Film & Media Studies New Books Catalogue July-September 2022 by Bloomsbury Publishing

Film & Media New Books Catalogue

July-September 2022

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Contents British Film Institute �� 3

EBooks ePub and ePDF availability is listed under each book entry.

Review Copies

Screenwriting �� 3

Email academicreviewus@bloomsbury.com (Americas) / academicreviews@bloomsbury.com (UK / Rest of World).

Animated Films �� 4

Standing Orders

Film Genres �� 4

Many of our series are available on a standing order basis. For further information contact our trade ordering departments listed on page 12.

Film Theory �� 5 Film History �� 5 Film Directors �� 6 World Cinema �� 7 Gender & Media �� 8 Media Theory �� 9 Media Theory and History �� 10 TV �� 10

Translation Rights Available unless otherwise indicated.

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Game Studies �� 10 Representatives, Agents and Distributors �� 12

Online resources available. Available for institutions to purchase on www.bloomsburycollections.com

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BFI FILM CLASSICS “An indispensable part of every cineaste’s bookcase” – Total Film

Sunset Boulevard

Picnic at Hanging Rock

The Godfather

Seven Samurai

9781839024085

9781839023354

9781839024580

9781839024771

The Lost Honour of Katharina Blum (Die verlorene Ehre der Katharina Blum)

The Searchers

Eight and a Half (Otto e mezzo)

Grave of the Fireflies

9781839024696

9781839024733

9781838719234

9781839024375

Discover more at www.bloomsbury.com/BFIFilmClassics

Sunset Boulevard

Steven Cohan, Syracuse University, USA Steven Cohan's study of Billy Wilder's 1950 noir classic draws on original archival research to shed new light on the film's production history, and the contribution to the film's success and meanings of director Wilder, stars Holden and Swanson, costumier Edith Head, and composer Franz Waxman. Cohan considers the film both as a 'backstudio' picture (a movie about Hollywood) and as a film noir, and in the context of McCarthyism, blacklisting and the Hollywood Ten. UK September 2022 • US September 2022 • 104 pages • 60 bw illus PB 9781839024085 • £11.99 / $15.95 ePub 9781839024092 • £10.79 / $15.10 ePdf 9781839024108 • £10.79 / $15.10 Series: BFI Film Classics • British Film Institute

Picnic at Hanging Rock

Anna Backman Rogers, University of Gothenburg, Sweden Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking. Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. UK October 2022 • US October 2022 • 104 pages • 50 colour illus PB 9781839023354 • £11.99 / $15.95 ePub 9781839023361 • £10.79 / $15.10 ePdf 9781839023378 • £10.79 / $15.10 Series: BFI Film Classics • British Film Institute

The Child in Cinema

Karen Lury, University of Glasgow, UK The Child in Cinema brings together a host of internationally recognised scholars to provide an interdisciplinary perspective on the representation of the child in cinema. Individual chapters examine how children appear in non-fiction and nontheatrical films -documentaries, art installations and public information films. It also considers the global reach of cinema featuring children, including films from the former Yugoslavia, Brazil and India, as well as exploring the labour of the child both in front of and behind the camera as actors and filmmakers. UK September 2022 • US September 2022 • 224 pages • 40 bw illus PB 9781844575121 • £21.99 / $29.95 • HB 9781844575138 • £65.00 / $90.00 ePub 9781844577248 • £19.79 / $27.47 ePdf 9781839024955 • £19.79 / $27.47 British Film Institute

Beyond Bagpuss

A History of Smallfilms Animation Studio Chris Pallant, Canterbury Christ Church University, UK Ivor the Engine, Noggin the Nog, Pingwings, Pogles Wood, Clangers, and Bagpuss - the iconic animations produced by the Canterburybased Smallfilms studio between 1958 and 1984 - constitute a significant thread of British cultural history. Through extensive studio access, interviews with many key Smallfilms collaborators, press and audience analysis, Chris Pallant traces a comprehensive and definitive historical record of the studio’s work. Beyond Bagpuss is illustrated with more than 100 images from the Smallfilms archive, including those that have not previously been published.

F I L M & M E D I A – British Film Institute / Screenwriting

BFI Film Classics

UK July 2022 • US July 2022 • 288 pages • 100 bw illus PB 9781839022388 • £26.99 / $36.95 • HB 9781839022395 • £80.00 / $110.00 ePub 9781839022401 • £24.29 / $34.34 ePdf 9781839022418 • £24.29 / $34.34 British Film Institute

Being There and the Evolution of a Screenplay 3 Draft Scripts with Commentary

Aaron Hunter, Maynooth University, Ireland Being There (1979) is generally considered the final film in Hal Ashby’s triumphant career. Being There and the Evolution of a Screenplay features three versions of the film's script: an initial draft by Jerzy Kosinski, based on his 1970 novel; a second by Ashby collaborator and Oscar-winner Robert C. Jones; and a final draft written by Jones with Ashby’s assistance. Additionally, the book features facsimile pages from Ashby’s copy of the scripts that include handwritten notes, providing valuable insights into the redrafting process. This book is a presentation of the script and a record of the process of crafting it. UK August 2022 • US August 2022 • 488 pages • 4 bw illus PB 9781501372377 • £28.99 / $39.95 Previously published in HB 9781501348358 ePub 9781501348365 • £85.90 / $117.00 ePdf 9781501348372 • £85.90 / $117.00 Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com

F I L M & M E D I A – Animated Films / Film Genres

Animation: Key Films/Filmmakers Chris Pallant, Canterbury Christ Church University, UK

Watership Down

Perspectives On and Beyond Animated Violence Edited by Catherine Lester, University of Birmingham, UK Watership Down (Martin Rosen, 1978) is as controversial as it is beloved. This open access collection unites scholars and practitioners to consider the ongoing legacy of this landmark of British cinema and animation history. Topics include the film’s production, reception, music, generic context, the ethics and aesthetics of animated violence, its increasingly relevant political and environmental themes, and its relationship to Richard Adams’ 1972 source novel and subsequent adaptations. As the first substantial work on Watership Down, this book is an authoritative introduction for scholars, students, and fans. The ebook editions of this book are available open access on www.bloomsburycollections.com. UK September 2022 • US September 2022 • 272 pages • 30 bw illus HB 9781501376993 • £90.00 / $120.00 ePub 9781501376986 • £0.00 / $0.00 ePdf 9781501376979 • £0.00 / $0.00 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic

Sylvain Chomet’s Distinctive Animation

From The Triplets of Belleville to The Illusionist Maria Katsaridou, Aristotle University of Thessaloniki, Greece This open access book provides the first in-depth analysis of Sylvain Chomet's animation films and contribution to contemporary animation. It examines important elements of the artist’s life, studies and previous works, along with his influences and important collaborations. Special attention is paid to the production processes, as well as the historical and socioeconomic context in which they were created, to provide the reader with a comprehensive study of the films and to highlight their contribution to the advancement of contemporary animation. The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com. UK December 2022 • US December 2022 • 240 pages HB 9781501363993 • £90.00 / $120.00 ePub 9781501363986 • £0.00 / $0.00 ePdf 9781501363979 • £0.00 / $0.00 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic

Genndy Tartakovsky Sincerity in Animation

Kwasu David Tembo, Independent Scholar, Zimbabwe This open access book features Genndy Tartakovsky, widely regarded as a pioneer in contemporary Western animation of the 20th and 21st centuries. This book draws attention to the comparatively mysterious figure creator, while simultaneously celebrating his singular vision, mastery of formal technique, genre sensitivity, personal stylistic flair, and how these aesthetic and narrative elements combine to produce what the author calls an 'animation of sincerity' in all his works. The ebook editions of this book are available open access on www. bloomsburycollections.com. UK April 2022 • US April 2022 • 296 pages • 64 bw illus HB 9781501356292 • £90.00 / $120.00 ePub 9781501356285 • £0.00 / $0.00 ePdf 9781501356278 • £0.00 / $0.00 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic

Snow White and the Seven Dwarfs New Perspectives on Production, Reception, Legacy

Edited by Chris Pallant, Canterbury Christ Church University, UK & Christopher Holliday, King’s College London, UK This open access book focuses on Walt Disney’s Snow White and the Seven Dwarfs, which set in motion the Golden Age of the Hollywood cartoon and continues to be an international sensation. This book explores the enduring qualities that have marked Snow White’s influence and legacy, providing a collection of original chapters that reflect upon its pioneering use of technology and contributions to animation’s visual style, the film’s reception within an American context, and its status as a global cultural phenomenon. The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com. UK July 2022 • US July 2022 • 328 pages • 28 bw illus PB 9781501373961 • £28.99 / $39.95 Previously published in HB 9781501351228 ePub 9781501351211 • £0.00 / $0.00 ePdf 9781501351204 • £0.00 / $0.00 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic

Opera Cinema

A New Cultural Experience Joseph Attard, Kings College London, UK Since 2006, leading opera companies have beamed shows to cinema screens all over the world – live. ‘Opera cinema’ is the most successful marriage of this elaborate, esoteric artform and the silver screen. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right? Is it bringing new fans into the fold? Is there a danger it could one day eclipse the stage? This book discusses these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture.

UK July 2022 • US July 2022 • 256 pages HB 9781501370373 • £90.00 / $120.00 ePub 9781501370359 • £79.34 / $108.00 ePdf 9781501370342 • £79.34 / $108.00 Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

Hilary Neroni, University of Vermont, USA

This book offers a concise introduction to realist film theory and shows how this theory can be engaged to interpret Vittorio De Sica’s Bicycle Thieves. Through three key concepts—Hollywood and realism, early realist theories and their influence, and realism and its relationship to melodrama—the book lays bare the debates and approaches within the vibrant history of realist film theory. In this way, the book provides a point of entry to realist film theory from its inception to today as well as a new way to conceive of realism. UK September 2022 • US September 2022 • 208 pages PB 9781501378591 • £14.99 / $19.95 • HB 9781501378607 • £55.00 / $75.00 ePub 9781501378584 • £13.10 / $17.95 ePdf 9781501378577 • £13.10 / $17.95 Series: Film Theory in Practice • Bloomsbury Academic

Cinematic Modernism and Contemporary Film Aesthetics and Narrative in the International Art Film

Howard Finn, Queen Mary, University of London, UK Drawing on a broad range of examples, including Soviet montage, Italian neorealism, postwar new waves and the ‘new cinema’ of Taiwan and Iran, Cinematic Modernism and Contemporary Film explores the cultural significance of modernism and its lasting influence over cinema. Howard Finn provides concise accounts of how theorists such as André Bazin, Siegfried Kracauer, Gilles Deleuze and Jacques Rancière have discussed the cinematic aesthetic, clarifying debates over terms such as ‘realism’, ‘classical’ and ‘avantgarde’ as well as recent controversies over terms such as ‘slow cinema’ and ‘vernacular modernism’. UK September 2022 • US September 2022 • 336 pages • 30 b&w HB 9781788312738 • £85.00 / $115.00 ePub 9781350242579 • £76.50 / $105.78 ePdf 9781350242586 • £76.50 / $105.78 Bloomsbury Academic

New Perspectives on Early Cinema History

Concepts, Approaches, Audiences Edited by Mario Slugan, Queen Mary University of London, UK & Daniël Biltereyst, Ghent University, Belgium New Perspectives on Early Cinema History is a theoretical reconceptualization of the origins of cinema. It showcases the latest methods and tools for analysis, casting new light on the early cinema experience. The collection emphasizes the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. Contributors discuss early cinema in the US, the UK, France, Germany, Denmark, Italy, Russia, India, Hong Kong and Singapore. UK May 2022 • US May 2022 • 256 pages • 20 bw illus HB 9781350181977 • £85.00 / $115.00 ePub 9781350181991 • £76.50 / $105.78 ePdf 9781350181984 • £76.50 / $105.78 Bloomsbury Academic

Intimacy and the Anxieties of Cinematic Flesh Between Phenomenology and Psychoanalysis

Patrick Fuery, Chapman University, USA Combining two distinct philosophical fields to the study of cinema, Patrick Fuery shows how phenomenology and psychoanalysis, so often seen as contradistinctive, are explored through their commonalities rather than differences. Using three interconnected themes—intimacy, anxiety, and flesh— he illustrates that anxiety is a driving process in all cinema, and for it to take place there must be a relationship of intimacy. Discussing such films as Tree of Life, Don’t Look Now, Gravity and Roma, Fuery demonstrates why combining phenomenology and psychoanalysis to the study of cinema is necessary for studying film. UK December 2022 • US December 2022 • 240 pages HB 9781501376351 • £90.00 / $120.00 ePub 9781501376344 • £79.34 / $108.00 ePdf 9781501376337 • £79.34 / $108.00 Bloomsbury Academic

Experiencing Cinema

Participatory Film Cultures, Immersive Media and the Experience Economy

F I L M & M E D I A – Film Theory / Film History

Realist Film Theory and Bicycle Thieves

Emma Pett, University of York, UK Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema-going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study. Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadia, Experiencing Cinema considers the lure and value of these popular events. UK September 2022 • US September 2022 • 248 pages PB 9781501374883 • £28.99 / $39.95 Previously published in HB 9781501352041 ePub 9781501352058 • £79.34 / $108.00 ePdf 9781501352065 • £79.34 / $108.00 Bloomsbury Academic

The Politics of Nordsploitation History, Industry, Audiences

Pietari Kääpä, University of Stirling, UK & Tommy Gustafsson, Linnaeus University, Sweden The Politics of Nordsploitation takes a transnational approach to exploring films in their industrial contexts, viewing them as not only political manifestations of domestic considerations but also positioning Nordic exploitation film cultures in a global context. The book provides a film historical exposition of a largely ignored cultural movement, and, on a more retrospective level of analysis, it outlines how influential these films have been. The majority of the book focuses on key patterns and periods in the 1970-90s, but also traces the impact these films have had on textual tactics and industrial practices of contemporary filmmakers. UK August 2022 • US August 2022 • 288 pages • 31 bw illus PB 9781501373947 • £28.99 / $39.95 Previously published in HB 9781501327339 ePub 9781501327315 • £79.34 / $108.00 ePdf 9781501327308 • £79.34 / $108.00 Series: Global Exploitation Cinemas • Bloomsbury Academic

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F I L M & M E D I A – Film History / Film Directors

Screening the Crisis

US Cinema and Social Change in the Wake of the 2008 Crash Edited by Hilaria Loyo, University of Zaragoza, Spain & Juan A. Tarancón, University of Zaragoza, Spain Screening the Crisis brings together film studies scholars to explore the ways in which new tendencies in US cinema enhance awareness of the complexity of the problems facing contemporary society. The issues addressed include economic inequality, shifts in gender roles, racial conflicts, immigration, surveillance practices, the environmental crisis, the politics of housing, and the fragility of nationhood. With its ample range of topics and perspectives, this collection provides an essential reference work for those who want to research how US cinema has responded to the manifold interconnected crises that characterize our current times. UK August 2022 • US August 2022 • 304 pages • 13 bw illus HB 9781501388125 • £95.00 / $130.00 ePub 9781501388132 • £85.90 / $117.00 ePdf 9781501388149 • £85.90 / $117.00 Bloomsbury Academic

The Cinema of Yorgos Lanthimos Films, Form, Philosophy

Edited by Eddie Falvey, Plymouth College of Art, UK Yorgos Lanthimos is one of the more interesting filmmakers to have emerged out of the new century. This edited collection covers everything from an early career marked by experimentation with a range of different media to international festival hits including Dogtooth, The Lobster, The Killing of a Sacred Deer, and the Academy Award-winning 'historical' epic The Favourite. His work demonstrates a fascinating contravention of aesthetic, thematic, and generic boundaries that forms the basis of some of the analyses in the volume. This is a timely compendium of critical approaches to one of the most distinct voices in contemporary film. UK July 2022 • US July 2022 • 288 pages • 13 bw illus HB 9781501375491 • £90.00 / $120.00 ePub 9781501375484 • £79.34 / $108.00 ePdf 9781501375477 • £79.34 / $108.00 Bloomsbury Academic

Forms of the Cinematic

Architecture, Science and the Arts Edited by Mark Breeze, St. John's College, University of Cambridge, UK This interdisciplinary collection explores how cinema calls into question its own frame of reference and, at the same time, how its form becomes the matter of its thought. Building on the axiom (cherished by philosophers of cinema from Epstein to Deleuze) that cinema is a medium that thinks in conjunction with its spectators, this book examines how various forms of the cinematic rethink and redraw the terrain of traditional disciplines, thereby enabling different modes of thought and practice. Areas under consideration by a range of leading academics and practitioners include architecture, science, writing in a visual field, event-theory and historiography. UK July 2022 • US July 2022 • 232 pages • 26 bw illus PB 9781501374906 • £28.99 / $39.95 Previously published in HB 9781501361425 ePub 9781501361449 • £72.79 / $99.00 ePdf 9781501361432 • £72.79 / $99.00 Bloomsbury Academic

Martin Scorsese’s Documentary Histories Migrations, Movies, Music

Mike Meneghetti, University of Toronto, Canada My Voyage to Italy (1999), Martin Scorsese’s personal documentary excursion through his formative experiences with Italian cinema, stands as a key progenitor for Scorsese’s resuscitated documentary practice today. The director’s unassuming desire to compose histories has clearly guided his late-period film and television output, yet his distinctive contributions as an historian continue to be overlooked in conventional auteurist studies. Martin Scorsese’s Documentary Histories offers the first extended investigation of these films by decisively re-situating Scorsese’s varied late-period works within the context of contemporary practices and theories of audiovisual historiography. UK September 2022 • US September 2022 • 280 pages • 57 bw illus PB 9781501375958 • £28.99 / $39.95 Previously published in HB 9781501336874 ePub 9781501336881 • £79.34 / $108.00 ePdf 9781501336898 • £79.34 / $108.00 Bloomsbury Academic

The Bloomsbury Companion to Stanley Kubrick Edited by I.Q. Hunter, De Montfort University, UK & Nathan Abrams, Bangor University, UK

Bringing together an international team of leading scholars and emergent voices, this Companion provides comprehensive coverage of Stanley Kubrick’s contribution to cinema. After a substantial introduction outlining Kubrick's life and career and film production and reception contexts, the volume consists of 39 contributions on key themes that both summarise previous work and provides new, often archive-based, state-of-the-art research. UK July 2022 • US July 2022 • 396 pages • 23 bw illus PB 9781501373954 • £28.99 / $39.95 Previously published in HB 9781501343629 ePub 9781501343636 • £99.00 / $135.00 ePdf 9781501343650 • £99.00 / $135.00 Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

Milton Fernando Gonzalez Rodriguez, KU Leuven, Belgium; University of Amsterdam, the Netherlands This book explores how contemporary films participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The author looks at the contexts in which Latin American films circulate and provides the foundations of histrionic indigeneity, a theory that explains how overtly dramatic proclivities play a significant role in depictions of an imagined indigenous Other in recent films.

The New Wave Cinema in Iran A Critical Study

Parviz Jahed, Independent Scholar, UK The New Wave Cinema in Iran is an historical and analytical study of the Iranian New Wave Cinema (Mowj-e No) as an artistic and intellectual movement that came to its best early productions between 1958 and 1978. Parviz Jahed focuses on the development and the early progression of the movement in the 1960s and explores its emergence and development in the context of the cultural and social conditions of Iran during this period. UK May 2022 • US May 2022 • 240 pages • 51 bw illus HB 9781501369124 • £90.00 / $120.00 ePub 9781501369117 • £79.34 / $108.00 ePdf 9781501369100 • £79.34 / $108.00 Bloomsbury Academic

UK August 2022 • US August 2022 • 304 pages • 5 bw illus HB 9781501384707 • £95.00 / $130.00 ePub 9781501384691 • £85.90 / $117.00 ePdf 9781501384684 • £85.90 / $117.00 Bloomsbury Academic

Crisis Cinema in the Middle East Creativity and Constraint in Iran and the Arab World Shohini Chaudhuri, University of Essex, UK Shohini Chaudhuri examines a broad scope of international films, ranging from award-winning, festival favourites such as Five Broken Cameras (2011), Persepolis (2007) and Kiarostami’s About Elly (2009) to lesser-known films originating from Saudi Arabia, Iran, Lebanon, Syria and Iraq. Using various regional film archives and interviews with filmmakers such as Yasmin Fedda, Ossama Mohammed, Leila Sansour and Sam Kadi, Chaudhuri identifies how witnessing, humour, animation and adaptation have become prevalent creative strategies for producing work under the sociopolitical and material limitations of crisis. UK July 2022 • US July 2022 • 272 pages • 19 bw illus HB 9781350190511 • £85.00 / $115.00 ePub 9781350190528 • £76.50 / $105.78 ePdf 9781350190535 • £76.50 / $105.78 Bloomsbury Academic

Popular Ethiopian Cinema Love and Other Genres

Michael W. Thomas, SOAS University of London, UK Popular Ethiopian Cinema shines much-needed light on the history, structures and films of the Amharic film industry in Ethiopia. Focusing on the rise of the industry from 2002, up until the contemporary moment, and embedded in archival, ethnographic and textual research methods, the book offers a detailed appreciation of Amharic-language cinema. Michael Thomas considers fikir/love as an organising principle in national Ethiopian culture and, by extension, Amharic cinema. Placing fikir as central to understanding Amharic film genres also illuminates the continuous negotiations at play between romantic, familial, patriotic and spiritual notions of love in these films. UK September 2022 • US September 2022 • 256 pages • 40 bw illus HB 9781350227408 • £85.00 / $115.00 ePub 9781350227415 • £76.50 / $105.78 ePdf 9781350227422 • £76.50 / $105.78 Series: World Cinema • Bloomsbury Academic

Isabelle Huppert

Petrocinema

Edited by Darren Waldron, University of Manchester, UK & Nick Rees-Roberts, ParisSorbonne Nouvelle, France

Edited by Marina Dahlquist, Stockholm University, Sweden & Patrick Vonderau, University of Halle, Germany

Stardom, Performance, Authorship

Deconstructs Isabelle Huppert’s star persona and public profile through critical and theoretical analysis of her various screen roles. This collection remedies the lack of coverage of the multi-award winning actress, despite being Oscar-nominated and winning prizes at the BAFTA awards and festivals of Cannes, Venice and Berlin. By focusing on a number of theoretical questions that relate to image, identity, sexuality and place, this volume situates Huppert’s star persona in the more practical creative contexts of performance, authorship, genre and collaboration. UK July 2022 • US July 2022 • 264 pages • 30 bw illus PB 9781501372438 • £28.99 / $39.95 Previously published in HB 9781501348914 ePub 9781501348921 • £79.34 / $108.00 ePdf 9781501348938 • £79.34 / $108.00 Bloomsbury Academic

F I L M & M E D I A – World Cinema

Indigeneity in Latin American Cinema

Sponsored Film and the Oil Industry

A collection of essays concerning the close relationship between the oil industry and modern media—especially film. Since the early 1920s, oil companies have been producing and circulating moving images that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. These essays consider the intersecting cultural histories of oil extraction and media history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or “spills” in the 20th century to today’s post industrial “petromelancholia.” UK August 2022 • US August 2022 • 272 pages • 34 bw illus PB 9781501374852 • £28.99 / $39.95 Previously published in HB 9781501354137 ePub 9781501354144 • £85.90 / $117.00 ePdf 9781501354151 • £85.90 / $117.00 Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com

F I L M & M E D I A – Gender & Media

Library of Gender and Popular Culture Claire Nally, Northumbria University, UK; Angela Smith, University of Sunderland, UK

Film Bodies

Queer Feminist Encounters with Gender and Sexuality in Cinema Katharina Lindner, Late of University of Stirling, UK "Lindner provides a welcome guide through new terrain. Deftly navigating the challenge of bringing feminist and queer thought together, Film Bodies raises important questions about how the social, spatial and corporeal coordinates of cinematic being are imbricated." - Film-Philosophy In Film Bodies, Katharina Lindner takes existing debates into a new direction and integrates queer and feminist theory with film phenomenology. Drawing on a broad range of sources, Lindner's study explores the female body's presence in a range of genres including the dance film, the sports film and queer cinema. UK September 2022 • US September 2022 • 320 pages • 26 bw illus PB 9781350258365 • £28.99 / $39.95 Previously published in HB 9781784536244 ePub 9781838608545 • £90.00 / $125.02 ePdf 9781838608552 • £90.00 / $125.02 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Gender and Austerity in Popular Culture Femininity, Masculinity and Recession in Film and Television Edited by Helen Davies, University of Wolverhampton, UK & Claire O’Callaghan, Brunel University, UK Gender and Austerity in Popular Culture explores how transatlantic visual culture has represented and reconstructed ideas of gender in times of financial crisis. Drawing on social, cultural and feminist theory, the writers explore how men and women experience austerity differently and illuminate the problematic ways in which economic policy can shape how gender is presented in popular culture. UK July 2022 • US July 2022 • 240 pages PB 9781350258969 • £28.99 / $39.95 Previously published in HB 9781784536640 ePub 9781786720924 • £90.00 / $125.02 ePdf 9781786730923 • £90.00 / $125.02 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Queer Horror Film and Television Sexuality and Masculinity at the Margins Darren Elliott-Smith, University of Stirling, UK

From the Margins to the Mainstream

Women On and Off Screen in Film and Television Edited by Marianne Kac-Vergne, Université de Picardie Jules Verne, France & Julie Assouly, Université d’Artois, France From the Margins to the Mainstream is a study of the conflicted relationship between women and film as they move from the margins into central focus. It examines women’s involvement with the film and television industry as actors, directors, critics and spectators. The chapters analyze independent, art-house, Hollywood and TV productions often in transnational contexts, shedding light on how definitions of femininity are culturally specific yet cross national, class and racial lines. The contributors include renowned scholars such as Yvonne Tasker, Celestino Deleyto, David Roche and Nicole Cloarec. UK July 2022 • US July 2022 • 256 pages • 17 bw illus HB 9781788312677 • £85.00 / $115.00 ePub 9781350120181 • £76.50 / $105.78 ePdf 9781350120174 • £76.50 / $105.78 Series: Library of Gender and Popular Culture • Bloomsbury Academic

All-American TV Crime Drama

Feminism and Identity Politics in Law and Order: Special Victims Unit Sujata Moorti, Middlebury College, USA & Lisa Cuklanz, Boston College, USA All-American TV Crime Drama is the first dedicated study of Law and Order Special Victims Unit (SVU) and its treatment of sexual violence, gender and criminality. The book uses detailed textual and visual analyses of episodes to illuminate the assumptions underpinning the programme. Although SVU engages with issues pertaining to feminism and gender it still relies upon traditional and misogynistic tropes such as false rape charges and the monstrous mother to undermine positive views of the feminine. UK July 2022 • US July 2022 • 256 pages • 13 bw illus PB 9781350258952 • £28.99 / $39.95 Previously published in HB 9781784534295 ePub 9781786721617 • £90.00 / $125.02 ePdf 9781786731616 • £90.00 / $125.02 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Masculinity in Contemporary Science Fiction Cinema

Cyborgs, Troopers and Other Men of the Future

Queer Horror Film and Television focuses on representations of masculinity, and gay male spectatorship in queer horror films and television post-2000. In titling this sub-genre "queer horror," Darren Elliott-Smith designates horror that is crafted by male directors/producers who self-identify as gay, bi, queer, or transgendered and whose work features homoerotic, or explicitly homosexual, narratives with "out" gay characters. Moving from the margins to the mainstream, via the application of psychoanalytic theory, critical and cultural interpretation, interviews with key directors and close readings of classic, cult and modern horror, this book is invaluable to students and researchers of gender and sexuality in horror film and television.

Spanning landmark American films from Blade Runner to Avatar, this major new study offers the first ever analysis of masculinity in science fiction cinema. It uncovers the evolution of masculine heroes from the 1980s until the present day, and the roles played by their feminine counterparts. Considering gender alongside racial and class politics, Masculinity in Contemporary Science Fiction Cinema also situates filmic examples within the broader culture. It is indispensable for understanding science fiction and its role in contemporary cultural politics.

UK July 2022 • US July 2022 • 272 pages • 22 bw illus PB 9781350259089 • £28.99 / $39.95 Previously published in HB 9781784536862 ePub 9781786721372 • £99.00 / $137.39 ePdf 9781786731371 • £99.00 / $137.39 Series: Library of Gender and Popular Culture • Bloomsbury Academic

UK July 2022 • US July 2022 • 256 pages • 20 bw illus PB 9781350258372 • £28.99 / $39.95 Previously published in HB 9781780767482 ePub 9781786723154 • £90.00 / $125.02 ePdf 9781786733153 • £90.00 / $125.02 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Marianne Kac-Vergne, Université de Picardie Jules Verne, France

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Cinema and Male-Male Intimacy

Shane Brown, University of East Anglia, UK Queer Sexualities in Early Film examines how queer sexualities were portrayed in films from the silent and early sound period. By looking in detail at a succession of recently-found films and revisiting others, Shane Brown examines images of male-male intimacy, buddy relationships and romantic friendships in European and American films made prior to 1934, including Different from the Others and All Quiet on the Western Front. He places these films within their socio-political and scientific context and sheds new light on how they were intended to be viewed and how they were actually perceived. In doing so, Brown offers his readers a unique insight into a little known area of early cinema, queer studies and social history. UK July 2022 • US July 2022 • 224 pages PB 9781350259027 • £28.99 / $39.95 Previously published in HB 9781784536657 ePub 9781786720634 • £99.00 / $137.39 ePdf 9781786730633 • £99.00 / $137.39 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Trumping the Media

Politics and Democracy in the Post-Truth Era Michael Mario Albrecht, Eckerd College, USA In Trumping the Media, Michael Mario Albrecht examines the ways that shifts in the landscapes of popular culture, political culture, and media technologies since the 1980s enabled a polarizing political figure such as Donald Trump to engage those conditions and to exploit their logic for personal and political gain. He investigates how those shifts have reconfigured the ways people engage politics, the relationship between celebrities, politicians and their audiences, the relationship between entertainment and politics, and ultimately the very notion of truth and facts to demonstrate that Trump is the logical extension and exemplar of the shifts that have transpired. UK September 2022 • US September 2022 • 240 pages HB 9781501364860 • £90.00 / $120.00 ePub 9781501364853 • £79.34 / $108.00 ePdf 9781501364846 • £79.34 / $108.00 Bloomsbury Academic

Electronic Literature as Digital Humanities

On the Digital Semiosphere

Edited by Dene Grigar, Washington State University Vancouver, USA & James O’Sullivan, University College Cork, Ireland

John Hartley, Curtin University, Australia, Indrek Ibrus, Tallinn University, Estonia & Maarja Ojamaa, Tallinn University, Estonia

Contexts, Forms, and Practices

This open access book regards electronic literature as fundamentally Digital Humanities (DH) in that it synthesizes the two seemingly disparate strands of criticism and building, with scholars either studying the synthesis between cultural expression and screens or the use of technology to make artifacts in themselves. It provides a context for the development of the field, informed by the forms and practices that have emerged throughout the DH moment, and offers resources for others interested in learning more about electronic literature. The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com UK August 2022 • US August 2022 • 392 pages • 22 bw illus PB 9781501373893 • £28.99 / $39.95 Previously published in HB 9781501363504 ePub 9781501363498 • £0.00 / $0.00 ePdf 9781501363481 • £0.00 / $0.00 Series: Electronic Literature • Bloomsbury Academic

Seeing It on Television

Televisuality in the Contemporary US ‘High-End’ Series Max Sexton, University of Surrey, UK & Dominic Lees, University of the West of England, UK This volume discusses how complex production histories lie behind the rise of the US mini-series, a form that reflects industrial changes and the renegotiation of formal strategies. They reveal how the involvement of many different people in the production process, based on new relationships of creative authority, complicates our understanding of authorship. These phenomena have affected the construction of stylistics and the viewing strategies required by different shows. The cultural, as well as industrial, strategies of recent television drama and discourses of legitimation are explored in several exemplary shows ranging from The Young Pope to Stranger Things. UK September 2022 • US September 2022 • 200 pages • 16 color illus, 10 bw illus PB 9781501375965 • £28.99 / $39.95 Previously published in HB 9781501359422 ePub 9781501359415 • £72.79 / $99.00 ePdf 9781501359408 • £72.79 / $99.00 Bloomsbury Academic

Culture, Media and Science for the Anthropocene

F I L M & M E D I A – Gender & Media / Media Theory

Queer Sexualities in Early Film

One of the most original and prescient thinkers to tackle cultural globalisation was Juri Lotman (192293). This volume shows how his general model of the semiosphere provides a unique and compelling key to the dynamics and functions of today’s globalised digital media systems and, in turn, their interactions and impact on planetary systems. Developing their own reworked and updated model of Lotman’s evolutionary and dynamic approach to the semiosphere or cultural universe, the authors offer a unique account of the world-scale mechanisms that shape media, meanings, creativity and change. UK July 2022 • US July 2022 • 360 pages • 28 bw illus PB 9781501369216 • £28.99 / $39.95 Previously published in HB 9781501369247 ePub 9781501369230 • £79.34 / $108.00 ePdf 9781501369223 • £79.34 / $108.00 Bloomsbury Academic

The Digital Logic of Death

Confronting Mortality in Contemporary Media Steven Pustay, Independent scholar, USA This open access volume unpacks the nature of the relationship between death and the moving image by revealing how electronic media and digital technologies are transforming our ability to represent and contemplate the finiteness of the human experience, so much so that our new media landscape has produced a new (digital) logic of death. The readings ground the conversation in the very media which defines the digital logic of death. The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com. Open access was funded by Knowledge Unlatched. UK July 2022 • US July 2022 • 224 pages • 42 bw illus PB 9781501372384 • £28.99 / $39.95 Previously published in HB 9781501364082 ePub 9781501364075 • £0.00 / $0.00 ePdf 9781501364068 • £0.00 / $0.00 Bloomsbury Academic

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F I L M & M E D I A – Media Theory & History / TV / Game Studies

Thinking Media Bernd Herzogenrath, University of Frankfurt, Germany and Patricia Pisters, University of Amsterdam, the Netherlands

Brainmedia

Miscommunications

Flora Lysen, Maastricht University, the Netherlands

Edited by Timothy Barker, University of Glasgow, UK & Maria Korolkova, University of Greenwich, UK

One Hundred Years of Performing Live Brains, 1920–2020

Will we ever be able to see the brain at work? Can we observe thinking and feeling as if we were watching a live broadcast in the human head? Brainmedia uncovers past and present examples of scientists and educators who conceptualize and demonstrate the active human brain guided by new media technologies. Brainmedia outlines a new history of “live brains” and argues that practices of and ideas about mediation impacted the imagination of seeing the brain at work. In five carefully researched and illustrated historical case studies, Flora Lysen shows the conceptual but also practical assembling of brains and media.

What happens when communication breaks down? Is it the condition for mistakes and errors that is characteristic of digital culture? And if mistakes and errors have a certain power, what stands behind it? To address these questions this collection assembles a range of cutting-edge philosophical, socio-political, art historical and media theoretical inquiries that address contemporary culture as a terrain of miscommunication. Miscommunications shows that to think about the contemporary historical moment, a new history and theory of these devices needs to be written, one which illustrates the emergence of the current cultures of miscommunication and the powers of the false.

UK July 2022 • US July 2022 • 288 pages • 38 bw illus HB 9781501378751 • £90.00 / $120.00 ePub 9781501378744 • £79.34 / $108.00 ePdf 9781501378737 • £79.34 / $108.00 Series: Thinking Media • Bloomsbury Academic

UK July 2022 • US July 2022 • 344 pages • 10 bw illus PB 9781501373282 • £28.99 / $39.95 Previously published in HB 9781501363856 ePub 9781501363849 • £85.90 / $117.00 ePdf 9781501363832 • £85.90 / $117.00 Series: Thinking Media • Bloomsbury Academic

Disformations

Affects, Media, Literature Tomáš Jirsa, Palacký University, Czech Republic Contributing to the current interdisciplinary dialogue between cultural affect studies, media philosophy, and literary theory, this book explores the affective agency of modern literature and contemporary audio-visual arts, and argues for a novel concept of disformations that involves affective operations based on both aesthetically and theoretically generative deformation of forms. UK August 2022 • US August 2022 • 168 pages • 19 bw illus PB 9781501374890 • £28.99 / $39.95 Previously published in HB 9781501362347 ePub 9781501362330 • £66.24 / $90.00 ePdf 9781501362323 • £66.24 / $90.00 Series: Thinking Media • Bloomsbury Academic

Digital Zombies, Undead Stories Narrative Emergence and Videogames Lawrence May, University of Auckland, New Zealand Through analysis of zombie-themed case study video games and a digital ethnography of their online player communities, this book develops a framework for understanding how collective gameplay generates experiences of narrative, as well as the narrative dimensions of players’ creative activity on social media platforms. Narrative emergence is addressed as a powerful form of player experience in multiplayer games, one which makes individual games’ boundaries and meanings fluid and negotiable by players. UK August 2022 • US August 2022 • 264 pages • 7 bw illus PB 9781501374876 • £28.99 / $39.95 Previously published in HB 9781501363542 ePub 9781501363535 • £79.34 / $108.00 ePdf 9781501363528 • £79.34 / $108.00 Bloomsbury Academic

Errors, Mistakes, Media

German Crime Dramas from Network Television to Netflix Sunka Simon, Swarthmore College, USA

Sunka Simon investigates why the emphasis on the uniquely German regional and national themes of Tatort (1970- ), the country's longest-running crime drama that failed to take off internationally, did not hinder dramas such as Netflix’s Dogs of Berlin or Dark from making a splash in the US. Interrogating key concepts and debates in television studies with a foundation in German cultural studies, using archival research, reception and news analysis, German Crime Dramas from Network Television to Netflix makes an important intervention in and addition to the field of U.S./U.K.-centric television studies. UK September 2022 • US September 2022 • 176 pages • 20 bw illus HB 9781501368721 • £80.00 / $110.00 ePub 9781501368714 • £72.79 / $99.00 ePdf 9781501368707 • £72.79 / $99.00 Bloomsbury Academic

EA Sports FIFA Feeling the Game

Edited by Raiford Guins, Indiana University, Bloomington, USA, Henry Lowood, Stanford University Libraries, USA & Carlin Wing, Scripps College, USA EA Sports FIFA: Feeling the Game is the first scholarly book to address the importance of EA’s FIFA video game series. From looking at the cultures of fandom to analyzing the technical elements of the sports simulation, and covering the complicated relations that FIFA has with gender, embodiment, and masculinity, the collection provides a comprehensive understanding of a video game series that is changing the way the most popular sport in the world is experienced. The book is a valuable reference text for scholars in game studies, sociology of sports, history of games, and sports research. UK August 2022 • US August 2022 • 256 pages • 35 bw illus HB 9781501375347 • £90.00 / $120.00 ePub 9781501375354 • £79.34 / $108.00 ePdf 9781501375361 • £79.34 / $108.00 Bloomsbury Academic

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Help students build the skills for success in their studies and beyond with their own personalised learning pathway. Skills for Study offers an interactive and personalised solution to help students strengthen their academic skills and develop the skills required by employers. Based on the work of bestselling study skills author Stella Cottrell, the resource comprises 12 modules, which guide students through interactive activities, exercises and videos to help them hone their skills in crucial areas, from writing, critical thinking and time management, to research, personal development and employability.

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The ultimate resource for referencing and avoiding plagiarism! Cite Them Right Online comprises a 1-hour interactive eLearning tutorial which covers the importance of referencing, how to write citations and build references. It also offers the opportunity to test knowledge and confirm understanding in the practice of referencing.

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An online resource bringing together a wealth of content designed to help social work students develop the knowledge, skills and confidence to succeed on their course and placements. The toolkit explores five key areas that reflect the training and practice of social workers: • • •

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