Engineering the Impossible Into Reality

If Art Thompson’s creations sound like they should be in the movies, that’s because some of them are— the Batmobile, for example— but one thing is for sure: his viral projects get people inspired, and that’s exactly what he wants

Babies’ chew toys, Batmobiles, rocket engines—Art Thompson makes them all.

Thompson is a modern-day da Vinci, the rare sort of individual these days who is equally comfortable in the worlds of arts and technology, and more often than not bringing the two together. One of his earliest jobs involved running a sign shop—the owner handed it over to him a day after he’d started. He was still a teenager. Later, his art background came in handy at the aerospace company Northrop, where he made architectural models and was pulled into working on the B2 stealth bomber for over 10 years.

Thompson’s own companies, Sage Cheshire Aerospace and A2ZFX, share a workshop space in Lancaster, California, devoted to design, engineering, prototyping, fabrication, and testing.

Sage Cheshire regularly makes parts for government agencies or aerospace companies—from aircraft fairings and components to antennae for the U.S. Navy—much faster and cheaper than they could do themselves.

“We’re a super small organization and highly efficient,” Thompson said. “So while a company like Northrop or Lockheed or Boeing spends a lot of time in bureaucracy trying to figure out what they want to do, we’re already finished with the project. And so they realize that and use that to their advantage by contracting work.”

The company can take on larger projects, too, such as scanning and reverse-engineering an airplane that an aerospace company bought from a foreign provider, who wouldn’t give them the plans. Thompson also has his own projects. Working with a space plane, he started to think about how he could develop the technology for a better defense system. Instead of using a hypersonic weapon against a hypersonic missile—the equivalent of launching a bullet to hit a bullet—he envisions launching a space plane at 250,000 or 350,000 feet in altitude, firing pulses of laser, which would have a better chance of hitting the target, since the speed of light is faster than the speed of a hypersonic missile. With its small footprint, the plane could also be used for reconnaissance and be transported easily anywhere around the world and launched from a regular runway, unlike a rocket.

While Sage Cheshire handles some serious business, A2ZFX focuses on product development and special effects—from the mundane to the spectacular. For example, the blister-like yellow bumps on sidewalks? Thompson’s team made the original version of these “truncated domes,” as they’re formally known. “And I cursed myself every time going over them with a shopping cart—along with millions of other people,” he said good-naturedly. A more dramatic, and flammable, example involved recreating a flying object zooming around in the air, to mimic the Human Torch for the promotion of a “Fantastic Four” movie.

Some of his projects not only have an undeniable flair for fun but also are marketing gold—like the Hum Rider, engineered to show off a marvelous solution to traffic jams. Envision a Jeep Grand Cherokee, with a wheelbase that widens and a body that elevates several feet above traffic, leaving stunned commuters below in the dust. Conceived to promote Verizon’s Hum dongle and smart app, the video made ripples through the internet, receiving a billion views.

The energy drink company Red Bull, with its marketing strategy embracing extreme sports and jaw-dropping stunts, was another client that was a natural fit.

When Red Bull was in its early stages of entering the U.S. market, it hired Thompson to make its eye-catching “can cars”—Mini Coopers outfitted with giant Red Bull cans on top, deployed with reps all over the country to offer samples of its product. Thompson