BRIANNA RAYA SELECTED WORKS
HELLO! MY NAME IS BRIANNA RAYA. This portfolio is a compilation of selected works form my academic years at Arizona State University as well as some mix media. The architectural and design approaches within the projects focus on adaption human behavior and scale while providing a memorable experience throughout the spaces. I believe design can be powerful in telling a story through experiences while effectively providing functionality and livability in a space. I take great pride in the work I create and am constantly inspired by music, pop culture, fashion, art, books and even food. Inspiration and design can be found anywhere and I believe as long as we view things at all perspectives we can find beauty and art to design our future.
BRIANNA.RAYA01@GMAIL.COM
602 . 478 . 5071
CONTENT 01 THE POST |
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02 OFS BRANDS |
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03 SCNM |
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04 THE WOOD |
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05 THE DISTRICT’S UNUSUAL INTERIORS |
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06 INTERNSHIP |
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07 MIXED MEDIA |
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surrounding transportation consist of bus, lig
Pedestrian access is very compliant as the
stops, as well as, parking locations. Walkin site and around Main St.
SURROUNDING CONTEXT
Mesa | Arizona | Spring 2018
The building specified for this project is historically protected as the city of Mesa’s first U.S. postal service building located on the southwest corner of MacDonald and Pepper Place. It was first built in 1937 and over the years it has seen many additions and renovations and now stands as Mesa’s Natural Museum’s storage unit. The City hopes to bring it back to life for recreational and community use but also have the challenge in finding a way to house historical neon signs. This proposed project, finds a new way to incorporate these signs in an indirect museum-like manner with the integration of a communal space that is flexible in its programing In colaboration with: Jeannie Nguyen, Miranda Garcia, Emma Phillips, Cecilia Flores
SITE PLAN
SUN
*ASU Design Excellence Nominee
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H IITS SIOS TTRO T OYO R RR Y YY H IH SH O O FEM M FSM E E E S S A’’AS S’ S O FO MF AS ’ SA 4 F EED E DRD E EAR E RLR A AA LL L F EFFDE B U BDIIULILN ID D LG IIDN N G N& G && B UB I LU &IG 1 NEON NEON NEON SIGNS SIGNS SIGNS NEON SIGNS
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BACK OF BUILDING
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SOLI
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CONCEPT The Post is a play on words that embodies the once “post Office” that lived in the Federal Building. The idea of Neon signs being a marker or way-finding tool has since merged with the modern idea of being a “Picture Spot” to post online. Her the community will come together and form connections through education, recreation and events to create a unique experience for people of all ages. The Post encourages diversity, creativity, growth and celebration through the incorporation of what was once considered an endangered craft, neon signs. The Post pays respect to its history by staying true to its historic materials. Interior metal beams extrude through the building to create a new framing facade . While preserving the east facade and changing the main entry to the west, we have created a community connection with the surrounding businesses.
MESA’S NEEDS
COMMUNITY SPACE
6 |
ROCK WALL
ADDITIONAL FOCUS
HOME FOR NEON SIGNS
RESOLVING CIRCULATION
SUPPORTING LOCAL BUSINESSES
CREATING A DESTINATION
NOT TO SCALE
BRANDING | DIGITAL SCHEDULES |
| LOGO |
| COLOR PALLET |
| MERCHANDISE |
| PATTERN |
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INITIAL RESEARCH
EXTERIOR DETAIL VIEW : NORTH-EAST & WEST
NORTH
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EAST
SOUTH
AWNING & STAIRS
30s & 60s BUILDING CONNECTION
BRICK
WINDOWS WINDOW PLACEMENT
LIGHTS LIGHT PLACEMENTS
DOOR STAIRS
WINDOWS WINDOW PLACEMENTS
RAMP
SECURITY FENCE
WINDOWS WINDOW PLACEMENT
30s BUILDING INTERIOR : WOOD CEILING & BRICK/CMU WALL DETAIL
WEST
UPDATED / NEW HISTORICAL / ORIGINAL
ENTRY LEVEL
RECEPTION
ENTRANCE RAMP /
ENTRY PATIO
The 1.5 level includes the main entrance to The Post and the reception desk. Here you are greeted with large graphics paying homage to the history of Mesa and their neon signs. Large digital screens explain the classes and events offered daily.
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GROUND LEVEL
KITCHEN-NEON WALK-TUNNE /
FITNESS-SWINGS
WORK STATION - STADIUM STAIRS + SLIDE
UNISEX RESTROOMS
Level 1 includes working pods, lounge space, fitness, play area, views to the rock wall and a variety of neon signs. Here you can experience the majority of the building while sitting on the amphitheater steps.
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NOT TO SCALE
LOWER & 2ND LEVEL
ROCKWALL /
LITE BRITE
CLASSROOMS + LOUNGE /
LEVEL 2 PATIO
Includes recreational activities: rock wall, ping pong, a giant chess, and lite brite. Adjacent is a neon walk experience. The equipment room and ADA restroom are also located in the lower level.
Indoor / outdoor bar and outdoor multipurpose furniture for events. Signage and accessories in this area pays homage to the once post office. NOT TO SCALE NOT TO SCALE
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Huntingburg | Indiana | Fall 2017
OFS Brands has come a long way since its founding back in 1937. What makes this company so unique from its competitors is their 80-year legacy, a legacy of being family owned, with a family culture and a family story. The idea of family is where the concept for the design lies within an idea of celebrating the family culture OFS has by starting at its roots, the beginning of the legacy, and branching out from where they are today to another 80 years to their family. In colaboration with: Jeannie Nguyen
ENTRANCE
CONCEPT 1
The idea was to show a strong connectivity to their culture and brand while remaining true to their cultural roots of family and home. The floor plan is sectioned off into 4 different zones:
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DEPARTMENTS:
The zones represent the ideal space of a home that Order Entry Global Accounts a family shares, from the central family gathering to Customer Service Specification theDesign branching out of each member.
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Marketing
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New Product Engineers
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Credit
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DEPARTMENTS:
ADDITIONAL PROGRAMMING:
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Order Entry Team Leader
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Order Entry
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Customer Service Team Leader
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Global Accounts
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Senior Vice President of Resources
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Customer Service
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Director of Global Accounts
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Design Specification
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Senior of Vice President of of Sales + Marketing
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Marketing
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Collaboration Space
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New Product Engineers
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Private Touchdown / Area Spaces
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Credit
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Kitchen
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Break-out Meeting Spaces
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IT Server Room
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Mail + Print / Lockers 9 + Centralized Storage
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Booked Meeting Space
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CEO Office
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CEO’s Assistant Lounge / Waiting Area
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Boardroom
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Credit Support Specialists
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OFS Memorabilia
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Order Entry Team Leader
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Customer Service Team Leader
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Senior Vice President of Resources
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Director of Global Accounts
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Senior of Vice President of of Sales + Marketing
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Collaboration Space
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Private Touchdown / Area Spaces
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Kitchen
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Break-out Meeting Spaces
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IT Server Room
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Mail + Print / Lockers + Centralized Storage
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Booked Meeting Space
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CEO Office
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CEO’s Assistant
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Lounge / Waiting Area
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Boardroom
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Credit Support Specialists
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OFS Memorabilia
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66
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NOT TO SCALE
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NOT TO SCALE
ADDITIONAL PROGRAMMING: 1
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-Threshold -Sanctuary -Place-To-Share -Place-To-Be.
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PLACE TO BE - PLACE TO SHARE
BOARDROOM - FLEXIBLE LAYOUT
METAL GRID (SUSPENDED)
VELLUM PAPER AIR PLANTS INSTALLATION
METAL CHAIN
NOT TO SCALE
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NOT TO SCALE
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SANCTUARY - KITCHEN/SOCIAL SPACE
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| 17 | NORTH |
SC NM THE WOOD
AN EXPERIENCE YOU NEVER KNEW YOU NEEDED.
S O U T H W E S T C O L L E G E O F N AT U R O PAT H I C M E D I C I N E
Tempe | Arizona | Spring 2017
Positioned on the northwest corner of Price Rd and Broadway and uniquely located with a close proximity to condo and apartment complexes. Southwest College of Naturopathic Medicine (SCNM) is a holistic community healthcare clinic. This design consists of a re-branding and renovation of the ground level of SCNM. This healthcare facility is used for both clinical care and education for student studying naturalistic medicine in the location. The ground level is a blend of both uses thats challenge is to show its want in displaying an emphasis on community, collaboration and the whole person. In colaboration with: Jeannie Nguyen *ASU Design Excellence Nominee
| 19 RECEPTION
CONCEPT SCNM is constructed with a central core that connects the North and South ends, that fabricate an “on and off” stage between patients, students and staff. The central core contains a middle corridor that connects the entrance, reception, waiting areas and café. It incorporates a play of natural light from windows on both North and South ends. Herbal teas are sold in the café where most are grown at the garden in SCNM to promote healing. Inspired by the new SCNM logo, abstract leaf forms were used to create the pattern of the screen walls. Based off a study of light and shadow the pattern provides patients the combination of healing comfort of natural light and the privacy needed inside. A central lounge and break room are located on the East side to accommodate for students and staff members to relax and work comfortably away from patients.
PROPOSED GOALS
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NOT TO SCALE
BRANDING | CHOSEN FONT: CHAMPAGNE & LIMOUSINES |
ABCDEFGHIJKLMNO PQRSTUVWXYZ abcdefghijklmno pqrstuvwxyz | COLOR PALLET |
| LOGO |
SC NM S O U T H W E S T C O L L E G E O F N AT U R O PAT H I C M E D I C I N E
| PACKAGING/WEBSITE|
| PATTERN |
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WAITING AREA CAFE
CENTRAL CORE
HERBAL GARDEN
The pattern inspired the design of the privacy wall that’s placed outside the windows of patient rooms. Giving patients a combination of comfort of natural light and privacy. The screens pattern not only plays with abstract organic forms but also with light and shadow.
PATETERN
LIGHT
SHADOW
HERBAL GARDEN CAFE WAITING AREA RECEPTION FRONT ENTRANCE
| NORTH |
STUDENT / STAFF LOUNGE (1)
2
1 24 |
EXAM ROOM (2)
26 |
THE WOOD
AN EXPERIENCE YOU NEVER KNEW YOU NEEDED.
Phoenix | Arizona | Fall 2016
Positioned at the intersection of the thriving Grant Avenue Arts District and the Woodland Historic District in downtown Phoenix, the Zion Evangelical Church was once was a place of worship, socialization and an active community hub. Today the new owner, a devotee of the arts, dreams of adapting the building into a community-centric arts and entertainment venue. The design challenge was to re-purpose the church by protecting the historic character of the building while creating a new atmosphere and venue for the arts community and surrounding neighborhood. The original church structure was an austere rectangular building constructed in 1918 followed by the sanctuary addition in 1938. The second addition included a multipurpose room, kitchen, restrooms and office, which were added in 1959. *ASU Design Excellence Winner
EXISTING SITE & MATERIALS:
GREY CONCRETE
RED STAINED CONCRETE
TUFA STONE BRICK
1918 ORIGINAL BUILDING 1938 SANCTUARY EXTENSION 1958 ADDITION
VENUE 1
RED OREGON PINE
CONCEPT THE WOOD is a place for the diverse neighborhood groups to gather and celebrate community, art, and music. In order to retain the original identity of the church, the Holy Trinity was the core inspiration. Playing with the powers of three, triangles, facets, and triplets become the subtle motif of the design. Designed to spark curiosity, custom screens and contrasting palettes provide the user a preview into adjacent spaces. Even the basement holds interest as it invites users down into the space below. THE WOOD helps unify a single community that enjoys food, music, art and experience.
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4
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2
1
COMMUNITY
GROUND LEVEL
NOT TO SCALE
ART
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EXPERIENCE BASEMENT
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1
VENUE 1
4
VENUE 2
2
RETAIL
5
OUTDOOR PATIO
3
SCREEN WALL
6
BASEMENT BAR/ LOUNGE
BRANDING | CHOSEN FONT: POIRET ONE |
ABCDEFGHIJKLMNO P Q R ST U V W X Y Z a b c d e f g h ij k l m n o pqrstuvwxyz
| COLOR PALLET |
| LOGO |
THE WOOD | PATTERN |
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General Notes: 3. 7.
DEMO PROPOSED
1.
5. 2. 4.
GROUND LEVEL
6.
NOT TO SCALE
8.
1.
Remove existing carpet and repair concrete underneath
2.
Remove existing Flooring and replace with cement tiles.
3.
Refinish existing mill-work
4.
Repair existing windows
5.
Remove existing door, install counter top connecting to new bar.
6.
Relocated existing stairs, enlarge space, install elevator
7.
ADA ramp installed
8.
Move electrical box inside room
9.
Close off existing mechanical fixtures
9. 3’ - 8 7/16”
Plywood Quartzite
Block
BASEMENT
Dang Wood
Plastic Laminete Top Tabak Wood
DEMO PLAN
Smart Board Shelf 3’ - 7 1/2”
3/4” Cork
Dimensinal Lumber
1/4”Plywood
Track Wheels Dang Wood
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VENUE 2: CUSTOM DETACHABLE BAR
SCREEN MOTIF
The simple triangular motif was influenced by the geometry of the trusses. The screen walls between the retail and Venue 1 space are made up by rotating and repeating the truss geometry to form a uniform pattern. The copper guiled plywood reflects the light.
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RETAIL 1/4” DUNG 1/2”PLYWOOD DECOR WOOD/COPPER
PEGS SHLEF
1/4” PLYWOOD BLOCKING IRON LEGS
1
32 |
COUNTER/TABLE TOP: AZ TILE
2
COPPER GUILDED PLYWOOD SCREEN WALL
3
RECLAIMED WOOD
VENUE 2
LEG JOINTS
1
UPHOLSTERY: KNOLL
2
RECLAIMED WOOD
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PATIO
1/2” Iron Strap 3/4” Wood 1/2 Diam. Screw
1
34 |
RECLAIMED WOOD
2
POWDER COATED METAL
BASEMENT BAR/LOUNGE
JOINTS
3
RECLAIMED WOOD
2
UPHOLSTERY SPINNEYBECK
1
UPHOLSTERY KNOLL
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The District’s Unusual Interiors Tempe | Arizona | Spring 2016 This project was an Interior Landscape design of ASU’s Design School’s “Dead Square” space. This included an outdoor courtyard, also know as dead square by the students, Charlie’s Cafe original location and the balcony located in north design building. This space has the opportunity to evolve with the use of 2 buses each form different use: gardening/vegetation and juice shop. The placement of the two buses transforms the original space of Dead Square, Old Charlie’s and the Balcony into a new area for gathering of students and faculty. This exterior is modified in order to incorporate the new systems. In colaboration with: Jacki Vasquez
Dead Square
Old Charlie’s Cafe
Balcony
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CONCEPT
A 2 level structure will focus on 3 things. One, providing a new system of agriculture in to their interiors. Two, contribute to a new restoration place for the students. And threes, a new connection from the third floor to the second level through its second level extension I which it contains the vegetation.
The core concept of this design project was to bring and grow agriculture in the interiors though the comfort of hospitality. Inspired by the Russian nesting dolls, a set of wooden dolls of decreasing size placed one inside another, the idea of an interior within an interior is placed inside the space. This is accomplished through a re-purposed bus structure. The approach is to bring the agriculture though the mobility of an interior while still providing the comfort that hospitality provides to the user. The overall context is using exterior objects that have been molded to fit into an interior space creating an interior in an interior.
1
5
ELEVATIONS + FLOOR PLAN 4
2
3
JUICE BUS-BAR 6 The portions produce from the vegetation structure will provide for another bus structural interior, The Juice Shop. This single level interior provides smoothie beverages to students and faculty using portions of the ingredients supplied from the vegetation structure.
NOT TO SCALE BOTTOME LEVEL
TOP LEVEL
GARDEN BUS
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1
GARDEN LOUNGE
4
TRANSITION SPACE
2
STORAGE
5
JUICE BUS-BAR
3
JUICE SHOP LOUNGE
6
GARDEN BUS
the District can expand to surrounding areas of ASU. Brining more interiors within interiors across the campus.
SUMMER
WINTER
SOUTH RENDERED ELEVATION
NORTH RENDERED ELEVATION
oduce from the vegetation structure will provide for another bus structural interior, The The portions Juice Shop. This single level pro- structure will provide for another bus structural interior, The J produce from theinterior vegetation e beverages to students and faculty using portions of the ingredients supplied from the vegetation structure.
vides smoothie beverages to students and faculty using portions of the ingredients supplied from the v
Stucco Wall
NORTH RENDERED ELEVATION
Steel
A bus inside an interior is about complexity of eccentricity. It begins in Dead Square but the District can expand to surrounding areas of ASU. Brining more interiors within interiors across the campus.
Reclaimed Wood
Aluminum
nterior is about complexity of eccentricity. It begins in Dead Square but xpand to surrounding areas of ASU. Brining more interiors within interiors us.
SUMMER
SOUTH RENDERED ELEVATION
Palette Stairs
Elevation views of both the Juice and Garden bus displaying the integration of vegitation and social interation within these structured interiors while SEC TION + MATERIALS in a interior enviornment
WINTER
SUMMER
| 39
Private Client - Initial Moodboard / FF+E / Space Planning
Private Client - Conceptual Wish-list
40 |
Private Client - Restroom Elevations
INTERNSHIP Phoenix | Arizona Included are projects of private clients that show the progress of initial concept design. The first is of a hospitality project that moves from moodboard, then translated into FF+E and then places into space planning. The second is a conceptual wish list indicating space layout and specification of the FF+E, with an additional detailed call-out of the existing portable concession bar that is to be renovated with new wood cladding. Included are also a moodboard for a dining concept and drawn elevations for a restroom addition in a commercial space.
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-EVENTS-
-EVENTS-
1/18 - 6:30-8:30 RECORD PAINTING
1/18 - 6:30-8:30 RECORD PAINTING
1/19 - 7:30-9:00 ICE CREAM BAR + STUDIO NIGHT
1/19 - 7:30-9:00 ICE CREAM BAR + STUDIO NIGHT
1/22 - 4:00-6:30 FIELD DAY
1/22 - 4:00-6:30 FIELD DAY
1/24 - 5:30-7:30 ROOF TOP GAME NIGHT
1/24 - 5:30-7:30 ROOF TOP GAME NIGHT
1/29 - TBA CLOSED EVENT
1/29 - TBA CLOSED EVENT
TRANSPORTATION WILL BE PROVIDED. MEET IN DESIGN SOUTH LOBBY 10 MINUTES PRIOR TO EVENT TIME.
TRANSPORTATION WILL BE PROVIDED. MEET IN DESIGN SOUTH LOBBY 10 MINUTES PRIOR TO EVENT TIME.
SATYROS CHAPTER OF ALPHA RHO CHI
@apx_satyros
apx.satyros@gmail.com
42 |
Alpha Rho Chi Naaonal Professional Design Fraternity Spring 2017 Recruitment
SATYROS CHAPTER OF ALPHA RHO CHI
@apx_satyros
apx.satyros@gmail.com
Alpha Rho Chi Naaonal Professional Design Fraternity Spring 2017 Recruitment
MIX MEDIA
7
Tempe | Arizona A variety of sketches, graphic art and photography created over the years. The graphics are flyerâ&#x20AC;&#x2122;s designed for promoting events hosted by Alpha Rho Chi, front cover for a soon to be published poetry book and a psychadelic graphic collage art print. Both sketches and photography show moments depicting the world through different perspectives in different mediums. Logo design was also touched on with Work + Play, a conceptual business design of a co-working space that gears towards the target audience of start up design firm owners and designers that also need to balance work-life with kids as the play and they work. Included are also snapshots of community outreach projects: Quadrat and Light for Hope. Quadrat is a project focusing of up-cycling discontinued textiles and give them a new purpose and a hanging art piece. Light for Hope encouraged students to create their own personal light that will be auctioned off and all the proceeds will be donated to Free Arts AZ Organization, a local non profit organization.
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BRIANNA RAYA LETâ&#x20AC;&#x2122;S KEEP IN TOUCH! BRIANNA.RAYA01@GMAIL.COM
602 . 478 . 5071
ISSUU.COM/BRIANNARAYA