Chaconne (2008) for amplified cello and electronic music

CHACONNE

for cello and electronic music

1

    cello  

  

q = 92

ff

electronic music



 

2

  

let ring

sff

fff



        cello     ff    e. m. 



  

7

 



 

e. m.



  

ppp

15   cello  

e. m.



  

I



glis

s.



p

 

           

     

3 cantabile           cello         12

p



 

          ff      

pp

3



 

pppp

               

fierce



BRIAN CIACH



ff

  

 



  

             subito 

ppp



ff

 

         



3



4

  cello  

2

19

e.m.

 cello

   

  

25







    

5:4

 

cant.

 

         mf p



 

7:8

   

 

pp



  

5:4

  



 

    



  

 

  

  

5:4

   



  



  5:4    5:4    5:4   3                    2

3

5:4

3

4

3

2

3

4

pp

e.m.



ppp

  

 

  

 

        cello    

5

29

f

e.m.



     

  cello  

e.m.

 

 

36

     

p

 

  

  

   

    

 



I

ff

pp

     

 

 

6

5

p

       

5

     

5

pp



gli

ss.

p

 

5                         subito 

 ppp

       

 

p

ff

 

p

 

          3

 

             cello           5:4



40

e.m.

       



sff

     

  

fff

                    p

6

 

            cello  

          

44

e.m.



 

 

3

  

    

 

 

     cello     subito  3 ff

ppp

 

46

e.m.

5

   

3

leggiero

    

             3 3 3

  

3

        3

     

     3

      

          5



4

7  cello  48

 e.m.

 cello

e.m.



 





 

 

   

p

          53

 pp

        

        cello   57

dolente 3

p

e.m.

        

     





  

 

ppp

3



p

   3

  

 p

 



     







 

   

 

  

 

  

 



 

  mp  

ppp p

 





pp

    





8



   



 

3 5:4        

      

 3



dolce

   





  

   3 cello   

9

64

   



cant.





p

pp



       5             

  

 

       69        cello      e.m.

sf

e.m.



     

   

rit. 10 73   cello     



e.m.

       



mp

sf



    76



tenuto rit.     a tempo         

    

sf



   



sf









    

  

sf



sf

 

    



  

pizz.





   

 



 



  

 

  

   

   

   

  cello   

  

a tempo

sfp

e.m.

  

 arco





sf

     

 

mf



6

   79

cello

e.m.



  mf



     

e.m.



    

11

             pp

subito ff

  

  

 



   



  



 



 

  



 

         subito   wild

   



f

       

    cello       e.m.    



 

    

91



 

85

cello

 

       



 

ff sempre sf

p

  

       

 



   

      



   



12 rit. a tempo    cant. cant.                            sf f  p ff mf



  p   p

      

     

   

 cant. cello   

       

96



f

e.m.





sf

     

   

  100      cello         e.m.     



    3  cello  3

f

e.m.

     

ff

a tempo

        



   

sempre sf

   

 

3               

     

   

                             subito 3

p

   

7

     

   

      

   

  

 

   

p



    

   

13 cant. 3    3       

 

105

sf

rit.

   

 

   

     

  

8

14

   cello     110

  

subito sempre ff sf

e.m.



 

 

     

   

116

 







wild                               sempre ff ff 5

e.m.



15

     cello          

pp

         

  

 

 

     

119

e.m.

fff

      

     



cello

                      



sf

 

  

 



 

 

ff

  

   

      

 

 5  3 3                                  fff

  



   

 

 

  

 

sf

   

 

16 5     passionato                                           

  cello    125

e.m.



   f

ff

  

 



  

   

  



e.m.



5:4

129

3

ff

   

   pp   

    

  cello   134

     

17

5

 mp

 



p

     



   

  

5

  

   

3 3       3   3   3     cello     mf mp

e.m.



  



 

5        



    5

f



  

dolente

      

 

fff

 

5



subito pp

fff



     



 

  

137

   f   



  

7:8         cello            

e.m.

fff

9



 pp

   

    

pp

   

   cello  

10

143

     

e.m.



dolente

           mf 5:4

  

p

ppp



    p

18 

 



  

 

   

 

   

e.m.





19

155

3



cello

e.m.



     p

  



3









 



7:6



mp

 

 





  



  



cant. 3                ppp





       

p

  cello     148

7:8

pp

mf



cant.



       

  



pp

p

     

5:4





7:6    5:4                      

    pp

 

 

     

p

   

11

159

5:4

   

cello

e.m.





2

 

3

5:4

 

 



   3

4

3

pp

5:4

   3

2

5:4

3

  

4

 





  

 

20

5:4

   

         

intimo

5:4

ppp

 





   3

  

 cello    e. m.

 



165

       

pppp

pp

  

 

  

 

 



 

pp

 cello   



  

  

 

   

e. m.



173

  II cello   179

glis

s.



pp

e. m.

 

 

 ppp

 

 

I

  



niente

 

niente

 

Bloomington oct-nov 2008

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