David Bravo Portfolio

Page 1

DAVID BRAVO PORTFOLIO 2009-2016


SELECTION OF ACADEMIC, PERSONAL AND PROFESSIONAL WORKS OF

DAVID BRAVO |2009-2016|


Index

2

Curriculum Vitae

4

1. From the territory to the Sea. Landscape as a Tool. Master Thesis |2015-2016|

14

2. The In/between as Public

80 Housing Units and Working Spaces |2012-2013|

20 3. The Sidepack

Reuse of an old church |2013-2014|

26 4. Neu Morta

Ephimeral Light Isntallation |2015-2016|

1


ABOUT Name: David Bravo Villafranca ID Number: 47960187-N Birth: 06/09/1990, Tarragona, Spain @: davidbravo.db@gmail.com Phone: +(34) 676409098 Adress: Pau Claris, 184 7º 4º Barcelona, Spain

ACADEMIC INFORMATION 2009-2016 2013-2014

Polythecnic University of Barcelona (UPC) Universitat Superior d’Arquitectura de Barcelona (ETSAB) Master Thesis April 2016. Graduated with an Excelent (9) Erasmus Program Exchange Delft University of Technology (TU Delft). The Netherlands.

WORK EXPERIENCE 2015 Roldán+Berengué Arquitectes (roldanberengue.com) 10 months Architect. Full time job. SD, CD, DD phases on several design projects. - 120 Housing units in Fabra i Coats. Barcelona. - Barcelona’s Firemen Museum. Barcelona. - Chapí Housing. Competition. Barcelona. 2014-2015 BAAS Arquitectura (baas.cat) 6 months Intern. Part Time Job. - Limoux Old Brickyard Reconversion. Competition. Limoux, France. - Office’s Interior Refurbishment. Barcelona. 2014 MANO Arquitectura (manoarquitectura.com) 3 months Intern. Part Time Job. - Sports Facilities in l’Hospitalet. Barcelona. - Flat Refurbishment in Gran Via. Barcelona. 2012-2013 Azkarate Arquitectura (ararq.com) 10 months Intern. Part Time Job. - 162 Housing Units Facade Rehabilitation. Barcelona. - House Bravo Villafranca. Barcelona.

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COMPUTER SKILLS Autodesk Autocad 2D, 3D Excellent Knowledge Adobe Creative Suite Excellent Knowledge 3DS Max Basic Knowledge Google Sketchup Excellent Knowledge MS Office Excellent Knowledge Hand drawing Excellent Skills Modelmaking Good Skills

LANGUAGES English Spanish Catalan French

Professional Use. Proficency Level. Native Native Learner

PUBLICATIONS AND EXHIBITIONS 2016 Publication “From the Territory to the Sea. Landscape As a Tool” Master Thesis. Published in upcommons.upc.edu 2016 Exhibition “Sobretaula” Proposal for the refurbishment of the Catalan Board of Architects. COAC, Barcelona, July 2016. 2016 Publication “Neu Morta” Ephimeral Ligth Installation. ON Diseño Nº361/362, July 2016, Barcelona. 2015 Publication “The Artefact. Interventions on a Road” w/Andrew Hollands. Published in ONDER WEG! BNA, 2015, The Netetherlands. 2013 Publication “Més enllà, més intens” w/Aleix Turon. Published in Barcelona Enllaços, LUB, 2014, Barcelona. 2013 Exhibition “Més enllà, més intens” w/Aleix Turon at the Barcelona Enllaços Exhibition, Catalan Board of Architects. Barcelona. 2013 Publication “The Mass. 160 Housing units at Poble Sec, Barcelona” w/Alejandra Alonso Published in hicarquitectura.com

HONORS AND ADWARDS 2016 2016 2016 2014

1rst Price Ex Aequo for “Sobretaula”. Proposal for the Refurbishment of COAC’s hall. Catalan Board of Architects, Barcelona, June 2016. Opinion FAD Award for “Neu Morta”, Barcelona, April 2016. FAD Finalist Jury Selection. “Neu Morta”, Barcelona, January 2016. Mobint Scolarship, given by Catalonia’s goverment to study abroad.

3


01 From the Territory to the Sea. Landscape As a Tool. Master Thesis. |2015-2016| Awards and Recognitions Qualification of Excellent (9) Published in UPC Commons

The project is situated in the northern beach of Tarragona, a coastal city of 150.000 inhabitants in the southern part of Catalonia, Spain. Surrounded by a very much interesting mix of non-urbanised areas, suburban single familiar housing developments and infrastructures, the beach becomes the only real public space able to link these situations and give continuity to the zone. It is also the only non-urbanised (without a seawalk) beach of Tarragona’s waterfront. Territorially speaking, the project aims to intelligently overcome the barriers created by the infrastructure, creating connections between the sea and the inner territory. Right spots are found to place tunnels and bridges. The beach facilities are also reconsidered too, resituating parking lots, entrances and services, achieving a more respectful balance between the natural condition of the area and the recreational use. A profound knowledge of the territory and its characteristics is achieved, thus proposing four landscape interventions each of them dealing with the specificities of the site. 1. Beach bar (Stripe 1) 2. Sports facilities (Stripe 2) 3. Bridge (stripe 3)

4


a.

Historycal City, Lines of Infrastructure and Green Belt (a) 5


a

Images. Suburban Natural Landscape (a) 6


b.

c.

Between infrastructure lines. Finding the Spot(b) Stripes (c) 7


a.

b.

Floorplan. Intervention (a) 8


Path Perspectives (b) 9


a.

b.

5 interventions linked with a Path. Scheme. (a) 10


11


a.

Intervention 1. Dunes Construction. Plan, Section. (a) 12


b.

Intervention 5. Scipion Tower Construction. Plan, Section. (b) 13


02 The In/between as Public 80 Housing Units and Working Spaces |2012-2013| Studio Ibon Bilbao Etsab UPC w/ Alejandra Alonso

The project is placed in el Poblenou, a neighbourhood that follows the grid of Cerda’s Masterplan. Due to its industrial past, the mix of uses is still noticeable and it has a quite low density. Instead of densifying the perimeter and concentrating the free space in the centre, the project tries to reach a domestic scale public space in the in-between of the different blocks proposed. The existing blocks and the new ones are all treated with the same logic, being linked by the free space created between them. The block’s conceptualization is based in the flexibility and adaptability of its housing units. In floorplan, two concentrically structural squares define the building layout, creating two zones: the perimeter and the inner space. All the services are situated in the inner space, liberating the perimeter and allowing different housing units to be created.

16


a.

b.

Floorplan (a) Built foodprint. Left: Ground Level. Rigth: Level +5 (b) 17


a.

Relation between blocks. The new and the Old (a) 18


b.

c.

d.

110sqm tipology (b) 55sqm tipology (c) 35sqm tipology (d) 19


a.

Domestic Scale Public Space. Perspective (a) 20


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Windown detailing (b) Facade detailing (c) 21


03 The Sidepack Reuse of a Church as a Museum Extension |2013-2014| Studio Jordi Adell Etsab UPC

The project consisted in the reuse of and old church which needed to be converted in an extension of the museum of modern art of Barcelona (MACBA). The church itself had no special value. The main starting condition was that the connection between MACBA and the extension had to be done underground, for practical and security conditions. This meant that an underground level had to be constructed and that the church structure needed to be held by a new structure. My will was to use this operations as architectural tools to create interesting spaces. According to this, I decided to treat the church as an object, and situate all the services in a a new construction next to it. The two buildings would be clearly recognisable. I decided that the construction techniques will create the athmosphere of the sapces. The ground floor is situated 2m below street level, thus creating an hypostyle chamber exhibiting the new structural unions. At the same time, we gained space for the exhibition sapce in the top floor.

22


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04 Neu Morta Ephimeral Light Installation |2014-2015| Santa Eul[alia Light Festival, Barcelona w/ J. Adell, M. Castel, C. Conill, K. Dalmeda, N. de la Red,G. Guerra, H. Lleida, S. Salinas

Awards and Recognitions Opinion FAD Adward, May 2016 Jury’s Finalist. FAD 2016 Published in ON Design Nº361/362, July 2016, Barcelona

The Project tries to redefine the existing relation between Sant Iu Square and Tinell’s porch. We think the porch as a double condition space, a space from which to see and to be seen. We want the porch to be the light of the square. A penetrable light. We want to open the porch to the visitors, and let them submerge in the light, be part of the light. First see, then, be seen. The intervention was built using very basic techniques and construction materials. Cotton ropes hanging from a gardening net lightened by black light bulbs.

28


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Floorplan and section (b) Detail (c) 31


David Bravo Architect +(34) 676409098 davidbravo.db@gmail.com


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