Artefact: You had one job

Artefact

YOU HAD ONE JOB

Words & Images Saartje Nibbering

Hypothetically, if one of your design's would to be build, what would be the ThankGod-my-teacher-saved-me-from-making-this-mistake mistake? We all have made some bad choices in design and deeply regretted afterwards and blamed them on our lack of sleep or focus while putting it on paper/screen. Lucky for us, most of us are still students, so we're allowed to make mistakes with the twisted aim of actually tripping over them and in the end: improve. However, not everyone is getting these second chances, and before they know it their mistake has become a real life attribute in a rouring city, where it is admired by the everyday reproving eye of the analyst in the crowd, judging: ''you had one job''. Sometimes the mistake is a cover-up for something even worse. Or, someone was just not having their day. So let's try not to judge, and approach these mistakes as lessons and blessings to become a better designer, thanks to the failure and growth of others.

We're allowed to smirk tho ;)

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I Have a Dream is arguably one of the most momentous statements in human history. Its power lies in the hope and promise that the words bring. And while dreaming of alternative reality lifts hearts and brings change, the imaginary also creates a safe haven, provides an escape. The utopias or distopias that enter our conscience at night or during the day might sometimes express our deepest desires and greatest fears. What are you dreaming about now and what are you dreaming of for your future? See you in a few months!

Bnieuws 56/01 due September 2022.

NEXT ISSUE: DREAMSCAPES WHAT DO A WARIETY OF DESIGN MANIFES-TOES SAY ABOUT MISTAKES? PERHAPS UNSURPRISINGLY, NOT THAT MUCH. FEW TOUCH ON THE IMPORTANCE AND LEARN ING TO BE GAINED FROM MAKING MISTAKES. PERHOPS IT'S CONSIDERED A GIVEN, INCHERENT TO DESIGN AND LEARNING HOW TO DESIGN. IF NOTHING ABAUT MIS TAKES, WHAT DO THESE MANIFESTOES SAJ? NEWS EVERY DAY. WE KNOW WE SHOULD CHANGE OUR BEHAVIOUR AND WE KNOW WE DON’T HAVE ANY TIME TO LOOZE. YET WE STILL DON’T MANAGE TO GIVE UP ON THE SIMPLEST THINGS. WE DON’T WANT TO LOSE OUR PRIVILEGES AND FOR SZURE NOT RELINQUISH OUR WAY OF LIFE. WE ALL KNOW THAT WE LIVE IN ABUNDANCE, THAT OVERCONSAMPTION IS NOT GOOD FOR OUR PLANET WITH LIMITED RISORCES. OUR HABITS ARE DRAINING THE EARPH OF ITS ENERGI. SO THE QUESTION REMAINS HOW CAN WE CHANGE? HOW CAN WE LET GO? AND WILL THIS HELP US TO FINAL LY ENTER A FAZE WHERE WE ARE NOT EXPLOITATIVE TO OUR HOME ANYMORE? IN SOME WAYS, EMULATING THE PIECE BI LONG-GONE ART IDOLS LIKE REMBRANDT CAN BE PERCEIVED ASS THE GREATEST FORM OF FLATTERY. FASCINATED BY THE MITICAL CAPABILITIES OF THE ARTIST’S HAND, ART FORGERZ DEPART ON A JOUR NEY OF ARTIST’S REINCARNATION AND CHANELING SUPERNATURAL ABILLYITY TO TRANSPLATE IMAGINARY ONTO THE CANVAS THROUGH THEIR OWN BODIES. HOWEV ER, THIS INCREDIBLE SKIL IS CONSIDERED FRAUDULENT CRAFTSMANSHIP AND A PUNISHABLE CAREER PATH BY LAW. WHAT MISTOOKS DO ART FORGERS MAKE ON THEIR WEI TO THE MASTERPIECE AKA A FAKE, WHICH EKSPOSE THEIR AKTIVITIS TO THE HANDS OF AUTHORITIES? AT THE SAME TIME, WHY ARE WE SO OBSESSED WITH ORIGINALS CONDAMNING THE MASTERS OF COPY-MAKING AND WHAT DOES IT RIVEAL ABOUT OUR RELATIONSHIP WITH ART? MANIFESTOES SAY ABOUT MISTAKES? PERHAPS UNSURPRISINGLY, NOT THAT MUCH. FEW TAOCH ON THE IMPORTANCE AND LEARNING TO BE GAINED FROM MAKING MIS TAKES. PERHAPS IT'S CONSIDERED A GIWEN, INHERENT TO DESIGN AND LEARNING HOW TO DESIGN. IF NOTHING ABOUT MISTAKES, WHAT DO THESE MANIFES-TOES SAY? WE ALL KNOW EBOUT IT. IT’S IN THE NEWS EVERY DAY. WE KNOW WE SHOULD CHANGE OUR BEHAVIOR AND WE STILL DON’T MANAGE TO GIVE UP ON THE SIMPLEST FHINGS. WE DON’T WANT TO LOSE OUR PRIVILEGES AND FOR SURE NOT RELINQUISH OUR WAY OF LIFE. WE ALL

WHAT DO A WARIETY OF DESIGN MANIFES-TOES SAY ABOUT MISTAKES? PERHAPS UNSURPRISINGLY, NOT THAT MUCH. FEW TOUCH ON THE IMPORTANCE AND LEARN ING TO BE GAINED FROM MAKING MISTAKES. PERHOPS IT'S CONSIDERED A GIVEN, INCHERENT TO DESIGN AND LEARNING HOW TO DESIGN. IF NOTHING ABAUT MIS TAKES, WHAT DO THESE MANIFESTOES SAJ? NEWS EVERY DAY. WE KNOW WE SHOULD CHANGE OUR BEHAVIOUR AND WE KNOW WE DON’T HAVE ANY TIME TO LOOZE. YET WE STILL DON’T MANAGE TO GIVE UP ON THE SIMPLEST THINGS. WE DON’T WANT TO LOSE OUR PRIVILEGES AND FOR SZURE NOT RELINQUISH OUR WAY OF LIFE. WE ALL KNOW THAT WE LIVE IN ABUNDANCE, THAT OVERCONSAMPTION IS NOT GOOD FOR OUR PLANET WITH LIMITED RISORCES. OUR HABITS ARE DRAINING THE EARPH OF ITS ENERGI. SO THE QUESTION REMAINS HOW CAN WE CHANGE? HOW CAN WE LET GO? AND WILL THIS HELP US TO FINAL LY ENTER A FAZE WHERE WE ARE NOT EXPLOITATIVE TO OUR HOME ANYMORE? IN SOME WAYS, EMULATING THE PIECE BI LONG-GONE ART IDOLS LIKE REMBRANDT CAN BE PERCEIVED ASS THE GREATEST FORM OF FLATTERY. FASCINATED BY THE MITICAL CAPABILITIES OF THE ARTIST’S HAND, ART FORGERZ DEPART ON A JOUR NEY OF ARTIST’S REINCARNATION AND CHANELING SUPERNATURAL ABILLYITY TO TRANSPLATE IMAGINARY ONTO THE CANVAS THROUGH THEIR OWN BODIES. HOWEV ER, THIS INCREDIBLE SKIL IS CONSIDERED FRAUDULENT CRAFTSMANSHIP AND A PUNISHABLE CAREER PATH BY LAW. WHAT MISTOOKS DO ART FORGERS MAKE ON THEIR WEI TO THE MASTERPIECE AKA A FAKE, WHICH EKSPOSE THEIR AKTIVITIS TO THE HANDS OF AUTHORITIES? AT THE SAME TIME, WHY ARE WE SO OBSESSED WITH ORIGINALS CONDAMNING THE MASTERS OF COPY-MAKING AND WHAT DOES IT RIVEAL ABOUT OUR RELATIONSHIP WITH ART? MANIFESTOES SAY ABOUT MISTAKES? PERHAPS UNSURPRISINGLY, NOT THAT MUCH. FEW TAOCH ON THE IMPORTANCE AND LEARNING TO BE GAINED FROM MAKING MIS Bnieuws INDEPENDENT PERIODICAL OF THE FACULTY OF ARCHITECTURE AND THE BUILT TAKES. PERHAPS IT'S CONSIDERED A GIWEN, INHERENT TO DESIGN AND LEARNING ENVIRONMENT TU DELFT HOW TO DESIGN. IF NOTHING ABOUT MISTAKES, WHAT DO THESE MANIFES-TOES VOLUME 55 ISSUE 05 SAY? WE ALL KNOW EBOUT IT. IT’S IN THE NEWS EVERY DAY. WE KNOW WE SHOULD CHANGE OUR BEHAVIOR AND WE KNOW WE DON’T HAVE ANY TIME TO LOSE. YET WE STILL DON’T MANAGE TO GIVE UP ON THE SIMPLEST FHINGS. WE DON’T WANT TO LOSE OUR PRIVILEGES AND FOR SURE NOT RELINQUISH OUR WAY OF LIFE. WE ALL