Music & Sound Studies New Books Catalogue Apr-Jun 2023

MUSIC & SOUND STUDIES NEW BOOKS

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Duran Duran's Rio, Limited Edition

Celebrating the 40th Anniversary of the Classic Album

Annie Zaleski

This limited printing, hardcover, 40th-anniversary edition includes an exclusive new interview with lead singer Simon Le Bon, a Rio timeline, a newly designed book cover by Rio album sleeve designer, Malcolm Garrette, vintage Duran Duran photos and ads, and much more Duran Duran's breakthrough 1982 LP, Rio represented the '80s rip-it-up-and-start-again movement, and the band became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture This book explores how and why Rio became a landmark poprock album and examines how the LP was a reflection of a musical, cultural, and technology zeitgeist

• US December 2022

UK December 2022

HB 9798765100233

Series: 33 1/3

• 224 pages

• £14 99 / $19 95

Bloomsbury Academic

BBC Radiophonic Workshop's BBC Radiophonic Workshop - A Retrospective

William L. Weir, Freelance writer, USA

In 1958, an anonymous group of overworked and under-budgeted BBC employees set out to create some innovative sounds for radio and TV The BBC Radiophonic Workshop pioneered some of the earliest electronic music They created TV’s best-known theme music, for Doctor Who, and created groundbreaking scores for news programs, auto maintenance shows and children’s programming using sampling, loops and early synthesizers, long before its listeners had any idea of what these techniques were Ignored for decades, the Workshop has in recent years been recognized as one of the most influential forebears of electronica, psychedelia, ambient music and synth pop

UK May 2023

• US May 2023

• 160 pages

PB 9781501389153 • £9 99 / $14 95

ePub 9781501389160 • £10 18 / $13 45

ePdf 9781501389177 • £10 18 / $13 45

Series: 33 1/3 Bloomsbury Academic

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Living Colour's Time's Up

Kimberly Mack, University of Toledo, USA

The iconic black rock band Living Colour’s Time’s Up, released in 1990, was recorded in the aftermath of the spectacular critical and commercial success of their debut record Vivid Their sophomore effort holds great relevance in light of its forward-thinking politics and lyrical engagement with racism, classism, police brutality, and other social and political issues of great importance Through interviews with members of Living Colour and others involved in the making of Time’s Up, Kimberly Mack explores the creation of this artistically challenging, yet surprisingly underrated, album, while exploring the legacy of this groundbreaking Black American rock band

UK May 2023 • US May 2023 • 152 pages

PB 9781501377518 £9 99 / $14 95

ePub 9781501377525 £10 18 / $13 45

ePdf 9781501377532 • £10 18 / $13 45

Series: 33 1/3 • Bloomsbury Academic

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South African Popular Music

Lior Phillips, Music Journalist, USA

From the storied ache of mbube harmonies of the ‘40s to the electronic boom of kwaito and the house explosion of the ‘00s, this book explores vignettes taken from across South Africa’s popular music history. In a country with 11 official languages, music had the power to unite South Africans in protest Artists bloomed a new idyll from the branches of countless storied musical traditions, and in turn found themselves banned or exiled—the profoundly foolish epiphany that music can exist both within the pleasure of itself and for serving a far greater purpose

UK May 2023 US May 2023 192 pages

• £14 99 / $19 95

PB 9781501383427

ePub 9781501383434

ePdf 9781501383441

• £13 10 / $17 95

• £13 10 / $17 95

Series: Genre: A 33 1/3 Series

• Bloomsbury Academic

1/3 Oceania

Alastair Riddell’s Space Waltz

Ian Chapman, University of Otago, New Zealand Alastair Riddell’s band Space Waltz was a onealbum New Zealand glam rock act While this feat may have reduced their relevance in the eyes of some, their impact has endured, not least due to Riddell's radically expansive vision of Kiwi masculinity The scant attention paid to this album is rectified with this new study of the band's history, starting with their discovery on a television talent show Featuring exclusive conversations with the original band members, Alastair Riddell, Peter Cuddihy, Tony (Eddie) Raynor, Brent Eccles, and Greg Clark and album producer Alan Galbraith, this is the conclusive history of Space Waltz.

• US March 2023

UK March 2023

PB 9781501389511

• 144 pages

• £16 99 / $22 95 • HB 9781501389504 • £60 00 / $80 00

ePub 9781501389528

• £15 28 / $20 65

ePdf 9781501389535 £15 28 / $20 65

Series: 33 1/3 Oceania Bloomsbury Academic

The Front Lawn's Songs from the Front Lawn

Matthew Bannister, Waikato Institute of Technology, New Zealand

Songs From The Front Lawn documents a distinctively '80s New Zealand alternative variety act in a tradition of New Zealand duos who combine music, comedy and film, with classic songs like “Andy,” “How You Doing,” “When You Come Back Home” and “Claude Rains ” This book begins with a sociocultural background of late 1970s' New Zealand, including band members Don McGlashan and Harry Sinclair’s upbringings on Auckland’s North Shore, then studies the group’s formation, philosophy and early performances as well as a track-by-track analysis of each of the album's 10 songs, ending with the group’s dissolution and each member's subsequent career

UK

PB

ePub 9781501390104 £15 28 / $20 65

ePdf 9781501390111 • £15 28 / $20 65

Series: 33 1/3 Oceania • Bloomsbury Academic

Dance-Punk

Larissa Wodtke, University of Winnipeg, Canada

Beginning in the late 1970s as an offshoot of disco and punk, dance-punk is difficult to define. This book explores the historical and cultural conditions of the genre as it appeared in its first years and then again in the early 2000s and illuminates what is at stake in delineating dance-punk as a genre Looking at bands such as Gang of Four, ESG, Public Image Ltd , LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with postpunk

UK April 2023 • US April 2023 • 192 pages

PB 9781501381867 • £14 99 / $19 95

ePub 9781501381874 • £13 10 / $17 95

ePdf 9781501381881 • £13 10 / $17 95

Series: Genre: A 33 1/3 Series • Bloomsbury Academic

Bic Runga's Drive

Henry Johnson, University of Otago, New Zealand

From entering a high-school music competition to being honoured with the New Zealand Order of Merit, Bic Runga has an established place within contemporary popular music Focusing on her iconic album, Drive, and including informative case studies of representative tracks on the album, this book provides not only an in-depth study of one album, but skillfully navigates Runga’s creative work over three decades to illuminate some of the key stages of her career The book offers comprehension of the performer’s rise to stardom, musical style, accolades, and performance achievements

UK May 2023 • US May 2023 • 144 pages

PB 9781501390036 • £16 99 / $22 95 • HB 9781501390043 • £60 00 / $80 00

ePub 9781501390050 • £15 28 / $20 65

ePdf 9781501390067 • £15 28 / $20 65

Series: 33 1/3 Oceania • Bloomsbury Academic

Kylie Minogue's Kylie

Adrian Renzo, Macquarie University, Australia & Liz Giuffre, University of Technology Sydney, Australia

Kylie Minogue’s self-titled debut album produced hits, controversy and a perfect mainstream storm The then soap and children’s television star ‘crossed over’ to music with hit writer/producers SAW — and the shamelessly commercial approach of all involved saw the ‘real’ music industry get its back up This book interrogates the way that commercial pop albums are remembered in both the popular music press and in academic research The authors shed light on the way that notions of ‘mainstream’ and ‘other’ play out in a local context— specifically, Australia and New Zealand music on a global stage.

UK February 2023 • US February 2023 • 136 pages

PB 9781501382970 • £16 99 / $22 95 • HB 9781501382987 • £60 00 / $80 00

ePub 9781501382994 • £15 28 / $20 65

ePdf 9781501383007 £15 28 / $20 65

Series: 33 1/3 Oceania Bloomsbury Academic

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Jon Stratton, University of South Australia; Jon Dale, writer and researcher, Melbourne, Australia

Nuovo Canzoniere Italiano's Bella Ciao

Jacopo Tomatis, University of Torino, Italy

Bella Ciao is the album that kick-started the Italian folk revival in the mid-1960s, made by Il Nuovo Canzoniere Italiano, a group of researchers, musicians, and radical intellectuals Based on a contested music show that debuted in 1964, Bella Ciao also featured a double version of the popular song of the same title, an anti-Fascist anthem from World War II, which was destined to become one of the most sung political songs in the world The book reconstructs the history and the reception of the Bella Ciao project and explores the origins and distinctive development of the Italian folk revival

UK January 2023

• US January 2023

PB 9781501372612

• 152 pages

• £16 99 / $22 95 • HB 9781501372629 • £60 00 / $80 00

ePub 9781501372636 • £15 28 / $20 65

ePdf 9781501372643

Series: 33 1/3 Europe

• £15 28 / $20 65

• Bloomsbury Academic

Pearl Jam and Philosophy

Edited by Stefano Marino, University of Bologna, Italy & Andrea Schembari, University of Szczecin, Poland

The first scholarly collection on the band, Pearl Jam and Philosophy examines both the songs (music and lyrics) and the activities (live performances, political commitments) of one of the most celebrated and charismatic rock bands of the last 25 years The book investigates the philosophical aspects of their music at various levels: existential, spiritual, ethical, political, and aesthetic Through this widespread philosophical examination, the book further looks into the band’s immense popularity and commercial success, their deeply loyal fanbase and genuine sense of community surrounding their music, and the pivotal place the band holds within popular music culture

UK May 2023

• US May 2023 • 280 pages

PB 9781501385797

• £28 99 / $39 95

Previously published in HB 9781501362781 ePub 9781501362798 • £79 34 / $108 00 ePdf 9781501362804 • £79 34 / $108 00

Bloomsbury Academic

Popular Music, Power and Play

Reframing Creative Practice

Marshall Heiser, Independent Scholar, Australia

The advent of the DIY project studio and internet downloading has revolutionized popular music creative practice For the current generation of popular musicians with the means of production and distribution firmly in their grasp, the possibilities seem endless, but so too are the formidable multiskilling and project management challenges to be faced In order to better understand popular music and record production’s myriad processes – as well as interactions between collaborators, technology, and the wider domain/field – this book presents psychological and sociocultural theory-research that draws together the phenomenology of play, confluence approaches to creativity and cultural psychology.

UK May 2023

Vopli Vidopliassova’s Tantsi

Maria Sonevytsky, Bard College, NY, USA

In the 1980s, underground recordings, traded by fans at listening parties and through tape-dubbing collectives, activated networks of late-Soviet citizens who imagined other worlds This book revels in Tantsi (Dances) (1989), an unofficial cassette release by the now-legendary Ukrainian punk band Ve-Ve, whose disruptive musical sounds, often ironic lyrics, and propulsive performances toyed with the distinctions between official and unofficial Soviet culture. Tantsi exemplifies how Soviet musical cultures existed within an ecosystem of contradictions as entrenched state infrastructures collided with emergent youth subcultures Today, Tantsi invites us to dance while we laugh (or cry) at the absurdities of life

UK June 2023 • US June 2023 • 152 pages • 8 bw illus

PB 9781501363115 • £16 99 / $22 95 • HB 9781501363122 • £60 00 / $80 00

ePub 9781501363139 £15 28 / $20 65 ePdf 9781501363146 £15 28 / $20 65

Series: 33 1/3 Europe Bloomsbury Academic

Music City Melbourne

Urban Culture, History and Policy

Shane Homan, Monash University, Australia, Seamus O’Hanlon, Monash University, Australia, Catherine Strong, RMIT University, Australia & John Tebbutt, RMIT University, Australia

Beginning with the arrival of rock ‘n’ roll in the 1950s, this book explores the development of different sectors of Melbourne’s popular music ecosystem in parallel with broader population, urban planning and media industry changes in the city Interviews with Melbourne musicians, venue owners and policy-makers chart ambition with spotlights on the gendered, multicultural and indigenous experiences of playing and recording in Melbourne. This is the first book to provide an extensive historical lens of popular music within an urban cultural economy that in turn investigates the contemporary nature and challenges of urban music activities and policy

UK June 2023 • US June 2023 • 224 pages

PB 9781501369643 • £28 99 / $39 95

Previously published in HB 9781501365706 ePub 9781501365713 • £72 79 / $99 00 ePdf 9781501365720 £72 79 / $99 00

Bloomsbury Academic

• US May 2023

• 248 pages

PB 9781501385421 • £28 99 / $39 95

Previously published in HB 9781501362743

ePub 9781501362750 £79 34 / $108 00

ePdf 9781501362767 £79 34 / $108 00

Bloomsbury Academic

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Fabian Holt, Roskilde University, Denmark

MUSIC & SOUND STUDIES –Popular Music / Sound Studies

Sex and Gender in Pop/Rock Music

The Blues Through the Beatles to Beyoncé

Walter Everett, University of Michigan, USA

This multidisciplinary study of Anglo-American rock and pop music following the 1960s’ sexual revolution explores how this music has mapped a societal understanding of sexuality, feminism, and gender studies Although scholarship has well established how early rock music impacted issues of sex in the Baby Boomer generation, this book studies how subsequent pop music has maintained that tradition Walter Everett analyzes the gendered performances, biographical experiences, and lyrics of artists including Prince, Beyoncé, Bruce Springsteen, Frank Zappa, and Patti Smith, and how their invented personae contribute to musical representations of sexuality and reflect the diversity of human sex and gender

UK June 2023

• US June 2023 • 224 pages

PB 9781501345951 • £23 99 / $29 95 • HB 9781501345968 • £88 00 / $110 00

ePub 9781501345975 • £19 65 / $26 95

ePdf 9781501345982 £19 65 / $26 95

Bloomsbury Academic

Uncurating Sound

Knowledge with Voice and Hands

Salomé Voegelin, London College of Communication, UK

Continuing on the concepts that have developed in through Salome Voegelin’s other field-defining works on sound (Listening to Noise and Silence, Sonic Possible Worlds), Uncurating Sound engages with the themes of curation, geography, and the condition of material and immaterial production The book serves as an invitation to consider the score for music/sound making in relation to writinghighlighting the ideological and aesthetic hierarchies and authorities involved in scored work, and practicing their disruption through text and event scores applied to the method of academic writing

UK February 2023 US February 2023 160 pages

PB 9781501345401 • £19 99 / $24 95 • HB 9781501345418 • £64 00 / $80 00

ePub 9781501345425 • £16 74 / $22 45

ePdf 9781501345432 • £16 74 / $22 45

Bloomsbury Academic

Listening Devices

Music Media in the Pre-Digital Era

Jens Gerrit Papenburg, Humboldt University, Germany

In the second half of the 20th century, listening to music in the Western world became increasingly organized as listening to records became popular and accessible Making use of four case studies from the history of popular music, this book examines aspects of the cultivation and technologization of listening by applying concepts and methods of sound studies, media theory and musicology It shows that records and the devices which play them are not playback technologies or passive intermediaries but active mediators and listening technologies which are involved in the constitution of the listener and the music listened to

UK June 2023 • US June 2023 • 304 pages

HB 9781501346705 £90 00 / $120 00

ePub 9781501346712 £79 34 / $108 00

ePdf 9781501346729 £79 34 / $108 00

Bloomsbury

Academic

The Acoustics of the Social on Page and Screen

Edited by Nathalie Aghoro, Catholic University Eichstaett-Ingolstadt, Germany

Sound positions individuals as social subjects The presence of human beings, animals, objects, or technologies reverberates into the spaces we inhabit and produces distinct soundscapes that render social practices, group associations, and socio-cultural tensions audible The Acoustics of the Social on Page and Screen unites interdisciplinary perspectives on the social dimensions of sound in audiovisiual and literary environments The essays in the collection discuss soundtracks for shared values, group membership, and collective agency, and engage with the subversive functions of sound and sonic forms of resistance in American literature, film, and TV

UK April 2023 • US April 2023 • 216 pages • 15 bw illus

PB 9781501383410 • £28 99 / $39 95

Previously published in HB 9781501361388 ePub 9781501361395 £79 34 / $108 00 ePdf 9781501361401 £79 34 / $108 00

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