Mark Tamer

Mark Tamer

London, UK

Mark’s approach to photography is strongly graphic and processdriven. He perceives images as ongoing pieces that can be indefinitely remixed and reused, and finds big inspiration in music, especially the minimalist and rhythmically asymmetric compositions by Shellac.

This piece is a part of Mark’s experimental series where he re-uses old films from discarded cameras of the 1970-s and takes new snapshots over them. As a result, he gets whimsical doublelayered combinations of the images from the two time-lines and epochs. The project revitalizes retro aesthetics but gives it a fresh look by adapting it to the reality of 2020.