The Great Outdoors: From Audubon to Zuni | February 21, 2024

The Great Outdoors: From Audubon to Zuni

The Great Outdoors: From Audubon to Zuni February 21, 2024 BrunkAuctions.com 117 Tunnel Road Asheville, NC 28805 828-254-6846 info@brunkauctions.com

Naturalist

2 Four Mark Catesby Prints - Reptiles 1 (British, 1679-1749) Four Mark Catesby Prints - Fish Three plates from The Natural History of Carolina, Florida and The Bahama Islands, (British, 1679-1749) 1771-1810 edition, snakes with texts: T. 41 The Rattle-snake, T. 46 The CopperFour plates from The Natural History of Carolina, Florida and The Bahama Islands, belly Snake, T. 50 The Ribbon Snake, T. 63 The Alligator, each hand colored 1771-1810 edition, one with text: T. 5 The Rock Fish, T. 13 The Bone Fish, T. 22 engravings on wove paper with “J. Ruse 1800”: watermark, sheet 20-1/4 x 14-1/4 The Old Wife, T. The Sole, hand colored engraving on wove paper, two with “J. in.; unframed, full sheets with binding edges present, good color, some toning and Ruse 1800 watermark, sheet 20-1/4 x 14-1/4 in.; unframed, full sheets with binding light foxing, some handling smudges, T. 50 with text bleed, very slight chipping at edges present, good color, toning, light foxing, small stains at binding edges, some edges, 1 in. tear in lower margin handling smudges, T. 13 with corner crease Provenance: Private Collection, South Carolina Provenance: Private Collection, South Carolina Estimate: $500 - $700 Estimate: $200 - $400 4 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

3 Three Mark Catesby Engravings, Eels (British, 1679-1749) from The Natural History of Carolina, Florida and The Bahama Islands, Pl. 20 Mercena (Green Moray), 1731-1743 edition, sheet 20-7/8 x 14 in.; two Pl. 21 The Black Muray, 1754 edition, hand colored engraving on laid paper, sheet 20-1/2 x 14-1/4 in., each with toning, binding edges present, full sheets, one Pl, 21 with foxing, small tears, and losses, text bleed, T. 20 with small losses and tears at edges, some foxing Provenance: Private North Carolina Collection Estimate: $200 - $400

4 Three Mark Catesby Prints - Nuthatch and Finches (British, 1679-1749) T. 41, The Purple Finch; T. 22, The Nuthatch and The Small Nuthatch; T. 68, Rubicilla minor negra; from The Natural History of Carolina, Florida and The Bahama Islands, 1771-1810 edition, hand colored engravings on wove paper, two with “J. Ruse 1800 watermark”, plates 13-7/8 x 10-1/4 in., sheet 20-1/8 x 14-1/4 in.; unframed, loose, full sheets with binding edges present, good color, toning, small points of foxing, text bleed, chipping at edges, T. 22 with 1-3/4 in. tear at bottom right margin, 5/8 in. tear in upper right margin with adhesive residue, hinging tape at top verso Provenance: Private Collection, South Carolina Estimate: $300 - $500

5 Three Mark Catesby Prints - Remora and Crustaceans (British, 1679-1749) T. 26, The Remora; T. 34, The Sea Hermit Crab; T. 35, The Sand Crab, from The Natural History of Carolina, Florida and The Bahama Islands, 1771-1810 edition, two with text, hand colored engraving on wove paper, two with “J. Ruse 1800” watermark, largest plate 13-7/8 x 10 in., sheets 20-1/4 x 14-3/8 in.; unframed, full sheets, loose, binding edges present, toning, small points of foxing, text bleed, chipping at edges, small stains at binding edges, T. 26 with small stain upper right margin verso, T. 35 with tear and fold lower left margin corner verso Provenance: Private Collection, South Carolina Estimate: $300 - $500 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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6 Three Mark Catesby Prints - Snakes (British, 1679-1749) T. 53, The Green Spotted Snake, 1754 edition, on laid paper with “IV” watermark, T. 54, The Coachwhip Snake, T. 52, Eastern Kingsnake with accompanying text, 1771-1810 edition, on wove paper with “J. Ruse 1800” watermark, from The Natural History of Carolina, Florida and The Bahama Islands, hand colored engravings, plates 13-7/8 x 10-1/8 in, largest sheet 21-1/8 x 14-3/4 in.; unframed, full sheets, loose, binding edges present, toning, small points of foxing, text bleed, chipping at edges, some small stains at binding edges, handling smudges, T. 54 with hinging tape at top and bottom margin verso, handling creases, small point of accretion verso, tideline upper verso Provenance: Private Collection, South Carolina Estimate: $300 - $500

7 Two Mark Catesby Prints - Fieldfare, Rice Bird (British, 1679-1749) T. 14, The Rice-bird, 1771-1810, wove paper with “J. Ruse 1800” watermark; T. 29, The Fieldfare, 1754 edition, on laid paper with “IHS Ivillidary” watermark, from The Natural History of Carolina, Florida and The Bahama Islands, hand colored engravings, largest plate 13-7/8 x 10 in., sheets 20-1/4 x 14-1/4 in.; unframed, full sheets, loose, binding edges present, good color, toning, small points of foxing, text bleed, chipping at edges, T. 14 with point of accretion recto, T. 29 with tears at lower margin verso, adhesive residue margin, hinging tape bottom margin recto Provenance: Private Collection, South Carolina Estimate: $500 - $700 6

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8 Two Mark Catesby Prints - Red Start and Paw Paw (British, 1679-1749) T. 67, The Red-Start; T. 85 The Paw-paw, with accompanying text, from The Natural History of Carolina, Florida and The Bahama Islands, 1771-1810 edition, hand colored engraving on wove paper with “J. Ruse 1800” watermark, largest plate 13-3/4 x 10-1/4 in., sheets 20-1/4 x 14-1/4 in.; unframed, full sheets, loose, binding edges present, good color, toning, small points of foxing, chipping at edges, small stains at binding edges, some handling smudges Provenance: Private Collection, South Carolina Estimate: $200 - $400

9 John James Audubon - Little Chief Hare (New York, 1785-1851) Plate LXXXIII from the large folio The Viviparous Quadrupeds of North America, J.T. Bowen, 1845, hand colored lithograph on wove paper, sheet 22-1/2 x 28-1/2 in.; unframed, lined with linen, light fading, foxing, with repair, some handling smudges Provenance: Private Collection Estimate: $200 - $400

10 Audubon’s Fifty Best Watercolors, Oppenheimer Editions Rare complete collection of The New York Historical Society Edition of Audubon’s Fifty Best Watercolors, 2006, edition 17/200, Part I and II, with blind stamps of New York Historical Society and Oppenheimer Editions, LLC., stamped verso and signed by Louise Mirrer, President of the New York Historical Society, accompanied by Certificate of Authenticity and booklets, faithful archival watercolor facsimiles on rag watercolor paper, sheets various sizes true to originals, each within individual folders; two cloth covered clamshell portfolios, original logo wrappers, part II unopened, 41 x 27-5/8 x 2-1/2 in., excellent condition Provenance: Private Collection, South Carolina Estimate: $7,000 - $10,000 https://live.brunkauctions.com/auctions/ 7 brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

11 John James Audubon, The Birds of America, Seven Volumes The Birds Of America, From Drawings Made In The United States And Their Territories by John James Audubon (1785-1851), New York/ Philadelphia: Published By J.J. Audubon And J.B. Chevalier, 1840-1844, seven volumes (complete), containing 500 lithographs, each volume with list of subscribers, bound in three quarter dark green leather over marbled boards, gilt lettering and spine decoration, aeg, light wear to extremities, bumped corners, some scuffs and losses to boards, most volumes with hinges tender, most text pages with some dampstaining and foxing, some foxing and offsetting to tissue guards, most plates in good condition; vol. 1 front board/spine binding popped, plate 46 with water ring stain; vol. 2 plate 71 with staining to lower right, plate 84 tissue guard with tear; vol. 3 binding (front board and spine) popped, plates 143-145 with some toning and offsetting; vol. 4 plate 219 bound in upside down; vol. 5-7 latter pages with some water staining at lower edge; plate 471 bound in out of order Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $20,000 - $30,000

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12 John James Audubon - Lincoln Finch (New York, 1785-1851) Pl. CXCIII The Lincoln Finch from The Birds of America, London, 1827-1838, Havell edition, hand colored etching, engraving and aquatint on wove paper With “J. Whatman 1836” watermark, 19-1/2 x 12-1/2 in.; modern print frame, 46-7/8 x 35 x 1-1/2 in., taped at three points verso with archival tape, slight foxing and fading Provenance: Private Collection Estimate: $1,000 - $2,000

13 John James Audubon, Long Tailed Duck (New York, 1785-1851) Plate CCCXII, from The Birds of America, London, 1827-1838, Havell edition, hand colored engraving with etching and aquatint on wove paper with “J.Whatman/1836” watermark, plate 21-1/4 x 30-3/16 in., sheet 25-1/4 x 35-1/2 in.; parcel gilt wood frame, 37-1/8 x 45-1/4x 2-1/2 in., hinged in, similar color to SachsenMeiningen (lot 312, Christie’s 25 June, 2004) with some slight difference in tone of water, slight toning, pencil inscription in bottom margin, restored with some areas of abraded paper in margins, 3/4 in. tear bottom margin; frame with abrasions Provenance: Estate of Steven Murphy, Fort Collins, Colorado Estimate: $2,000 - $3,000

15 John Gould & H.C. Richter, Toucan Family (19th century) 14 from A Monograph of the Ramphastidae, or Family of Toucans. London, 1833-35, John James Audubon, Carolina Grey Squirrel C. Hullmandel, printer; Aulacoramphus Albivitta (White-banded Groove-bill); (New York, 1785-1851) Aulacorhamphus Haematopygius (Crimson-rumped Toucanet) both large folio, Sciurus Carolinensis (Carolina Grey Squirrel), Plate VII from The Viviparous hand-colored lithographs on cream wove paper, each sight 21-1/4 x 13-3/4 in.; Quadrupeds of North America, J.T. Bowen, Philadelphia, 1843, large folio hand matching faux distressed gilt wood frames, 32-1/2 x 24-1/2 x 1-1/4 in., both with colored lithograph, sheet 27-1/4 x 21-1/8 in.; unframed, good strong color, loose good strong color, slight points of foxing, not apparently laid down, not removed sheet, some light toning and smudges at edges from archival framing Provenance: Estate of Steven Murphy, Fort Collins, Colorado Provenance: Estate of Stephen Murphy, Fort Collins, Colorado Estimate: $300 - $500 Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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16 Thornton’s - American Bog Plants American Bog-Plants from the Temple of Flora; Or Garden of Nature, after Reinagle, Robert John Thornton (1768-1837), publisher, London, 1806, sight 20-1/2 x 16 in.; modern wood frame, 26-1/4 x 21-1/2 x 7/8 in., some toning, foxing, and fading, not apparently laid down, not removed from archival framing Provenance: Private Collection Estimate: $400 - $600

17 Mark Catesby - Blue Winged Shoveler (British, 1679-1749) T. 96 The Blue Winged Shoveler, from The Natural History of Carolina, Florida and The Bahama Islands, 1771-1810 edition, hand colored engraving on wove paper with “J. Ruse 1800” watermark, plate 135/8 x 10-1/4 in., sheet 20-1/4 x 14-3/8 in.; unframed, loose, full sheet, binding edges present, good color, toning, foxing, text bleed, slight smudging in lower right margin recto Provenance: Private Collection, South Carolina Estimate: $300 - $500

18 Mark Catesby - Cutwater (British, 1679-1749) T. 90, The Cutwater from The Natural History of Carolina, Florida and The Bahama Islands, 1771/1810 edition, hand colored engraving on wove paper, sheet 20-5/8 x 14-1/4 in.; unframed, full sheet, loose, binding edges present, toning, small points of foxing, text bleed, abrasions, point of accretion margin recto Provenance: Private Collection, South Carolina Estimate: $200 - $400 10

19 Mark Catesby - Hooping Crane (British, 1679-1749) T. 75, The Hooping Crane with accompanying text, from The Natural History of Carolina, Florida and The Bahama Islands, 1771-1810 edition, hand colored engraving on wove paper, plate 13-3/4 x 10-1/4 in., sheet 20-1/4 x 14-1/4 in.; unframed, full sheet, loose, binding edge present, toning, small points of foxing, text bleed, small stains at binding edge Provenance: Private Collection, South Carolina Estimate: $200 - $400

20 Mark Catesby - Large Lark (British, 1679-1749) T. 33 The Large Lark, from The Natural History of Carolina, Florida and The Bahama Islands, 17711810 edition, hand colored engraving on wove paper with “J. Ruse 1800” watermark, plate 13-7/8 x 10-1/4 in., sheet 20-1/4 x 14-1/4 in.; unframed, full sheet, loose, binding edge present, toning, small points of foxing, text bleed, 1-1/4 in. tear in lower margin Provenance: Private Collection, South Carolina Estimate: $200 - $300

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21 Mark Catesby - Oyster Catcher (British, 1679-1749) T. 85 The Oyster Catcher, with accompanying text, from The Natural History of Carolina, Florida and The Bahama Islands, 1771-1810 edition, hand colored engraving on wove paper with “J. Ruse 1800” watermark, plate 13-3/4 x 10-1/4 in., sheet 20-1/4 x 14-1/4 in.; unframed, loose, full sheet, binding edges present, good color, toning, small points of foxing, text bleed, chipping at edges, small crimp at upper right margin verso, small stains at binding edge Provenance: Private Collection, South Carolina Estimate: $300 - $500

22 Mark Catesby - Passenger Pigeon (British, 1679-1749) T. 23 The Pigeon of Passage from The Natural History of Carolina, Florida and The Bahama Islands, 1771-1810 edition, with text, hand colored engraving on paper, sheet 20-5/8 x 14-1/4 in.; unframed, full sheet, good color, light toning and foxing, small stains in margin, repaired upper right corner tear with adhesive residue present Provenance: Private Collection, South Carolina Estimate: $200 - $400

23 Mark Catesby - Pole Cat 24 (British, 1679-1749) John James Audubon, Orange-Bellied Squirrel T. 62 The Pole Cat, from The Natural History of Carolina, Florida and The Bahama (New York, 1785-1851) Islands, 1771-1810 edition, hand colored engraving on wove paper with “J. Ruse Sciurus Sub-Auratus (Orange-bellied Squirrel), Plate LVIII from The Viviparous 1800” watermark, plate 13-3/4 x 10-1/4 in., sheet 20-1/4 x 14-1/4 in.; unframed, Quadrupeds of North America, J.T. Bowen, Philadelphia, 1845, large folio hand full sheet with binding edge present, good color, toning, small points of foxing, text colored lithograph, sheet 27-3/8 x 21-1/8 in.; unframed, good strong color, loose bleed, chipping at edges, 1/4 in. tear upper right margin, water stain residue on sheet, binding edge present left, some light toning and smudges at edges plate verso, not visible recto, small stains at binding edge Provenance: Estate of Steven Murphy, Fort Collins, Colorado Provenance: Private Collection, South Carolina Estimate: $300 - $500 Estimate: $200 - $300 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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25 John James Audubon, Red-Bellied Squirrel (New York, 1785-1851) Sciurus Feruginiventris (Red-Bellied Squirrel), Plate XXXVIII from The Viviparous Quadrupeds of North America, J.T. Bowen, Philadelphia, 1844, large folio hand colored lithograph, sheet 27 x 21-5/8 in.; unframed, good strong color, loose sheet, binding edge present left, some light toning and smudges at edges, pencil inscription bottom margin Provenance: Estate of Steven Murphy, Fort Collins, Colorado Estimate: $300 - $500

26 John Woodhouse Audubon, California Hare (New York, 1812-1862) California Hare, Plate CXII from large folio The Viviparous Quadrupeds of North America, J.T. Bowen 1847, hand colored lithograph, sheet 21-1/4 x 27-1/4 in.; wood frame, good color; loose with binding edge present at top, slight toning, frame with minor abrasions Provenance: Estate of Steven Murphy, Fort Collins, Colorado Estimate: $800 - $1,200

27 Mark Catesby - Sapadillo Tree (British, 1679-1749) 28 Plate LXXXVII (T. 87) Sapadillo Tree (Wild Dilly), from The Natural History of Mark Catesby - Sea Hermit Crab Carolina, Florida and The Bahama Islands, volume II, 1754 or 1781 (possibly the (British, 1679-1749) Eisenberg Edition circa 1772-1781) edition, hand colored engraving on laid paper T. 34 The Sea Hermit Crab, from The Natural History of Carolina, Florida and The with Strasbourg Lily watermark with dropped “JH&Z”, plate 14-3/4 x 10-1/8 in.; Bahama Islands, 1754 edition, hand colored engraving on laid paper with “IV” sheet 18-5/8 x 12-1/2 in.; wood frame, 21 x 16-1/8 x 3/4 in., erasure of inscription watermark, plate 12-3/4 x 9-3/4 in., sheet 21 x 14-5/8 in.; wood frame, 24 x 18-3/8 x in bottom margin, green tonality to paper, handling grime and creases, staining, 3/4 in., loose, chipping, tears, and toning at edges, extensive complex tear through inscription verso and at upper right margin in pencil, bleed through to verso of image with repair, uneven trim brown, some toning and light foxing Provenance: Private Collection Provenance: Private Collection Estimate: $100 - $200 Estimate: $200 - $300 12 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

29 Mark Catesby - The Rice Bird (British, 1679-1749) T. 14 The Rice-bird, from The Natural History of Carolina, Florida and The Bahama Islands, 1731-1743 edition, hand colored engraving on laid paper with Strasbourg Lily watermark, plate 10-1/4 x 14 in., sheet 13-5/8 x 19-3/8 in.; 18th century style frame, 15-3/4 x 21 x 1 in., some toning and foxing, tape and adhesive residue at top edge, pencil inscriptions in bottom margin, some handling smudges at edges, fading Provenance: From a Prominent Charleston, South Carolina Family Estimate: $300 - $600

30 Mark Catesby - Turtle of Carolina (British, 1679-1749) T. 24, The Turtle of Carolina, from The Natural History of Carolina, Florida and The Bahama Islands, 1771-1810 edition, hand colored engraving on wove paper, plate 13-7/8 x 10-1/4 in., sheet 20-1/4 x 14-1/4 in.; unframed, full sheet with binding edge present, good color, toning, small points of foxing, text bleed, chipping at edges Provenance: Private Collection, South Carolina Estimate: $200 - $400

32 After Mark Catesby 31 (British, 1679-1749) Mark Catesby - Whip Poor Will with Ginseng Seven plates of songbirds, Tabs: LI, LXXX, LXVIII, XXXII, XIV, XXVIII, VIII, from (British, 1679-1749) Sammlung Verschiedener Ausländischer und Seltener Vogel, Nuremberg, T. 16 The Whip-poor-will, from The Natural History of Carolina, Florida and The 1749-1776, by Johann Michael Seligmann (German 1720-1762), hand colored Bahama Islands, 1771-1810 edition, hand colored engraving on wove paper engravings, plates approximately 11-1/2 x 8-3/8 in., sheets approximately 15-3/8 x with “J. Ruse 1800” watermark, plate 14 x 10-1/4 in., sheet 20-1/8 x 14-1/4 in.; 9-3/4 in; unframed, laid paper, some staining and handling creases, light foxing and unframed, full sheet, loose, binding edge present, good color, toning, small points of toning, two with supporting texts, some with fading, one with small loss at edge foxing, text bleed, some chipping at edges Provenance: Private North Carolina Collection Provenance: Private Collection, South Carolina Estimate: $100 - $300 Estimate: $300 - $500 https://live.brunkauctions.com/auctions/ 13 brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

33 British Birds and Their Eggs, Seven Volumes Colored Illustrations of British Birds and Their Eggs by H. L. Meyer, London: G. W. Nickisson, 1842, seven volumes (complete), containing numerous color illustrations, bound in three quarter dark green leather over marbled boards, gilt lettering and decoration to spines, teg, light wear to extremities, some bumped corners, scattered scuffs and small losses to leather and boards, scattered light staining and foxing to text pages throughout, most plates in good condition; vol. 3 plate adjacent to pg. 138 with tear; vol. 7 front board detached Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $600 - $900

34 Latham, A General Synopsis of Birds London: Benj. White et al, 1781-1801, eight parts in eight volumes (plus index, nine volumes total), containing numerous colored plate engravings, bound in full tan leather with gilt ruled boards, morocco spine labels, gilt lettering and decoration to spines, light wear to extremities, scattered scuffs and small losses to leather, numerous areas of browning, dampstaining, and offsetting to text pages and plates throughout, a few volumes with some cracking to spine tops Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $1,500 - $2,500 14

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35 The Geographical Distribution of Animals, Two Volumes The Geographical Distribution of Animals: With a Study of the Relations of Living and Extinct Faunas as Elucidating the Past Changes of the Earth’s Surface by Alfred Russell Wallace, London: Macmillan & Co., 1876, two volumes (complete), containing six maps and numerous engravings, bound in full dark green and brown leather with gilt ruled and foliate decorated boards, gilt inner dentelles, teg, light wear to extremities, scattered foxing and dampstaining throughout (particularly to early pages) Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $1,000 - $1,500

36 12 Books on Birds 12 volumes total, including: Fine Bird Books 1700-1900 by Sacheverell Sitwell, Handasyde Buchanan, and James Fisher, London/New York: Collins & Van Nostrand, 1953, containing numerous color plates (one folding); Ruffed Grouse by John Alden Knight, New York: Alfred A. Knopf, 1947, numbered 129 of 210, signed by the author, in slip case; Pheasants: Their Lives and Homes by William Beebe, New York: Doubleday, Page & Company, 1926, two volumes (complete), numbered 188 of 201, signed by the author; The Book of Birds, ed. Gilbert Grosvenor, two volumes; Birds of LaPlata by W.H. Hudson, two volumes; Cassell’s Book of Birds by Thomas Rymer Jones, four volumes, light wear to extremities, scattered scuffs and small losses to leather and boards, bumped corners, scattered areas of dampstaining and light foxing throughout Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $800 - $1,200

37 White, The Natural History and Antiquities of Selborne

by Gilbert White, London: T. Bensley, 1789, with folding frontis engraving and numerous plates, bound in full tree calf leather, covers with gilt meander borders, morocco spine label, gilt lettering and decoration to spine, marbled edges and endpapers, light wear to extremities, some scuffs and small losses to leather at spine edges, cracks to leather at boards, bumped corners, most plates with some foxing and offsetting Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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Sporting

38 David Hagerbaumer (American, 1921-2014) Northern Bobwhite, 1966, signed lower right “David Hagerbaumer 1966”, watercolor on paper, 17 x 21-1/2 in.; carved wood frame, 27 x 31 in., hinged in at top edge, painting in good condition; frame with minimal wear Provenance: Private Collection, Goldsboro, North Carolina; Private Collection, Asheville, North Carolina Estimate: $2,000 - $3,000 16 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

39 Richard Evett Bishop (American, 1887-1975) Quiet Waters, 1950, signed, dated and titled canvas verso, oil on canvas, 27 x 36 in.; white finished wood frame, 33 x 42 in., crackle, surface dirt layer; frame with wear and abrasions Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $5,000 - $7,000

40 Roland Clark (American, 1874-1957) Wigeons in Flight, signed lower left “Roland Clark”, oil on canvas, 12 x 16 in.; gilt wood frame, 15-3/4 x 19-1/12 in., crackle, canvas slightly loose, area of crackle at center with paint lifting slightly, probable grime; frame with wear and losses Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $4,000 - $6,000

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41 Hans Kleiber (Wyoming/Germany, 1887-1967) Pintails Coming In, signed lower right “H. Kleiber”, watercolor on paper, 8-1/2 x 11-1/2 in.; dark finished wood frame, 12-1/2 x 15-1/2 in., toning, areas of staining, paper masking tape along all edges, covering approximately 1/4 inch inch of each edge.; frame with wear Estimate: $800 - $1,200

42 Tom Sander (Montana, born 1938) Pronghorn, signed lower right “T. Sander”, oil on Masonite, 9 x 12 in.; weathered gilt wood frame, 12-1/2 x 15-1/2 in., area of brown paint anomaly at left side, some surface wear; frame with small losses Provenance: Private Collection, North Carolina Estimate: $300 - $500

43 Robert Elmer Lougheed (American, 1910-1982) Big Horn Sheep Study, signed lower right “Robert Lougheed”, gouache and charcoal on grey paper, 11-1/2 x 13-3/4 in.; dark wood frame, 17-1/2 x 8-1/2 in., drawing in good condition, taped in at edges; frame with minimal wear Provenance: Private Collection, North Carolina Estimate: $800 - $1,200

44 Tom Sander (Montana, born 1938) Ring Necked Pheasants, signed lower left “T. Sander”, oil on canvas, 11 x 14 in.; gilt wood frame, 17 x 20 in., good overall condition, slight surface abrasions in sky at right, possibly pencil; frame with wear Provenance: Private Collection, North Carolina Estimate: $800 - $1,200 18 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

45 Hunting Hawking Shooting, Four Volumes Hunting Hawking Shooting, Illustrated in a Catalogue of Books, Manuscripts, Prints and Drawings, collected by C. F. G. R. Schwerdt, London: Waterlow & Sons Limited, 1928-37, numbered 221 of 300, containing numerous black and white and color plates, four volumes, bound in three quarter dark green leather over cloth backed boards, gilt lettering to spines, five raised bands, teg, light wear to extremities, some bumped corners, scattered scuffs and small losses to leather, scattered areas of light staining and foxing throughout, some tissue guards with small tears and creases Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $1,000 - $2,000

46 20 Books on Game Birds and Hunting, Many Signed 20 volumes, including: The Natural History of Ducks by John C. Phillips, Boston/ New York: Houghton Mifflin Company, 1922, four volumes (complete), paper spine labels; and 16 other titles (11 signed by authors) by George Bird Evans, John Alden Knight, John Hightower, Nash Buckingham, Ray Holland, and others (see additional photos of spines for titles), light wear to extremities, bumped corners, scattered scuffs and losses to boards, scattered minor areas of dampstaining and light foxing throughout; History of Ducks with heavy losses to paper on front boards Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $800 - $1,200

48 21 Books on Hunting 21 volumes total, including three Sangorski and Sutcliffe signed bindings: The Chace, The Turf, and The Road by Nimrod, London: John Murray, 1870, bound in full red leather with gilt ruled covers, gilt lettering and decoration to spines, 47 morocco spine labels, gilt inner dentelles, marbled endpapers, aeg; The Hound 12 Books on Fishing, Several Signed and Terrier in the Field by Alice F. Serrell, Edinburgh/London: William Blackwood 12 volumes total, including: A Pilgrimage of Anglers by Eugene E. Wilson, Hartford: and Sons, 1904, bound in three quarter red leather over marbled boards, morocco The Stone Book, 1952, numbered 286 of 450, signed by the author, in slip case; spine labels, gilt lettering and decoration to spines, marbled endpapers, teg; Sport A Fly Fisher’s Life by Charles Ritz, New York: Henry Holt and Company, 1959, (Fox-Hunting, Salmon-Fishing, Covert-Shooting, Deer-Stalking) by W. Bromleynumbered 94 of 250, signed by the author, in slip case; Leaping Silver by Lee Wulff, Davenport, London: Chapman and Hall, Ltd., 1885, bound in three quarter dark New York: George W. Stuart, 1940, numbered 59 of 540, signed by the author, brown leather over marbled boards, gilt lettering and decoration to spines, five in slip case; and nine others (see additional photos of spines for titles), light raised bands, marbled endpapers, teg; and 18 others (see additional photos of wear to extremities, scattered scuffs and small losses to leather, scattered areas spines for titles), light wear to extremities, scattered areas of dampstaining and of dampstaining and light foxing throughout, slipcases with some light staining, foxing throughout, some bumped corners, minor scuffs and losses to leather and bumped corners boards Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $500 - $800 Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/ 19 brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

49 Stanford Fenelle Original Illustration (Minnesota, 1909-1995) Going to Ground, Beagle ptppies in a snowy landscape, signed lower left “Fenelle”, inscribed verso “24-388727/General Tire..”, and original painting for the 1958 advertisement calendar for the Hadden General Tire Company of Adrian, Michigan, oil on board, 18 x 24 in.; wood frame, 21-5/8 x 27-5/8 x 1-7/8 in., slight surface dirt; frame with abrasions Provenance: Property of a Southern Collector Estimate: $1,200 - $1,800

50 Henry Schouten (Belgian, 1864-1927) Two English Setters with a Russet Setter in a Field, signed lower right “Henry Schouten” oil on canvas, 19-5/8 x 27-3/4 in.; gilt wood and composition frame, 25-1/4 x 33-1/8 x 2-1/8 in., original stretcher and tacking edge, crackle, surface dirt, stretcher marks, patches verso with associated retouch; frame with abrasions Provenance: Property of a Southern Collector Estimate: $2,000 - $3,000

51 Eugene Joseph Constant Pierre Petit (French, 1839-1933) English Spaniel and a Gordon Setter Flushing Mallard Ducks, signed lower right “E. Petit”, oil on canvas, 21-1/4 x 25-3/4 in.; modern wood frame, 26-1/8 x 30-3/8 x 1-3/4 in., original strainer and tacking edge, some crackle; frame with abrasions Provenance: Property of a Southern Collector Estimate: $2,500 - $3,500 20

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52 Henriette Ronner-Knip (Dutch, 1821-1909) Spaniels on the Scent, signed lower right “Henriette Ronner.”, oil on canvas, 23-1/8 x 34 in.; gilt wood and composition frame, 34-5/8 x 45 x 4 in., lined with wax and linen, restretched on newer stretcher, abrasion at top right edge, craquelure; frame with abrasions Provenance: Property of a Southern Collector Estimate: $7,000 - $9,000

53 54 Charles H. D. Boland Edouard Georges MacAvoy, Pekingese Painting (Belgian, born 1850) (French, 1905-1991) Preseance, signed lower left “Charles Boland”, inscribed with title and signed Best of Friends, Two Pekingese, 1935, signed lower left Mac’Avoy/1935”, oil on verso canvas, oil on canvas, 19-3/4 x 24-1/4 in.; original gilt wood and composition canvas, 19-3/4 x 28-3/4 in.; painted and distressed wood frame, 26-3/8 x 35-3/8 frame, 28-3/4 x 32-7/8 x 3-1/2 in., original stretcher and tacking edge, some crackle x 2-3/4 in., original stretcher and tacking edge, slight surface dirt; frame with and faint stretcher marks; frame resurfaced and with some losses prior abrasions Provenance: Property of a Southern Collector Provenance: Property of a Southern Collector Estimate: $1,800 - $2,400 Estimate: $1,000 - $1,500 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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55 After Sir Alfred Munnings (British, 1878-1959) a copy after the painting Going Out at Epsom, 1929, inscribed verso canvas, oil on canvas, 20 x 30 in.; powder gilt wood and composition frame, 27-1/2 x 37-1/2 x 3-1/2 in., original strainer, small tear with related retouch, surface dirt, crackle; frame with losses Provenance: Property from a Private Collection Estimate: $1,000 - $1,500

56 Robert Cleminson (British, 1864-1903) Rest After the Hunt, signed lower left “R. Cleminson”, oil on canvas, 36 x 28 in.; gilt wood frame, 40-1/2 x 32-1/2 x 2-1/2 in., original stretcher and tacking edge, canvas slightly loose, crackle Provenance: Property of a Southern Collector Estimate: $1,500 - $2,000

57 Henry Schouten (Belgian, 1864-1927) Three Hounds in a Winter Woodland, signed lower left “Henry Schouten”, oil on canvas, 35-1/2 x 23-5/8 in.; parcel gilt and painted wood frame, 43-3/4 x 31-3/4 x 2-1/2 in., original stretcher and tacking edge, slight stretcher marks and looseness to canvas, yellowed varnish, some crackle; frame with abrasions Provenance: Property of a Southern Collector Estimate: $2,500 - $3,500 22

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58 Henry Schouten (Belgian, 1864-1927) Hounds at Work, signed lower right “Henry Schouten”, oil on canvas, 23-5/8 x 15-3/4 in.; modern gilt wood frame, 30-7/8 x 22-7/8 x 2 in., original stretcher and tacking edge, faint stretcher marks, small point of flaking, retouch; frame with abrasions Provenance: Property of a Southern Collector Estimate: $1,800 - $2,400

59 Heinrich Sperling (German, 1844-1924) Want to Play?, a King Charles spaniel and a dachshund, 1903, signed lower left “H. Sperling/1903”, oil on canvas, 14 x 10-1/2 in.; gilt wood and composition frame, 20-3/4 x 17-1/8 x 3-1/2 in., original stretcher and tacking edge, craquelure, abrasion at edges Provenance: Presumed Otto Meibaum, Junior, Meibaum & Co., Berlin, Germany (see Inscription verso, possibly a publisher); Property of a Southern Collector Estimate: $2,000 - $3,000

60 Eugene Joseph Constant Pierre Petit (French, 1839-1933) Spaniels on a River Marsh, signed lower right “E. Petit”, oil on canvas, 15-1/8 x 18-1/4 in.; gilt wood frame, 19-5/8 x 225/8 x 2 in., original stretcher and tacking edge, some crackle Provenance: Bonham’s London November 10, 2021, lot 119; Property of a Southern Collector Estimate: $3,000 - $5,000

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61 Attributed to Jan Stobbaerts (or Jean Baptiste Stobbaerts, Belgian, 1838-1914) Back Talk, two King Charles spaniels with a parrot, not apparently signed, oil on canvas, 13-3/4 x 20-3/4 in.; modern molded frame, 19-3/4 x 26-1/2 x 1-5/8 in., lined, retouch, restretched on newer stretcher, craquelure, surface dirt; frame with abrasions Provenance: Property of a Southern Collector Estimate: $1,800 - $2,200

62 Painting of St. Bernard Puppies, J. Colin (possibly French, 20th century) Trouble in the Garden, signed lower right “J. Colin”, oil on canvas, 15-3/4 x 19-5/8 in.; gilt wood and composition frame, 20 x 24 x 2-1/8 in., original stretcher, good condition; frame with abrasions Provenance: Property of a Southern Collector Estimate: $400 - $600

63 64 Charles Bilger Spalding August Becker, Landscape with Deer (British, 1810-1871) (German, 1821-1887) Woman on Horseback, said to be Queen Victoria, 1870, signed lower left “C.B. Deer Park, oil on canvas, 25 x 32-3/4 in.; painted and gilt frame, 28-7/8 x 35-7/8 x Spalding 1870”, oil on canvas, 20 x 24 in.; gilt wood and composition frame, 25-3/8 2-1/8 in., original stretcher and tacking edge, crackle, stretcher marks; frame with x 29-1/4 x 2-3/4 in., original stretcher and tacking edge, yellowed varnish, crackle, abrasions “x” pattern apparent from reverse pressure on canvas, stretcher marks; frame with Provenance: Property of a Southern Collector losses and wear Estimate: $800 - $1,200 Provenance: Private Collection Estimate: $800 - $1,200 24 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

65 A Pair of Sporting Paintings, Hans Buttner (German, 1850-1891) Resting on the Hunt, 1880, each signed lower left “HButtner/Munchen”, one dated, oil on panel, 6-1/8 x 9-7/8 in.; matching gilt wood and composition frames, 9-3/4 x 131/4 x 1 in., good condition; frames with some wear commensurate with age Provenance: Property of a Southern Collector Estimate: $2,000 - $3,000 66 Eight Horse and Horse Racing Related Books eight volumes total, including: Racing Reminiscences by Sir George Chetwynd, London: Longmans, Green, and Co., 1891, two volumes (complete), bound in three quarter red leather over cloth boards, gilt lettering and decoration to spines, five raised bands, teg; Frank Forester’s Horse and Horsemanship of the United States and British Provinces of North America by Henry William Herbert, New York: Stringer & Townsend, 1857, two volumes (complete), bound in gray cloth with blindstamped and gilt decoration; and four others (see additional photos of spines for titles), light wear to extremities, some bumped corners, minor staining and fraying to cloth; Horse of America with some chipping to spine tops, hinges tender, some dampstaining and foxing throughout Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $500 - $800

68 Set of 12 Glass Fox Stirrup Cups 20th century, each with frosted blue glass fox-head form foot, 6 x 3-1/4 in., some anomalies, air bubbles, and scratches, inconsistency on ears Provenance: Private Collection Estimate: $500 - $700

67 Attributed to James Wheeler of Bath (British, 1820-1885) Mare and Foal, inscribed verso with title and attribution, oil on card, 13-1/4 x 18-7/8 in.; gilt wood frame, 17 x 22-3/8 in., card with warping, abrasions, small losses, and some flaking at edges, yellowed varnish, surface dirt, crackle, evidence of a cleaning attempt; frame with abrasions and losses Estimate: $200 - $400

69 Set of 21 Bimini Handblown Hunt Motif Goblets and Sherry Glasses 20th century, unsigned, clear and colored glass, comprising: 14 goblets, 7 in.; seven sherry glasses, 5 in., minor surface dirt and accretion, scattered scratches, a few scattered air bubbles Provenance: Private Collection Estimate: $1,000 - $1,500 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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70 Three Early Canvasback Drake Decoys first quarter 20th century, three Upper Bay examples comprising: Dick Hipple (Havre de Grace, Maryland), 8-3/4 x 15-1/2 x 6-1/4 in.; August Heinefield (Rock Hall, Maryland), 8-3/4 x 15-1/4 x 6-3/4 in.; William Heverin (Charlestown, Maryland), 8-3/4 x 15-3/4 x 6 in., all weighted and rigged with painted eyes, high heads and incised bills, Heinefield with “KK” branded on base indicating the rig of Kenneth Collison Kelly, Sr., a professional guide with clubs on East Neck Island, all with chips and dents, abrasions, paint losses, surface grime and handling wear commensurate with age and use, tails and bills intact, heads intact with separation at neck seams as made, Heverin with minor shot strike, some repair and retouch Provenance: Private Collection, North Carolina Estimate: $800 - $1,200

71 Madison Mitchell Sleeping Canvasback Drake (Havre de Grace, Maryland), uncommon sleeping form, strong paint throughout, deft carving detail on head and bill, signed and dated on base “R. Madison Mitchell, Havre de Grace, Maryland, 1965,” 7-1/2 x 13-1/2 x 6-1/2 in., very good overall condition, minimal handling wear, some scuffs to paint, minor dents as made Provenance: Private Collection, North Carolina Estimate: $300 - $500

72 Three E. J. “Hurricane Pete” Peterson Decoys (Cape Charles, Virginia), all dated with signature and maker’s brand on underside, comprising: swimming wigeon drake, high head, strong paint, incised nail and base of bill, signed “E.J. ‘Pete’ Peterson, Cape Charles, Va., 1980,” 7 x 13-1/2 x 5-1/4; preening pintail hen, uncommon form, fine paint detail, strong chine, signed “E.J. ‘Pete’ Peterson, Cape Charles, Va., 1985,” 6-1/2 x 16 x 5-3/4; shorebird, uncommon at auction, alert posture, high head and tail, muted coloration with spotted plumage, signed “Pete Peterson, 2005, Cape Chas., Va.,” 3-1/4 x 7-3/4 x 1-1/2 in., 8 in. with stand, wigeon with surface grime and accretions, some minor dents, paint loss to tail tip, imperfection in wood on back as made; pintail with surface dirt and handling wear, minor dents, tight but visible neck seam, nail heads at neck seam and along chine; shorebird with surface dirt, chips with paint losses at tip of bill and side of tail, imperfections in wood as made Provenance: Private Collection, North Carolina Estimate: $1,200 - $1,800

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73 Two Canvasback Drake Decoys including Wallace O’Neal Jr. 20th century, comprising: most likely Wallace O’Neal, Jr. (Corolla, North Carolina), oversized, well worn original surface, rigged and weighted, with collector’s mark on base, 10 x 16-3/4 x 7-1/4 in.; probably Michigan, unknown maker, well carved form, strongly keeled, rigged and weighted, with collector’s mark on base, 8-1/4 x 15 x 7-1/2 in., North Carolina with head reattached, possibly replaced, visible nail heads at neck, considerable paint loss, splits, scuffs and dents commensurate with heavy use, extensive shot strikes; Michigan with wet surface over worn paint, shallow splits to breast and one side, shot strikes, knot in back as made Provenance: Private North Carolina Collection Estimate: $600 - $900 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

74 Grayson Chesser Green Winged Teal Pair (Jenkins Bridge, Virginia), 20th century, swimming pair, both with relief carved primaries, glass eyes, drake with slightly turned head and combed feather paint vermiculation, hen with stippled paint on bill, maker’s mark to bases, largest 5 x 11-1/4 x 4-1/4 in., handling wear, dirt and accretions, minor dents; drake with carving anomaly to left side of head and paint loss to tip of tail; hen with hairline cracks to paint on sides and base of neck Provenance: Private Collection, North Carolina Estimate: $500 - $700

75 Grayson Chesser Bufflehead Pair (Jenkins Bridge, Virginia), 20th century, relaxed swimming pair, both with glass eyes, scored feather carving to heads, drake with subtle iridescence on head, hen with tucked head, maker’s mark to bases, largest 5-3/4 x 11-3/4 x 5-3/4 in., minor scuffs, dents, rub marks, and paint losses, dirt and handling wear; drake with tack holes and one remaining tack head at edge of base, perhaps a remnant from a label plate; hen with knots as made and associated color bleed Provenance: Private Collection, North Carolina Estimate: $500 - $700

76 Two Grayson Chesser Decoys (Jenkins Bridge, Virginia), comprising: preening canvasback drake, elaborately carved, raised heart shaped wings with extended primaries, combed feather paint vermiculation, glass eyes, signed “Grayson Chesser, 1994” with maker’s mark on base, 7-1/2 x 12 x 7 in.; feeding blue winged teal drake, relief carved primaries, subtle iridescence on head, glass eyes, maker’s mark on base with “36” in ink, 5 x 12-1/2 x 4-1/2 in., canvasback in very good overall condition, some surface dirt and handling wear; teal with minor paint losses, dirt and accretions, some staining in lighter areas of paint Provenance: Private Collection, North Carolina Estimate: $300 - $500

77 Important Jimmie Vizier Presentation Common Merganser (Galliano, Louisiana), realistically detailed surface carving with relief carved primaries, slightly turned and tilted head, Guyette and Deeter sticker on base, signed “Jimmie A Vizier,” branded inscription reading “Common Merganser, Second Best of Show, World Championship, carved special for Gene Orgeron...1996,” 7-3/4 x 18-1/2 x 6-3/4 in., small area of paint loss at bill tip, surface dirt, minor handling wear Provenance: Collection of Gene and Diane Orgeron (Louisiana), acquired from the maker; Guyette and Deeter, Charleston, South Carolina, lot 172, February 13, 2016, $4,600; Private Collection, North Carolina Estimate: $1,500 - $2,500 https://live.brunkauctions.com/auctions/ 27 brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

78 Robert G. “Bob” Kerr Miniature Common Merganser Pair (Smith Falls, Ontario), alert, raised head swimming pair with low and elongated profile of the species, both with glass eyes, subtly carved but elaborately painted, both signed “American Merganser, By R.G. Kerr, 2006,” largest 2-7/8 x 7-3/4 x 2-5/8 in., very good overall condition, minimal handling wear, hen with aberrant paint spots on tail edge and speculum Provenance: Private Collection, North Carolina Estimate: $300 - $500

79 Robert G. “Bob” Kerr Miniature Pintail Pair (Smith Falls, Ontario), preening drake, swimming hen, both with raised wingtips and glass eyes, very finely carved and painted, both signed, dated and inscribed to collector “Made for George Dean, Jan. 1976, By R.G. Kerr, Pintail,” largest 2-3/8 x 7-1/4 x 2-3/8 in., good overall condition, both with minimal handling wear; drake with small chip and paint loss at tail tip, thin paint anomaly on right side of face, possibly as made; hen with very minor scuff at tip of bill Provenance: Private Collection, North Carolina Estimate: $300 - $500

80 Robert G. “Bob” Kerr Miniature Blue Winged Teal Pair (Smith Falls, Ontario), swimming pair, drake with raised wingtips, both with glass eyes, finely carved and painted, both signed and dated “March 1978, by Robert G. Kerr,” largest 2-1/2 x 6 x 2 in., good overall condition, both with minimal handling wear; drake with very minor paint chips at wingtip and tail tip, one small body colored paint speck on underside of bill; hen with one minor paint chip at tail tip, very small loss with possible retouch at edge of base Provenance: Private Collection, North Carolina Estimate: $200 - $400

81 Robert G. “Bob” Kerr Miniature Hooded Merganser Pair (Smith Falls, Ontario), displaying drake, hen at rest with tucked head, both with glass eyes, finely carved and painted, both signed, dated and inscribed to collector “Made for the Bartrugs, Dec. 1971, Bob Kerr,” collector’s brand on base “KB #14” possibly the mark of Jean and Knute Bartrug, largest 2-1/4 x 5-1/2 x 2-1/4 in., very good overall condition, minimal handling wear Provenance: Private Collection, North Carolina Estimate: $200 - $400

82 Five Miles Hancock Miniature Ducks (Chincoteague, Virginia), mid-20th century, comprising: bluebill pair, mallard drake, wigeon drake, black duck drake, all with painted tack eyes, maker’s stamp on bases, bluebill drake dated in ink “Aug 5 1963,” largest 2-1/2 x 6 x 2-3/8 in., all with handling wear, minor paint chips and scuffs, incautious paint marks typical of this maker, bluebill drake with some paint loss Provenance: Private Collection, North Carolina Estimate: $400 - $600 28

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83 Miles Hancock Hissing Canada Goose (Chincoteague, Virginia), solid body with glass eyes, incised base of bill, strong aggressive posture with arched neck and slightly turned head, signed and dated “Miles Hancock, Chincoteague Va., Made year 1967,” 6-3/4 x 20-3/4 x 6 in., dirt and accretions, fill and retouch at neck seam Provenance: Private Collection, North Carolina Estimate: $300 - $500

84 Charlie Joiner Goldeneye Drake (Chestertown, Maryland), incised base of bill, painted eyes, signed and dated “Charlie Joiner [with cipher], Chestertown, Md., 1960,” 7-3/4 x 14-3/4 x 6-1/4 in., minor chips and paint losses, surface dirt and accretions, slight separation at neck seam Provenance: Private Collection, North Carolina Estimate: $500 - $700

85 Red Breasted Merganser Pair, Probably Alvin “Gunner” Meekins (Hooper’s Island, Maryland), style very similar to Meekins, possibly another carver also of Hooper’s Island, swimming pair with red painted eyes, both inscribed in ink “Alvin Meekins, Hooper Island, VA (sic), 1969,” both with collector’s stamp probably “Levinson”, hen with faint pen inscription “Alvin Meekins ‘69,” largest 6-1/8 x 17-1/2 x 5-1/8 in., paint losses, scuffs, surface grime, nail head plugs visible at crests Provenance: Private Collection, North Carolina Estimate: $400 - $600

86 Three Unsigned Working Bluebill Decoys 20th century, three different unknown makers, two drakes and a hen, all with raised, relief carved wings and carved tail feathers, largest (hen) with painted eyes, both drakes rigged and weighted with tack eyes, one with slightly turned head, one with carved “E,” all with collectors’ marks on bases, largest 7 x 13 x 6-7/8 in., paint losses throughout, chips and dents, dirt and accretions commensurate with age and use; hen with undamaged head and tail; both drakes with shot strikes, one with age separation at crown and separation at base of neck as made, other with break and repair at neck and separation at lateral line as made Provenance: Private North Carolina Collection Estimate: $300 - $500

87 Three Unsigned Working Duck Decoys 20th century, makers unknown, mutable species recognizably carved in forms of merganser, bluebill and black duck and probably originally painted as such, various levels of detail, all rigged and weighted, largest 6 x 14-1/2 x 6-1/2 in., extensive wear, repairs, paint losses, repaint, dents, shot strikes, bluebill with repaired or replaced head Provenance: Private North Carolina Collection Estimate: $200 - $400 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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Native American & Western

88 Kim Mackey (American, born 1953) Navajo Sky, signed lower right “Mackey O.P.A.”, also titled and signed canvas verso, oil on canvas, 18 x 24 in.; carved gilt wood frame, 25-11/4 x 31-1/4 in., bright, vivid colors, painting in very good overall condition; frame with minimal wear Provenance: Private Collection, North Carolina Estimate: $1,000 - $2,000 30

89 Lyle Tayson Sr. (Wyoming, 1924-2014) Pueblo Scene, signed lower left “L Tayson”, oil on canvas, 16 x 20 in.; fine gilt wood frame, 26-1/4 x 30-1/4 in., excellent overall condition; frame with some wear at corners and edges Provenance: Contemporary Southwest Galleries (presumably), exhibition label verso; Private Collection, North Carolina Estimate: $1,000 - $2,000

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90 Eanger Irving Couse (American, 1866-1936) Blessing the Waters, signed lower left “E.I. Couse”, inscribed in pencil verso “Blessing the Waters/E. Irving Couse”, collectors label verso “EAM No. 314”, oil on canvas, 8 x 10 in.; gold painted wood frame 14-1/2 x 16-3/4 in., laid on board, lifting away from board at corners and edges, surface dirt layer; frame with wear Provenance: The Christine Biddle Wainwright Collection & American Paintings, Furniture & Decorative Arts, Doyle, New York, May 2022, sold for $15,120.; Private Collection Estimate: $10,000 - $15,000

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91 G. (Gerald Harvey Jones) Harvey (Texas, 1933-2017) Gathering of the Ranchers, 1967, signed lower left “G Harvey 67”, also signed, titled and dated canvas verso, oil on canvas, 24 x 30 in.; wormy chestnut frame, 32-1.2 x 38-1/2 in., area of accretion left of center; frame with scattered small chips at corners Provenance: Grand Central Art Galleries, New York, NY (label verso); Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $18,000 - $28,000

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92 Frank Reaugh (Texas/Illinois, 1860-1945) West Texas Landscape, unsigned, dated lower right “From Sun. -Aug-87 (or 97)”, pastel on paper, 7 x 11 in.; silver finished wood frame, 12 x 16-1/2 in., pinholes at all corners, hinged in with archival tape at top edge, grime/accretion at lower edge, slight toning /smudging’ frame; frame with abrasions and small losses to surface Provenance: Private Collection, Dallas, Texas; Lone Star Art Auction, October 29, 2022, sold for $4,063; Private Collection Estimate: $2,000 - $3,000 93 Hyrum Joe (Navajo, born 1979) Acoma Songs, signed lower right “Hyrum Joe”, oil on canvas, 12 x 9 in.; wood and gilt wood frame, 16-1/4 x 13-1/4 in., surface grime; frame with minimal wear Provenance: Ancient Nations Gallery, Ogden, Utah, 2012; Private Collection, North Carolina Estimate: $500 - $700

94 Marilyn Yates Church at Velarde (New Mexico, 20th/21st century) Church at Velarde, signed lower left “MYates NM”, inscribed verso “Nuestra Senor de Guadelupe”, oil on Masonite, 12 x 16 in.; carved gilt wood frame, 20 x 24 in., painting in excellent condition; frame in very good condition Provenance: Private Collection, North Carolina Estimate: $400 - $600 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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95 Frank Hagel (Montana, born 1938) Meal Time, 2012, signed lower left “Hagel ‘12”, oil on Masonite, 14 x 18 in.; gilt wood frame, 20 x 24 in., very good overall condition; frame with some abrasions Provenance: Private Collection, North Carolina Estimate: $800 - $1,200

96 Mark Ogle (Montana, born 1952) Moose Flats, Tetons, Wyoming, signed lower right “Mark Ogle”, oil n Masonite, 12 x 16 in.; gilt wood frame, 18-1/2 x 22-1/2 in., good overall condition, no apparent flaws, unvarnished; frame with minimal wear Provenance: Private Collection, North Carolina Estimate: $300 - $500 97 Mark Ogle (Montana, born 1952) Below Mt, Citadel, Glacier Park, signed lower left “Mark Ogle”, oil on Masonite, 12 x 9 in.; gilt wood frame, 19 x 16 in., painting in good condition; frame in good condition Provenance: Private Collection, North Carolina Estimate: $400 - $600

98 Robert F. Morgan (Montana, 1929-2015) The Quiet Prairie, 2003, signed lower right “RF Morgan”, titled canvas verso, oil on canvas, 12 x 9 in.; gilt wood frame, 18 x 14-3/4 in., painting in excellent overall condition; frame with minimal wear Provenance: Private Collection, North Carolina Estimate: $500 - $700 34 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

99 Eanger Irving Couse (American, 1866-1936) Flute Song Moonlight, signed lower right “E.I. Couse”, oil on canvas board, 12 x 16 in.; reproduction gilt wood frame, 14-1/2 x 18-3/4 in., heavily textured surface as made, surface dirt; frame with wear Provenance: Private Collection, Chicago, Illinois; Heritage Auctions, November 2022, sold for $22,500; Private Collection Estimate: $12,000 - $18,000

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100 Eanger Irving Couse (American, 1866-1936) Klikitat Chief, signed lower right “E.I. Couse”, oil on canvas, 15 x 15 in.; carved gilt wood frame, 22 x 22 in., linen lined, areas of retouch; frame with minimal wear Provenance: Quail Hollow Galleries, Oklahoma City, Oklahoma; Altermann Galleries, Santa Fe, New Mexico, April 4, 2014, lot 375; Private collection, Chicago, Illinois; Heritage Auctions, November 2022, sold for $12,500; Private Collection Estimate: $7,000 - $9,000

101 Jack N. Swanson (American, 1927-2014) Saddling a Bronc, signed lower left “J.N. Swanson”, oil on Masonite, 18 x 24 in.; wood and gilt wood frame, 20-1/14 x 26-1/4 in., slight surface dirt, very small puncture at lower left edge with resulting paint loss Provenance: Grand Central Art Galleries, New York, NY (label verso); Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $2,000 - $4,000 36

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102 Dave Powell (American, born 1954) Wicashua Can Holyman, signed lower left “Dave Powell”, oil on canvas, 8 x 10 in.; gilt wood frame, 171/2 x 19-1/2 in., very good condition; frame with wear and losses to surface Provenance: Artist label verso; Private Collection, North Carolina Estimate: $1,000 - $2,000

104 Tonita Pena (Quah Ah) Ceremonial Painting (San Ildefonso, 1895-1949) Ceremonial Dance or Procession, signed lower right “Quah Ah (cipher) Tonita Pena”, gouache on card, 12 x 17-1/4 in.; dark finished wood frame, 13-1/4 x 18-1/2 in., slight staining around edges, mostly not visible under frame, one long water stain along right side, visible approximately 1/2 inch under frame, slight area of foxing scattered in three places; frame with areas of flaking to dark finish, wear at corners and edges Provenance: The Nichols Family Collection, Kansas Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

103 Frank Hagel (Montana, born 1938) Flute Courtship, 2015, signed lower left “Hagel ‘15”, oil on Masonite, 11 x 14 in.; silver finished wood frame, 17 x 20 in. , small area of draw crackle at left center; frame with some abrasions at corners and edges Provenance: Private Collection, North Carolina Estimate: $800 - $1,200

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105 Greg Lomayesva Kachina Head American, born 1971, signed on back and side, dated “98”, carved polychrome wood wall sculpture, 16-1/2 x 22 in., overall handling wear and abrasions to paint, grime, some losses to paint Provenance: Private Nashville Collection Estimate: $300 - $500

106 Woody Wilson Crumbo (Potawatomi, 1912-1989) Spirit Deer, signed lower right “Crumbo”, gouache on paper, sight 14-1/2 x 19-1/4 in.; natural wood frame, 24 x 28-1/2 in., laid on acid free backing board, surface in good condition; frame in good condition Provenance: Private Collection, North Carolina Estimate: $700 - $900

108 Jud Hartmann (Vermont/Maine, born 1948) Joseph Brant, war chief of the Mohawk, edition AP III, signed “Hartmann 1988”, patinated and polychromed bronze on wood base, 31-1/2 x 12 x 9 in., loose on base, some wear to polychrome Provenance: Private Florida Collection Estimate: $1,000 - $2,000

107 Sukey Hughes Miniature Medicine Shirt (American, 20th century) Fire Heart’s Medicine Shirt, Miniature Series, 1990, artist label verso, painted hand made Washi paper miniature with decorations, editioned 16/44, floating in silk lined shadow box frame, 7-3/4 x 9-1/2 x 2 in., appears in as-made condition; frame with some handling wear Provenance: Private Nashville Collection Estimate: $300 - $500 38

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109 Plateau Painted Parfleche Box late 19th/early 20th century, the large box painted on top and sides, with three holes and rawhide ties on each seam, quill wrapped hide drops on three sides, 15-1/2 x 6 x 9 in., overall wear commensurate with age and use Provenance: Medicine Man Galleries, Santa Fe, New Mexico; Private Nashville Collection Estimate: $800 - $1,200

110 Sioux Painted Parfleche Box late 19th/early 20th century, with black outlined geometric decorations on top and sides, top with pointed cut out overhanging flap, 8 x 17 x 8 in., overall wear commensurate with age and use, grime Provenance: Medicine Man Galleries, Santa Fe, New Mexico; Private Nashville Collection Estimate: $1,000 - $2,000

111 Pair Sioux Miniature Parfleche Envelopes late 19th/early 20th century, two small matching envelopes, 6-1/2 x 5 x 1-1/2 in., all with good condition overall, vivid colors, the hide firm but not brittle Provenance: Medicine Man Galleries, Santa Fe, New Mexico; Private Nashville Collection Estimate: $800 - $1,200

112 Sioux Parfleche Utility Box late 19th/early 20th century, the hide case painted on sides and top, with painted border on the bottom, 11 x 7-3/4 x 2-1/2 in., good condition commensurate with age, vivid colors, hide firm but not brittle, the usual grime and staining Provenance: Medicine Man Galleries, Santa Fe, New Mexico; Private Nashville Collection Estimate: $1,000 - $2,000 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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113 Unusual Figural Ball Headed Club with Spike and Crucifix Native American, possibly 19th century century, northeastern, the figural club in the shape of an open-mouthed head, with shell teeth and eyes, attached Eastern Walrus tooth spike and stone skull cracker, attached crucifix with a circa 18th century Catholic Apostle medallion, 21-1/2 in. , extensive overall wear and grime commensurate with age and use, crucifix with missing head.

Provenance: Purchased at a maritime auction in Marseilles, France; Private Collection Estimate: $700 - $900

116 Two Turquoise and Sterling Necklaces double strand chip turquoise necklace, alternating with red painted beads, lobster clasp, marked “925 China”, length 17-1/2 in.; necklace with polished rough turquoise alternating with silver discs, oval turquoise cabochon set in sterling sunburst, marked “925” to back, length 30-1/2 in., natural pitting, cracks, color variation to turquoise on each, red painted beads with areas of paint loss, tarnishing to pendant Provenance: Private Asheville, North Carolina Collection Estimate: $100 - $300 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

115 Sterling and Turquoise Cuff Watch decorative cuff with maker’s mark “BT” to interior, set with six polished turquoise rough, Timex watch face with Arabic numbers at the quarter and half hour, 21 jewel, self-winding, width approx. 1-3/4 in., some tarnishing to cuff, turquoise with natural pitting and cracks, watch not running at time of inspection Provenance: Private Collection Estimate: $100 - $300 40

114 Turquoise and Sterling Concho Belt and Ring leather belt having five silver medallions, apparently unmarked, each centered with turquoise cabochon, alternating with four geometric silver forms, also unmarked, centered with turquoise, length 38-1/2 in.; figural ring set with turquoise and coral, maker’s mark to back, ring sz. 7, accretion/residue to belt, turquoise inlays with some cracks, minor chips, wear to leather, tarnishing to belt buckle; ring with some discoloration, chipping/crack to coral and turquoise Provenance: The Nichols Family Collection, Kansas Estimate: $300 - $500

117 Turquoise Lariat and Turquoise, Coral, and Sterling Cuff Bracelet leather lariat with silver ends, pear shaped polished turquoise slider, stamped “Nakai” to interior, length approx. 42 in.; cuff inset with turquoise and coral geometric chip inlay, apparently unmarked, width 7/8 in., wear and rubbing to leather lariat, tarnishing to silver, natural pitting and cracks to turquoise with color variation; mild scratching to cuff Provenance: Private Asheville, North Carolina Collection Estimate: $200 - $400

118 Two Sterling and Turquoise Cuff Bracelets each of typical form, set with shaped turquoise cabochons, one engraved “BWI” and “100-42-8850” to interior, width at widest 2-5/8 in., natural pitting, color variation, and cracks to turquoise Provenance: Private Asheville, North Carolina Collection Estimate: $100 - $300

119 Two Grey Hills and Storm Weavings 20th century, the first a Two Grey Hills weaving, natural wools, early to mid 20th century, 65-1/2 x 33-1/2 in; together with a storm pattern weaving, natural and dyed wools, 43 x 28-1/2 in., the first in good overall condition, one area of wear at one selvage end; the second in good overall condition, no visible holes or repairs Provenance: Private Collection Estimate: $700 - $900

120 Storm Pattern and Chinle Navajo Textiles 20th century, the Storm Pattern with natural and dyed wools, possibly Two Grey Hills, 46-1/2 x 26-1/2 in.; together with a banded weaving in natural and dyed wools, possibly Chinle, 40 x 31 in., the first with a few small scattered areas of minor wear; the second with an area of possible moth damage and tiny losses to weft Provenance: Private Collection Estimate: $600 - $800

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121 Navajo Two Grey Hills Weaving dated on attached tag “1962”, also attributed to Rose Harvey, Two Grey Hills, Toadlena Trading Post, attributing the weaving to Rose Howey, natural wools, 511/2 x 40 in., very good overall condition, one small area with a surface spot/stain on one side only Provenance: Old Adobe Traders, Santa Ynez, California; Private Collection, North Carolina Estimate: $1,000 - $2,000

122 Pictorial Storm Pattern Navajo Weaving dated on attached tag “1963”, also attributed to “Lorrane/ Red Rock Trading Post”, natural and dyed wools with feather motif, 40-1/2 x 30-1/2 in., very good overall condition, no visible holes, wear, stains Provenance: Old Adobe Traders, Santa Ynez, California (tag attached); Private Collection, North Carolina Estimate: $800 - $1,200

123 Navajo Yei Cornstalk Weaving dated on attached tag “1961”, also attributed to “Ubella Dalle/Red Rock Trading Post”, natural and dyed wools depicting Yei figures around central corn stalk, 44-1/2 x 33-1/2 in., minimal handling wear, no visible holes, stains, damage Provenance: Old Adobe Traders, Santa Ynez, California (tag attached); Private Collection, North Carolina Estimate: $2,000 - $3,000

124 Colorful Storm Pattern Navajo Weaving circa 1960s, dated on attached tag “1960s”, also attributed to Roselyn Wah, “The Gap Trading Post”, natural and dyed wools, 39 x 26-1/2 in., excellent overall condition, no visible flaws, stains, holes, wear Provenance: Old Adobe Traders, Santa Ynez, California (tag attached); Private Collection, North Carolina Estimate: $1,000 - $2,000 42

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125 Three Regional Navajo Textiles 20th century, including a Yei Figural weaving with six Yei figures, 42 x 34 in.; a regional Transitional double saddle blanket, 58 x 39-1/2 in.; a Chinle style saddle blanket, 30 x 28-1/2 in., all in good overall condition, some general handling wear; Chinle with areas of wear; double saddle blanket with areas of grime and staining on one side Provenance: Private Collection Estimate: $600 - $800

126 Navajo Tumbling Blocks Trading Post Weaving 20th century, possibly 1930s, overall geometric design in natural wools, 72 x 39 in., very good overall condition, a few small scattered areas of wear at selvages Provenance: The Nichols Family Collection, Kansas Estimate: $700 - $900

127 Navajo Storm Pattern Weaving dated on attached tag “1961”, also attributed to Mae Simpson, Red Rock Trading Post, natural and dyed wools, 46-1/2 x 36-1/2 in., excellent overall condition, no visible holes, wear, stains, very minimal handling wear Provenance: Old Adobe Trades, Santa Ynez, California (tag attached); Private Collection, North Carolina Estimate: $800 - $1,200 128 Vibrant Navajo Double Saddle Blanket 20th century, natural and dyed wools with colorful serrated end borders, 56 x 33 in., good overall condition, one area of wear/loss to warp Provenance: Private Collection, North Carolina Estimate: $500 - $700

129 Teec Nos Pos and Storm Weavings 20th century, Teec Nos Pos style, 60 x 331/2 in.; together with a Storm style saddle blanket, 29 x 28 in., both with some overall wear and pilling to wool, slight grime Provenance: Private Collection Estimate: $700 - $900 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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130 Signed Cherokee Carved Bears 20th century, four carved wood bears, the largest a standing bear signed “D. Owl”, possibly Dewey Owle, 12-1/2 in tall; together with a walking bear signed “D.J. Smith, 4-1/4 x 7 in.; a walking bear signed “DJA 1990”, 3 x 4-1/2 in.; a walking bear signed indistinctly “D.....NC”, 2-3/4 x 3-1/2 in., all with some overall handling wear and surface scratches to finish Provenance: Estimate: $300 - $500

131 Amanda Crow Walking Bear (Cherokee, Qualla Boundary, Swain County, North Carolina, 19282004) Carved wood bear cub, inscribed signature on underbelly “A. Crowe”, 2-1/2 x 4 in., two small round gouges on forehead, some handling wear Estimate: $500 - $700

132 133 Four Carved Animals, Possibly Cherokee Plains Beaded Hide Doll 20th century, all probably North Carolina, two sleeping cats, initialed on base late 19th century, the stuffed linen body with hide dress and leggings, beaded “HB”, one with label remnants on base from the Campbell Folk School, Brasstown, accents, human hair, remnants of painted face, 13-1/2 in., overall wear and grime North Carolina, each 2-1/2 x 5-1/2 in.; a standing goose, also initialed “HB”, 9-3/4 x commensurate with age, losses to beadwork at ankles, missing the “moccasin” on 6-1/2 in.; a standing eagle, with illegible monogram on base, 5 x 3-1/2 in., both cats one foot with overall handling wear, one with chips and wear to shellac type surface finish, Estimate: $300 - $500 eagle and goose with handling wear and small scattered flea bite type nicks Provenance: Estimate: $300 - $500 44 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

134 Seminole Fiber and Cloth Doll circa 1920s, traditional fiber body, clothing and beaded jewelry, 9 in., fading and staining to clothing, wear at base of body Estimate: $100 - $200

135 Traditional Hopi Katsina Hopi, circa 1920s-1930s, possibly Malo, polychrome cottonwood, full figured, 9-1/4 in., overall wear commensurate with age, one foot with repair, one foot missing toe section, missing attached feathers or drops on head and one ear, tied to commercial base Provenance: The Nichols Family Collection, Kansas Estimate: $700 - $900

136 Traditional Hopi Katsina Hopi, circa 1920s-1930s, possibly Sio Salako, polychrome cottonwood, full figured with original “Hopi Villages” label attached at the back, 9-1/4 in., overall wear commensurate with age, one (attached) horn missing but present, vivid red and yellow pigments at face, “bleed” from black pigment, tied to a commercial base Provenance: The Nichols Family Collection, Kansas Estimate: $700 - $900

137 Pair of Woodlands Child’s Moccasins late 19th/early 20th century, possibly Ojibwa, beaded hide and velveteen moccasins, 9 in., good overall condition, no visible loss loss to beadwork, overall handling wear commensurate with age, wear to ribbon edging, small area of repair to each where velveteen meets hide Provenance: Private Collection, North Carolina Estimate: $300 - $500

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138 Pima Basket and Miniature Drum the coiled basket with black center, geometric decoration, late 19th/early 20th century, 3-1/2 x 4-1/2 in.; the wood and hide miniature or model drum, 5-1/2 x 2-1/2 in., basket in good overall condition, some fading to exterior; drum with overall wear commensurate with age Provenance: The Nichols Family Collection, Kansas Estimate: $200 - $400

139 Laguna and Jemez Pueblo Pots 20th/21st century, the decorated redware pot signed “G. Sandia Jemez”, (Geraldine Sandia, Jemez, born 1950), 4 x 6 in.; together with a canteen, circa 2014, signed on base “C. Analla Jr/Paguate, N. Mex/Pueblo of Laguna/14”, both in very good condition, very minimal handling wear Provenance: Private Collection, North Carolina Estimate: $300 - $500

140 Amado Hernandez Mata Ortiz Corrugated Pot 20th century, corrugated blackware pot signed on base “Amado Hedez”, 6 x 6 in., very good overall condition, felt pads added to bottom for stability Provenance: The Collector’s Stope. Tucson, Arizona; Estate of Sara Graham Peacock Estimate: $100 - $200

141 Large Signed Acoma Olla 20th century, the thin walled, polychrome olla with heartline deer and bear, and traditional geometric decoration, signed on base “Acoma N.M./MC Antonio”, (Melissa Antonio, Acoma, born 1965), 10-1/2 x 13 in., very good overall condition, scattered areas of very slight surface grime or accretion Provenance: Private Collection, North Carolina Estimate: $300 - $500

142 Two Hopi Pots The first a tall cylinder pot, circa 1930-40, bird design, unsigned, 8-1/2 x 3-3/4 in.; the second a low seed pot, signed “Dee Setalla/Hopi Bear/Water Clan”, 3-1/2 x 7-3/4 in., the first with firing cloud, overall handling wear; the second with some overall handling wear, one area of glaze anomaly, seemingly as made Provenance: (the first) Carter Collection, Arizona; Medicine Man Gallery, Tucson, Arizona; Private Collection, North Carolina; (The second) Kiva Gallery, Gallup, New Mexico, Private Collection, North Carolina Estimate: $800 - $1,200 46 https://live.brunkauctions.com/auctions/brunk/the-great-outdoorsThe Great Outdoors: From Audubon to Zuni from-audubon-to-zuni-february-21-2024-13747/catalog#catalog

143 Three Pueblo Pots by Lu Ana Tayfoya and Tahn-Moo-Whe 20th century, the largest signed “Lu Ann Tafoya/Santa Clara Pue NM”, (Santa Clara, born 1938), deeply carved redware bowl, 5-1/4 x 7-1/4 in.; together with two blackware and sienna sgraffito inlaid pots, both signed “Tahn-Moo-Whe” (Barbara Gonzales, San Ildefonso, b. 1947), 4-1/12 x 5 in.; 2-1/2 x 3-3/4 in., the first with some surface handling abrasions around widest part; the others with very minimal handling wear Provenance: Private Nashville Collection Estimate: $800 - $1,200

144 Large Hopi Redware Bowl 20th century, signed on base “Evelyn Poolheco” (Hopi, 1916-1989), red slip with geometric decorations on inside, 3-1/2 x 13 in., chip through surface on base, smaller one at rim, small area of retouch in center of bowl, some overall handling wear and small dings Provenance: Private Collection Estimate: $300 - $500

145 Signed Hopi Corrugated Bowl 20th century, signed on base “Garnet Pavatea” (Hopi, 1915-1981), oblong redware bowl with corrugated rim, 4 x 10-1/2 x 8-1/2 in., surface chips to glaze on bottom of bowl, some handling wear and surface abrasions commensurate with age and use Provenance: Private Collection Estimate: $300 - $500

146 Signed Hopi Redware Pot 20th century, signed on base “Frieda Poleahla:” (Hopi, 1918-1994), black geometric decoration on outside, 5 x 9 in., overall handling wear and abrasions, especially at base and inside Provenance: Private Collection Estimate: $200 - $300

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147 Sheila Hobson Framed Navajo Seed Pot the framed presentation includes a miniature redware seed pot signed “Hobson/Dine/2003”, mounted with a photo of an unknown pueblo, signed on the mount below the photo “Sheila ‘03”, in a painted metal frame, 20-1/2 x 16-1/4 in., very good condition, presumably as made Provenance: Private Nashville Collection Estimate: $200 - $400 47

148 Tularosa Swirl Pueblo Bowl Cibola Style, redware with black Tularosa Swirl decoration on interior, 3 x 6-1/4 in., firing clouds on exterior, overall wear commensurate with age, small flea bites at rim, one slightly more significant surface chip at rim, minimal surface crack approximately 3/4 in. extending from rim Provenance: Private Collection, North Carolina Estimate: $200 - $300

149 Pueblo and Shipibo Pots 20th century, the largest polychrome bowl possibly San Ildefonso, with indecipherable abraded signature on base, 3-1/2 x 7-`/4 in.; the next a Shipibo bowl, 2-3/4 x 6-1/2 in.; the next a Hopi polychrome pot, 3-3/4 x 4-3/4 in., all with overall handling wear, small chips and losses especially at rims, all bases with abrasions that hide signatures, the San Ildefonso with visible evidence of a stamp or signature Provenance: Private Collection, North Carolina Estimate: $500 - $700

150 Santa Clara and Jemez Pueblo Pots 20th century, the first a polychrome decorated melon pot, redware with subtly micaceous red glaze, signed “Juanita Fragua/Jemez Pue/NM/ (Walatowa)”, (19352020), 5-3/4 x 6-1/2 in.; together with a small oblong carved redware pot, signed “Dusty”, (Dusty Naranjo, Santa Clara, born 1968), 3 x 4 in., the first in very good overall condition; the second with firing clouds, very good overall condition Provenance: Private Collection, North Carolina Estimate: $300 - $500

151 Two Signed Nampeyo Hopi Pots 20th century, the largest a polychrome wedding vase, signed “Vernida Polacca Nampeyo” (Hopi, born 1955) on base, 9 x 6-1/2 in.; together with a corn pot signed “Iris Nampeyo” (Iris Youvella Nampeyo, Hopi, 1944-2018) on base, 3-1/4 x 4 in., the wedding vase with some overall handling wear, firing cloud, small nicks and fleabites at and near rim; corn pot with very minimal overall handling wear Provenance: Private Collection, North Carolina Estimate: $500 - $700

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152 Santa Clara and Santo Domingo Blackware Pots 20th century, three signed pots including a carved blackware bowl signed “Madeline Naranjo SCP” ((Santa Clara, 1916-2020), 3 x 4 in.; a carved blackware bowl signed “Barbara Martinez Santa Clara Pueblo” (born 1947), 3-1/2 x 4 in.; a small black on black pot signed “Rufina Coriz Santo Domingo”, 2-3/4 x 3-3/4 in., the Naranjo in very good overall condition; the Martinez with minimal overall handling wear and scattered areas of very slight surface abrasion; the Coriz with overall handling wear, some abrasions and small fleabites and nicks Provenance: Private Collection, North Carolina Estimate: $400 - $600

154 Large Signed Acoma Olla 20th century, signed on base “MJuanico (?) Acoma NM”, possibly Marietta or Marie Juanico, with bold geometric decoration on white ground, 11 x 10-1/2 in., slight surface abrasions at rim and shoulder Provenance: Kiva Gallery, Gallup, NM; Private Collection, North Carolina Estimate: $400 - $600

153 Mata Ortiz and O’odham Pueblo Pot 20th/21st century, the redware olla with rounded base, signed “Juan Mora”, 5-1/2 x 6-1/2 in.; together with a black on red Akimel O’odham pitcher with handle, circa 1940s, 4 x 6-1/2 in., Mata Ortiz in very good overall condition, slight evidence of handling; the pitcher with overall handling wear, some small nicks and fleabites Provenance: Private Collection, North Carolina Estimate: $400 - $600

155 Loretta Joe Acoma Pottery Olla 20th century, polychrome olla signed “L. Joe Acoma NM”, (Loretta Joe, born 1958), 8 x 9-1/2 in., very good overall condition, minimal handling wear, tiny surface chip to glaze at rim Provenance: Kiva Gallery, Gallup, New Mexico; Private Collection, North Carolina Estimate: $400 - $600

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156 12 Assorted Leatherbound Books, Geography and History 12 volumes total, including: A Short Account of the Naval Actions of the Last War “by An Officer”, London: J. Murray, 1790; The Naval Chronology of Great Britain by J. Ralfe, London: Whitmore and Fenn, 1820; Adventures Amidst the Equatorial Forests and Rivers of South America by Villiers Stuart, London: John Murray, 1891; A History of New York by Diedrich Knickerbocker, London: Thomas Tegg, 1839; and eight others (see photos of spines for additional titles), light wear to extremities, some bumped corners, scattered areas of dampstaining and light foxing throughout, some scuffs and losses to leather Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $300 - $500

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157 Two South Carolina Natural History Titles Report on the Geology of South Carolina by M. Tuomey, Columbia: A.S. Johnston, 1848, one volume, containing numerous engraved illustrations, frontispiece, and folding map, bound in three quarter dark red leather over cloth boards, gilt lettering to spine; Ramsay’s History of South Carolina by David Ramsay, Newberry: W.J. Duffie, 1858, “complete in one volume”, with two folding maps, bound in three quarter dark brown leather over marbled boards, morocco spine label, marbled edges, light wear to extremities, scuffs and losses to leather, bumped corners, scattered dampstaining and foxing throughout; Geology of SC accretion to front board, numerous drawings on early pages; History of SC with chipping to spine top, some water stains at early page edges, both folding maps with tears, hinges tender Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $300 - $500

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Minerals & Specimens

158 Brazilian Amethyst Flower deep purple to clear terminations throughout, 6 x 18 x 6in., breaks, fractures, chips, and abrasions to specimen, losses on terminations Estimate: $800 - $1,200

159 Large Collection of Fluorite Specimens 31 pieces total, largest 8-1/2 x 6-1/2 x 4 in., total combined weight 63 kg, surface dirt and accretion, scattered chips and losses to terminals, natural inclusions and accretion throughout, edge roughness Estimate: $500 - $700 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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160 Amethyst Cathedral Deep purple color, well-formed terminations, druzy, hematite, and goethite inclusions throughout the specimen, polished border 34-1/ 8 x 9-1/4 x 7 in., minor chips, fractures, and crazing along the polished border, some terminations chipped or broken Estimate: $1,000 - $2,000

161 Amethyst Cathedral central cavity filled with rich purple terminations, polished rim, calcite, and large druzy cluster within 98.2 kg 41 in x 14 in x 19 in, abrasions and some losses, residue on the bottom of the specimen Estimate: $2,000 - $3,000

162 Three Freeform Geodes with Stands three Indonesian quartz geodes with wooden stands, scattered druzy in some areas along with jasper banding, scattered areas of iron inclusion, largest 8-1/4 x 11-1/2 x 7 in., all with chips, fractures, abrasions and residue scattered on specimens and wood stands Estimate: $1,000 - $2,000 52

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163 Three Geode Freeforms with Stands three quartz crystal geode freeforms ranging in size, larger rose quartz specimen with unique banding, largest specimen 18 x 13 x 7-1/2, with stand 30in., all with chips, fractures, abrasions, and residue scattered on specimens and wood stands Estimate: $1,000 - $2,000

164 Amethyst Geode cracked geode, both with smaller internal terminations 6.4 kg total weight, largest 5-1/2 x 10 x 7 in., cracks, fissures, and chips along the edges of both specimens, residue to the base of larger specimen Estimate: $300 - $600

165 Three Polished Jasper Boulders largest specimen 7-1/2 x 13-1/2 x 12 in., total combined weight 47.4 kg; two examples with fitted wood stands, surface dirt and accretion, scattered cracks and natural inclusions throughout, one with bottom edge cut; stands with light wear and abrasions, staining Estimate: $800 - $1,200

166 Five Barite Specimens largest 7 x 3-1/2 x 3 in., total combined weight 3.4 kg, surface dirt and accretion, scattered chips to terminals, natural inclusions and accretion throughout, some edge roughness Estimate: $100 - $200 https://live.brunkauctions.com/auctions/ brunk/the-great-outdoors-from-audubon-toClick here to view lots and detail photos. zuni-february-21-2024-13747/catalog#catalog

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167 Pinolite Specimen large Pinolite boulder, total weight 48.6 kg., 20-1/2 x 12 x 6-3/4, treated surface with unfinished underside, losses to specimen, residue, and abrasions throughout Estimate: $300 - $500

168 Azurite Malachite Collection 3.8 kg. weight, twenty-three specimens total, largest 5-1/2 x 2-3/4 x 1-1/2 in., chips, losses, cracks, fissures and abrasions to all Estimate: $200 - $400

169 Honey Calcite Collection six pieces of honey calcite with multiple large terminations 11.6 kg total, the largest measuring 6 x 8-1/4 x 5-1/4 in., terminations with losses, chips, and abrasions throughout Estimate: $300 - $500

170 Polished Variegated Green Stone Specimen Slab total weight 10 kg, 18-3/4 x 12-1/2 x 1-1/2 in., with gold painted metal stand, surface dirt, natural inclusions throughout, scattered surface scratches and edge roughness, cut along lower edge Estimate: $300 - $500

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171 Large Chinese Nephrite Jade Polished Free Form polished organic form, with lacquered finish, 26-3/8 x 17-5/8 x 8-1/4 in., remnants of cement and newspaper on base, flaking and loss to lacquer, surface dirt/accretion Estimate: $1,000 - $2,000

172 Monumental Stone Bowl Large stone bowl with conglomerate patches in matrix 14 x 30 x 30 in., lots of pitting and open cavities around sides and base of stone, losses, chips, fractures, and residue to structure Estimate: $200 - $400

173 13 Fluorite Specimens largest 6-3/4 x 5-1/2 x 3-1/2 in., total combined weight 7.2 kg, several pieces very fragile and fragmenting, surface dirt and accretion, scattered chips and losses to terminals, natural inclusions and accretion throughout, some edge roughness Estimate: $200 - $400

174 Petrified Wood petrified wood stump form with natural color, polished, 18 x 12 x 10 in., abrasions and some losses to specimen, residue, and felt circle attached to the bottom Estimate: $600 - $900

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175 12 Barite and Pyrite Specimens 2 x 1-1/2 x 1 in. to 7 x 5 x 2-1/2 in., total combined weight 6.8 kg, surface dirt and accretion, scattered small chips and losses to terminals, natural inclusions and accretion throughout, some edge roughness Estimate: $300 - $500

176 Calcite Specimens varicolored calcite in mixed matrices, ten specimens, 2.4 kg total weight, largest 4-1/2 x 1-1/2 x 3 in., chips, scattered breakage, and concretions throughout Estimate: $200 - $400

177 Quartz, Calcite and Pyrite Specimens 5.4 kg. total weight, 11 pieces total, largest 2-3/4 x 6-1/4 x 5 in., chips, losses, and cracks to all specimens Estimate: $300 - $500

178 Calcite, Quartz & Pyrite Collection 3.6 kg total weight, six pieces total, largest 2-1/2 x 6 x 8-1/2 in., chips, flaking, and scattered losses to matrix, blades, and terminations Estimate: $200 - $400

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179 Three Labradorite Specimens largest piece measuring 11-1/2 x 9-1/2 x 6in. and weighs 15.6 kg, 25.6 kg total weight, two with a single polished side, a third specimen polished, abrasions and losses to all Estimate: $300 - $500

180 Hematite Quartz Specimens 21 pieces total .95 kg. well defined terminations on most specimens, largest 2 x 2-1/4 x 1-3/4 in., chips, losses, and abrasions to all specimens Estimate: $200 - $400

181 12 Assorted Calcite Specimens largest 6 x 4-1/2 x 3 in., total combined weight 5.8 kg, surface dirt and accretion, scattered chips to terminals, natural inclusions and accretion throughout, typical edge roughness and weathering Estimate: $200 - $400

182 Vanadinite Collection 2.15 kg total weight, 11 pieces total, largest piece 3-3/4 x 3 x 1-1/2 in., scattered damage throughout missing blades, chips, losses, and abrasions to all specimens Estimate: $200 - $400

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183 Pyrite with Associated Minerals 11 specimens, 5.55 kg total, smallest is 15 kg, chalcopyrite, some with barite blades, largest 3-1/2 x 9 x 3 in., some cracks fissures and abrasions Estimate: $300 - $500

184 Arkansas Quartz Cluster quartz terminations on matrix, 42.7 kg. 20 x 8-1/8 x 15 in., chips, losses, and abrasions throughout Estimate: $300 - $500

185 Barite Collection seven barite clusters, most with blue blades in matrix .8 kgs total, largest piece measuring 3-1/2 x 6-1/4 x 5 in., chips, abrasions, some concretions, residue Estimate: $200 - $400

186 Two Stone Linghams smooth polished variegated stone cut in an ovoid form, 8-1/2 in. and 14 in., total weight 13 kg, natural inclusions throughout, scattered surface scratches Estimate: $200 - $400

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187 Cave Calcite Specimen on Wood Stand approximately 9 x 13 x 7 in., stone weight 7.4 kg, with fitted carved wood stand, scattered chips to terminals, natural inclusions throughout; stand with light wear and abrasions Estimate: $100 - $300

189 Calcite Plate calcite terminations in matrix 10.45 kg, 4-1/2 x 15 x 12 in., concretions throughout, broken terminations, sulfur residue around edges and bottom.

Estimate: $200 - $400

188 Calcite Formation with Stand Calcite form permanently attached to calcite base, 27 x 12 x 7 in., abrasions, scratches, losses, and residue throughout Estimate: $400 - $600

190 Large Fluorite Specimen total weight 8.4 kg, approximately 6 x 10 x 8 in., surface dirt and accretion, scattered small chips and roughness to terminals, natural inclusions throughout Estimate: $300 - $600

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191 Two Rhodochrosite Slabs 3.85 kg total weight, banding visible on polished surface, largest 8 x 1-1/2 x 4-1/2 in., one rough on all sides, one with single polished surface, chips, abrasions, and residue on both Estimate: $100 - $200

192 Two Orthoceras Fossils largest plaque 20 x 8-3/4 in., total weight 7.6 kg, scattered chips and losses to the matrix, polished cephalopod structure with rough matrix Estimate: $200 - $400

193 Three Ammonite Fossil Specimens 5 in. to 7-1/4 in., total weight 5.6 kg, surface dirt and accretion, scattered edge roughness and small chips, natural inclusions throughout Estimate: $200 - $400

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