Film & Media Studies New Books Catalogue April-June 2022 by Bloomsbury Publishing

Film & Media Studies New Books Catalogue

April-June 2022

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Contents British Film Institute . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

EBooks ePub and ePDF availability is listed under each book entry.

Review Copies

Film History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Email academicreviewus@bloomsbury.com (Americas) / academicreviews@bloomsbury.com (UK / Rest of World).

Film Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Standing Orders

Hollywood / Middle Eastern Cinema / Latin American Cinema �� 6

Many series are available on standing order. Please contact our trade ordering departments (see page 16).

Asian, European & British Cinema . . . . . . . . . . . . . . . . . 7 Film Genres / Film Directors . . . . . . . . . . . . . . . . . . . . . 8 Gender & Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Media Theory & Ethics / New Media �� 10 TV & Radio / Celebrity Studies / Game Studies �� 11 Study Skills . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Representatives, Agents and Distributors . . . . . . . . . 16

Translation Rights Available unless otherwise indicated.

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BFI FILM CLASSICS “An indispensable part of every cineaste’s bookcase” – Total Film

The Godfather

Seven Samurai

The Searchers

Eight and a Half (Otto e mezzo)

9781839024580

9781839024771

9781839024696

9781839024733

The Thing

The Silence of the Lambs

Blue Velvet

Trainspotting

9781839023590

9781839023675

9781839023712

9781839022166

30 YEARS OF CELEBRATING FILM Discover more at www.bloomsbury.com/BFIFilmClassics

100 Animated Feature Films

Matthew Page, Independent scholar, UK From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, 100 Bible Films is the indispensable guide to the wide and varied history of biblical adaptations, featuring 100 of the most interesting and significant biblical films. Richly illustrated with film stills, this book depicts how such films have undertaken a complex negotiation between art, commerce, entertainment and religion. Matthew Page traces the screen history of the biblical stories from the very earliest silent passion plays, via the golden ages of the biblical epic, through to more innovative and controversial later films, as well as covering significant TV adaptations. UK May 2022 • US May 2022 • 256 pages • 80 bw and colour illus PB 9781839023521 • £19.99 / $26.95 • HB 9781839023538 • £65.00 / $90.00 ePub 9781839023545 • £17.99 / $23.44 ePdf 9781839023552 • £17.99 / $23.44 Series: BFI Screen Guides • British Film Institute

Revised Edition

Andrew Osmond, Writer and journalist, Berkshire, UK Twenty years ago, animated features were widely perceived as cartoons for children. Today, they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan's Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day. This new edition has been revised and updated with 35 new films selected for coverage. UK June 2022 • US June 2022 • 256 pages • 70 colour and bw illus PB 9781839024429 • £19.99 / $26.95 • HB 9781839024412 • £65.00 / $90.00 ePub 9781839024436 • £17.99 / $23.44 ePdf 9781839024443 • £17.99 / $23.44 Series: BFI Screen Guides • British Film Institute

The Lost Honour of Katharina Blum (Die verlorene Ehre der Katharina Blum)

The French New Wave Critical Landmarks

Edited by Peter Graham, Film-maker, critic and food writer, France & Ginette Vincendeau, King's College London, UK

Julian Preece, Swansea University, UK

Julian Preece considers what makes this film new and radical, a turning point in numerous contexts, especially with respect to women’s cinema and its portrayal of a female lead. Drawing on archival material including drafts of the screenplay, brochures and props, reviews and interviews, Preece traces the conception of the film and its development from the original short novel authored by Heinrich Böll. First-hand accounts by members of the cast and production team, including cinematographer Jost Vacano, producer Eberhard von Junkersdorf, and actors Angela Winkler and Mario Adorf, provide unique insight into the film’s production.

The new edition of The French New Wave now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7.

UK March 2022 • US March 2022 • 104 pages • 60 colour illus PB 9781839024375 • £11.99 / $15.95 ePub 9781839024382 • £10.79 / $14.32 ePdf 9781839024399 • £10.79 / $14.32 Series: BFI Film Classics • British Film Institute

UK June 2022 • US June 2022 • 288 pages • 50 bw illus PB 9781839022296 • £21.99 / $29.95 • HB 9781839022302 • £65.00 / $90.00 ePub 9781839022319 • £19.79 / $26.05 ePdf 9781839022326 • £19.79 / $26.05 British Film Institute World All Languages (except French)

F I L M & M E D I A S T U D I E S - British Film Institute / Film History

100 Bible Films

The History of World Literatures on Film Greg M. Colón Semenza and Bob Hasenfratz, both of University of Connecticut, USA

The History of American Literature on Film

Thomas Leitch, University of Delaware, USA From William Dickson’s Rip Van Winkle films (1896) to Baz Luhrmann’s big-budget production of The Great Gatsby (2013) and beyond, cinematic adaptations of American literature participate in a rich and fascinating history. This volume considers the multiple functions of filmed American literature as a cinematic genre in its own right—one that reflects the specific political and aesthetic priorities of different national and historical cinemas even as it plays a decisive role in defining American literature for a global audience. UK December 2021 • US December 2021 • 464 pages • 91 bw illus PB 9781501390753 • £28.99 / $39.95 Previously published in HB 9781628923735 ePub 9781628923728 • £125.01 / $162.00 ePdf 9781628923711 • £125.01 / $162.00 Series: The History of World Literatures on Film • Bloomsbury Academic

The History of French Literature on Film Kate Griffiths, Cardiff University, UK & Andrew Watts, University of Birmingham, UK

From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert’s Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also helps to deepen both our understanding and our appreciation of literary adaptation as a creative practice. UK June 2022 • US June 2022 • 328 pages • 47 bw illus PB 9781501372407 • £28.99 / $39.95 Previously published in HB 9781501311840 ePub 9781501311826 • £104.30 / $135.00 ePdf 9781501311819 • £104.30 / $135.00 Series: The History of World Literatures on Film • Bloomsbury Academic

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F I L M & M E D I A S T U D I E S - Film History

A New History of Documentary Film Third Edition

Betsy A. McLane, Independent Scholar, USA Building upon the best-selling 2005 and 2012 editions, Betsy McLane, Director Emerita of the International Documentary Association, keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving new threads - streaming, animated documentaries, Black Lives Matter - into the discussion. She emphasizes archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered. The book additionally retains and updates the recommended readings and important films and the end of each chapter from the second edition, including the bibliography and appendices, a useful resource for students and researchers of film studies.

The Classical Animated Documentary and Its Contemporary Evolution

Cristina Formenti, University of Milan, Italy Cristina Formenti integrates a theoretical and a historical approach in order to shed new light on the animated documentary as a form as well as on the work of renowned studios such as The Walt Disney Studios, Halas & Batchelor, National Film Board of Canada and never before addressed ones as Corona Cinematografica. She also highlights the differences and the similarities existing among the animated documentaries created from the 1940s through the present day, demonstrating their evolution. UK April 2022 • US April 2022 • 304 pages • 47 bw illus HB 9781501346460 • £95.00 / $130.00 ePub 9781501346484 • £90.50 / $117.00 ePdf 9781501346477 • £90.50 / $117.00 Bloomsbury Academic

UK December 2022 • US December 2022 • 496 pages • 100 bw illus and 30 color illus PB 9781501385155 • £24.99 / $34.95 • HB 9781501385162 • £95.00 / $130.00 ePub 9781501385148 • £24.54 / $31.45 ePdf 9781501385131 • £24.54 / $31.45 Bloomsbury Academic

Romanticism and Film

Franz Liszt and Audio-Visual Explanation Will Kitchen, University of Southampton, UK The relationship between Romanticism and film remains one of the most neglected topics in film theory and history, with analysis often focusing on the proto-cinematic significance of Richard Wagner’s music-dramas. Will Kitchen explores the relationship between film and the concept of Romanticism, analyzing the cultural image of the Hungarian pianist and composer Franz Liszt (1811-86), including the ways that he and his music have been represented in films. UK May 2022 • US May 2022 • 264 pages • 18 bw illus PB 9781501370953 • £28.99 / $39.95 Previously published in HB 9781501361364 ePub 9781501361357 • £83.60 / $108.00 ePdf 9781501361340 • £83.60 / $108.00 Bloomsbury Academic

Walls Without Cinema

Shadow Cinema

The Historical and Production Contexts of Unmade Films Edited by James Fenwick, Sheffield Hallam University, UK, Kieran Foster, De Montfort University, UK & David Eldridge, University of Hull, UK Since the dawn of film, projects are routinely abandoned in pre-production, halted, cut short, or even made and never distributed – creating a “shadow cinema” that exists only in the archives. This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why ‘failures’ occur and considers how understanding those failures can transform the disciplines of film and media history. UK May 2022 • US May 2022 • 280 pages PB 9781501370960 • £28.99 / $39.95 Previously published in HB 9781501351594 ePub 9781501351600 • £83.60 / $108.00 ePdf 9781501351617 • £83.60 / $108.00 Bloomsbury Academic

State Security and Subjective Embodiment in Twenty-First-Century US Filmmaking Larrie Dudenhoeffer, Kennesaw State University, USA Walls without Cinema: State Security and Subjective Embodiment in Twenty-First Century U.S. Filmmaking closely examines the near-ubiquitous images of state security walls, domes, and other such defense enclosures flashing across movie screens since 2006, the year of the ratification of George W. Bush’s Secure Fence Act. With case studies ranging from Atomic Blonde and Ready Player One to Black Panther and Elysium, Walls without Cinema serves a counterpoint to the xenophobic rhetoric and abusive, carceral security conditions that characterized the Trump administration’s management of the Mexico-U.S. border situation. UK May 2022 • US May 2022 • 256 pages • 25 bw illus PB 9781501370977 • £28.99 / $39.95 Previously published in HB 9781501364198 ePub 9781501364181 • £83.60 / $108.00 ePdf 9781501364174 • £83.60 / $108.00 Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

The Dark Interval

Film Noir, Iconography, and Affect

Kevin Wynter, Pomona College, USA

This book provides a concise introduction to critical race theory and shows how this theory can be used to interpret Jordan Peele’s Get Out. Its analysis of Get Out is organized into three sections – Sub/ urban Space, The Black Body, and The Sunken Place – illustrating how contemporary debates in critical race theory and approaches to the analysis of mainstream Hollywood cinema can illuminate each other. In this way, the book provides both an accessible reference guide to key terminology in critical race studies and film studies, while contributing new scholarship to both fields. UK May 2022 • US May 2022 • 208 pages PB 9781501351297 • £15.99 / $19.95 • HB 9781501351280 • £60.00 / $75.00 ePub 9781501351303 • £13.80 / $17.95 ePdf 9781501351310 • £13.80 / $17.95 Series: Film Theory in Practice • Bloomsbury Academic

Padraic Killeen, National University of Ireland, Galway, Ireland Drawing on the philosophy of Gilles Deleuze and Giorgio Agamben, The Dark Interval teases out the aesthetic and ethical significance of this strange sense of ‘noir beatitude’, which responds to our current condition in a modernity that has become ‘post-historical’. Examining central noir films of the classic and modern era (The Killers, The Man Who Wasn’t There) as well as films at the peripheries of noir (Cat People, 2046), the book is a meditation that uniquely grapples with the look and feel of noir and which illuminates why film noir remains one of the most resonant and affecting visual milieus of our time. UK June 2022 • US June 2022 • 224 pages • 20 bw illus HB 9781501349683 • £95.00 / $130.00 ePub 9781501349690 • £90.50 / $117.00 ePdf 9781501349706 • £90.50 / $117.00 Series: Thinking Cinema • Bloomsbury Academic

The Prison of Time

The Thought of Stanley Cavell and Cinema

Stanley Kubrick, Adrian Lyne, Michael Bay, and Quentin Tarantino

Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Elisa Pezzotta, Bergamo University, Italy Through the close analysis of Stanley Kubrick, Adrian Lyne, Michael Bay, and Quentin Tarantino’s oeuvre, Elisa Pezzotta discusses time in the cinematic medium. Pezzotta deploys and unpacks an impressive array of scholarly methods to interrogate film time, many of which are emerging areas of analysis with the humanities, and especially screen studies. Offering an innovative synthesis of these several areas conventionally regarded as outliers to film and media, such as philosophy, cognitivism, and quantum mechanics, Pezzotta skillfully draws from extant scholarly literature to make evident the narratology of cinematic ellipses, lacunae and analepses across a range of films and genres. UK October 2022 • US October 2022 • 240 pages HB 9781501380600 • £90.00 / $120.00 ePub 9781501380594 • £83.60 / $108.00 ePdf 9781501380587 • £83.60 / $108.00 Bloomsbury Academic

F I L M & M E D I A S T U D I E S - Film Theory

Critical Race Theory and Jordan Peele's Get Out

Edited by David LaRocca, Binghamton University, USA This collection offers a concerted group effort to analyze and reflect anew upon Stanley Cavell's still-scintillating contributions to the very thought of film—and its philosophical significance. Mounted by some of today’s most compelling writers on cinema, these investigations take careful account of Cavell’s legacy, once and ongoing. In these pages, seasoned scholars and emerging talent artfully and expertly explore what precisely Cavell bequeathed— what endures, what stands in need of revision or updating, and how his writing remains vital and essential to any contemporary approach to the philosophy of film. UK December 2021 • US December 2021 • 336 pages PB 9781501384073 • £28.99 / $39.95 Previously published in HB 9781501349164 ePub 9781501349171 • £90.50 / $117.00 ePdf 9781501349188 • £90.50 / $117.00 Bloomsbury Academic

Film Thinks Lúcia Nagib, University of Reading, UK and Tiago de Luca, University of Warwick, UK

Robert Pippin and Film

Politics, Ethics, and Psychology after Modernism Dominic Lash, University of Bristol, UK

Georges Didi-Huberman and Film The Politics of the Image

Alison Smith, University of Liverpool, UK

Dominic Lash demonstrates the ways that film has been crucial to Pippin's thought on important philosophical topics such as political psychology, ethics, and self-knowledge. He also explores the implications of Pippin's methodological commitments to clear language and to maintaining close contact at all times with the details of the films in question. In so doing, Lash brings Pippin's work on film to a wider audience and contributes to current debates both within film studies and beyond, including those concerning the relationships between film and philosophy, criticism and aesthetics, and individual subjectivity and political consciousness.

Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Since the publication of his first book, a study of photographic images of hysteria, in 1982, he has published 46 essays, mostly with the prestigious Editions de Minuit, and is recognised in France and elsewhere in Europe as one of the foremost philosophers of the image writing today. In Georges Didi-Huberman and Film, Alison Smith concentrates on how Didi-Huberman’s work has been informed by cinema, especially in his major (and ongoing) recent work L’Oeil de l’Histoire (The Eye of History).

UK February 2022 • US February 2022 • 280 pages • 22 bw illus HB 9781350182899 • £85.00 / $115.00 ePub 9781350182912 • £76.50 / $100.32 ePdf 9781350182905 • £76.50 / $100.32 Series: Film Thinks • Bloomsbury Academic

UK June 2022 • US June 2022 • 184 pages PB 9781350193383 • £28.99 / $39.95 Previously published in HB 9781784539849 ePub 9781350160415 • £76.50 / $100.32 ePdf 9781350160408 • £76.50 / $100.32 Series: Film Thinks • Bloomsbury Academic

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F I L M & M E D I A S T U D I E S - Hollywood / Middle Eastern Cinema / Latin American Cinema

The Endless End of Cinema

An American Abroad

Gianluca Sergi, University of Nottingham, UK & Gary Rydstrom, sound designer, USA

Anna Cooper, University of Arizona, USA

A History of Crisis and Survival in Hollywood

The Imperial Gaze in Postwar Hollywood Cinema

Through a unique dual lens, film scholarship and film production, the authors examine the current state of the film industry using data as much as experience. Divided into a number of discreet instances of the concerns the film industry currently faces, each illustrated by a case study that helps illuminate the particular nature and dynamics of that issue, such as, millenials’ alleged flight from cinemas to other forms of consumption of film, particularly mobile and online devices. The examples featured illustrate how a more systematic approach to industry challenges can help generate effective ways to address them successfully.

An American Abroad reframes postcolonial film aesthetics through a close textual study of Hollywood films about European travel from the long 1950s. The heterogeneous cycle of films made from 1948 to 1964 that depict Americans traveling in contemporary Europe portray a complex and fraught cultural encounter between American hegemonic power and a Europe that is being economically, socially and culturally dominated from across the Atlantic. Dr. Anna Cooper explores how discourses of European travel – Parisian shopping trips, Roman holidays, Berlin political intrigues and so on – are harnessed in service of American domination at the level of the American cultural imaginary.

UK February 2023 • US February 2023 • 224 pages HB 9781501348556 • £96.00 / $120.00 ePub 9781501348563 • £83.60 / $108.00 ePdf 9781501348570 • £83.60 / $108.00 Bloomsbury Academic

UK April 2022 • US April 2022 • 224 pages • 30 bw illus HB 9781501314476 • £74.00 / $110.00 ePub 9781501314483 • £76.69 / $99.00 ePdf 9781501314490 • £76.69 / $99.00 Bloomsbury Academic

Cinema in the Arab World

Crisis Cinema in the Middle East

Edited by Philippe Meers, University of Antwerp, Belgium, Daniel Biltereyst, Ghent University, Belgium & Ifdal Elsaket, Netherlands-Flemish Institute in Cairo, Egypt

Shohini Chaudhuri, University of Essex, UK

New Histories, New Approaches

Cinema in the Arab World brings together innovative essays from contributors across the globe to examine the historical and contemporary issues of Arab cinema in terms of the experience of movie-going and filmmaking. In doing so, it shifts the focus on Arab cinema off-screen, to examine the histories, politics, and conditions of distribution, exhibition, and cinema-going in the Arab world. Through broadening the frame of study beyond the screen, the book widens understanding of the cinema, not merely as a collection of films-as-texts, but as a site of cultural and political contestation in the Arab world. UK November 2022 • US November 2022 • 304 pages HB 9781350163713 • £85.00 / $115.00 ePub 9781350163737 • £76.50 / $100.32 ePdf 9781350163720 • £76.50 / $100.32 Series: World Cinema • Bloomsbury Academic

Creativity and Constraint in Iran and the Arab World Shohini Chaudhuri examines a broad scope of international films, ranging from award-winning, festival favourites such as Five Broken Cameras (2011), Persepolis (2007) and Kiarostami’s About Elly (2009) to lesser-known films originating from Saudi Arabia, Iran, Lebanon, Syria and Iraq. Using various regional film archives and interviews with filmmakers such as Yasmin Fedda, Ossama Mohammed, Leila Sansour and Sam Kadi, Chaudhuri identifies how witnessing, humour, animation and adaptation have become prevalent creative strategies for producing work under the sociopolitical and material limitations of crisis. UK August 2022 • US August 2022 • 256 pages • 30 b/w illus HB 9781350190511 • £85.00 / $115.00 ePub 9781350190528 • £76.50 / $100.32 ePdf 9781350190535 • £76.50 / $100.32 Bloomsbury Academic

Indigeneity in Latin American Cinema

Milton Fernando Gonzalez Rodriguez, University of Amsterdam, the Netherlands By connecting formulations from various disciplines within the humanities and social sciences, Indigeneity in Latin American Cinema critically examines the ways in which indigenous societies are portrayed in Latin American cinema. It reviews how 67 fiction feature films produced between 2000 and 2018, reflect, reinforce, mask or challenge outdated archetypes, and how audiences react to these visual narratives. The underlying notion is that, in spite of important reconfigurations, static conventions of representation still determine the portrayal of indigenous communities in cinema. UK August 2022 • US August 2022 • 304 pages HB 9781501384707 • £95.00 / $130.00 ePub 9781501384691 • £90.50 / $117.00 ePdf 9781501384684 • £90.50 / $117.00 Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

Theory and Practice in Indian Cinema and Television Piyush Roy, School of Liberal Arts and Sciences, RV University, Bengaluru, India

The Cinema of Jia Zhangke

Realism and Memory in Chinese Film Cecília Mello, University of São Paulo, Brazil Shorlisted for the BAFTSS 2020 Award for Best Monograph

This is the first of its kind case study-based rigorous academic review of popular Indian cinema using the Indian Aesthetic Appreciation Theory of Rasa (Affect/ Emotion). It seeks to identify and appreciate the continual influence of the ancient Sanskrit drama treatise, the Natyashastra and its ‘theory of aesthetics’ (‘Rasa Theory’) on the unique narrative attributes of Indian cinema. It critically engages with a representative sample of landmark films from the 100 years of Indian film history across genres, categories, regions and languages. It challenges existing First World/Euro-American film criticism canons and notions that privilege cinematic ‘realism’ over other narrative forms.

Cecília Mello provides in-depth analysis of Jia’s unique body of work, from his early films Xiao Wu and Platform, to experimental quasi-documentary 24 City and the audacious Mountains May Depart. Mello suggests that Jia’s particular expression of the realist mode is shaped by the aesthetics of other Chinese artistic traditions, allowing Jia to unearth memories both personal and collective, still lingering within the everchanging landscapes of contemporary China. Mello’s groundbreaking study opens a door into Chinese cinema and culture, addressing the nature of the so-called ‘impure’ cinematographic art and the complex representation of China through the ages.

UK February 2022 • US February 2022 • 320 pages HB 9789354354878 • £85.00 / $115.00 ePub 9789354354885 • £76.50 / $100.32 ePdf 9789354355691 • £76.50 / $100.32 Bloomsbury Academic India World All Languages (excluding India/Indian subcontinent)

UK February 2022 • US February 2022 • 320 pages • 35 bw illus PB 9781350293427 • £24.99 / $34.95 • / $120.00 Previously published in HB 9781784538156 ePub 9781350121713 • £81.00 / $106.83 ePdf 9781350121706 • £81.00 / $106.83 Bloomsbury Academic

A Foreigner’s Cinematic Dream of Japan Representational Politics and Shadows of War in the Japanese-German Coproduction New Earth (1937) Iris Haukamp, Tokyo University of Foreign Studies, Japan In early 1936, a German film team arrived in Japan to participate in a film co-production, intended to show the ‘real’ Japan to the world and to launch Japanese films into international markets. The two directors, one Japanese and the other German, clashed over the authenticity of the represented Japan and eventually directed two versions, The Samurai’s Daughter and New Earth, based on a common script. Drawing on a wide range of Japanese and German original sources, as well as a comparative analysis of the ‘GermanJapanese version’ and the elusive ‘Japanese-English version’, Iris Haukamp reveals the complexities of this international co-production. UK May 2022 • US May 2022 • 272 pages • 75 bw illus PB 9781501369308 • £28.99 / $39.95 Previously published in HB 9781501343537 ePub 9781501343544 • £83.60 / $108.00 ePdf 9781501343551 • £83.60 / $108.00 Bloomsbury Academic

Italian Cinema Audiences

Histories and Memories of Cinema-going in Post-war Italy Daniela Treveri Gennari, Oxford Brookes University, UK, Catherine O'Rawe, University of Bristol, UK, Danielle Hipkins, University of Exeter, UK, Silvia Dibeltulo, Oxford Brookes University, UK & Sarah Culhane, Oxford Brookes University, UK Based on the AHRC-funded project ‘Italian Cinema Audiences 1945-60’, this book draws upon the rich data collected by the project team to examine cinema’s role in everyday Italian life, and its affective meaning when remembered by older people. The study is enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.

Black Boys

The Social Aesthetics of British Urban Film Clive James Nwonka, University College London, UK The first dedicated exploration of British urban cinema, this book analyses the emergence of the Black urban film/TV genre within the context of broader developments in British media industries since the 2000s, and the political imperatives that have helped to shape them. Featuring case studies of key films such as Attack the Block and Bullet Boy, the author moves beyond sociologically-dominated frameworks and approaches the films through alternative analytical optics including architecture and space, allegory, crime discourses and popular music.

F I L M & M E D I A S T U D I E S - Asian, European & British Cinema

Appreciating Melodrama

UK December 2022 • US December 2022 • 176 pages • 20 bw illus HB 9781501352829 • £80.00 / $110.00 ePub 9781501352836 • £76.69 / $99.00 ePdf 9781501352843 • £76.69 / $99.00 Bloomsbury Academic

Cinema and Brexit

The Politics of Popular English Film Neil Archer, Keele University, UK Neil Archer’s study makes a timely and politicallyengaged intervention in debates about national cinema and national identity. Structured around key examples of ‘culturally English cinema’ in the years up to and following the UK’s 2016 vote to leave the European Union, discussing the diverse ideas about national identity evident in films and TV series including Skyfall, Dunkirk, the Paddington movies and The Crown, Cinema and Brexit examines the peculiarities and paradoxes marking this era of filmmaking. UK June 2022 • US June 2022 • 304 pages • 30 bw illus PB 9781350274341 • £28.99 / $39.95 Previously published in HB 9781501351334 ePub 9781350104488 • £76.50 / $100.32 ePdf 9781350104495 • £76.50 / $100.32 Series: Cinema and Society • Bloomsbury Academic

UK April 2022 • US April 2022 • 240 pages • 25 bw illus PB 9781501369339 • £28.99 / $39.95 Previously published in HB 9781501347689 ePub 9781501347696 • £83.60 / $108.00 ePdf 9781501347702 • £83.60 / $108.00 Series: Topics and Issues in National Cinema • Bloomsbury Academic

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F I L M & M E D I A S T U D I E S - Film Genres / Film Directors

Experimental Filmmaking and Punk Feminist Audio Visual Culture in the 1970s and 1980s

Rachel Garfield, University of Reading, UK In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist Punk audiovisual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new "Punk audio visual aesthetic". UK November 2021 • US November 2021 • 288 pages • 40 bw illus PB 9781350293083 • £24.99 / $34.95 • HB 9781788313995 • £75.00 / $100.00 ePub 9781350197657 • £22.49 / $29.96 ePdf 9781350197640 • £22.49 / $29.96 Bloomsbury Academic

The Sustainable Legacy of Agnès Varda Feminist Practice and Pedagogy

Edited by Colleen Kennedy-Karpat, Bilkent University, Turkey & Feride Çiçekoglu, Istanbul Bilgi University, Turkey The Sustainable Legacy of Agnès Varda brings together contributions from an international team of scholars to explore the recurring and insistent themes of sustainability and self reflection in her work. The volume is a celebration of the feminist legacy of her cinematic and visual art, ranging from the classic feature film Cléo from 5 to 7 (1962) to her documentaries The Beaches of Agnès (2008) and Faces Places (2017). It concludes with 10 short, personal essays on teaching Varda, with case studies of the varied ways in which her work can be communicated to and shared with a student audience. UK April 2022 • US April 2022 • 256 pages • 20 bw illus HB 9781350240902 • £85.00 / $115.00 ePub 9781350240919 • £76.50 / $100.32 ePdf 9781350240926 • £76.50 / $100.32 Bloomsbury Academic

The Cinema of Manoel de Oliveira

Modernity, Intermediality and the Uncanny Hajnal Király, Sapientia Hungarian University of Transylvania, Romania Organized by tropes and topics, rather than chronological order, this volume creates a unique lens with which to focus on the links between cinema, literature, painting, and other art forms in Manoel de Oliveira's work. Hajnal Király reads the films in relation to 20th-century Portuguese, European and global history. Many of Oliveira's over 50 films are discussed, including Rite of Spring (1963) and Eccentricities of a Blonde-haired Girl (2009). The only book to cover his later films, this book uncovers the persistent topics that permeates his oeuvre. UK May 2022 • US May 2022 • 208 pages • 65 bw illus HB 9781501378652 • £80.00 / $110.00 ePub 9781501378645 • £76.69 / $99.00 ePdf 9781501378638 • £76.69 / $99.00 Bloomsbury Academic

The Vigilante Thriller

Violence, Spectatorship and Identification in American Cinema, 1970-76 Cary Edwards, Boston College, USA Cary Edwards provides a detailed examination of the rise of the vigilante thriller film in American cinema of the 1970s. Against the back-drop of New Hollywood experimentation, the box-office success of vigilante films suggests a hunger for films that directly addressed problems of law and order. This book explores the contextual factors that led to the cycle of films (Joe [1970], The French Connection [1971], Dirty Harry [1971] and Taxi Driver [1976]) emerging, and engages with the contemporaneous critical arguments that these were fascist texts likely to inspire copycat violence. UK April 2022 • US April 2022 • 256 pages • 26 bw illus HB 9781501364129 • £90.00 / $120.00 ePub 9781501364112 • £83.60 / $108.00 ePdf 9781501364105 • £83.60 / $108.00 Bloomsbury Academic

Ritwik Ghatak’s Cinematic Sensibility

Erin O'Donnell, East Stroudsburg University, USA Filmmaker Ritwik Kumar Ghatak (1925-1976) is considered throughout Bengali, Indian and world cinema to be an innovative, revolutionary master of the cinematic medium who possessed a singular cinematic sensibility. From his first film, Nagarik (1953) through his final film, Jukti Takko ar Gappo (1974), Ghatak constructed detailed visual and aural filmic commentaries about modern Bengali culture and society. In Ghatak’s films, the ambivalence and contradictions of Bengali society in post-1947, post-Partition, post-Independence India are pointedly portrayed. Against this frequently adverse milieu, Bengal’s modern cultural memory, identity, and history are interrogated and continually reassessed in his cinema. UK March 2023 • US March 2023 • 224 pages HB 9781501359262 • £90.00 / $120.00 ePub 9781501359255 • £83.60 / $108.00 ePdf 9781501359248 • £83.60 / $108.00 Bloomsbury Academic

The Cinema of Yorgos Lanthimos Films, Form, Philosophy

Edited by Eddie Falvey, Plymouth College of Art, UK With directorial credits ranging from festival hits The Lobster and The Killing of a Sacred Deer to Academy Award-winning epics like The Favourite, Yorgos Lanthimos has demonstrated a sustained preoccupation with trauma, grief, loss, loneliness, sex and violence that continue to be the thematic currency of his work. Yet little scholarly attention has been devoted to his films. This volume fills this gap in scholarship by examining the clear authorial continuity between Lanthimos's texts and his trademark contravention of aesthetic, thematic and generic boundaries. Featuring renowned scholars like Nathan Abrams, Alexios Lykidis, Savina Petkova and more, The Cinema of Yorgos Lanthimos delivers an exciting and long overdue examination of the acclaimed filmmaker. UK July 2022 • US July 2022 • 272 pages HB 9781501375491 • £90.00 / $120.00 ePub 9781501375484 • £83.60 / $108.00 ePdf 9781501375477 • £83.60 / $108.00 Bloomsbury Academic

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EL Putnam, University of Ireland Galway, Ireland Bringing together philosophies of the maternal with digital technology may appear to be an arbitrary pairing. However, reading them intertextually through select artistic practices reveals how both encompass an aesthetics of interruption that becomes a novel means of understanding subjectivity. EL Putnam investigates how certain artists’ digital performances, including Aideen Barry, Amanda Coogan, Natalie Loveless, and Megan Wynne rupture existing representations of the maternal. These artists take advantage of the formal properties of digital media in order to interrupt visual and aural constructions through an immanent merging of the performing body with digital technology. UK May 2022 • US May 2022 • 224 pages • 7 bw illus/16 color illus HB 9781501364822 • £90.00 / $120.00 ePub 9781501364815 • £83.60 / $108.00 ePdf 9781501364808 • £83.60 / $108.00 Bloomsbury Academic

Deleuze and the Gynesis of Horror

From Monstrous Births to the Birth of the Monster Sunny Hawkins, University in Indianapolis, USA Applying Deleuze’s schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, “molar” beings from those which prompt fluid, nonbinary, “molecular” becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley’s Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant. UK April 2022 • US April 2022 • 208 pages PB 9781501369322 • £28.99 / $39.95 Previously published in HB 9781501358456 ePub 9781501358449 • £83.60 / $108.00 ePdf 9781501358432 • £83.60 / $108.00 Bloomsbury Academic

Library of Gender and Popular Culture Claire Nally, Northumbria University, UK and Angela Smith, University of Sunderland, UK

Feel-Bad Postfeminism

Impasse, Resilience and Female Subjectivity in Popular Culture Catherine McDermott, Manchester Metropolitan University, UK In Feel-Bad Postfeminism, McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood comingof-age narratives. Her analysis includes subjects as diverse as Gone Girl (2012), Girls (2012-2017), Appropriate Behaviour (2012), The Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014). UK June 2022 • US June 2022 • 256 pages • 24 bw illus HB 9781350224988 • £85.00 / $115.00 ePub 9781350224995 • £76.50 / $100.32 ePdf 9781350225008 • £76.50 / $100.32 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Film Bodies

Queer Feminist Encounters with Gender and Sexuality in Cinema Katharina Lindner, Late of University of Stirling, UK Lindner provides a welcome guide through new terrain. Deftly navigating the challenge of bringing feminist and queer thought together, Film Bodies raises important questions about how the social, spatial and corporeal coordinates of cinematic being are imbricated. - Film-Philosophy The representation of gender and sexuality is well-explored territory in film studies. In Film Bodies, Katharina Lindner takes existing debates into a new direction and integrates queer and feminist theory with film phenomenology. Drawing on a broad range of sources, Lindner's study explores the female body's presence in a range of genres including the dance film, the sports film and queer cinema. UK September 2022 • US September 2022 • 320 pages • 26 bw illus PB 9781350258365 • £28.99 / $39.95 Previously published in HB 9781784536244 ePub 9781838608545 • £85.50 / $112.04 ePdf 9781838608552 • £85.50 / $112.04 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Postfeminism and Contemporary Vampire Romance

F I L M & M E D I A S T U D I E S - Gender & Media

The Maternal, Digital Subjectivity, and the Aesthetics of Interruption

Representations of Gender and Sexuality in Film and Television Lea Gerhards, Leibniz Institute for Psychology Information, Germany

Lea Gerhards traces the connections between three recent vampire romance series that have tremendous discursive and ideological power - the Twilight film series (2008-2012) and two TV series, The Vampire Diaries (2009-2017) and True Blood (2008-2014) - to explore the cultural politics of these extremely popular texts. She uses contemporary vampire romance to examine postfeminist ideologies and discuss gender, sexuality, subjectivity, agency and the body. UK May 2022 • US May 2022 • 272 pages • 15 bw illus HB 9781350215689 • £85.00 / $115.00 ePub 9781350215665 • £76.50 / $100.32 ePdf 9781350215658 • £76.50 / $100.32 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Bad Girls, Dirty Bodies

Sex, Performance and Safe Femininity Gemma Commane, Birmingham City University, UK What makes a woman ‘bad’ is commonly linked to certain ‘qualities’ or behaviours seen as morally or socially corrosive, dirty and disgusting. Gemma Commane explores the social, sexual and political significance of women who are labelled ‘bad,’. From neo-burlesque, sex-positive and queer performance art, to explicit entertainment and areas of popular culture; Commane situates ‘bad’ women as sites of power, possibility and success. The case studies (including Rockbitch, Empress Stah, RubberDoll) offer an important insight, where alternative women and femininities challenge societal expectations. UK April 2022 • US April 2022 • 256 pages • 20 bw illus PB 9781350185357 • £28.99 / $39.95 Previously published in HB 9781788311267 ePub 9781350117341 • £76.50 / $100.32 ePdf 9781350117358 • £76.50 / $100.32 Series: Library of Gender and Popular Culture • Bloomsbury Academic

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F I L M & M E D I A S T U D I E S - Media Theory & Ethics / New Media

Thinking Media Bernd Herzogenrath, University of Frankfurt, Germany and Patricia Pisters, University of Amsterdam, the Netherlands

Brainmedia

Videographic Cinema

Flora Lysen, Maastricht University, the Netherlands

Jonathan Rozenkrantz, Stockholm University, Sweden

One Hundred Years of Performing Live Brains, 1920-2020

Will we ever be able to see the brain at work? Can we observe thinking and feeling as if we were watching a live broadcast in the human head? Brainmedia uncovers past and present examples of scientists and science educators who conceptualize and demonstrate the active human brain guided by new media technologies. Drawing on original archival material, Brainmedia outlines a new history of “live brains” and argues that practices of and ideas about mediation impacted the imagination of seeing the brain at work. In five carefully researched and illustrated historical case studies, Flora Lysen shows the conceptual but also practical assembling of brains and media. UK July 2022 • US July 2022 • 272 pages • 40 bw illus HB 9781501378751 • £90.00 / $120.00 ePub 9781501378744 • £83.60 / $108.00 ePdf 9781501378737 • £83.60 / $108.00 Series: Thinking Media • Bloomsbury Academic

Rediscovering forgotten films like Anti-Clock (1979) and reassessing ones like Lost Highway (1997), Jonathan Rozenkrantz charts neglected chapters of video history, including self-confrontation techniques in psychiatry, their complex relation with surveillance, and the invention/ discovery of the “videographic psyche” by artists, therapists and filmmakers. Spanning six decades, Videographic Cinema discovers an epistemic shift from prospective imaginaries of surveillance and control conditioned on video as a medium for live transmission, to retrospective ones concerned with videotape as a recording memory. UK April 2022 • US April 2022 • 232 pages PB 9781501369315 • £28.99 / $39.95 Previously published in HB 9781501362422 ePub 9781501362415 • £83.60 / $108.00 ePdf 9781501362408 • £83.60 / $108.00 Series: Thinking Media • Bloomsbury Academic

Mediated Interfaces

Discourses of Care

Edited by Katie Warfield, Kwantlen Polytechnic University, Canada, Crystal Abidin, Curtin University, Australia & Carolina Cambre, Concordia University, Canada

Edited by Amy Holdsworth, University of Glasgow, UK, Karen Lury, University of Glasgow, UK & Hannah Tweed, University of York, UK

The Body on Social Media

Images of faces, bodies, selves and digital subjectivities abound on new media platforms like Snapchat, Instagram, YouTube, and others—these images represent our new way of being online and of becoming socially mediated. Mediated Interfaces examines digital embodiment, digital representations, and visual vernaculars as a mode of identity performance and management online in a cohesive collection, compiling all of these contemporary philosophies into one reader for students and scholars. UK December 2021 • US December 2021 • 272 pages • 33 bw illus PB 9781501391156 • £28.99 / $39.95 Previously published in HB 9781501356186 ePub 9781501356193 • £90.50 / $117.00 ePdf 9781501356209 • £90.50 / $117.00 Bloomsbury Academic

Capitalism and the Enchanted Screen

Myths and Allegories in the Digital Age Aleksandr Andreas Wansbrough, University of Sydney, Australia Working from the assumption that capitalism rather than God is the highest power, this book examines mythic anticipations of the screen and digital technology from European literature, poetry, folklore and philosophy. Digital technology and social media are approached not as reflections of human nature but capitalist ideology’s power to enchant. To this end, Capitalism and the Enchanted Screen also surveys a diverse variety of films, digital media and contemporary artworks to understand and critique how myths are reimagined today. UK June 2022 • US June 2022 • 232 pages • 3 bw illus PB 9781501372445 • £28.99 / $39.95 Previously published in HB 9781501356414 ePub 9781501356407 • £76.69 / $99.00 ePdf 9781501356391 • £76.69 / $99.00 Bloomsbury Academic

An Archaeology of Electronic Images and Imaginaries

Media Practices and Cultures

Bringing together scholars from film and television studies, media and cultural studies, literary studies, medical humanities, and disability studies, Discourses of Care collectively examines how the analysis of media texts and practices can contribute to scholarship on and understandings of health and social care, and how existing research focusing on the ethics of care can inform our understanding of media. Featuring a critical introductory essay and 13 specially commissioned original chapters, this is the first edited collection to address the relationship between media and the concept and practice of care and caregiving. UK November 2021 • US November 2021 • 272 pages • 20 bw illus PB 9781501389849 • £28.99 / $39.95 Previously published in HB 9781501342820 ePub 9781501342844 • £27.60 / $35.95 ePdf 9781501342837 • £27.60 / $35.95 Bloomsbury Academic

Resistance in Digital China The Southern Weekly Incident

Sally Xiaojin Chen, University of Sussex, UK Chen’s in-depth analysis of the Southern Weekly Incident ties together overlapping debates in internet studies, Chinese studies, social movement studies, political communication, and cultural studies to discuss issues of the public sphere, collective action, connective action, emotions, and embodiment. Resistance in Digital China not only provides a theoretical framework for understanding how the internet may promote civic participation and a democratic culture in China, but also demonstrates a useful methodology for conducting an in-depth empirical examination of a significant on- and off-line act of resistance. UK December 2021 • US December 2021 • 208 pages PB 9781501391163 • £28.99 / $39.95 Previously published in HB 9781501337673 ePub 9781501337680 • £83.60 / $108.00 ePdf 9781501337697 • £83.60 / $108.00 Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

Angels, Aliens and Amazons Catriona Miller, Glasgow Caledonian University, UK From Mrs Peel in The Avengers to the first female Doctor Who, this book offers a timely focus on the popular phenomenon of the cult TV heroine. Established cult TV favourites such as Buffy the Vampire Slayer are examined alongside more contemporary offerings such as Wynonna Earp, and Chilling Adventures of Sabrina. This book both challenges and celebrates the cult TV heroine and looks to the role of fantasy in helping us to imagine what might be possible for women in contemporary culture. UK April 2022 • US April 2022 • 224 pages • 17 bw illus PB 9781350194175 • £28.99 / $39.95 Previously published in HB 9781350163904 ePub 9781350163928 • £76.50 / $100.32 ePdf 9781350163911 • £76.50 / $100.32 Bloomsbury Academic

Mother of the BBC

Mabel Constanduros and the Development of Popular Entertainment on the BBC, 1925-57 Jennifer J. Purcell, Saint Michael's College, Vermont, USA Mabel Constanduros was one of the first British radio comediennes and a beloved star of the early BBC. In this, the first significant biography of Constanduros, Jennifer J Purcell explores her career and influence on the shaping of popular British entertainment alongside the history of the nascent BBC. She provides new insights into programming decisions and content on the early BBC, deepening our understanding of the history and evolution of situation comedy and soap opera. Further, the author considers class in the representation of the British people on BBC radio, the gendered experience and performance of radio celebrity, and the intersections between BBC entertainment and other forms of popular media prior to the advent of television. UK November 2021 • US November 2021 • 256 pages • 3 bw illus PB 9781501389856 • £28.99 / $39.95 Previously published in HB 9781501346507 ePub 9781501346538 • £27.60 / $35.95 ePdf 9781501346514 • £27.60 / $35.95 Bloomsbury Academic

Radio's Legacy in Popular Culture

The Sounds of British Broadcasting over the Decades Martin Cooper, University of Huddersfield, UK Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain, and offer an opinion about what they think they have heard. Examining work by novelists, film-makers, TV producers and songwriters, this book uncovers the manner in which the radio – and the act of listening – has been written about for the past 100 years. UK January 2022 • US January 2022 • 264 pages • 11 bw illus HB 9781501360442 • £90.00 / $120.00 ePub 9781501360435 • £83.60 / $108.00 ePdf 9781501360428 • £83.60 / $108.00 Bloomsbury Academic

Indie Games in the Digital Age Edited by M.J. Clarke, Cal State LA, USA & Cynthia Wang, Cal State LA, USA

Reduced cost production tools, open distribution platforms, and ubiquitous connectivity have engendered the growth of indie games among makers and users, forcing critics to reconsider the question of who makes games and why. Taking seriously this new mode of cultural production compels analysts to reconsider the blurred boundaries and relations of makers, users and texts as well as their respective relationship to cultural power and hierarchy. The contributions to Indie Games in the Digital Age consider these questions and examine a series of firms, makers, games and scenes, to chart the productive and instructive disruption that this new site of cultural production offers. UK November 2021 • US November 2021 • 240 pages PB 9781501388545 • £28.99 / $39.95 Previously published in HB 9781501356452 ePub 9781501356445 • £27.60 / $35.95 ePdf 9781501356438 • £27.60 / $35.95 Series: Approaches to Digital Game Studies • Bloomsbury Academic

Romy Schneider

A Star Across Europe Marion Hallet, King’s College London, UK This book explores the star image of Austrian born actress Romy Schneider (1938-1982). Her evolving role – sweet Viennese girl, Parisienne, ‘modern’ and ‘tragic’ woman – together with her acting choices and events in her private life, led her career into varied and fascinating directions within European and Hollywood cinemas. Romy Schneider shows how the representations of women stemming from Schneider’s star image supported specific and shifting cultural and social agendas regarding femininity, from the 1950s to the 1980s. This book explores the significance of Schneider’s image both when she was working and since, within Western European film culture and celebrity culture. UK April 2022 • US April 2022 • 256 pages • 15 bw illus HB 9781501378850 • £90.00 / $120.00 ePub 9781501378843 • £83.60 / $108.00 ePdf 9781501378836 • £83.60 / $108.00 Bloomsbury Academic

F I L M & M E D I A S T U D I E S - TV & Radio / Celebrity Studies / Game Studies

Cult TV Heroines

The Destruction and Creation of Michael Jackson Ellis Cashmore, Aston University, UK

However people remember Jackson, no one can deny that, in cultural terms, Jackson remains a compelling subject: an icon of the late 20th century, he reflects not only the changes in the circumstances of the African American population, but changes in white America. Jackson was idolized, perhaps even objectified into an extraordinary being for whom there were no established reference points in whites’ conceptions. This book posits that Jackson was a creation of, at first, American and, later, global culture at a time when it seemed desirable, if not necessary to exalt a Black person on merit. America had become a society in which someone of Jackson’s indisputable genius not only can, but must, rise to the top. UK May 2022 • US May 2022 • 352 pages • 23 bw illus HB 9781501363580 • £19.99 / $27.00 ePub 9781501363566 • £19.17 / $24.30 ePdf 9781501363634 • £19.17 / $24.30 Bloomsbury Academic

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STUDY SKILLS

Bloomsbury Study Skills The Bloomsbury Student Planner 2022-2023 Academic Diary Stella Cottrell This bestselling planner is the complete selfmanagement and organisational tool for students. It contains everything undergraduates need to organise their information and time effectively – including study skills advice, a 13-month week-to-view diary, careers advice, and financial information, as well as timetables, reading lists and tutor contact pages for students to fill in with their individual requirements. UK May 2022 • 256 pages PB 9781350932562 • £10.99 / $12.99 Bloomsbury Academic

Cite Them Right

Richard Pears & Graham Shields Cite them right is renowned as the most comprehensive yet easy-to-use guide to referencing text available to students and authors. Academics and teachers rely on the advice in Cite them right to guide their students in the skills of identifying and referencing information sources and avoiding plagiarism. The fully revised and updated 12th edition contains: - Expanded guidance on the key principles of referencing and avoiding plagiarism, including new sections on collecting evidence to use in your work; reading, listening and taking notes; and using other people’s work in your writing. - New reference examples for Tik Tok, blog posts, Zoom and Teams, recorded lectures and online seminars UK May 2022 • US May 2022 • 284 pages • full-colour photos (approx 20) PB 9781350933453 • £14.99 / $19.95 • HB 9781350933446 • £44.99 / $60.95 ePub 9781350933460 • £12.49 / $16.93 ePdf 9781350933477 • £12.49 / $16.93 Series: Bloomsbury Study Skills • Bloomsbury Academic

Improve Your Grammar

The Essential Guide to Accurate Writing Mark Harrison, Vanessa Jakeman & Ken Paterson Students will master the fundamentals of English grammar and tackle their written assignments with confidence with the help of this handy pocket guide. 60+ bite-sized units offer examples and exercises to help students overcome common areas of difficulty, such as forming different tenses, using connectives to link ideas and build an argument, punctuating sentences and choosing the right words. Included in this 3rd edition are new units on hedging, being critical and collocation. Improve Your Grammar is both easy-to-navigate and easy-to-use. It is suitable for home and international students across all disciplines, from A level to degree-level study. UK February 2022 • US February 2022 • 176 pages PB 9781350933637 • £17.99 / $24.95 • HB 9781350933620 • £53.99 / $73.95 ePdf 9781350933644 • £16.19 / $22.14 Series: Bloomsbury Study Skills • Red Globe Press

Study Skills for International Postgraduates Martin Davies, University of Melbourne, Australia

This is the definitive guide to successful study as an international postgraduate student. Chapters cover all the core academic skills, including time management, reading, referencing, critical thinking, doing research, and writing and speaking for assessment. The book features a wealth of examples, activities and checklists to help students hone their skills. The second edition features: - New content on poster presentations, managing digital sources and using electronic databases - Additional activities on referencing and critical thinking - Practical pointers to help students hit the ground running and quickly get to grips with the expectations and conventions of postgraduate study UK February 2022 • US February 2022 • 320 pages PB 9781352012569 • £26.99 / $36.95 • HB 9781352013016 • £74.99 / $100.00 ePub 9781352012576 • £24.29 / $32.56 ePdf 9781350295674 • £24.29 / $32.56 Series: Bloomsbury Study Skills • Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

Series Editor: Kate Williams, formerly Upgrade Service, Oxford Brookes University, UK Little books, big ideas! For time-pushed students, Pocket Study Skills pack a lot of advice into a little book in an entertaining and engaging way. Each guide focuses on a single crucial aspect of study, giving students step-by-step guidance, handy tips and clear advice on how to approach important areas of their studies.

Writing for University

Jeanne Godfrey, University of Leeds, UK This indispensable guide shows students what successful academic writing involves and gives them the tools they will need to write successfully themselves. It separates fact from fiction and takes students through the five essential elements of academic writing: writing critically; using sources; developing your own voice; having a clear structure and style; and editing and polishing drafts. Chapters include annotated extracts of real students' academic writing from a range of subject areas. This third edition has been revised throughout, and contains three new sections on originality, argument and synthesising sources. UK February 2022 • US February 2022 • 152 pages • Approx. 20 line drawings PB 9781350933675 • £7.99 / $10.95 ePub 9781350933682 • £7.19 / $10.41 ePdf 9781350933699 • £7.19 / $10.41 Series: Pocket Study Skills • Red Globe Press

Where's Your Argument? Michael Shoolbred, University of Birmingham, UK & Helen Cooper, University of Birmingham, UK

This handy, no-nonsense guide helps students to feel more confident in finding their academic voice and equips them with the skills they need to construct convincing academic arguments. It offers practical advice on forming ideas, presenting evidence and structuring arguments. The second edition contains more varied examples of what ‘finding your academic voice means’ in the context of different assignments, including blogs and observations. It also features new material on synthesizing ideas from different sources. This is an essential resource for all undergraduates and postgraduates who are looking to communicate their arguments effectively and improve the quality of their academic writing. UK May 2022 • US May 2022 • 160 pages PB 9781350932623 • £7.99 / $10.95 Series: Pocket Study Skills • Bloomsbury Academic World English

Getting Critical

STUDY SKILLS

Pocket Study Skills

Kate Williams

Getting Critical is an informative and helpful guide that teaches students how to adopt a critical approach in their research, reading and writing. With examples of real students' work throughout, this is an invaluable resource for Higher Education and Further Education students across all disciplines. This 3rd edition is fully updated to include new chapters on getting critical with numbers and examples from a wider range of assignments, particularly within STEM disciplines. UK February 2022 • US February 2022 • 144 pages PB 9781350933576 • £7.99 / $10.95 Series: Pocket Study Skills • Red Globe Press

Success in Groupwork

Peter Hartley, Mark Dawson & Sue Beckingham, Sheffield Hallam University, UK With relatable examples and useful checklists, this concise and pragmatic guide helps students tackle the challenges of group assignments with confidence. Bite-sized chapters take students from forming a group and establishing roles through to dealing with conflict and delivering a group assessment. This fully-updated 2nd edition includes ideas on how to make full use of technology and social media for effective communication and project management. This is an essential resource for any student who needs to produce a group project as part of their course, regardless of their level or discipline. UK February 2022 • US February 2022 • 136 pages PB 9781350933491 • £7.99 / $10.95 ePub 9781350933507 • £7.19 / $10.41 ePdf 9781350933514 • £7.19 / $10.41 Series: Pocket Study Skills • Red Globe Press

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N E W F ROM RED GLOBE PR ES S In June 2021 Bloomsbury acquired Red Globe Press from Macmillan Education Limited, so the titles you know and your customers love are all now available via www.bloomsbury.com and through Bloomsbury’s Academic sales team. From March 2022, all new RGP titles and reprints will publish under appropriate Bloomsbury imprints, usually Bloomsbury Academic.

NEW FOR APRIL-JUNE 2022

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Stock up today! Our new, Bloomsbury-branded, study skills books are here!

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Help students build the skills for success in their studies and beyond with their own personalised learning pathway. Skills for Study offers an interactive and personalised solution to help students strengthen their academic skills and develop the skills required by employers. Based on the work of bestselling study skills author Stella Cottrell, the resource comprises 12 modules, which guide students through interactive activities, exercises and videos to help them hone their skills in crucial areas, from writing, critical thinking and time management, to research, personal development and employability.

Find out more and try some free sample activities at www.skillsforstudy.com

The ultimate resource for referencing and avoiding plagiarism! Cite Them Right Online comprises a 1-hour interactive eLearning tutorial which covers the importance of referencing, how to write citations and build references. It also offers the opportunity to test knowledge and confirm understanding in the practice of referencing.

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An online resource bringing together a wealth of content designed to help social work students develop the knowledge, skills and confidence to succeed on their course and placements. The toolkit explores five key areas that reflect the training and practice of social workers: • • •

Communication Skills Professionalism in Practice Ethics, Values and Diversity

• •

Assessment and Intervention Lifecourse Perspectives

Resources include case studies, service user perspectives, expert opinions, quick guides and book chapters from experienced social work professionals and academics.

“Over the last few years the toolkit has really expanded…it is contemporary and relevant.” - Sheila Slesser, Course Leader Practice Learning Qualification and Lecturer, Robert Gordon University

Find out more and request a free trial at www.socialworktoolkit.com Contact Online Sales for additional information: North and South America: OnlineSalesUS@bloomsbury.com UK, Europe, Middle East, Africa, and Asia: OnlineSalesUK@bloomsbury.com Australia and New Zealand: OnlineSalesANZ@bloomsbury.com

R E P R E S E N TAT I V E S , A G E N T S & D I S T R I B U T O R S − U K , E U R O P E , R E S T O F W O R L D 16

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