Design 2012 catalogue by Bloomsbury Publishing

DESIGN 2012 CATALOGUE B e rg • Fa i rc h i l d B o o ks • A&C Black

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KEY:

CO N T E N TS History and Culture

Theory and Practice

Interior Design

Architecture

Graphic Design and Illustration

Drawing and Drafting

Using Colour

Sustainability

Professional Skills

Craft

Creative Industries

Visual Culture

Journals

Index

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While we endeavour to ensure that all prices, publication dates and other details in this catalogue are correct on going to press, they are subject to revision without further notice. Berg Publishers is the imprint of Oxford International Publishers Ltd, a wholly-owned subsidiary of Bloomsbury Publishing Plc. Registered in England 3143617. A&C Black is an imprint of Bloomsbury Publishing Plc. Registered in England 189153.

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THE WORLD HISTORY OF DESIGN Three-volume set Victor Margolin

RECOMMEND TO YOUR LIBRARY TODAY! The definitive global history of design

NEW FOR 2014! The ﬁrst scholarly history to cover design thinking and practice around the world, superbly illustrated with 1,500 images

Authored by preeminent design scholar Victor Margolin, The World History of Design is an indispensable new multi-volume reference work, providing a comprehensive and detailed historical account of design from prehistory to the end of the twentieth century.

An unrivalled breadth of coverage Comprising three volumes containing almost one million words and 1,500 images, The World History of Design features all world regions across all periods. From the earliest cave art and human tools to the recent development of a global design culture, it includes substantial new material on design in Latin America, Asia, the Middle East and Africa.

Design in context The World History of Design examines the social issues of design, as well as those of form and aesthetics, in far more detail than previous published histories, relating design’s development to the forces of trade, politics and economics.

Multi-disciplinary relevance and appeal With its broad geographic and chronological purview, and its depth of discussion, The World History of Design is an essential resource for students and scholars in design history, as well as in the ﬁelds of history, sociology, art history and anthropology. It will also appeal to design practitioners worldwide and to a general audience with an interest in design. Victor Margolin is Professor Emeritus of Design History at the University of Illinois, Chicago.

To ﬁnd out more, sign up to our mailing list at www.bergpublishers.com/mailinglists or e-mail Noa Vazquez (Noa.Vazquez@bloomsbury.com) Volume 1: Design from Prehistoric Times to World War I

Volume 2: Design from World War I to World War II

PART I: PRE-INDUSTRIAL DESIGN 1. The Prehistoric Age 2. The Earliest Civilizations and Their Inventions, 5300 BCE-750 3. The Classical Age, 700-800 CE 4. The Medieval World and Cultures Outside Europe, 800-1200 5. The Renaissance in Europe and its Influence, 1200-1750 5. Europe in the 16th and 17th Centuries

15. Design in the Soviet Union, 1917-1928

PART II: THE INDUSTRIAL REVOLUTION AND ITS AFTERMATH 6. The World outside Europe, 1200-1750 7. The Industrial Revolution, 1750-1850 8. The Era of Exhibitions, 1851-1900 9. The United States: Mechanization takes Command, 1840-1900 10. The Craft Ideal and the Arts and Crafts Movement in Britain, 1861-1915 11. Art Nouveau and the Decorative Impulse, 1890-1914 12. The Imperial Center and the Periphery, 1890-1914 13. The Beginnings of Modern Design in Europe and America, 1900-1917 14. The Avant-Gardes, 1906-1925 15. World War I, 1914-1918

21. Tradition and Modernism in Scandinavia, 1918-1939

16. The United States, 1918-1941 17. Weimar Germany, 1918-1933 18. Tradition and Modernism: The English Compromise, 1918-1939: British Commonwealth Countries included 19. France between the Wars, 1918-1939 20. The Low Countries, Austria, Switzerland, and Spain, 1918-1939

22. Central and Eastern Europe, 1918-1939 23. Design under the Dictators: Italy, Germany, Portugal, Soviet Union, 1922-1940 24. Japan’s Hybrid Modernity, 1900-1937 20. India, China, and Southeast Asia, 1900-1937 21. Latin America, 1900-1939 22. Near and Middle East, 1900-1939 23. Africa, 1900-1939 24. World War II

HB SET • 978 1 84788 830 3 • 2,400pp • 1,300 bw and 200 colour illus • 244 x 189mm

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Volume 3: Design from World War II to the Present 30. Postwar Prosperity and the Role of Design in America, 1945-1975 31. Economic Recovery in Western Europe, 1945-1975: England, France, Belgium, Netherlands 32. Economic Recovery in Western Europe, 1945-1975: Greece, Portugal, Spain 33. Economic Recovery in Western Europe, 1945-1975: Italian Design and Swiss Modernism 34. Commonwealth and former Commonwealth Countries, 1945-1975 35. Design and the State: Eastern and Central Europe, 1945-1989 36. The Reawakening of Asia: 1945-1975 37. The Latin American Experience, 1945-1975 38. The Near East and the Middle East, 1945-1975 39. Africa: Decolonization and Afterwards, 1945-1975 40. Design Organizations, Research, and International Movements, 1965-1980 41. Global Design Culture: Origins and Development, 1975-2000 Bibliography Index

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H I S TO RY A N D C U LT U R E NE W! A Cultural History of Gardens Six-Volume Set Series Editors: Michael Leslie and John Dixon Hunt

The first systematic history of gardens and parks from antiquity to the present day

A Cultural History of Gardens presents an authoritative survey from ancient times to the present. This set of six volumes covers over 2,500 years of gardens as physical, social and artistic spaces. Each volume discusses the same themes in its chapters: 1. Design 2. Types of Gardens 3. Planting 4. Use and Reception 5. Visual Representations 6. Verbal Representations 7. Meaning October 2012

8. Gardens and the Larger Landscape

1,600pp • 244 x 172mm • 300 bw illus £350

This structure means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume.

Michael Leslie is Professor of English at Rhodes College. John Dixon Hunt is Professor Emeritus at the University of Pennsylvania.

Superbly illustrated, the full six-volume set combines to present the most authoritative and comprehensive survey available on gardens through history.

HB SET

978 1 84788 265 3

1. A Cultural History of Gardens in Antiquity (600 BCE-600 CE) Edited by Kathryn Gleason, Cornell University

4. A Cultural History of Gardens in the Age of Enlightenment (1700-1800) Edited by Stephen Bending, University of Southampton

2. A Cultural History of Gardens in the Middle Ages (600-1400) Edited by Michael Leslie, Rhodes College

5. A Cultural History of Gardens in the Age of Empire (1800-1900) Edited by Sonja Dümpelmann, University of Maryland

3. A Cultural History of Gardens in the Renaissance (1400-1700) Edited by Elizabeth Hyde, Kean University

6. A Cultural History of Gardens in the Modern Age (1900-21st Century) Edited by John Dixon Hunt, University of Pennsylvania

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H I STORY AND CULTURE The Design History Reader Edited by Grace Lees-Maffei and Rebecca Houze

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“The Reader acts as an essential resource for understanding the history of design, the development of the discipline, and contemporary issues in design history and practice.” New Design “A really good read. Lees-Maffei and Houze have skilfully collected and edited a wide range of interesting and sometimes unexpected (but very rewarding) essays and, furthermore, have organized them in a clear and navigable way.” Design Issues • A collection for students of the key writings – classic and contemporary – on design history, packed with case material to explain the key concepts

March 2010

This is the first anthology to address design history as an established discipline, a field of study which is developing a contextualised understanding of the role of design and designed objects within social and cultural history.

544pp • 244 x 189mm • 70 bw illus PB

978 1 84788 389 6

£24.99

978 1 84788 388 9

£70.00

Extracts range from the eighteenth century, when design and manufacture separated, to the present day. Drawn from scholarly and polemical books, research articles, exhibition catalogues, and magazines, the extracts are placed in themed sections, with each section separately introduced and each concluded with an annotated guide to further reading. Covering both primary and secondary texts, the reader provides an essential resource for understanding the history of design, the development of the discipline, and contemporary issues in design history and practice.

CONTENTS SUMMARY General Introduction

Part Two: Methods and Themes

Part One: Histories

7: Foundations, Debates, Historiography, 1980-1995

1. New Designers 1676-1820

8: Objects, Subjects, and Negotiations

2: Design Reform 1820-1910

9: Gender and Design

3: Modernisms 1908-1950

10: Consumption

4: War/PostWar/Cold War 1943-1970

11: Mediation

5: Postmodernisms 1967-2006

12: Local/Regional/National/Global

6: Sustainable Futures 1960-2003

Bibliography I Index

Grace Lees-Maffei is Senior Lecturer in the History and Theory of Design and Applied Arts at the University of Hertfordshire. Rebecca Houze is Associate Professor of Art History at Northern Illinois University.

Design History Understanding Theory and Method

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Kjetil Fallan “The standard historiographic reading for students of design history. “ Design Issues “An accessible yet authoritative analysis of a variety of methodological frameworks, assessing their suitability and relative merits for the design historian ... A massively useful resource. “ Paul Atkinson, Sheffield Hallam University

January 2010 224pp • 189 x 150mm • 20 bw illus PB

978 1 84788 537 1

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£16.99 £50.00

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Design History first traces the development of the discipline, explaining how it draws from art history, industrial design, cultural history and material culture studies. A map to the intellectual landscape of design history, the book will be an invaluable guide for students and a very useful reference for scholars. Kjetil Fallan is Associate Professor of Design History in the Department of Philosophy, Classics, History of Art and Ideas at the University of Oslo.

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H I S TO RY A N D C U LT U R E Delete

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A History of Vapourware Paul Atkinson While most historical accounts of the development of computer design focus on specific computers or manufacturers, examining the success stories of hardware and operating systems, Delete creates a completely new narrative by investigating the machines that didn’t make it. Fascinating, full-colour images, many of them previously unpublished, are accompanied by the hitherto untold stories of their planning and development, the pitfalls and successes in their creation, the market and competition at the time and the reasons why they never finally appeared for sale. Appealing both to a broad audience and to a more specialist one of designers and computer historians, Delete, with its unique collection of prototypes that never made it to the market, depicts a technological world that might have been.

December 2012 224pp • 235 x 210mm 150 colour illus PB

978 0 85785 347 9

£24.99

978 0 85785 346 2

£75.00

Paul Atkinson is Reader in Design at Sheffield Hallam University.

B ES TS E L L E R Design Studies A Reader Edited by Hazel Clark and David Brody “The Reader will become a standard reference for the subject. It establishes the field for all those interested in Design and its impact on the contemporary world.” Jeremy Aynsley, Royal College of Art

“Provides a great deal of food for thought for beginning design students from numerous subdisciplines and is also a good refresher for more advanced scholars.” Design Issues 2009 608pp • 244 x 189mm • 50 bw illus PB

978 1 84788 236 3

£19.99

978 1 84788 237 0

£60.00

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“The project was not merely conceived as a gathering exercise but explicitly seeks to contribute to contemporary design writing.” Artefact Bringing together the best classic and contemporary writing, Design Studies: A Reader is the ideal entry point for any student who wants to understand the many complex roles of design – as process, product, function, symbol, and use. The essays are presented in themed sections covering history, methods, theory, visuality, identity, consumption, labour, industrialization, new technology, sustainability and globalization.

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H I STORY AND CULTURE Scandinavian Design

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Alternative Histories Kjetil Fallan “The book brings together new information, new approaches and a new set of narratives that make us look again at the idea of Scandinavian design. These alternative histories challenge existing orthodoxies and, as such, are guaranteed to become key design historical texts of the 21st century.”

A radical reappraisal of one of the most productive and influential design regions in the world

Penny Sparke, Kingston University, London

February 2012 288pp • 234 x 156mm • 51 bw illus PB

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Scandinavian design is still seen as democratic, functional and simple, its products exemplifying the same characteristics now as they have done since the 1950s. But both the essence and the history of Scandinavian design are much more complex than this. Scandinavian Design: Alternative Histories presents a radically new assessment, a corrective to the persistent mythologies and reductive accounts of Scandinavian design. The book brings together case studies from the early twentieth century to today. Drawn from fields as diverse as transport, engineering, packaging, photography, law, interiors, and corporate identity, these studies tell new or unfamiliar stories about the production, mediation and consumption of design. Scandinavian Design analyses a century of design culture from Denmark, Finland, Norway and Sweden and, in so doing, presents a sophisticated introduction to Scandinavian design. Kjetil Fallan is Associate Professor of Design History in the Department of Philosophy, Classics, History of Art and Ideas at the University of Oslo, Norway.

Designing Things A Critical Introduction to the Culture of Objects Prasad Boradkar

Includes boxed case studies, interviews, chapter summaries, and glossary Companion website also available! www.designingthings.org

“A lucid introduction to many of the theoretical perspectives that exist around objects and their design. For students it provides a deep understanding of the social meanings of design in both its production and consumption, and the ethical issues that these raise.” Guy Julier, Leeds Metropolitan University

“A must-read for those interested in the world of things. It explains complicated theoretical texts in ways that will delight readers.” David Brody, Parsons The New School for Design

May 2010 336pp • 244 x 172mm 100 bw illus PB

978 1 84520 427 3

£19.99

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£55.00

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Designing Things provides the reader with a map of the rapidly changing field of design studies, a subject which now draws on a diverse range of theories and methodologies – from philosophy and visual culture, to anthropology and material culture, to media and cultural studies. With clear explanations of key concepts – such as form language, planned obsolescence, object fetishism, product semantics, consumer value and user needs – overviews of theoretical foundations and case studies of historical and contemporary objects, Designing Things looks behind-the-scenes and beneath-the-surface at some of our most familiar and iconic objects. Prasad Boradkar is Associate Professor of Industrial Design and Director of InnovationSpace at Arizona State University.

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T H E O RY A N D P R AC T I C E The Handbook of Design Management Edited by Rachel Cooper, Sabine Junginger and Thomas Lockwood Consultant Editors: Richard Buchanan, Richard Boland and Kyung-Won Chung The management of design has emerged as central to the operational and strategic options of any successful organization. The Handbook of Design Management presents a state-of-the-art overview of the subject – its methodologies, current debates, history and future. The handbook covers the breadth of principles, methods and practices that shape design management across the different design disciplines. These theories and practices extend from the operational to the strategic, from the product to the organization. August 2011 544pp • 244 x 172mm • 70 bw illus HB

978 1 84788 488 6

£80.00

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Bringing together leading international scholars, the handbook provides a guide to the latest research in the field. It also documents the shifts that have been taking place both in management and in design which have highlighted the value of design thinking and design education to organizations.

A broad international overview of research across all aspects of design management, designed for graduate students and scholars as the ultimate desktop reference

Presenting the first systematic overview of the subject – and offering a wide range of examples, insights and analysis – the handbook is an invaluable resource for researchers and students in design and management, as well as for design practitioners and professional managers. EDITORS: Rachel Cooper is Director and Professor of Design Management at ImaginationLancaster, and also Chair of the Lancaster Institute of Contemporary Arts at Lancaster University. Sabine Junginger is Lecturer in Design at ImaginationLancaster and the Contemporary Institute for the Arts, Lancaster University, and a Fellow at the Hertie School of Governance in Berlin. Thomas Lockwood is President of the Design Management Institute. CONSULTANT EDITORS: Richard Buchanan is Professor of Information Systems at the Weatherhead School of Management, Case Western Reserve University. Richard Boland is the Elizabeth and William C. Treuhaft Professor in Information Systems and Department Chair of Information Systems at the Weatherhead School of Management, Case Western Reserve University. Kyung-Won Chung is Deputy Mayor of Culture, Design and Tourism for the Seoul Metropolitan Government. CONTENTS SUMMARY Preface by Peter Gorb General Introduction 1. A Place for Design in Management Education? 2. Design Management: Why is it needed now? 3. Silent Design 4. The Designer and Manager Syndrome 5. Organising Design Activities 6. Design: A Powerful but Neglected Strategic Tool 7. Into a Changing World 8. New Approaches to Design and Management in India 9. User-Centred Design and Design-Centred Business Schools 10. Mutual Inspiration and Learning between Management and Design 11. Manifesto for the M(B)A in Designing Better Futures 12. Embedding Design Practice within Organisations

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13. Challenges of Design Management in Construction 14. A Prospective of Service Design Management: Past, Present and Future 15. Successful Design Management in Small and Medium Businesses 16. A Study on the Value and Applications of Integrated Design Management 17. Changes in the Role of Designers in Strategy 18. Design Strategic Value Revisited: A Dynamic Theory for Design as Organisational Function 19. Design Management as Integrative Strategy 20. The Role of Design in Innovation – A Status Report 21. Connecting Marketing and Design 22. Design Economy – Value Creation and Profitability 23. Design Transformations: Measuring the Value of Design 24. Major Challenges for Design Leaders over the next Decade

25. Design Leadership: Current Limits and Future Opportunities 26. The Evolution of Design and Design Management in China 27. Construction Principles and Design Rules in the Case of Circular Design 28. A Critical Scan dinavian Perspectives on the Paradigms Dominating Design Management 29. Public Policy and Public Management: Contextualising Service Design in the Public Sector 30. New Design Business Models – Implications for the Future of Design Management 31. Working the Crowd: Crowd-sourcing as a Strategy for Co-design 32. On Managing as Designing Conclusions Bibliography Index

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T H EORY AND PR AC TICE Design and Designing

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A Critical Introduction Edited by Steve Garner and Chris Evans

A one-volume Design and Designing covers the design process, modelling introduction to, and and drawing, working with clients, production and overview of, all aspects of consumption, sustainability, professional practice design today, packed with and design futures. Chapters are written by expert pedagogic material: images, teachers and practitioners from around the globe, each case studies, highlight presenting an accessible and engaging overview of their boxes and activity field of design. Every chapter is highly illustrated with a projects combination of images and information boxes, which extend or highlight key material. Each section concludes with a design project, a hands-on activity for the reader.

March 2012 448pp • 244 x 189mm 218 bw and 32 colour illus PB

978 1 84788 576 0

£24.99

978 1 84788 577 7

£75.00

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Design and Designing covers the full spectrum of design types, from graphic communication to product design, from fashion to games design, setting every type in its aesthetic, ethical and social contexts. With this essential book, readers will learn from today’s best practice and best thinking in design, they will develop a critical sense, and become the designers of tomorrow.

CONTENTS SUMMARY Introduction 1. The Designing Process 2. Creating and Communicating 3. Designing for People 4. Business, Markets and Clients 5. Sustainable Design and Designing

Steve Garner has led some of the UK’s most innovative and popular design courses, most recently as Professor of Design at The Open University. Chris Evans has 20 years’ design and management experience with major companies and leads the teaching of Design at Aston University, Birmingham.

6. The Professional Practice of Design 7. Design Futures Endnotes Bibliography Index

The Designed World Images, Objects, Environments Edited by Richard Buchanan, Dennis Doordan and Victor Margolin The Designed World brings together key essays from the preeminent journal, Design Issues. The book is structured to cover the life of a designed object or project from conception and fabrication to evaluation. The essays are divided into themed sections, with each section separately introduced and each concluded with further reading.

October 2010 416pp • 244 x 189mm • 86 bw Illus PB

978 1 84788 585 2

£24.99

978 1 84788 586 9

£70.00

The Designed World aims to break down the often rigid boundaries between history, theory and criticism. Despite the wide range of subjects discussed, the book highlights the commonalities across all aspects of design. The reader will be invaluable to students, scholars and practitioners across the field of design. Richard Buchanan is Professor of Design, Management and Information Systems at the Weatherhead School of Management, Case Western Reserve University. Dennis Doordan is Professor of Architectural and Design History at Notre Dame University. Victor Margolin is Professor Emeritus of Design History at the University of Illinois, Chicago.

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T H E O RY A N D P R AC T I C E Becoming Human by Design

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Tony Fry The last in Tony Fry’s celebrated trilogy of books published by Berg continues his radical rethinking of design. Becoming Human by Design’s provocative argument presents a revised reading of human ‘evolution’ centred on ontological design. Examining the relation of design to the nature of the human species – where the species came from, how it was created, what it became and its likely future – Fry asserts that current biological and social models of evolution are an insufficient explanation of how ‘we humans’ became what we are.

October 2012 256pp • 189 x 150mm PB

978 0 85785 355 4

£17.99

978 0 85785 354 7

£55.00

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£17.99

Tony Fry is Director of the sustainment consultancy Team D/E/S and Adjunct Professor of Design, Griffith University, Queensland College of Art.

Design as Politics Tony Fry “To say that this book is ‘timely’ is an understatement. Fry offers us one of the most prescient theses for the design of a different possible future – a time and a politics ‘to-come’ – that we have. We all ignore the messages of this book at our own peril.” Duncan Fairfax, Goldsmiths, University of London

“Fry grabs you by the collar and shakes you until everything you thought was true seems like a giant lie ... What more can you ask of a book than to challenge and incite?” Tom Matyok, Interiors

November 2010 288pp • 189 x 150mm PB

978 1 84788 567 8

£19.99

978 1 84788 568 5

£55.00

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£19.99

Design as Politics confronts the inadequacy of contemporary politics to deal with unsustainability. Current ‘solutions’ to unsustainability are analysed as utterly insufficient for dealing with the problems but, further than this, the book questions the very ability of democracy to deliver a sustainable future.

Design Futuring Sustainability, Ethics and New Practice

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Tony Fry “Forceful, convincing, persuasive, and ultimately refreshing, leaving the reader with renewed investment in the role of designers for a sustain-able future.” Interiors “Broad. Accessible. Timely.” Eli Blevis, Indiana University at Bloomington November 2008 288pp • 189 x 150mm • 50 bw illus PB

978 1 84788 217 2

£16.99

978 1 84788 218 9

£50.00

Illustrated throughout with international case material, Design Futuring presents the author’s ground-breaking ideas in a coherent framework, focusing specifically on the ways in which concerns for ethics and sustainability can change the practice of design for the twenty-first century. > See also page 22

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T H EORY AND PR AC TICE Design Thinking Understanding How Designers Think and Work Nigel Cross “Nigel Cross is widely recognised as the leading figure of his generation in design research. In this book he has produced an accessible, lucid and authoritative description of designers’ thought processes and strategies, which is essential reading for understanding design.” Michael Tovey, Coventry University “A highly accessible read that will doubtless help many designers to better understand – and perhaps also to question – the things they do in their work life, and why they do them.” The Designer Magazine

April 2011 192pp • 189 x 150mm • 40 bw illus PB

978 1 84788 636 1

£14.99

978 1 84788 637 8

£45.00

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Focusing on what designers do when they design, Design Thinking is structured around a series of in-depth case studies of outstanding and expert designers, interwoven with overviews and analyses. The range covered reflects the breadth of design, from hardware and software design to architecture and Formula One. The book offers new insights into, and understanding of, design thinking, based on evidence from observation and investigation of design practice. Design Thinking is the distillation of the work of one of design’s most influential scholars. Nigel Cross goes to the heart of what it means to think and work as a designer. The book is an ideal guide for anyone who wants to be a designer or to know how good designers work in the field of contemporary design.

CONTENTS SUMMARY 1. Design Ability 2. Designing to Win 3. Designing to Please 4. How Designers Think 5. Designing to Use 6. Designing Together 7. How Designers Work 8. Design Expertise Bibliography Index

Nigel Cross is Emeritus Professor of Design Studies, Open University.

Writing Design Words and Objects Edited by Grace Lees-Maffei “This volume promises to become essential reading for anyone interested in the historical and contemporary circumstances by which words describe design, and design defines language.” Jeremy Aynsley, Professor of History of Design, Royal College of Art “Writing Design is long overdue. For well over a century, critics, historians, theorists and designers themselves have used a multitude of words to describe, suggest, denote, evoke and critique that evasive concept of ‘design’. Now, for the first time, a group of scholars have set out to reflect on that long-standing practice and to make us think more deeply about the complex relationship that exists between words and things.”

December 2011 288pp • 244 x 172mm • 51 bw illus

Professor Penny Sparke, Kingston University, London

978 1 84788 955 3

£19.99

How do we learn about the objects that surround us?

978 1 84788 956 0

£60.00

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Writing Design provides a unique examination of what is at stake when we convert the material properties of designed goods into verbal or textual description. Issues discussed include the role of text in informing design consumption, designing with and through language, and the challenges and opportunities raised by design without language. Bringing together a wide range of scholars and practitioners, Writing Design reveals the difficulties, ethics and politics of writing about design. Grace Lees-Maffei is Reader in Design History in the School of Creative Arts at the University of Hertfordshire.

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T H E O RY A N D P R AC T I C E Doing Research in Design Christopher Crouch and Jane Pearce Doing Research in Design presents new ways of thinking about the relationship between design and research by positioning design as a social as well as a material practice. The book outlines the relationships between thinking and doing in design – and makes explicit links between design, research, philosophy and sociology – and then examines four central social research methodologies in practice. April 2012 224pp • 244 x 172mm • 8 bw illus PB

978 1 84788 579 1

£19.99

978 1 84788 580 7

£55.00

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The most up-to-date overview of research methods in design available

Introduction 1. Positioning the Designer 2. What Do Designers and Researchers Do? Thinking, Doing and Researching 3. Practice and Praxis, Reflection and Reflexivity

The aim of this book is to provide anyone involved in the field of design with the knowledge and understanding of the best methods to plan and conduct their research.

4. Thinking about Research: Methodology

Christopher Crouch coordinates Higher Degrees by Research in the School of Communications and Arts at Edith Cowan University, and is Professor in the School of Art and Design, Southwest University, Chongqing. Jane Pearce is Senior Lecturer in Education at Murdoch University, Australia.

7. Understanding Through Story: Narratives

5. Doing Research: From Methodologies to Methods 6. In the Picture: Ethnography and Observation 8. Using Case Studies and Mixed Methods 9. Action Research 10. Writing About Research Bibliography Index

Structure and Form in Design Critical Ideas for Creative Practice Michael Hann “This book is a unique contribution to the theory of structural design in two and three dimensional form, and should be of interest to surface designers, architects, and interior designers.” Charlotte Jirousek, Cornell University

August 2012 288pp • 244 x 189mm 210 bw and 32 colour illus PB

978 1 84788 742 9

£24.99

978 1 84788 743 6

£70.00

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This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed. Structure and Form in Design successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers. Michael Hann is Chair of Design Theory at the University of Leeds.

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NE W! CONTENTS

A very accessible guide, packed with real-world examples of successful design, a wealth of illustrations and student exercises

1. Introduction 2. The Fundamentals and Their Role in Design 3. Underneath it All 4. Tiling the Plane Without Gap or Overlap 5. Symmetry, Patterns and Fractals 6. The Stepping Stones of Fibonacci and the Harmony of a Line Divided 7. Polyhedra, Spheres and Domes 8. Structure and Form in Three Dimensions 9. Variations on a Theme: Modularity, Closest Packing and Partitioning 10. Structural Analysis in the Decorative Arts, Design and Architecture 11. A Designer’s Framework Appendices References

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T H EORY AND PR AC TICE Digital Design

NE W!

A Critical Introduction Dean Bruton and Antony Radford

The first critical overview of how to design with digital media

Digital Design provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it CONTENTS addresses some fundamental questions about creative 1. Rules and Digital Design design with digital media.

August 2012 192pp • 244 x 189mm 30 colour and 170 bw illus PB

978 1 84788 828 0

£24.99

978 1 84788 829 7

£60.00

E-IND 978 1 84788 917 1

£24.99

TEXTBOOK

Going beyond existing texts on the subject, Digital Design is an accessible primer whose innovative approach transcends the analysis of individual subfields – such as animation, games and website design – yet offers practical help within all of them.

2. Bending Rules 3. Making Digital Artefacts 4. Developing Digital Creativity 5. Analysis: Product Design and Art 6. Analysis: Architecture, Film and Games 7. Serious Play

Dean Bruton is an artist leading the Digital Arts Program at the School of Arts and Social Sciences, Southern Cross University. Antony Radford is an urban designer and Emeritus Professor of Architecture at the University of Adelaide.

8. Studio Journals 9. Critical Ideas Bibliography Index

Color and Design

NE W!

Edited by Marilyn DeLong and Barbara Martinson Color and Design addresses how we understand and experience colour, and through specific examples explores how colour is used in a spectrum of design-based disciplines including apparel design, graphic design, interior design, and product design. Through highly engaging contributions from a wide range of international scholars and practitioners, the book explores colour as an individual and cultural phenomenon, as a pragmatic device for communication, and as a valuable marketing tool. Marilyn DeLong is Professor of Apparel Studies, College of Design, University of Minnesota. Barbara Martinson is Professor of Graphic Design, College of Design, University of Minnesota. September 2012

CONTENTS SUMMARY

13. The Punk Palette: Subversion Through Color

224pp • 244 x 172mm

1. Seeing Color

14. Color Forecasting: Seasonal Colors

30 bw and 32 colour illus

2. Color in the Designed Environment

15. Methodology to Analyze and Predict In-depth Impressions of Color and Design on the Basis of Concept Networks

978 1 84788 951 5

£19.99

978 1 84788 952 2

£55.00

3. Issues in Color and Design Practice and Research Applications

E-IND 978 1 84788 953 9

£19.99

4. Color Relationships

16. Color Ambiance in Interiors

5. Color: Organizational Strategies

17. Color The World: Identifying Color Trends in Contemporary City Brands

6. The Social Politics of White 7. What Color is Sustainability? 8. Color and Cultural Identity in Ireland 9. Signaling Protection: The Use and Function of Color in Firefighter Clothing 10. Blood Red, Pure White and Soothing Green

18. Color and Community Involvement 19. Colors and Prototypes: The Significance of the Model's Colors and Textures in Expectations for the Artifact 20. Color and Computer-Aided Design

11. Color Continuity and Change in Korean Culture

21. Color as a New Skin: Technology and Personalization

12. Exploring the Colors of Turkish Culture

Index

> See also page 21

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IN T E R I O R D E S I G N NE W! Interior Design and Architecture Critical and Primary Sources Edited by Mark Taylor Interior Design and Architecture is an indispensible multi-volume reference work that gathers historical and contemporary texts critical to understanding both the past and future directions of interior design.

An indispensible four-volume reference work, comprising over 100 historical and contemporary texts on interior design and architecture

The four volumes bring together over 100 essays and papers from Asia, Europe and North America, covering disciplinary origins in decoration and furnishing, through to recent enquiry into digital interactive spaces and virtual environments. The range of historical, theoretical and methodological approaches examines the social formation and spatial arrangements of interiors as they shift from the sensuous and emotive to the spatial politics of homogenised modernist terrain. Special Introductory Offer: £495 when you order by 30th April 2013* February 2013 1,600pp • 244 x 172mm HB SET 978 1 84788 929 4 £495*

Ordered thematically, the volumes cover Design Awareness, Sensory Expectation, Cinematic Engagement and Public Interaction. Each volume is separately introduced and the essays structured into coherent sections on specific themes. Interior Design and Architecture will prove a major scholarly resource for researchers involved in the study of the interior.

*Price after 1st May 2013: £550

Mark Taylor is Professor of Architecture at the University of Newcastle, Australia.

CONTENTS SUMMARY VOLUME ONE: DESIGN AWARENESS

VOLUME TWO: SENSORY EXPECTATION

VOLUME THREE: CINEMATIC ENGAGEMENT

1. Aesthetic and Scientific Advice

1. Home

1. Filmic Space

2. Modernity and Designed Interiors

2. Interiority

2. Literary Inscriptions

3. Seduction and Sensation

3. Artistic Practice

4. Culture and Identity

4. Photographic Representation

3. Political Intentions

VOLUME FOUR: PUBLIC INTERACTION 1. Spectatorship and the Public Realm 2. Exhibition and Temporary Space

4. Theoretical Formulations

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INTERIOR DESIGN Interior Design A Critical Introduction

TEXTBOOK

Clive Edwards “An inspiration for further investigation into the theory and discipline of interior design and interior architecture.” Ellen S. Klingenberg, Oslo National Academy of the Arts

November 2010 288pp • 244 x 189mm 70 bw and 32 colour illus PB

978 1 84788 312 4

£19.99

978 1 84788 313 1

£55.00

The only global introduction to cover both the theory and practice of interior design, packed with case studies from across the globe

Interior Design presents a critical introduction to contemporary theory and practice. The book highlights the key concepts behind the study of interiors in order to present an inter-disciplinary overview of the subject. Always aware that design is a practical discipline, the book is illustrated throughout with examples and detailed case studies of interior design practice. Clive Edwards is Professor of Design History at Loughborough University.

Domestic Interiors

NE W!

Representing Homes from the Victorians to the Moderns Georgina Downey Taking a room by room approach, Domestic Interiors explores how representations of domestic space have embodied changing values from the Victorians to the moderns. Scholars from the US, UK and Australasia re-visit and re-think interiors by Bonnard, Matisse, Degas and Vuillard, as well as the great spaces of early modernity; the drawing room in Rossetti’s house, hallways in Hampstead Garden Suburb, the Paris attic of the Brothers Goncourt; Schütte-Lihotzky’s Frankfurt Kitchen, to explore how interior making has changed from the Victorian to the modern period.

December 2012 224pp • 244 x 189mm • 50 bw illus PB

978 1 84788 931 7

£24.99

978 1 84788 932 4

£60.00

E-IND 978 1 84788 933 1

£24.99

From the smallest room – the bathroom – to the spacious verandas of Singapore Deco, Domestic Interiors focuses on modern rooms ‘imaged’ and imagined, it builds a distinct body of knowledge around the interior, interiority, representation and modernity, and creates a rich resource for students and scholars in art, architecture and design history. Georgina Downey is Visiting Research Fellow in Art History at the University of Adelaide.

Performance, Fashion and the Modern Interior From the Victorians to Today Edited by Fiona Fisher, Trevor Keeble, Patricia Lara-Betancourt and Brenda Martin Performance, Fashion and the Modern Interior presents an assessment of how the last 150 years of interior design have been influenced by the clothes people wear and the desire to create drama and social rituals. October 2011 352pp • 244 x 189mm • 100 bw illus PB

978 1 84788 781 8

978 1 84788 782 5

£27.99 £75.00

E-IND 978 0 85785 059 1

£27.99

Scholars from Europe, Canada, America and Australia present a range of interior environments – domestic interiors, sets for stage and film, exhibition spaces, art galleries, hotel lobbies, cafés and retail spaces – to explore each as an intersection of fashion, lifestyle and performance. Sharing the thesis that the fashionably-dressed body and the interior can be seen as part of the same creative and expressive continuum, the essays highlight the ways in which interiors can give shape to and dramatise modern life. Fiona Fisher and Patricia Lara-Betancourt are Postdoctoral Researchers in the Faculty of Art, Design and Architecture at Kingston University, London. Trevor Keeble is Associate Dean of the Faculty of Art, Design and Architecture at Kingston University. Brenda Martin is the Curator of the Dorich House Museum at Kingston University.

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IN T E R I O R D E S I G N STUDIO COMPANION SERIES

NE W!

Donna Lynne Fullmer The Studio Companion Series consists of four books, which provide a launch pad into the study of design and architecture. Clear instructions and a wealth of examples give students a comprehensive look at the entire design process, from concept to presentation. Developed for today’s student, the books present material in a contemporary and graphic manner and are compact and highly portable. · Each book includes more than 100 visuals that provide examples of concepts · Provides learning objectives and key terms with definitions · Features simple hands-on exercises and review assignments that can be completed by individuals or teams · Teaching resources: Instructor’s Guide and Power Point presentation available Donna Fullmer is based at Kansas State University.

Design Basics Design Basics familiarizes students with the fundamental elements and principles of design, offering them a vocabulary with which to understand and discuss interiors and architecture. Using well-articulated definitions and clear, highly visual examples, this full-colour book will expand students’ appreciation of design and help them get started creating their own spaces. April 2012 224pp • 200 x 225mm • 100 illus, 12pp full colour PB

978 1 60901 092 8

£30.00

TEXTBOOK

Drafting Basics Drafting Basics offers an introduction to the art of hand drafting using lead and ink. Students will first learn how to communicate through fundamental two-dimensional drawings including lettering, plans, elevations, and sections. The book then covers the basics of technical drafting, reinforcing the importance of the hand skills required of interior design professionals at every point along the career path. January 2012 224pp • 200 x 225mm • 100 illus, 12 pp full colour PB

978 1 60901 095 9

£30.00

TEXTBOOK

3D Design Basics 3D Design Basics explores basic three-dimensional options for presenting design ideas, including models, paraline drawings, and perspective drawings. Students will be exposed to a variety of model-building tools and methods and learn how to start designing with quick rip-and-tear models. August 2012 224 pp • 200 x 225mm PB

978 1 60901 098 0

£30.00

TEXTBOOK

Presentation Basics Presentation Basics helps students hone both of the critical aspects of successful presentation – visual and verbal skills. Writing from the viewpoint that an effective presentation requires much more than adept graphic representation, Fullmer helps students strengthen their verbal skills to sell their ideas. The book also takes an essential look at business etiquette and body language, stressing the impact of these factors on a presentation. September 2012 160pp • 200 x 225mm PB

978 1 60901 101 7

£30.00

TEXTBOOK

Fairchild Books are not available from Bloomsbury in the Americas and Caribbean

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INTERIOR DESIGN Foundations of Interior Design, 2nd Edition NE W!

Design Portfolios, 2nd Edition Diane M. Bender NE W!

Susan J. Slotkis and Katherine K. Ankerson Design Portfolios enables students to create portfolios that are evolving collections of design problems and creative solutions, and which serve as evidence of their abilities to visually relay messages.

A comprehensive introduction to the creative, technical and business knowledge required by the interior design profession. It encompasses colour theory, design history, architectural elements, finishing touches, trend forecasting and the basics of running an interior design business.

• Includes extensive information on gathering, organising and presenting a portfolio

• Includes integrated CD-Rom • Richly illustrated with images that reflect current trends in interiors and products • Addresses contemporary concerns such as sustainability and universal design Susan J. Slotkis is an Adjunct Assistant Professional in the Interior Design Department of Fashion Institute of Technology and an adjunct instructor at New York University. Katherine K. Ankerson is based at the University of Nebraska, Lincoln. 978 1 60901 115 4

£65.00

• Provides advice on tailoring a portfolio for specific customers and various types of firms • Tips and strategies for job hunting, preparing an eﬀective resume, and interviewing Diane M. Bender is based at Arizona State University. September 2012 • 448pp • 275 x 216mm

September 2012 • 576pp • 279 x 216mm • 900 colour illus PB

• Uses examples from both undergraduate and graduate design student portfolios

TEXTBOOK

978 1 60901 241 0

£40.00

Interior Design Materials NE W! and Specifications, 2nd Edition

Residential Kitchen and Bath Design

Lisa Godsey

Anastasia Wilkening This complete guide to the selection of materials for interiors has been updated to reflect recent changes in the industry. Written from the viewpoint of the working designer, this textbook describes each material’s characteristics and teaches students how to evaluate, select and specify materials.

TEXTBOOK

NE W!

Residential Kitchen and Bath Design provides students with core knowledge of this interior design sub-speciality and equips them with the skills they can use to create residential kitchens and baths that are both functional and beautiful.

• Contains detailed photos and illustrations

• Includes extensive coverage of measurement, with charts and templates for windows, walls and appliances

• Includes discussion of budgets, codes, sustainability, and function and aesthetic aspects of materials both in residential and non-residential spaces

• Exercises and assignments that involve drafting plans for a variety of design projects and solving problems related to each chapter’s subject area

• Addresses and meets the CIDA standards for Furniture, Fixtures, Equipment and Finish Materials and Regulations

• Provides case studies and boxed features providing insight into real-world designer experiences

Lisa Godsey is an instructor of interior design at the International Academy of Design and Technology, Chicago and at the Illinois Institute of Art-Chicago.

• Instruction in both the U.S. imperial and metric system

November 2012 • 360pp • 275 x 216mm

March 2012 • 512pp • 200 x 250mm

250 colour illus PB

978 1 60901 229 8

Anastasia Wilkening works at the International Academy of Design and Technology.

£55.00

TEXTBOOK

978 1 60901 125 3

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TEXTBOOK

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IN T E R I O R D E S I G N Space Planning for Commercial Office Interiors NE W! Mary Lou Bakker Space Planning for Commercial Office Interiors provides a thorough and engaging look at the entire process of space planning for offices: from meeting the client for the first time to delivering a beautifully rendered and creative space plan that addresses all of that client’s needs. • Covers all aspects of space planning for oﬃces: building footprints, circulation, typical layouts, conference rooms, support rooms, reception areas, programming, and implementing and presenting a plan • Includes diagrams, plan views, typical layouts and CAD drawings • Provides appendices with sample client profiles, building locations, programming and building floorplate questionnaires, and circulation plan view

The Interior Plan: Concepts and Exercises Roberto J. Rengel An introductory level book addressing the ‘nitty-gritty’ of designing and planning interior environments. The Interior Plan presents topics such as the making of rooms, the design of effective spatial sequences, the functional relationships among project parts, the arrangement of furniture, planning effective circulation systems, making spaces accessible, and designing safe environments with efficient emergency egress systems. Roberto J. Rengel is based at the University of WisconsinMadison. November 2011 • 330pp • 279 x 216mm PB

978 1 56367 933 9

£40.00

TEXTBOOK

Mary Lou Bakker is a licensed interior designer and principle of ML Design, LLC, specializing in commercial interior design. February 2012 • 384pp • 279 x 216mm • 16pp full colour PB

978 1 56367 905 6

£55.00

TEXTBOOK

Illustrated Codes for Designers: Residential NE W!

Fundamentals of Lighting, 2nd Edition Susan M. Winchip Fundamentals of Lighting, 2nd Edition emphasizes the sustainability characteristics of daylighting and electrical lighting and has an almost entirely new art program with over 300 photographs of global interiors and new lighting systems.

Katherine S. Ankerson

This CD-ROM bridges the use of laws, codes, regulations and standards and how they affect the interior designer or different project types and at varying phases of the design process of a project. Illustrated Codes for Designers: Residential is designed as a robust textbook as well as a ‘just-in-time’ reference guide for designers. • Includes interviews with professional interior designers, architects and building code oﬃcials

• Completely revised edition, including reorganized Table of Contents • Updated discussion of lamp technologies, luminaires, controls, human factor research, and energy codes and standards • New content on sustainability concepts, including an explanation of lighting, daylighting design, controls and eﬃcient lamps and luminaires

• Provides case-studies, multiple interactive tables, timelines, images and animations

• New information regarding solid-state lighting technologies, including LEDs and OLEDs, as well as daylighting strategies and new energy codes and standards

• Teaching resources: Instructor’s Guide and Power Point presentation available

Katherine S. Ankerson is based at University of Nebraska, Lincoln.

Susan M. Winchip is based at Illinois State University.

February 2012

September 2011 • 384pp • over 300 colour illus • 187 x 225mm

CD-ROM

978 1 60901 118 5

Fairchild Books are not available from Bloomsbury in the Americas and Caribbean

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£45.00

978 1 60901 086 7

£45.00

TEXTBOOK

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INTERIOR DESIGN Meanings of Designed Spaces: Social, Cultural and Philosophical Essays about Spaces, People and the Designed World NE W! Tiiu Poldma A collection of articles by – and interviews with – renowned design academics and professionals exploring how people make meaning using design today, and how ‘designed space’ both shapes and is shaped by technology, business, ethics, culture, sustainability and society. The book’s subject matter moves from the theoretical to the practical and includes, at times, contradictory viewpoints, providing a springboard for conversation and debate. Tiiu Poldma is based at the School of Industrial Design at the University of Montreal.

Inclusive Design: A Universal Need

NE W!

Linda L. Nussbaumer Fully covering CIDA accreditation standards that include both the application of ADA as well as universal design, Inclusive Design specifies how an inclusive approach to residential, commercial, product design, and technology creates accessible and aesthetically pleasing environments and tools for everyone to use together. Linda L. Nussbaumer is based at South Dakota State University. February 2012 • 352pp • 279 x 216mm • 16pp full colour PB

978 1 56367 921 6

£55.00

TEXTBOOK

September 2012 • 432pp • 187 x 235mm PB

978 1 60901 145 1

£40.00

Diversity in Design: Perspectives from the Non-Western World

Environmental Psychology for Design, 2nd Edition

Vibhavari Jani

DAK Kopec

This text provides a much needed educational resource so that educators can teach interior design from an inclusive perspective which acknowledges the contributions of all world cultures, not just western European traditions. Each unit will represent a selected country and provide information on that country’s culture, design philosophies, theories, principles and elements and symbolic meaning evident in built forms, colours, patterns, and textiles, as told by contributors native to the country.

How does a room affect an occupant’s behaviour and well-being? How does a building influence its residents’ health? Environmental Psychology for Design, 2nd Edition explores these questions with an in-depth look at psychosocial responses to the built environment. Awarded the 2006 ASID Joel Polsky Prize, the first edition served as an introduction to the discipline of environmental psychology and inspired readers to embrace its key concepts and incorporate them into their practice. This second edition continues to analyse the interaction between environments and human behaviour and well-being, while exploring how individual differences related to age, gender, and cultural background impact that interaction. The book provides many proactive initiatives designed to minimize stress and maximize user satisfaction, helping readers to create more comfortable spaces that will both satisfy the needs of the intended occupants and expand the scope of design.

• Enriched with discussion questions, assignments, projects and exercises, supplementing student learning • Teaching resources: Instructor’s Guide and Power Point presentation available Vibhavari Jani is based at Louisiana Tech University and holds the Cunningham Endowed Professorship in Interior Design. September 2011 • 480pp • colour illus • 279 x 216mm PB

978 1 56367 755 7

£60.00

TEXTBOOK

NE W!

David Alan ‘DAK’ Kopec is based at the New School of Architecture and Design. May 2012 • 432pp • 279 x 216mm PB

978 1 60901 141 3

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TEXTBOOK

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IN T E R I O R D E S I G N / A RC H I T EC TURE Interior Design

NE W!

Theory and Process Anthony Sully Interior Design: Theory and Process provides a conceptual approach to analysing structure, function, space and light, and styling forms. Each topic is divided into graspable elements, making this an accessible text for students and a useful handbook for experienced practitioners wishing to recharge their batteries. • Includes everything from the basic elements that make up an interior space and a design concept through to the human form being designed for, visual judgment and eﬀect, and the sequence of working May 2012 208pp • 276 x 219mm 240 colour and 140 bw illus PB

978 1 40815 202 7

£25.00

• Comprehensive contents range from the skills and responsibilities of an interior designer to definitions of terms; from the measurement and implications of the human form to geometry and proportion, and from visual understanding to codes and styles within interior design languages Anthony Sully is a graduate and Silver Medallist of the Royal College of Art. He runs his own interior design consultancy.

TEXTBOOK

The Story of Western Architecture

NE W!

4th Edition Bill Risebero Now in its fourth edition, this classic, bestselling book has been updated with brand new chapters and hand-drawn illustrations. Using a highly accessible approach, the author takes history rather than aesthetics as his starting point. The Story of Western Architecture explores not only the buildings constructed, but also how they were built, by whom and for what purpose. This informative book, brought to life through the author’s expressive line drawings, is an essential guide to how buildings have evolved through time for keen amateurs and experts alike. February 2012 352pp • 246 x 189mm • 200 bw illus PB

978 1 40812 813 8

£24.99

Bill Risebero is an architect and town planner who since 1988 has taught architecture, design and urban regeneration at a number of British and American universities.

B ES TS E L L E R Architecture The 50 Most Influential Architects in the World John Stones “Very handy source book that provides a useful overview of recent and contemporary architectural trends ... Concise and light, it is perfect to take on board for a business trip yet still manages to weigh in on some very controversial and recent topics.’’ In Design 2010 • 128pp • 184 x 127mm • 70 colour and 240 bw illus • SERIES: Little Book of Big Ideas HB

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978 1 40812 001 9

£9.99

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G R A P H I C D E S I G N AND ILLUSTR ATION Great Graphic Design in Half the Time

NE W!

Time-saving Software Secrets, Online Resources and Desktop Tips

The Complete Guide to Designing and Printing Fabric Laurie Wisbrun Packed with inspiration and contemporary examples, step-by-step tutorials and Interviews with established fabric designers

Stephen Beale

THE BEST SOFTWARE SECRETS, ONLINE RESOURCES, AND DESKTOP TIPS Stephen Beale

Great Graphic Design in Half the Time is the definitive one-stop technical answer shop for graphic designers at all levels, whether just starting out or with years of experience. It combines best-practice methods with common and lesser-known shortcuts all designed to help find those precious extra minutes when working to a deadline.

Screengrabs, diagrams, icons, and colour coding all enable quick and easy navigation through the book, so that these crucial time-saving tips are always at your fingertips. Stephen Beale is an award-winning technology journalist, focusing on computer applications in the graphic arts. He has authored and co-authored several books on computer graphics.

The Complete Guide to Designing and Printing Fabric is a comprehensive guide covering the entire fabric design process, from finding inspiration, through step-by-step tutorials on how to design a pattern (both digitally and by hand), looking at different printing methods (such as digital printing, screenprinting, monoprinting, stamping, stencilling, resist dying, painting and inkjet printing), to establishing and developing a fabric collection, and approaching a manufacturer. Laurie Wisbrun is a pattern and textile designer.

November 2012 • 208pp • 400 colour illus • 178 x 220mm

October 2011 • 208pp • over 200 colour illus • 220 x 200mm

978 1 40815 498 4

£19.99

Best Photoshop Filters Susannah Hall Best Photoshop Filters is the visual guide to more than 1,000 filter effects and how to use them. Photoshop filters give digital painters and illustrators an alchemical array of creative effects quickly and easily.

• Appropriate for both beginners and experienced users • Features over 500 colour illustrations • Clear step-by-step instructions

978 1 40814 700 9

£14.99

Digital Art Techniques for NE W! Illustrators & Artists Joel Lardner and Paul Roberts Digital Art Techniques for Illustrators and Artists is the essential guide to creating digital illustration and artworks using Photoshop, Illustrator and other illustration software. The book explains the creative potential of digital imagery for output to both print and screen, with detailed step-by-step sequences demonstrating Photoshop, Illustrator, and other pixel and vector-based programmes.

Susannah Hall has been using Photoshop as a designer and retoucher since its inception.

Joel Lardner is senior lecturer at the Arts University College, Bournemouth. Paul Roberts is a senior lecturer in Cultural Theory at the Arts University College in Bournemouth.

November 2011 • 416pp • over 500 colour illus • 222 x 165mm

March 2012 • 224pp • 200 colour illus • 254 x 215mm

978 1 40814 650 7

£24.99

978 1 40815 497 7

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£19.99

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D R AW I N G A N D D R A F T I N G Perspective Drawing for Interior Space Christopher Natale Using step-by-step instructions and coloured line drawings, Perspective Drawing for Interior Space provides students with the skills and techniques to create freehand and technical perspective drawings and sketches quickly to present their interior designs in perspective to a client. • Full-colour photographs are shown with an analysis of perspective elements such as vanishing points and horizon lines

November 2011 336pp • 279 x 216mm • colour illus PB

978 1 60901 071 3

£40.00

• Covers three-point perspective for advanced courses and students who have mastered oneand two-point perspective • Includes projects, a reference Glossary of Key Terms, an Appendix of Perspective Grids and a Metric Conversion Table

TEXTBOOK

Christopher Natale is based at The Art Institute of Phoenix.

Drafting and Design: Basics for Interior Design Travis Kelly Wilson Including step-by-step instructions and learning exercises, Drafting and Design covers basic information for drafting and applying drafting skills to the design process. • Coverage of the use of drawings tools, including lead holders, parallel bar, T-square, drafting table, adjustable triangle and architectural scale and how and when to use them for diﬀerent types of drawings • Includes techniques to manually draft accurate floor plans to scale with the proper line weights, paper, and lettering

June 2011 224pp • 216 x 279mm 2 colour illus PB

978 1 56367 837 0

£55.00

TEXTBOOK

• Chapters on electrical and lighting, schedules, kitchen and bath design and product designing, such as case goods, furniture, and small fixtures • Includes glossary, abbreviations key used in drawings, metric tables, and highlighted punch lists Travis Kelly Wilson is based at Western Kentucky University.

Sketching Interiors: From Traditional to Digital Suining Ding Sketching Interiors covers basic freehand sketching skills with different media including pencils, inks and markers. It then presents the technique of transformation of freehand sketching to digital drawing with Photoshop. • Covers basic freehand and digital sketching with diﬀerent media • Includes black and white and colour sketches, problem-solving exercises and examples, and drawing examples of interiors, exteriors, furniture and accessories June 2011 320pp • 228 x 305mm • colour illus PB

978 1 56367 918 6

£45.00

• Teaching resources: Instructor’s Guide and Power Point presentation available Suining Ding is based at Indiana University-Purdue University, Fort Wayne.

TEXTBOOK

Fairchild Books are not available from Bloomsbury in the Americas and Caribbean

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D R AWING AND DR AFTING Digital Drawing for Designers: A Visual Guide to AutoCAD 2012, 3rd edition

NE W!

Douglas R. Seidler Digital Drawing for Designers teaches the latest version of AutoCAD by relating to what architects and interior designers understand best: the visual world. Clear, concise and above all visual, this AutoCAD guide speaks directly to the needs of architects and interior designers. • Practice exercises reinforce each chapter’s topics • Clear explanation of drawing and printing with line weight

November 2012 • 240pp PB

978 1 60901 4117

£60.00

• Quick reference aids: command reference guide, index, and large-type page headers • New to this edition: Updated for AutoCAD 2012 with new instructions for 15 AutoCAD commands including COPY, ARRAY, PATH ARRAY, BLEND, HATCH and DIMENSIONS; new chapter dedicated to AutoCAD WS including apps for the iPhone and Android mobile devices; backwards-compatible with AutoCAD version 14 through 2012

TEXTBOOK

ALSO AVAILABLE: Digital Drawing for Designers 2011 June 2011 • 978 1 60901 066 9 • £60.00

• Student resources include a companion website with downloads for each chapter including exercises, plot styles, title block, drawing templates and professional AutoCAD drawings Douglas R. Seidler is based at Marymount University.

> See also page 11

USING COLOUR Designing with Color: Concepts and Applications Chris Dorosz and J.R. Watson This highly visual textbook/workbook takes an interactive approach to the study of colour and design, highlighting the elemental importance for designers to understand how colour is perceived, experienced, and manipulated in order to be used effectively in their designs. • Provides a thorough overview of the topic: the five units cover colour, 2D and 3D space, principles of design, pattern and mood with sections covering various disciplines

March 2011 384pp • 279 x 216mm • colour illus PB

978 1 56367 859 2

£60.00

• Chapter elements include vocabulary and key concepts, workbook activities, and suggested assignments to supplement student learning • Teaching resources: companion website and Instructor’s Guide available Chris Dorosz and J.R. Watson are both based at The Academy of Art University, San Francisco.

TEXTBOOK

The New Munsell® Student Color Set, 3rd Edition Jim Long Adaptable to both studio and lecture courses and appropriate for all student levels, this kit offers opportunities for experimenting with colour effects using paint, paper and computers. The text provides a complete study of colour use and colour science, including extended discussion of visual perception, optical effects, and practical application of colour phenomena in fine and applied art practices. • Interactive and experiential charts and colour samples are presented in an easy-to-use binder format August 2011

• Chapter elements include a list of key terms, objectives, summaries, assignments and exercises

176pp • colour illus KIT

978 1 60901 156 7

£45.00

• Text is flexible and adaptable to all kinds of art and design courses, as well as individual study • Instructor’s Guide and Power Point Presentation available Jim Long is Professor Emeritus at Virginia Commonwealth University.

> See also page 11

TEXTBOOK

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S U S TA I N A B I L I T Y Sustainable Design for Interior Environments, 2nd Edition NE W! Susan M. Winchip Fully updated to reflect changes in legislation, technologies, international initiatives and products, this second edition integrates the complex topics of sustainability with the design process to enable students to apply the concepts with the same ease as they apply the elements and principles of design.

Cradle-to-Cradle Home Design: Process and Experience NE W! Anna Marshall-Baker and Lisa M. Tucker

Based on the Cradle to Cradle (C2C) Home Competition, this book is a spirited, smart, engaging guide to practicing effective, evidence-based sustainable design. Over 600 entries from countries all over the world were submitted to the competition, which provide the archive for this book.

• Includes global case studies, summary tables, ‘Checking for Comprehension’ questions and exercises

• Features four professional and student awarded prize winners and the rationale behind the selections

Susan M. Winchip is Professor Emerita, Illinois State University.

Anna Marshall-Baker is based at University of North Carolina - Greensboro. Lisa M. Tucker is based at Virginia Polytechnic Institute and State University (Virginia Tech).

March 2012 • 400pp • 279 x 216mm • 16pp full colour PB

978 1 60901 081 2

£50.00

TEXTBOOK

March 2012 • 240pp • 229 x 305mm • full colour illus

> See also page 8

978 1 60901 075 1

£40.00

TEXTBOOK

P RO F E S S I O N A L S K I L L S Professional Practice for Interior Design in the Global Marketplace Susan M. Winchip NE W!

Presentation Strategies and Dialogue Christina Scalise

This textbook provides students with the information necessary to launch and build upon a career in interior design and information on running an interior design business.

Presentation Strategies and Dialogue provides analytical and physical techniques that will enable students to deliver engaging and powerful design presentations that both bring to life the design story and demonstrate how the solution meets the client’s needs.

• Dynamic layout, including photos, illustrations and sharp, useful information graphics • Examples of interdisciplinary projects, practices, and organizations

Christina Scalise is a professional interior designer and principal of her own firm, as well as part-time educator.

• Teaching Resources: Instructor's Guide and Power Point Presentations available

May 2012 • 224pp • 16pp colour insert • 216 x 279mm

August 2012 • 528pp • 200 x 279mm PB

9781609011383

£55.00

NE W!

TEXTBOOK

978 1 60901 144 4

£40.00

TEXTBOOK

A L S O AVA I L ABLE The Interior Design Intern Linda L. Nussbaumer Prepares students for an interior design internship by providing them with an organised plan to prepare, complete, and evaluate their experience.

Includes CD-ROM and teaching resources

Linda L. Nussbaumer is based at South Dakota State University. June 2011 • 256pp • 216 x 279mm PB 978 1 56367 907 0 £40.00

TEXTBOOK

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CR AFT NE W!

The Invention of Craft Glenn Adamson

Glenn Adamson’s engaging sequel to the widely acclaimed Thinking Through Craft extends his theoretical discussion of skilled work back in time and across numerous disciplines. The Invention of Craft searches out the origins of modern craft, locating its emergence in the period of the industrial revolution. Adamson demonstrates how craft was invented as industry’s ‘other’, a necessary counterpart to ideas of progress and upheaval. The book ranges widely across media, from lock-making, wood-carving and iron-casting to fashion, architecture and design. It also moves back and forth between periods, from the Eighteenth-century to the present day, demonstrating how contemporary practice can be informed through the study of modern craft in its moment of invention.

November 2012 256pp • 244 x 172mm 70 bw and 16 colour illus PB

978 0 85785 066 9

£16.99

978 0 85785 064 5

£55.00

Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum.

TEXTBOOK

Contemporary Jewellers Interviews with European Artists Roberta Bernabei This book offers an essential reference for anyone interested in contemporary European jewellery design. Through guided conversations with the major designers of today, Roberta Bernabei reveals the creative, conceptual and technical working practices that underpin the aesthetic of each practitioner’s work. Each interview is supported by photographs, a detailed bibliography and an appendix that locates the jewellers’ work in galleries, museums as well as online. Major jewellery artists present include: Giampaolo Babetto, Gijs Bakker, Otto Künzli, Ruudt Peters, Mario Pinton and Tone Vigeland, alongside members of the emergent generation: Ted Noten, Annamaria Zanella and Christoph Zellweger.

July 2011 288pp • 244 x 172mm 28 colour and 100 bw illus PB

978 1 84520 770 0

£19.99

978 1 84520 769 4

£55.00

Roberta Bernabei is a lecturer in silversmithing and jewellery at Loughborough University.

B ES TS E L L E R S

2009 672pp • 244 x 189mm

The Craft Reader

Thinking through Craft

Edited by Glenn Adamson

Glenn Adamson

“Thought-provoking, revealing, opinionated, intelligent, accessible and comprehensive ... a huge achievement.”

‘’A highly original contribution ... both thoughtful and exacting about crafted objects and the lessons provided by the artists’ time, labor and material inventiveness.’’

Crafts Magazine

Modern Painters

A collection for students of the key writings – classic and contemporary – on all aspects of craft history, theory and practice.

Co-published in Association with the Victoria and Albert Museum, London.

75 bw illus

2007 224pp • 234 x 156mm 44 bw and 16 colour illus

978 1 84788 303 2

£24.99

978 1 84788 304 9

£70.00

TEXTBOOK

978 1 84520 647 5

£16.99

978 1 84520 646 8

£53.00

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C R E AT I V E I N D U S T R I E S Creative Industries Critical Readings Edited by Brian Moeran and Ana Alacovska Across post-industrial societies worldwide, the creative industries are increasingly seen as a key economic driver. These industries – including fields as diverse as advertising, art, computer games, crafts, design, fashion, film, museums, music, performing arts, publishing, radio, theatre and TV – are built upon individual creativity and innovation and have the potential to create wealth and employment through the mechanism of intellectual property. Creative Industries: Critical Readings brings together the key writings – drawing on both journals and books – to present an authoritative and wide-ranging survey of this emerging field of study. The set is presented with an introduction and the writings are divided into four volumes, organized thematically:

November 2011 1,600pp • 244 x 172mm HB SET

978 1 84788 778 8

£550

Volume 1: Concepts – focuses on the concept of creativity and the development of government and industry interest in creative industries Volume 2: Economy – maps the role and function of creative industries in the economy at large Volume 3: Organization – examines the ways in which creative institutions organize themselves Volume 4: Work – addresses issues of creative work, labour and careers This major reference work will be invaluable to scholars in economics, cultural studies, sociology, media studies and organization studies. Brian Moeran is Professor and Director of the Creative Encounters Research Programme, Copenhagen Business School. Ana Alacovska is at Copenhagen Business School.

A L S O AVA I L A BLE Advertising Critical Readings Edited by Brian Moeran Advertising: Critical Readings brings together the key writings – drawing on both journals and books – to present an authoritative and comprehensive survey of the field. This major reference work will be invaluable to scholars and professionals in advertising, business, media and communications.

The first comprehensive collection of critical writings on advertising

The whole work is presented with an introduction and the writings are divided into four volumes, organized thematically: January 2010 1,600pp • 244 x 172mm HB SET

978 1 84788 550 0

£595

Volume 1: History – United States of America, Europe, Rest of the World Volume 2: Industry – Approaches to the Study of the Advertising Industry, Industry Organization Volume 3: Communication – New Media Forms, Advertising Style, Advertising Lifestyles Volume 4: Culture – Cultural Critiques, Cultural Systems: Magic, Art, Gender and Race

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VISUAL CULTURE NE W! Images Critical and Primary Sources Edited by Sunil Manghani

The first multidisciplinary collection of critical writings on the image

Images: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term ‘image studies’. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. Images: Critical and Primary Sources offers a major scholarly resource for any researchers involved in the study of the image and visual culture. Introductory offer: £495 when you order by 31st March 2013* January 2013

Sunil Manghani is Reader in Critical and Cultural Theory at York St John University.

1,600pp • 244 x 172mm HB SET

978 0 85785 084 3

£495*

*Price after 1st April 2013: £550

Volume 1: Understanding Images – establishes conceptual, historical, ideological and philosophical framings for understanding and defining the image Volume 2: The Pictorial Turn – with a focus on the most enduring and constitutive question of the image: its relationship to, with and against text and textuality Volume 3: Image Theory – offers representative materials covering key theoretical approaches for analyzing, interpreting and critiquing the image Volume 4: Image Cultures – examines a wide range of social and cultural contexts of the image, which covers aspects of visual evidence, image and memory, visual methodologies, scientific imaging and the practical engagement of image-makers.

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V I S UA L C U LT U R E The Handbook of Visual Culture Edited by Ian Heywood and Barry Sandywell Consultant Editors: Michael Gardiner, Gunalan Nadarajan and Catherine Soussloff Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the handbook aims to provide a comprehensive and authoritative overview of the subject. December 2011 816pp • 244 x 172mm 50 bw illus HB

978 1 84788 573 9

£80.00

E-IND 978 1 84788 575 3

£80.00

CONTENTS SUMMARY General Editorial Introduction Critical Approaches to the Study of Visual Culture: An Introduction to the Handbook 1. History and Theoretical Perspectives

The handbook embraces the extraordinary range of disciplines which now engage in the study of the visual – film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, it responds to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art.

2. Art and Visuality 3. Aesthetics, Politics and Visual Culture 4. Practices and Institutions of Visual Culture 5. Developments in the Field of Visual Culture Index

The handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject. Ian Heywood is Visiting Research Fellow at the Lancaster Centre for Contemporary Arts, Lancaster University. Barry Sandywell is Honorary Research Fellow in Social Theory in the Department of Sociology, University of York.

Oral History in the Visual Arts

NE W!

Edited by Matthew Partington and Linda Sandino This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as ‘history’, The first book to and as a means to insights into the micro-practices of arts explore the theory and production and identity that contribute to questions of practice of oral history as a ‘voice’, authenticity, and authorship. methodology across a wide Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded.

September 2012 224pp • 244 x 189mm 36 bw and 24 colour illus PB

978 0 85785 198 7

£19.99

978 0 85785 197 0

£55.00

E-IND 978 0 85785 200 7

£19.99

E-INST 978 0 85785 199 4

£55.00

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range fields including art, design, fashion, textiles, museum studies, history and craft

Oral History in the Visual Arts is essential reading for students, researchers and practitioners across the visual arts. Linda Sandino is the CCW/V&A Senior Research Fellow at Victoria & Albert Museum. Matthew Partington is the V&A Museum Senior Research Fellow (Applied Arts) at UWE and a Research Fellow at the Victoria and Albert Museum, London.

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JOURNALS The Design Journal Oﬃcial Journal of the European Academy of Design Edited by Rachel Cooper “The Design Journal is the essential academic journal in its field. The journal contains timely and relevant research from across the globe and is the prime source of information for practitioners and academics in design, business, branding, marketing communication and strategy.” Margaret Bruce, Manchester Business School 4 issues per year: March, June, September, December ISSN: 1460-6925 e-ISSN: 1756-3062

Established in 1998, The Design Journal is an international peer-reviewed journal covering all aspects of applied design. It publishes thought-provoking work that has a direct impact on design knowledge and challenges assumptions and methods, while being open-minded about the evolving role of design. The journal provides an international forum for all design professionals, researchers, educators and managers. Its content, which has a direct impact on design knowledge and practice, encourages discussion across traditional boundaries between practice and theory, and between disciplines defined by working media, materials and areas of application. www.bergjournals.com/designjournal

Design and Culture The Journal of the Design Studies Forum Edited by Elizabeth Guffey, Carma Gorman, Matt Soar and Sarah Teasley ”A fine choice for academic libraries serving students and researchers in design or cultural studies.” Library Journal

3 issues per year: March, July, November ISSN: 1754-7075 e-ISSN: 1754-7083

Design is a vibrant field. The so-called ‘edges’ are increasingly becoming its driving forces. Crossovers between traditional design disciplines and other professions are becoming enriched. Design and Culture occupies a vital role in tackling these changes head-on by situating design within the full range of cultural contexts. It also examines design in relation to other academic disciplines, including marketing, management, cultural studies, anthropology, material culture, geography, visual culture and political economy. www.bergjournals.com/designandculture

Interiors Design, Architecture, Culture Edited by Anne Massey and John Turpin

WINNER OF THE CELJ BEST NEW JOURNAL AWARD 2011

“A defining and definitive ‘outing’ of ‘the interior’ as a field of critical inquiry.” Marquard Smith, University of Westminster

Interiors: Design, Architecture, Culture brings together the best critical work on the analysis of all types of space from homes and offices, to shopping malls and schools. All these spaces are embedded with meaning and evince particular, multi-sensory and psychological responses. 3 issues per year: March, July, November ISSN: 2041-9112 e-ISSN: 2041-9120

Embracing perspectives from a range of disciplines – including, anthropology, architecture, art and design history, cultural studies and visual culture – the journal challenges divisions between theory and practice, providing an essential forum for all those with an interest in the design, history and meaning of interiors. www.bergjournals.com/interiors

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JOURNALS Home Cultures The Journal of Architecture, Design and Domestic Space Edited by Victor Buchli, Alison Clarke and Setha Low Home Cultures is an interdisciplinary peer-reviewed journal dedicated to the critical understanding of the domestic sphere – its artefacts, spaces and relations – across timeframes and cultures. It explores the relationship between body and building, consumption, material culture, and the social consequences of planning and architecture. 3 issues per year: March, July, November • ISSN: 1740-6315 • e-ISSN: 1751-7427

www.bergjournals.com/homecultures

Journal of Modern Craft Edited by Glenn Adamson, Tanya Harrod and Edward S. Cooke Jr. The Journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum focusing on craft in all its historical and contemporary manifestations. Special emphasis is placed on studio practice and on the transformations of indigenous forms of craft activity throughout the world. The journal also explores the relevance of craft within new media, folk art, architecture, design, contemporary art, and other fields. 3 issues per year: March, July, November • ISSN: 1749-6772 • e-ISSN: 1749-6780

www.bergjournals.com/journalofmoderncraft

Photography and Culture Edited by Val Williams, Thy Phu, and Kathy Kubicki Photography and Culture is an international, interdisciplinary, and peer-reviewed journal that focuses on the historical, technological, cultural and social aspects of photography. It integrates art historical approaches with newer work from visual culture, communication and anthropology, media, cultural and museum studies, fashion and design, as well as history and sociology. 3 issues per year: March, July, November • ISSN: 1751-4517 • e-ISSN: 1751-4525

www.bergjournals.com/photographyandculture

Textile The Journal of Cloth and Culture Edited by Doran Ross and Catherine Harper, Pennina Barnett, Janis Jeffries and Mary Littrell ”Any university or college with an interest in textiles should subscribe to it and make it easily available. For individual scholars and makers, the journal provides a useful resource and will be a pleasure to collect and possess.” Times Higher Education Supplement 3 issues per year: March, July, November ISSN: 1475-9756 e-ISSN: 1751-8350

Winner of the Association of Learned and Professional Society Publishers/Charlesworth Award for ‘Best New Journal in 2005’

Textile is an international and peer-reviewed journal that brings together research in textile studies in an innovative and distinctive academic forum. It provides a platform for points of departure between art and craft; gender and identity; cloth, body and architecture; labour and technology; technology design and practice – all situated within the broader contexts of material and visual culture. www.bergjournals.com/textile

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INDEX 3D Design Basics 14 Adamson, Glenn 23, 28 Advertising 24 Alacovska, Ana 24 Ankerson, Katherine K. 15, 16 Architecture 18 Atkinson, Paul 4 Bakker, Mary Lou 16 Barnett, Pennina 28 Beale, Stephen 19 Becoming Human by Design 8 Bender, Diane M. 15 Bernabei, Roberta 23 Best Photoshop Filters 19 Boland, Richard 6 Boradkar, Prasad 5 Brody, David 4 Bruton, Dean 11 Buchanan, Richard 6, 7 Buchli, Victor 28 Chung, Kyung-Won 6 Clark, Hazel 4 Clarke, Alison 28 Color and Design 11 Complete Guide to Designing and Printing Fabric, The 19 Contemporary Jewellers 23 Cooke Jr., Edward S. 28 Cooper, Rachel 6, 27 Cradle-to-Cradle Home Design 22 Craft Reader, The 23 Creative Industries 24 Cross, Nigel 9 Crouch, Christopher 10 Cultural History of Gardens, A 2 Delete 4 DeLong, Marilyn 11 Design and Culture 27 Design and Designing 7 Design as Politics 8 Design Basics 14 Design Futuring 8 Design History 3 Design History Reader, The 3 Design Journal, The 27 Design Portfolios, 2E 15 Design Studies 4 Design Thinking 9 Designed World, The 7 Designing Things 5 Designing with Color 21 Digital Art Techniques for Illustrators & Artists 19 Digital Design 11 Digital Drawing for Designers, 3E 21 Ding, Suining 20 Diversity in Design 17 Dixon Hunt, John 2 Doing Research in Design 10

Domestic Interiors Doordan, Dennis Dorosz, Chris Downey, Georgina Drafting and Design Drafting Basics Edwards, Clive Environmental Pyschology for Design, 2E Evans, Chris Fallan, Kjetil Fisher, Fiona Foundations of Interior Design, 2E Fry, Tony Fullmer, Donna Lynne Fundamentals of Lighting, 2E Garner, Steve Godsey, Lisa Gorman, Carma Great Graphic Design in Half the Time Guffey, Elizabeth Hall, Susannah Handbook of Design Management, The Handbook of Visual Culture, The Hann, Michael Harper, Catherine Harrod, Tanya Heywood, Ian Home Cultures Houze, Rebecca Illustrated Codes for Designers: Residential Images Inclusive Design Interior Design Interior Design Interior Design and Architecture Interior Design Intern, The Interior Design Materials and Specifications, 2E Interior Plan, The Interiors Invention of Craft, The Jani, Vibhavari Jeffries, Janis Journal of Modern Craft Junginger, Sabine Keeble, Trevor Kopec, DAK Kubicki, Kathy Lara-Betancourt, Patricia Lardner, Joel Lees-Maffei, Grace Leslie, Michael Littrell, Mary Lockwood, Thomas Long, Jim Low, Setha Manghani, Sunil Margolin, Victor

13 7 21 13 20 14 13 17 7 3, 5 13 15 8 14 16 7 15 27 19 27 19 6 26 10 28 28 26 28 3 16 25 17 13 18 12 22 15 16 27 23 17 28 28 6 13 17 28 13 19 3, 9 2 28 6 21 28 25 1, 7

Marshall-Baker, Anna 22 Martin, Brenda 13 Martinson, Barbara 11 Massey, Anne 27 Meanings of Designed Spaces 17 Moeran, Brian 24 Natale, Christopher 20 New Munsell速 Student Color Set, The, 3E 21 Nussbaumer, Linda L. 17, 22 Oral History in the Visual Arts 26 Partington, Matthew 26 Pearce, Jane 10 Performance, Fashion and the Modern Interior 13 Perspective Drawing for Interior Space 20 Photography and Culture 28 Phu, Thy 28 Poldma, Tiiu 17 Presentation Basics 14 Presentation Strategies and Dialogue 22 Professional Practice for Interior Design in the Global Marketplace 22 Radford, Antony 11 Rengel, Roberto J. 16 Residential Kitchen and Bath Design 15 Riseboro, Bill 18 Roberts, Paul 19 Ross, Doran 28 Sandino, Linda 26 Sandywell, Barry 26 Scalise, Christina 22 Scandinavian Design 5 Seidler, Douglas R. 21 Sketching Interiors 20 Slotkis, Susan J. 15 Soar, Matt 27 Space Planning for Commercial Office Interiors 16 Stones, John 18 Story of Western Architecture, The, 4E 18 Structure and Form in Design 10 Studio Companion Series 14 Sully, Anthony 18 Sustainable Design for Interior Environments, 2E 22 Taylor, Mark 12 Teasley, Sarah 27 Textile 28 Thinking through Craft 23 Tucker, Lisa M. 22 Turpin, John 27 Watson, J.R. 21 Wilkening, Anastasia 15 Williams, Val 28 Wilson, Travis Kelly 20 Winchip, Susan M. 16, 21 Wisburn, Laurie 19 World History of Design, The 1 Writing Design 9

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