Virgl Architecture Portfolio

Page 1


01 07 11 15 19 25 33 37 41 45


Selected Works

Architecture

Educational Barcode Origamic Wall Courthouse Sheldon Pavilion Sheldon Annex

1- 6 7-10 11-14 15-18 19-24

Vivacity

25-32

Hamilton Hall

33-36

ZĞĮŶĞ ĞŶĐŚ

37-40

Manter Hall

41-44

TNC Niobrara

45-46

Professional


Brett J. Virgl 1549 County Road 7 Yutan, NE 68073

Phone: 402.443.6701 E-mail: bvirgl@huskers.unl.edu

Objective To join a Įrm that will teach me to become an architect that can create a ƉŽƐŝƟǀĞ impact on my surrounding environment through the use of my talents and strengths in: design, ĐŽŶĐĞƉƚƵĂůŝnjĂƟŽŶ͕ ǀŝƐƵĂůŝnjĂƟon and divergent thinking.

Education University of Nebraska - Lincoln University of Nebraska - Lincoln University of Nebraska - Omaha Mead High School —Mead, NE

August 2014 - Present August 2012 - May 2014 August 2010 - 2012 Graduated May 2010

Master’s in Architecture B.S.D. Architecture Pre-Architecture Diploma

Awards UNL: Selected for HCD Conference Design ŚĂƌƌĞƩĞ͕ fall 2014 UNL: Winner of the NCMA concrete block ĐŽŵƉĞƟƟŽŶ UNL: Honors CoŶǀŽĐĂƟŽŶ ĞƌƟĮĐĂƚĞ (Top 10% of Class ƵŵƵůĂƟǀĞ GPA), April 2013 UNL: Roger Schluntz Travel Fund for Architecture Students, April 2013 UNL: Gary Lee Hansen RecoŐŶŝƟon Award, April 2012 UNO: Poƌƞolio Selected “One of Top Four” Saved For ĐĐƌĞĚŝƚĂƟon Board, May 2012 UNO: Dean’s List, 2012 UNO: Chancellor’s List, spring 2011 UNO: 1st Year Architecture Final Project Prize Winner Mead High School: NĂƟonal Honor Society, ƚŚůĞƟĐͬDƵƐŝĐͬ ĐĂĚemic All-State Awards, and various honors, awards and scholarships

References -Tom Ligocki, Lean System SoůƵƟons (Owner), Nicely Covered Company (Owner), tligocki@leansysƚĞŵƐŽůƵƟŽŶƐ͘ĐŽŵ 920.242.0239 -Timothy Hemsath, UNL Architecture Instructor, 402.472.4472 -Mike Hamilton, Senior Design Architect, HDR, (UNO Adjunct Faculty), 402.206.6482


Work Experience May 2014 – August 2014: Intern Architect at HDR 3d Modeling, Architectural Designer, sŝƐƵĂůŝnjĂƟŽŶ͕ Project Leadership October 2013 – to Present: Graphic Designer and 3d Renderer for Nicely Covered Online Product Development, Customer Sales August 2012: Wood Shop Attendant UNL Architecture Hall, Lincoln, NE Supervision, Assistance, Maintenance

Volunteer Work July 2012—Missions Trip Kodiak ĂƉƟƐƚ Mission, Kodiak, Alaska Taught Origamiͬ'LJŵŶĂƐƟĐƐ to Children, Woodwork, Maintenance Open Door Mission Volunteer, Kiwanis Christmas Basket Delivery, ^ĂůǀĂƟŽŶ Army Bell Ringer, Blood Donor, Elementary Recess Aide, and various other ĂĐƟǀŝƟĞƐ

Proficiencies Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Rhinoceros 3-D, V-Ray Rendering


01

BARCODE


BARCODE

02

ϮŶĚ zĞĂƌ ƌĐŚŝƚĞĐƚƵƌĞ ^ƚƵĚŝŽ 2012 The barcode project represents a process of ƚƌĂŶƐůĂƟŶŐ ŶƵŵĞƌŝĐĂů ĚĂƚĂ ŝŶƚŽ Ă ǀŝƐƵĂů ĂƌƟĨĂĐƚ ƚŚĂƚ ĞdžŚŝďŝƚƐ ƚŚĞ ĐŽŵŵƵŶŝĐĂƟŽŶ ŽĨ ĚŝīĞƌĞŶĐĞ ĂŶĚ ƐŝŵŝůĂƌŝƚLJ͘ DLJ ŽůĚ ƚĞůĞƉŚŽŶĞ ŶƵŵďĞƌ͕ ďĞŝŶŐ ƚŚĞ ŶƵŵĞƌŝĐĂů ĚĂƚĂ͕ ǁĂƐ ĞdžƚƌĂƉŽůĂƚĞĚ ŝŶƚŽ ƚŚĞ ϯĚ ǁŚĞƌĞ ŝƚ ƚŚĞŶ ƚŽŽŬ ƚŚĞ ĨŽƌŵ ŽĨ Ă ƐŝƚĞ ĐŽŶĚŝƟŽŶ͘ dŚŝƐ ƐŝƚĞ ĐŽŶĚŝƟŽŶ ǁĂƐ ŵĂĚĞ ĞŶƟƌĞůLJ ďLJ ŚĂŶĚ͘ dŚĞ ƚŽƉŽŐƌĂƉŚLJ ǁĂƐ ƚƌŝĂŶŐƵůĂƚĞĚ ŝŶƚŽ Ă ŵŽƌĞ ĨĂŵŝůŝĂƌ ƐƵƌĨĂĐĞ ƚŽ ďĞƩĞƌ ƵŶĚĞƌƐƚĂŶĚ ŝƚƐ ĚŝŵĞŶƐŝŽŶƐ͘ ƐŚĞůƚĞƌ ĐŽŶĚŝƟŽŶ ǁĂƐ ƚŚĞŶ ĚĞƐŝŐŶĞĚ ƚŚƌŽƵŐŚ Ă ƐĞƌŝĞƐ ŽĨ ŝƚĞƌĂƟŽŶƐ ƚŚĂƚ ĨŽĐƵƐĞĚ ŽŶ ĞŵƉŚĂƐŝnjŝŶŐ ŽƌŝĞŶƚĂƟŽŶ ƚŽ ƐŝƚĞ ĨĞĂƚƵƌĞƐ͘ dŚĞ ƐŚĞůƚĞƌ ĂĚĚŝƟŽŶ ǁĂƐ ĂůƐŽ ŵŽĚĞůĞĚ ďLJ ŚĂŶĚ ĂŶĚ ƚŚĞ ƵƐĞ ŽĨ ŐůƵĞ ǁĂƐ ŶŽƚ ƉĞƌŵŝƚĞĚ͘ dŚĞ ĮŶĂů ƐĞƚ ŽĨ ĚĞůŝǀĞƌĂďůĞƐ ĐŽŶƐŝƐƚĞĚ ŽĨ ƐĞǀĞƌĂů ǀĞĐƚŽƌ ĚƌĂǁŝŶŐƐ ĂŶĚ ĞŝŐŚƚ ĚŝīĞƌĞŶƚ ƐƚƵĚLJ ŵŽĚĞůƐ͘


03

BARCODE


BARCODE

04


05

BARCODE


BARCODE

06


07

Origamic Wall


Origamic Wall

08

ϮŶĚ zĞĂƌ ƌĐŚŝƚĞĐƚƵƌĞ ^ƚƵĚŝŽ 2011

The origamic wall was inspired by my passion for the art of origami. This project called for the ĐƌĞĂƟŽŶ ŽĨ ĂŶ ĂƌĐŚŝƚĞĐƚƵƌĂů ƐĞƉĂƌĂƟŽŶ ďĞƚǁĞĞŶ Ă ďƵƐLJ ƐŝĚĞǁĂůŬ ĂŶĚ Ă ƋƵŝĞƚ ĐŽƵƌƚLJĂƌĚ͘ ƐƚĞƉƉĞĚ ĞŶƚƌĂŶĐĞ ǁĂƐ ƌĞƋƵŝƌĞĚ ĂƐ ǁĞůů ĂƐ Ă ƐĞƌŝĞƐ ŽĨ hand rails. The driving force for this design was ĐŽŶƐƚƌƵĐƟǀĞ ƐŝŵƉůŝĐŝƚLJ͘ /Ŷ ƚŚĞŽƌLJ ƚŚĞ ĞŶƟƌĞ ǁĂůů ĐŽƵůĚ ďĞ ƚƌĂŶƐƉŽƌƚĞĚ ƚŽ ƚŚĞ ƐŝƚĞ ŝŶ ŽŶĞ ƚƌŝƉ ŽŶ ŽŶĞ ƚƌƵĐŬ ďĞĚ͘ dŚĞ ŽƌŝŐĂŵŝĐ ǁĂůů ǁŽƵůĚ ƚŚĞŶ ƵŶĨŽůĚ ůŝŬĞ ĂŶ ĂĐĐŽƌĚŝŽŶ ĂŶĚ ƚŚĞŶ ďĞ ĞƌĞĐƚĞĚ ƵƉƌŝŐŚƚ͘ ĐƌĞĂƐĞ ƉĂƩĞƌŶ ǁĂƐ ĚĞƐŝŐŶĞĚ ƚŽ ƉƌŽĚƵĐĞ Ă ŵŽĚĞů ƚŚĂƚ ĐŽƵůĚ ďĞ ĐŽŶƐƚƌƵĐƚĞĚ ĨƌŽŵ Ă ƐŝŶŐůĞ ƐŚĞĞƚ ŽĨ ďƌŝƐƚŽů ďŽĂƌĚ͕ ƵƐŝŶŐ ŽŶůLJ ƐƵďƚƌĂĐƟǀĞ ĐƵƚƐ ĂŶĚ ĨŽůĚŝŶŐ͘


09

Origamic Wall



11

Court house


court house

12

ϮŶĚ zĞĂƌ ƌĐŚŝƚĞĐƚƵƌĞ ^ƚƵĚŝŽ 2012 ^ŽƵƚŚ

East

North

West

dŚĞ ĐŽƵƌƚŚŽƵƐĞ ƉƌŽũĞĐƚ ǁĂƐ ŵLJ ĮƌƐƚ ĂƌĐŚŝƚĞĐƚƵƌĂů ĚĞƐŝŐŶ͘ dŚĞ ƉƌŽũĞĐƚ ďƌŝĞĨ ĐĂůůĞĚ ĨŽƌ Ă ũƵĚŝĐŝĂů ƐƚƌƵĐƚƵƌĞ ƚŚĂƚ ǁĞŶƚ ďĞLJŽŶĚ ƚŚĞ ƉƌŽŐƌĂŵŵĂƟĐ ŶŽƌŵ ďLJ ŝŶĐůƵĚŝŶŐ ŵŝdžĞĚ ƵƐĞĚ ĨĞĂƚƵƌĞƐ͘ KĨ ƚŚĞ ĨŽƵƌ ŇŽŽƌƐ͕ ƚŚĞ ĚĞƐŝŐŶ ĐŽŶƐŝƚƐ ŽĨ͗ ƚŚƌĞĞ ĐŽƵƌƚƌŽŽŵƐ͕ Ă ůŝďƌĂƌLJ͕ ƌĞƚĂŝů͕ Ă ĐĂĨĞ͕ ŽĸĐĞƐ͕ ŚŽůĚŝŶŐ ĐĞůůƐ͕ ĂƚƌŝƵŵ ƐƉĂĐĞ͕ ůŽƵŶŐĞ ƐƉĂĐĞ ĂŶĚ ĐŽŶĨĞƌĞŶĐĞ ƌŽŽŵƐ͘ dŚĞ ĂƌĐŚŝƚĞĐƚƵƌĞ ŝƐ ƉƵůůĞĚ ĂƉĂƌƚ ƚŽ ĂůůŽǁ ůŝŐŚƚ ƚŽ ƉĞŶĞƚƌĂƚĞ ĚĞĞƉĞƌ ŝŶƚŽ ƚŚĞ ƐƉĂĐĞƐ͕ ĐƌĞĂƟŶŐ Ă ůŝǀĞůLJ ŝŶƚĞƌŝŽƌ ƚŚĂƚ ŽŶĞ ŵŝŐŚƚ ŶŽƚ ĞdžƉĞĐƚ ƚŽ ĮŶĚ ŝŶ Ă ƐƚĂŶĚĂƌĚ ĐŽƵƌƚŚŽƵƐĞ͘ dŚŝƐ ďƌĞĂĐŚ ǁĂƐ ĐƌĞĂƚĞĚ ͕ŝŶ ĞƐƐĞŶĐĞ͕ ƚŽ ĞdžƉŽƐĞ ƚŚĞ ǁŽƌůĚ ŽĨ ũƵĚŝĐŝĂů ůĂǁ ƚŽ ƚŚĞ ƉƵďůŝĐ ŝŶ ŽƌĚĞƌ ƚŽ ŵĂŬĞ ƚŚĞ ĂƌĐŚŝƚĞĐƚƵƌĞ ŽƉĞŶ ĂŶĚ ŝŶǀŝƟŶŐ͘


13

Court house


Court house

Basement

Floor 1

Floor 2

Floor 3

14


15

sheldon pavilion


sheldon pavilion

16

4th Year Architecture Studio 2013

Site

Extension

Division

KƌŝĞŶƚĂƟŽŶ

Submersion

As an opening project to the semester of my 4th year of architecture school, we began by designing a pavilion for the sculpture garden of the Sheldon Art Museum which is located on hE>͛Ɛ ĐĂŵƉƵƐ͘ dŚĞ ĞŶƟƌĞ ƉƌŽũĞĐƚ ƌĞƋƵŝƌĞĚ ŶŽ submission of drawings or diagrams. The intent was to focus on using models as a method ŽĨ ĐŽŵŵƵŶŝĐĂƟŽŶ͘ dŚƌĞĞ ƐƚƵĚLJ ŵŽĚĞůƐ ǁĞƌĞ ƉƌŽĚƵĐĞĚ ďĞĨŽƌĞ ƚŚĞ ĮŶĂů ŵŽĚĞů ǁŚŝĐŚ ŝƐ ƐŚŽǁŶ ŽŶ ƚŚĞ ůĞŌ͘ dŚĞ ĮŶĂů ĚĞƐŝŐŶ ƌĞƉƌĞƐĞŶƚƐ Ă conceptual link between the site and its ƌĞůĂƟŽŶƐŚŝƉ ƚŽ ƚŚĞ ƐƵŶŬĞŶ ŐĂƌĚĞŶƐ͘ ZĞĂĐŚŝŶŐ ŽƵƚ over the primary entrance to the garden, the pavilion invites the public into the world of art.


17

sheldon pavilion


sheldon pavilion

18


19

sheldon annex


sheldon annex

20

ϰƚŚ zĞĂƌ ƌĐŚŝƚĞĐƚƵƌĞ ^ƚƵĚŝŽ ϮϬϭϯ

housing

The Annex to the Sheldon Art Museum was the ĮŶĂů ƉƌŽũĞĐƚ ŽĨ ƚŚĞ ^ŚĞůĚŽŶ ƐĞƌŝĞƐ͘ dŚĞ ĞŵƉŚĂƐŝƐ ŽĨ ƚŚĞ ƐĞŵĞƐƚĞƌ ǁĂƐ ĐŽŶƐƚƌƵĐƟǀĞ ƌĞĂůŝƚLJ ĂŶĚ ƚĞĐƚŽŶŝĐƐ͘ ^ŝŵŝůĂƌŝůLJ ƚŽ ƚŚĞ ^ŚĞůĚŽŶ WĂǀŝůŝŽŶ͕ ƚŚĞ ĂŶŶĞdž ĚĞƐŝŐŶ ǁĂƐ ƉƌŝŵĂƌŝůLJ ĐŽŵŵƵŶŝĐĂƚĞĚ ƚŚƌŽƵŐŚ ƚŚĞ ƵƐĞ ŽĨ ŵŽĚĞůƐ͘ dŚĞ ƉƌŽŐƌĂŵ ŽĨ ƚŚĞ ĚĞƐŝŐŶ ĐŽŶƐŝƐƚĞĚ ŽĨ͗ ϭϮϱ ŚŽƵƐŝŶŐ ƵŶŝƚƐ͕ Ăƌƚ ŐĂůůĞƌŝĞƐ͕ ŵƵƐĞƵŵ ƐƉĂĐĞ͕ Ă ƉĞƌĨŽƌŵĂŶĐĞ ŚĂůů͕ Ă ĐŽīĞĞ ƐŚŽƉ͕ Ă ƌĞƐƚĂƵƌĂŶƚ ĂŶĚ ĐŽƵƌƚLJĂƌĚ ƐƉĂĐĞ͘ ŽŶĐĞƉƚƵĂůůLJ͕ ƚŚĞ ĂŶŶĞdž ŶĞĞĚĞĚ ƚŽ ĂĐƚ ĂƐ Ă ŐĂƚĞǁĂLJ ƚŽ ƚŚĞ hŶŝǀĞƌƐŝƚLJ ŽĨ EĞďƌĂƐŬĂ͘ dŚŝƐ ǁĂƐ ĂĐŚŝĞǀĞĚ ƚŚƌŽƵŐŚ Ă ĨŽƌŵ ƚŚĂƚ ĨŽĐƵƐĞĚ ƉĞĚĞƐƚƌŝĂŶ ŝŶƚĞƌĞƐƚ ĂŶĚ ƚƌĂĸĐ͘ dŚŝƐ ĨƵŶĐƟŽŶĂů ŵŽǀĞ͕ ĐŽŵďŝŶĞĚ ǁŝƚŚ ƌƵƌĂů ŵĂƚĞƌŝĂůƐ͕ ƌĞƐƵůƚƐ ŝŶ ĂŶ ĂƌĐŚŝƚĞĐƚƵƌĂů ƐŽůƵƟŽŶ ƚŚĂƚ ƵƐĞƐ ĂŶŐůĞƐ ĂŶĚ ĞdžƚĞƌŝŽƌ ƐƉĂĐĞ ƚŽ ĐƌĞĂƚĞ Ă ǀŝďƌĂŶƚ ĂŶĚ ĂƩƌĂĐƟǀĞ ĚĞƐŝŐŶ͘

Music hall

gallery


21

sheldon annex


sheldon annex

Direct

Indirect

Focused

22


23

sheldon annex

2 A301

H.2H.3

H.1

H.4

H.J

H.I

H.H

1

2 2.5

H.G

H.F K

J

H.E H.D I H.C

H G

H.B F H.A E D.4

D.9 D.11 D

D.12 .11 D.1

C C.1 B

1 A301

B.1

A

A.1 .12 1

2

3

4

5

6

7

8


sheldon annex

2 A301 25' - 0"

6' - 0"

25' - 0"

H.2H.3

H.1

H.4

H.J

H.I

H.H

2.5

H.G

H.F

H.D 15' - 0"

I

H.C

H G

15' - 0"

15' - 0"

15' - 0"

15' - 0"

K

J

H.E

H.B F H.A E D.4 25' - 0"

D.9 D.11 6' - 0 "D

25' - 0"

D.12 .11 D.1

C

8' - 0"

C.1 B

1 A301

B.1

A

A.1 .12 1

2

3

4

5

6

7

8

24


25

VIVACITY


VIVACITY

26

5th Year Architecture Studio 2014 Vivacity Detroit is about merging the familiar with the unfamiliar - Life and Healthcare. The gap between these disparate worlds causes ĚŝƐĐŽŵĨŽƌƚ ĨŽƌ ƚŚĞ ƉŽƚĞŶƟĂů ƉĂƟĞŶƚ͘ dŚĞ ĐŽůĚ and stringent interiors of common hospitals leave the user feeling distant and estranged in the healthcare environment. Vivacity Detroit ŝŶŶŽǀĂƟǀĞůLJ ŝŐŶŽƌĞƐ ƚŚĞ ƐƚĂƚƵƐ ƋƵŽ ŽĨ ŚĞĂůƚŚĐĂƌĞ architecture. Vivacity is not healthcare, it is lifecare: familiarizing the public with health services in a cohesive manner that merges the boundaries between the two.

The familiar everyday life of the ŝŶĚŝǀŝĚƵĂů ŽŌĞŶ ĞdžŝƐƚƐ outside of the world of healthcare

The unfamiliar world of healthcare ĂůƐŽ ƐĞĞŵƐ ƚŽ ĞdžŝƐƚ ĂƐ ƐŽŵĞƚŚŝŶŐ distant and unknown to the public

Vivacity Detroit merges these two worlds together to bring familiarity to healthcare

Vivacity reestablishes healthcare as lifecare - a life-giving system that is no longer distant


27

VIVACITY


VIVACITY

UP

UP

UP

First Floor

Second Floor

28


29

VIVACITY


VIVACITY

30




33

Hamiliton hall


hamilton hall

34

ƌĐŚŝƚĞĐƚƵƌĂů /ŶƚĞƌŶ ϮϬϭϰ Hamilton Hall is the primary host of the University of Nebraska at Lincoln’s Chemistry program. The ϰƚŚ ŇŽŽƌ ŽĨ ŝƚƐ ŶŽƌƚŚ ǁŝŶŐ ŝƐ ĐƵƌƌĞŶƚůLJ ďĞŝŶŐ ƵƐĞĚ ĂƐ ƐƚŽƌĂŐĞ ƐƉĂĐĞ͘ , Z ǁĂƐ ŚŝƌĞĚ ƚŽ ĚŽ ĐŽŶĐĞƉƚƵĂů ĂŶĚ ƐĐŚĞŵĂƟĐ ĚĞƐŝŐŶ ĨŽƌ ƚŚĞ ŝŵƉůĞŵĞŶƚĂƟŽŶ ŽĨ Ă ŶĞǁ ĐŽŵƉƵƚĂƟŽŶĂů ĐŚĞŵŝƐƚƌLJ ůĂď͘ / ǁĂƐ ŐŝǀĞŶ ƚŚĞ ƌĞƐƉŽŶƐŝďŝůŝƚLJ ŽĨ ĐŽŵƉůĞƟŶŐ Ăůů ĚĞƐŝŐŶ ĚĞůŝǀĞƌĂďůĞƐ͘ dŚĞƐĞ ĚĞůŝǀĞƌĂďůĞƐ ĐŽŶƐŝƐƚĞĚ ŽĨ͗ ƌĞŶĚĞƌŝŶŐƐ͕ ϯĚ ŵŽĚĞůƐ͕ ƐĐŚĞŵĂƟĐ ŇŽŽƌ ƉůĂŶƐ͕ ĐŽŶƐƚƌƵĐƟŽŶ ĚŽĐƵŵĞŶƚƐ͕ ĂŶĚ ƉƌŽƉŽƐĂů ďŽĂƌĚƐ͘ tŽƌŬŝŶŐ ĂůŽŶŐƐŝĚĞ DŝĐŚĂĞů ,ĂŵŝůƚŽŶ ;ĚĞƐŝŐŶ ĂƌĐŚŝƚĞĐƚͿ ĂŶĚ ĂǀŝĚ ,ŝŶƐůĞLJ ;ƉƌŽũĞĐƚ ĂƌĐŚŝƚĞĐƚͿ͕ ǁĞ ƐƵďŵŝƩĞĚ ŽǀĞƌ ϮϬ ĚŝīĞƌĞŶƚ ƐĐŚĞŵĂƟĐ ŽƉƟŽŶƐ ŝŶ Ă ƐŵĂůů Ϯ ǁĞĞŬ ƉĞƌŝŽĚ͘ dŚĞ ĮŶĂů ƐŽůƵƟŽŶ ǁĂƐ Ă ĐŽŵƉƌŽŵŝƐĞ ďĞƚǁĞĞŶ Ă ŚŝŐŚͲĞŶĚ ŽƉƟŽŶ ĂŶĚ Ă ůŽǁͲďƵĚŐĞƚ ŽƉƟŽŶ͘

džŝƐƟŶŐ ^ƉĂĐĞ


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Hamiliton hall


hamilton hall

Ceiling Tile Light Installation 2"

6"

Student Workstation

1056 SF. All 2” gaps are to have Fluorescent Lights along their lengths. All 6” gaps are open air and act as separations between the larger triangular shapes (*all gaps are either 2” or 6” in width*). The material of this would be

48'-0"

that is closer in resemblance to a white plastic.

2"

30'-0"

22'-0"

6"

Detail Section 1 @ channel below bulkhead 2'-6"

6"

6"

2"

3/4” = 1’

This detail is in the design phase and is not entirely exact, but meant for the purpose of showing what type of construction it could be.

3'-2"

5'-6"

Custom Kitchenette

All mech. chases are to be wrapped in drywall. The west most pair of chases are to be removed.

12'-0" 2'-0"

The base of the channel (c8 x 11.5)

3”

12'-0"

2

This 12’ section will be opened up with just one pane of 9’ 2” tall glass. This will be 12’ of cmu wall demolition.

Continuous dashed line is a bulkhead the steel channel and glass below it. 1

10'-7 3/16"

10'-0"

10'-0"

10'-0"

This grouping of .5” thick glass fronts the

8'-4"

The right most pane is taller than the other two as shown in the detail section so it can working as a sliding door. The left most pain that fronts the conference room also extends partially into the kitchen and is 4’ long.

HAMILTON HALL 4TH FLOOR 4237 SF

All new walls are blue. 3/8” drywall and 3 5/8” metal stud wall. All are 17’ long @ 9’ height.

3’- 6”

fronts. This 10’ 4” gap will also be cmu wall demolition.

10'-4"

17'-0"

Kitchen/Break Room

Grad. Assist.

Conference Room

3’- 6”

3’

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REFINE


REFINE

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ƌĐŚŝƚĞĐƚƵƌĂů /ŶƚĞƌŶ ϮϬϭϰͲϮϬϭϱ ZĞĮŶĞ ŝƐ ĂďŽƵƚ ƵƐŝŶŐ Ă ƐŝŵƉůĞ ŵĂƚĞƌŝĂů ĐŽŵƉŽƐŝƟŽŶ ĂůŽŶŐƐŝĚĞ Ă ƐŝŵƉůĞ ĐŽŶĐĞƉƚƵĂů ĨŽƌŵ͘ dŚĞ ĐůĞĂŶ ƐǁĞĞƉŝŶŐ ĨŽƌŵ ŽĨ ƚŚĞ ZĞĮŶĞ ĞŶĐŚ ĂůůŽǁƐ ŝƚ ƚŽ ďĞ ƉůĂĐĞĚ ŝŶ ĂŶLJ ŝŶƚĞƌŝŽƌ ĞŶǀŝƌŽŶŵĞŶƚ͘ tŽƌŬŝŶŐ ǁŝƚŚ Ă ĚĞƐŝŐŶ ĂƌĐŚŝƚĞĐƚ ĨƌŽŵ , Z͕ DŝĐŚĂĞů ,ĂŵŝůƚŽŶ ĂŶĚ / ĚĞǀĞůŽƉĞĚ ƚŚŝƐ ďĞŶĐŚ ĨŽƌ hE>͛Ɛ ƐĐŚŽŽů ŽĨ ďŝŽůŽŐLJ͘ &ůĞdžŝďŝůŝƚLJ ŝƐ Ă ŬĞLJ ĨĂĐƚŽƌ ŝŶ ƚŚĞ ďĞŶĐŚΖƐ ĚĞƐŝŐŶ͘ ŶLJ ƚLJƉĞ ŽĨ ǁŽŽĚ ƐƉĞĐŝĞƐ ĐĂŶ ďĞ ƵƐĞĚ ĂƐ ĂŶLJ ĐĂŶ ŵĂƚĐŚ ǁŝƚŚ ƚŚĞ ƐŝŵƉůĞ ĐŽŶƚƌĂƐƚ ŽĨ ƚŚĞ ŚŽƚͲƌŽůůĞĚ ƐƚĞĞů ĨƌĂŵĞ͘ ůĞĂŶ͕ ƐŝŵƉůĞ͕ Θ ƌŽďƵƐƚ͕ ƚŚĞ ZĞĮŶĞ ďĞŶĐŚ ŝƐ ĂŶ ŝŶƚĞƌŝŽƌ ĚĞƐŝŐŶ ƐŽůƵƟŽŶ ƚŚĂƚ ĐĂŶ ŵĞĞƚ ƚŚĞ ŶĞĞĚƐ ŽĨ ĂŶLJ ĐŽŶƚĞŵƉŽƌĂƌLJ ŝŶƚĞƌŝŽƌ͘


39

REFINE



41

manter hall


manter hall

42

ƌĐŚŝƚĞĐƚƵƌĂů /ŶƚĞƌŶ ϮϬϭϰ DĂŶƚĞƌ ,Ăůů ŝƐ ŽŶĞ ŽĨ hE>͛Ɛ ĨĂĐŝůŝƟĞƐ ƚŚĂƚ ĨŽĐƵƐĞƐ ŽŶ ƚŚĞ ďŝŽůŽŐŝĐĂů ƐĐŝĞŶĐĞƐ͘ , Z ǁĂƐ ŚŝƌĞĚ ƚŽ ƌĞŶŽǀĂƚĞ ƚŚĞ ŐƌŽƵŶĚ ŇŽŽƌ ĂŶĚ ϰƚŚ ŇŽŽƌ͘ ĨĞůůŽǁ ŝŶƚĞƌŶ ĂŶĚ / ǁŽƌŬĞĚ ƚŽŐĞƚŚĞƌ ǁŝƚŚ DŝĐŚĂĞů ,ĂŵŝůƚŽŶ ; ĞƐŝŐŶ ƌĐŚŝƚĞĐƚͿ ĂŶĚ ĂǀŝĚ ,ŝŶƐĞůLJ ;WƌŽũĞĐƚ ƌĐŚŝƚĞĐƚͿ͘ dŚĞ ĐŽŶĐĞƉƚ ĨŽƌ ƚŚĞ ƌĞŶŽǀĂƟŽŶ ĂŝŵĞĚ ƚŽ ĞůŝĐŝƚ ƚŚĞ ĐůĞĂŶ ĂŶĚ ƐƚĞƌŝůĞ ĞŶǀŝƌŽŶŵĞŶƚ ŽĨ ŵĂŶLJ ďŝŽůŽŐLJ ůĂďƐ͕ ǁŚŝůĞ Ăƚ ƚŚĞ ƐĂŵĞ ƟŵĞ ĐŽŶǀĞLJ Ă ĐŽŶƚĞŵƉŽƌĂƌLJ ĚĞƐŝŐŶ ĂĞƐƚŚĞƟĐ ƚŚĂƚ ƐƚƵĚĞŶƚƐ ǁŽƵůĚ ƚŚƌŝǀĞ ŝŶ͘ DLJ ƌĞƐƉŽŶƐŝďŝůŝĞƐ ƌĞƋƵŝƌĞĚ ŵĞ ƚŽ ƌĞŵŽĚĞů ƉŽƌƟŽŶƐ ŽĨ ƚŚĞ ĐĞŶƚƌĂů ZĞǀŝƚ ĮůĞ ŝŶ ZŚŝŶŽĐĞƌŽƐ ϯĚ͘ / ƚŚĞŶ ƌĞŶĚĞƌĞĚ ƐĞǀĞƌĂů ǀŝĞǁƐ ƚŽ ƉƌĞƐĞŶƚ ƚŽ hE>͛Ɛ ĨĂĐŝůŝƟĞƐ ĂŶĚ ƉůĂŶŶŝŶŐ ĚĞƉĂƌƚŵĞŶƚ͘ / ǁĂƐ ĂůƐŽ ŚĞĂǀŝůLJ ŝŶǀŽůǀĞĚ ŝŶ ƚŚĞ ĚĞƐŝŐŶ ŽĨ ƚŚĞ ĐƵƐƚŽŵ ƌĞĐĞƉƟŽŶ ĚĞƐŬ ŽŶ ƚŚĞ ϰƚŚ ŇŽŽƌ͘


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manter hall

Tree of Life Wall Concept


manter hall

4th Floor Lab

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niobrara


niobrara

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Architectural Intern 2014 The Nature Conservancy’s Niobrara Valley Preserve is one of the largest preserves in the United States. With such a stature as this, the client hired HDR to develop a contemporary design that would act as the center for the ŽŶƐĞƌǀĂŶĐLJ͛Ɛ ŽƉĞƌĂƟŽŶƐ ŝŶ EĞďƌĂƐŬĂ͘ dŚĞ ĚĞƐŝŐŶ ŶĞĞĚĞĚ ƚŽ ĂĞƐƚŚĞƟĐĂůůLJ ďůĞŶĚ ǁŝƚŚ ƚŚĞ ƌƵƌĂů environment of the prairie while simultaneously drawing the tourist’s eye. The original conceptual design was lead by William DeRoin, a design ĂƌĐŚŝƚĞĐƚ͘ / ǁĂƐ ƚĂƐŬĞĚ ǁŝƚŚ ƌĞǁŽƌŬŝŶŐ ƚŚĞ ŝŶŝƟĂů design - interior and exterior - for AIA submissions. dŚĞ ƌĞƐƵůƟŶŐ ƌĞŶĚĞƌƐ ĂŶĚ ĚŝĂŐƌĂŵƐ ǁĞƌĞ produced using Vray for Rhino and Adobe Photoshop.


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niobrara

1- Program is centralized into one mass

2- Program is embedded into hill to minimize visual impact

hierarchy

and around the architecture

its natural beauty


niobrara

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niobrara

Conference Room Over the Prairie


niobrara

Viewing Deck

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