The Contemporary Femininity work by Colombian artist
E D I T I O N 2 2 - F EB RU AR Y 2 01 5
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www.b o g a m ia . c o m
MARÍA ISABEL DUQUE
Italian Masters behind MODSTUDIO MARCO D’OTTAVI & LUCA MOSCONI
Cannes Fashion Photographer EDDY WOLFSTORNE
Dutch Artist
NIELS SMITS VAN BURGST S AMAN TA R CHE D AB UG AUC H DAR IO TOLE DO - FE DE R ICO B A R B I ER I AN A ME R E UTA - E S TE LA CUA D R O K E S HAV A FE R R IN I
FEATUR 04 38 54 70 86
RED ARTIST 24 46 60 78 94
MOD STU PHOTOGRAPHY STUDIO
MILAN, ITALY
UDIO
Production Luxury Style - Catania, Italy
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HAIR / BEAUTY
Team Luxury Style
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PHOTOGRAPHERS
Marco Maria D’Ottavi - Luca Mosconi
i (@MODStudio)
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MAKE UP
Veronica Marchese
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FASHION STYLING
Rodrigo Paolo Giaimis Ramos
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ACCESSORIES Effe Creation di Federica La Malfa
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WRITING A
AND PUBLISHING COORDINATION Federica Finocchiaro
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SPECIAL THANKS
Domenico Trapani - Giovanni Vasile Giovanni Oberdan - Il Borgo Di Federico
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MARÍA ISABEL DUQUE ARTIST
BOGOTA, COLOMBIA
We present Maria Isabel Duque, Colombian plastic and visual artist. Besides developing her artwork, she also served as a professor and researcher at some of the universities in Bogotรก. She taught Theory and Psychology of Color, and basic drawing of the human figure. In the area of artistic creation, her work has developed steadily since 1996 allowing the exploration of various materials and textures; in turn involving and questioning in depth about the symbolism and the inner world of feminine.
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A universe through its exposed the inner and spiritual essence limited boundaries from the
d forms, it is intended to show e of the woman, extending its e obvious to the not explicit.
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EDDY
WO L F S TO R N E PHOTOGRAPER
CANNES, FRANCE
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E
Estela Cuadro ARTIST
BUENOS AIRES, ARGENTINA
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Fed
derico Barbieri PHOTOGRAPHER
FERRARA, ITALY
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NIELS SMITS VAN BURGST
ARTIST
ROTTERDAM, THE NETHERLANDS
“In 1994, I decided to depict what it is like to be alive. I started painting my life and added some friends and acquaintances to the stories. Later on, exhibition visitors and party-people joined in the scenes. In 2004, I entered the World Wide Web. Private pictures are shared through the Net as souvenirs of an experience one can never take part in. The images are like film-stills of a movie you’ve never seen. I browse these anonymous fragments, trying to get involved, imagining to be there with these guys. I try to revive these shared moments and add them to my own painted adventures.
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I show slices of a civilized world in which excesses are channeled through stylized formats like Art, porn, music, Internet, TV, religion or sports. We suppress lust, sadism, aggression and even euphoria to modest levels to keep interaction civilized, although these tendencies always
lure
behind
the
surface.
Indulgence might be a hidden driver for men’s action; it cannot show. Anything might happen today but preferably not in public. Anything might surface but probably not today. My paintings show men, trapped in their daily life, caught up in my brush-strokes. They will exist there, without a plot to their stories.
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“
My ‘friends’ lives get romanticized by
in their boredom, jokes and modest e
the paintings share business nor id
euphoria? They won’t; the inhabitants of
dleness; they simply exhibit being alive
“
the act of painting. Will you get involved
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Ana Mereuta PHOTOGRAPHER
TURIN, ITALY
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SAMANTA RCHED ABUGAUCH ARTIST
BUENOS AIRES, ARGENTINA
THE WORK IN GENERAL The work is based on the extent of human emotions through animals, animals as extensions of human psychology in its most primitive, intuitive nature, most animalistic of man, animals represent the search for a concept or a meaning to different levels of depth. In that search, the presence of the docile animal is important. Animals in situations or in human contexts come to offer metaphors of man’s search for truth and meaning in life by one element in common: unraveling the mysteries of loneliness, anguish, sorrow of man, which seeks to release from oppression and seeks to recover the transcendent meaning of life that was taken from him.
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It is an oppressed man, aut
attend to the voice of reason
visions, is the worth of rea
ignorance. Then it is a classic and composition but with
postmodern context
tomated men who did not
n, and everything becomes
ason over the darkness of
c work in terms of technique the weight of being in the
t in which we live in.
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DARIO
TOLEDO PHOTOGRAPHER
NAPLES, ITALY
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KESHAVA FERRINI PHOTOGRAPHER PONSSACO, ITALY
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EDITOR
CARLOS HUETE
DE SI GN DIR E CT O R
CIRLEY SĂ NCHEZ
S O CI AL MEDIA
GABRIELA RIVERA
Reproduction of information, pictorial of photographic material is prohibited. Logos and registered trademarks contained in his website is property of their respective artists and or organizations.
www.bogamia.com MIAMI - USA