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Text from Jewish sources is projected on the face of Helène Aylon, from a series titled “Self-Portrait: The Unmentionable.”
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Courtesy, Helène Aylon
Courtesy, Helène Aylon
The artist used a pink marker to cross out words in the Five Books of Moses that she found inhumane, misogynist and cruel.
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“My Marriage Contract” shows Aylon as a bride of 18, holding up a canopy. She dedicated it to the mothers whose names were omitted on the occasions of the marriage of a child and the death of a child.
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“All Rise” is Aylon’s imaginary female Beit Din (Jewish court of law), where women are allowed to bear witness and judge.
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Aylon covered the façades of art museums with her anti-war “Bridge of Knots.” On the pillowcases, women have written their dreams and nightmares.
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