American & Southern | December 5, 2024

American & Southern December 5, 2024

1001

After William Sydney Mount (American, 20th century)

The Power of Music, unsigned, oil on canvas, 29 x 36-1/4 in.; elaborate molded and gilt wood frame, 38-1/2 x 46 in., clean surface, crackle throughout, conserved and lined in 2000, retouch bottom center, possible tear repair, modern varnish coat; frame with wear and losses

Estimate: $800 - $1, 000

1002

Arthur Fitzwilliam Tait (New York/England, 1819-1905)

Jealousy, Cows by a Fence, signed lower right “A.F. Tait N.A./ N.Y. 92”, oil on canvas, 18-1/4 x 27 in.; period carved gilt wood frame, 24 x 33 in., wax lined, crackle, areas of retouch; frame with bronze paint, wear

Estimate: $5, 000 - $7, 000

Literature: Warder H. Cadbury and Henry F. Marsh, Arthur Fitzwilliam Tait, Artist in the Adirondacks, Cranbury, NJ: Associated University Presses, 1986, probably 92.20 as unlocated, page 293.

1003

Country Scene with Cottages (American/Continental School, early 20th century)

Cottages on a Hill, unsigned, gouache on buff paper, 23 x 29 in.; period carved gilt wood frame, 31 x 36 in., probably fading; frame with wear

Provenance: Private Collection, North Carolina

Estimate: $800 - $1, 200

1004

Harry Roseland (American, 1866-1950)

Working in the Field, 1881, signed and dated lower right “Harry Roseland ‘81”, oil on canvas, 19 x 32 in.; fine period carved gilt wood frame, 44-1/2 x 311/2 in., lined, stabilized crackle, areas of retouch; frame with wear

Estimate: $8, 000 - $12, 000

1005

John Ward Dunsmore (American, 1856-1945)

By the Fire, signed lower left “John Ward Dunsmore”, oil on panel, 7-3/4 x 11 in.; gilt wood frame, 11-1/4 x 14-1/2 in., areas of retouch; frame with wear and losses to surface

Provenance: Private Collection

Estimate: $500 - $700

1006

John George Brown (American, 1831-1913)

The Young Philosopher, 1859, signed and dated lower left “J.G. Brown 1859”, New York colourman stamp canvas verso, oil on canvas, 10 x 8 in.; period carved gilt wood frame, 19 x 17 in., original canvas and stretchers, stretcher marks, crackle; frame with abrasions

Estimate: $3, 000 - $5, 000

1007

John George Brown (American, 1831-1913)

Picking Grapes, 1859, signed and dated lower left “J.G. Brown 1859”, New York colourman stamp canvas verso, oil on canvas, 10 x 8 in.; period carved gilt wood frame, 19 x 17 in., original canvas and stretchers, stretcher marks, crackle; frame with abrasions

Estimate: $3, 000 - $5, 000

1008

John Henry Hill (New York/California, 1839-1922)

Chick Eating Strawberries on a Cabbage Leaf, oil on canvas, signed lower left “JH Hill”, oil on paper, 7-1/2 x 9-1/2 in.; gilt wood frame, 12-1/4 x 10-1/4 in., wax lined, areas of retouch; frame with wear

Provenance: Collection of the Birmingham Museum of Art, sold to benefit the Decorative Arts Acquisition Fund

Estimate: $600 - $900

1011

Attributed to Richard LaBarre Goodwin (American, 1840-1910)

1009

Walter Hemenway (American, 1885-1951)

Gordon Setters, signed lower right “alter Hemenway”, oil on canvas, 26 x 20 in.; wood frame, 27 x 21 in., original canvas and stretchers, crackle, stretcher marks; frame with wear

Provenance: Jeanne Millet Collection; Copley Auctions, January 17, 2011, sold for $1, 035

Estimate: $800 - $1, 200

1010

Charles Henry Miller (American, 1842-1922)

Outside the Tavern, signed with initials lower right “CHM”, oil on canvas, 20 x 30 in.; reproduction gilt wood frame, 26-1/2 x 36-1/2 in., lined, stabilized crackle, areas of retouch; frame with wear

Provenance: Private Collection

Estimate: $2, 000 - $3, 000

Pleasurable Pastimes, Colorado Springs, 1894, unsigned, inscribed “Colorado Springs” on painted envelope, oil on canvas, 31 x 23-3/4 in.; reproduction carved wood frame, 39-3/4 x 32-1/4 in., linen lined, probable repaired tear upper center, areas or fluorescence scattered throughout; frame with wear, abrasions and chips at edges and corners

Provenance: Driscoll/Babcock Galleries, New York, NY (label verso)

Estimate: $800 - $1, 200

1012

American William & Mary Gumwood and Ebonized Kas New York or New Jersey, 18th century, two paneled doors opening to a shelved interior, lower section with a single long drawer with false double front, on original boldly formed ebonized turned feet, 70-1/2 x 57-1/2 x 18 in., lacking part of bottom board, probably original brass, interior shelves replaced, distress at top of bottom shelf, top of case possibly truncated, other typical surface distress

Estimate: $800 - $1, 200

1013

Fine American Classical Figured Mahogany Pedestal Table Circa 1820s, dense figured mahogany throughout, two drop leaves, dovetailed skirt drawer with mahogany sides and poplar drawer bottom, false drawer verso, white pine rails (by eye), pedestal base with brass casters, 28 x 24 x 48 in., opens to 57 in., very good structural condition to with stains and abrasions and some shallow burns, minor cracks at pedestal, original gilt brasses

Estimate: $500 - $700

1014

American Federal Inlaid Mahogany Games Table probably New York, circa 1800, figured mahogany playing surface, inlaid skirt with oval patera, husk and line inlaid legs, 29 x 36 x 17-1/2 in., opens to 35 in., very good condition, one repaired crack at back edge of top, other typical surface and veneer flaws

Provenance: Property from the Brooklyn Museum

Estimate: $500 - $700

1015

Rare Set of Four Duncan Phyfe Attributed Classical Mahogany Side Chairs New York, 1815 to 1825, attributed to the shop of Duncan Phyfe, each with carved lyre backs, reeded stiles, on animal paw carved front legs, 31-¾ x 17-1/2 x 18 in., chair VI with break and repair to rear stiles at joint with crest rail with associated losses and repairs, one rear leg re-pinned, areas of discoloration from repairs, front leg is badly broken; chair XI with break and repair at one front leg with replaced rosette; chair II with breaks and repairs at crest rail attachment, break and repairs to rear stiles at joint with seat rail, breaks at front leg attachments with associated cracks; chair I with later plugged screw at one front leg attachment; all chairs with distress at crest panels, scars from previous braces at front leg attachments now removed, additionally inside of the upper stiles of each chair has several small holes suggesting the backs were perhaps at one point upholstered over, modern slipseat frames, all chairs with bumps and wear overall wear to feet with some small losses at to toes,

Provenance: Private Collection

Estimate: $3, 000 - $5, 000

1016

American Federal Coin Silver Sugar Urn New York, late 18th century, urn form with engraved floral swag decoration, urn finial, marks for Underhill & Vernon (Thomas Underhill and John Vernon, New York, NY, working 1786 to 1787), 13.02 oz. T., 9-1/4 in., old lacquer finish with loss, lid rim bent, lacquer residue on rim, lid tight to base, heavy tarnish, light wear, and scratches

Provenance: Property from the Brooklyn Museum

Estimate: $800 - $1, 200

1017

Pennsylvania Chippendale Figured Walnut Tall Case Clock probably Lancaster area, late 18th century, broken arch pediment, arched and painted dial, eight day brass movement with calendar and seconds dials, double tombstone figured walnut door fluted quarter columns, ogee bracket feet, good condition overall, dial with wear and crackle to paint with some discoloration, original saddle board, minor crack to door glazing, finials possibly replaced, typical shrinkage crack at lower panel, other typical bumps and surface flaws.

Provenance: Private Collection

Estimate: $1, 000 - $2, 000

1018

Federal Washington Capitol Framed Needlework

circa 1830, cotton on linen cross stitch depicting United States Capitol in Washington, D.C., reads “Capitol Washington MDCCCXXX/Neenah Dickers”, apparently unfinished, later mat and frame, needlework 16 x 16 in. visible; frame 21-1/2 x 22 in., hole to linen upper center, some losses to stitches in title, a few pulled threads, wear consistent with age and use

Provenance: By Descent in the Fahnestock and Michalis Families, New York

Estimate: $1, 500 - $2, 500

1019

Two Daguerreotypes of Gentlemen in Gutta Percha Case two quarter plate sized daguerreotypes of gentlemen in period formal dress, identity unknown, light blush tint to cheeks of each, surrounded by oval frame in gilt, together in gutta percha Francis Marion “Sweet Potato Dinner” case, overall 8 x 4-3/4 in. (opened), good overall, light tarnish and wear to the plate, crack and small void in case, delicate hinges

Provenance: Private Charleston Collection

Estimate: $300 - $500

1020

Figured Mahogany and Ebonized Gothic Revival Baptismal Font early 20th century, square form in figured mahogany, each side with opening for votive or saint, with carved and ebonized surround, 37 x 25-1/2 x 25-3/4 in., surface distress throughout with later areas of white paint, bumps, scattered dents at moldings

Provenance: Private Collection

Estimate: $500 - $700

1022

1021

Federal Inlaid Cherry and Birch One Drawer Stand American, early 19th century, line and lozenge inlaid top, single dovetailed drawer with white pine secondary on inlaid tapered legs, 27-¾ x 19 x 18 in., break and repair at one front leg at joint with skirt, other minor leg damage, areas of infill and color retouch, brasses replaced, other surface flaws and minor repairs

Provenance: Private Collection

Estimate: $300 - $500

Federal Inlaid Figured Mahogany Miniature Secretary probably American, circa 1820, in mixed woods with figured mahogany, rosewood, lightwood, and other inlays and veneers, with two arched doors opening to an adjustable shelved interior over five drawers, on deeply scrolled base, appears to be white pine secondary wood, 42 -3/4 x 22 -3/4 x 13 -1/4 in., good condition overall, scattered typical veneer distress, cracks, minor patches and repairs, original feet, brasses replaced, bookcase interior with later paint and replaced shelves

Provenance: The Collection of Clare and Jared Edwards, West Hartford, Connecticut

Estimate: $500 - $700

This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

1023

Walnut Solar Timepiece or Globe Clock by Timby Saratoga Springs, New York, circa 1865, scroll top case with central turned finial, printed paper Arabic numeral hour dial encircling the 6 in. printed globe “Joslin’s Terrestrial Globe/Containing the Latest Discoveries/Gillman Joslin/Boston 1860”, in a brass yoke with North Pole facing front, lower printed paper minute dial with Arabic numerals behind a hinged door, 26-3/4 x 15 x 5-1/4 in., lacking glazed doors to dials, lacking drop finials, losses and discoloration to globe, discoloration and chips to case, with possible repairs, foxing to paper dials and globe, lacking wind key, not tested for functionality

Provenance: Private Collection

Estimate: $2, 000 - $4, 000

1024

American Classical Figured Mahogany and Birdseye Maple Ladies Work Table

New York, early 19th century, fine old original surface, hinged lid with fitted interior set with ratcheted writing board and compartments over two dovetailed drawers with bird’s-eye maple facings and original brass pulls, leaf-carved and turned supports on leaf-carved and hair-paw feet set with original casters, signed in two places “Carrie Thomas” in period script, 32-3/4 x 20-1/2 x 16-3/4 in., excellent condition overall, central crack and area of loss to top, some patches at hinges including distress at hinged lid catch, one interior compartment lacking lid, scattered minor veneer patches and losses, appears to retain most of its original finish

minor sun fading, other scattered minor surface flaws, minor banding loss at back edge of top

Provenance: Brunk Auctions, Asheville, North Carolina, May 17, 2014, Lot 269, $950; Private Collection

Estimate: $600 - $900

1025

Five Pieces American Coin Silver Flatware, including Elias Pelletreau 18th/19th century, including teaspoon with oval handle, monogram, marks for Elias Pelletreau (New York, NY 17471750; Southampton, New York 1750-1776 and again 1782-1810; Simsbury, Connecticut, working 1776-1780; Saybrook, Connecticut working 1780-1782), 5-1/4 in.; fish server with twist handle, marks for Duhme & Co. (Cincinnati, Ohio, working 1844-1897), 12 in.; fork, fiddle handle, marks for Robert Keyworth (Washington, DC 1822-1855), 8-3/8 in.; hollow handle knife, pseudo hallmarks, 6-3/4 in.; teaspoon, shaped handle, marks for D.M. Tyler (Boston, Massachusetts, c. 1810), 6-1/8 in., most with monogram, 7.08 oz. T. total weight, all with wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $500 - $900

1026

Tiffany Sterling Cake Basket, Grosjean & Woodward American, 1854-1869, oval with scalloped border and handle, floral repousse and etched decoration, monogram, 32.99 oz. T., 9-3/4 x 12-1/2 x 10-1/4 in.; with smaller Tiffany bag, three dents, scratches, polishing abrasion

Provenance: Private Collection, Augusta, Georgia

Estimate: $2, 000 - $3, 000

1027

Rare and Impressive Pair of Chinese Export Armorial Porcelain Chargers Qing Dynasty, Yongzheng Period, circa 1735, centered with the arms of Sandilands quarterly impaling Hume, Pepdie, Polwarth, and St. Clair, 2 x 15-1/4 in., one in overall good condition, the other with restored breaks with associated overpaint, both with firing imperfections and minor wear to the surface, the enamels of both remain bright, with labels to bases

Provenance: Sotheby’s New York, 14 May 1996, lot 99; Charles Perry, Atlanta, Georgia (label to base); Property from a Historic South Carolina Plantation

Estimate: $5, 000 - $7, 000

Using at least ten different enamels, this service is often described as one of the most elaborate armorial services ever made (see David Howard and John Ayers, China for the West Vol. II, p. 412, no. 412). For the arms see David Sanctuary Howard, Chinese Armorial Porcelain, Vol. 1, London, 1974, p. 308, H3.

https://live.brunkauctions.com/auctions/brunk/american-southern-december-5-2024-15018/catalog#catalog

Click here to view lots and detail photos.

1029

1028

Rare Chinese Export Armorial Plate, for the Belgian Market Qing Dynasty, Yonzheng period, circa 1735, centered with the arms of the de Knyff family of Brussels and Antwerp, 9 in. diameter, scratching, accretion, firing flaws, spotting, adhesive remnants to verso

Provenance: Christie’s London, 7 November 1994, lot 186 (one of a pair); Charles Perry, Atlanta, Georgia (label to base); Property from a Historic South Carolina Plantation

Estimate: $1, 000 - $2, 000

Rare Chinese Export Armorial Porcelain Oval Mazarin and Platter, Ramsay Qing Dynasty, Qianlong period, centered with the arms of Ramsay and inscribed “NIL. TIM. E.”, corresponding to the motto “Nil Time”, 2-3/8 x 16-1/2 x 14-1/8 in., platter is in overall good condition with some minor firing imperfections including small frits to the edge of the well, mazarin is in overall good condition but very slightly warped, felt pads to base

Provenance: Property from a Historic South Carolina Plantation

Estimate: $1, 000 - $2, 000

Chinese export armorial porcelains bearing the arms of Ramsay have been known and illustrated first in David Sanctuary Howard, Chinese Armorial Porcelain, London, 1974, Vol. I, p. 484, p. 20, with a spearhead border, and later Howard illustrates another example, bearing the same arms but painted differently and bearing a grisaille and gilt scroll band border in David Sanctuary Howard, Chinese Armorial Porcelain, Chippenham, 2003, Vol. II, p. 185, G4. The arms on the present example, with a large unicorn crest and inscribed ribbon on top, appear to be related closer to the source of the example illustrated in Vol. II. However the present example with ribbon festoons and an unfurling scroll appears to not yet be recorded.

1030

Large Chinese Export Armorial Porcelain Charger, for the Dutch Market Qing Dynasty, Qianlong period, circa 1752-55, centered with the arms of de Famars and Vrisen accolle, 1-3/4 x 143/4 in., restored hairlines to front with museum style restoration (minimal overspray), firing flaws, scratching, labels and felt pads to verso

Provenance: Christie’s Amsterdam, 12 May 1999, lot 219 (one of a pair); Henry Moog, Atlanta, Georgia; Property from a Historic South Carolina Plantation

Estimate: $1, 000 - $2, 000

Illustrated in Jochem Kroes, Chinese Armorial Porcelain for the Dutch Market, 2007, p. 416.

Note to verso: A finely painted and gilded Chinese export charger with the arms of De Famers of Amsterdam and Vriesen of Zwolle. This is a service made in 1752 in celebration of the marriage of Johan Wilhelm de Famers, and Mechteld Johanna Geertruid where Johan Wilhelm served as Major-General and military commander in 1762 and as Lieutenant-General of the Cavalry in 1767. He held both positions until his death in 1798. The Rijksmuseum in Amsterdam has a piece from this service.

1031

Chinese Export Armorial Porcelain Charger, Frederick Qing Dynasty, Yongzheng period, circa 1724, centered with the arms of Frederick, 2-3/8 x 15-1/4 in., with old restored breaks and associated staple holes, now expertly repaired with museum style restoration with minimal amounts of overspray, discoloration, firing flaws

Provenance: Property from a Historic South Carolina Plantation

Estimate: $1, 000 - $2, 000

David Sanctuary Howard, Chinse Armorial Porcelain, Vol. I, London, 1974, p. 202, D2 illustrates a plate from this service.

1032

Chinese Export 87 Piece Porcelain Dinner Service circa 1800, for the American market, enamel cobalt borders and ribbon tied drapery, with gilt accents, centered with monogram ”SJ”, comprising: 62 dinner plates, 1-1/8 x 9-7/8 x 9-3/4 in.; 27 deep dessert plates, 1-1/4 x 7-1/2 x 7-1/2 in.; 18 shallow dessert plates, 7/8 x 7-5/8 x 7-5/8 in.; 17 soup plates, 1-1/2 x 9-7/8 x 9-7/8 in.; 29 saucers, 7/8 x 6-1/8 x 6-1/8 in.; three tureens with twist form handles and floral form finial on lids, two with monogram “...ML”, largest 6-5/8 x 7-7/8 x 4-7/8 in., with additional lid, 3-1/8 x 6-1/8 x 2-1/2 in.; 12 platters and underplates of various sizes, one with drainer, largest 1-5/8 x 18-1/2 x 15-3/4 in.; one square form bowl with canted corners, 4-3/4 x 9-3/4 x 10-1/4 in.; five reticulated fruit bowls, one with monogram “...ML”, largest 4-7/8 x 10-1/8 x 8-7/8 in.; two reticulated fruit bowl bases, one monogrammed “...ML”, 1-3/8 x 10-3/4 x 9-5/8 in.; four covered vegetable dishes with berry form finials, one with twist form handles, largest 6-1/4 x 13 x 8-3/4 in., with two additional lids, larger 2-3/4 x 9-7/8 x 7-7/8 in.; 16 covered custard cups, 3-1/4 x 3-1/2 x 2-5/8 in., with ten additional lids, 1-1/8 x 2-5/8 x 2-5/8 in., surface dirt and accretion, anomalies and pinholes, glaze voids, gilt loss, enamel loss; dinner plates, deep and shallow dessert plates, soup plates, and saucers all with scattered chips and spots of abrasion throughout; one tureen with broken handle; one platter with slight chipping to rim, one with break and associated staple repair (see blacklight); two fruit bowls with areas of retouch (see blacklight); custard cups and lids with scattered chips throughout, one with broken handle

Provenance: Property from the Brooklyn Museum

Estimate: $2, 000 - $4, 000

1033

Chinese Export Porcelain Hunt Bowl probably 18th century, in the Mandarin palette, two large fox hunting scenes on the exterior, one with the party in full cry, the fox just ahead, and the other showing the pack treeing, diaper border, gilt highlights, 4-3/4 x 11-1/4 in., cracks with extensive restorations to interior and exterior of bowl (see blacklight), discoloration, spotting, anomalies (as made)

Provenance: Private Collection

Estimate: $500 - $700

1034

Seven Piece Chinese Export ‘Brown Fitzhugh’ Porcelain Set Qing Dynasty, Jiaqing period, circa 1810-1820, each monogrammed with the initial “B”, comprising two side plates, two large cups, and three saucers, plate 7-1/2 in. diameter, with associated stands, all pieces in overall good condition with minor wear and minor firing imperfections

Provenance: Henry Moog Antiques, Atlanta, Georgia (with labels); Property from a Historic South Carolina Plantation

Estimate: $500 - $700

1036

1035

Pair of Chinese Export Armorial Porcelain Plates, Annesley

circa 1795, bearing the arms of Earl Annesley above the motto “Virtutis Amore” within cobalt and gilt grapevine borders, 9-3/4 in. diameter, spotting, rubbing to gilt and painted decoration, accretion, firing flaws, one with probable restoration to verso rim

Provenance: The Den of Antiquity, Sandwich, Massachusetts, 1986; Christie’s New York, Chinese Export Art, January 18, 2017, lot 405, sold for $3, 000 (with labels); Private Collection

Estimate: $2, 000 - $4, 000

David Howard, Chinese Armorial Porcelain, Volume I, p. 280 illustrates a tureen from the same service

Chinese Export 40 Piece Porcelain Dinner Service

circa 1800, for the American market, enamel cobalt borders and ribbon tied drapery, with gilt accents, centered with monogram ”SJ”, comprising large platter with drainer, 2-1/2 x 17-1/4 x 14-7/8 in.; three pairs of platters of various sizes, largest 1-5/8 x 18-3/4 x 16-1/8 in.; two pairs of chop plates, larger 1-1/4 x 11-7/8 x 8-7/8 in.; 18 soup plates, 1-1/2 x 9-3/4 x 9-3/4 in.; 11 dinner plates 1 x 9-3/4 x 9-7/8 in., surface dirt and accretion, anomalies and pinholes, glaze voids, gilt loss, enamel loss; one platter with notable abrasion; one chop plate with chip to rim, one with notable patterns of abrasion; three soup plates with chips to rim, one with large hairline and large 1-5/8 in. chips to rim, eight with chips to rim; one plate with cracks and associated staple repairs (see blacklight), two with chips to rim cracks and associated repairs (see blacklight), seven with chips to rim

Provenance: Property from the Brooklyn Museum Estimate: $1, 000 - $2, 000

1037

Seven Chinese Export Porcelain Tea Bowls 18th and 19th century, each bearing the iron red seal mark of the Qianlong emperor, depicting figures, primarily warriors, and a poem, some with auspicious objects, gilt border, 2-1/2 x 4 in., one with chip to rim and hairline, two with multiple hairlines, discoloration, and staining, spotting, rubbing to gilt rims, chips and wear to foot rings, red accession numbers and adhesive to base

Provenance: Property from the Brooklyn Museum

Estimate: $1, 500 - $2, 500

1038

Two English Porcelain Table Objects circa 1760-65, comprising: Lowestoft barrel form mug, central floral cartouche reads “A Trifle/from/LOWESTOFT”, applied handle, 3-3/4 in.; Bow Porcelain leaf form blue and white sweet meat dish, retailer label “Jas A. Lewis & Son, Inc., New York”, 4-1/4 x 3-5/8 in., mug with restorations to handle, discoloration, spotting, chips to base, anomalies (as made), dish with chips to rim, accretion, each with accession number and adhesive residue to base

Provenance: Property from the Brooklyn Museum

Estimate: $600 - $900

1039

Two Sets of Chinese Export Famille Rose Porcelain Plates 18th century, five of shaped octagonal form, central rose decoration with garland border, 8-7/8 x 9-1/8 in.; four central flowering peony decoration, flowering and pink geometric border, painted floral decoration to verso, 9 in. diameter, chips to rims, discoloration, firing flaws, glaze voids, accretion, each with accession number to base

Provenance: Property from the Brooklyn Museum

Estimate: $500 - $700

1040

Group of Chinese Export Famille Rose Porcelain Table Objects 18th century, comprising: punch bowl, circular dish, lobed dish, lidded tea caddy, creamer, and associated lid with fruit form finial, each with central rose and flowering borders, punch bowl 4-1/2 x 10-1/4 in., punch bowl with adhesive to interior, spotting, anomalies, hairlines, pinholes, discoloration, circular dish with flat chip to rim, creamer with restoration to spout, firing flaws, associated lid with flat chip to rim, tea caddy lid with flat chip to rim, tea caddy with chip to lip, each with accession number to base

Provenance: Property from the Brooklyn Museum

Estimate: $500 - $700

1041

Chinese Export 30 Piece Porcelain After Dinner Service circa 1800, for the American market, enamel cobalt borders and ribbon tied drapery, with gilt accents, centered with monogram ”TH”, comprising: one bowl, 2-1/2 x 5-1/2 x 5-1/2 in.; one deep ovoid dish, 1-5/8 x 11-1/2 x 8-7/8 in.; two soup plates, 1-5/8 x 8-1/8 x 8-1/8 in.; two dessert plates, 7/8 x 7-3/4 x 7-3/4 in.; five tea bowls, 2-1/8 x 4-1/4 x 4-1/4 in.; five teacups, 1-7/8 x 3-1/2 x 3-1/2 in.; ten saucers of two different sizes, largest 1-1/4 x 6-1/8 x 6-1/8 in.; four demitasse cups, 2-5/8 x 3-5/8 x 2-3/4 in., surface dirt and accretion, anomalies and pinholes, glaze voids, gilt loss, enamel loss, accession numbers on base; soup plates with retouch (see blacklight), one with staple repair; one tea bowl with crazing and 1/4 in. chip to rim, one with hairlines and chip at rim with associated repair (see blacklight); one teacup with scratching to interior; two saucers with hairlines, one with spider crack to base, two with slight scratching; one demitasse cup with small chip to rim, one with chip to rim and two large hairlines, one with break to handle and associated repair

Provenance: Property from the Brooklyn Museum

Estimate: $500 - $700

1042

English Delft Punch Bowl

probably Liverpool, mid 18th century, decorated with blue flowers and leafy branches, in the “Fazackerly” pattern on exterior, interior reads “success to the Brave”, 3-3/4 x 9-1/4 in., glaze voids, pinholes, chips to rim, moderate to heavy scratching to bowl interior, firing flaws, accession number and label to base

Provenance: Property from the Brooklyn Museum

Estimate: $500 - $700

1043

Two Chinese Export Porcelain Punch Bowls probably Qianlong period, having four gilt border medallions depicting figures in landscape and interior settings, diaper ground, gilt highlights, 3-7/8 x 9 in.; overall with leafy berry branches, 4 x 9-3/8 in., figural bowl with extensive restorations to bowl interior (see blacklight); rubbing and loss to gilt and painted decoration, scratches, wear to foot ring; floral bowl with extensive repairs to interior and exterior of bowl (see blacklight); fleabites to rim, spotting, anomalies

Provenance: Figural bowl from Henry Stern Antiques, New Orleans (with label); Private Collection

Estimate: $500 - $700

Provenance:

Estimate:

1044

Carl Krafft (American, 1884-1938)

Summer Scene, signed lower right “Carl R. Krafft”, oil on canvas, 27-3/4 x 33-1/4 in.; probably original wood frame, 38-1/4 x 44-1/4 in., surface dirt, yellowed varnish; frame with wear

Private Collection, North Carolina

$8, 000 - $12, 000

1045

Daniel Putnam Brinley (Connecticut/Rhode Island, 1879-1963)

Host of Angels, signed lower left “D. Putnam Brinley”, oil on Masonite, 72 x 48 in.; painted wood frame, 75 x 51 in., abrasions, dry surface; frame with abrasions

Estimate: $600 - $900

1046

James Owen Mahoney (American, 1907-1987)

Lady of the Forest, unsigned, labeled verso “From the Estate of James Owen Mahoney Ithaca New York”, oil on canvas, 36 x 34 in.; gilt wood frame, 42 x 40 in.; verso with unfinished precisionist street scene, laid on Masonite, surface dirt, wear at edges, areas of slight surface wear

Provenance: Private Collection

Estimate: $800 - $1, 200

1047

Ogden Minton Pleissner (American, 1905-1983)

Piazza de Carmine, Rome, signed lower left “Pleissner”, watercolor on paper, 19-1/2 x 29 in.; wood frame, 27-3/4 x 37-3/4 in., not examined out of sealed frame, appears in good condition; frame with wear

Provenance: The Milch Galleries, New York, NY (label verso); Hirschl & Adler Galleries, New York, NY (label verso); Deeley Gallery, Manchester, Vermont (label verso); Private Collection, Biltmore Forest, North Carolina

Estimate: $3, 000 - $5, 000

1048

Parker S. Perkins (American, 1862-1942)

Cape Ann Harbor, signed lower right “Parker S. Perkins”, oil on board, 12 x 15 in.; gilt wood frame, 15-1/4 x 18-1/4 in., surface dirt/yellowed varnish; frame with minimal wear

Provenance: Private Collection, Biltmore Forest, North Carolina

Estimate: $1, 000 - $2, 000

1049

Pop (George Overbury) Hart (American, 1868-1933)

The Mule Car, signed lower right “Hart Mexico 1926”, watercolor and conte crayon on paper, 19-3/4 x 27-1/4 in.; modern wood frame, 32 x 37 in., Christie’s label on edge, paper with toning, crackled and creased, not examined out of archival framing; very nice modern framing with silk mat

Provenance: Private Collection, Biltmore Forest, North Carolina

Estimate: $1, 500 - $2, 000

1050 Sidney Edward Dickinson (1890-1980)

The Black Robe, signed upper left “Sidney E Dickinson”, oil on canvas, 24 x 20 in.; fine reproduction gilt wood frame, 33-3/4 x 29-1/2 in., original canvas and stretchers, surface dirt layer; frame with some wear and abrasions

Estimate: $2, 000 - $3, 000

1051

Hand Knotted Woolen Santa Claus Rug late 20th century, depicting Santa Claus with a bundle of toys flunk on his back, beard and fur trim in relief, 3 ft. 7 in. x 3 ft. 2 in., abrash, in good condition overall with very minimal wear

Estimate: $300 - $500

1052

John Bell Green Glazed Stoneware Flower Pot Pennsylvania, second half 19th century, of tapering cylindrical form, molded rim, attached under plate, base stamped “John Bell”, 6 x 7 in. diameter, chips to rim, glazing voids and anomalies, chips to base, accession number to base

Provenance: Property from the Brooklyn Museum

Estimate: $600 - $900

1053

72 Piece Steuben Glass Table Service

20th century, comprising: 12 goblets, 12 water bowls in dust bags, 12 luncheon plates with dust bags, 12 cordials with dust bags, 12 water goblets with dust bags, 12 champagne goblets with dust bags; most with etched “S” to base, goblets with etched “Steuben” to base, each in original box, most boxes marked “Steuben Glass 718 5th Avenue, New York”, 72 pieces total, height of water goblet 6-5/8 in., minor scratching, minor wear typical of age and use

Provenance: Private Collection, Biltmore Forest, North Carolina

Estimate: $1, 000 - $1, 500

1054

Art Nouveau Stained and Leaded Glass Window

American, first half 20th century, of rectangular form, depicting opposing peacocks centered with fruit bowl, unsigned, four horizontal metal bars mounted across window front, later oak frame, window 63-1/4 x 37-1/8 in., frame 67-1/2 x 41-3/8 in.;, a few tight hairlines, inclusions and air bubbles, accretion, anomalies, wear consistent with age and use

Provenance: According to consignor notes, removed from stairwell of home in Aurora, Illinois; Private Collection

Estimate: $1, 000 - $1, 500

1055

◉

Whiting Aesthetic Movement Sterling Coffee Pot American, late 19th/early 20th century, square form with floral decoration, ivory spacers, monogram on base, marks for marker Whiting, “474/E” and retailer

Theodore B. Starr, 28.16 oz. T., 6-3/4 in., one corner with several dents and typical wear

Provenance: Private Collection

Estimate: $600 - $900

1056◉

Japanese Konoike Sterling Iris Teapot 20th century, round with iris decoration, bud finial, ivory spacer, marked “Pure Silver”, 18.30 oz. T., 6 x 9 x 6 in., finial bent, soldier at handle attachment, light scratches and wear

Provenance: Private Collection

Estimate: $400 - $800

1059

1057

Durgin Gilt Sterling Compote

American, 20th century, round with openwork floral border, gilt finish, monogram, mark for William B. Durgin, 21.85 oz. T., 4 x 10-1/4 in., polishing abrasion and typical wear

Provenance: Private Collection

Estimate: $500 - $800

1058

Eight Sterling Repousse Dresser Items

American, 20th century, including mirror; hair brush; garment brush; shoe horn; soap box; jar; broom; comb, various makers, most with monograms, all marked sterling, 3-1/4 in. to 10-1/2 in., losses to comb tines, shoe horn with wear and dents, all with wear

Provenance: Private Collection

Estimate: $300 - $500

Wallace Grande Baroque Sterling Flatware, 37 pieces

American, 20th century, including eight 9 in. hollow handle knives, three in original sealed bags; eight 7-1/2 in. forks; eight 7-3/4 in. forks; eight 6-1/4 in. teaspoons, one in original sealed bag; two 8-3/4 in. serving spoons, one slotted; 8-1/4 in. serving fork; 6-1/4 in. sugar spoon; 6-3/4 in. hollow handle butter knife; no monograms, all with marks for Wallace, 48.01 excluding hollow handle and bagged pieces; with wooden case, like new condition; case with minor wear

Provenance: Private Collection

Estimate: $900 - $1, 500

1060

Antonio Pineda Sterling Tea Service Mexico, mid 20th century, modern round forms with wooden handles, marks for Antonio Pineda, test .900 or better, 138.04 oz. T. gross weight, including 9-3/4 in. coffee pot with matching teapot, creamer, open sugar, and 23 in. two handle tray, teapot with small area of abrasion on the spout, light scratches, small dents, and typical wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $2, 000 - $4, 000

1062

50 Sterling Silver Catholic Art Guild Medallions

1061

Large Group of Collectible Postage Stamps

majority 20th century, precanceled stamps, cancellations, first day covers, tool related covers and postcards, definitive U.S. and foreign postage, commemorative stamps, plate blocks, sheets, bulk kiloware; supplies such as albums, hinges, pages, books, new and used postage, some shelf wear, isolated instances of handling and effects of long term storage, mostly confined to outer albums - recommend to evaluate in person

Provenance: Private Collection

Estimate: $100 - $800

Individual stamps numbering well into the thousands

.925 fine proof medals with Catholicism related themes, housed in four cases, manufactured by Franklin Mint, individual weights between 400 and 500 grains each, total ASW (actual silver weight) approximately 40 troy ounces, haziness to a few medallions, some dust to outer boxes

Provenance: Private Collection, Biltmore Forest, North Carolina

Estimate: $800 - $1, 200

1063

Colt Single Action Army Revolver

circa 1916, serial numbers 334137 in two places under the frame and on the backstrap, 32 W.C.F. on left side of 4 in. barrel, blade front sight, ”COLTS P.T., F.A., MFG. Co., HARTFORD CT. U.S.A.” double stack stamp on top of barrel, ”PAT. SEPT. 19. 1871. JULY 2. 72. JAN. 19. 75.” double stack stamp on left side of frame, “66” stamped on gate, aftermarket grip with gold colored Colt emblem, oxidation, dings and abrasions to metal, pitted areas at left side of barrel, and cylinder, overall heavily rubbed surface, later frame screw, aftermarket grips a little oversized, cylinder, hammer and trigger in working order

Provenance: A Cherokee Gentleman

Estimate: $1, 000 - $1, 500

1064

Fullstock Pennsylvania/Kentucky Percussion Rifle

likely of Ohio make, circa 1840s, .40 caliber, 35-7/6 in. octagonal to round barrel, full stock, engraved cock on brass lock plate, brass trigger guard, ornate inset patch box, sideplate, ramrod guides, thimble, forend cap, checkering to grip, 52 in. overall, general handling wear throughout, handling wear and several abrasions to stock, several chips in wood, possible infill of stock, chipping, 7-1/2 in. hairline split along right side of forestock, 4-3/8 and 2-1/2 in. hairline splits along left side of forestock, missing front sight, missing patch box screw, trigger and cock appear to function

Provenance: A Cherokee Gentleman

Estimate: $500 - $1, 000

1065

R & W.C. Biddle and Co. Pennsylvania Percussion Rifle Philadelphia, Pennsylvania, 1847-1861, .40 caliber, 29-7/8 in. octagonal barrel, brass blade front sight, split rear sight, lock plate engraved with a small pastoral scene with game birds and marked “R & W.C. BIDDLE & Co./ PHILADELPHIA” in oval band, walnut half stock, brass furniture including trigger guard, buttplate, ramrod guide, iron furniture including forend cap, cap box, 45-1/2 in. overall, general handling wear throughout, light oxidation in bore, oxidation to metal components with dents, dings and abrasions, areas of pitting, handling wear and several abrasions to stock, 2-1/4 in. crack in left side at side screw, some ramrod guides missing, improvised barrel pin, triggers and cock appear to function

Provenance: A Cherokee Gentleman

Estimate: $200 - $400

1066

Kentucky Style Percussion Rifle Signed Jacob Fisher Canton, Ohio, possibly mid 1800s, 34-3/8 in. octagonal barrel inscribed ”Jacob Fisher”, .36 caliber, blade front sight, floating split rear sight, back-action lock plate with engraved hammer marked “N. ASHMORE”, burl walnut half stock, brass trigger guard, buttplate, toeplate, sideplate, ramrod guides, iron forend cap, double set triggers, 50-1/2 in. overall, general handling wear throughout, light oxidation in bore, light oxidation to metal components, dents, abrasions, wear and staining to metal components, some pitting, dent to top of barrel near bore, stock with abrasions and wear to buttstock, 1 in. hairline split to left side of forestock, loss of wood under hammer and wear of finish, nicks and abrasions

Provenance: A Cherokee Gentleman

Estimate: $400 - $800

1067

Kentucky Style Percussion Rifle Stamped P.G. unknown maker, possibly circa 1850s, .36 caliber, 36-1/8 in. octagonal barrel stamped ”P.G.”, brass blade front sight, split rear sight, back action lockplate stamped “P.G.”, tiger maple half stock, brass buttplate, trigger guard, inset cap box, and scalloped foregrip plate, brass and copper ram rod guides, iron forend cap, double set triggers, 52 in. overall, general handling wear throughout, oxidation in bore, light oxidation to metal components, dents, dings and abrasions to metal components, pitting to barrel adjacent to cock, heavy pitting to the barrel towards the bore, discoloring to brass, 1-1/2 in. loss to right side of forend with associated splits, missing barrel pins, chip and hairline to left side of forend, loss of stock under drum, stock with wax or lacquer finish giving the surface a crackle appearance with many surface impressions across the stock, several possible hairlines at grip, flat head screw at terminus of lockplate, double set triggers appear to function with cock

Provenance: A Cherokee Gentleman

Estimate: $300 - $600

1068

Kentucky Style Percussion Target Rifle Stamped A.W. Foster unlocated maker, circa 1860s, .38 caliber, 32-3/8 in octagonal heavy barrel stamped “AW FOSTER”, blade front sight, floating buckhorn rear sight, engraved lock plate, birds eye maple half stock, brass trigger guard and buttplate, iron forend cap, toe plate, and ram rod thimbles, inlaid brass star form cap box, 49-1/2 in. overall length, light handling wear, metal components with patina, dents, dings and abrasions, heavy area of pitting next to cock, wear to wood finish around lockplate, raised piece of stock with split in wood at lockplate, 2-1/2 and 1 in. crack to wood a t barrel pin on left side of forend, double set triggers can be manipulated to function with cock

Provenance: A Cherokee Gentleman

Estimate: $400 - $800

1069

Indian Scout Kentucky Style Percussion Rifle

36-1/2 in. octagonal barrel, .36 caliber, circa 1860s, brass blade front sight, split rear sight, rawhide wrapped half stock with brass tacks, double set triggers, brass trigger guard and buttplate, unmarked lock plate, iron ramrod thimble and forend cap, bead, feather and horse hair decoration tied around barrel, 52-3/4 in. overall, general handling wear throughout, one ramrod guide missing, some surface dirt on rawhide, 3-1/8 in. scratch on rawhide between hammer and rear sight, rawhide obscures most of stock and some of barrel, oxidation, abrasions, and dings to metal components, cock and triggers appear to function

Provenance: A Cherokee Gentleman

Estimate: $400 - $800

1070

Gentleman’s Leather Accessory Box with Accoutrements and Small Caliber Antique Firearm

stitched leather case with green felt lining, embossed “W.L. TYSON” in gold on lid, 11-1/2 x 14-1/2 x 8-1/4 in., fitted compartments containing beaver skin top hat by Disney New York Hatter, 6 x 12 in. pairs of black and gray sprats, folding travel hanger, 15-1/4 in., metal soap box marked “Toilet Soap”, 4 in., basket woven drinking flask, 5-1/2 in., horn drinking cup, 4 in., ”Rooney” Rosewood clothing brush, 9-1/2 in., deck of Maverick playing cards, bone and Bakelite dice, amber Bakelite poker chips with cloth bag, folding rosewood cane with horn tip, 34 in., Bakelite folding razor knife stamped “ECHO” and “Pauls Brothers, Germany”, 9-1/2 in., antique Columbian Automatic New York Arms Co. revolver, 7 in., case with nicks to leather, handling wear to cane, handling wear to brush handle, nick to razor knife with rust on blade, foxing to interior of hat liner, gun with rust to surface, action appears to function

Provenance: A Cherokee Gentleman

Estimate: $200 - $400 said to be from the estate of W.L. Tyson of Stanley Road, Hoylake, Cheshire, Great Britain

1071

Stickley Style Arts and Crafts Oak Gun Cabinet back with branded mark “handcrafted birds-eye woodworking, 2007”, oak throughout, two case construction through tenons, lower section with two pullout slides over two cabinets opening to an adjustable shelf, upper section has a lighted interior, 88-1/2 x 57 x 16 in., very good condition

Estimate: $800 - $1, 200

1072

Two Edward S. Curtis Native American Prints (American 1868-1952)

Chief Garfield - Jicarilla, plate 21 from The North American Indian, 1904, portfolio one, plate 17-3/4 x 13-1/8 in., sheet 22-1/4 x 17-1/2 in.; The Rush Gatherer - Arikara, 1908, plate 160 from The North American Indian, portfolio five, plate 17-7/8 x 13-1/4 in., both printed by John Andrew & Son, Boston (founded 1869), copyright by Edward S. Curtis, photogravures on cream wove paper; matching modern burl wood veneer frames, 30 x 25-1/4 x 1-3/8 in., ”Chief” examined out of frame, good condition, full sheet, full margins, loose; “Gatherer” not examined out of frame

Provenance: Private Collection, Hendersonville, North Carolina

Estimate: $800 - $1, 200

1073

Hopi Crow Mother Kachina Angwusnasomtaqa, the Crow Mother kachina, circa 1930s-40s, carved polychrome cottonwood, 7 in., overall handling wear, one ear repaired, consequent glue remnants, missing small section at edge of sleeve, grime

Provenance: Julien Flak, Paris France; Private Collection, France; Private Collection

Estimate: $900 - $1, 200

1074

Hopi Pahlikwmana Katsina circa 1940s-50s, carved polychrome cottonwood Water Drinking Maiden, 14-3/4 in., strong color, overall handling wear commensurate with age, surface cracks at joint of one arm and both sides of head at tableta

Provenance: Steve Elmore, Santa Fe, New Mexico; Private Collection Estimate: $1, 500 - $2, 500

1075

Hopi Sa’lakwtaqa Katsina by Manfred Susunkewa 1980s, carved polychrome cottonwood Sa’lako Male, signed on base by Manfred Susunkewa (born 1940), “MSusunkewa”, 15-1/4 in., overall surface handling wear, no visible breaks or repairs

Provenance: Barry Walsh, Holden, Massachusetts; Private Collection Estimate: $1, 000 - $1, 500

1076

Hopi Tasap Katsina Variant

circa 1940s-50s, carved polychrome cottonwood Tasap Katsina variant, on added fiberboard circular stand, figure 9-1/2 in.; 12-1/4 in. overall, including stand and headdress, good condition with bright colors, overall surface wear commensurate with age, no visible breaks or repairs

Provenance: Barry Walsh, Holden, Massachusetts; Private Collection

Estimate: $1, 500 - $2, 500

1077

Wakas, Hopi Cow Katsina

circa 1940s, Wakas or Cow Katsina, carved polychrome cottonwood, 9-1/2 in., good overall condition, no apparent breaks or repairs, surface wear commensurate with age

Provenance: Alan Kessler, Santa Fe, New Mexico; Private Collection

Estimate: $1, 200 - $1, 800

1078

Zuni Hiilili Katsina

circa 1920s, carved polychrome cottonwood, arms attached with nails, with elaborate added clothing and accoutrements in hide, cloth, stone, horse and human hair, on later metal base, figure 10-1/4 in., with base 10-1/2 in., overall handling wear, one arm present but broken away from original nail, one leg with old repair

Provenance: Mark Blackburn, Marfa, Texas; Private Collection

Estimate: $1, 500 - $2, 500

1079

Two Samuel Medford Charleston Silhouettes (English/American, 1810-1890)

Judge Maynard and daughter Eleanor Maynard, circa 1840, each signed lower right “Samuel Maynard, Charleston. S.C.”, silhouettes applied to lithographs depicting interiors, 10 x 7 in.; gilt wood period frame, 12 x 9 in., some water stains, puckering; frame with wear especially at corners

Provenance: Private Collection

Estimate: $800 - $1, 200

1080

The 1776 Siege of Charleston from British Ship

”A N.W. bN. View of Charles Town from on board the Bristol Commodore Sir Peter Parkr; taken in Five Fathom Hole the day after the Attack upon Fort Sulivan [sic] by the Commodore & his Squadron ...” by William Faden (1750-1836), London, 1776, showing panoramic view of Charleston Harbor with legend detailing various points of interest in the battle, copper engraving on laid paper with watermark, page 9-13/16 x 12-11/16 in.; modern wood frame, 16 x 21-3/4 in., toning, minor foxing, fading, creases, stains, margins and lower right corner reinforced with paper; frame with abrasions

Provenance: Private Charleston Collection

Estimate: $1, 000 - $1, 500

1081

Alice R. Huger Smith Watercolor (American/South Carolina, 1876-1958)

Watercolor of a Flower seller, housed within the book: A Carolina Rice Plantation of the Fifties by Alice R. Huger Smith and Herbert Ravenel Sass, New York: William Morrow and Company, 1936, numbered 1 of 75, signed by Smith and Sass, illustrated with 30 plates, with additional watercolor by Smith bound in, gray cloth boards with red leather spine, lacking backstrap/heavy losses to spine leather, hinges tender, some scattered areas of very light foxing throughout

Provenance: Jarvy Family; Private South Carolina Collection

Estimate: $3, 000 - $5, 000

1082

Revolutionary War Claim Signed by John C. Calhoun [for Van Rensselaer]

1820 dated war claim for (Captain) Nicholas Van Rensselaer of New York, 16 x 9 in., framed 22 x 15 in. overall, folds, creases, visible discoloration, period stitched repairs, small losses at fold intersections, all commensurate with age and usage, not removed from frame for examination

Provenance: Private Charleston Collection

Estimate: $500 - $700

Nicholas Van Rensselaer was with General Richard Montgomery during the Siege of Fort St. Jean when Montgomery became the first General to die in combat on Dec 31, 1775. Van Rensselaer later found himself under the command of General Philip Schuyler when Fort Ticonderoga fell to the British, which led to General Horatio Gates assuming command of the Northern department.

Nicholas Van Rensselaer was also engaged in the Battle of Saratoga where he was dispatched by General Gates to convey that General John Burgoyne had surrendered. As a pallbearer, Nicholas assisted in carrying the remains of General Montgomery in funeral procession through Albany in July of 1818.

1083

South Carolina Land Grant and Wax Seal, 1794 [Wm. Moultrie]

signed by William Moultrie and Peter Bremar, issued to James White for one thousand acres in Orangeburgh [sic], South Carolina, “on waters of South Edisto bounded on all sides by Rowland Griffin land”, with hand drawn map, overall approximately 13 x 8-1/4 in. (main body); attached wax seal for State of South Carolina, 4 in. diameter, typical folds, toning, mild foxing, major horizontal separations developing (could benefit from professional restoration), faded ribbon; wax seal dried out and with tape repair

Provenance: Private Charleston Collection

Estimate: $200 - $400

This document or similar on file as Orangeburg District land grant, 1794. (33/12409) South Carolina Historical Society.

1084

South Carolina Land Grant and Wax Seal, 1794 [Wm. Moultrie] signed by William Moultrie and Peter Bremar, issued to Robert Brodie for one thousand acres in Camden District, South Carolina, with attached hand drawn map, overall approximately 15-1/2 x 10-1/2 in. (main body); separated wax seal for State of South Carolina, 4 in. diameter, good overall, typical folds, toning, mild foxing, small center tear, faded ribbon; wax seal dried out with loss of detail as typically encountered

Provenance: Private Charleston Collection

Estimate: $400 - $600

A similar land grant issued to the same Robert Brodie in 1794 is held at Wofford College as part of the Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection https://digitalcommons.wofford.edu/littlejohnmss/97

1086

1085

Very Fine and Rare Kentucky Federal Inlaid Figured Cherry Serpentine Sideboard probably Lexington area, possibly shop of Porter Clay, 1800 to 1810, complex serpentine form in highly figured cherry, four shaped dovetailed drawers, two doors, and two tambour door compartments on tall inlaid tapered legs, 40 x 71 x 19-1/4 in., veneer cracks and checking overall with some scattered losses and areas of retouch, finish distress and fading overall, top appears original but resurfaced at underside, scattered restorations to secondary surfaces, including drawer bottoms and case bottom (secondary surfaces have largely been stained brown, making clear assessment of originality in some cases difficult)

Provenance: Private Collection

Estimate: $8, 000 - $12, 000

Fine Southern Federal Figured Cherry Stop Fluted Corner Cupboard

1790 to 1820, two glazed doors over two panel doors, flanked by reeded and fluted pilasters, brass H hinges, pine secondary, cut and rose head nail construction, feet replaced, otherwise good condition, one small cornice molding element replaced and other minor cracks, undisturbed backboards, hinges replaced, some minor repairs at door framing

Provenance: Charles Navis, Richmond, Virginia, Provenance

Estimate: $5, 000 - $7, 000

1087

Southern Federal Cherry Sugar Chest

Kentucky or Tennessee, 19th century, cherry throughout with paneled box with divided interior, frame with single dovetailed drawer and turned legs, 34-1/4 x 33-1/2 x 18-3/4 in., interior divider and brasses replaced, crack and patch at one rear leg attachment, generally good structural integrity with scattered surface flaws, minor patches and repairs

Provenance: Private Tennessee Collection

Estimate: $1, 500 - $2, 500

1088

Southern Federal Figured and Inlaid Mmahogany Pembroke Table probably coastal South Carolina, circa 1800, highly figured mahogany top with triple line inlay and astro leaves, single dovetail drawer, yellow pine and poplar secondary, tapered legs with feather and sword line inlay, 28-1/2 x 22 x 36 in., opens to 41 in., legs appear to be ended out at the cuff, otherwise, good condition, minor discoloration at top, other minor finish and surface distress

Provenance: Private Collection

Estimate: $800 - $1, 200

The triple line inlay as well as the feather and sword inlay are known to occur in Charleston, South Carolina period. However, the use of yellow pine and poplar is less common in that urban area and might suggest an origin outside of the city.

1090

1089

American Chippendale Diminutive Hanging Corner Cupboard

Probably Southern States, 18th century, poplar and yellow pine, rose head nail construction, shelved interior, 43 x 25 x 14-1/2 in., old refinishing with some later wash, scattered nail scars and some areas of infill, some restorations and losses to moldings

Provenance: Private South Carolina collection; Sold Brunk Auctions, January 27, 2018 lot 931; Private Collection

Estimate: $200 - $400

Kentucky Federal figured Cherry Sugar Desk cherry throughout with poplar secondary fitted interior with single drawer flanked by cubby holes, lift open compartment, turned legs, 36 x 35 x 19 in., restorations and rebuilding throughout, slant lid replaced, interior lid replaced, other rebuilding, surface with some traces of white paint, some small areas of infill and nail scars, area of over spray on right side of slant lid

Provenance: Private Tennessee Collection

Estimate: $800 - $1, 200

1092

1091

Chinese Export Armorial Porcelain Lidded Soup Tureen, Manigault Family circa 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed “Pros Picere Quam Ul Cisci”, twist form handles and organic finial, 10-1/2 x 14-1/2 x 9-3/4 in., anomalies, pinholes, and glaze voids, some loss to enamel, surface dirt/accretion, small abraded spot/glaze void to top of finial

Provenance: Collection of Emma Manigault Gribbin, 6 Gibbes Street, Charleston, South Carolina; thus through family descent

Estimate: $8, 000 - $12, 000

Charles Izard Manigault of Charleston, South Carolina left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543.

Chinese Export Armorial Porcelain Lidded Pot de Creme, Manigault Family circa 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed “Pros Picere Quam Ul Cisci”, overlapping double strap handle, lid in matching design with raspberry finial, 3-1/2 x 3-1/2 x 2-1/2 in., anomalies, pinholes, and some firing cracks, some loss to enamel, surface dirt/accretion, wear to bases

Provenance: Collection of Emma Manigault Gribbin, 6 Gibbes Street, Charleston, South Carolina; thus through family descent

Estimate: $3, 000 - $5, 000

Charles Izard Manigault of Charleston, South Carolina left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543.

1093

Chinese Export Armorial Porcelain Master Tea Cup and Saucer, Manigault Family circa 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed “Pros Picere Quam Ul Cisci”, tea cup 2-3/4 x 5 in., saucer 1-1/2 x 6 in., anomalies, pinholes, trapped dirt, glaze voids, some scratching, and loss to enamel; tea cup with one 1-1/4 in. hairline from rim, one small repaired flat chip at rim with retouch, horizontal linear firing anomalies, and some small glaze voids/anomalies near base; saucer with one hairline to rim and one to base, and chip to foot

Provenance: Collection of Emma Manigault Gribbin, 6 Gibbes Street, Charleston, South Carolina; thus through family descent

Estimate: $3, 000 - $5, 000

Charles Izard Manigault of Charleston, South Carolina left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543.

1094

Charles Manigault Monogrammed Glass Decanter and Pair of Coupes 19th century, each with central monogram “CM” for Charles Manigault, surrounded by etched floral decoration, comprising: globular decanter with tapered neck, stopper in matching design, 11-1/8 x 5-1/2 in.; pair of coupes with two knopped stems and circular feet, 4-1/2 x 2-1/4 in., scattered scratching to interiors and bases commensurate with age and use, some slight surface dust/accretion

Provenance: Collection of Emma Manigault Gribbin, 6 Gibbes Street, Charleston, South Carolina; thus through family descent

Estimate: $3, 000 - $5, 000

Charles Izard Manigault was born in 1789 in Charleston, South Carolina. A noted merchant and art collector, Charles traveled to the Far East. While abroad he amassed a great fortune and accumulated an impressive collection, notably a beautiful and unique personalized Chinese Export armorial porcelain service. Upon returning Charles Izard Manigault settled as a rice planter in South Carolina.

1095

Manigault Signed Children’s Bible and Silver Manigault Prayer Book comprising: Bible de L’Enfance, de Pelafol Libraire, Paris, France, 1821, de l’Imprimerie d’A Egron, brown Moroccan leather, triple fillet, decorated spine, gilt edges, marbled boards, 2-3/4 x 2-1/4 in., diminutive children’s Bible in French, illustrated with 40 engravings, signed to label on board “Bought in Paris, for my brother C.H.M. 1829. - L.M.”

Gifted from Louis Manigault (1828-1899) to his brother, Charles Heyward Manigault (1826-1856), Charles was three years old when he received the children’s bible as a gift from his brother, who was only one year old, born on November 21, 1828, in Paris. Likely purchased, signed, and gifted by their parents, Charles Izard Manigault and Elizabeth Heyward Manigault; The Book of Common Prayer and Administration of the Holy Communion According to the Use of The Church of England, London: Oxford University Press, circa 1900, English silver plaque cover, marks for C. Widmer & Sons, London, 1906, .925 fine., applied central monogram ”IHS”, (Iesus Hominum Salvator), and later engraved “CT” and “EP”, Moroccan red leather, gilt lettering to spine, aeg, 2-1/8 x 1-7/8 in.; together in an acrylic box, 3-1/4 x 3-1/4 in., Bible lacking some engravings, leather binding distressed with losses, binding loose at spine with tape reinforcements, bumped and worn corners, toning, pages with losses at corners, folding; prayer book denting and discoloration to silver cover, foxing and toning to pages, some folded corners

Provenance: Collection of Emma Manigault Gribbin, 6 Gibbes Street, Charleston, South Carolina; thus through family descent

Estimate: $400 - $600

1096

Southern Federal Walnut Sugar Chest North Carolina or Tennessee, 19th century, walnut case with paneled sides and tapered feet, hinged lid with interior tray over an open compartment, oak and poplar secondary, mellow old surface, pegged and cut nail construction, 26-½ x 32 x 18 in., very good condition overall, top with sun fading and finish losses, surface loss at one front foot, interior drawer fits tightly, other typical minor surface distress and back

Provenance: Private Tennessee Collection

Estimate: $1, 000 - $2, 000

1097

Very Rare Southern Paint Decorated Yellow Pine Hunt Board

Southern States, 19th century, back with painted signature, “James T. Cheek”, yellow pine throughout, cut nail construction, surface with traces of yellow and blue paint decoration with pinwheels and compass decoration, 34-3/4 x 60 x 21-3/4 in., loss of height, otherwise excellent structural condition, minor losses at drawer edges, surface wear and paint losses

Provenance: Private Tennessee Collection

Estimate: $5, 000 - $7, 000

1098

Southern Federal Walnut Lift Top Sugar Table

Tennessee or North Carolina, 19th century, heavy walnut construction, hinged lid with open interior over a single drawer with divider, poplar secondary, mellow old surface, 29 x 22 x 20-1/2 in., very good condition, overall heavy construction, surface dirt and minor abrasions, small loss at drawer pull, other minor flaws

Provenance: Private Tennessee Collection

Estimate: $800 - $1, 200

1099

Southern Federal Figured Cherry Sugar Chest probably Tennessee, 19th century, dovetailed box with hinged lid and open interior, frame with a single dovetailed drawer, 38-1/2 x 28 x 16 in., rebuilding and repairs, lid with later moldings and strip patches at hinges, backboard with patches at hinges, rebuilding to drawer secondary, frame largely reconstructed

Provenance: Private Tennessee Collection

Estimate: $800 - $1, 200

1100

North Carolina Canvasback Drake attributed to Knotts Island, North Carolina, high head, painted eyes, incised at base of bill, weight and fence nail at base, hanging nails at breast, signed by Bob Timberlake at base, 8-3/4 x 15-1/2 x 6-3/4 in., old repaint throughout, repaired separations at neck and bill with associated glue residue, body with dents, splits and losses commensurate with age and use, tape residue at base, weight loose and corroded, multiple paint layers with chips and losses

Provenance: Bob Timberlake Collection; Brunk Auctions, Asheville, North Carolina, lot 1093, July 16, 2006; Private Collection, North Carolina

Estimate: $200 - $400

1101

Three Pieces Raleigh Coin Silver Flatware North Carolina, early to mid 19th century, including fork with fiddle handle, monogram, marks for Bernard Dupuy (working 1827-1843), 8-1/4 in.; two spoon with shaped fiddle handles, both with marks for Palmer & Ramsay (working 18471855), one serving spoon, 9 in. and one 5-3/4 in., 4.89 oz. T. total weight, fork with wear and loss to tines, smallest spoon with wear to tip, all with typical wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $400 - $800

1102

Three North Carolina Coin Silver Serving Pieces early to mid 19th century, butter knife, fiddle handle, marks for Thomas William Brown (Wilmington, working 1830-1872), 7-5/8 in.; sauce ladle, fiddle handle, marks for Brown & Anderson (Wilmington, working 1850-1871), 8-3/8 in.; tongs, shell terminals, John Peabody (Fayetteville, working 1823-1836 and Nashville, Tennessee, working 1836-1850), 6-1/2 in., all with monograms, 5.86 oz. T., ladle with dent in bowl, all with typical wear

Provenance: butter knife, Brunk Auctions, March 18, 2016, lot 1276 ($600); Private Collection, Asheville, North Carolina

Estimate: $500 - $900

1103

Will Henry Stevens Oil Painting (American, 1881-1949)

A Mountain Garden, 1916, signed lower left “Will H Stevens ‘16”, oil on canvas, 30-1/4 x 36 in.; modern gilt wood frame, 43-1/2 x 38 in., surface is clean, framed under glass, significant crackle throughout, original stretcher; frame with minor wear

Provenance: Private Illinois Collection

Estimate: $8, 000 - $10, 000

1104

Mark Sheridan (American, 1884-1962)

Savannah Nocturne, 1941, signed lower right “Mark Sheridan”, silkscreen, plate 17-1/2 x 23-1/2 in.; modern frame, 30-1/4 x 36-3/4 in., very good surface, slight toning, not examined out of frame; frame with light wear

Estimate: $400 - $600

1105

Irene Hodes Newman

(American/New York, 1900-1982)

Street Fight New Orleans, circa 1940, signed lower left “Newman”, watercolor on paper, sight 18-1/2 x 24-3/4 in.; modern gilt wood frame, 27-1/2 x 33-1/2 in., surface is very good with bright color, not examined out of frame; framed under glass and with linen spacer, corners of frame with some loss and wear

Estimate: $400 - $600

(American/New York, 1900-1982)

Banana Vendor, signed lower left “Newman”, watercolor on paper, sight 25 x 20 in.; modern gilt wood frame, 34-1/2 x 29 in., surface is very good with bright color, not examined out of frame; framed under glass and with linen spacer, corners of frame with some loss and wear

Estimate: $400 - $600

1107

Irene Hodes Newman

(American/New York, 1900-1982)

Street Corner New Orleans, signed lower right ”Newman”, watercolor on paper, sight 26 x 20 in.; modern gilt wood frame, 34-1/2 x 29 in., surface is very good with bright color, not examined out of frame; framed under glass and with linen spacer, corners of frame with some loss and wear

Estimate: $400 - $600

1108

Irene Hodes Newman

(American/New York, 1900-1982)

Street Scene Savannah, Georgia, signed lower left “Newman”, watercolor on paper, sight 15 x 22 in.; modern gilt wood frame, 24 x 31 in., surface is very good with bright color, not examined out of frame; framed under glass and with linen spacer, bottom edge of frame with some loss and wear

Estimate: $400 - $600

1106

Irene Hodes Newman

1109

Frank Vandeveer Kushler (American, 20th century)

Duck Hunters in a Blind Oil, signed lower right “Frank Vandeveer Kushler”, on canvas, 30 x 25 in.; modern wood frame, 33-1/2 x 38-1/2 in., surface is very good, crackle in upper right corner; frame with minor abrasions

Estimate: $600 - $900

1110

Baltimore Sterling Repousse Ladle

Maryland, late 19th/early 20th century, round handle with floral repousse decoration, monogram on back, marks for Welsh & Bro. (Baltimore, Maryland, work 1881-1910), 6.57 oz. T., 12-1/4 in., bowl with wear and scratches

Provenance: Private Collection, Augusta, Georgia

Estimate: $200 - $400

1111

Seven Kirk & Son Sterling Goblets

American, 20th century, typical form with stepped rims, monograms, all with marks for S. Kirk & Son, ”4108”, 32.87 oz. T., 6 in., all with dents and wear

Provenance: Private Collection

Estimate: $700 - $900

1112

Southern Federal Style Yellow Pine Cellaret

likely 20th century construction, hinged lid opening to a divided interior for nine bottles, on tall tapered legs, 33-1/2 x 18 by 17-1/2 in., likely 20th century possibly utilizing some old wood, lacking lock, stains at top other scattered surface distress

Provenance: Private Tennessee Collection

Estimate: $500 - $700

1113

Southern Federal Poplar and Punched Tin Pie Safe 19th century, popular throughout, dental molded cornice over two doors, shelved interior, original geometric punched tins, cut nail and pegged construction, 59-1/2 x 61 x 19-1/2 in., good structural condition, tins appear to be original with later varnish, lacking one door catch, one interior brace, some pest damage and infill repairs, abrasions at one front leg, some minor sun fading, refinishing

Provenance: Private Tennessee Collection

Estimate: $1, 000 - $1, 500

1114

Rare Pair Southern Rustic Chip Carved Rocking Chairs probably Blowing Rock, North Carolina area, early 20th century, each with root and branch construction, chip carved elements including arm tops, oak split seats, 39-1/2 x 23-1/2 x 33 in., breaks and distress to oak split seats, separations and old repairs at rockers, surface weathering and distress, one chair with possibly old replacements at rockers, old mellow surfaces

Estimate: $800 - $1, 200

From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta,

Georgia

1115

Edgefield South Carolina Stoneware Syrup Jug Attributed to Abner Landrum’s Pottersville Manufactory, (Pottersville, Edgefield County, South Carolina, circa 1830s) mottled olive green lime glaze, tapered ovoid form, large applied strap handles on shoulder, double collared spout, 17 in., glaze voids and anomalies as made, minor surface abrasions around belly, 2 in. firing separation with lift under handle as made, wear to base edge, variation of glaze at base edge, spalling of clay on base, various debris stuck in interior of jar, no illumination under black light, otherwise appears to be in good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $2, 000 - $4, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 119, cat. no. 279, Burrison writes, “Abner’s shop changed ownership several times after he sold it in 1828 and was likely operated by Nathaniel Ramey when this piece was made. Double collared neck and sturdy handles perched on the shoulder are typical Edgefield District jug features; early jugs and jars such as this tend to have a bulbous shape.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: From Mud to Jug: The Folk Potters and Pottery of Northeast Georgia, John Burrison, University of Georgia Press, 2010, pg. 22, bottom right photo

1116

Heavner Family Attributed North Carolina Stoneware Syrup Jug (Catawba Valley, North Carolina, circa 1870s) likely attributed to Henry Hike Heavner or R.P. Heavner, olive green alkaline glaze, multiple creamy green glass melt runs with rutile highlights down from two applied ridged strap handles, collared neck with wide flared spout, 16-1/2 in. with wooden stopper, glaze voids and anomalies as made, clay body blow outs as made, minor surface abrasions and residue, restoration to one side of spout, 1/2 in. chip to one handle with other associated abrasions, stabilized radial hairline around 2/3’s of base with a few smaller perpendicular associated hairlines, one running onto the base for two inches

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $2, 000 - $4, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 128, cat. no. 274, Burrison writes, “North Carolina Potters used this simple yet effective decorative technique of placing broken bottle glass on handles and rims before firing, which melted in runs which contrast the glaze.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, color plate 7, center of the book, cat. no. 274

1117

Enoch W. Reinhardt Attributed Lidded Swirl Pitcher

(Henry, North Carolina, 1903-1978) circa 1930s, tan and brown swirl glass glaze, rutile highlights throughout, straight sides, curved neck, flared rim, pinched spout, lid with finial knob, applied round strap handle from side of jar to curved neck, 9-1/4 in., glaze voids and anomalies as made, firing separations under lid as made, thin 1 in. chip at base edge, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, color plate 6, cat. no. 276, description on page 128

1118

Evan Javan Brown Jr. Stoneware Face Jug (Arden, North Carolina, 1923-2002) circa 1975, brownish secret formula glaze, slight purple iridescent sheen, applied facial features, inset broken porcelain pupils, broken china teeth, stamped “E.J. BROWN” and “Evan’s HANDMADE, ARDEN N.C.” on base, 7-1/8 in., glaze anomalies as made, great condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, pg 31, cat. no. 6

1119

Davis Brown Attributed Stoneware Face Jug

(Arden, North Carolina, 1895-1967) circa 1966, shiny burnt orange experimental glaze with some purple iridescence, applied facial features, articulated eyelashes and eyebrows, broken china teeth, straight spout, applied strap handle, unsigned, 6-1/4 in., glaze voids and anomalies as made, firing separation at right ear as made with small glaze frit, 3/4 in. chip to glaze at base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

Purchased from Davis’s wife, for the consignor, by one of his students in 1969 who was doing research on the Brown family for a term paper. The student paid $4.00 for the face jug back then.

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, pg. 31, cat. no. 5

1120

Scarce and Important Edgefield South Carolina Stoneware Face Jug

Edgefield District, South Carolina, circa 1860s, diminutive tapered ovoid jug form, green and dark brown speckled alkaline glaze, inset pierced kaolin eyes, inset impressed kaolin teeth, applied facial features including comma form ears with tragi, arching eyebrows and pinched nose, collared spout, applied strap handle, attributed to an enslaved African American craftsman, likely associated with the Thomas Davies’s Palmetto Firebrick Works in Bath, Aiken County, S.C., 4-3/4 in., glaze voids and anomalies as made, small 1/8 in. glaze frit to rim, small 1/4 in. glaze frit to rim, small 1/4 in. glaze frit to front of right ear, miniscule glaze frit to back of right ear, shrinkage separation to back of right ear as made, shrinkage hairlines in teeth as made, shrinkage separation to left outer corner of eye as made, other evidence of shrinkage around eyes as made, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia, purchased by the consignor from Jimmy Allen in 1983, Mr. Allen purchased it from a dealer at the Elco’s antiques market around the same time.

Estimate: $25, 000 - $35, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 120, cat. no. 184, Burrison writes, “Ceramics historian Edwin Atlee Barber wrote of these early southern face vessels in 1909. ‘The modelling reveals a trace of aboriginal art as formerly practised by the ancestors of the makers of in the Dark Continent.’ “Spirit Pots” in human form were kept at ancestral shrines in Nigeria and Cameroon, but English, German, southeastern Indian and (as early as 1840) white Edgefield potters also made anthropomorphic wares, and African connections remain to be established. The meaning and use of the slave-made examples are unknown, but the angry faces with their bared kaolin teeth suggest protest against enslavement.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 57, description on pg. 120, cat. no. 184

1121

Extremely Rare Early Lanier Meaders Rock Eye and Tooth Stoneware Face Jug

(Mossy Creek, White County, Georgia, 1917-1998) 1967, light olive green alkaline lime glaze, large applied protruding facial features including oval eye sockets with large inset rock eyes, large elongated nose, lips with three inset rock teeth in mouth, incised lines around shoulder from eyes to applied strap handle, tapered spout with collared rim, unsigned, 9 in., glaze voids and anomalies as made, left eye socket with small and medium shrinkage separations as made, shrinkage separation under left eye as made, right eye socket with three shrinkage separations as made, tiny lines in clay under glaze around nose and left eye as made, jug is in as made condition, great condition overall

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $10, 000 - $15, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 127, cat. no. 262, Burrison writes, “Made for the Smithsonian Institution’s first Festival of American Folklife in Washington D.C., this order marked the beginning of Lanier’s pottery career at the age of fifty. The features, stuck without blending on the jug wall, tended to crack when fired.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1122

Rare and Important Lanier Meaders Devil Jack-O-Lantern Face Jug (Mossy Creek, White County, Georgia, 1917-1998) 1971, jug form, runny olive green alkaline ash glaze, kaolin runs down from eye sockets to protruding lips around mouth, inset rock teeth, applied downturned horns, large applied ears with holes through eardrum, circular hole in back, straight spout, applied strap handle, inscribed “Lanier Meaders” on base, 9-3/4 in., glaze voids and anomalies as made, great condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $5, 000 - $10, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 127, cat. no. 264, Burrison writes, “Lanier only made a few of these special jack-o-lanterns, with white clay melted form the eye sockets. He explained the devil inspiration this way: ‘That’s the way I was feeling that day!’”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, color plate 11, and pg. 272, and Ceramics in America, 2006, edited by Rob Hunter, Fluid Vessel: Journey of the Jug, John Burrison, pg. 115, figure 41

1123

Rare Lanier Meaders Wig Stand

(Mossy Creek, White County, Georgia, 1917-1998) circa 1974, dark shiny and light matte olive green alkaline ash glaze over entire head shaped form, inset kaolin eyes with black pupils, applied facial features including eyebrows, ears, pinched elongated nose, eyelids and lips, inset rock teeth, hole in top of form, inscribed “Lanier Meaders” on base, 8-3/4 in., glaze voids and anomalies as made, underfired glaze as made, miniscule shrinkage hairlines on base as made, great condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $4, 000 - $8, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 127, cat. no. 266, Burrison writes, “Inspired by local teenagers who dressed up his face jugs with wigs and hats, Lanier made a small number of these wheel thrown heads, one of which he enjoyed at home topped with an orange wig.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, color plate 11, and pg. 272, and Ceramics in America, 2006, edited by Rob Hunter, Fluid Vessel: Journey of the Jug, John Burrison, pg 115, figure 41

1124

Lanier Meaders Double Face Candelabra Stoneware Jug

(Mossy Creek, White County, Georgia, 1917-1998) circa 1978, olive and creamy green alkaline ash and lime glaze, kaolin teeth and eyes with circular black pupils, similar applied facial features to both sides of jar, two applied strap handles from shoulder to neck of spout, four opposing candleholders around shoulder, ”Lanier Meaders” inscribed on base with original $50 price tape, 9 in., glaze voids and anomalies as made, great condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $3, 000 - $6, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 127, cat. no. 265, Burrison writes, “In response to a folk art dealers request, Lanier began making two faced jugs, which he came to call “politician” jugs after watching the televised Watergate hearings, some later examples have horn like candle holders.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: From Mud to Jug: The Folk Potters and Pottery of Northeast Georgia, John Burrison, University of Georgia Press, 2010, pg. 72, and Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, pg. 272.

1125

Rare and Important Lanier Meaders Snake and Grapevine Decorated Stoneware Vase (Mossy Creek, White County, Georgia, 1917-1998) circa 1977, tapered ovoid vase form, alkaline olive green lime glaze, applied cobalt and iron slip decorated snake over applied cobalt grape and alkaline glazed vine decoration, flared rim, signed “Lanier Meaders” on base, 15-1/4 in., glaze voids and anomalies as made, anomaly to mid body of snake as made, loss to tail of snake, glaze void at shoulder of jar, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $3, 000 - $6, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 127, cat. no. 267, Burrison writes, “Even with such elaborate pieces Lanier did not think of himself as an artist. ‘When you see me putting snakes on’ he said, ‘you know I’m getting tired. It’s an excuse to slow down and not make so much pottery.’ The Meaders family began making Oriental-shaped vases about 1930 in response to a tourist market. The grape motif was developed by Lanier’s mother, Arie; his own contribution was the snake, inspired by real ones around the shop.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, color plate 12, and pg. 273

1126

Lanier Meaders Double Face Jug

(Mossy Creek, White County, Georgia, 1917-1998) circa 1975, dark and light runny glassy olive green alkaline ash glaze, applied facial features to both side of jug with a slightly differing expression, inset kaolin eyes with cobalt pupils, sunken areas at cheeks to both side of jar giving shape to the face, two applied strap handles from shoulder to straight spout, inscribed “Lanier Meaders” on base, 9 in., glaze voids and anomalies as made, great condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $2, 000 - $4, 000

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg.31, cat. no. 8

1127

Important Early Lanier Meaders Astonished Stoneware Face Jug (Mossy Creek, White County, Georgia, 1917-1998) circa 1968, short wide jug form, modified runny green crackle alkaline glaze, inset kaolin eyes, cobalt pupils, applied facial features including protruding nose and lips, small ears, incised eyelash decoration, thumb pressed sunken cheeks, short spout, applied strap handle, unsigned, 8-3/4 in., glaze voids and anomalies as made, miniscule shrinkage hairlines to left shoulder as made, great condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $4, 000 - $8, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 127, cat. no. 263, Burrison writes, “This experiment, in which Lanier caved in the jug wall to create sunken cheeks and humanize the face, initiated a more sculptural approach; Lanier was becoming a creative artist in his inherited tradition.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024 Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, color plate 11, and Ceramics in America, 2006, edited by Rob Hunter, Fluid Vessel: Journey of the Jug, John Burrison, pg 115, figure 41

1128

Rare Georgia Attributed Figural Stoneware Jug (Jugtown, Upson/Pike Counties, Georgia, circa 1870) olive green alkaline lime glaze, ovoid jug body form, applied looping strap arm with five fingered hand at belly of jar, tapered ovoid head form, applied facial features including articulated high brow and chin, open mouth with pursed lips, pinched nose with nostrils, oval eyelids with pierced pupils, small ears, collared spout, 16 in., glaze voids and anomalies as made, loss of entire left arm leaving a 1-1/2 in. x 2 in. loss on clay body at shoulder, glaze chips to three fingers on hand, glaze chips to lower lip, 3/4 in. loss to end of nose, losses to most of both ears, 3/4 in. and 1/2 in. chip to rim with other small chips and wear, other minor surface abrasions and glaze frits to body, hole drilled in back near lower base edge, old wear and minor chips to base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $2, 000 - $4, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 122, cat. no. 206, Burrison writes “The missing arm held a pipe to the mouth. Figural jugs were later made by W.T.B. Gordy, who trained with the bishops, and by his own son D. X. Gordy.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, pg 58, cat. no. 206

1129

Only Known Important J.C. Avera Signed and Decorated 1871 Georgia Stoneware Jug

(Crawford County, Georgia, 1832-1900) greenish tan lime alkaline glaze, beehive whisky jug form, inscribed at shoulder “J. MARSHALL’S JUG, MADE AND WARRANTED BY J.C. AVERA, AUG The 31st 1871.”, extensively decorated including an incised primitive folky foxhunt scene of a man in a possible tweed suit holding a long gun watching two dogs in flight pursue a fox, several tiers of incised crosshatching on shoulder and around back of jar representing forest lands, impressed cross stamps in rows on either side of date, two stacked rows of cross stamps to lower body of jar, applied strap handles, collared neck with tooled flared spout, 12-1/4 in., glaze voids and anomalies as made, restoration of handle by consignor with piece from the Jesse Bradford Long’s Pottery waster dump, adhesive and enamel paints, 1/2 in. and 3/4 in. rim edge chip repairs, glaze frits and repair to rim, frits to glaze around body, some as made, shrinkage hairlines underglaze around lower body as made one 4-1/4 in., old wear around base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $5, 000 - $10, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 121, cat. no. 199, Burrison writes “ Working at Jesse Long’s shop, Avera made this piece for John Marshall, a wealthy landowner who loved foxhunting.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, pg. 159, plate 92, and pg. 160, also color plate 5 in center of book, refer to Burrison’s associated story After The Fox: In Pursuit of a Special Jug, pgs. 158-161

1130

Rare and Important Large Decorated Davidson Family Attributed Georgia Stoneware Syrup Jug (Mossy Creek, White County, Georgia, circa 1850) brown and runny green alkaline ash glaze, tan, green and yellow glass melt runs down from handles to base edge on one side of jar, thick ridged applied strap handles, incised five line decoration at shoulder, tapered collared spout, 19-1/2 in., glaze voids and anomalies as made, tiny clay body frit on shoulder, tiny clay frit to lower body, minor surface abrasions, tiny glaze frits to edges on handles, base edge wear and tiny frits, debris in interior, good condition overall

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $2, 000 - $4, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 125, cat. no. 243, Burrison writes, “Virginia born Fredrick Davidson migrated through the Carolinas and was at mossy creek by the 1820, four of his sons became potters. Melted glass decoration is rare outside North Carolina but is found on a few Mossy Creek examples, pointing to the North Carolina background of these potters.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, color plate 5, middle of book, cat. no. 243 and From Mud To Jug; The Folk Potters and Pottery of Northeast Georgia, John Burrison, The University of Georgia Press, 2010, pg. 10, top left photo

1132

1131

Rare Archibald McPherson Attributed Decorated Alabama Stoneware Homebrew Crock (Sand Mountain, DeKalb County, circa 1870s to 1880s) two tone light green and olive greenish brown alkaline lime glaze, slightly curved tapered form, inscribed “5” on front shoulder, two thick applied strap handles with impressed terminals to opposing sides of upper shoulder, ridged curved shoulder with flared semi round rim, angled interior neck with flared mouth and lid ledge, incised alternating combed wavy and straight line decoration in eight sections from upper shoulder to lower body, 171/2 in., glaze voids and anomalies as made, professionally repaired 2 piece 3 in. interior rim chip, 3/8 in. and 1-1/4 in. chip to shoulder rim, one smaller glaze frit, 3/8 in. chip to mouth rim, other glaze frits and wear to mouth rim, two 1/2 in. and 3/4 in. clay body chips on base near edge, residue

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $800 - $1, 200

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 129, cat. no. 280, Burrison writes, “Such two tone wares are among Alabama’s most distinctive. An iron bearing mineral was added to the glaze for the dark portion. A lid fit into the water filled well surrounding the mouth of this specialized form, creating an airtight seal that allowed bubbling gasses from fermenting wine or malt liquor to escape.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, color plate 8, center of book, cat. no. 280

Thomas Chandler Attributed Decorated Stoneware Pitcher likely made at Kirksey’s Crossroads pottery, Greenwood County, S.C. circa 1852, ovoid pitcher form, alkaline lime glaze, two tone kaolin and iron slip leaf decoration around shoulder and at spout, collared rim, pinched spout, applied strap handle, 8-1.2 in., glaze voids and anomalies as made, old wear around base edge, two old chips to clay body on base edge, restoration to entire handle, restoration to left side of rim from handle to spout, some restorations to interior rim, minor abrasions and glaze frits, old hairlines on base exterior likely as made

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $800 - $1, 200

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024 Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, pg. 57, cat. no. 183

1133

Very Rare and Important Azzel W. Davidson Alabama Stoneware Storage Jar

(Sand Mountain, DeKalb County, Alabama, circa 1860) runny brown and yellow iron bearing ash glaze, slightly ovoid form, stamped “AWD” inside arching banner, small arched applied lug handles at neck, flared rim, lid ledge, 12-1/8 in., glaze voids and anomalies as made, surface abrasions especially around belly of jar, 3/8 in. quartz blowout at belly, 1/4 in. and 1/2 in. chip to rim, professional restoration to most of the upper portion of rim with a larger area of restoration moving down onto shoulder of one side of jar, all illuminating under black light, some residue on body of jar, 2-1/2 in. hairlines associated with the restoration down from rim

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $1, 000 - $2, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 121, cat. no. 199, Burrison writes, “Brothers Azzel and Abraham Davidison were trained as potters at Mossy Creek in White County, Georgia, and migrated to Northern Alabama in the 1850s. Azzel died in the civil war.” See also Alabama Folk Pottery, Joey Brackner, University of Alabama Press, pgs. 127, 128, and 225 for more info on Azzel and the Davidson family of potters.

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, color plate 8, center of book, cat. no. 278

https://live.brunkauctions.com/auctions/brunk/american-southern-december-5-2024-15018/catalog#catalog

1134

Eddie C. Averett Attributed Georgia Stoneware Face Jug (Crawford County, Georgia, 1876-1928) circa 1920, runny mottled dark green alkaline lime glaze, straight sided, rounded shoulder form, applied facial features, broken china teeth, straight spout, tight curved handle, 8-1/2 in., glaze voids and anomalies as made, firing shrinkage lines to edges of ears as made, shrinkage separation through front of mouth and under lip as made, firing separations on base as made, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $1, 000 - $2, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 122, cat. no. 205, Burrison writes, “Averett is the only Crawford County potter known to have made face jugs. According to his daughter, Lucile Wills, ‘Papa made face jugs for sale...it tickled the men that bought them... to think they had something funny-looking to put their whisky in. Others bought them for home decorations...My mama, Bertha Pender Averett, made the faces on the jugs. The teeth and eyes were made out of pieces of white china.’ “

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1136

1135

Georgia Face Jug Attributed to Charles P. Ferguson (Gillsville, Jackson County, Georgia, 1850-1917) circa 1900, unglazed red clay curved jug form, brown Albany slip glaze to the top and back of jug, applied facial features including comma form ears, large arched smiling lips, elongated nose, articulated eyes with slip glazed pupils, incised hair decoration, short flat spout, arched ridged strap handle, 6-3/4 in., clay body and glaze anomalies as made, minor surface abrasions, 1/4 and 3/8 in. rim chips, small chips to interior rim, 1 in. loss to upper left ear, other chips to back of ear, 1 in. loss to right nostril, 3/4 in. loss to upper right ear, firing separation to right pupil as made, wear and chips to base edge, yellow paint residue to base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia Estimate: $1, 000 - $2, 000 from Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, pg. 124, cat. no. 229. Burrison writes, “Having married Eli Hewell’s potter daughter Catherine, Charlie (grandson of Charles H. Ferguson) came with the Hewells from Barrow County. He first worked at the Addington shop (then owned by James Henderson), where this piece was made (attribution made by a marked and dated example by the same hand).”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024 Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, pg. 75

Rare Large Kline and Brown Stamped Georgia Stoneware Pickle Jar

(Howells Mill, Atlanta, Georgia, circa 1883) salt glaze to exterior, Albany slip glazed interior, stamped “KLINE & BROWN, MANUFACTURERS, ATLANTA, Ga.” and upside down “4” at shoulder, applied arched lug handles, flared rim with drilled holes, led ledge, 19 in., glaze voids and anomalies as made, some surface wear, shrinkage hairline in interior as made, grease on exterior, faint 6 in. hairline to side of jar with associated 2 in. lateral hairline, residue on exterior, illumination under black light likely due to residue

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $800 - $1, 200

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 123, cat. no. 216, Burrison writes, “The holes in the rim were for securing the lid, “4” was stamped upside down to indicate seven gallons. Charles Kline married Emma Brown at jugtown, by 1883 they had moved to Atlanta. His partner may have been his father in law, potter William S. Brown.” This is a rare stamp, this business arrangement was very short lived, very few stamped examples are known.

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, pg. 192, photo 105, upper left piece

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1137

Lanier Meaders Georgia “Laser Jug” (Mossy Creek, White County, Georgia, 1917-1998) circa 1967, runny green ash glaze, syrup jug form with elongated spout, two applied round strap handles at shoulders, cut away door form mouth on front of jar, round holes at sides below handles, smaller hole on lower back, unsigned, 17 in., glaze voids and anomalies as made, lifter marks on base edge as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 121, cat. no. 199, Burrison writes, “Lanier had read an article on lasers, which he interpreted as concentrated red light. He made a pair of ‘laser jugs’ based on the old syrup-jug form, with holes for light bulb sockets and an electric cord. The mouths were meant to face each other and produce a steel-piercing beam; but one jug was ruined in the firing. The experiment reminds us that contemporary southern folk potters take part in the modern world.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, prologue, photo 3.

1138

Edwin “Nub” Meaders Stoneware Rooster

(Mossy Creek, White County, Georgia, 1921-2015) circa 1982, alkaline green lime crackle glaze, cobalt eyes, applied tail, comb, and wattles, base inscribed “Edwin Meaders”, 14-1/2 in., glaze voids and anomalies as made, some tiny surface abrasions and glaze frits, good condition overall

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, pg. 98, cat. no. 564

1139

Rare and Unusual Small Edgefield South Carolina Stoneware Churn

Edgefield District, South Carolina, circa mid 1800s, possibly attributed to Lewis Miles, mottled brown alkaline glaze, creamy white glaze runs, wide based form, three tooled grooves to mid body of jar, two slash marks at shoulder, two applied arched lug handles at opposing shoulders, collared neck, flared rim, lid ledge, 11-3/4 in., glaze voids and anomalies as made, 1 in., 1-1/4 in. and 1-1/2 in. restorations to exterior rim with no illumination under black light, 3/4 in. lid ledge chip, 2-1/4 in. loss to edge of one handle, miniscule hairline and glaze frit to the other, 1 in. chip to base edge, small 1/2 in. chip as well, 1/4 in. chip to groove at belly of jar, surface abrasions, base edge wear, spalling to clay body on base

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 120, cat. no. 185, Burrison writes, “Because of hard usage inherent in churning, surviving ealy pottery churns are uncommon. The deep midsection grooves from this small example, perhaps from Lewis Miles’s Aiken County shop, are unusual. The cream colored area may be due to naturally occurring rutile (titanium dioxide) in the clay where the glaze was thicker and didn’t fully melt.

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, pg. 57, cat. no. 185

1140

Stoneware Whisky Jug Attributed to the Cyrus Cogburn Shop Georgia (Edgefield, South Carolina, Washington County, Georgia, and Texas, 1820-1855) circa 1820, light tan alkaline glaze, tapered ovoid form, applied high arch strap handle at shoulder, collared spout with tooled rim, unsigned, 12 in., glaze voids and anomalies as made, 1/2 in. rim chip, other small rim chip, 5 in. hairline down from spout, glaze chip at shoulder along hairline, surface wear, base edge wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 121, cat. no. 191, Burrison writes, “Such Edgefield style jugs were made in large numbers at the Cogburn shop, based on archaeological remains at the sight. By 1850 Cogburn and his family had moved to Texas, where they continued to make pottery.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in the Changing South, John Burrison, University of Georgia Press, 2000, color plate 4, center of book, cat. no. 191

1141

Rare Georgia Stoneware Storage Jar with Unidentified Maker’s Mark Barrow County, GA, circa 1860s, storage jar with tapered ovoid form, runny mottled dark olive green alkaline glaze, thick brown glaze runs to lower body of jar, punctuated circular mark at shoulder of jar, four incised lines around shoulder, applied lug handles just below tooled down curved rim, likely made by the Ferguson families of potters, 13-3/4 in., glaze voids and anomalies as made, abrasions to jar around belly, rim wear, miniscule glaze frits, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, pg. 248, top jar in photo

1142

Three Pieces Mossy Creek Georgia Stoneware, One Piece Attributed to Wiley Meaders (Mossy Creek, White County, Georgia, 1875-1965) both jugs with light and dark olive green runny mottled alkaline ash glazes, Wiley Meaders attributed whiskey jug, circa 1910, incised line at shoulder, short arched strap handle from shoulder to neck of curved spout, 10-3/4 in.; large tapered ovoid jug, large arched wide strap handle, three incised lines at shoulder, incised line at neck, curved neck, flared collared rim, 17-1/2 in.; canning jar, light olive green runny mottled glaze, angled shoulder, flared rim, lid ledge, 10-1/4 in., glaze voids and anomalies as made, both jugs with quartz pebbles, surface wear and abrasions, miniscule glaze frits, small jug with base edge wear and frits, hairline across handle of large jug, jar with 6 small rim chips and other frits and wear, residue, abrasions and glaze frits to body, base edge wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 110, cat. no. 53, in relation to the whisky jug, Burrison writes, “This stoneware jug is typical of those used by north Georgia moonshiners until glass and metal containers became available.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Brothers in Clay: The Story of Georgia Folk Pottery, John Burrison, University of Georgia Press, 1983, pg. 72, jar pictured in photo 44, top right

1144

1145

Two Lucille Lossiah North Carolina Cherokee Baskets

Qualla Boundary, 20th century, both with Indian Arts and Crafts Board tags, by Lucille Lossiah, Cherokee, Swain County, N.C., 1995; one double-weave river cane, bloodroot dye, 6-3/4 x 5-1/2 x 5-1/2 in.; one wastebasket, river cane, bloodroot and butternut dyes, 10-1/2 x 9-1/8 x 8-3/4 in., minor fraying and splits, good overall condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $600

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Illustrated: Shaping Traditions: Folk Arts in a Changing South by John A. Burrison, Athens, Georgia: University of Georgia Press, 2000, pg. 68.

1143

Two Large Cherokee River Cane Baskets, One by Rowena Bradley, vQualla Boundary, 20th century, both river cane storage baskets, one with butternut and bloodroot dyes, by Rowena Bradley, Painttown, Swain County, N.C., 1990, 13 x 14-3/4 x 14-1/4 in.; one with synthetic dye and cherry bark rim, maker unknown, Snowbird Reservation, Robbinsville, Graham County, N.C., circa 1905, 18-7/8 x 20-1/2 x 19-1/4 in., slight fraying and splits at rim, overall good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $1, 500 - $3, 000

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

Two Lucille Lossiah Shopper Baskets

Cherokee, Swain County, N.C., 1994, one white oak splits with red maple curls, with Indian Arts and Crafts Board tag, bloodroot and walnut-root dyes, initialed “LL” on bottom, 8-1/4 x 10-3/4 x 5-1/4 in.; one river cane with oak handles, bloodroot and butternut dyes, 8-1/4 x 10-3/4 x 5-1/4 in., minor fraying and splits, good overall condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $800 - $1, 000

Bloodroot and walnut-dyed basket pictured in Shaping Traditions: Folk Arts in a Changing South by John A. Burrison, Athens, Georgia: University of Georgia Press, 2000, pg. 68.

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1146

Seminole Ceremonial Long Coat and Shirt

20th century, by Mary Francis Johns, Okeechobee, Okeechobee County, Florida, 1995, Seminole patchwork long coat over everyday shirt. The full skirted coat with traditional Seminole patchwork layers in multi colored cotton, the cotton calico shirt with red piping, approximately 47 x 34 in. overall., scattered loose threads, small stain to back of shirt, some loose interior seams and minor overall wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $600

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1147

Georgia Attributed Percussion Rifle

probably Cohutta Springs, Murray County, G.A., 1882, squirrel rifle, full stock, .36 caliber, Meier Ensley (faint signature and date on barrel top), brass blade front sights, 46 in. octagonal barrel, double set triggers, beaver tail rear sight, copper ramrod guides and thimble, hand wrought iron trigger guard, iron butt plate, 61 in. overall, handling wear throughout, patina to barrel with pitting, abrasions, and dings, loss to stock adjacent to hammer, loose stock towards fore end, missing barrel pins, 8 in. loss to left side of fore stock with associated 6 in. repair, 2 in. split in grain at fore end, 1-1/2 in. split in grain near trigger guard, 3 in. split to wood at side plate screw, other minor condition issues to stock, hammer can be manipulated but not set

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $800 - $1, 200

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1148

John Daniel Nelson Georgia Percussion Rifle Ball Ground, Cherokee County, G.A., 1871, squirrel rifle, half stock, .38 caliber. 42-3/4 in. octagonal barrel engraved “J.D. Nelson 1871” on top, long two screw barrel tang, dovetail brass blade front sight, v-cut rear sight, engraved lock plate, tear drop shaped brass side plate, iron trigger guard, butt plate, forend cap, ram rod guides and thimble, double set triggers, buttstock with cheek rest, 59-1/2 in. overall, some handling wear, copper plate repairs to stock adjacent to lock plate, patina, oxidation and some dings to metal components, nicks and abrasions to wooden stock, cock and triggers non functioning

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $800 - $1, 200

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 112, cat. no. 85, Burrison writes, “The maker settled at Nelson, near Ball Ground, after serving as a surgeon in the Confederate Army. His blacksmith and gunshop was supplied with spring water via hand bored wooden pipes.”

Illustrated: Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 45, description on pg. 112, cat. no. 85.

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1149

Briggs Garland Georgia Percussion Rifle

Fannin County, G.A., late 1800s, attributed to Briggs Garland, hog rifle, full stock, .41 caliber, dial 44 in. octagonal barrel, iron trigger guard, small butt stock, blade front sight, cut down rear sight, brass ramrod guides, 59-1/4 in. overall, some handling wear, some abrasions to barrel, light oxidation, crack at screw on trigger guard, wear to butt stock from use, chip in stock at side screw, 5 in. crack in fire stock with associated 1-1/2 in. loss, missing barrel pins, hammer will not set

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 112, cat. no. 86, Burrison writes, “Hog rifles were meant for bigger game than squirrel rifles and took a larger bullet. The construction of this one is so spare that it lacks a butt plate.”

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1150

Four Early Georgia Ladder Back Chairs

wooden chair frame, two slat back, mule ear, maple and oak, made by Jason Reid, Choestoe, Union County, GA, circa 1920s, 28-1/4 x 17-1/2 x 15 in.; rocking chair, finial tipped, pegged rocking chair with cowhide seat, black paint, Macon, GA, circa mid 1800s, 36 x 22 x 28 in.; oak and maple mule ear chair frame, three slat back, circa 1880s, Rabun County, GA, 34 x 17 x 15 in; hickory chair, three arched slat back, round posts with finials, split woven hickory seat, worn paint, 19th century, Union County, GA, 34 x 19-1/2 x 15 in., Rocking chair in fine old surface, rockers are probably older editions with some distress at attachments, side chair with losses to spit seat, all with typical surface wear and distress, chair frame feet worn down an inch or so

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $500

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1151

South Carolina Sweetgrass Bag by Herline Coakley American, circa 1992, attributed to Herline Coakley, Mt. Pleasant, Charleston County, S.C., sweetgrass, 17-3/8 x 11-1/8 x 4-1/4 in., slight fraying, overall good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $200

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1153

Chief Vann Cloth Doll

probably Georgia, 19th century, assorted fabric construction, stitched facial features, approx. 22-1/2 x 11 x 1-1/4 in.

According to consigner notes this doll was made by a family member of Chief James Vann., significant holes and losses from pest damage, some fraying and picked threads, two tears to sleeve under proper left arm, some toning and stains, some surface dirt and lint

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1152

Two North Carolina Folk Banjos

American, comprising: late 19th century, fretless banjo, maker unknown, Union County, North Carolina, hide head, 34-3/4 x 10-7/8 x 2-7/8 in.; Leonard Glenn, Sugar Grove, Watauga County, North Carolina, dated 1974, fretless banjo, black walnut, hide head, inscription on interior reads “Leonard Glenn/Sugar Grove, N.C./ April 18, 1974”, 35-1/4 x 9-1/2 x 1-7/8 in., some surface scratches and abrasions; 19th century example lacking strings and tuners, notable wear and loss to wood commensurate with age, surface dirt and accretion, hide head with several punctures and large tear to lower right, large chip to underside of head; Glenn example in overall good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $600 - $900

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1154

Four Georgia Carved Wood Canes

American, 20th century, comprising; cane with figural carved man’s head, Harmon Young, Forest Park, Clayton County, Georgia, circa 1972, 36-5/8 x 7/8 x 6-3/8 in.; walking stick with carved decoration of a woman, walnut, maker unknown, Millen, Jenkins County, Georgia, circa 1900, 37 x 2 x 1-1/4 in.; staff with carved snake and alligators, traditional Southern shotgun house, and lynching scene, maker unknown, Georgia, 32-3/4 x 1-1/8 x 1 in.; figural walking stick with carved snake and lizard, maker unknown, Georgia, 36-1/2 x 1 x 6 in., surface dirt and accretion, wear and loss to wood commensurate with age and use; snake and lizard example with two large cracks in handle; staff example with some pest damage

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $500

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1155

Two Folk Dolls and Wood Toy

American, late 18th and mid 20th century, comprising: limberjack with articulated limbs, Willy (surname unknown), Macon, Bibb County, Georgia, 1950s, painted yellow pine, 14-1/8 x 4-1/2 x 16-1/2; doll with gingham dress and painted face, maker unknown, circa 1881, approx. 20-1/8 x 11 x 2-3/4 in.; “Mammy” doll with red print dress and stitched features, maker unknown, approx. 13-5/8 x 7-1/4 x 2-3/8 in., limberjack example with surface dirt and accretion, slight pest damage, loss to paint at joints and edges, crack on proper right shoulder; gingham dress and Mammy example with wear commensurate with age, some fraying and picked threads, some toning and stains, some surface dirt and lint, label with accession number stitched inside dresses; gingham dress example with several tears in stockings, 2-3/4 in. tear to back of head; Mammy example with 2-1/2 in. tear on proper top right side of chest

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1157

Two Early Georgia Metal Folk Instruments American, late 19th century, comprising: metal plated fiddle, carved and painted wood body with sheet metal backboard and frontboard, F holes, 22 x 6 x 1-1/2 in.; cylindrical fiddle, galvanized iron canister with hand-forged iron neck brace, tailpiece, and nut, Roswell, Fulton County, G.A., 25-1/2 x 6-3/8 x 7-1/8 in., surface dirt and accretion, wear and loss to wood commensurate with age and use, metal elements with some denting, discoloration, and pitting, some rust and corrosion, both lacking strings; smaller fiddle lacking tuners; cylindrical example with some cracks to top of body

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $500

Smaller fiddle pictured in Shaping Traditions: Folk Arts in a Changing South by John A. Burrison, Athens, Georgia: University of Georgia Press, 2000, pg. 30.

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1156

Two Tennessee Folk Banjos American, comprising: 1894, fretless banjo, M.C. Teacham, probably East Tennessee, inscription on interior reads “M.C. Teacham/9.9.1894”, heart shaped soundhole, leaf design carved into headstock, 36-1/4 x 11-1/8 x 2-3/4 in.; mid1900s cigar box banjo. H.V. Boyd, Sparta, White County, Tennessee, inscription on back reads “Made by H.V. Boyd of Sparta Tennessee...”, 32-1/4 x 5-7/8 x 2-1/8 in., some surface scratches and abrasions, surface dirt and accretion, both lacking strings, 19th century example with some cracks to body, large chip to underside of head, glue overfill at seams; Cigar box example lacking neck tuner, upper right tuner chipped, losses and abrasions to cigar box labels, some lifting

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1158

Three Southern Folk Instruments, Dulcimer, Fiddle, and Slide Whistle American, 19th/20th centuries, comprising: East Tennessee Appalachian dulcimer, black walnut, hand forged iron tuning keys, bone bridge and nut, 33-3/8 x 8 x 3 in.; J.W. Easley, McCaysville, Fannin County, Georgia, poplar fiddle, inscription on interior reads “1950/King Town Special/MFC, By, J.W. Easley”, 24-3/8 x 8-5/8 x 3-3/4 in.; slide whistle, wood with metal inset stamped with notes on slide, 16-7/8 x 1-1/4 x 1-3/4 in., surface dirt and accretion, wear and loss to wood commensurate with age and use; dulcimer example lacking strings and two (of four) tuning keys, two long cracks running down back

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1159

Three George McCollum Tennessee Miniature Nesting Baskets Athens, McMinn County, Tennessee, circa 1994, each white oak, largest approx. 2-1/8 x 1-7/8 x 2 in., good overall condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1161

Group of Five American Folk Art Objects

American, 20th century, comprising; frog on toadstool, marked “Copeland” at base, tupelo, C.M. Copeland Jr., Fitzgerald, Ben Hill County, G.A., 5-1/2 x 3-1/2 x 3-1/2 in.; cat, marked on base “HB”, buckeye, Hope Brown, Brasstown, Clay County, N.C., 2-1/2 x 5 x 3 in.; rattlesnake dance mask, marked on chin “V. Crowe/5-92”, basswood, Virgil Crowe, Birdtown, Swain County, N.C. 10-1/8 x 6-3/4 x 4-1/8 in.; bowl with dogwood design, marked on base “Riverwood Pewter/ Dillsboro NC/1992”, pewter, Dee Shook and Leo Franks, Dillsboro, Jackson County, N.C., 1-1/4 x 12 x 12 in.; carved wooden serving spoon with rattlesnake, G.A., 151/8 x 2-1/2 x 1-3/8 in., slight scratches and surface dirt, overall good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1160

Two Christian Hymnals including: The Christian Harmony by William Walker, Philadelphia: E. W. Miller and William Walker, circa 1867, cloth spine and paper boards; The Sacred Harp, Hugh McGraw et al, Sacred Harp Publishing Company, 1991, cloth binding, Walker with heavy wear and losses to boards, hinges tender, tear through title page, scattered small tears and losses throughout; Sacred Harp with minimal wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1162

Three Handmade Georgia Baskets, One John Landon Pickelsimer American, late 19th century, comprising; striped footed “gizzard” rib basket, white oak, maker unknown, Gilmer County, G.A., 13-5/8 x 15-3/4 x 8-3/8 in.; rib or bow basket, white oak, inscribed illegibly in pencil, maker unknown, north G.A., 11-1/2 x 14-1/4 x 11-1/2 in.; wooden bow basket, John Landon Pickelsimer, Fannin County, G.A., 9-5/8 x 12-1/2 x 12-5/8 in., surface dirt and accretion, wear commensurate with age, some splits and fraying, slight pest damage, handles with some surface scratches and abrasions; Pickelsimer example with several broken splits

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1163

Two Coiled Fanner Baskets, One by Jannie Cohen South Carolina, 20th century, comprising: one deep fanner basket, bullrush and palmetto, 3-1/4 x 13-7/8 x 14 in.; coiled fanner basket, bullrush and palmetto, Jannie Cohen, 2 x 17-7/8 x 18 in., some splits and fraying, surface dirt and accretion

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1164

Two Allen Green Baskets

Sapelo Island, McIntosh County, Georgia, 20th century, one covered sewing basket, sweetgrass, 4-1/4 x 9-7/8 x 9-7/8 in.; one fanner basket with handles, “broom grass” and palmetto, 2 x 12-1/2 x 11-1/2 in., surface dirt and accretion, slight fraying and splits

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $200

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1165

Ned Burgess Attributed Canada Goose Church’s Island, North Carolina, circa 1930s, painted canvas-over-wire body with wooden head, neck and bottom board, dowelled bill, canvas folded and tacked to wooden elements with visible tack heads, bent nail and ring for rigging, 11-1/4 x 22 x 10 in., likely repainted, paint with crazing, some rust bleed at tack heads, separation at bill as made, bill slightly loose, losses to paint at head and neck, wear at tip of bill, canvas with dents, shot strike and wear at wire frame joints, puncture at left shoulder with tape residue, wear at edges of wooden base, paint splatter on base

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $800 - $1, 200

1166

Three Georgia Quilts and One Bolt of Fabric

Mary R. Shell, Madison, Morgan County, Georgia, 1930, pieced quilt, cotton, “Circle Saw” pattern, 75 x 62 in. overall; Georgia, late 1800s, pieced and appliquéd quilt, cotton, “Cotton Boll” pattern, 78 x 69-1/2 in. overall; Ms. Sidney Fowler, Blount County, Georgia, 1870s, fabric, cotton, plaid pattern, 89 x 33 in. overall; Annie B. Howard, Madison, Morgan County, Georgia, 1957, pieced quilt, cotton, “Brick Work” and strip pattern, 82-1/4 x 77 in. overall, staining, loose threads, wear and loss to top layer, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1167

Group of Nine Early Tableware Objects

possibly mid 1800s, forks, bone and metal, set of four with bone handles and three tines, 6-1/2 in. long; Rome, Floyd County, Georgia, 1800s, sifter, rawhide and wood, 7-3/4 x 2-3/4 in. overall; Washington County, Georgia, circa 1860s, coffee pot, copper, 10-1/2 x 6-1/2 in. overall; Milledgeville, Baldwin County, Georgia, trivet, forged iron, turntable type, solid iron disk. 3-3/4 x 20 in. overall; Georgia, circa 1900, oil lamp, copper, brass, 7-1/4 x 5-1/4 in. overall; Washington County, Georgia, 1850s, dough tray, poplar, 27-1/2 x 17-1/4 x 5 in. overall, pitting to iron, rust, dents to copper, loss to wood, loss to rawhide, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Most items Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1168

Pair of Snake Decorated Georgia Andirons

Macon, Bibb County, G.A., 1860s, andirons, hand-forged iron, 20-7/8 x 21 in. overall., some pitting and loss to iron, slight dings, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $500 - $1, 000

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1170

Group of Blacksmithing and Farrier Tools

1169

Group of Six Georgia Woodworking Implements

three hand forged iron drawknives: one Calvin Pierce, Murrayville, Hall County, G.A., 1870s 9 x 4-1/4 in. overall; two by unknown makers, Trenton, Dade County and Dade County, G.A, 1800s, larger 19-1/2 x 5-1/2 in. overall, condition consistent with use and age, pitting, some loss and cracks to wooden handles

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

John Landon Pickelsimer, Morganton, Fannin County, G.A., circa 1900, pincers, hand-forged iron, 13 x 3-1/2 in. overall; Cherry Log, Gilmer County, G.A., unknown maker, circa mid 1800s, screw plate, iron, 26-1/2 x 2 in. overall; hammer, handforged iron head, 8-1/4 x 3-7/8 in. overall; Georgia, circa 1900, farrier nail grabber, hand-forged iron, 19 x 2-1/2 in. overall; Wilson county, T.N., owned by James Steed, clawhammer, hand-forged iron head, 13 x 6-1/4 in. overall, condition consistent with age and use, pitting to iron, wear to wooden handles

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1171

Three Georgia Folk Art Models (American, 1900s), George Patton, Gainesville, Hall County, Georgia, wagon and steer, boxwood, 1968. 7-1/2 x 12 x 4 in. overall; Carl L. Stepp, McCaysville, Fannin County, G.A., 1931, covered wagon with ox team, 14 x 24 x 9-1/2 in. overall; small “Lincoln Birthplace Souvenir” log cabin model, one room squarish rectangle, “V” notched unhewn construction, stick chimney, pole tied roof, 5 x 4 x 6 in., slight wear and loss of paint commensurate with age, some roof detailing missing from log cabin

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Most illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1173

Hunting Pouch and Powder Horn

Blue Ridge, Fannin County, Georgia, circa mid 1800s, maker unknown, hunting bag, leather, with horn tip decoration. 24 x 9 in. overall; Blue Ridge, Fannin County, Georgia, circa mid 1800s, maker unknown, powder horn with carved tip and ringed wooden cap, leather strap, 11-3/4 x 2-1/4 in. overall, some loss to leather, scattered mold, condition consistent with age and use; horn with pitting and wear, two holes in body of horn, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Most items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1172

Group of Three Axes

attributed to John Pickelsimer, Morganton, Fannin County, Georgia, mid-/late 1800s, hatchet, hand-forged iron blade, 17-1/4 x 5 in. overall; Union County, 1800s, broad ax, factory-made iron, 32 x 7-3/4 in. overall; hewing hatchet, factory-made iron, 16 x 7-1/2 in. overall; pitting to iron, condition consistent with use and age

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1174

Group of Five Georgia Hunting and Fishing Objects

Lon Reid, Choestoe, Union County, Georgia, 1969, turkey caller, maple, corrugated wooden cylinder and grooved wooden block, 5 x 5 in. overall; Chatsworth, Murray County, Georgia, 1860s, hunting knife, bone handle and hand forged iron blade, 9-1/2 x 1-1/4 in. overall; Georgia, circa early 1900s, hunting knife, steel (from a circle-saw blade) and wood, 8-1/2 x 1-1/8 in. overall; Montrose, Laurens County, Georgia, circa late 1800s, sturgeon “gig”, hand-forged iron, 9 x 3-1/2 in. overall; Monticello, Jasper county, Georgia, circa 1900, frog or fish “gig”, recycled from an old file, 8-3/4 x 3 in. overall, pitting and oxidation to iron, some loss to grooved caller, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1175

Three Georgia Animal Related Objects

Union County, G.A., 1800s, bear trap, hand-forged iron, 13 x 6 x 9 in. overall; Ben Hill County, G.A., early 1800s, fleshing knife, blade stamped “SHUGERT” near handle, iron and hand-carved wood, 20 x 10-1/4 in. overall; attributed to southwest Georgia’s Wiregrass section, late 1800s, bullwhip, leather with decoratively carved wood handle, 144 x 1-1/4 in. overall, pitting to iron, rust, loss and wear to leather, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1177

Group of Five Farming and Digging Implements

Gilmer County, G.A., circa 1900, ginseng digger, hand-forged iron blade, 13 x 4 in. overall.; Forsyth County, G.A., circa 1930s, mattock blade, Ford leaf spring, 23-1/2 x 10 in. overall; Gilmer County, G.A., mid-1800s, hay-rake blade, hand-forged iron, 15 x 4 x 7 in. overall; early 1800s, hoe blade, hand-forged iron, 6-3/4 x 3-3/4 in. overall; baling hook, hand-forged iron, 10-3/4 x 4 x 5 in. overall, pitting to iron, loss and wear to wood, loose handles, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1176

Group of Wheelwright Tools

White County, G.A., late 1800s, wheelwright’s “traveler, ” hand-forged iron, 11 x 6 in. overall; Gilmer County, G.A., wheelwright’s “traveler” or wheel-race, hand-carved wood, 13-1/4 x 6-1/4 in. overall.; Blairsville, Union County, G.A., wheelwright’s hub reamer, hand-forged iron, 12 x 3 in. overall; Union County, G.A. felloe frame saw, iron and wood, 22 x 21 in. overall, pitting to iron, cracks and splits to wood, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1178

Folk Art Model Shrimp Boat

Dennis Wallace, Townsend, McIntosh County, G.A., 1994, model diesel powered Desco shrimp trawler, painted basswood, 35 x 37-3/4 x 11 in. overall, loss at previous repair to bow railing

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1179

Group of Georgia Woodworking Tools maker unknown, Union County, G.A., late 1800s, scratch gauge, 18 x 3-3/4 in. overall; Lon Reid, Choestoe, Union County, G.A., 1950s. Attached tag notes “Gauges for measuring chair rounds, made and used by Lon Reid of Choestoe, Union Co. (1885-1972).”, chair maker’s gauges, hand carved wood, 7-1/2 x 1-3/4 in. overall; Lon Reid, Choestoe, Union County, G.A., circa 1960, turner’s gauge, hand carved wood, rung end gauge, 5-3/4 x 1 in. overall; maker unknown, Fry, Fannin County, G.A., late 1800s, owned by George Lanning, compass, light colored wood, 13-1/4 x 9 in. overall; maker unknown, Union County, G.A., compass, dark colored wood, 1800s, 12-1/2 x 11 in. overall; Walter Shelnut, White Creek, White County, G.A., 1960s, glut, dogwood, 11-1/2 x 2-1/2 in. overall; Holmes Guess, Acworth, Cobb County, G.A., 1970s, wooden wedge or glut, hand-carved wood, 10-1/2 x 2-3/4 in. overall; maker unknown, Union County, G.A., late 1800s, mallet, hand carved wood, 12-1/4 x 6-1/2 in. overall, cracks to wood, wear, some loss to edges, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1181

Group of Eight Spinning and Textile Objects Greene County, Georgia, mid 1800s, “Big” or “walking” spinning wheel, wood, 57 x 80-1/2 x 9 in. overall; possibly Alabama, mid 1800s, flax break, hardwood, chip carved decoration, 20-1/2 x 47 x 8 in. overall; Crawfordville, Taliaferro County, Georgia, mid 1800s, flax hackle with cover, wood and iron, 6-1/8 x 12-3/4 x 5-1/2 in. overall; Pennsylvania, early 1800s, flax seed ripple or hand comb, wood and iron, attached tag notes its uses and its origin in Western Pennsylvania, 7-1/2 x 19-3/4 in. overall; yarn winder, painted wood, iron, string, 15-1/2 x 7 in. overall; shuttles, carved wood, one has attached tag that states “Shuttle of pine, from Courtney, N.C.”, 10-3/4 x 1-3/4 in. overall, pitting to iron, rust, loss to paint, cracks, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1180

Group of Woodworking Related Objects (American, early 1800s-late 1900s), Walter Shelnut, White Creek, White County, G.A., 1977, made for the folklife collection, chair-assembly mallet, sourwood head and oak handle, 12 x 5 in. overall; 1971, chair post-turning chisel, hand-forged iron blade, 16-1/2 x 2 in. overall; Choestoe, Union County, G.A., 1800s, mortising chisel, attached tag notes its use for “Mortisin chisel for cutting slits in rear chair posts to receive slats, used by Lon Reid of Choestoe, Union county (1885-1972)”, 14 x 1-1/2 in. overall; Fry, Fannin County, G.A., late 1800s, maker unknown, owned by George Lanning, plane, chip-carved decoration, 6-1/4 x 1-3/4 in. overall; Washington County, G.A., early 1800s, wood blade square, maker unknown, 5-1/4 x 4-1/2 in. overall.; Fry, Fannin County, G.A., late 1800s, maker unknown, owned by George Lanning, iron blade square, 4 x 3-3/4 in. overall, condition consistent with age and use, pitting and dents to iron, slight wear and loss to wooden squares

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1182

Pair of Children’s Boots and Group of Shoemaking Objects

Gilmer or Fannin County, G.A., 1940s, child’s boots, leather, tooled leather, stamped “6” on sole, 6 x 5 in. overall; North G.A., mid-/late 1800s, shoe lasts, handforged iron example, 11 x 4-1/4 in. overall; hand-carved wood. 6-1/4 x 2 in. overall; Union County, G.A., 1800s, Shoe rasp or peg tool. hand-forged iron, 23 x 1-1/8 in. overall; Shoe anvil, hand-forged iron, 6-1/2 x 4-1/2 in. overall, some scuffing and loss to boot leather, missing nail to left heel, some pitting to iron, split in rasp handle, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1183

Billy Bryant Attributed Georgia Stoneware Cream Pot and Pitcher (Crawford County, Georgia, circa late 19th century) larger cream pot with runny green alkaline glaze, some paint rock coloring at back, tapered body, two applied strap handles at sides of shoulder, one stamped “BB” the other stamped “2”, collared rim, down pulled spout, 8-1/4 x 13 in; smaller pitcher form with runny green alkaline glaze, tapered body with strap handle at back, collared rim, down pulled spout, 6 x 10-1/4 in., glaze voids and anomalies as made, surface wear and abrasions, minor glaze frits and wear, cream pot with 1 in. and 3/4 in. rim chip, tiny frit to spout, 3 in. hairline to lower body below spout with an associated 4 in. hairline above base edge, cream pitcher with 1-1/4 and 3/4 in., rim chips, spout with 1 in., chip and other small chips, large abraded area below spout from pouring, base edge wear with small chips

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

See Brunkauctions.com for full note with illustration and exhibition history.

1185

Unusual Washington County Georgia Stoneware Crock circa late 1800s, storage jar, brownish green alkaline lime glaze, wide ovoid form jar, flat strap handles to upper shoulder of jar, flat wide tooled rim, 12-1/4 in., glaze voids and anomalies as made, surface wear and abrasions, glaze frits to body of jar, firing burnouts, 7 in. hairline down from handle, two chips to handle, rim wear, illumination under black light due to residue

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1184

Edgefield South Carolina Attributed Stoneware Clabber Bowl or Cream Pot

Edgefield District, SC, circa 1850s, tannish green alkaline glazed exterior, creamy green speckled glazed interior, unglazed rim, tapered vessel form, ridged neck with rounded tooled rim, applied strap handle from ridge at neck to lower body, 6-3/8 in., glaze voids and anomalies as made, 3/8 in. glaze chip to handle, very small chips to edge of rim and ridge at shoulder, miniscule 4 in. stabilized hairline down from rim, frits and wear to base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1186

Burlon Craig Catawba Valley Stoneware Chamber Pot (Vale, North Carolina, 1914-2002) runny green alkaline glass glaze, rutile runs, stamped “B.B. CRAIG, VALE, N.C.” on base, flat flared rim, round strap handle, 7 in., glaze voids and anomalies as made, great condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1187

Large E.J. Brown North Carolina Pottery Ring Bottle (Skyland, Buncombe County, North Carolina, circa 1975) “secret formula” brown glaze to one side, other half unglazed, stamped “Evan’s Pottery”, indiscernible line, and “Hand Made”, straight spout, 14-1/2 in. across, glaze voids and anomalies as made, clay body anomalies, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $200

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1189

Harold Hewell Georgia Stoneware Face Jug (Gillsville, Hall County, Georgia, 1993) runny green alkaline ash glaze, applied facial features, white kaolin eyes with cobalt pupils, broken china teeth, inscribed on base “April 24 1993, Harold Hewell, Gillsville Ga.”, 9-1/2 in., glaze voids and anomalies as made, grinding on base edge as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1188

Three Crawford County Attributed Stoneware Bowls

circa 1850’s, straight sided pancheon type bowl, light olive speckled alkaline lime glaze, incised wavy line on exterior of bowl, tooled semi round edged flat rim, 4-3/4 x 11 in.; bowl with curved sides, alkaline lime paint rock glaze, tooled angled flat rim, 4 x 11-3/4 in.; pie dish bowl from with fluted ruffle edge rim, olive green alkaline ash glazed interior, unglazed exterior, 3-1/2 x 11-1/4 in., glaze voids and anomalies as made, surface wear, base edge chips and wear, straight sided bowl with circular hairline around entire interior base, six hairlines radiating up the side of interior wall for a few inches from the circular hairline, illumination under black light due to residue, curved wall bowl with glaze crackle in interior, some minor surface abrasions on rim, a few glaze frits, one with hairline on rim, pie dish bowl with spider hairline 4-1/2 in. up side, and 11 in. around side of bowl, the across base meeting up with original hairline running up side, four trapped air bubbles in clay wall, largest 1-1/2 in., base edge chip

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $800 - $1, 200

See Brunkauctions.com for full note with illustration and exhibition history.

1190

Three Pieces of Hewell Family Attributed Georgia Pottery canning jar, Albany slip glaze, stamped at base edge “H.H. Hewell, Winder GA, DFD? 20”, Barrow County, GA, circa 1880s, 10 in.; tapered pitcher, Albany slip glaze, incised line at shoulder and belly, attributed to John F. Hewell, early 1900s, Gillsville, GA, 9-3/4 in.; small monkey jug, canted spout, vent hole in top, attributed to Will Hewell, Mossy Creek, GA, circa 1920s, 4-3/4 in., glaze voids and anomalies as made, surface wear and abrasions, canning jar with glaze chips to body throughout, rim wear, pitcher with 2 in. chip repair to rim, chip repair to rim with hairline above handle, another small hairline to rim, monkey jug with firing hairlines on top, clay body chip anomaly on body, kiln debris on base, surface wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Monkey jug found in Daddy Bill Dorsey’s Shop

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1191

Cleater and Billie Meaders Georgia Face Jug (Warner Robbins, Houston, Cleveland, and White Counties, Georgia, circa 1995) runny green alkaline ash glaze, applied facial features, white kaolin eyes with iron slip pupils, kaolin teeth, signed “Cleater and Billie Meaders, May 12, 1994, 82 (degrees)”, strap handle, straight spout, 10-3/4 in., glaze voids and anomalies as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1193

Floyd Probst Attributed Catawba Valley Stoneware Monkey Jug (Henry, Lincoln County, North Carolina, Circa 1930’s) runny brown alkaline glaze, double jug form, spouts on opposing sided of jars, stirrup handle over top of jug, stamped “North Carolina” on base, 8-1/4 in., glaze voids and anomalies as made, some wax residue, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1192

Three Pieces of W.T.B. Gordy, and E.L. Stork Georgia Pottery (W.T.B Gordy, Fayette County, Aberdeen area, Merriweather County, Alvaton area, Greenville area, Georgia, 1877-1955) buggy jug and pitcher, circa 1920s, Albany slip glazes, jug stamped “WTB GORDY ALVATON GA” and inscribed “2-1/2” to lower body, two bands of combed triple wavy line decoration at shoulder, strap handle from shoulder to neck of spout, 9 x 9-1/2 in.; pitcher stamped on front ”WTB GORDY” above incised line, footed base, arched strap handle, flared rim, pulled spout, 10 in.: (E.L. Stork, Columbia SC, Merriweather, Cherokee, Coweeta, Washington, and Crawford Counties, GA, 1868 - 1925) circa 1909 - 1920, Albany slip, curved pitcher form, angled strap handle, pulled spout, stamped “E.L. STORK, ORANGE, GA” at shoulder, 10 in., glaze voids and anomalies as made, jug with minor surface abrasions, and base edge wear, otherwise good condition, pitcher with surface abrasions and minor glaze frits to body and foot, rim with abrasions and various chips to rim and spout, Stork pitcher with small glaze chip to rim and other miniscule frits, 1/4 in. glaze chip to front of pitcher and another small glaze chip, glaze frits to base edge, various other miniscule glaze frits to surface, wear under spout

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1194

Two Pieces of Lanier Meaders Georgia Stonewares and Dorsey Attributed Chicken Waterer (Mossy Creek, White County, Georgia, 1917-1998) circa 1982, monumental syrup jug, runny mottled olive green alkaline lime ash glaze, tapered cylindrical to rounded shoulder form, 2 incised lines at shoulder, applied rounded strap handles from shoulder to neck of slightly collared spout, inscribed “Lanier Meaders” on base, 21 in.; lidded jar, shiny dark alkaline glaze, runs down one side of jar and handle, applied lug handles, flared rim, lid with knob finial, inscribed on base “Lanier Meaders”, 10-3/4 in.; chicken waterer, dark green runny alkaline glaze, knob finial, small hole above base edge, large fill hole in base, unsigned Dorsey Family attributed piece, 9-3/4 in., glaze voids and anomalies as made, base edge chip to jar as made, minor surface abrasions to jar, chicken waterer with surface abrasions, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1195

Three Pieces of Crawford County Attributed Georgia Stoneware circa late 19th century, all three with variations on paint rock glaze, pitcher attributed to Henry Doss Marshall, a black, yellowish and brown mottled glaze, wide base, tapered neck with incised line, curved strap handle stamped “HD”, flared rim, pulled spout, 8-1/2 in.; beanpot, runny brown alkaline “hares fur” pattern glaze, ovoid tapered form, applied looping strap handles, flared rim, lid shelf, 7-1/2 in.; storage jar, runny mottled yellow and green alkaline glaze, ovoid form, applied slab handles at shoulder right next to flared neck, 12-1/2 in., glaze voids and anomalies as made, minor surface abrasions and wear, pitcher with two 3/4 in. rim chips and other smaller rim chips, chip to edge of handle, minor clay body frits, jar with two 1/2 in. rim chips and two smaller chips, clay burn out on neck, bean pot with 5/8 in. rim chip and other smaller chips with rim wear, two chips under base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

See Brunkauctions.com for full note with illustration and exhibition history.

1196

Three Pieces of Lanier Meaders Georgia Stoneware (Mossy Creek, White County, Georgia, 1917-1998) pitcher with green glaze runs over brown and yellow speckled ash glaze, angular tapered body, curved strap handle, flared rim, pinched spout, 10 in.; deep bowl, runny olive green alkaline glaze, tapered body, collared neck, flared rounded rim, 6-3/8 x 12-3/4 in.; mug, runny olive green alkaline glaze, strap handle, 4-3/4 in. , glaze voids and anomalies as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

See Brunkauctions.com for full note with illustration and exhibition history.

1197

Six Pieces of Meaders Family Georgia Pottery (Mossy Creek, Georgia, contemporary) flower jug form, runny light and dark olive green ash glaze, five spouts, applied strap handle from shoulder to neck of central spout, signed on base “Cleater Meaders 1998”, 10-3/4 in.; four small bowls, light and olive green runny ash glazes, all signed “Cleater and Billie Meaders 11-22-1994” on bases, 3 in.; lime glazed candlestick, signed “Meaders Pottery Mossy Creek” on base, 6-1/2 in., glaze voids and anomalies as made, flower jug with chips to base edge as made, rough unglazed areas to candlestick as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia Estimate: $100 - $300

Exhibited: Previously

1198

Six Contemporary Georgia Pottery Face Jugs and Figural Hewell family pieces, Gillsville, Hall County, Georgia, circa 1980s and 1990s, Matthew Hewell face jug, runny green alkaline ash glaze, white clay eyes, broken china teeth, signed and dated “86” on base, 5-1/4 in.; Nathaniel Hewell face jug with green alkaline glaze, rutile coloring throughout, white clay eyes, broken china teeth, signed on base, circa 1992, 7-1/4 in.; smaller Nathaniel Hewell face jug, green and brown alkaline glaze, white clay eyes, broken china teeth, signed on base, 4-3/4 in.; small Grace Nell Hewell face jug, runny green alkaline ash glaze, kaolin eyes with cobalt pupils, small broken china teeth, signed and dated on base “12-21-1994”, 3-3/4 in.; Marie Rodgers, Meansville, Pike County, GA, circa 1993, Confederate Soldier, Albany slip and Gertstly borate glaze, sculpted figural, white clay teeth and eyes, applied features, inscribed “Marie Rodgers” on back, 9-3/4 in.; small Anita Meaders face jug, runny green alkaline glaze, tiny applied features, inscribed “Anita Meaders” on base, strap handle, flared spout, 2-3/4 in., glaze voids and anomalies as made, broken handle to larger Nathaniel Hewell face jug, other pieces good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1200

Three Pieces of North Carolina Pottery stoneware elixir dispenser, attributed to Charles or L. Farrell Craven, Moore or Chatham County, NC, circa 1930s, salt glaze, round form, thick strap handle on shoulder, tapered spout, 8 x 9 in.; lead glazed earthenware dish, circa early 1800s, possibly Alamance County, angled wall, flat bottom, 2-1/4 x 10-1/4 in.; lidded sugar jar, earthenware, three color slip decoration, strap handles, lid with knob finial, stamped on base “Westmoore Pottery 1993”, Seagrove, Moore County, NC, 10-1/4 in., sugar jar in good condition, earthenware dish with surface wear and abrasions, loss to glaze, rim wear and chips, several hairlines down from rim into base, one 5 in., heavy wear overall, dispenser has glaze chip to spout, firing anomaly on base, firing line on top of jar

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1199

James Franklin Seagle North Carolina Stoneware Jar (Lincoln County, North Carolina, 1829-1892) runny olive green alkaline glaze, ovoid jar form, stamped “JFS” and “2” at shoulder, applied arched lug handles at shoulder, flared rim, lid ledge in interior, 11-3/4 in., glaze voids and anomalies as made, surface abrasions and minor glaze frits throughout, wear to rim, lid ledge and base edge, old residue under handles, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

See Brunkauctions.com for full note with illustration and exhibition history.

1201

Edgefield Style Mossy Creek Or Mountain Area Georgia Storage Jar circa 1860s, light olive green alkaline lime glaze, rutile highlights to one handle, ovoid form with tapered lower body, applied lug handles to upper shoulder of jar, inscribed “3” at shoulder, single impressed dash at opposing shoulder, curved neck with tooled angled flat rim, unglazed fingerprints in interior rim from glazing, possibly Mossy Creek but more likely unidentified mountain area potter, 12-3/4 in., glaze voids and anomalies as made, abrasions to belly of jar, 3 in. rim loss, several 1 in. rim chips, other smaller rim chips, two 1/2 in. chips to handle, glaze frits and clay body frits, 3-1/2 in. hairline down from rim beside capacity mark, another 3 in. hairline down from shoulder, illumination under black light due to residue, base edge wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800 See Brunkauctions.com for exhibition history and full note.

1202

Two Pieces of Georgia Pottery

D.X. Gordy harvest jug, Westville Pottery, Stewart County, GA, circa 1970s, salt glaze over Albany slip glaze, wide fill spout, strap handle over top, small broken pour spout, stamped “Westville Pottery” on shoulder, 9-1/2 in.; Gillsville, GA, pitcher, Bristol glaze, cobalt ring at shoulder, creamy glaze runs down from rim, inscribed “Matthew Hewell, 11-30-1993, 1/2 gallon”, 9 in., glaze voids and anomalies as made, harvest jug with 1-1/2 in. loss to spout, some surface abrasions, some chips to base edge, pitcher good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1203

Four Pieces of Southern Stonewares southern milk pail, salt glaze exterior, Albany slip glazed interior, incised line at shoulder, flat rim, chatter marks to body, possibly Georgia, Alabama, or Tennessee, 9-3/4 in.; pitcher, salt glazed exterior, Albany slip glazed interior, high arch looping strap handle, collared rim, possibly Putnam County, TN, 9-3/4 in.; cylindrical grave marker, partially unglazed, Albany slip glazed top, Inscribed “Luther Wilson” in glaze, hole in bottom, 7-1/2 in.; pets dish, clear fly ash glaze exterior, unglazed interior, 2 x 7in., grave marker and pets dish made by Gerald Stewart, Louisville, Mississippi, circa 1970s, glaze voids and anomalies as made, surface wear, milk pail with 4 in. rim loss, rim wear, surface abrasions, several large firing anomalies to glaze, kiln debris, chip to rim edge, chip to interior rim, chips to clay body, pitcher with two glaze frits to spout, multicolor clay on base, grave marker with chip to glaze at shoulder edge, pet dish with rough interior, as made condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $100

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1205

1204

Four Miniature Pieces of Cleater J. Meader’s Children’s Georgia Pottery (Cleveland, White County, Georgia, early 1930s) Albany slip glazed bowl and miniature pitcher, unglazed jar and jug with some Albany slip interiors, 2-1/2 to 3-1/2 in. tall, glaze voids and anomalies as made, minor abrasions, chip to jug handle, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $100

See Brunkauctions.com for exhibition history and full note.

Large J.D. Craven North Carolina Stoneware Jug and Unsigned Cream Riser (Randolph and Moore Counties, North Carolina, 1827-1895) salt glaze, ovoid syrup jug form, stamped “JD CRAVEN” at shoulder, three channeled arched applied long tailed strap handles from shoulder to spout, curved neck, tooled rounded rim, 201/2 in.; hat form cream riser, tapered walls, wavy flat rim, inscribed “1 1/2” in large font on side, likely Randolph, Moore, or Chatham counties, 7 x 11 in., glaze voids and anomalies as made, minor surface abrasions, minor clay body and glaze frits, firing separations as made, some tiny specks of residue, base edge wear, overall good condition, cream riser with 1-1/2 in. rim chip, kiln debris on rim, other small glaze frits around rim, clay body anomalies, surface abrasions, staining

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1206

Six Pieces of Barrow County Georgia Stoneware And Stamped W.R. Addington Pitcher (Addington, Barrow, Hall, Banks and Jackson Counties, Georgia, b.1849 - a.1900) circa 1870-1890, Albany slip glazed pitcher and salt glaze over Albany slip glazed jar, jar with incised line at neck, stamped “W.R. ADDINGTON, MAYSVILLE, G.A.”, 9-3/4 in. and 9 in.; salt glaze over Albany slip glazed churn, three incised lines between squared applied lug handles, flared rim, likely Barrow County, circa 1880, 17-3/4 in.; salt glazed milk pan, tapered angled walls, pulled spout, 5-3/4 x 13-1/4 in.; poultry feeder, elongated opening to lower side, broken knob finial, 9-1/4 in.; lidded kraut, down angled rim, recessed knob on lid, four incised lines at shoulder possibly indicating capacity, 14-1/4 in., some unsigned pieces possibly attributed to W.R. Addington, glaze voids and anomalies as made, surface wear, minor abrasions, kiln drips, base edge wear and chips, pitcher with heavy rim wear, 1 inch rim loss, heavy surface wear throughout, jar with 1-1/2 in. rim loss, surface abrasions, large firing anomaly to lower body of jar, evident in interior with firing folds and separations, churn with 1 in. rim loss and repair, chips and abrasions to body of churn, quartz pebbles in interior walls, one with blow out, jug with frits to handle, surface frits and abrasions, 9 in. indention around lower body as made, debris interior, milk pan with rim wear, various chips around rim, one chip in interior, 14 in. crack running down wall and across base, another glued thin hairline on the other wall from shoulder to base visible under black light, other chips to clay body on exterior, exterior of wall with crack has green yellow surface, other small associated hairlines, poultry feeder with surface abrasions, losses to finial, kraut jar with 3-1/2 in. rim loss on lid with other smaller chips, jars rim with two 1-1/2 in. losses and other smaller interior rim chips, abrasions chips and residue to the body, spider hairline 4 in. up from base edge with other associated hairlines on base, residue around base edge, residue illuminates under black light

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia Estimate: $300 - $600

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1207

Group of Pipe Making Objects

Columbia, Richland County, S.C., circa 1870s, pipe-sagger fragment and two smoking pipes, salt glaze, 7 x 10-1/2 x 7 in. overall; attributed to the Dorsey Family, Mossy Creek, White County, Georgia, circa late 1800s, pipe mold, lead and wood, glaze voids and anomalies as made, damage, scarring, and glaze loss commensurate with age, molds with some loss to wood, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $150

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1208

Four Pieces of Georgia Stoneware all pieces likely circa late 1800s, Sligh’s Mill Pottery jug, Northern Paulding County, circa 1870s, runny mottled light green alkaline glaze, ovoid jug with tapered shoulder and spout, arched strap handle, collared rim, 10-1/2 in.; Crawford County jug, ovoid form, runny dark olive green glaze, arched strap handle, short spout, collared rim, 10-1/2 in.; Atlanta Area jug, speckled tannish glaze, flat strap handle, thick collared rim, 9-1/2 in.; Crawford County bean pot, mottled brown and orange alkaline lime paint rock glaze, small strap handles to sides, ridged neck, flared rim, lid ledge, 9-1/2 in., glaze voids and anomalies as made, surface wear and abrasions, firing lines, base edge wear, rim wear, clay body anomalies, glaze frits to bodies, Sligh’s Mill jug with rim chip and 3 in. hairline, 6 in. hairline down other side of rim, lumpy clay walls, kiln debris, chip to handle, staining, Crawford jug with kiln debris, abrasions around belly, quartz pebbles, Atlanta Jug with 5 in. crack across lower base edge with other smaller associated hairlines, small hole in side of jug, two holes in top of jug, abrasions to shoulder, bean pot with wear to rim and small chips around edge, 2 in. firing line to belly as made, small firing lines at shoulder, surface abrasions and glaze chips

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

See Brunkauctions.com for full note with illustration and exhibition history.

https://live.brunkauctions.com/auctions/brunk/american-southern-december-5-2024-15018/catalog#catalog

1209

Three Georgia Mountain Area Made Stoneware Jugs late 19th century, all with olive green alkaline ash glaze, some shiny brownish runs, largest with inscribed “3” on shoulder, short applied strap handles perched on shoulder, short straight spouts, two of them wide, one with cherry wood stopper, found in a Georgia mountain smokehouse, maker unidentified, 11-1/2, 12-1/2, and 13 in., glaze voids and anomalies as made, kiln debris, surface abrasions, base edge wear, largest with firing crack under handle possible stabilization, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

See Brunkauctions.com for full note with illustration and exhibition history.

1210

Rare James Yaughn Georgia Stoneware Jug (Crawford County, Georgia, 1846-1925) circa 1900, runny olive green alkaline ash glaze, near cylindrical form, “JY” stamp on tight looping strap handle with 1-1/2 in. tail, short collared spout, 12 in., glaze voids and anomalies as made, minor surface wear, rim wear, miniscule rim frit, wear to side of handle, kiln debris, base edge wear, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Exhibited: Previously on Loan at the Atlanta History Center for viewing

1211

Edgefield South Carolina Lewis Miles Stoneware Manufactory Attributed Jug Stoney Bluff Manufactory, Horse Creek Valley, Edgefield District, South Carolina, mid 19th century, light olive green alkaline crackle glaze, ovoid jug form, double ridged shoulder, thick rimmed spout, applied strap handle, 11-1/2 in., glaze voids and anomalies as made, two 3/4 in. chips to spout, minor surface abrasions, wear and chips to base edge with one 2-1/2 in. area, clay body frits, firing hairline at handle on shoulder as made

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1212

Edwin Meaders Georgia Stoneware Coffeepot (Mossy Creek, White County, Georgia, 1921-2015) circa 1970, light mottled runny olive green alkaline glaze, tapered form, “v” shaped spout, arched strap handle, lid with finial, inscribed “EM” on base, 10-1/4 in., glaze voids and anomalies as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1213

Arie Waldrup Meaders Attributed Decorated Stoneware Piggy Bank (Mossy Creek, White County, Georgia, circa 1950s) runny “spar” or Bristol glaze, red and cobalt paint decoration and highlights to ears, tail, nose, cheeks and eyes, “Douglas” painted on right side of body, 5-1/2 x 7-1/4 in., glaze voids and anomalies as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1214

Group of Kiln Related Objects

Cheaver Meaders Sr, Cleveland, White County, Georgia, 1920s, kiln brick, handmade, 7-3/4 x 7-1/2 in. overall; Ledbetter family, McMinn County, T.N., circa 1800s, brick, handmade, tag attached to brick notes “from the chimney of the last house occupied in McMinn Co. Tennessee by the family of Isaac Ledbetter prior to their migration to Illinois in 1883. This type of brick was made from local clay, hand-packed into wooden forms in which wet sand had been sprinkled. The depression on one face allowed for a tight joint when the bricks were laid up with clay instead of mortar. Donated by Mr and Mrs Harry Atkinson, Atlanta”, 8 x 3 x 3-3/4 in. overall; William Thomas Belah Gordy, Alvaton, Merriweather County, Georgia, circa 1920s, potter’s stamp, fired clay, reads “WTB GORDY ALVATON GA”, 3-1/4 x 1-1/4 x 1 in. overall; Cheever Meaders, Mossy Creek, White County, Georgia, circa 1960, “Setters, ” or stilts, wheel-thrown clay, 5 x 4-1/2 in. overall (largest); Shepherd Pottery, Sligh’s Mill, Paulding County, Georgia, early 1900s, tripod stilt or kiln furniture, wheel-thrown clay; pot lifters, hand-forged iron, hinged calipers, 2-3 gallon pot lifters; Cheever Meaders, Mossy Creek, White County, Georgia, 1940s, pot lifters, yellow pine and leather, half-one gallon lifters; Washington Becham, Crawford, Oglethorpe County, Georgia, late 1800s, kiln furniture, wheel-turned clay, glaze, broken section of wheel-turned pot with glaze remnants and attached fired clay; Higdon, Jackson County, Alabama, kiln furniture, unglazed clay, two unglazed curved spacers or stackers, kiln brick has losses, cracks, glaze remnants, and unglazed clay attached; losses to handmade brick, as well as cracks; wear to potter’s stamp; wear consistent with age and use to setters and stilts; pot lifters have residual clay, pitting and wear to iron, loss to leather consistent with age and use; kiln furniture with glaze and clay remnants, condition consistent with age and use

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia Estimate: $50 - $150

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1215

Five Pieces Mossy Creek Georgia Stoneware, Four Attributed to Joseph “Tarp” Dorsey (Mossy Creek, White County, GA, 1847-1925) small churn jar, dark olive green alkaline lime glaze, angled strap handle, inscribed “2” at shoulder, flared rim, lid ledge, 11-1/2 in.; pitcher, light olive green alkaline lime glaze, ridged strap handle, 11 in.; large elongated jug, runny dark olive green ash glaze, tight ridged strap handle at shoulder, straight collared spout, 17 in.; elongated jug, underfired runny alkaline ash glaze, ridged strap handle, straight collared spout, 16-1/4 in.; elongated jug, olive green alkaline lime glaze, wide ridged strap handle, inscribed “3” on shoulder, turning marks to upper body, spout with ridged neck, 17-1/2 in., glaze voids and anomalies as made, surface abrasions and wear, glaze frits, churn jar with rim wear and wear and abrasions at belly, pitcher with seven small rim chips, the largest is 1 in., glaze frits to body, base edges chips and wear, runny glaze jug with rim restoration, two half in chips to handle, glaze chips to body throughout, chunk of kiln debris on base edge, surface wear, base edge wear, other jug with 1 in. rim loss, 1/4 in. rim chip, underfired glaze, unattributed jug with interior rim chip and exterior rim chip, lost off surface abrasions to belly and lower body of jar, other abrasions and firing anomalies, base edge chips and wear, slight spalling on base, other firing anomalies

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1217

Jerry Brown Stoneware Face Jug (Hamilton, Alabama, contemporary, 1992) Bristol and Albany slip glaze, applied facial features, brown slip glaze to the articulated hair and mustache, cobalt coloring to the pupils, eyelashes and eyebrows, curved spout, applied strap handle, inscribed “Jerry Brown, Hamilton, AL, 8-92” on base, Sandra Brown, Jerry’s wife applied the features, 10-1/8 in., glaze voids and anomalies as made, glaze variations, incised lines in clay body as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

See Brunkauctions.com for full note with illustration and exhibition history.

1216

Exceptionally Glazed Crawford County Stoneware Syrup Jug likely circa 1860s, elongated ovoid form tapered lower body and curved shoulder, runny light olive green alkaline glaze to upper body, darker paint rock looking glaze to lower half of the back of jar, short curved applied strap handles from shoulder to neck of flared spout, 16-1/2 in., glaze voids and anomalies as made, 1-1/4 in. rim loss, 3 x 2-1/2 in. clay body loss to lower side of jar as made, some surface abrasions, kiln debris, tiny firing separations at handle as made, base edge wear with some chipping

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1218

Two Large Pieces of Alabama Stoneware

late 19th century, churn jar form, runny mottled olive green alkaline ash glaze, two thick rounded strap handles with tails at shoulder, incised line and “5” at shoulder, collared rim, lid ledge, likely Randolph County, Alabama, 18-1/2 in.; decorated syrup jug form, celadon glaze, triple combed wavy banded line decoration at shoulder and again on body, single wavy line at shoulder, inscribed “5” at shoulder, thick wide strap handles at shoulder with thumb impressed terminus, short straight ringed spout, likely Dekalb County, Alabama, 19 in., glaze voids and anomalies as made, minor surface abrasions, glaze frits, churn with rim wear, 6 in. hairline up from base edge, base edge wear, glaze frits to lower body, two tone clay on base, wear to ledge edge, jug with wear to belly of jar, multiple small chips around base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1219

Large Lanier Meaders Georgia Stoneware Cream Pot (Mossy Creek, White County, Georgia, 1917-1998) dark olive green runny alkaline ash glaze, inscribed “Lanier Meaders” on base, lug handle at front base edge, angular applied strap handle on back of pot, incised lines to mid body, wide flared rim, pinched spout, 8-1/2 x 13 in., glaze voids and anomalies as made, 3/8 in. glaze chip to back of pot, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1221

Norman Smith Attributed Stoneware Piggy Bank and Nathaniel Hewell Pottery Pig

(Norman Smith, Lawley, Alabama, 1904-1990) circa 1973, piggy bank form, metallic brown Albany slip glaze, applied features, unsigned, 5 x 8-1/2 in.; (Nathaniel Hewell, Gillsville, Georgia, b. 1976 ) bottle form, unglazed applied features, signed on bottom “ NATH 1984 NCH”, 5 x 7 in., glaze voids and anomalies as made, Norman Smith pig with Kiln drip on side as made, both in good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1220

Cheever Meaders Stoneware Whisky Jug Used As His Personal Water Jug (Mossy Creek, White County, Georgia, 1887-1967) circa 1950s, runny green alkaline flint glaze, creamy glaze runs on body, dark green glaze run down from handle, two incised lines at shoulder, applied angled strap handle from shoulder to straight spout, 9-3/4 in., glaze voids and anomalies as made, glaze crackle as made, minor surface abrasions, base edge wear and chipping, kiln debris on base edge, handle darker green than jug as made, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1222

Miniature Chester Hewell Georgia Pottery Face Jug Form

(Gillsville, Hall County, Georgia, circa 1992) pendant sized face jug form, green alkaline ash glaze, tiny applied features, kaolin eyes and cobalt pupils, tiny handles at spout, 1-1/8 in., as made condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $50 - $100

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1223

Cheever Meaders Attributed Georgia Stoneware Cream Riser (Mossy Creek, White County, Georgia, 1887 - 1967) early 1900s, olive green alkaline lime glaze, rutile highlights to interior, wide curved lower body, flared wide rim, “2” inscribed next to applied strap handle, unsigned, 9 in. tall, 10 in. across, glaze voids and anomalies as made, surface abrasions to glaze especially around handle, minor glaze frits, barely visible 3-1/2 in. hairline down from rim to small glaze chip, firing hairline to underside of handle as made, several small hairlines across handle, lifter marks at base edge as made, otherwise good surviving form

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

See Brunkauctions.com for full note with illustration and exhibition history.

1225

Rare and Unusual D.X. Gordy Attributed Stoneware Face Jug (Westville Pottery, Stuart County, Georgia, circa 1970) bubbly underfired Albany slip glaze, green alkaline glaze melting down from eyes to upper lip and into mouth, applied facial features, applied articulated hair, pressed cheeks, pointed nose, wide open mouth with three fang like teeth, applied strap handle from shoulder to straight spout, 7 in., glaze and clay anomalies as made, firing line below lower lip as made, melted candle inside jug, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

See Brunkauctions.com for full note with illustration and exhibition history.

1224

James H. Owen Attributed Decorated Stoneware Vase (Seagrove, Moore County, North Carolina, 1866-1923) circa 1915 to 1920, salt glaze with cobalt flourishes to underlying coggle wheel and incised wavy line decoration, applied cobalt decorated stirrup handles to either side of neck from shoulder to rim, curved neck with flared rim, 18-1/2 in., glaze voids and anomalies as made, surface abrasions, clay body frits around lower portion of vase, 6 in. stabilized hairline down from rim of vase, visible in interior, spider hairline visible in interior base, another 4 in. stabilized hairline on lower body in brown area of jar, other miniscule hairlines and abrasions in vicinity, some possible restorations or touch up in that area, however nothing visible under black light, small glaze frit to rim

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $400 - $800

Some items illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1226

Scarce Virgil Oscar Long Crawford County Georgia Stoneware Jug

(Crawford County, Georgia, circa 1890s) cylindrical jug form, runny mottled alkaline ash glaze, rounded shoulder inscribed “V.O. Long”, small tight flat strap handle, short flared spout, 9-1/2 in., glaze voids and anomalies as made, clay body anomalies, firing lines, surface wear, staining, firing blowout with hairlines at side, abrasions, firing lines on base, base edge wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1227

Scarce Lucius Jordan Georgia Stoneware Pitcher (Washington County, Georgia, circa 1850s to 1860s) runny mottled green and brown lime glazed alkaline pitcher, ovoid and tapered pitcher form, incised ”J” in script at shoulder above incised line, applied ridged strap handle, pinched pulled spout, 11 in., glaze voids and anomalies as made, minor surface wear, minor clay frits to body, wear to entire rim with two small frits to right rim edge, base edge wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1229

Two Pieces of Catawba Valley North Carolina Stoneware early 20th century, 1 gallon milk pan, tapered hat form, runny olive green alkaline glaze, rutile highlights throughout, flat downturned rim, 7-1/4 in.; jug, olive green alkaline glaze, glass melt runs below neck with cream and blue rutile runs to top of jug, applied ridged strap handle from shoulder to neck, collared spout, 11 in., glaze voids and anomalies as made, milk pan with minor surface abrasions, rim edge wear, base edge wear, wear on base, otherwise good condition, jug with large 13 in. stabilized hairline curving from shoulder down onto base, associated 2 in. hairline off the larger one, surface abrasions, glaze frits, wear to base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $200

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1228

Chester Hewell Georgia Harvest Face Jug (Gillsville, Hall County, Georgia, circa 1993) runny green ash glaze, harvest jug form with applied stirrup handle stamped “CH” at both ends, rear spout, applied facial features, white kaolin eyes, dark slip pupils, broken china teeth, inscribed “Chester Hewell 1993”, 10-3/4 in., glaze voids and anomalies as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1230

Charles S. Kline Georgia Stoneware Churn

(Atlanta, Fulton County, Georgia, circa 1880s) salt glaze to exterior, Albany slip glazed interior, cobalt decorated blossom motif to front of jar with other line decorations, cobalt “2” above decoration, small thick lug handles at shoulder, ridged neck, stamped “2” and “C.S. KLINE, HOWELLS MILLS” on flared rim, 13-1/4 in., glaze voids and anomalies as made, various chips to entire exterior rim edge, the largest being 1 in., frits and abrasions to surface around body, kiln drips, wear and 1-3/4 in. loss to one handle, wear to edge of other handle, base edge wear, wear to interior mouth

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1231

Three Pieces of Georgia Jugtown Pottery Including B.S. Salter Jug (B.S. Salter, Upson, and Pike Counties, GA, 1847-1930) whisky jug form, fly ash over Albany slip glaze, green glaze runs at handle, thick handle from shoulder to ringed neck, curved collared spout, stamped “B.S. Salter, Delray, GA.” and “2” on shoulder, 12-1/2 in.; churn with salt glazed exterior, Albany slip glazed interior, angled tapered form, lug and strap handles on opposing shoulders, collared rim, Albany slip glazed lid with hole, incised “4” at shoulder, 16-1/2 in.; angled tapered pitcher form, salt glazed exterior, Albany slip glazed interior, incised line at shoulder, strap handle, pulled spout, 10-1/2 in., glaze voids and anomalies as made, surface abrasions, wear, B.S. Salter Jug with clay body losses throughout, several 1 in. losses and many other smaller losses, small rim chips and wear, base edge wear, churn with 1-1/2 collar loss, clay body chips, 3-1/2 in. hairline across base, 7 in. hairline around base, associated 1 in. hairline and 3 in. hairline, three other 1-1/2 in. hairlines up from base edge, cracks evident in interior, residue on exterior, lid with 2 in. loss, pitcher with 1/2 in. rim chip and 4 in. associated hairline, 1/2 in. spout chip, wear to base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

See Brunkauctions.com for full note with illustration and exhibition history.

1233

Henry Newton Long Stamped Crawford County Georgia Stoneware Jug (Crawford County, Georgia, 1858 - 1907) circa 1890s, cylindrical form with rounded shoulder, speckled alkaline paint rock glaze, tight flat strap handle with tail from shoulder to neck of short straight spout, stamped “NH” on handle, unknown maker, 10-1/2 in., glaze voids and anomalies as made, surface abrasions and wear, firing blow out at lower body, firing lines to glaze at body, firing separation under handle, firing line on base edge, other firing lines on base, firing lines at neck

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1232

Large Catawba Valley North Carolina Stoneware Syrup Jug circa late 19th, early 20th century, runny brownish alkaline glaze, large ovoid form, incised “5” on shoulder, two applied ridged strap handles from shoulder to neck, wide flared spout, unsigned, 18-1/4 in., glaze voids and anomalies as made, 3/4 in. hole repair at shoulder, slightly evident in interior, surface abrasions especially around belly, base edge wear

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1234

Lanier Meaders Georgia Stoneware Pitcher and Bowl Wash Stand Set (Mossy Creek, White County, Georgia, 1917-1998) both with runny green ash glaze, wide tapered center bowl, thick rounded rim, 4 x 13-1/2 in.; short tapered body pitcher, high arching strap handle, pulled spout, 10 in., both pieces inscribed “Lanier Meaders” on base, glaze voids and anomalies as made, lots of small quartz pebbles in clay bodies as made, ground base edges as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1235

Burlon Craig Catawba Valley Stoneware Churn Jar

(Vale, North Carolina, 1914-2002) circa 1977, runny green alkaline glass glaze, rutile highlights throughout, especially in interior, “B.B. CRAIG, VALE, N.C.” stamped under one of two applied lug handles, stamped “4” adjacent to that handle, thick collared flared rim, lid ledge, 17-3/4 in., glaze voids and anomalies as made, great condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1237

Six Pieces of Browns Family and Atlanta Attributed Georgia Stoneware (Atlanta, Georgia, late 19th century) all with salt glazes, Albany slip interiors, heavy kiln drips, 3 round shoulder jugs, tailed strap handles, straight spouts, 7, 10-3/4, and 15-1/2 in., large jug possibly stamped “E.C. BROWN” and “3”; tapered pitcher, tailed strap handle, 11 in.; butter crock, recessed knob on lid, incised line, 8-1/2 in, ; storage jar, rounded shoulder, flared rim, 14 in., glaze voids and anomalies as made, kiln drips, surface wear and abrasions, base edge wear, medium jug with 3/4 and 1/2 in. rim chip, other small chip, kiln marks on body of jar as made, surface abrasions, kiln debris, large jug overall good condition, pitcher with two half in. spout chips, kiln debris, base edge wear and chips, clay body anomalies, butter crock with lid chip, kiln drip, firing separation around base edge, storage jar with clay body chips and losses, surface abrasions, residue on exterior

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

See Brunkauctions.com for full note with illustration and exhibition history.

1236

Washington Becham Georgia Stoneware Jug

(Crawford County, Georgia, 1835-1918) circa 1870s, runny mottled black and green alkaline lime glaze with some paint rock coloring, beehive whisky jug form, stamped “WB” on wide ridged strap handle from shoulder to neck, tapered spout with flared rim, 9-1/4 in., glaze voids and anomalies as made, surface abrasions and minor glaze frits throughout, wear and minor chips to glaze at base edge, possible 1 in. restoration to glaze at base edge

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

1238

Two Pieces of Cheever Meaders Attributed Mossy Creek Georgia Pottery (Mossy Creek, White County, Georgia, 1887-1967) early 1900s, crock, underfired lime “flint” glaze, lug handle to lower body, angled strap handle to shoulder, tooled flared rim, 11 in.; pitcher, speckled runny mottled lime alkaline glaze, thick bluish creamy runs to interior and exterior of vessel, angled strap handle, pulled pinched rim, 10-1/2 in. , glaze voids and anomalies as made, crock with 5-1/2 in. putty repair to rim, various other chips and losses to rim edge, 8 in. hairline down from repair, chips to lug handle, wear to edge of strap handle, wear to body, abrasions, base edge wear, rough surfaces, underfired pitcher with surface wear, otherwise good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $100 - $300

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1239

Three Pieces of I.H. Craven Attributed Georgia Stoneware (Mossy Creek, White County, Georgia, 1839 - a.1900) circa 1870s to 1880s, all with variations of his iron sand ash glaze, syrup jug, red iron sand alkaline ash glaze, tall tapered form, wide strap handle with tail, short spout with ringed neck, 17 in.; whisky jug, dark green and light green runny iron sand alkaline ash glaze, some yellowish highlights, ridged strap handle, collared spout, 11-3/4 in.; spittoon, thick reddish brown and streaky black sheen glaze with yellowish highlights, curved side and top, large hole on top, small hole in the side, 3-1/4 x 5-1/2 in., glaze voids and anomalies as made, minor surface abrasions, syrup jug with indented rim as made, minor scuffs, frits and abrasions to surface, base edge wear, whiskey jug with, scuffs and abrasions to surface, base edge wear, a few glaze frits on side of spittoon, kiln debris, glaze chips and wear to base edge, most chips as made, bottom of spittoon illuminates orange under blacklight possibly due to residue, no apparent repair or restoration, otherwise all in fair condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600 See Brunkauctions.com for full note with illustration and exhibition history.

1241

Clete Meaders Georgia Stoneware Bust (Hoschton, Jackson County, Georgia, 1995) runny green ash glaze over entire form, highly articulated facial expression with applied facial features, inset kaolin clay eyes and teeth, applied baseball hat cocked backwards inscribed “SHUT UP AND FISH !!!”, signed on base “Clete Meaders 1995”, 11-1/2 in., glaze voids and anomalies as made, good condition

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $200 - $400

Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024

1240

Three Pieces of Randolph County Alabama Stoneware churn, light olive green speckled alkaline glaze, two looping tail strap handles to one side, lug handle to the other, stamped five near upper strap handle, incised line at shoulder, collared rim, lid shelf, circa 1900, 18 in.; tall storage jar, salt glaze exterior, green alkaline glaze interior, thick applied tailed strap handles at shoulders, inscribed “5” at shoulder and incised line, flared rim, lid ledge, attributed to the Boggs family, late 1800s, 18-3/4 in.; salt glaze over Albany slip glazed jug, “bullet” form, tight strap handle from shoulder to short straight spout, incised line at shoulder, late 1800s, 13-1/2 in., glaze voids and anomalies as made, surface wear and abrasions, base edge wear, churn with rim wear and small frits, small chip to edge of lug handle, glaze frits to body, residue on exterior that illuminates under black light, jar with kiln drips, clay body frits, 2 in. hairline down from rim to one handle, evident in interior, associated 4 in. hairline under same handle, three prong 2 ins. each hairline at base edge, large old circular patch repair on exterior base for strengthening, not evident in interior, different shade glazes in interior lower body, jug with kiln drips, surface abrasions, glaze and clay body frits, debris in interior, 9 in. indented line around base as made, stacker mark on base

Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia

Estimate: $300 - $600

Illustrated in catalog Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000. See Brunkauctions.com for exhibition history and full note.

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