/4”=1’

li dining camp talooli hall dining hall

Restroom + Restroom Office + Office

PENNELVILLE, NY ngitude_-76.27W latitude_43.282N | longitude_-76.27W

VALUE Nailer

[Platform Framing [Platform on Pole Framing Foundations] on Pole Foundations]

WALL R-VALUE (TYP.) WALL R-VALUE (TYP .) FLOOR ROOF R-VALUE R-VALUE Through Nailer Through InsulationThrough Insulation Through Beam 0.9375 0.93750.9375 0.625 0.9375 0.9375 40 10 40 40 0.12 40 0.625 0.6250.9375 0.9375 0.9375 0.625 0.45 0.9375 0.9375 0.45 12.5 0.9375 0.9375 12.5 42.542.325 15.12 42.325 42.5 ROOF SYSTEM ROOF SYSTEM Flashing Flashing Nailer Nailer 3/4” Plywood Sheathing (R-1.25/In.) [0.9375] 3/4” Plywood Sheathing (R-1.25/In.) [0.9375] 8“ Extruded Polystyrene Insulation 8“ Extruded Polystyrene Insulation (R-5.00/In.) [40] (R-5.00/In.) [40] 2”x8” Roof Beam 2”x8” Roof Beam (R-1.25/In.) [10] (R-1.25/In.) [10] 3/4” Plywood Sheathing (R-1.25/In.) [0.9375] 3/4” Plywood Sheathing (R-1.25/In.) [0.9375] 1/2” Finish Material (R-1.25/In.) [0.625] 1/2” Finish Material (R-1.25/In.) [0.625] 2”x8” Double Top 2”x8” Plate Double Top Plate Interior Casing Interior Casing Jamb Extension Jamb Extension Low-E Coated Double Glazed Window (R-3.23/In.) Low-E Coated Double Glazed Window (R-3.23/In.) 2”x8” Sole Plate 2”x8” Sole Plate 2“x6” Blocking 2“x6” Blocking WALL SYSTEM WALL SYSTEM 2“x8” Double Top 2“x8” Plate Double Top Plate 3/4” Plywood Sheating (R-1.25/In.) [0.9375] 3/4” Plywood Sheating (R-1.25/In.) [0.9375] 8“ Extruded Polystyrene Insulation 8“ Extruded Polystyrene Insulation (R-5.00/In.) [40] (R-5.00/In.) [40] 3/4” Plywood Sheating (R-1.25/In.) [0.9375] 3/4” Plywood Sheating (R-1.25/In.) [0.9375] 1/2“ Gypsum Board [0.45] 1/2“ Gypsum Board [0.45] 2”x8“ Sole Plate 2”x8“ Sole Plate FLOOR SYSTEM FLOOR SYSTEM 1/2” Wood Strip Flooring (R-1.25/In.) [0.625] 1/2” Wood Strip Flooring (R-1.25/In.) [0.625] 1-1/2” Cementitious Underlayment 1-1/2” Cementitious Underlayment (R-0.08/in) [0.12](R-0.08/in) [0.12] 1/2” Diameter Hydronic Radiant Tubing 1/2” Diameter Hydronic Radiant Tubing 3/4“ Plywood Subfloor (R-1.25/In.) [0.9375] 3/4“ Plywood Subfloor (R-1.25/In.) [0.9375] 10” Extruded Polystyrene Insulation 10” Extruded Polystyrene Insulation (R-5.00/In.) [50] (R-5.00/In.) [50] Floor Beam 2”x10” Floor Beam2”x10” (R-1.25/In.) [12.5](R-1.25/In.) [12.5] 3/4“ Plywood Sheathing (R-1.25/In.) [0.9375] 3/4“ Plywood Sheathing (R-1.25/In.) [0.9375] 2”x11” End Joist 2”x11” End Joist POLE FOUNDATION POLE FOUNDATION 1’x1’ Timber 1’x1’ Timber Galvinized Metal Straps Galvinized Metal Straps Concrete Pad 8”x1’-6” Concrete8”x1’-6” Pad

FLOOR R-VALUE Through Beam Through InsulationThrough Insulation 0.625 0.626 0.626 0.12 0.12 0.12 0.9375 0.9375 0.9375 12.5 50 50 0.9375 0.9375 0.9375 15.12 52.62 52.62

Main DiningMain HallDining Hall

[Platform Framing [Platform on Pole Framing Foundations] on Pole Foundations]

all

ns] ns]

Kitchen

[Slab [Slab on on Grade+Stud Grade+Stud Wall] Wall]

Entry/Amphitheater

[Slab [Slab on on Grade+Masonry Grade+Masonry Wall] Wall]

ROOF ROOF R-VALUE R-VALUE Through Through Nailer Nailer 0.0000576 0.0000576 10 10 0.9375 0.9375 0.625 0.625

Through Through Insulation Insulation 0.0000576 0.0000576 40 40 0.9375 0.9375 0.625 0.625

11.5625 11.5625

41.5265 41.5265

FLOOR R-VALUE R-VALUE FLOOR 0.025 0.025 0.12 0.12 0.8 0.8 10 10 10.945 10.945

ROOF ROOF SYSTEM SYSTEM 0.26 0.26 Gauge Gauge Standing Standing Seam Seam Steel Steel Roofing Roofing (R-0.0032/In.) (R-0.0032/In.) [0.0000576] [0.0000576] 8” 8” Extruded Extruded Polystyrene Polystyrene Insulation Insulation (R-5.00/In.) (R-5.00/In.) [40] [40] 2”x8” 2”x8” Nailer Nailer (R-1.25/In.) (R-1.25/In.) [10] [10] 3/4“ 3/4“ Plywood Plywood (R-1.25/In.) (R-1.25/In.) [0.9375] [0.9375] 1/2” 1/2” Finish Finish Material Material (R-1.25/In.) (R-1.25/In.) [0.625] [0.625] 4“x8” 4“x8” Purlin Purlin Glue Glue Laminated Laminated Beam Beam Low-E Low-E Coated Coated Double Double Glazed Glazed Window Window (R-3.23/In.) (R-3.23/In.) 1’-0”x1’-0” 1’-0”x1’-0” Glue Glue Laminated Laminated Structural Structural Column Column Hydronic Hydronic Fin Fin Tube Tube Convector Convector FLOOR FLOOR SYSTEM SYSTEM 1/2” 1/2” Slate Slate Finish Finish Material Material (R-0.05/In.) (R-0.05/In.) [0.025] [0.025] 1-1/2” 1-1/2” Cementitious Cementitious Underlayment Underlayment (R-0.08/in) (R-0.08/in) [0.12] [0.12] Reinforcing Reinforcing Steel Steel 10” 10” Slab Slab on on Grade Grade w/ w/ Steps Steps (R-0.08/In.) (R-0.08/In.) [0.8] [0.8] 2” 2” Extruded Extruded Polystyrene Polystyrene Insulation Insulation (R-5.00/In.) (R-5.00/In.) [10] [10] FOUNDATION FOUNDATION ELEMENTS ELEMENTS 1’-0“ 1’-0“ Foundation Foundation Wall Wall 2’-0” 2’-0” Footing Footing Reinforcing Reinforcing Steel Steel Expansion Expansion Joint Joint 2“x10” 2“x10” Sill Sill Plate Plate Anchor Anchor Bolt Bolt

ELEVATIONS BY B.M. + J.C.

RENDER BY B.M. // PHOTOSHOP BY J.C.

Puntacana Housing Reinterpreting the Beach Experience Published in Archivos de Arquitectura Antillana: Issue 041

[with Wenjia Wu]

Upon visiting Puntacana, we noticed the natural tendency to desire beach front property. What we began to wonder was, “why exactly is this property so special?” While visiting our assigned site, we immediately recognized its lack of beach front property. However, rather than seeing our landlocked site as a negative, we viewed it as an opportunity to re-interpret the “beach experience.” We essentially introduced a lake to our site as a way to contradict and question the static, primarily visual interaction with an expansive water body. In creating this small lake, there are inherently two sides, rather than one. By placing multi-family housing on both sides, we instantly create a much more dynamic interaction by introducing the residents to the opportunity to engage the water itself as a method for traversing our site. In realizing the potential to use water as a mode of transit, we recognized that one shouldn’t simply cross the water, but perhaps also stop within it. With this idea, we chose to introduce a large bar building containing both condominiums and public programs to become a point of interaction between both sides of our water feature. This large building becomes something in which people are always moving within and through. This is no longer your typical beach experience, where you look out or swim out and turn around. Rather, this bar building establishes a new interactive social hub for Puntacana.

Syracuse

Puntacana - Hacienda Cluster: Urban Design

MOVE

Syracuse

Puntacana - Hacienda Cluster: Urban Design MOVE

20 METERS

DENSITY

10 METERS

MINIMUM COMFORTABLE DISTANCE

TOO CLOSE - UNCOMFORTABLE

20 METERS MINIMUM COMFORTABLE DISTANCE

NEW 20 METERS

INTERACT

20 METERS

INTERACT Longitudinal Section

Syracuse

Puntacana - Hacienda Cluster: Urban Design

23 September 2010 | Maldonado, Wu 50 METERS

MAXIMUM1DISTANCE BASED ON 2 TYPICAL SWIMMING LAP

50 METERS

Cross Section 1

unique local material

study of light/air flow interaction

_CALICHE

adaptation into building Double Loaded Corridor Circulation

Tr a n s i t i o n a l P u b l i c S p a c e C i r c u l a t i o n T h e h o r i z o n t a l c i r c u l a t i o n i s n o l o n g e r a c o r r i d o r, i t b e c o m e s a network of bridged connectors

+ 15.0 m

+ 13.75 m

+ 7.00 m

+ 3.65 m

+ 0.00 m

DIAGRAM + SECTION BY W.W.

MODEL 1 BY W.W. // MODEL 2 BY B.M.

LOUNGE 125 SQM

3 BEDROOM 185 SQM

2 BEDROOM 150 SQM

2 BEDROOM 2 BEDROOM 2 BEDROOM 2 BEDROOM 2 BEDROOM 150 SQM 150 SQM 150 SQM 150 SQM 150 SQM 2 BEDROOM 125 SQM

2 BEDROOM 150 SQM

2 BEDROOM 130 SQM

3 BEDROOM 215 SQM

3 BEDROOM 220 SQM

2 BEDROOM 150 SQM

3 BEDROOM 210 SQM

2 BEDROOM 2 BEDROOM 2 BEDROOM 140 SQM 140 SQM 140 SQM

3 BEDROOM 230 SQM

3 BEDROOM 185 SQM

2 BEDR 175 S

2 BEDRO 165 SQM

THEATERS 230 SQM

2 BEDROOM 140 SQM

3 BEDROO 215 SQM

LOADING AREA ADMINISTRATIVE OFFICES 105 SQM 185 SQM

LOUNGE 220 SQM

LOUNGE 115 SQM

2 BEDROOM 2 BEDROOM 150 SQM 145 SQM

CONFERENCE 230 SQM

2 BEDROOM 2 BEDROOM 3 BEDROOM 195 SQM 150 SQM 150 SQM

2 BEDROOM 150 SQM

2 BEDROOM 155 SQM

RESTAURANT 315 SQM

2 BEDROOM 2 BEDROOM 3 BEDROOMSWIM UP BARRESTAURANT (CONT ABOVE) 45 SQM 120 SQM 150 SQM 150 SQM 190 SQM

3 BEDROOM 220 SQM

2 BEDROOM 150 SQM

LOBBY/ENTRY FOYER 235 SQM

2B 19

3 BEDROOM 190 SQM

2 BEDR 165 SQ

CONFERENCE 115 SQM

GYM 200 SQM

2 BEDROOM 160 SQM

ROOM SQM

2 BEDROOM 145 SQM

OOM M

2 BEDROOM 145 SQM

2 BEDROOM 165 SQM

2 BEDROOM 155 SQM

MARKET (PRODUCE) 185 SQM

3 BEDROOM 210 SQM

OM M

2 BEDROOM 2 BEDROOM 150 SQM 150 SQM

BEDROOM 95 SQM

ROOM QM

2 BEDROOM 145 SQM

LOUNGE 210 SQM

LOUNGE 250 SQM

MARKET 430 SQM

MARKET (DELI) 150 SQM

3 BEDROOM 205 SQM

LOBBY/ENTRY FOYER 65 SQM

SWIM UP BAR 100 SQM

MARKET CAFE 175 SQM

2 BEDROOM 140 SQM

2 BEDROOM 175 SQM

3 BEDROOM 195 SQM

LOADING AREA 160 SQM

GYM 210 SQM

RESTAURANT 350 SQM

3 BEDROOM 205 SQM

2 BEDROOM 2 BEDROOM 155 SQM 155 SQM

2 BEDROOM 150 SQM

2 BEDROOM 2 BEDROOM 150 SQM 170 SQM

2 BEDROOM 175 SQM

2 BEDROOM 2 BEDROOM 135 SQM 150 SQM

2 BEDROOM 175 SQM

2 BEDROOM 150 SQM

2 BEDROOM 2 BEDROOM 2 BEDROOM 150 SQM 150 SQM 150 SQM

2 BEDROOM 2 BEDROOM 2 BEDROOM 2 BEDROOM 135 SQM 150 SQM 150 SQM 150 SQM

3 BEDROOM 235 SQM

2 BEDROOM 2 BEDROOM 150 SQM 150 SQM

1 SECT

3 BEDROOM 220 SQM

CAFE 180 SQM

SWIM UP BAR 25 SQM

3 BEDROOM 2 BEDROOM 2 BEDROOM 190 SQM 150 SQM 150 SQM

Corporeal Meeting Place

The Racialization of the Suburban Landscape [Advisors: Victor Tzen and Mark Robbins]

The suburbs were imagined in the 1950s as a landscape for White middle-class society. As an escape from the city, these new communities were intended to provide respite and escape from the density and dirt of our urban environments. Fast forward sixty years to today, and the reality of the suburbs have drastically shifted. No longer do they serve as home to predominantly white families, but rather they are emerging as destinations for our minority classes. And as suburban affordability rises, minorities are increasingly being drawn in at such a drastic rate that our suburbs are rapidly becoming majority minority. Importantly, these groups have different needs and realities from those of the original members of the suburbs, and for this reason, a reimagining of the idea of community within the suburbs is not only possible but necessary. Instead of constantly running away from one another, Whites and minorities can be presented with a reimagined suburban landscape which effectively meets the needs of both, without forcing either to give up their desire for privacy or separation. Choosing to create moments of strategized mixture allows for the recognition, and more importantly, the appreciation of this demographic shift, presenting the suburb as the hallmark of community and social sustainability. Rather than a wholesale abandoning of our suburbs in favor of urban cities, the creation of a small glitch can subtly tweak the suburbs to reinvigorate their image, rescuing them from the overbearing, 1950s clichĂŠ conceptions brought about through emergence of popular culture.

WINE 1350 ft2 DRY CLEAN 1320 ft2 COFFEE 1330 ft2

LIBRARY 9650 ft2

RESTAURANT 3000 ft2

BANK 4160 ft2

POST OFFICE 11,055 ft2

DRY CLEANER 1730 ft2

BANK 1730 ft2

LAUNDROMAT 1730 ft2 RESTAURANT 3000 ft2

COMMUNITY CENTER 10970 ft2

Busan Opera House Competition FREE/Fernando Romero

[with Liz Kelsey, Yihyun Lim, Hayrettin Gunc, Ivana Stancic, Hector Romero, Andreia Teixeira, Romea Muryn]

The proposed design is conceived as a cloud perched upon Busan Bay. A unique and unexpected iconic presence, the cloud is composed of a filigree of prisms that gravitate lyrically around a stage core composed as a machine for the performing arts. The meticulous envelope evokes an harmonic musical assemblage with multiple and subtle variations in prisms that jointly compose an exquisite whole. The interior of the cloud houses a volume whose definition is driven by the optimal requirements for the performing arts and conforms a compact and efficient stage core. The key and most voluminous element is the Opera Hall, the sheer size and highly prescriptive requirements of which establishes the arrangement of all other programs. The Opera Hall is equipped with a capacity for a six-stage arrangement alongside fly-tower for ample flying system and substantial stage depth for extensive scenic flexibility. The Auditorium fulfils the seating capacity with both parterre and balcony areas. Above the backstage a Black box theater complements the main hall, this space is conceived as a blank canvas with the possibility to be arranged to be in a variety of configurations.

RHINO BY H.R. + B.M. // RENDERING BY B.M. // PHOTOSHOP BY B.M.

AMPHITHEATER

DIAGRAM BY L.K.

SHOPPING PLAZA

SCULPTURE PARK

MARKET/ CAFE GARDEN

NON SPECTATOR PUBLIC CIRCULATION

BLACK BOX THEATER SPECTATOR CIRCULATION

NON SPECTATOR PUBLIC CIRCULATION

BLACK BOX THEATER SPECTATOR CIRCULATION OPRA SPECTATOR CIRCULATION

OPRA SPECTATOR CIRCULATION

SITE PLAN BY H.G. + B.M. + L.K.

PLANS BY Y.L. + I.S.

+67,00M LEVEL 8

BANQUET

+55,00M LEVEL 7

RESTAURANT

+52,00M LEVEL 6

RESTAURANT

+49,00M LEVEL 5

BLACK BOX THEATRE

+39,00M LEVEL 4

REHERSAL

+32,00M LEVEL 3

MAIN STAGE

+25,00M LEVEL 2

ORCHESTRA PIT

+20,00M LEVEL 1

MAIN FOYER

±10,00M LEVEL 0

LOBBY

±0,00M LEVEL -1

SEA

+35M

SECTION BY A.T.

Athens Urban Market LoT Office for Architecture [with Leonidas Trampoukis]

The market, once a place for social and communal provocation, has been reduced over the centuries, altered into a space based primarily on the viewing, sale, and purchase of products. This iteration that we are familiar with today typically takes the form of a series of stalls arranged in a line or grid, designed for efficiency of movement and maximization of vendor presence. Separated by the flows of movement, each stall operates on a prescriptive and traditional served/server relationship, diminishing the opportunity for happenstance and reducing the market condition to familiar banality. A new model, embedded with social intention, might promote greater interaction and communication, establishing a space where the exchange of not only products but also views, perspectives, and ideas flourish. The market as an agora, a place of synthesis covering communicative and social needs. A market extroverted and multifunctional, capable of accommodating vendors, discussions, and urban serendipity. LoT designed individual circular booths, open for occupation by individuals or groups. Each circular pavilion, bound by a semi-permeable surface of flexible white wires, creates a sense of equality, an omni-directional approach that allows relationships of entry/exit and spectator/participant to become blurred. Beyond a singular stall, the arrangement of kiosks is intentionally free and flexible. Changing its configuration with frequency, a series of overlapping and interweaving movements emphasize exploration and interaction. As such, the market becomes an open show, an urban installation.

Community Center in Geneva LoT Office for Architecture [with Leonidas Trampoukis]

The project is designed as a sculptural volume that corresponds to the requirements of construction while simultaneously engaging in a sensitive relationship with the physical and conceptual contextual environment. As a public building, the community center is an important character that radiates culture, a sense of community, trust and security. A volume carved of white concrete absorbs public road movements, inviting the passersby to come, visit, and explore the building and enjoy the protected communal courtyard. The program is intentionally arranged on the plot without a basement, as a move to create a more visible public building - prominent and economic at the same time. Interiors are filled with generous natural light and outside tiered patios offer many opportunities for communal interaction. Large curved walls frame events inside and act as billboards live inviting the community to come together and activate this new collective mark.

CIMETIERE

VELOS

AVENUE DE

CIMETIERE

423.44

B B1

423.57

PARKING

PASSAGE

±0.00 / 423.57

3.10

VELOS

6.25

4.65

-0.45 / 423.12

9.75

ULLE TTES BR DES TA

6.25

3.10

±0.00 / 423.57

VELOS

PISTE CYCLABL

ROUTE DE SAIN

+ 10.05M

VELOS

PET

IT L

T-GEORGES

AVE N

CHEMIN

+ 9.75M

+ 6.25M + 5.85M

+ 3.10M

+ 0.00M - 0.45M

B 20.00 1.50

4.65

6.75

5.85

- 0.50

5.90

5.30

7.90

3.10

3.80 EXTÉRIEUR SALLE MECHANIQUE 5.90 R5.90 1.60

2.40

TECH.

ATELIER 3

1.90

ASC

1.20

2.20

2.40

C’

5.20

6.50

5.90

5.65

FOYER

ATELIER 4

LOCAL ADO A'

6.25 24.00

ATELIER 2

TERRASSE

SURFACE VEGETALISEE

±0.00 12.20

3.10 B'

2EME ETAGE

B 40.00 20.00

14.10

4.65

3.80

- 0.50

5.90 5.30

4.00

2.50

SURFACE VEGETALISEE

TERRASSE

STOCK

3.90 ARCHIVES

5.90 1.10

TECH.

R5.90

3.60

5.20

BUREAUX ASC

C’

5.35

3.10 2.20

SALLE DE MUSIQUE

9.10

VIDE

- 0.40

WC 7.65

24.00

5.60

9.60

ATELIER 1

±0.00

VIDE 11.70 7.00

ACCESS EXTERIEUR

B' 2.00

1ER ETAGE

AU PARKING

PASSAGE

423.57

SORTIE DE PARKING CI-DESSOUS AUDITORIUM

±0.00 / 423.57

VELOS

40.00 2.55

1.55

20.00 1.70

5.20

2.10

3.40

5.55

3.50

- 0.50

PENTE 8%

20.00 3.95

4.80

3.00

1.55 5.30

4.75

LOCAL TECHNIQUE

2.60 LOCAL

MATERIEL

6.20 5.60

LOCAL TECHNIQUE SALLE POLYVALENTE

1.60

ENTRÉE DE SERVICE

TECH. AUDITORIUM 4.40 EXTÉRIEUR

ESCAPACE RESERVE AUX TEMPORAIRES INSTALLATIONS

STOCKAGE

6.30

5.30

CUISINE

3.60

WC ASC 1.20

C C’

2.70

5.80 1.20

- 0.50 ATELIER CONSTRUCTION

- 0.40

BAR

ENTRÉE

ENTRÉE ATELIER

FOYER 24.00

AU BALCON

SALLE POLYVALENTE

PENTE 10%

PARK

±0.00 11.60

1.80

12.40

0.75

ENTRÉE PENTE7% B'

±0.00

VELOS

VELO

PISTE

ROUT

CYCLAB LE

E DE SA

INT-GEO

+ 10.05M

+ 9.75M

+ 6.25M

+ 4.15M + 3.10M

+ 0.00M - 0.45M

+ 10.05M

+ 9.75M

3.10

+ 7.35M

+ 6.25M

2.90

2.10 2.20

6.50

6.30 2.85

3.30

2.85

+ 0.00M

1.35

0.90

ZINC FEUILLE DE SÉPARATION PLANCHE 22MM

6.0 4.0 8.0

TENSOR NEOPRENE 150X60X5MM O12

31.0

22.0

11.0 3.0 10.0

37.0

13.0

PLANCHE OSB 22MM GRAVEL

+ 10.05M

+ 9.75M

25.0

SEPERATION ACIER 5MM

PLANTATION DE SEDUM SUBSTRAT VEGETAL

+ 7.35M

GEOTEXTILE DRAINAGE MEMBRANE IMPERMEABLE

+ 6.25M

FOAMGLAS T4 60X45X10CM MEMBRANE IMPERMEABLE CONCRETE DE PENTE CONCRETE DE STRUCTURE

+ 3.10M

+ 0.00M - 0.45M

PARQUET REBORD EN BOIS CADRE DE FENETRE EN BOIS REBORD DE PIERRE FOAMGALS 10X30CM + 6.25M

9.0

15.0

25.0

8.0

GOUTTE 8.0 1.0 7.5 2.0 2.0

CONCRETE DE STRUCTURE POLYURETHANE MEMBRANE DE ARGILE

limite parcellaire 3609

JOINT

+ 3.10M 2.0

25.0

CONCRETE DE STRUCTURE

limite parcellaire 3608

BETON BLANC

MEMBRANE IMPERMEABLE POLYSTYRENE DRENTEX PROTEC BETON BLANC

15.0

1.0 8.0

+ 10.05M

20.0

+ 9.75M

3.10

+ 6.25M

1.70

+ 4.15M

2.90

+ 3.10M

1.00

0.90

1.90

PLANCHER DE BÉTON REBORD EN BOIS

0.00M

CADRE DE LA PORTE DE VERRE

ROUTE DE SAINT-GEORGES

PIERRE PAVE EN PIERRE PLANCHER DE BÉTON

-0.45M 2.0

-0.50M 20.0

5.0

3.30

+ 0.00M 0.50

REBORD DE PIERRE

- 0.45M

ROUTE DE SAINT-GEORGES

Guilty Beach

LoT Office for Architecture

[with Leonidas Trampoukis, Eleni Petaloti, Anastasia Choli, and Artemis Papadatou]

Rich with a cultural heritage that spans decades, Mykonos was a place to see and be seen. It played host to a multitude of people from all over the world and all walks of life. As an icon of charm and glamour, Mykonos ought to come back into vogue as a world class jet set destination, reinvented from its roots. An intoxicating mĂŠlange of traditional island charm, chic design, sophistication and Greek hospitality. Guilty Beach has taken unique elements of luxury to create a new space which plays host to an eclectic mix of people, coming together to socialize and dine. Themed around basic concepts with a strong local identity, the design challenges preconceived notions of what a beach club should be, evoking images of an essential Greece, glamorous, style-savvy and evidently young. Traditional ideas and materials of Greek everyday culture are brought to life. Hanging summer lights, white marble tabletops and other references are present throughout the property. Minimal furniture and mid century sun shades are reminiscent of a forgotten Mykonos, a simple and authentic time. A light rose color tone is injected in the white setting, matching the existing terracotta floor. Three unique points of attraction appear as surprising elements for the guests; contemporary architectural gems within the overal simplicity. The champagne room, the DJ booth and the special guest platform are in formal contrast with the rest of the setting, adding a touch of variety to the atmosphere of the evening.

1.55

5.09

1.77

ΧΩΡΟΣ ΚΙΝΗΣΗ DJ

ΠΑΓΚΟΣ DJ

0.11

0.26

4.09

0.15

ΠAΓΚΟΣ

0.05

ΠAΓΚΟΣ

συνολική επιφάνεια σε κάτοψη = 16.35m²

2.75

0.05

ΣΤΡΩΜΑΤΑ

4 3 2 1.1

-ΤΟΜΗ ΣΤΟ +2.30m

1.55

5.09

5.20 [τμήμα που κλιματίζεται]

μεταλλικός σκελετός - ανοξείδωτη στράντζα50x50, πάχους 2mm

πετροβάμβακας (πλήρωση ανάμεσα από σκελετό οροφής) για μικρότερες απώλειες ψύξης

0.20

γραμμικός κρυφός φωτισμός φθορ ισμού (ΓΡ05)

προβολή εξωτερικής πλευράς στρωμάτων - τελείωμα κατασκευής συνολική επιφάνεια σε κάτοψη = 16.35m²

0.48

0.47

κενό

0.09

0.25

0.09

ντουλάπι

ΣΠΟΤ01

0.30

0.76

0.20

ράφι 5o

γυψοσανίδα απλή βαμμένη σε λευκό χρώμα σκελετός γυψοσανίδας χωνευτά spot οροφής

προβολή περσίδων κάτω από την επιφάνεια των στρωματων (επικαλύπτονται)

0.35 0.60 διπλή γυψοσανίδα, απλή - τελική εσωτερική επιφάνεια βαμμένη λευκή

διαχωριστικό χώρου με ψύξη- τζάμι securit 10mm, διαφανές (δάπεδο-οροφή)

ίχνος περιμετρικού μεταλλικού σκελετού μεταλλικός στύλος σκελετού σκιάστρου οροφής, Φ25

πετροβάμβακας 75 mm

τζάμι securit 10mm διαφανές. Τοποθέτηση "δάπεδο-οροφή". Μεταλλική λάμα στήριξης στο δάπεδο (εγκοπή στο πρώτο κόντρα πλακέ θαλάσσης) και στην οροφή. Φύλλα χωρίς πλαίσιο περιμετρικά. Σφράγιση αρμών με μαστίχη

0.48

κεκλιμένο τμήμα μαξιλαριού ("πλάτη")

0.37

0.09

0.25

0.05

0.05 0.20

0.09

0.02 0.050.02

κόντρα πλακέ θαλάσσης 20mm - βαφή σε χρώμα λευκό

μεταλλικός σκελετός - ανοξείδωτη στράντζα50x50, πάχους 2mm

ράφι 5o

σκελετός βάσει προδιαγραφών της Knauf

ράφι 4o

ράφι 2o

CHAMPAGNE ROOM (ΧΩΡΟΣ ΠΟΥ ΚΛΙΜΑΤΙΖΕΤΑΙ)

ΣΤΡΩΜΑΤΑ 0.50

ΧΩΡΟΣ ΚΙΝΗΣΗ DJ ραφάκι από κόντρα πλακέ θαλάσσης 20mm, πλάτους 15cm - βαφή σε χρώμα λευκό. χρησιμοποιείται για ακαμψία κατακόρυφων περσίδων καθώς "δαγκώνουν" σε αυτό σε βάθος 5cm.

ράφι 1o

4.06

4.09

1.20

ΠAΓΚΟΣ

2.20

R0 .1

0.50

τρύπα στο δάπεδο τς κατασκευής για όδευση καλωδιώσεων (σύνδεση με νέες παροχές, βλέπε διακεκομμένη σύνδεσης)

2.30

2.55

ράφι 3o

0.10 ράφι 2o

0.50

τσιμεντοσανίδα aquapanel της Knauf - τελική επιφάνεια-βαφή σε λευκό χρώμα

ράφι 3o

2.55

ράφι 4o

γραμμικός κρυφός φωτισμός (led) - περνάει κάτω από περσίδες πάγκος από κόντρα πλακέ θαλάσσης 20mm, βαμμένο σε λευκό χρώμα μαξιλάρι

κόντρα πλακέ θαλάσσης 20mm - βαφ ή σε χρώμα λευκό

ΠΑΓΚΟΣ DJ

συλλογη καλωδιωσης LED και τοποθετηση μετασχηματιστων και τροφοδοσιας

κρυφός φωτισμός - ταινία led που "τρέχει" περιμετρικά στη βάση της κατασκευής (ΓΡ01) 0.50

0.50

1.1

ντουλάπι 0.47

ΤΟΜΗ b.

κόντρα πλακέ θαλάσσης 20mm. Διπλή "στρώση" στην τοποθέτηση για πιο σωστό πάτημα . Τελείωμα τσιμεντοκονίας

0.18

0.71

0.66

0.20

0.87

0.30

0.160.04

προβολή δαπέδου κατασκευής | εξωτερική πλευρά περιμετρικού σκελετού κατασκευής υποστύλωμα μεταλλικού σκελετού στερέωσης σκιάστρου οροφής, Φ250 (maxΦ500), βαμμένο σε λευκό χρώμα

μεταλλικός σκελετός - ανοξείδωτη στράντζα50x50, πάχους 2mm

ΤΟΜΗ a.

0.50

αποσπούμενο τραπέζι (ξύλινη επιφάνεια 60x220 που πατάει σε δυο ξύλινα κουτιά-βάσεις 60x30x88)

κενό

πιθανή θέση μεταλλικού στύλου σκελετού σκιάστρου, Φ25

6.10 (εξωτερική πλευρά ξύλινου σκελετού)

ΚΑΤΟΨΗ

ράφι

ΠΡΟΣΑΡΜΟΓΗ ΣΚΕΛΕΤΟΥ ΓΙΑ ΔΗΜΙΟΥΡΓΙΑ

κόντρα πλακέ θαλάσσης 20mm - βαμμένo λευκό ντουλάπι με κλειδαριά κάτω από τον πάγκοαποθηκευτικός χώρος- βαφή σε λευκό χρώμα

6.00 (μεταλλικός σκελετός)

ΥΠΟΣΤΗΛΩΜΑ ΚΥΚΛΙΚΗΣ ΔΙΑΤΟΜΗΣ Φ250, π ΣΚΕΛΕΤΟΣ ΣΚΙΑΣΤΡΟΥ ΟΡΟΦΗΣ ΠΑΝΩ ΑΠ

κόντρα πλακέ θαλάσσης (6mm ή 4mm διπλό) - βαφή σε χρώμα λευκό κατακόρυφες περσίδες από κόντρα πλακέ θαλάσσης 20mm βαμμένες λευκές 20x100x298

-ΤΟΜΗ ΣΤΟ ΥΨΟΣ ΤΟΥ ΠΑΓΚΟΥ

ΕΡΓΟΔΟΤΗΣ

ράφι

ΤΙΤΛΟΣ ΕΡΓΟΥ

ράφι

ΕΙΣΟΔΟΣ

ράφι ράφι

ΘΕΣΗ ΕΡΓΟΥ

ράφι

0.4

μεταλλικός σκελετός Φ500 για σκίαστρο (το πανί δένει όπως και στις ομπρέλες-βλέπε σχετικό σχέδιο) Επιθυμητό είναι να έχουμε μικρότερη διατομή και αν χρειάζεται πιο πυκνα υποστυλάματα. ράφι

CHAMPAGNE ROOM (ΧΩΡΟΣ ΠΟΥ ΚΛΙΜΑΤΙΖΕΤΑΙ)

κενό

0.05 1.02

προβολή υποστυλώματος μεταλλικού σκελετού σκιάστρου (Φ250)

κατακόρυφες περσίδες από κόντρα πλακέ θαλάσσης 20mm, πλάτους 10cm και ύψους 2.985m - βαφή σε χρώμα λευκό τοποθέτηση ανά 10cm αξονικά!

προβολή "περσίδων" (καμπύλη επιφάνεια)

3.07

1.30

προβολή χωνευτών spot ψευδοροφής

κατακορυφη περσίδα πλάτους 10cm - κόντρα πλακέ θαλάσσης 20mm - βαφή σε χρώμα λευκό κόντρα πλακέ θαλάσσης 6mm - βαφή σε χρώμα λευκό

ράφι

1.74

κρυφός φωτισμός (led)- "τρέχει μπροστά από πάγκο dj επιφάνεια κόντρα πλακέ θαλάσσης 6mm, ( ύψους 10cm) χρήση ως πέτασμα,προστατεύει κρυφό φωτισμό και καρφώνεται στις περσίδες

0.03

5.34 6.10

ΚΑΤΟΨΗ

ράφια και κατακόρυφα διαχωριστικά από κόντρα πλακέ θαλάσσης 30 mm με σχετικές λεπτομέρειες για γραμμικό φωτισμό led (ΓΡ01+ΓΡ01B) Εναλλακτικά χρήση MDF βαμμένο λευκό μιας και είμαστε σε προστατευμένο χώρο. λογική κατασκευής όμοια με περίβλημα κατασκευής

τσιμεντοσανίδα aquapanel της Knauf - τελική επιφάνεια-βαφή σε λευκό χρώμα σκελετός βάσει προδιαγραφών της Knauf πετροβάμβακας 75 mm διπλή γυψοσανίδα, απλή - τελική εσωτερική επιφάνεια βαμμένη λευκή

0.35

πιθανή λεπτομέρεια φωτισμού

τμήμα κατασκευής champagne room - ταινία led που "τρέχει" περιμετρικά στη κρυφός φωτισμός βάση της κατασκευής που κλιματίζεται.

μεταλλικός σκελετός - ανοξείδωτη στράντζα50x50, πάχους 2mm

FINAL 0.34 0.19

ΣΤΡΩΜΑ

το στρώμα θα είναι πάχους 16cm (με τη λεπτομέρεια στο τελείωμα θα είναι 19cm) - ενδεχόμενη μικρή προσαρμογή διαστάσεων

ΚΑΤΟΨΕΙΣ, ΤΟΜΗ, ΛΕΠΤΟΜΕΡΕΙΕΣ

ΚΛΙΜΑΚΑ

1: 20

ΤΟΜΗ - ΣΤΟΝ ΑΞΟΝΑ ΣΥΜΜEΤΡΙΑΣ ΤΗΣ ΚΑΤΑΣΚΕΥΗΣ

κόντρα πλακέ θαλάσσης 20mm - βαφή σε χρώμα λευκό

Λ. 04 CHAMPAGNE ROOM

0.29 0.02

ράφι

0.53

ράφι

0.90

ράφι

0.31

ράφι

0.085

ράφι

0.43

ράφι

0.48

ράφι

0.05

ράφι

0.35

ράφι

0.82

0.36

ράφι

0.07

0.36

0.03 0.03

ράφι

0.11

0.35

ράφι

ΣΧΕΔΙΟΥ προβολήΤΙΤΛΟΣ κεκλιμένου τμήματος μαξιλαριού ("πλάτη")

0.02

ράφι

0.88

ράφι

αποσπούμενο τραπέζι (ξύλινη επιφάνεια 60x220 που πατάει σε δυο ξύλινα κουτιά-βάσεις 60x30x88)

κόντρα πλακέ θαλάσσης 20mm - βαφή σε χρώμα λευκό μεταλλικός σκελετός - ανοξείδωτη στράντζα50x50, πάχους 2mm

0.65

a d

1.25

κενό

ράφι

ραφάκι από κόντρα πλακέ θαλάσσης 20mm, πλάτους 15cm - βαφή σε χρώμα λευκό. χρησιμοποιείται για ακαμψία κατακόρυφων περσίδων καθώς "δαγκώνουν" σε αυτό σε βάθος 5cm.

ράφι

2.75

0.10

0.19

πιθανή θέση στύλου παροχών (διακόπτες-πρίζες) 5.20

ΗΜΕΡΟΜΗΝΙΑ

ΑΠΡΙΛΙΟΣ 2013

0.50

ράφι

προβολή φευδοροφής 0.10

0.10

ράφι

Leonidas Trampoukis - Eleni Petaloti 100 South 4th str. suite2A New York, 11249

0.29

0.85

1.16

0.85

άξονας μεταλλικού σκελετου σκιάστρου

architects

0.20

0.85

0.03

0.85

0.90

1.70

0.85

2.14

ράφι

2.65

0.02

συρόμενη γυάλινη πόρτα με μηχανισμό (δάπεδο-οροφή) ανοίγει με φωτοκύτταρο

***υποδιαίρεση γυάλινης επιφάνειας σε τμήματα των 85 cm (συνολικό 5.20m)

0.94

LoT

προβολή μεταλλικού σκελετού σκιάστρου (κυκλικής διατιμής) σκίαστρο τμήματος πάνω από στρώματα μπορεί να αφειρείται ανεξάρτητα από εκείνο που σκιάζει το χώρο του dj.

1.08

ράφι

ΑΡΧΙΕΤΚΤΟΝΙΚΗ ΜΕΛΕΤΗ

2.985

ράφι

4.09 (μεταλλικός σκελετός)

4.19 (εξωτερική πλευρά ξύλινου σκελετού)

ράφι

ΜΥΚΟΝΟΣ

δύο ανεξάρτητοι σκελετοί για σκίαστρα (χώρος πάνω από dj και χώρος πάνω από στρώματα)

σκίαστρο

ΔΑΠΕΔΟ δάπεδο από κόντρα πλακέ θαλάσσης 20mm (122x250) - διπλή στρώση βεμμένο λευκό

0.085

FOYER CHAMPAGNE ROOM

0.225

ράφι ράφι ράφι

ράφι

0.50

ΚΑΤΟΨΗ

προβολή "περσίδας" - κόντρα πλακέ θαλάσσης 20mm - βαφή σε χρώμα λευκό. πλάτος περσίδας 65mm κόντρα πλακέ θαλάσσης 6mm - βαφή σε χρώμα λευκό κρυφός φωτισμός - ταινία led που "τρέχει" περιμετρικά στη βάση της κατασκευής

PORTFOLIO 2014

ARCH

bran.maldonado@gmail.com \\ 516 458 5266 \\ 56 Firwood Road, Port Washington, NY 11050