Aylon

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Courtesy, Helène Aylon

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Text from Jewish sources is projected on the face of Helène Aylon, from a series titled “Self-Portrait: The Unmentionable.”

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Courtesy, Helène Aylon

Courtesy, Helène Aylon

The artist used a pink marker to cross out words in the Five Books of Moses that she found inhumane, misogynist and cruel.

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“My Marriage Contract” shows Aylon as a bride of 18, holding up a canopy. She dedicated it to the mothers whose names were omitted on the occasions of the marriage of a child and the death of a child.

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'LG *RG UHDOO\ VD\ WKDW WR 0RVHV RU LV LW D SDWULDUFKDO SURMHFWLRQ" Judith A. Sokoloff

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“All Rise” is Aylon’s imaginary female Beit Din (Jewish court of law), where women are allowed to bear witness and judge.

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Aylon covered the façades of art museums with her anti-war “Bridge of Knots.” On the pillowcases, women have written their dreams and nightmares.


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