Rubens Drawings: The History of Scholarship, 1892–2018

■ Fig.45 Rubens after Tobias Stimmer, A Man on a Donkey and a Study of Another Donkey [2]. Paris, Musée du Louvre, Département des Arts Graphiques. Fig.45a Tobias Stimmer, The Prophet Balaam on His Obstinate Mule, woodcut.

Fig.45b Tobias Stimmer, The Unfaithful Prophet, woodcut.

■  Fig.47 After Rubens after Jost Amman, Horses and Riders [4, copy]. Hamburg, Kunsthalle.

Fig.48a Tobias Stimmer, Eve Under the Tree of Sin, woodcut. Fig.48b Tobias Stimmer, The Creation of Eve, woodcut. Fig.48c Tobias Stimmer, The Expulsion from Paradise, woodcut.

■ Fig.58 Rubens after Tobias Stimmer and Hendrick Goltzius, A Man Bending Forward, Seen from the Back, and Three Other Male Figures [15]. Paris, Musée du Louvre, Département des Arts Graphiques.

Fig.65a Conrad Meit. Venus, bronze statuette. Cologne, Museum für Angewandte Kunst Köln.

■ Fig.65 Rubens after Conrad Meit, Standing Female Nude Turned Left [22]. Berlin, Staatliche Museen zu Berlin, Kupferstichkabinett.

Fig.124a Michelangelo, The Libyan Sibyl, fresco. Vatican City, Sistine Chapel.

■ Fig.124 Rubens after Michelangelo, The Libyan Sibyl [77]. Paris, Musée du Louvre, Département des Arts Graphiques.

Fig.170d Rubens, The Gonzaga Family in Adoration of the Holy Trinity, painting, reconstruction. Fig.171a Rubens, Portrait of Ferdinando Gonzaga, painting, fragment. Fondazione Magnani-Rocca, Traversetolo, Italy.

Fig.171b Attributed to Rubens, Portrait of Ferdinando Gonzaga, painting, sold London, Christie’s, January 26, 2011, lot 17.

■ Fig.239 Rubens after the Antique, Centaur Tormented by Cupid, Seen from the Back Turned to the Left [185]. Cologne, Wallraf-Richartz-Museum & Fondation Corboud.

■ Fig.254 Rubens, St. Gregory the Great, St. Domitilla and Other Saints [199, recto]. Whereabouts unknown, formerly Farnham, Surrey.