Film & Media New Books Catalogue
January-June 2020
Contents British Film Institute ������������������������������������������������������� 1
EBooks Ebook availability is indicated under each book entry:
World Cinema ��������������������������������������������������������������� 6
Individual eBook: available for your e-reader
Film History and Theory ������������������������������������������������� 7
Library eBook: available for institution-wide access and also for pdf sale to individuals
Film Production ������������������������������������������������������������� 8 Celebrity Studies ����������������������������������������������������������� 8 Film Directors ����������������������������������������������������������������� 9 Gender in Film and Media ��������������������������������������������� 9 Media Studies ��������������������������������������������������������������� 11 Television �������������������������������������������������������������������� 12 New Media ������������������������������������������������������������������� 12 Games Studies ������������������������������������������������������������� 13 Animation ��������������������������������������������������������������������� 14 Major Reference Works ����������������������������������������������� 15 Representatives, Agents & Distributors ����������������������� 16
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2001: A Space Odyssey
Caché (Hidden)
Peter Krämer's insightful study explores 2001's complex origins, the unique shape it took and the extraordinary impact it made on contemporary audiences, drawing on new research in the Stanley Kubrick Archive to challenges many of the widely-held assumptions about the film. This edition includes a new afterword by the author.
Catherine Wheatley's study of Michael Haneke's enigmatic, multilayered mystery addresses the key themes at the heart of the 'meaning' of Caché: the film as thriller; post-colonial bourgeois guilt; political accountability and lastly, reality, the media and its audiences, tracing these strands through the film by means of close readings of individual scenes and moments.
Peter Krämer, University of East Anglia, UK
UK May 2020 • US May 2020 • 144 pages • 61 colour illus PB 9781838719807 • £11.99 / $15.95 Individual eBook 9781838719791 Library eBook 9781838719784 Series: BFI Film Classics • British Film Institute
Catherine Wheatley, King's College London, UK
UK May 2020 • US May 2020 • 112 pages • 60 colour illus PB 9781838719562 • £11.99 / $15.95 Individual eBook 9781838719555 Library eBook 9781838719548 Series: BFI Film Classics • British Film Institute
Cléo de 5 a 7
Babette's Feast
Steven Ungar provides a close reading of Agnes Varda's classic 1962 work that depicts, in near real-time, ninety minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. Ungar situates the film in its social, political and cinematic contexts, and, in his foreword to the new edition, considers Varda's film-making career and contribution to the French New Wave.
In his study of this cult classic, Julian Baggini, reknown philosopher, journalist and the author of over 20 books, argues that Babette's Feast is not about the battle between a life-denying religiosity and a life-affirming sensuality but a deep examination of how the two can come together. Baggini's analysis focuses on themes of love, pleasure, artistry and grace, to provide a rich philosophical reading of this most sensual of films.
UK May 2020 • US May 2020 • 96 pages • 60 bw illus PB 9781838719364 • £11.99 / $15.95 Individual eBook 9781838719357 Library eBook 9781838719340 Series: BFI Film Classics • British Film Institute
UK May 2020 • US May 2020 • 104 pages • 60 colour illus PB 9781911239673 • £11.99 / $15.95 Individual eBook 9781838719906 Library eBook 9781911239680 Series: BFI Film Classics • British Film Institute
Do the Right Thing
La dolce vita
Spike Lee's Do the Right Thing (1989) is one of the most celebrated examples of the ‘new black film wave’. In its depiction of the simmering racial tension in a Brooklyn neighbourhood, the movie takes in hip-hop fashions, rap music, police brutality, gentrification, immigration, deindustrialisation and joblessness. In his foreword to this new edition, Ed Guerrero looks back on the movie in the context of Spike Lee's film-making career and contemporary tensions between the police and the African-American community.
Fellini's La dolce vita has been a phenomenon since before it was made, a scandal in the making and on its release in 1963, and a reference point ever since. Much of what made it notorious was its incorporation of real people, events and lifestyles, making it a documentation of its time. Richard Dyer's study considers the film's key aspects – as phenomenon, document, and aesthetic – and argues that they are connected.
Steven Ungar, University of Iowa, USA
Ed Guerrero, New York University, USA
UK May 2020 • US May 2020 • 112 pages • 60 colour illus PB 9781838719883 • £11.99 / $15.95 Individual eBook 9781838719876 Library eBook 9781838719869 Series: BFI Film Classics • British Film Institute
Julian Baggini, Writer and philosopher, London, UK
F I L M A N D M E D I A – British Film Institute
BFI Film Classics
Richard Dyer, King's College London, UK
UK May 2020 • US May 2020 • 96 pages • 60 bw illus PB 9781838719845 • £11.99 / $15.95 Individual eBook 9781838719838 Library eBook 9781838719821 Series: BFI Film Classics • British Film Institute
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com
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F I L M A N D M E D I A – British Film Institute
BFI Film Classics Meshes of the Afternoon
John David Rhodes, University of Cambridge, UK Meshes of the Afternoon (1943), by Maya Deren and her then husband Alexader Hammid, is the most important film in the history of American avant-garde cinema. John David Rhodes traces the film's history back into the lives of Maya Deren and Alexander Hammid, but in particular that of Deren. He reads the film as a culmination of Deren's abiding interest in modernism and her intense engagement in socialist politics. Rhodes argues that while the film remains a powerful point of reference for feminist film-makers and experimentalists, it is also an example of political art in the broadest terms. This edition includes a new foreword by the author.
Gayatri Chatterjee, Independent scholar, Pune, India Gayatri Chatterjee's study of Mehboob Khan's 1957 epic family melodrama Mother India draws on new research in the Mehboob studio archive to outline the film's eventful production history and the ambitious vision of its director, and provides a close analysis of the film and its relation to a post-Independence India in a moment of transition. UK May 2020 • US May 2020 • 96 pages • 60 colour illus PB 9781838719685 • £11.99 / $15.95 Individual eBook 9781838719678 Library eBook 9781838719661 Series: BFI Film Classics • British Film Institute
UK May 2020 • US May 2020 • 136 pages • 89 bw illus PB 9781838719722 • £11.99 / $15.95 Individual eBook 9781838719715 Library eBook 9781838719708 Series: BFI Film Classics • British Film Institute
Pandora's Box
Performance
G.W. Pabst's silent era classic Pandora's Box (Die Büchse der Pandora, 1929) stars Louise Brooks as the mysterious heroine whose libidinous charms lead to disaster for the men drawn into her web. Pamela Hutchinson's study analyses the conflicted relationship between star and director, the film's contexts in Weimar Berlin, and its changing fortunes since its release.
Co-directed by Donald Cammell and Nicolas Roeg, and starring James Fox, Mick Jagger and Anita Pallenberg, Performance's extraordinary combination of the worlds of rock music and street violence, reality and fantasy, politics and art so shocked its studio backers that it was almost never released. Colin MacCabe provides a definitive history of the film's making and a compelling interpretation of its consummate artistry, and a new afterword for this edition reflecting on Performance at 50.
Pamela Hutchinson, freelance writer and critic, London, UK
UK May 2020 • US May 2020 • 112 pages PB 9781838719760 • £11.99 / $15.95 Individual eBook 9781838719753 Library eBook 9781838719746 Series: BFI Film Classics • British Film Institute
Colin MacCabe, University of Pittsburgh, USA
UK May 2020 • US May 2020 • 96 pages • 60 colour illus PB 9781838719449 • £11.99 / $15.95 Individual eBook 9781838719432 Library eBook 9781838719425 Series: BFI Film Classics • British Film Institute
Ratcatcher
Rosemary's Baby
Annette Kuhn's study of Ratcatcher, director Lynne Ramsay's bleak yet beautifully-photographed debut, traces the film's production history in the context of Scottish media and literary cultures, and its cinematic influences, while acknowledging the distinctiveness of Ramsay's poetic, visionary style.
Michael Newton's study of Roman Polanski's art-house horror classic traces its development and production history and provides a close textual analysis of the film's meanings and resonances. Looking beyond the film itself, he examines its reception and cultural impact, and its afterlife, in which it has become linked with the murder of Polanski's wife and unborn child by members of the Manson cult, and with controversies surrounding the director.
Annette Kuhn, Queen Mary University of London, UK
Kuhn draws on interviews with Ramsay and others involved in the film's production, and combines this with a close reading of selected passages to provide an illuminating analysis of the film's creation of a child's world. UK May 2020 • US May 2020 • 96 pages PB 9781838719487 • £11.99 / $15.95 Individual eBook 9781838719470 Library eBook 9781838719463 Series: BFI Film Classics • British Film Institute
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Mother India
Michael Newton, Leiden University, Netherlands
UK May 2020 • US May 2020 • 128 pages • 60 colour illus PB 9781844579525 • £11.99 / $15.95 Individual eBook 9781844579549 Library eBook 9781838719012 Series: BFI Film Classics • British Film Institute
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Dudley Andrew, Yale University, USA & Carole Cavanaugh, Middlebury College, USA Mizoguchi Kenji's masterpiece Sanshô Dayû tells the story of Anju and Zushiô, separated from their parents and enslaved by the malevolent Sanshô. Dudley Andrew and Carole Cavanaugh's study highlights the cultural, aesthetic and social contexts of this film which is at once rooted in folk legend and a modern artwork released in the aftermath of World War II. This edition includes a new foreword by the authors. UK May 2020 • US May 2020 • 96 pages • 60 bw illus PB 9781838719326 • £11.99 / $15.95 Individual eBook 9781838719319 Library eBook 9781838719302 Series: BFI Film Classics • British Film Institute
The Big Lebowski
J.M. Tyree, Nonfiction Editor, New England Review, USA & Ben Walters, writer, producer, programmer, critic and activist Ethan and Joel Coen's The Big Lebowski remains a cult classic more than 20 years after its release in 1998. J.M. Tyree and Ben Walters' study of the film investigates why this story of 'The Dude', a Venice Beach drop-out who becomes embroiled in an impossibly convoluted kidnap plot continues to inspire such affection. This edition features a new foreword in which the authors reflect on Lebowski's contemporary resonances in an increasingly polarized world. UK May 2020 • US May 2020 • 128 pages • 60 colour illus PB 9781838719609 • £11.99 / $15.95 Individual eBook 9781838719593 Library eBook 9781838719586 Series: BFI Film Classics • British Film Institute
Spirited Away
Andrew Osmond, Writer and journalist, Berkshire, UK Andrew Osmond's insightful study of Hayao Miyazaki's wildly imaginative anime describes how the film's delightful, freewheeling visual style enables Miyazaki to explore questions of personal agency and responsibility as well as addressing the lamentable state of modern Japan. UK May 2020 • US May 2020 • 128 pages • 60 colour illus PB 9781838719524 • £11.99 / $15.95 Individual eBook 9781838719517 Library eBook 9781838719500 Series: BFI Film Classics • British Film Institute
The Birds
Camille Paglia, The University of the Arts, USA A film about anxiety, sexual power and the violence of nature, The Birds (1963) is classic Hitchcock. Camille Paglia's study foregrounds the peformance of Tippi Hedren in her first starring role, and analyses the film's aesthetic, technical and mythical qualities and its depiction of gender and family dynamics. In a new foreword, Paglia considers the film in its contemporary contexts, particularly in relation to the #MeToo movement. UK May 2020 • US May 2020 • 112 pages • 60 colour illus PB 9781838719401 • £11.99 / $15.95 Individual eBook 9781838719395 Library eBook 9781838719388 Series: BFI Film Classics • British Film Institute
The Life and Death of Colonel Blimp
The Manchurian Candidate
Powell and Pressburger's 1943 classic The Life and Death of Colonel Blimp is a film about how England dreams of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A.L. Kennedy writes as a Scot about this exploration of English nationalism and finds deep pathos in its depiction of stifled emotions and unfulfilled lives. This new edition includes a foreword by the author reflecting on the film's contemporary relevance in relation to Brexit and conflicting ideas about British and English national identity.
Pauline Kael called John Frankenheimer's The Manchurian Candidate, the story of an American serviceman brainwashed in Korea and turned into an assassin "the most sophisticated political thriller ever made in Hollywood". Greil Marcus explores how the film has burrowed deep into American culture, its themes of political conspiracy and manipulation freshly and disturbingly prophetic.
A.L. Kennedy
UK May 2020 • US May 2020 • 112 pages • 60 colour illus PB 9781838719104 • £11.99 / $15.95 Individual eBook 9781838719098 Library eBook 9781838719081 Series: BFI Film Classics • British Film Institute
F I L M A N D M E D I A – British Film Institute
Sanshô Dayû (Sansho the Bailiff)
Greil Marcus, Writer and cultural critic, USA
UK May 2020 • US May 2020 • 88 pages • 60 bw illus PB 9781838719647 • £11.99 / $15.95 Individual eBook 9781838719630 Library eBook 9781838719623 Series: BFI Film Classics • British Film Institute
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F I L M A N D M E D I A – British Film Institute
BFI Film Classics Thelma & Louise
Marita Sturken, New York University, USA Thelma & Louise (1991), directed by Ridley Scott and with a screenplay by Callie Khouri, was both controversial and hugely popular with audiences composed largely of women who cheered the fugitives, played by Susan Sarandon and Geena Davis. Marita Sturken examines the film's production and reception and analyzes its rich account of gender politics, landscape, and gun culture. This edition includes a new foreword looking back on the film almost 20 years after its release. UK May 2020 • US May 2020 • 112 pages • 60 colour illus PB 9781838719289 • £11.99 / $15.95 Individual eBook 9781838719272 Library eBook 9781838719265 Series: BFI Film Classics • British Film Institute
Porridge
Richard Weight, writer and broadcaster, London, UK Richard Weight's study of Porridge, the first sitcom to be set in a prison, and the brainchild of writers Dick Clement and Ian La Frenais, places it the context of 1970s social upheavals, exploring how the series satirises structures of class and authority through the 'cons'' (Norman Stanley Fletcher, played by Ronnie Barker, and his young cellmate Leonard Arthur Godber, played by Richard Beckinsale) battles to outwit the prison officers Mr Mackay and Mr Barrowclough. Weight also traces Porridge and its sequel Going Straight's influences on the television comedy that followed. UK February 2020 • US February 2020 • 144 pages • 60 colour illus PB 9781844573349 • £16.99 / $22.95 • HB 9781911239956 • £50.00 / $68.00 Individual eBook 9781349930654 Library eBook 9781911239352 Series: BFI TV Classics • British Film Institute
Indian Film Stars
New Critical Perspectives Michael Lawrence, University of Sussex, UK In-depth case studies by leading scholars of Indian cinema provide an introduction to the diversity of stardom in Indian cinema, ranging across cinema traditions, historical periods and film genres, from the early talkie era of the 1930s to the contemporary period of global blockbusters, and encompassing stars including Kanan Devi, Dharmendra Singh Deol and Shah Rukh Khan. This books looks to inform further inquiries into the histories of film stardom across the country’s multiple centres of film production and across the overlapping (and increasingly international) zones of the films’ distribution and reception.
Touch of Evil
Richard Deming, Yale University, USA Richard Deming's study of Orson Welles' 1958 noir classic traces the film's production history and provides an insightful close analysis of its key scenes, including its famous opening sequence, a single take in which the camera follows a boobytrapped car on its journey through city streets and across the border. UK May 2020 • US May 2020 • 104 pages • 60 bw illus PB 9781844579495 • £11.99 / $15.95 Individual eBook 9781844579518 Library eBook 9781838719005 Series: BFI Film Classics • British Film Institute
The Japanese Cinema Book
Edited by Hideaki Fujiki, Nagoya University, Japan & Alastair Phillips, University of Warwick, UK The Japanese Cinema Book provides a new and comprehensive survey of one of the world’s most fascinating and widely admired film-making regions, exploring the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book is structured around seven interrelated sections, addressing theories and approaches; institutions and industry; film style; genre; times and spaces of representation; social contexts, and flows and interactions. Ranging from internationally renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. The book’s innovative multi-focal approach combines general surveys of a particular historical topic or critical approach with various curated themes at a more micro level. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese film-making cultures that continue to exist in a dynamic relationship with other cinemas and regions. To underline its historical and geographical diversity, The Japanese Cinema Book also offers a genuinely inter-disciplinary dialogue with related fields of study. It explores the multi-faceted wealth of Japanese cinema through the eyes not only of renowned film scholars, but also writers with backgrounds in Asian Studies, Comparative Literature, the Performing Arts, History, and Cultural Studies. UK February 2020 • US February 2020 • 640 pages • 100 bw illus PB 9781844576784 • £26.99 / $36.95 • HB 9781844576791 • £80.00 / $110.00 Individual eBook 9781844576814 Library eBook 9781838719135 British Film Institute
UK January 2020 • US January 2020 • 352 pages • 30 bw illus PB 9781844578542 • £26.99 / $36.95 • HB 9781844578559 • £80.00 / $110.00 Individual eBook 9781844578573 Library eBook 9781911239932 British Film Institute
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BFI FILM CLASSICS Relaunching with an iconic new look in May 2020 Touch of Evil • 9781844579495 • £11.99
“A formidable body of work collectively generating some fascinating insights into the evolution of cinema.” Times Higher Education
“A landmark in film criticism.” Quarterly Review of Film and Video “Magnificently concentrated examples of flowing freeform critical poetry.” Uncut
20 BFI Film Classics coming in May 2020 – full covers to be revealed: 2001: A Space Odyssey
Mother India
9781838719807
9781838719685
by Peter Krämer
Babette’s Feast
Pandora’s Box
9781911239673
9781838719760
by Julian Baggini
The Birds • 9781838719401 • £11.99
by Gayatri Chatterjee
by Pamela Hutchinson
Caché (Hidden)
Performance
9781838719562
9781838719449
by Catherine Wheatley
by Colin MacCabe
Cléo de 5 a 7
Ratcatcher
9781838719364
9781838719487
by Steven Ungar
by Annette Kuhn
Do the Right Thing
Rosemary’s Baby
9781838719883
9781844579525
by Ed Guerrero
La dolce vita
by Richard Dyer
9781838719845
Meshes of the Afternoon by John David Rhodes 9781838719722
The Big Lebowski by J.M. Tyree and Ben Walters 9781838719609
The Birds
by Camille Paglia
9781838719401
The Life and Death of Colonel Blimp by A.L. Kennedy
9781838719104
The Manchurian Candidate
by Michael Newton
by Greil Marcus
Sanshô Dayû (Sansho the Bailiff)
Thelma & Louise
by Dudley Andrew and Carole Cavanaugh 9781838719326
Spirited Away
9781838719647
by Marita Sturken 9781838719289
Touch of Evil
by Richard Deming 9781844579495
by Andrew Osmond 9781838719524
Spirited Away • 9781838719524 • £11.99
14th May 2020 www.bloomsbury.com/BFIFilmClassics
F I L M A N D M E D I A – World Cinema
The History of French Literature on Film
Kate Griffiths, Cardiff University, UK & Andrew Watts, University of Birmingham, UK From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert’s Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also helps to deepen both our understanding and our appreciation of literary adaptation as a creative practice. UK May 2020 • US May 2020 • 304 pages • 100 bw illus HB 9781501311840 • £100.00 / $150.00 Individual eBook 9781501311826 Library eBook 9781501311819 Series: The History of World Literatures on Film • Bloomsbury Academic
The History of German Literature on Film Christiane Schönfeld, University of Limerick, Ireland
Detailing the comprehensive and multi-layered story of adaptations of German literature on film between 1896-2010, this indispensable study shows how these adaptations emerge from and continue to shape the social, artistic, and commercial aspects of film history. The History of German Literature on Film includes an online comprehensive chronology of film adaptations spanning the history of the cinema, allowing students to follow the main trunk of analysis and to quickly contextualize adaptations in film history, providing opportunities for independent research. UK April 2020 • US April 2020 • 400 pages • 50 bw illus HB 9781628923766 • £120.00 / $180.00 Individual eBook 9781628923759 Library eBook 9781628923742 Series: The History of World Literatures on Film • Bloomsbury Academic
The Politics of Nordsploitation
Subversive Spanish Cinema
Pietari Kääpä, University of Stirling, UK & Tommy Gustafsson, Linnaeus University, Sweden
Fiona Noble, Durham University, UK
History, Industry, Audiences
The Politics of Nordsploitation takes a transnational approach to exploring films in their industrial contexts, exploring them as not only political manifestations of domestic considerations but also to position Nordic exploitation film cultures in a global context. The book provides a film historical exposition of a largely ignored film cultural movement but in addition, it outlines how influential these films have been. The majority of the book focuses on key patterns and periods in the 1970-90s, but also traces the impact these films have had on textual tactics and industrial practices of contemporary filmmakers.
The Politics of Performance
This book looks to explore the centrality of performance to Spain and the Spanish people. By tracing the personal and national history of politics and performance in the context of contemporary Spanish cinema, the monograph interrogates the diverse aspects of the interconnections between Spanish cinema, culture and society. UK June 2020 • US June 2020 • 240 pages • 24 bw illus HB 9781788310093 • £85.00 / $114.00 Individual eBook 9781350152465 Library eBook 9781350152472 Bloomsbury Academic
UK June 2020 • US June 2020 • 288 pages • 15 bw illus HB 9781501327339 • £80.00 / $120.00 Individual eBook 9781501327315 Library eBook 9781501327308 Series: Global Exploitation Cinemas • Bloomsbury Academic
The Cinema of Sri Lanka
Screening the Red Army Faction
Ian Conrich, University of Vienna, Austria & Vilasnee Tampoe-Hautin, l’Université de la Réunion, France
Christina Gerhardt, University of Hawai’i at Manoa, USA
South Asian Film in Texts and Contexts
This is the first English language book to explore the extent of the vibrant but overlooked cinema of Sri Lanka. Written by two of the leading experts in the field, it takes a close look at individual films, while also explaining their wider contexts. UK May 2020 • US May 2020 • 288 pages • 36 bw illus HB 9781784534219 • £85.00 / $114.00 Individual eBook 9781350145580 Library eBook 9781350145597 Series: World Cinema • Bloomsbury Academic
Historical and Cultural Memory
Screening the Red Army Faction explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts. UK January 2020 • US January 2020 • 320 pages • 15 bw illus PB 9781501361630 • £28.99 / $39.95 Previously published in HB 9781501336676 Individual eBook 9781501336683 Library eBook 9781501336690 Bloomsbury Academic
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Traversing the Fantasy
William Brown, University of Roehampton, UK
Sandra Meiri, The Open University of Israel & Odeya Kohen Raz, The Open University of Israel
Global Digital Film-making and the Multitude Provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. The author draws upon a wide range of western and non-western philosophers, physicists, theorists of ‘Third Cinema’ and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded – the sort that distributors, exhibitors and audiences would not consider to be cinema at all. UK January 2020 • US January 2020 • 312 pages • 15 bw illus PB 9781501361654 • £28.99 / $39.95 Previously published in HB 9781501327292 Individual eBook 9781501327278 Library eBook 9781501327261 Series: Thinking Cinema • Bloomsbury Academic
Reframing Cult Westerns
From The Magnificent Seven to The Hateful Eight Edited by Lee Broughton, University of Leeds, UK The Western played a significant role in the birth of early narrative cinema and it remained the most popular of film genres until the late 1950s. When the era of post-classical filmmaking began in 1960, the number of Westerns being produced went into an accelerated decline. However, key filmmakers remained reluctant to completely write-off this most durable of genres. Thanks to regular repertory cinema and television screenings, home video releases and critical reappraisals by cultural gatekeepers such as Quentin Tarantino, an ever-increasing number of these Westerns have become cult films. Be they star-laden, stylish, violent, bizarre or simply little heard-of obscurities, Reframing Cult Westerns offers a multitude of new critical insights into a truly eclectic selection of cult Westerns. UK March 2020 • US March 2020 • 256 pages • 4 bw illus HB 9781501343490 • £96.00 / $120.00 Individual eBook 9781501343513 Library eBook 9781501343506 Bloomsbury Academic
The Dialectic of Desire/Fantasy and the Ethics of Narrative Cinema
The authors discuss the affinities that the ontology and aesthetics of narrative film share with subjective, unconscious processes, offering new insights into the popular appeal of narrative film, through three film corpora, analyzed at length: body-character-breach films; gendercrossing films; and dreaming-character films. With a range of case studies from the old (North by Northwest, Some Like it Hot, Victor/ Victoria) to the new (Shutter Island, Her, Dallas Buyers Club), Sandra Meiri and Odeya Kohen Raz build on current psychoanalytic ideas about the cinema and take them in a completely new direction that promises to be the basis for further developments in the field. UK February 2020 • US February 2020 • 304 pages • 24 bw illus HB 9781501328732 • £95.00 / $130.00 Individual eBook 9781501328718 Library eBook 9781501328701 Bloomsbury Academic
The Thought of Stanley Cavell and Cinema
Turning Anew to the Ontology of Film a Half-Century after The World Viewed Edited by David LaRocca, Cornell University, USA This collection offers a concerted group effort to analyze and reflect anew upon Stanley Cavell's still-scintillating contributions to the very thought of film—and its philosophical significance. Mounted by some of today’s most compelling writers on cinema, these investigations take careful account of Cavell’s legacy, once and ongoing. In these pages, seasoned scholars and emerging talent artfully and expertly explore what precisely Cavell bequeathed— what endures, what stands in need of revision or updating, and how his writing remains vital and essential to any contemporary approach to the philosophy of film. UK December 2019 • US December 2019 • 304 pages HB 9781501349164 • £95.00 / $130.00 Individual eBook 9781501349171 Library eBook 9781501349188 Bloomsbury Academic
The Cinema of the Precariat
Divergent Tracks
Thomas Zaniello, Northern Kentucky University, USA
Vanessa Theme Ament, Ball State University, USA
The Exploited, Underemployed, and Temp Workers of the World
The Cinema of the Precariat is the first book to lay out the incredible range of the precariat as well as a detailed report on the cinematic record of their work and lives. It discusses a thorough and definitive selection of more than 250 films and related visual media that take the measure of the precariat worldwide. Among the hundreds of bewildering film choices available nowadays this book offers the reader reliable guidance to the films bringing to life the economic, political, and social dilemmas faced by millions of the world’s global workforce and their families. UK February 2020 • US February 2020 • 192 pages • 17 bw illus HB 9781501349201 • £80.00 / $110.00 Individual eBook 9781501349218 Library eBook 9781501349225 Bloomsbury Academic
F I L M A N D M E D I A – Film History and Theory
Non-Cinema
How Three Film Communities Revolutionized Digital Film Sound In the 1990s, the initial transition from analogue to digital postproduction sound practices began in motion pictures. The three major American film sound communities—Hollywood, the San Francisco Bay Area, and New York—had developed unique approaches to sound design largely due to cultural, labor, and economic differences between the three cities. Through examining case studies of award-winning soundtracks from each region, the author makes clear that these communities, when confronted with the initial technological changes of the 1990s, experienced similar challenges with the inelegant transition from analogue to digital. UK May 2020 • US May 2020 • 192 pages HB 9781501359224 • £80.00 / $110.00 Individual eBook 9781501359217 Library eBook 9781501359200 Bloomsbury Academic
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F I L M A N D M E D I A – Film Production – Celebrity Studies
Design in Motion
Film Editing
Penny Hilton, London College of Communication, UK
Julie Lambden, Westminster University, UK
Applying Design Principles to Filmmaking
With an abundance of information on how to create motion graphics already available, Design in Motion focuses on the why of moving image and less about the how. By unpacking the reasons behind screen designer’s production choices, each chapter deconstructs examples of motion graphics by drawing on case studies of both familiar examples from contemporary cinema and unseen work from postgraduate motion graphic designers. It examines the value of image, text, motion, camera and transitions, explaining in detail why some methods work, while others fail. This book is structured to follow the production process and will be a by-your-side companion to guide you through your next project. UK January 2020 • US January 2020 • 280 pages • 288 colour illus PB 9781350025516 • £32.99 / $44.95 • HB 9781350109551 • £100.00 / $135.00 Individual eBook 9781350025530 Library eBook 9781350025523 Bloomsbury Academic
Emotion, Performance and Story Combining history, theory and practice, Film Editing explains how and why editorial decisions impact on the emotional and narrative engagement of the audience. With colour examples taken from features, short films, documentaries and commercials, Julie Lambden introduces a range of different editing styles and techniques. Each chapter includes in-depth interviews with current editors, directors and writers, demonstrating a wide range of techniques and working styles. Exercises are accompanied online by editable video and audio material, enabling you to experiment with the ideas and techniques introduced in each chapter. UK April 2020 • US April 2020 • 224 pages • 200 colour illus PB 9781474254908 • £29.99 / $40.95 Individual eBook 9781474256254 Library eBook 9781474256247 Bloomsbury Academic
Dark Star
Becoming Carole Lombard
Alan Strachan
Olympia Kiriakou, Florida Atlantic University, USA
A Biography of Vivien Leigh 'One of the most revealing showbiz biographies ever' - Sir Ian McKellen Vivien Leigh was perhaps the most iconic actress of the 20th century. In this ground-breaking new biography, Alan Strachan uses previously unseen sources from her archive, recently acquired by the V&A, shedding new light on her fractious relationship with Laurence Olivier, based on their letters and diaries, as well as on the bipolar disorder which so affected her later life and work. Revealing new aspects of her early life as well as providing glimpses behind-the-scenes of the filming of Gone with the Wind and A Streetcar Named Desire, this book provides the essential and comprehensive life-story of one of the 20th century’s greatest actresses. UK March 2020 • US March 2020 • 376 pages • 28 bw illus PB 9780755600571 • £12.99 / $17.95 Previously published in HB 9781788312080 Individual eBook 9781786724564 Library eBook 9781786734563 Bloomsbury Academic
Stardom, Comedy, and Legacy
A historical critique of the development and reception of Carole Lombard’s stardom from the classical Hollywood period to present day. Based on original archival research, Olympia Kiriakou combines theoretically informed textual analyses of Lombard’s performances and star image across different media with a critical engagement of the cultural, economic, social and industrial conditions that shaped her stardom. Sitting at the intersection of feminist film theory, star studies and comedy theory, this work presents Lombard as a case study to challenge the screwball canon and existent academic discourse about female physical comedy and the alleged “delicate” female body. UK February 2020 • US February 2020 • 240 pages • 52 bw illus HB 9781501350733 • £90.00 / $120.00 Individual eBook 9781501350740 Library eBook 9781501350757 Bloomsbury Academic
Harrison Ford
Masculinity and Stardom in Hollywood Virginia Luzón-Aguado, Universidad de Zaragoza, Spain Covering a wide timespan, this book assesses Harrison Ford as 'star' from the difficult Hollywood studio years, his blockbusters of the 1980s, through to impact of ageist culture on his recent artistry. The author argues that Ford has generally been seen as a potent, irresistible combination of tradition and modernity. UK June 2020 • US June 2020 • 304 pages • 36 bw illus HB 9781788310925 • £85.00 / $114.00 Individual eBook 9781350152434 Library eBook 9781350152441 Bloomsbury Academic
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Deborah Jermyn, University of Roehampton, UK Nancy Meyers proposes that Meyers' box-office success, the consistency of style and theme across her films, and the breadth of her body of work as a writer/producer/director across more than three decades at the forefront of Hollywood (thus importantly bridging the second/third waves of feminism), make her a key contemporary US filmmaker. Structured to meet the needs of both the student and scholar, Jermyn's volume situates Deborah Meyers within this historical and critical context, exploring key collaborative relationships and new ways of watching her films. UK October 2019 • US October 2019 • 272 pages • 16 bw illus PB 9781501358906 • £28.99 / $39.95 Previously published in HB 9781628921748 Individual eBook 9781628921762 Library eBook 9781628921755 Series: The Bloomsbury Companions to Contemporary Filmmakers • Bloomsbury Academic
After Kubrick
A Filmmaker’s Legacy Edited by Jeremi Szaniawski, University of Massachusetts Amherst, USA Taking at its starting point the idea that Kubrick’s cinema has constituted an intellectual, cerebral, and philosophical maze in which many filmmakers (as well as thinkers and a substantial fringe of the general public) have gotten lost at one point or another, this collection looks at the legacy of Kubrick’s films in the 21st century. The contributions coalesce around the concept of a Kubrickian substrate, rich and complex, which permeates our Western cultural landscape very much to this day, informing and sometimes announcing/reflecting it in twisted ways, 20 years after the director’s death. UK February 2020 • US February 2020 • 320 pages • 42 bw illus HB 9781501347641 • £95.00 / $130.00 Individual eBook 9781501347658 Library eBook 9781501347665 Bloomsbury Academic
The Lost Worlds of John Ford
Ida Lupino, Filmmaker
Jeffrey Richards, Lancaster University, UK
Ida Lupino, Filmmaker begins with an exploration of biographical studies and analytical treatments of her film and television work as director, moving forward to assess her career in film and television with particular attention given to Lupino’s singular, pioneering achievements and her role(s) within the cultural milieu(s) of her time, particularly the representation of women in cinema. Each chapter includes a close analysis of the film or television work with insights drawn from film history and cultural/gender studies to demonstrate that Lupino was a significant directorial figure in the development of film, especially in the late 1940s and early 1950s—and in television extending well into the 1960s.
Beyond the Western
Jeffrey Richards develops and broadens our understanding of John Ford's film-making oeuvre by studying his non-Western films through the lens of Ford’s life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon’s Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home (1940). UK February 2020 • US February 2020 • 320 pages • 24 bw illus HB 9781350114708 • £85.00 / $115.00 Individual eBook 9781350114692 Library eBook 9781350114685 Series: Cinema and Society • Bloomsbury Academic
Wim Wenders
Making Films that Matter Edited by Olivier Delers, University of Richmond, USA & Martin Sulzer-Reichel, University of Richmond, USA Wim Wenders: Making Films That Matter is the first book in 15 years to take a comprehensive look at Wim Wenders’s extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders’s films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neocolonial gaze.
Edited by Phillip Sipiora, University of South Florida, USA
UK March 2020 • US March 2020 • 256 pages • 50 bw illus HB 9781501352089 • £90.00 / $120.00 Individual eBook 9781501352096 Library eBook 9781501352102 Bloomsbury Academic
F I L M A N D M E D I A – Film Directors / Gender in Film and Media
Nancy Meyers
Women's Cinema in Contemporary Portugal Edited by Mariana Liz, University of Lisbon, Portugal & Hilary Owen, University of Manchester, UK
Women’s Cinema in Contemporary Portugal brings together scholars from all over the world to discuss 16 women film directors in Portugal, focusing on their production in both feature film and documentary genres over the last half-century. It charts the specific cinematic visions that these women have brought to the re-emergence of Portuguese national cinema in the wake of the 1974 Revolution and African decolonisation, and to the growing internationalisation of Portugal’s arguably ‘minor’ or ‘small nation’ cinema, with significant young women directors such as Leonor Teles achieving prominence abroad. UK March 2020 • US March 2020 • 256 pages • 40 bw illus HB 9781501349720 • £90.00 / $120.00 Individual eBook 9781501349737 Library eBook 9781501349744 Bloomsbury Academic
UK January 2020 • US January 2020 • 208 pages • 36 bw illus HB 9781501356339 • £80.00 / $110.00 Individual eBook 9781501356322 Library eBook 9781501356315 Bloomsbury Academic
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F I L M A N D M E D I A – Gender in Film and Media
Library of Gender and Popular Culture Series Editors: Angela Smith, University of Sunderland, UK and Claire Nally, Northumbria University, UK
Fat on Film
Fathers on Film
Barbara Plotz, London College of Communication, UAL, UK
Katie Barnett, University of Chester, UK
Gender, Race and Body Size in Contemporary Hollywood Cinema
This book provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers, Precious, Kung Fu Panda, Paul Blart or Pitch Perfect. UK February 2020 • US February 2020 • 256 pages HB 9781350114586 • £85.00 / $115.00 Library eBook 9781350119390 Series: Library of Gender and Popular Culture • Bloomsbury Academic
Paternity and Masculinity in 1990s Hollywood The father is an enduring and iconic figure in Hollywood cinema and in the 1990s, narratives of redemptive fatherhood featured prominently in some of the decade’s most popular films like Kindergarten Cop, Mrs Doubtfire, Jurassic Park and The Lion King. Katie Barnett offers an insightful and interdisciplinary discussion of cinematic fathers, interpreting such films through the lens of feminist and queer theory, along with masculinity studies and psychoanalysis. UK February 2020 • US February 2020 • 304 pages • 20 bw illus HB 9781350120884 • £85.00 / $115.00 Individual eBook 9781350120891 Library eBook 9781350120860 Series: Library of Gender and Popular Culture • Bloomsbury Academic
The Gendered Motorcycle
Girls Like This, Boys Like That
Esperanza Miyake, Manchester Metropolitan University, UK
Victoria Cann, University of East Anglia, UK
Representations in Society, Media and Popular Culture
The Reproduction of Gender in Contemporary Youth Cultures
What happens to gender at 120mph? Are HarleyDavidsons more masculine than Yamahas? The Gendered Motorcycle answers such questions through a critical examination of motorcycles in film, advertising and television, revealing how representations of motorcycles can produce different gendered bodies, identities, spaces and practices.
Combining unique empirical research with a strong theoretical framework, Cann widens the fields of gender and taste studies to show the everyday reality of 21st-century youth and their apprehensions - especially of young boys- about participating in activities, or embracing pop-cultural preferences that have traditionally only been associated with femininity.
UK November 2019 • US November 2019 • 288 pages • 21 bw illus PB 9781350144293 • £28.99 / $39.95 Previously published in HB 9781788313544 Individual eBook 9781838609375 Library eBook 9781838609382 Series: Library of Gender and Popular Culture • Bloomsbury Academic
UK November 2019 • US November 2019 • 192 pages • 11 bw illus PB 9781350144361 • £22.99 / $39.95 Previously published in HB 9781784535643 Individual eBook 9781838608613 Library eBook 9781838608620 Series: Library of Gender and Popular Culture • Bloomsbury Academic
Mastering Fear
Women, Emotions, and Contemporary Horror Rikke Schubart, University of Southern Denmark, Denmark Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences, including women. It takes a biocultural approach, focusing on emotions, gender, and play. It argues that the audience engages not only with the negative emotions of fear and disgust, but with a wide range of emotions, both positive and negative, and the aim is for the audience to master these emotions. The book lays out a new theory of horror and analyzes female protagonists in contemporary horror from child to teen, adult, middle age, and old age.
Wonder Woman
The Female Body and Culture Joan Ormrod, Manchester Metropolitan University, UK This book explores how Wonder Woman’s body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women’s changing roles and ambitions. UK February 2020 • US February 2020 • 320 pages HB 9781788314114 • £85.00 / $115.00 Individual eBook 9781786725813 Library eBook 9781786735812 Bloomsbury Academic
UK January 2020 • US January 2020 • 384 pages • 47 bw illus PB 9781501361616 • £28.99 / $39.95 Previously published in HB 9781501336713 Individual eBook 9781501336720 Library eBook 9781501336737 Bloomsbury Academic
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Thinking Critically with Technology Marcel O’Gorman, University of Waterloo, Canada Making Media Theory is about the study and practice of media theory. It looks at experimental research methods and engages in media analysis, inviting readers to engage directly with the materiality of media – looking at the media itself and considering the implications having to do with labor and technoculture. Within applied media theory, the author creates digital objects to think with, where digital art practices serve as problem-solving tools for social and philosophical issues. An example is the smartphone basket – where one of the workshop chapters asks the readers to weave a straw basket, equip it with a sensor and LCD screen, and then use the object to think about how other cultures and identities might theorize media. UK June 2020 • US June 2020 • 224 pages PB 9781501358616 • £21.99 / $29.95 • HB 9781501358623 • £90.00 / $120.00 Individual eBook 9781501358609 Library eBook 9781501358593 Bloomsbury Academic
Media and the Power of Knowledge
Steve Fuller, University of Warwick, UK Media and the Power of Knowledge traces history from the printing press to the rise of electrical and electronic communication, and analyses how the emergence of our public sphere has developed. With the invention of the internet, globally accessible information has fundamentally altered how we form public opinion. Fuller also looks at the role of media moguls and the function of the critic, pundit and broadcaster, and investigates how the balance of power has shifted in recent years. Presenting provocative arguments, this book considers the likely future developments of the media and its far-reaching implications for the human condition. UK April 2020 • US April 2020 • 208 pages PB 9781780930923 • £19.99 / $26.95 • HB 9781780930060 • £65.00 / $88.00 Individual eBook 9781780930084 Library eBook 9781780930091 Bloomsbury Academic
Media Ownership, Journalism and Diversity
Fear and Loathing Worldwide
Steven Barnett, University of Westminster, UK
Edited by Robert Alexander, Brock University, Canada & Christine Isager, University of Copenhagen, Denmark
What's Wrong With Media Monopolies? Media companies are in the midst of fundamental transformation, resulting in consolidation into larger entities. Though industrially pragmatic, this practice collides with the need for diversity of voice in a healthy democracy. Media Ownership, Journalism and Diversity analyses this tension within the UK, using evidence gathered from personal interviews with senior policy makers and analysis of a 2008 House of Lords select inquiry committee on news and media ownership, for which the author was specialist advisor. The material is set within a broader international context and explores up through the period of the News Corp hacking crisis. UK March 2020 • US March 2020 • 224 pages • 6 bw illus PB 9781623561659 • £19.99 / $34.95 • HB 9781623562731 • £65.00 / $120.00 Individual eBook 9781623564537 Library eBook 9781623561581 Bloomsbury Academic
The Microgenre
A Quick Look at Small Culture Edited by Anne H. Stevens, University of Nevada, Las Vegas, USA & Molly C. O’Donnell, University of Nevada, Las Vegas, USA Plague romances and mommy memoirs. Nudiecutie movies, Nazi zombies, and dinosaur erotica. Microgenres come in all varieties and turn up in every form of media under the sun, tailor-made for enthusiasts of all walks of life. Each contribution in this collection introduces readers to a different microgenre, drawn from a range of historical periods and from a variety of media. Microgenres presents a previously untreated point of cultural curiosity, revealing the profound truth that humanity’s desire to classify is often only matched by the unsustainability of the obscure and hyper-specific. UK January 2020 • US January 2020 • 224 pages PB 9781501345807 • £21.99 / $29.95 • HB 9781501345814 • £80.00 / $110.00 Individual eBook 9781501345821 Library eBook 9781501345838 Bloomsbury Academic
F I L M A N D M E D I A – Media Studies
Making Media Theory
Gonzo Journalism Beyond Hunter S. Thompson
Scholars from 14 countries discuss writers, male and female, from Europe, the Americas, and Australia, whose work bears unmistakable traces of the mutant Gonzo gene. In each chapter, “Gonzo” emerges as a powerful but unstable signifier, read and practiced with different accents and emphases in the various national, cultural, political, and journalistic contexts in which it has erupted. Each, however, is driven by the same fearless disdain for convention and profound commitment to rattling received opinion with which the “outlaw journalist” Thompson scorched his way into the American consciousness in the 1960s, ’70s, and beyond. UK January 2020 • US January 2020 • 352 pages • 15 bw illus PB 9781501361661 • £28.99 / $39.95 Previously published in HB 9781501333910 Individual eBook 9781501333927 Library eBook 9781501333934 Bloomsbury Academic
How We Use Stories and Why That Matters Cultural Science in Action
John Hartley, Curtin University, Western Australia This book guides the reader through the tangled undergrowth of communication and cultural expression towards a new understanding of the role of group-mediating stories at global and digital scale. It argues that media and networked systems perform and bind group identities, creating bordered fictions within which economic and political activities are made meaningful. Using striking examples and compelling analysis, the book tells us about how intimate human communication is organised and used to stage organised conflict, to test the ‘fighting fitness’ of contending groups, unwittingly creating new stories, identities and classes along the way. UK January 2020 • US January 2020 • 308 pages • 34 bw illus HB 9781501351631 • £95.00 / $130.00 Individual eBook 9781501351648 Library eBook 9781501351655 Bloomsbury Academic
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F I L M A N D M E D I A – Television / New Media
Once Upon a Time Lord
The Myths and Stories of Doctor Who Ivan Phillips, University of Hertfordshire, UK In Once Upon a Time Lord, Ivan Phillips explores a wide range of perspectives told in the stories of Doctor Who and presents a lively and richly varied analysis of the accumulated tales that constitute this popular modern mythology. This work gives an original take on this singular hero’s journey, reading the unsettled enigma of the Doctor in relation to the characters, narratives and locations that he has encountered across more than half a century. UK February 2020 • US February 2020 • 336 pages • 21 bw illus PB 9781784532673 • £16.99 / $22.95 • HB 9781788318884 • £50.00 / $68.00 Individual eBook 9781788316453 Library eBook 9781788316460 Series: Who Watching • Bloomsbury Academic
Mother of the BBC
Mabel Constanduros and the Development of Popular Entertainment on the BBC, 1925-1957 Jennifer J. Purcell, Saint Michael's College, Vermont, USA Mabel Constanduros was one of the first British radio comediennes and a beloved star of the early BBC, best known as the creator and performer of the comic Cockney family, the Bugginses. In this, the first significant biography of Constanduros, Jennifer Purcell explores Constanduros’s career and influence on the shaping of popular British entertainment alongside the history of the nascent BBC. Mother of the BBC provides new insights into programming decisions and content on the early BBC, deepening our understanding of the history and evolution of situation comedy and soap opera. UK June 2020 • US June 2020 • 240 pages HB 9781501346507 • £96.00 / $120.00 Individual eBook 9781501346538 Library eBook 9781501346514 Bloomsbury Academic
Contemporary British Television Drama James Chapman, University of Leicester, UK
This book examines television drama series produced in Britain from 2002 through to 2017, including case studies of Spooks, Foyle’s War, Hustle, Life on Mars, Ashes to Ashes, Downton Abbey, Sherlock and Broadchurch. Each demonstrate, in different ways, the emergence of a new style of British drama since the turn of the millennium. UK May 2020 • US May 2020 • 232 pages • 12 bw illus PB 9781780765235 • £22.99 / $30.95 • HB 9781780765228 • £70.00 / $95.00 Individual eBook 9781350152502 Library eBook 9781350152496 Bloomsbury Academic
Crowdsourcing, Constructing and Collaborating
Methods and Social Impact of Mapping the World Today Edited by Siddharth Peter deSouza, Humboldt University of Berlin, Germany, Nida Rehman, University of Cambridge, UK & Saba Sharma, University of Cambridge, UK Brings together individuals and groups engaged in building and sustaining platforms for online collaboration and participation, to explore and reflect on the methods, challenges and potentials of the technology of crowdsourcing and mapping of social impact. The editors assemble people directly involved in a range of projects from around the world—including I Paid A Bribe, Environmental Justice Atlas, Harass Map, Intolerance Tracker, Visualizing Palestine, and the Humanitarian Tracker—to critically reflect on the tactics, methods, challenges, and opportunities of crowdsourcing and crowd-mapping as tools for social, environmental, and political change. UK April 2020 • US April 2020 • 224 pages HB 9789388630443 • £85.00 / $115.00 Individual eBook 9789388630450 Bloomsbury Academic India World All Languages (excluding India/Indian subcontinent)
Mediated Interfaces
The Body on Social Media Edited by Katie Warfield, Kwantlen Polytechnic University, Canada, Crystal Abidin, Curtin University, Sweden & Carolina Cambre, Concordia University, Canada The chapters in Mediated Interfaces feature a diverse list of contributors, theoretical frameworks of analysis, and geographic reach of empirical work. Divided into three sections representing three dominant paradigms on the socially mediated body: representation, presentation, and embodiment, the book provides classic, creative, and contemporary reworkings of these paradigms. UK April 2020 • US April 2020 • 272 pages • 50 bw illus HB 9781501356186 • £95.00 / $130.00 Individual eBook 9781501356193 Library eBook 9781501356209 Bloomsbury Academic
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Digital Reality and the Body in Contemporary Culture Melanie Chan, Leeds Beckett University, UK
Drawing upon existing scholarship around mobile media and new media, Melanie Chan explores digital technologies as phenomena (observable items such as smart-phones, handsets, consoles, headmounted displays and goggles) in the light of theories of reality and corporeality. In so doing, the book highlights the qualitative dimensions of our sense of aliveness, movement, and interaction within a range of environments. UK March 2020 • US March 2020 • 256 pages HB 9781501341052 • £96.00 / $120.00 Individual eBook 9781501341069 Library eBook 9781501341076 Bloomsbury Academic
See also Porridge on page 44
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How to Create Video Games with Emotion, Interaction and Engagement Michael Salmond, Florida Gulf Coast University, USA Level designers build worlds, draw maps, set missions, and lay irresistible paths to make sure we keep playing their games late into the night. It's a hugely competitive field, requiring both technical and artistic skill. Bringing together interaction, usability and experience design, this book shows how design principles can be used to plan maps, encourage narrative interaction and build worlds. 22 illustrated interviews and case studies show how these principles translate to real world best practices for triple-A games through to low-budget indies. UK May 2020 • US May 2020 • 256 pages PB 9781350015722 • £29.99 / $39.95 • HB 9781350099500 • £95.00 / $128.00 Individual eBook 9781350015746 Library eBook 9781350015739 Bloomsbury Academic
Spectate! Watching, Recording and Streaming Videogames James Newman, Bath Spa University, UK
If there is one thing that distinguishes videogames from other media forms surely it is their interactivity. Spectate! Recording, Streaming and Watching Videogames explores the phenomenon of videogame spectatorship and presents a historically-grounded case for a reconsideration of our conceptualization and approaches to videogame play. Noted games scholar James Newman covers player activities, how platforms enable spectating in interesting ways, and how spectating helps play a role in archiving and preserving game history. Newmans’ analysis for understanding how games have been integrated into the landscape of new media will become required reading. UK June 2020 • US June 2020 • 256 pages • 20 bw illus PB 9781501332401 • £21.99 / $29.95 • HB 9781501332418 • £96.00 / $120.00 Individual eBook 9781501332425 Library eBook 9781501332432 Bloomsbury Academic
Indie Games in the Digital Age
War Games
A host of digital affordances, including reduced cost production tools, open distribution platforms, and ubiquitous connectivity, have engendered the growth of indie games among makers and users, forcing critics to reconsider the question of who makes games and why. Taking seriously this new mode of cultural production compels analysts to reconsider the blurred boundaries and relations of makers, users and texts as well as their respective relationship to cultural power and hierarchy. The contributions to Indie Games in the Digital Age consider these questions and examine a series of firms, makers, games and scenes, to chart more precisely the productive and instructive disruption that this new site of cultural production offers.
Edited by Philip Hammond, London South Bank University, UK & Holger Pötzsch, UiT Tromsø, Norway
Edited by M.J. Clarke, Cal State LA, USA & Cynthia Wang, Cal State LA, USA
UK June 2020 • US June 2020 • 240 pages HB 9781501356452 • £95.00 / $130.00 Individual eBook 9781501356445 Library eBook 9781501356438 Series: Approaches to Digital Game Studies • Bloomsbury Academic
F I L M A N D M E D I A – Game Studies
Video Game Level Design
Memory, Militarism, and the Subject of Play
While combat games like Call of Duty and Company of Heroes are marketed as authentic representations of war, they often provide a selective form of realism that eschews problematic, yet salient aspects of war. In addition, changes in the way Western states wage and frame actual wars seem to imply that contemporary conflicts increasingly resemble videogames when perceived from the vantage point of western audiences. This interdisciplinary volume examines the complex relationships between military-themed videogames and real-world conflict, and considers how videogames might deal with history, memory, and conflict in alternative ways. UK December 2019 • US December 2019 • 280 pages • 19 bw illus HB 9781501351150 • £90.00 / $120.00 Individual eBook 9781501351167 Library eBook 9781501351174 Bloomsbury Academic
The Casino, Card and Betting Game Reader Communities, Cultures, and Play
Edited by Mark R. Johnson, University of Alberta, Canada 25 chapters study the communities playing these games, the distinctive cultures and practices that have emerged around them, their activities and beliefs and interpersonal relationships, and how these games influence – both positively and negatively – the lives and careers of millions of game players around the world. The first book of a new series of edited collections, Play Beyond the Computer, dedicated to exploring the play of games beyond computers and games consoles. UK August 2020 • US August 2020 • 288 pages • 21 bw illus HB 9781501347252 • £134.00 / $170.00 Individual eBook 9781501347269 Library eBook 9781501347276 Series: Play Beyond the Computer • Bloomsbury Academic
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F I L M A N D M E D I A – Animation
Screenwriting for Animation Paul Wells, Loughborough University, UK
Throughout Screenwriting for Animation, Paul Wells guides you through identifying promising concepts, selecting an appropriate medium, establishing an appropriate tone, theme and plot, as well as exploring narrative structures and character development. With case studies and interviews exploring the working methods of masters of the craft, including Adam Elliot, Bill Plympton and Joan C. Gratz, this is everything you need to get inspired and start writing! UK March 2020 • US March 2020 • 208 pages • 100 bw illus PB 9781350019720 • £19.99 / $26.95 Individual eBook 9781350020900 Library eBook 9781350019737 Bloomsbury Academic
Genndy Tartakovsky Sincerity in Animation
Kwasu David Tembo, Independent Scholar, Zimbabwe Genndy Tartakovsky is widely regarded as a pioneer in contemporary Western animation of the 20th and 21st centuries. His groundbreaking and prolific output, ranging from Powerpuff Girls and Dexter's Laboratory to Samurai Jack and Sym-Bionic Titan has become a mainstay of contemporary animated programming, and collectively, the cornerstone of both titans of the industry such as Cartoon Network and Adult Swim. This work draws attention to the comparatively mysterious figure of the aforementioned shows' creator, while simultaneously celebrating his singular vision, mastery of formal technique, genre sensitivity, personal stylistic flair, and how these aesthetic and narrative elements combine to produce what the author calls an 'animation of sincerity' in all his works. UK May 2020 • US May 2020 • 256 pages • 40 bw illus HB 9781501356292 • £90.00 / $120.00 Individual eBook 9781501356285 Library eBook 9781501356278 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic
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The Classical Animated Documentary and Its Contemporary Evolution Cristina Formenti, University of Milan, Italy
Drawing on archival research and textual analysis, Cristina Formenti shows how this form took shape in the 1940s. Formenti integrates a theoretical and a historical approach in order to shed new light on the animated documentary as a form as well as on the work of renowned studios such as The Walt Disney Studios, Halas & Batchelor, National Film Board of Canada, and Corona Cinematografica. She also highlights the differences and the similarities existing among the animated documentaries created from the 1940s through the present day, demonstrating how the latter do not represent a complete otherness in respect to the former, but rather an evolution. UK June 2020 • US June 2020 • 256 pages • 20 bw illus HB 9781501346460 • £96.00 / $120.00 Individual eBook 9781501346484 Library eBook 9781501346477 Bloomsbury Academic
Hayao Miyazaki
Exploring the Early Work of Japan's Greatest Animator Raz Greenberg, Hebrew University of Jerusalem, Israel "Raz Greenberg has produced a charming, thorough and accessible book, useful for anime aficionados, film students and the general reader....Greenberg anchors this erudite, curious and passionate creative powerhouse in the framework of world culture that informs and inspires his works as fully as his environmental activism, political views and profound love for the community in which he has lived and worked for eight decades." Helen McCarthy, independent scholar and author of A Brief History of Manga: The Essential Pocket Guide to the Japanese Pop Culture Phenomenon (2015), UK UK January 2020 • US January 2020 • 192 pages • 18 bw illus PB 9781501361647 • £28.99 / $39.95 Previously published in HB 9781501335945 Individual eBook 9781501335952 Library eBook 9781501335969 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic
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This series comprises multi-volume reference works which bring together the most important and interesting writings from a range of subjects in the Visual Arts, Humanities and Social Sciences. The contents of each set are selected and introduced by a leading scholar in the field. Subjects covered include Fashion, Interior Design and Architecture, Food History, Arts and Cultural Management, and Digital Language Learning and Teaching. www.bloomsbury.com/series/critical-and-primary-sources
Animation
Critical and Primary Sources 4-Volume Set Edited by Chris Pallant, Canterbury Christ Church University, UK 100 historical and contemporary texts give a detailed insight into the last 150 years of animation studies in this seminal, four-volume reference work on the field. Key themes are ‘Authorship’, ‘Genre’, ‘Identity Politics’, and ‘Spectatorship’ and each volume is separately introduced and the essays structured into coherent sections on specific themes. UK May 2020 • US May 2020 • 4 vols • c. 1,664 pages HB Pack 9781501305757 • £660.00 / $890.00 Special introductory price of £595.00 / $804.00 valid for 3 months after publication Critical and Primary Sources• Bloomsbury Academic
MAJOR REFERENCE WORKS
Critical and Primary Sources
Adaptations
Critical and Primary Sources 3-Volume Set Edited by Deborah Cartmell, De Montfort University, UK and Imelda Whelehan, University of Tasmania, Australia With topics ranging from the limitations of the novel to adapting stage to screen, over 80 articles from a wide range of international scholars, film critics and novelists combine to make Adaptations: Critical and Primary Sources an original overview of critical debates today. UK May 2020 • US May 2020 • 3 vols • c. 1,248 pages HB Pack 9781501315404 • £495.00 / $669.00 Special introductory price of £445.00 / $600.00 valid for 3 months after publication Critical and Primary Sources • Bloomsbury Academic
South Korean Film
Critical and Primary Sources 3-Volume Set Edited by Hyon Joo Yoo, University of Vermont, USA This three-volume reference presents 80 critical articles and essays on one of the most successful contemporary national cinemas, spanning 1,248 pages and around 60 years’ worth of development in South Korean film. It covers both historical and critical approaches that situate films of each era in local, regional, and global contexts, encompassing issues of auteurship, genre, spectatorship, gender, and nation. UK May 2020 • US May 2020 • 3 vols • c. 1,248 pages HB Pack 9781501322617 • £495.00 / $669.00 Special introductory price of £445.00 / $600.00 valid for 3 months after publication Critical and Primary Sources • Bloomsbury Academic
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