Sunny Hostin of ‘The View’ talks local ties and the importance of local news during visit to Elon Law School

by Autumn Karen

Though Sunny Hostin shines on the national stage as a fierce advocate for marginalized groups and victims of violence, to her godchildren she’s simply known as “Auntie” or “Titi.”

Her godson Rocque Tremaglio transferred to Elon University last year from Oberlin College in search of warm weather and a warmer college experience, both of which he says he’s found on campus. Being surrounded by a powerful circle of women, including Hostin, has been pivotal in his ability to make his way to the Triad to pursue his goals.

“Aunt Sunny is a light in a dark room,” says Tremaglio with a golden glow in his voice.

Growing up in the Bronx, Hostin always knew she was headed for something bigger than herself. The daughter of a Puerto Rican mother and a Black father, at first it seemed as though journalism would be her way of making a positive impact on the world. While law school at Notre Dame proved to be the first step on her path as a change agent, she always came back to the importance of the news. After spending time with Court TV and hosting her own show on CNN, ABC came calling. For the last seven years, she’s been a host of “The View,” in addition to being a senior legal correspondent for the network.

In a sit-down interview with TCB during her recent visit to Greensboro as the featured speaker in the Elon Law Distinguished Leadership Lecture Series, she shared her ties to the city. Seated in Elon’s mock courtroom, Hostin appeared at ease dressed in a bold, wide-leg emerald suit.

She shared how her father, William Cummings, spent more than 20 years living in Greensboro, working for Lorillard Tobacco.

“Greensboro became the gathering place for the entire family,” she says. Starting in her twenties, she recalls coming down to visit him and her grand mother regularly. With a nostalgic smile, Hostin recalled fond memories of family gatherings at Print Works Bistro in the Proximity Hotel.

In her view, places like Greensboro are just as worthwhile as metropolitan centers for those intent on building a better world. When asked what advice she would give her godson Rocque about staying in the Triad or heading to a bigger city to make a name for himself, Hostin circled back to her grounded view of being a change agent.

“You don’t have to move to a big city to have a big impact,” she said. The same goes for smaller news organizations, Hostin said. hough she’s spent decades on national television, Hostin believes in the impor tance of local journalism.

While at CNN, Hostin read a local news piece out of Seminole County, Fla. about a 17-year-old who had been shot by a member of the local neighbor hood watch. After being told that it was a “local story” by producers, she went to Anderson Cooper with her belief that it had national implications. His cov erage of Trayvon Martin’s murder changed the conversation, instantly making the local story a national one.

Hostin still pours over local papers more than a decade later.

“There’s less and less local reporting today, and that saddens me,” she said. “If it’s happening in one place, it’s happening everywhere.”

According to Hostin, coverage of things like city council meetings and neighborhood stories are the heart of the news world. She draws a direct line between the ability of national outlets to cover important issues and the small print publications that break the stories first.

“So many people are saying that journalism is dead,” she says. “I take offense to that.”

Opening February 18

Healers, Guardians, and Nurturers

February 18 11 a.m.–12:30 p.m. Free with Museum Admission

Panel discussion with painter and fiber artist reynolda.org/towns

Stephen Towns; curator Kilolo Luckett; and moderator Dr. Paul Baker, public historian and director of the Contemporary Art Museum in Raleigh.

Stephen Towns: Declaration & Resistance is organized and toured by The Westmoreland Museum of American Art, Greensburg, PA.

Curated by Kilolo Luckett.

Stephen Towns: Declaration & Resistance is supported by Eden Hall Foundation; Arts, Equity, & Education Fund; De Buck Gallery; the National Endowment for the Arts; and the Hillman Exhibition Fund of The Westmoreland Museum of American Art. This exhibition is completed in partnership with the Rivers of Steel Heritage Area with funding provided in part by a grant from the Pennsylvania Department of Conservation and Natural Resources, Bureau of Recreation and Conservation, Environmental Stewardship Fund, administered by the Rivers of Steel Heritage Corp.

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