Bollywood Film Fame Canada - February 2021 by Bollywood Film Fame Canada

February 2021

BollywoodFilmFame.com

“My best hours are midnight to 5AM for doing anything creative”

IN CONVERSATION WITH

SHAILJA KEJRIWAL

INSIGHTFUL AWARE PRESENT

Aahana Kumra

O.P. RAI ASTIK DALAI MUDASIR ZAFAR MAYUR MEHTA

for NOBEL PEACE

“I have never romanced someone on screen”

SHUBHAAVI CHOKSEY

Photography: @priyamdhar HMU @vinodgholap_ Wardrobe @ewayoung Studio: @studio.f6

Cover Credits:

COVER PAGE: Aahana Kumra

Aahana Kumra

INSIGHTFUL AWARE PRESENT

ANURITTA K. JHA

KRITIKA SHARMA

SHUBHAAVI

ARZUTRA

42 44

SANGEETA KAPURE

RASHI MAL

46 48 50 52 54 56

COVER STORY

Insightful, Awar

Aahana

Interview by A

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COVER STORY

re, and Present

Kumra

Armin S.

remember watching Lipstick Under My Burkha and hoping I would get to see more of Aahana Kumra in films. Aahana really has done it all – television, hosting, films, web series and she is a force to reckon with. And the reason for that, from my perspective, is that she is completely unassuming. That was my theory and in speaking to her, I’m only more sure of my theory. That Aahana Kumra is a credible artist because she has the ability to feel, empathise, and still lead a life that isn’t fussy. And that’s what our conversation is all about.

COVER STORY

“Every character has taught me some kind of empathy.”

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COVER STORY

AAHANA, YOU’VE BEEN SO BUSY. IT IS A LOT THAT YOU HAVE DONE AND SO MUCH THAT HAS COME OUT RECENTLY – SANDWICHED FOREVER, KHUDA HAAFIZ, AND BETAAL. I REMEMBER SEEING LIPSTICK UNDER MY BURKHA AND I WANTED TO SEE MORE OF YOU. HOSTING, TELEVISION. WHAT WAS YOUR INITIAL MINDSET LIKE VERSUS WHAT IT’S LIKE TODAY?

I began being very naïve, not knowing what to expect. Not expecting anything – I still don’t but over a period of time, bumping into the darkness, learning lessons, you live and you learn and you move on. Today, I think I’ve become my own person. It takes that long process especially when you don’t have anyone holding your hand through your journey. You grab whatever comes your way and you grab opportunities with both hands. I’m not the only one who has been through this. I think it is most of us who don’t come from film families or a background where we understand this space. Bollywood can be a very confusing place. It has no rules, no norms. You just have to find your own voice, be your own person. From what I was to what I have become, it has been a pretty phenomenal journey, I would say. I always consider myself a success story. If my journey can inspire a girl in Lucknow or Allahabad or somewhere outside of the mainstream metropolitan cities of India, and she wants to her own person, and make a success story of herself, she can do that. She can look at my example and a couple of other actresses that I can happily point out – that you can be your own person as long as you have training, you believe in yourself and you do not take “no” for an answer.

WHEN IT’S DARK, IT CAN BE REALLY DARK ESPECIALLY IN A PROFESSION THAT IS VERY MUCH IN THE PUBLIC EYE. YOU SAY, YOU GRAB ONTO THINGS IN THE DARKNESS. WHAT ARE THE THINGS YOU RELY ON TO PULL YOURSELF OUT OF DARKNESS?

Family. I think I have heavily relied on my family. I am one of the few lucky ones whose family is in Mumbai. I know many kids who come to Mumbai without family. I often talk to them and it’s really disheartening to hear that they have to go back to an empty house or a dog or a cat or a roommate. This is kind of the way I read New York – that you come here to work. I was in Manhattan for a while and I was like, oh, it’s no different from Mumbai. It’s full of opportunities but it can get brutal too. Like, as a city, it can give you everything but if it takes, it can take everything away. It’s so similar. I guess that’s the idea behind every big city. So, I have relied heavily on my family because at times when I have gone completely wrong, astray and lost, and I didn’t know what to do next – I just talked to them. Talking to my parents and talking to my sister, which I did not do before, really helped. Just giving them a low-down of my day, and getting their perspective because they are not from the industry, just really helps. It has really helped my sanity.

WHEN YOU DELVE INTO A CHARACTER, WHAT IS THE GIVE AND TAKE PROCESS YOU HAVE WITH A CHARACTER?

Hmm, this is quite an interesting one because nobody asks us this kind of question. They usually ask us how we prepare for the role but I think every actor has very special characters in their lives. Every actor lives a journey of characters for a good twenty years, sometimes forty – the lucky ones (assuming this is an actor that is in it for the long run). You get to live a life of someone different. I’m very grateful to my industry because had I been a banker or in a marketing job, I would have lived one life and I would have understanding of just that one person. I live such parallel lives and I think I have become a more empathetic human being. I think with the places I have been to and the lives I have lived, I have developed more empathy. I remember playing Leela (Lipstick Under My Burkha) and we were shooting in Bhopal – we were shooting in the tiniest of spaces, the smallest houses. I was like, wow, people live like this. It makes you question all the comfort that you have. You become grateful with all that you have and you realize that you have enough. Every character has taught me some kind of empathy. I’m privileged to have met those people and the characters that have lived with me. You always think what the character would do in that given situation, and only then can you perform that scene well or in all its honesty. That has happened with me a lot. I recently played a woman who was a rape victim in Marzi. It’s a he said/she said story. It’s an important conversation to have and I’m glad we are opening up our minds to this conversation – non-consensual sex, for example, is such an important topic to talk about. When we play these characters, we have to be empathetic because otherwise, we cannot play these characters with all honesty.

IS THERE A KIND OF VICARIOUS TRAUMA WHEN YOU INTERNALIZE THE LIVES OF PEOPLE WHO HAVE ACTUALLY GONE THROUGH THE TRAUMA? AND IF SO, HOW DO YOU COME OUT OF THAT? WHEN YOU GET INTO THE SOUL OF A CHARACTER WHO HAS GONE THROUGH THAT…

I think the most difficult character I have played so far is Sameera Chauhan from Marzi. She suffered from anxiety. She went through a night of rape, when she was drugged. Nobody heard her. I was a very unpleasant person on set. I was already sitting alone, aloof. I had very few scenes which were happy, where I needed to be alright mentally – in a happy space. Almost eighty percent of the show was me being angry. That’s the first time I realized I could not make any friends on set. I learnt this from Naseer sir right from the beginning because he is my mentor. I remember doing my first film and I had a really traumatic scene coming up. I was chatting with he A.D.s (all of whom were close to my age) and I remember he came up to me and he said, “just go there and sit alone and do not talk to anyone and understand what your character is going through instead of giggling out here.” And I was like, “yes, sir” but it really helped because

COVER STORY

“I think I had to be isolated to internalize Sameera’s life.” AAHANA KUMRA

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COVER STORY

“Being yourself is indispensable” it helped my character understand. I’ve now followed that pattern in most of my scenes and anybody on set who sees an actor is in preparation, does not even come close to you. That kind of internalising, you have to do. Snapping back takes a whole but when you have been working so long in this business, I guess you realize and understand how to switch on and switch off. But you have to learn that because this will take a toll on your mental health. We do, as actors, we have so many outlets for our emotions, and we’re very lucky that way. You may have to visit an emotional memory to get the scene going but you have to learn to switch on and switch off.

I LOVE THAT YOU ARE ABLE TO RECOGNIZE PRIVILEGE AND ALWAYS REFLECT UPON. WHEN YOU PERCEIVE YOURSELF AND WHERE YOU ARE TODAY, AND THE WAY OTHERS PERCEIVE YOU, THE LATTER WHICH MAY AFFECT YOU, HOW DO YOU THINK THE MINDSET AND PERCEPTION OF YOU HAS CHANGED FROM THE PUBLIC AND FROM YOUR OWN PERSPECTIVE?

I don’t know. I think I look at myself the same way I looked at myself at the start of my career. I think we make too much of a fuss of too many things around us. We forget what we are here for – we are here to act. We must do our jobs in all its honesty. And the fuss will happen around us, and the entourage will be there, but at the end of the day, it’s you. My mentors have been such fantastic people who have lived their lives so ordinarily but they are such extraordinary people and there’s been no fuss around them. Like Mr. Bachchan, who sits there and watches the light set up, and he only goes back to the vanity during the lunch break. And he sleeps for an hour and he comes back on set. He is consumed by the set, by the place, because of his love. With Naseer sir and Ratna ma’am, they are just so normal. I’ve spent so much time in the past with them – whether taking a walk on the beach, whether it’s meeting for tea or coffee. I’ve been in their homes and I’ve seen how wonderfully they’ve lived their lives, and the rich conversations they have. That’s what makes them rich. The material things are so dispensable. . I see myself living a life like that.

INTERVIEW

IN CONVERSATION:

NOBEL PEACE Interviews by Armin S.

obel Peace is a film about the journey of a young boy, Hayan Mir, under the guidance of a college professor, Shlok Manhaas, to eradicate hatred from the hearts of religiously biased individuals. The film aims to bring a sense of peace in society. Produced by O.P. Rai (KalaNiketan Entertainment) and directed by Astik Dalai, the film boasts of a star cast which includes Hiten Tejwani, Mudasir Zafar, and Mayur Mehta. I got the opportunity to chat with O.P. Rai, Astik Dalai, Mudasir Zafar, and Mayur Mehta, shortly after the film received the Best Film (Jury) award at the prestigious 10th Annual Dadasehab Phakle Awards.

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INTERVIEW

FINDING OUT ABOUT THE AWARD ASTIK: Mudasir informed me that the award function is going to take place virtually and the

announcements will happen then. He asked me to check online. I was actually busy and was not able to check. He then told me that the film has won the Best Film – Jury Award. I was surprised, I thought he was joking! He told me he was actually very serious! I had to go home and get my wife to check! I was going through all the categories but I didn’t see my film’s name. But then it was at the very end – the top awards at the festival – that’s how it happened! That’s how it happened.

MUDASIR: I was actually waiting for quite a few days and I was watching it live. I kept

wondering and I was nervous. I froze for two seconds. There were films from 42 countries and so many films – so we feel very fortunate to crack it.

SHOOTING IN REAL LOCATIONS & CHALLENGES ASTIK: The biggest challenge was shooting in Kashmir itself. When we got to town, we

were supposed to shoot on the 15th. We landed there on the 12th and I had a team meeting on the night of the 14th and I said that we would be shooting from 15th onwards. We will have to be ready by 6 in the morning. That same day, something happened in that area and a curfew was imposed. When the curfew was imposed, we could not start our shooting. At that point, the situation became dicey and we were all wondering whether we could even shoot the film. But there was a lot of support from my producer, local people, and my crew. The climate was also very unpredictable – the lights may go off, it would suddenly start raining. But there was a lot of support from every corner.

MUDASIR: A subject like this, nobody is ready to back so a producer is hard to find for investment purposes. The challenge started from day one. The best part was that the kind of preparation I did for my character – I felt like I did justice to the character. Mayur: For me, it was like a fun ride for me. I love everything in Kashmir and I love the hills. For my role, I did have to prepare a lot. I mean, yes, the weather was unpredictable but I think the fun we had with the shooting of the film, shows in the results it is receiving. O.P. RAI: Making a film is already a challenge to producers (chuckles). The location was

another challenge. By chance, when we were ready to shoot the film, as he said, there was the curfew. For me, challenges should be accepted. I can never back down. I always say yes to challenges.

LEARNING LESSONS ASTIK: When you are making a feature film of two hours, the challenges were many. Despite all that, a strong will and strong determination, and there is a good supporting team, and some love, everything works out.

MUDASIR: I think this story and the process of filming it helped me become a better human being overall. That’s also what I’ve learnt from this film.

MAYUR: One thing that is very important that I took away from this film is that you cannot always think about yourself. Think about the person in front of you and the situation he or she is in. O.P. RAI: I have learnt that work is work and there is no excuse for anything. We got to the end product at the end.

INTERVIEW

“My best hours are midnight to 5 am for doing anything creative”

Shailja Kejriwal Interview by Armin S.

Shailja Kejriwal has always straddled

the road less travelled with ease and zest. Her power of storytelling and her passion for stories gives her an eye for great content for the viewers as the Chief Creative Officer – Special Projects, Zee Entertainment Enterprises Ltd. With the pathbreaking Zindagi being rebirthed with new shows, such as Churails, and of course, Zee Theatre, there is much to ponder about how she first started, the opportunities in this digital age, and more.

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INTERVIEW

HOW DID YOU FIRST BEGIN YOUR PROFESSIONAL JOURNEY?

My journey began from trying to convert my passion of reading, listening to music and watching cinema into something that could become a sustainable hobby. This was the late 90s and if you weren’t a doctor, engineer, lawyer or at least a software engineer or a business management graduate, you would be surrounded by worried faces. My father once told me that he was paying for me to go to college to read story books! From there our relationship graduated to “anyone can write a story” to “they actually pay you to write?” to “You should write the story of our family”. So my journey began as a writer getting paid measly amounts which seemed like a fortune to me. The joy that came along with the pay check was incalculable and it all just felt right. I moved to Mumbai to try my luck as a writer, because that’s where you go right? Luck favours the foolish and I got hired by Star India because my resume said that I knew and loved nothing other than telling stories or listening to them. They found me an ideal fit to start their commissioning cell and I could call my father and tell him that I was now getting paid to read stories.

WHAT HAS BEEN THE BIGGEST CHALLENGE, ESPECIALLY GIVEN THE SPEED IN WHICH THINGS HAVE BEEN GROWING DIGITALLY?

I don’t see it as a challenge, I see it as a huge opportunity. From being confined to creating for a known set of audience, to be allowed to just create is exhilarating! What digital does is, that it sets you free creatively. Having been in the industry long enough to learn the math of returns, digital allows you to create differently for different sets of audiences and one size does not have to fit all. For any creative person that is freedom to express. Of course, the science or the data behind it helps identify the target audience and strike a balance between art and commerce.

HOW DO YOU KEEP SANE YET CREATIVE IN YOUR ROLE?

By having the passion, staying curious, feeling excited, learning the science and then not letting it bother you too much.

WHAT IS A TYPICAL WORK DAY LIKE FOR YOU?

My best hours are midnight to 5am for doing anything creative like reading scripts or looking at edits. The strategy and commerce bits start post lunch till dinner time. In between I find time for yoga to keep me sane and healthy. Not much else interests me. Weekends are for binge watching content as a viewer with friends or family.

I ACTUALLY WATCHED CHURAILS AND EK JHOOTI LOVE STORY AND WHILE THE

TWO ARE VASTLY DIFFERENT FROM EACH OTHER, THEY ARE BOTH VERY ENJOYABLE. WHAT IS THE MANTRA BEHIND ZINDAGI NOW?

The only mantra is to treat the story as a tool and not as the end. Why are you telling a particular story, what is it that you want to convey to the audience and why? That is what we focus on the most and then have a story woven around it. That is also the reason to select one pre written story over another. In Hindi there are two words- Katha and Kathan. Katha is the story and Kathan is the social insight/comment. For me, the Kathan comes first. With this we hope that Zindagi will be relevant along with being enjoyable.

OBVIOUSLY, THIS IS A RELAUNCH. WHAT WERE YOUR INITIAL EXPECTATIONS AND HOW HAVE THINGS BEEN PANNING OUT?

We can call it relaunch or come back or phase 2. A brand needs to be loved to be able to do either of the three. The immensely talented creators, writers and directors whose work we had curated to launch Zindagi the first-time round, gave us a great start. Zindagi as an idea is bigger than the content it represents. For all of us working on Zindagi, that idea comes with its own set of challenges. But “if not us, then who” is the zeal with which we pursue the idea. And that is what motivates us to come back with phase 2/3/4 of the brand. The fact that it continues to be enjoyed across borders, tells us that we are doing something right.

HOW DOES AN IDEA FORM AND WHAT DO YOU DO WITH THE IDEA AND PROJECT IN YOUR ROLE AT ZEE?

There is no one way an idea is formed. The process of forming is what is different and exciting each time. I feel if people are allowed to be authentic and express themselves, they will find resonance and their audience. Artists are supposed to hold a mirror to society. That’s what we aim to do with honesty and empathy. Trust is very important, and I am very grateful to Punit Goenka, MD & CEO, Zee Entertainment Enterprises, for trusting us. An idea like Zindagi starts with being brave and then being creative. I think everyone involved in Zindagi- the writers, directors, artists, our management and my team understand this and work towards this common vision. Over and beyond that I think my role is that of any producer. The right team, the right script, the right budget, the right returns, the craziness of promotions....it’s what any producer would do. Come up with an idea, check the feasibility, hustle for money and pray hard that it all comes together!

WHAT CAN WE EXPECT NEXT AS AN AUDIENCE?

We have an exciting slate of shows lined up. Something for everyone I hope, and not everything for someone.

FEATURE

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FEATURE

ND WHAT IT LOOKS LIKE

EATH OF DEMOCRACY?

imple terms, what is democracy? Democracy is defined as rule people. It is a form of government where people of the country take part in the decisions that affect the way their community is . Usually citizens of democratic countries elect their leaders who e decisions regarding the law. What is fascism? Fascism is a tical ideology that is characterized by authoritarian, dictatorial wer and forcible suppression of minorities. Although India prides lf on being one of the largest democratic countries in the world, current environment says otherwise. On September 30th, 2020, dst a deadly pandemic, India’s government passed The Indian iculture Acts of 2020 also referred to as the Farm Bills consisting

By Niva Sandhu

of three acts. Farmer’s were not given a say before enacting these laws. Most did not know fully about them until they were passed. It is important to note that approximately 70% of India’s population depends on farming for its survival. In addition, farming is already a vulnerable sector as a result. According to statistics from National Crime Records Bureau (NCRB) 42,480 farmer’s and daily wagers committed suicide in 2019 - an increase of six percent from the previous year. So what is the problem with these laws? They deregulate the agricultural sector making farmers more vulnerable than they already are - to financial losses.

HAT ARE THE FARM BILLS AND HOW DO THEY AFFECT FARMERS?

w number 1 (Promotion and Facilitation) eliminates all governent subsidies for farmers and the minimum support price (MSP) ich the government guarantees the farmers for a few grain ops like rice, wheat and corn. The MSP already ranges from 0-15 US dollars for 100 kilograms of grain produced. This eans farmers must sell approximately one thousand kilograms of ain just to make $100-150. This law also eliminates, in a year or o, the government run infrastructure or procurement houses ere the farmer can take his harvest and sell it at the MSP price. wever, the farmer never actually got the MSP price due to the ddle man called the Arthiyas. These commission agents facilitatthe transaction between the farmer and the buyer on a commisn. Arthiyas are beneficial for farmers because they loan them oney in advance so they can begin their next crop season. netheless, farmers were still able to get by on a decent living if was a good crop season.

wever, the new bill will get rid of the middle man and in its place l be large companies and private corporations – essentially gaging in contract farming. This means the private corporations l dictate what the farmer must grow on an agreed upon price. is means the price these private corporations offer can be tremely low leading to mass exploitation of already poor mers.

Law number 2 (Empowerment and Protection) defines a dispute and resolution mechanism. However, this mechanism does not allow farmers to go to courts in India. Instead, a government official will handle and arbitrate the disputes. There may be instances of bias involved in this regard. Law number 3 (Farm Services and Essential Commodities) controls the production, supply and distribution of certain commodities. It allows a stock limit on agricultural produce when retail prices increase sharply. This third law also holds the farmer responsible for storing the stock until the company they are selling to is ready to take it. Farmers may not have the means to build such a cold storage facility to store the crops. These laws have been created to set the farmer up for failure, in my opinion, who will eventually end up selling their land to large corporations and companies. A similar law was enacted in Bihar in 2006, with the goal of attracting private investment. However, in the unregulated market, the farmers faced high transaction charges, and lack of information on prices and arrival of produce. The state of Bihar faced even more poverty and locals began to pour into states like Punjab and Haryana for jobs.

FEATURE

WHAT HAPPENED ON REPUBLIC DAY?

The Indian Government, after much deliberation, had finally given the Farmer’s Union the go ahead to participate in the Republic Day parade, in the Nation’s capital, Delhi, in the form of a tractor rally. A specific route was given to farmers for that day by the government. That is the route they were to take riding their tractors. Most farmers were able to get on the planned route and were openly welcomed by the people of Delhi. They were serenaded with flowers, welcomed with songs and food. However, there was also a batch of farmers who were barricaded from the original route and pushed by police towards a route that took them to the Red Fort in Delhi. Interviews by those farmers on social media show farmers explaining how they were forcefully pushed onto an alternative route by police, barricading the original route. When farmers got close to the Red Fort, violence erupted. There was a mix of protestors and mobs.

Interviews from farmers on social media say they w goons and began to fight back. In retaliation, a sm raised the Nishan Sahib (a Sikh regiment flag) bel the Red Fort. However, media spun the story a total showed pictures of only the Nishan Sahib making it al Flag was taken down by violent protestors. The m farmers purposely converged onto a different rout they began attacking civilians and police when it tear gas used on them. The Punjab Human Righ reported that nearly 100 protestors who had partici Parade have gone missing. They have been ar connection to the Red Fort incident and the autho visit or communicate with them.

WHY HAS THE LARGEST PROTEST IN HUMAN HISTORY FALLEN ON India is run by the Bharatiya Janata Part or the BJP party. One of two major political parties, the other being the Indian National Congress Party. The BJP is a right wing party; its policies have historically reflected Hindu Nationalist positions. India’s fourth pillar of democracy is freedom of press. The purpose

of the Press is to ensure accurate information and o are spread to keep everyone updated. The Indian with the freedom of press is at odds, it is being surve what they want.

Under PM Modi’s administration India’s place in Reporters Without Borders has dropped from 136th place 142nd in 2020.

In 2019, according to Foreign Policy, the Modi administration cut off state advertising for three prominent Englis pers because their news reports were criticizing the lawmaking body.

According to a recent report of a think tank in New Delhi called Rights and Risk Analysis Group, in just 2020, fifty journalists have been arrested, had police complaints lodged against them or been physically assaulted by for reporting responsibly and objectively.

In 2018, popular news anchor, Punya Prasun Bajpai, revealed that the Modi administration employed 200 provide direction to editors on how to report the PM’s activities.

On January 30th, 2021, Mandeep Punia a freelance journalist and contributor for The Caravan India was brutall by the Delhi police from the Singhu border for also reporting his responsibilities on the death of Navreet Singh Farmers’ Tractor Rally on Republic Day. An FIR was lodged against him under sections 186, 332, 353 IPC.

On January 30th, 2021, an FIR was filed against the newspaper The Wire as well as against the editor Siddhar rajan by UP police for publishing a report in The Wire regarding the death of Navreet Singh during the Farme Rally on Republic Day. Although there are still reporters out there risking their lives to report the truth, the information never gets to the country and if it does, the reporter faces dire consequences for his or her actions.

ambassador, Amazon had to withdraw one of t featuring Swara because people decided to boyco removed as the ambassador.

There has also been major backlash on celebrities for not speaking out. However, speaking out against atrocities is not as easy for Bollywood stars as one may think.

Recently, in December 2019, when the amendm (Amendment) Act 2019 was passed; several actor kone, Farhan Akhtar, Swara Bhasker and Huma Q protests in Delhi to stand up against the governmen gives eligibility for Indian Citizenship to illegal migr Buddhist, Jains, Parsis and Christians from Afgh Pakistan who entered India on or before Decem

In 2018, when an 8 year old girl in Kathua was brutally raped, Swara Bhasker, a Bollywood actress and much more, was on the receiving end of hate and threats when she publicly spoke out against the rape. As Amazon’s brand

FEATURE

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“...THIS MECHANISM DOES NOT ALLOW FARMERS TO GO TO COURTS IN INDIA. INSTEAD, A GOVERNMENT OFFICIAL WILL HANDLE AND ARBITRATE THE DISPUTES. THERE MAY BE INSTANCES OF BIAS INVOLVED IN THIS REGARD.”

FEATURE

“... ALLOWS A STOCK LIMIT ON AGRICULTURAL PRODUCE WHEN RETAIL PRICES INCREASE SHARPLY. THIS THIRD LAW ALSO HOLDS THE FARMER RESPONSIBLE FOR STORING THE STOCK UNTIL THE COMPANY THEY ARE SELLING TO IS READY TO TAKE IT. FARMERS MAY NOT HAVE THE MEANS TO BUILD SUCH A COLD STORAGE FACILITY TO STORE THE CROPS.’ however fails to mention Muslims, the second largest population in India. In response to their support with Muslim minorities, these actors faced major repercussions. Deepika Padukone received death threats for speaking out against the new bill. There was also a call on social media to boycott her new film Chhapaak. Farhan Akhtar, Swara Bhasker and Huma Qureshi were also vilified by people for supporting the protest. On a separate occasion, Vir Das, a comedian, made fun of PM Modi during one of his comedy nights. He faced death threats and abusive language from people through his social media pages. Vishal Dadlani, Indian Idol Judge, singer, songwriter and composer, has been very active on social media about the farmer protests. He has been extremely supportive of farmers, condemns the new laws and questions the current government’s oppressive tactics. Vishal Dadlani has also come under attack by those who oppose his freedom of speech, so much to the point that although he still he speaks out, he has had to disable the comments sections of his social media pages to avoid threats and abusive language. Punjabi actress, Neeru Bajwa, recently posted a picture of Baba Deep Singh on her Instagram page to honour his bravery and battles against injustices. The comments section of her page were flooded by people calling her a Khalistani supporter, an anti-nationalist, threatening to boycott her films and unfollow her as well as abusive language towards her. It's unfair to say no celebrities have spoken out against the Farm Bills when in fact many stars have tweeted in support of farmers either now or during the beginning of the protests. The list includes, Sonu Sood, Richa Chadha, Parineeti Chopra, Priyanka Chopra, Swara Bhasker, Sonam Kapoor, Riteish Deshmukh, Vishal Dadlani and Diljit Dosanjh. Many more celebrities and artists are starting to speak in support of farmers. I do think it is easier for people like us, living in diaspora to post about what is happening in India to raise awareness. It is also easier for those abroad to publish articles on the incidents and speak freely on the issue. However, for many living in India, it may be tough because they are living under an administration that constantly watches their every move. They can be tracked and face consequences for expressing their freedom of speech. Most of the reports the world has been receiving about the protests happening along Delhi borders has been through civilian phone cameras that capture the footage on their phones. There have been reports and videos to prove that police along the Singhu border are becoming increasingly violent. Forcible detainment and arrests are being made without reason. Internet access has been shut off at all four borders; food supply and electricity has been shut off at the Ghazipur border along with an increasing police presence. We will continue to monitor what is happening at the protest sites through videos being made by the protestors on site and keep everyone informed. We also pray for the safety of everyone involved.

FEATURE

REFERENCES National Crime Records Bureau 2019 The Indian Agricultural Acts 2020. Press Information Bureau. Government of India. Ministry of Home Affairs https://pib.gov.in/Pressreleaseshare.aspx?PRID=1656929 Citizenship (Amendment) Bill 2019. Press Information Bureau. Government of India. Ministry of Home Affairs https://pib.gov.in/newsite/PrintRelease.aspx?relid=195783 Reporters Without Borders. (2020). https://rsf.org/en/india Human Rights Watch. World Report. (2020). https://www.hrw.org/world-report/2020/country-chapters/india# Rights and Risk Analysis Group. Think Tank. New Delhi. (2020). Sahoo et al. (2020). Impact of India’s New Farm Act 2020 on Farmers and Markets. Biotica Research Today.

INTERVIEW

“Creating a back story is very important”

Anuritta K. Jha Interview by Armin S.

f youʼre a fan of good content, you must know who Anuritta K. Jha is. Gangs of Wasseypur is on her resume, but so are two web series which are vastly different yet really give Anuritta the scope to prove her mettle as an actor – PariWar and Aashram. I talk to her about what she likes best about being an actor, dealing with rejection, and who has taught her the most professionally.

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INTERVIEW

ONE OF THE BEST THINGS ABOUT BEING AN ACTOR, FROM MY PERSPECTIVE, IS TO LIVE DIFFERENT LIVES. WHAT DO YOU LIKE BEST ABOUT BEING AN ACTOR?

Yes, that’s is the most exciting part, to pull out characters that are sometimes you and sometimes totally different, and then create the graph to play them, and then to actually live it. I think that’s the most liberating part.

WHEN YOU THINK ABOUT THE PROJECTS YOU HAVE BEEN A PART OF, DO YOU EVER THINK ABOUT WHAT YOUR CHARACTER WOULD BE LIKE AFTER THE FILM/SERIES ENDS? WHAT'S THE MOST INTERESTING CONTINUING STORY YOU'VE COME UP WITH?

Actually, creating a back story is very important but post shoot had not occurred to me while I was doing films, but it’s very different for web. In web there are many seasons and so the journey kind of goes on. But yes, some characters do stay with me for some days post the shoot is over, then there is a void and so that’s how it is.

BEING AN ACTOR COMES WITH REJECTION. HOW DO YOU DEAL WITH NOT LANDING A PROJECT?

Now, it doesn’t affect me that much but in my earlier years, I would be restless and sad, and wanted to know why I was not selected, or how could I have done anything different to get selected. Now I give my five hundred percent, and then go on to do the next one.

WHAT HAS BEEN YOUR MOST MEMORABLE MOMENT SO FAR? That one is yet to come.

WHO HAS TAUGHT YOU THE MOST IN YOUR JOURNEY PROFESSIONALLY?

Neeraj Kabi - while I was doing theatre with him and other and Prakash Jha sir while shooting for Aashram (web series).

WHAT IS YOUR MANTRA TODAY? Work hard and be happy.

INTERVIEW

“I have never romanced someone on screen” SHUBHAAVI

CHOKSEY Interview by Armin S.

Having been a part of some of

the biggest shows on Indian television and being the fashion icon she is, Shubhaavi Choksey chats with me about what she values most as an artist, the roles closest to her heart, and a special fan moment. From Kyunki Saas Bhi Kabhi Bahu Thi to Kasautii Zindagii Kay, Shubhaavi has often played characters much older in age than she actually is – but she’s done it all with aplomb and sincerity.

Photographer @flamingo.productions Makeup Artist @sunny_makeup_artist Stylist @reemasshah Location @terrabandra

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“It is your personality, your individualistic choice amalgamated with fashion that makes you different from others and in short, makes you stylish!”

INTERVIEW IN YOUR LIFE SPAN AS AN ARTIST, ESPECIALLY ONE WITH SUCH HUGE SHOWS TO YOUR CREDIT, WHAT HAS BECOME OF MOST VALUE TO YOU AS AN ARTIST?

Gratitude is the word. Being a part of iconic shows and getting instant stardom that has fortunately not fizzled out despite taking breaks in my career just makes me feel more blessed and grounded. Projects come and go, so does stardom, but the fact that I have always got great shows and great characters in those shows is something that I always thank God and the universe for!

WHAT LESSON WOULD YOU PASS ONTO A NEW ARTIST?

Be honest towards your work and always keep striving to get better each time. Be vigilant towards having a chip on your shoulder as it’s very easy to get carried away with stardom. Be willing to receive and listen to criticism especially from loved ones and experienced people from the fraternity. Be comfortable in your skin as you will be an individual and not a spec in a herd.

WHEN YOU THINK ABOUT THE ROLES YOU HAVE DONE, IS THERE ONE SPECIFICALLY CLOSE TO YOUR HEART?

Yes undoubtedly, it is Mohini Basu from Kasautii Zindagii Kay. Her attire, her demand for respect, her super strong and dominating aura when she walked into a room. Her unapologetic attitude towards people who weren’t in her league are aspects that are completely opposite of how I am in real life. Hence, to play this role was genuinely too difficult for me and that’s why extremely interesting as well.

TELEVISION SHOWS GARNER SUCH MASSIVE FAN BASES. DO YOU HAVE A SPECIAL FAN STORY?

I can only recollect one such incident that happened when we were on our vacation in London and a girl came running to our cab and called me Meera. I was completely taken aback by that name as I was away from the industry for a long time plus the show was done quite a while ago. She told me how she watched it along with her mother and loved me on Kyunkii...The most endearing part was that she didn’t click a picture but instead pulled out a pen and paper and took my autograph.

BECAUSE FASHION IS SUCH A HUGE PART OF YOUR LIFE, WHAT WOULD BE YOUR STYLE MANTRA FOR THE WORLD?

I have no style mantra for the world. All I know is that fashion is made by others and style is by you. It is your personality, your individualistic choice amalgamated with fashion that makes you different from others and in short, makes you stylish!

WHAT CAN WE EXPECT FOR THE FUTURE WITH SHUBHAAVI?

Well, I have many hopes and aspirations that I would like to fulfill. I have never romanced anyone on screen, I have never done action scenes and stunts on screen. I have never danced on the screen, I have never played my age on screen so what to expect is hopefully all of this in due course of time!

INTERVIEW

Songs from the soul ARZUTRA

GARIELLE Interview by Armin S.

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RZUTRA GARIELLE HAS BEEN MAKING HER MARK IN THE WORLD OF MUSIC, WITH ROMANTIC TRACKS AND SOME SOULFUL MUSIC THAT THE AUDIENCES HAVE CERTAINLY LAPPED UP. SHE HAS A UNIQUE YET RELATABLE SOUND, ONE WHICH YOU CAN LISTEN TO CONTINUOUSLY. AS SHE GETS SET TO RELEASE MORE MUSIC, WE HAVE THE OPPORTUNITY TO ASK HER A FEW QUESTIONS ABOUT REALIZING WHEN MUSIC BECAME HER CALLING, THE MOST CHALLENGING ASPECT OF BEING AN ARTIST, AND PERFORMING IN FRONT OF THOUSANDS OF PEOPLE.

WHEN DID YOU FIRST REALISE MUSIC WAS YOUR CALLING?

I used to sing ‘Raja ko Rani se pyar ho gaya” when I was young and I used to sing it and record myself then see what I sounded like on the recording. I have always had a passion for the arts and creativity. However, it was only when I completed university that I realised that corporate life isn’t for me. So I signed up for singing lessons. I didn’t have the expectation that I was going to be a singer but I was desperate to get back into the Arts especially after schooling and university had killed that side of me. I didn’t really know music was my calling until I started hearing people say my voice is really nice and that’s when I just followed the path of music as I enjoyed it whilst getting appreciation.

TELL ME ABOUT YOUR MUSICAL INSPIRATIONS?

I am inspired by Shreya Ghoshal and Western singers like Mariah Carey and Michael Jackson.

WHAT WAS/IS THE MOST CHALLENGING PART OF SUSTAINING YOURSELF AS AN ARTIST TODAY?

I would say the most challenging part about being an artist is seeing the dream before it becomes reality. It’s a long road and you have to be prepared to see it through. Even if nobody else believes in you, you have to still wake up every morning and know that you are doing whatever you need to, to make it to the top. The amount of competition is off-putting especially in this social media era. However you need to know the dangers of social media and never compare against what seems to be the ‘perfect’ lives of others as you don’t know what goes on behind their scenes.

WHAT HAS BEEN YOUR MOST MEMORABLE MOMENT TO DATE?

Performing for the very first time in front of a crowd of 15,000. I went from singing to hundreds to thousands and I wasn’t ready for this. I was trembling when I went on stage. It was so funny because I looked at my manager on stage and I realised I was on my own. That’s the one moment that I realised that no matter who you have on your team, the second the curtains go up, is when you are on your own.

WHAT CAN WE EXPECT NEXT?

I am looking forward to launching my second album and working towards my third album this year. I have some interesting projects lined up which I am hoping will make 2021 one of the best years of my life. The Valentine’s song is my best song ever. I may have a surprise coming up before that though. I always have new music in the pipeline so these days I sometimes do not know myself what is coming next. My music catalogue is like walking into a sweetshop.

FAST & FUN FAVOURITE FOOD: fish curry mixed with rice FAVOURITE PIZZA TOPPINGS: Olives FAVOURITE FILM: Maine Pyar Kiya FAVOURITE SONG: “I believe I can fly” R. Kelly DREAM DESTINATION: Mauritius HOW DO YOU LIKE YOUR COFFEE? Milky

INTERVIEW

“I remember that some people thought of me as real Radha then and had started touching my feet!”

My Firsts

Kritika Sharma K

ritika Sharma is a name many recognize as being linked to some of their go-to shows on television. Be it ‘Thapki Pyar Ki’ or ‘Roop – Mard Ka Naya Swaroop’, Kritika has made a mark. She has even ventured out onto YouTube on a channel called “Sharma Sisters” and her latest video with her sister boasts of over 3 million views. Her dance covers alongside her sister, with her acting abilities, had us wondering about her ﬁrsts.

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First time facing a camera The first time I faced the camera was when I participated in a reality show named “Boogie Woogie” for which I travelled all the way from Haryana to Mumbai. I remember being in Grade 4 then. I won that competition and felt lucky that that was my first time facing the camera.

First time facing rejection and how you dealt with it. The first time I faced rejection was for the show named “Jai Shree Krishna” when I was a kid. I gave auditions for it and got shortlisted even. Post that I had done a couple of look tests and mock tests for the same. At the last moment, between the two contenders, I was dropped out and I had felt really bad about it. It took me time and I remember I cried a lot in this regard. I used to blame God for things not working out but gradually I accepted it and thought that probably better things were in store for me .I dealt with it by facing it with inner strength and a positive approach.

First time feeling accomplished. The first time I felt accomplished was when I got finalised for “Jai Shree Krishna” after being rejected because the girl who was finalised was not liked in the visual of the episode the makers shot. I had gone to Siddhivinayak temple then and was praying for something magical to happen with lots of hope despite knowing that she had started shooting for the first episode. It’s filmy but the moment I reached back home I got a call that said I was finalised & at 3 am at night, I had to leave for Kolhapur. It was a big accomplishment after winning Boogie Woogie & it’s something that’s really special to me.

First time you truly felt happy in the profession. The first time I truly felt happy in the profession was when I worked with Sagar Pictures for a show airing on Colors TV. I remember that some people thought of me as real Radha then and had started touching my feet! The love and admiration I receive as an artist from people makes me happy at any given point of time.

The ﬁrst person you call when you get good news. The first person I call when I get good news is my sister, Tanya Sharma & my best friend, Samiksha.

The ﬁrst thing you do in the morning. The first thing I do in morning is to practice gratitude. I meditate and the moment I touch my feet on the ground the first thing I say is, “Thank you Universe for keeping me alive, healthy and also for giving me one more day to live.”

The ﬁrst lesson you learnt in the industry. The first lesson I learned in the industry is that it’s not easy no matter who you are or how talented one is. Rejection is an important part of this industry and one has to learn to tackle it. It’s all about never giving up!

INTERVIEW

“Action and Cut determines the gap between real and reel”

Sangeeta Kapure Interview by Armin S.

angeeta Kapure is a delightful actor, one who has entertained the masses for twenty years. She has been a part of household shows such as Yeh Rishtey Hain Pyaar Ke, Qubool Hai, Sangharsh, and Pardes Mein Hai Mera Dil. Lovingly known as Nidhi mami for many fans as of late, owing to her loveable character in Yeh Rishtey Hain Pyaar Ke, Sangeeta chats with us about how acting has shaped the person she is, what the industry is really like, and what she truly feels about social media.

Coordination & PR by @shah.dev.22 & @aesana0710

INTERVIEW MANY BELIEVE AN ACTOR BECOMES A SLIGHTLY DIFFERENT PERSON WITH EACH CHARACTER THEY ESSAY. YOU'VE ESSAYED QUITE A FEW ON TELEVISION. WOULD YOU SAY THIS IS TRUE OF YOU - WHY OR WHY NOT?

Yes, I do believe that an artist becomes a different person with each character they essay. This happens because every actor has their own journey. “Action & Cut” is the phrase that determines the gap between real & reel. When one portrays a character, it becomes the responsibility of the artist to feel the emotions & it’s one separate journey in itself to be honest. I generally avert from meddling my personal emotions or thoughts with the screenplay in hand. I give it my 100 percent and work on performing a role that spreads a good message. It gets difficult to balance your real & reel existence at times but mastering the art of achieving it is what makes it beautiful.

WHEN YOU FIRST STARTED YOUR JOURNEY, DID YOU HAVE ANY PRECONCEIVED NOTIONS ABOUT THE INDUSTRY? HOW DO YOU FEEL ABOUT THOSE NOTIONS NOW?

When I first aspired to be a part of the industry, I had a notion that getting work in this industry would be very easy but as I headed out into it, I realised it’s topsy-turvy. Now that I think of my twenty year old journey, I believe that hard work and confidence is a must to help yourself shine. One shouldn’t get disheartened – you should be patient throughout. One needs to trust their capabilities but at the same time protect themselves from moving towards overconfidence in this industry of glamour and fame.

A LOT OF WHAT ACTORS DO TODAY CALLS UPON THEM ALSO BEING AVAILABLE TO THEIR FANS AND SOCIAL MEDIA, WHICH IS OVER AND ABOVE THE ACTING YOU DO. HOW DO YOU FEEL ABOUT THE USE OF SOCIAL MEDIA FOR A CELEBRITY? HAS IT INCREASED THE WORK OR INCREASED THE WORK OPPORTUNITIES?

Honestly, I think it’s too early to call myself a celebrity but yes, I am happy to be a part of this industry. Each character I take up, reaches endless houses and yes, social media is an important medium to connect with those who love me without expectations. For me, it’s a medium to express gratitude for their admiration. They are my family and they are truly are instrumental in sending a ball of energy through me on my low days. Social media is used for commercial deals these days but I haven’t trotted on that path as of yet so honestly, I wouldn’t be able to comment on the pressure it beholds.

WHAT IS YOUR MANTRA IN LIFE?

My mantra for life is, “either the earth or the sky is the limit.” There is no middle ground that exists apart from the two for me.

CAN YOU TELL US ABOUT YOUR UPCOMING PROJECTS?

I have a few interesting projects in the pipeline and I shall let everyone know about it soon. All I can say is that I would keep working on promising roles to entertain my audience.

INTERVIEW

RASHI MAL

A TRIPLE THREAT IN THE TRUEST SENSE INTERVIEW BY ARMIN S.

IF YOU EVER WANT TO FEEL INSPIRED AND REALIZE YOU, IN FACT, CAN DO EVERYTHING AND LEARN AND UNLEARN, AND EVOLVE, YOU MUST FIGURE OUT WHO RASHI MAL IS. SHE’S TRAINED IN ACTING, MUSICAL THEATRE, SINGING, DANCING, FILMMAKING, AND I JUST CANNOT FATHOM HOW ONE CAN DO ALL THAT AND STILL BE SO GROUNDED – AND YET RASHI FINDS A WAY. TRULY A WONDER WITH HOW MUCH SHE HAS ACCOMPLISHED AND THE POTENTIAL SHE HAS, MY INTERVIEW WITH RASHI LEFT ME FEELING POSITIVE.

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“I HAVE LEARNT HOW THAT VERY ABILITY TO FEEL DEEPLY IS INDEED MY MOST PRIZED TRAIT”

YOU'VE TRAINED IN METHOD ACTING, MUSICAL THEATRE, AND FILM MAKING, WHICH IS SO IMPRESSIVE AND QUITE THE FEAT. WHAT MADE YOU GO THROUGH SUCH DIVERSE AND EXTENSIVE TRAINING, KNOWING MANY ACTORS IN THE INDUSTRY CAN SOMETIMES COME WITH NO FORMAL TRAINING?

I think by nature I am a curious person. I want to learn and experience as much as I can. Even today I am always taking some new online course or the other. I don't come from a family of artists so growing up, my exposure to the Arts was very limited. Then, naturally the only way to do anything was to first learn it. I was a very inhibited kid and what started off as a means to find my truest, free-est self has now become an integral part of my life. I am happy to be a constantly evolving, learning artist. I can't really speak for others but to my mind it is natural to want to educate yourself about something you care about.

YOU'VE ALSO TRAINED IN DANCING AND SINGING, AND, THAT MUST HELP SO MUCH IN BODY LANGUAGE AND VOICE MODULATION. WHAT DOES DANCE AND SINGING DO FOR YOU AS AN ACTOR? AND OVERALL, AS AN ARTIST?

Most definitely. Being able to change your body language and tonality based on the character is as essential as truthfully speaking as one. It wasn't until I went to acting school that I realised how much of an advantage it gave me. Each person carries themselves differently and pitches themselves so differently. So, I am very grateful that I have these additional tools to play with. As an artist I am proud to be a "triple threat" as they call it. Very few people are trained in all three to this level that I have in India. I think that is my USP and something I am definitely proud of.

LET'S TALK ABOUT THE JOURNEY OF LEARNING. WHAT HAS BEEN YOUR BIGGEST UNLEARNING?

I think 2020 has been the biggest year for both learning and unlearning for me. I had very many epiphanies about who I am and how I show up in the world and I am definitely a better person for it. I think my biggest unlearning was that I do not have to try and control everything. There is power in surrendering to the will of a higher intelligence. You have to do your best and leave the rest to unfold. Things always work out for the best.

AND WHAT HAS BEEN YOUR BIGGEST LEARNING LESSON?

My biggest learning was that I am an empath and that is my biggest strength. I think in the world we live in, the popular belief is that sensitivity has no place in it. However, having put in the work to understand myself, I have learnt how that very ability to feel deeply is indeed my most prized trait and what helps me be the artist I am.

HAS THERE EVER BEEN A CHALLENGE THAT HAS ALMOST SET YOU BACK? HOW DID YOU OVERCOME IT AND MAKE PROGRESS?

Absolutely. Doing what I do, you are faced with so much rejection and uncertainty that it is enough to throw anyone off their balance. I think the trick at such points is to evaluate what you value most, to ask yourself what would you rather be doing and knowing that you have the ability, strength and intelligence within you to handle anything no matter what you choose to do and no matter what life throws at you.

SO, WHAT'S NEXT ON THE HORIZON FOR YOU?

I have a bunch of projects that I am currently working on. One web series for Eros and two films including Brahmastra with Dharma. I am also about to start production on my second original song. I have been very blessed to have worked throughout the lockdown and I intend to carry that momentum this year.

INTERVIEW

A JOURNEY OF THE

WORLD

WITH

Aarya

Vora

Interview by Armin S.

We are in the middle of

a pandemic and many of us have been stuck in the same city for many months now. With a second wave in many countries, travel has been completed restricted. What better way to explore the world than through the eyes of an avid traveller then, who vlogs about her journey of learning in her solo expeditions. Hereʼs my chat with actor and solo traveller, whose adventures we can see on YouTube, Aarya Vora.

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YOUR BIO SAYS YOU ARE A SOLO TRAVELLER AND WE GET TO SEE A LOT OF WHAT YOU DO COURTESY OF YOUR YOUTUBE CHANNEL. WHAT IS THE MOST SATISFYING PART OF TRAVELING SOLO?

Solo travel gives me ultimate freedom. I wake up and it’s just me! I meet myself during my solo travel. Like there’s no one to pull me in any one direction or override my reasons. Each time I go away, I learn to become a little more independent, confident, and in tune with my emotions and desires.

WHAT HAS BEEN YOUR BIGGEST LEARNING LESSON THROUGH YOUR TRAVELS?

During my Los Angeles trip, I travelled without health insurance and got sick over there and got hospitalised for two days where I paid a huge amount in medical expenses! So, I learnt to travel always with health Insurance.

HOW DO YOU MAINTAIN BALANCE IN YOUR LIFE - WITH ACTING, BEING A CONTENT CREATOR, AND MANAGING YOUR PERSONAL LIFE? Yes, being a traveller and content creator, has been very hectic. I remember I was not able to keep the work life balance and eventually I decided work became part of my personal life. Now, even being with my family or friends or during travel, I create content and entertain my fans with some day to day life content. So now, work is part of my life and nothing is personal.

WHAT HAS BEEN THE BIGGEST CHALLENGE IN BEING AN ARTIST?

Sometimes, I have to work with people who don’t share the same enthusiasm and passion as me. Hence, I prefer to work independently.

WHO/WHAT INSPIRES YOU EVERY DAY TO KEEP GOING WHEN TIMES GET TOUGH?

My goal inspires me and makes me persistent, dedicated and driven.

WHAT CAN WE EXPECT FROM YOU IN THE FUTURE?

To visit more beautiful, unexplored and challenging places in the world and create content for my audience.

INTERVIEW

ABRAR ATHAR

Inside the story of Mainkar Chipay Interview by Armin S.

Speaking to Abrar Athar

was like speaking to a friend. He has a realistic yet humorous approach to things, and that’s what makes his latest outing on Zee5, Mainkar Chipay, so exciting. I got around to asking him some questions because the situation in the fifty minute film is crazy, and so is the way it was shot in four days!

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YOU SHOT DURING THE LOCKDOWN, WITH FOUR DIFFERENT LOCATIONS, WITHIN FOUR DAYS. THAT SOUNDS CRAZY! That is crazy. For the record, it is really crazy.

TELL ME ABOUT CHOOSING TO SHOOT THE WAY YOU SHOT – BLOCKING, REHEARSALS – WHAT DID IT TAKE TO GET YOU TO SHOOT WITHIN FOUR DAYS?

I wish I had one of those crazy knowledgeable answer to that. I think it was four days because that is what we could afford. The thing is, I am very specific in the way that I shoot and edit. I normally shoot commercials though, where we shoot thirty seconds in three days. This was different (chuckles). I think all of us knew the script by heart and we only shot at night, so a lot of things get lost in the darkness. That was intentional. I mean, we lit the place really well. When it’s day time, I’m much more fussy. So the night worked in our favour. But four days, yeah, I mean, I will never shoot in four days again unless my producer tells me I have to shoot in four days.

WHERE DID YOU GET THE IDEA FROM INITIALLY FROM YOUR FILM – IT IS AN INTERESTING STORYLINE AND THE WAY IN WHICH YOU PUT IT INTO A GENRE, THE WAY IT IS DEPICTED IS VERY INTERESTING?

Let’s just say, it was inspired by a friend’s crazy night experience, which had no murders.

I WAS GOING TO SAY, THATʼS KIND OF CRAZY!

Yeah (laughs) no murders, but when we heard the story, we said this has to be made into a film. We added a few more parts to make it more gripping. In Bangladesh, people want an emotional hook, so it was challenging because we just have three guys for fifty minutes, right? They don’t love each other. So where’s the romance and drama in it? We were testing waters to see if people would enjoy this genre. With most thrillers, there is suspense, suspense, suspense, and everybody talks in low-pitch and there are no jokes, but even in dark times, there’s humour right? So I tried to put that in. We also put a lot of pop culture in it. We have three interesting characters and three backstories – so that is in the books. This is basically about a guy who goes to score some stuff and the minor inconveniences caused by it (chuckles). I try to find humour in everything – it is a coping mechanism for me. Even when I am grieving perhaps, I don’t know if the natural emotion for grief is to cry.

WE DONʼT SEE THE INFUSION OF COMEDY AND THRILLER, BUT I QUITE LIKE IT. A LOT OF TALK IS AROUND DRUGS, CONSUMPTION OF DRUGS – DID YOU LOOK AT REAL LIFE EXAMPLES FOR YOUR THREE CHARACTERS FOR YOUR DIFFERENT PERSONALITIES?

Love it or hate it, drugs are all around us. I really don’t think infomercials work – like, hey guys, don’t do drugs. We have to speak to people in a different way. One thing you can take away from the film is that there are murders happening around you, you’re giving away your car, and all that’s in your mind is how to get your next hit. That’s the reality of any guy looking for a hit. You can get yourself into a mess like that. I speak a lot about mental health and we just can’t be preachy. We just have to pitch what we want to say in a way that the audience understands it.

INTERVIEW

Classical to “Husn Hai Suhana”. Repeat. With

Chandana Dixit Interview By Armin S.

Chandana Dixit started off

trained as a classical singer. As time went on, a by chance visit in Mumbai brought her into the world of Bollywood, with her debut song being “Husn Hai Suhana” from Coolie No. 1. She went on to be the voice of other popular songs such as “Shahar Ki Ladki” and “Tujhe Khaas Fursat”. Soon after, she moved to the U.S. but became a teacher of classical music – keeping music as an integral part of her life. And then, life came full circle again as she sang the reprised version of “Husn Hai Suhana” in the 2020 Coolie No. 1. Hereʼs my chat with the wonderful Chandana Dixit, who has a melodious voice even in the way she speaks.

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HOW IT ALL HAPPENED IN THE 90S

Actually, it happened by chance. I was in my final year of college and we had gone to Mumbai with my best friend from Pune, where I lived, which is about 2.5 hours away from Mumbai. We had finished our exams and we were just supposed to have a good time in Mumbai. My friend and I were having tea around 3:30 or 4:00 pm and my friend said that she was bored of my classical music. She said I should try film songs. I said I don’t even sing those kind of songs. She convinced me and was very encouraging given that we were in Mumbai. Back in the 90s, the name that was really known was Kalyanji-Anandji and I knew that they give breaks to young, new singers. My best friend convinced me to try and speak to them. We called the inquiry number and that did not mean that we would be able to speak to Kalyan ji. Somebody actually put me through to Kalyan ji. I explained to him I’m from Pune and I would really love to sing for Indian movies. He asked me if I had learnt and I told him my first Guru’s name, who is a legendary singer – Guru Saraswati Rane of the Kirana gharana. She was my grandmother’s age when I started to learn from her, and that was the point of her career that she really wanted to give. I think that’s the reason why Kalyan ji asked me to come over right away. Honestly, everything happened so fast.

MOVING TO MUMBAI

Kalyan ji really liked my voice and he called up my parents to come to Mumbai. He told me to switch to film songs from classical music. He said she has the voice. He said he would train me and introduce me. He reassured my parents about the system and how it worked. Then, my parents convinced me – because I was still stuck on classical music. They told me that I could revisit classical music again. Then, I auditioned for TIPS music and I was the only one selected.

“HUSN HAI SUHANA”

“Husn Hai Suhana” is probably closest to my heart only because it was my debut song. I have to confess, unfortunately, that I got all these dance-y kind of numbers and I never got the slow, romantic songs that I always wanted. Somehow, in the industry, you get typecast but I also did not stay there long enough. “Husn Hai Suhana” gave me my identity and I was introduced to other music directors because of the song.

Then, I got to revisit it again in 2020. I was really surprised as it was the last thing I thought would happen, that Coolie No. 1 was being remade and I was being invited to sing the song “Husn Hai Suhana” once again. It was surreal. I think it was a call, a beckoning.

STARTING A MUSIC SCHOOL IN THE U.S.

After coming, I started a music school because I was at quite a loss on what to do. After having a full career in India and suddenly finding myself in the U.S. While it was a deliberate choice, but certainly what to do was a very big question. I had developed myself in the Arts – painting, music (classical and of course, Bollywood). Luckily, the path became very clear. A month into being here, back in July 2002, I remember my husband took me out to introduce me to friends. The first question that everyone would ask is for me to teach them or teach their children songs, after they learnt I could sing. I feel that it just happened naturally.

TEACHING MUSIC

I never thought of myself as a teacher. It was the most obvious, natural, and appropriate thing for me. To stay with music was the most appropriate thing. I also ended up going back to my love for Hindustani classical music, which I had abandoned during my time doing Bollywood music. It was great to go back to my roots. I think that teaching gives back so much to learn. I used to think, okay, it’s just teaching, but with experience, I have realized that what you give, you get back double of that. It’s definitely worthy of being done.

MAKING CLASSICAL MUSIC REACH THE MASSES

I think in order to have the masses enjoy classical music, we may have to make it more “mainstream”. That may mean though, that we have to lighten it a bit and we have to allow that to happen. You have to embrace the idea of becoming more “mainstream”. I feel in today’s times, there is an opportunity to bring it to more people. I mean, there are technical reasons as well as to why classical music has not made in roads. In light music, it is very expressive and people connect with that and it does not go on for too long. A good example is “Bandish Bandits” which was classical music but definitely changed for the masses.

INTERVIEW

Discussing

“BEAUTY” with

Mohini Sharma Interview by Armin S.

ohini Sharma, herself a contestant and winner of Mrs India in 2016, is now the founder of Mrs. India Inc. I sat down to discuss the importance of defining and redefining beauty, how confidence ties into it all, and the difference in the Mrs and Miss contestants.

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INTERVIEW

“the real journey starts after you lose”

WHAT IS THE DEFINITION OF BEAUTY ACCORDING TO YOU?

An Indian woman dons many hats in her daily life. Walking the tight rope between managing her household, raising children, fulfilling social obligations and her career, she successfully makes her mark as an individual in her own right. She keeps her smile thorough it all and shines like a diamond. This is what makes her beautiful.

AS SOMEONE WHO HAS GONE THROUGH THE PROCESS OF BEING A COMPETITIVE BEAUTY PAGEANT CONTESTANT, WHAT IS THE BIGGEST LEARNING LESSON THAT YOU NOW APPLY IN YOUR ROLE AS THE FOUNDER OF MRS. INDIA INC?

The biggest learning lesson that I have gained being a competitive beauty pageant contestant which I apply today as a founder is, in a competition or in a real life the only thing that matters is a never giving up attitude. You will fail, you will fall, you will lose but what matters is how determined you are and how you still keep going and you do not stop there when you lose. Because the real journey starts after you lose - when you get up and walk again.

DO YOU EVER TAKE AWAY FROM YOUR CONTESTANTS, ESPECIALLY SINCE THESE WOMEN ARE LEADING LIVES AS MRS? IS THERE A STARK DIFFERENCE BETWEEN THEM AND MISS CONTESTANTS?

Definitely, there is a major difference between the Miss and Mrs contestants. Mrs contestants come in with a story of 30 year or 40 year - their stories inspire us, motivate us whereas Miss, they are new - they are either in their teen or 20s so there is no comparison between Miss and Mrs. Mrs has experienced her life - she has her own experience and wisdom. One cannot definitely compare between them.

HOW DO YOU ENSURE YOUR PAGEANT EVOLVES TO ENSURE PHYSICAL BEAUTY, WHICH IS SO SUBJECTIVE, IS NOT THE FOCUS?

Mrs India Inc. represents India. Definitely the women of India are beautiful. But what we hold and our major competitive feature I feel is the intelligence. Hence, we prioritise more focusing on the intelligent quotient compared to beauty because that’s a competitive advantage when the contestant competes on the world forum. Every second woman is beautiful but what makes up stand out is the wisdom and intelligence.

ANY WORDS OF ADVICE TO BUILD CONFIDENCE FOR WOMEN.

The entire journey that you have undertaken has been leading up to this day. Be proud of the transformation you have experienced and walk with your head held high. Be confident, own your personality and never forget, you are a “Queen”.

INTERVIEW

Behind the Scenes:

Sneha Shetty Interview By Armin S.

neha Shetty is the Chief Assistant Director at Rohit Shetty Picturez. She has trained and is working with Rohit Shetty for more than ten years, until date. She has directed music videos like the massively successful videos ‘Naagin’, ‘Genda Phool’ featuring Jacqueline and Badshah and ‘Dil ko karaar aaya’ featuring Siddharth Shukla and Neha Sharma. A constant unlearning and learning process, Sneha talks to us about her creative process, evolving as a director, and how things have changed.

56 BollywoodFilmFame.com

“unlearning and learning happens with every film.”

INTERVIEW YOU STARTED OFF AS AN AD ON ALL THE BEST AND THEN IN 2013, YOU TOOK OVER THE ROLE OF CHIEF A.D. WITH CHENNAI EXPRESS AND THE OTHER PROJECTS THAT FOLLOWED WITH ROHIT SHETTY. WHAT'S THE BEST PIECE OF ADVICE OR KNOWLEDGE YOU RECEIVED DURING THAT TIME THAT YOU STILL KEEP WITH YOU?

During that period, what I learnt was that I was not only responsible for my work, but for the people around me. It was not just about filmmaking, or calling the shots on set. It was also about being responsible for people, their safety, and a lot of other things. I’ve learnt this from Mr. Shetty that when you are making a film, it is not just about working towards a beautiful film ahead. During the shoot, you have to make sure nobody is hurt, goes through any kind of pain especially because we do such high-octane action films. We have to take care of people first, and then your film. That’s something that I learnt literally from Chennai Express. I still keep that one thing in my mind – you should always put people first, and then together, I think we can all work towards something really beautiful.

A LOT HAS CHANGED OVER THE PAST DECADE IN TERMS OF AUDIENCE CONSUMPTION, STORYLINES, CONTENT, THE WAY WE DEPICT CHARACTERS ON SCREEN. HAS THERE BEEN SOMETHING YOU HAD TO UNLEARN OVER THE YEARS?

Yes, there have been a lot of things I have had to unlearn over the years because honestly speaking, I started assisting Mr. Shetty almost twelve years back. My first film was All The Best. I realized that in almost every aspect, costumes, Art – you have to keep unlearning and learning new things. Things in this industry change every single day. It’s really amazing. As technicians, as people behind the scenes, we see new actors every day. It’s not the same behind the camera and the technicians keep learning new things and those are the people who survive the longest. I always believe that it is very important to keep unlearning after every film. Each next film gives you new opportunities and I always look forward to the next film. What will happen with the next one? What will I unlearn from the previous one? Everything changes. The process is never ending and it will go on until the last day of my shoot (chuckles). So unlearning and learning happens with every film.

I THINK AS A GOOD DIRECTOR, ONE MUST EVOLVE. WHAT HAS BEEN THE ONE THING THAT HAS REMAINED CONSTANT FOR YOU AS A CREATIVE PERSON THOUGH?

I agree that as a good director, one must keep evolving with every project. I’m a very spiritual person and I meditate a lot. Basically, during my meditation or my workouts – I go for long runs – I really get a lot of creative ideas on how I should portray my music videos or what that one thing is that people have not done before and I should be aiming for. I keep working and I make notes when I’m just going through Instagram posts or looking up something on Google – so I make notes. Whenever a song or an artist asks for some

thing that is out of the box, then I discuss the ideas with them. Together, we work towards the idea. I also always feel that – and this is a very subjective thing – I’m very close to my family. I discuss my ideas with family and friends. I like taking input. One should make what the audience wants to see. Not what they want to make. I don’t want to be the only person watching my work. I take a lot of criticism and ideas and randomly brainstorm with my friends. This is something I will never leave – be it music videos, ad films, or films I direct in the future.

'ANKAHEE' TO 'GENDA POOL' TO 'TANHAAI' - WHAT HAS BEEN YOUR BIGGEST LEARNING LESSON?

My biggest learning lesson has been that the video will come out to be fantastic only if you spend a lot of time in pre-production and have clarity on what you are shooting on the shooting day. If you tackle all the problems beforehand, you will have very less problems to tackle that day. What happens with music videos is that you get very less time to shoot music videos – max. 2 or 3 days in India. We don’t put that kind of money into songs. It’s very rare that a lot of money has been spent on music videos. All production houses, all labels, have a certain amount of budget they use for the videos and they are very honest about it, with the budget and the number of days for the shoot. If you only have eighteen or thirty-six hours to shoot, you have to have a kickass preproduction process, then it is a cakewalk. That’s the biggest learning lesson.

I ALWAYS TEND TO REMEMBER THE WOMEN IN YOUR MUSIC VIDEOS, INCLUDING THEIR COSTUME, A CERTAIN MOVE...THIS IS OBVIOUSLY SUBJECTIVE BUT I FIND THE WOMEN PORTRAYED WITH A LOT OF STRENGTH. DOES THAT COME INTENTIONALLY OR IS IT UNINTENTIONAL?

I would say that most of the time, the way women are portrayed is very intentional. It’s intentional on my end to show my women in music videos powerful and strong. I think that’s how I look at life. I respect most of the women around my life – my mom, my sisters, people who I really look up to. I think it is a very subconscious thing that women are portrayed so beautifully in my music videos. Honestly speaking, I really enjoy working with these women artists. When I work with them, they tell me the same thing. That a girl will portray a girl in a very different manner. I know the nitty gritty work I have to take care of – the hair, the makeup, the eyes, their hands, and every single thing that really has to look beautiful on screen. As a woman, I know what attributes and aspects work on screen and how beautifully I can display their emotions on screen. I really enjoy working with women a lot and it is a give and take kind of thing.

WHAT CAN WE LOOK FORWARD TO NEXT?

Honestly, I’m back to assisting Mr. Shetty on the next one we are working on. “Crazy Lady” with Aastha Gill was released recently – really quirky, something very different. That was my last project for Sony Music India. I’m now brushing up my skills on filmmaking again.