3 minute read
Movie Review - Choppertown the Sinners
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Sometimes David will throw a leg over his bike late at night or early in the morning and ride his favorite road, the Richard B. Russell Parkway. “My favorite time to go up there is when the moon is full and there’s no clouds. Nobody around you, there’s no traffic. See you can run 20 mile an hour if you want to or you can run 50 mile an hour.” To David life is precious but simple, “Life to me is making a little pottery, riding that Harley and chasing those fair haired petite women.” David is the nephew of Lanier Meaders, who is probably the most famous folk potter in the US. The Meaders family history of potting began in 1892 when David’s great grandfather John Milton Meaders and his sons built their first log shop and fire kiln in White County, Georgia. As early as the 1830s, as many as 70 potters were operating within a four mile radius of Mossy Creek in White County. Storage jars for food, pitchers, bowls and cups as well churns were all coming out of this small north Georgia region. John Milton hired some of these local potters and in turn they taught his sons how to pot. It wasn’t considered a folk art then, these were necessities of life. In 1967 the Smithsonian Institute came to White County to shoot a documentary on the old way of making pottery and (David’s GF) was going to be one of the subjects, but he became ill and his uncle Lanier stepped in to do the job. One of the most well known styles of folk pottery is the face jug, and David is keeping the art form alive, but he likes to call his jugs “Goober Heads.” The face jug evolved over the years into also being called the ugly jug. It is said that some people would store their alcohol in them and wanted to be sure to keep the children away. So by the 1920s they were making them even uglier to maybe frighten the children or at the very least be able to warn them off. David says, “There has been a Meaders continuously, from the day they started (in 1892) until today making pottery.” And he is still doing it the old way. He gets his own clay from Georgia creek sides, makes his own glaze, mixes and hand turns the clay and fires it in his old brick kiln. Many people have asked him if there’s any difference in how he and his grandfather potted, and “I say yeah, I got a chainsaw and electric lights.” For me the only bad part about my afternoon with David is when I have to wrap up what I’m doing, strap everything back on my Road King and say goodbye. But I always want to ask for one parting thought, one life philosophy you might say. With David it came easy, “Get up every morning and see what happens, I mean that’s it. What can you do about it? I have no control over nothing, the only thing I have any control over is my attitude. You leave me alone and I’ll leave you alone. Don’t kick your dog, don’t hit women, and sure don’t hit kids.”
Eric Albright