ALEX COUWENBERG: Swell by Bruno David Gallery

AL E X CO U W E N BE RG SWELL

bruno david gallery

ALEX COUWENBERG SWELL

April 5 - May 4, 2013 Bruno David Gallery 3721 Washington Boulevard Saint Louis, 63108 Missouri, U.S.A. info@brunodavidgallery.com www.brunodavidgallery.com Director: Bruno L. David This catalogue was published in conjunction with the exhibition Alex Couwenber: Swell Editor: Bruno L. David Catalogue Designer: Yoko Kiyoi and Christy Kirk Designer Assistant: Claudia R. David Printed in USA All works courtesy of Bruno David Gallery and Alex Couwenberg Photographs by Steve Scudder, Eric Swenson and Bruno David Gallery Cover image:

Libertine (detail) 2013 Acrylic on canvas 44 x 42 inches ((111.8 x 106.7 cm))

First Edition Copyright ÂŠ 2013 Bruno David Gallery, Inc. All Rights Reserved. No part of this publication may be reproduced or transmitted in any form without the written permission of Bruno David Gallery, Inc.

CONTENTS

Listening: On New Work by Alex Couwenberg BY MONICA LYNNE MAHONEY Afterword BY BRUNO L. DAVID CHECKLIST AND IMAGES OF THE EXHIBITION BIOGRAPHY

LISTENING: ON NEW WORK BY ALEX COUWENBERG BY MONICA LYNNE MAHONEY Alex Couwenberg is a master alchemist. He is a seer, with an expertise inextricably linked to the power of visual language, a language that he has studied, developed, and practiced as a painter and art educator. His mastery is rooted in his ability to recall the volumes of lessons he has learned from dedicating his life to perfecting his craft. He is a painter’s painter: his work speaks to the materiality of paint, the layering, and the revealing and concealing of one action, one stroke over another, orchestrating a sometimes sharp and sometimes subtle game of opposites in color, texture, line, form, discipline and freedom. And for one year, while at the top of his game, Couwenberg took a giant leap forward by stepping back from the work, from the profession, from the practice, and simply listened. During Couwenberg’s painting sabbatical he listened from his heart and from his self-prescribed immersion in nature, making personal and professional decisions from a place of renewal that has ultimately lead to his newest, most elegant body of work. As each layer, stroke and block of color are viewed and experienced, it becomes clear that the elegance stems from his courageous willingness to leave the work and gain new insights from the people and places that matter most: his family, his long-time mentor and celebrated painter Karl Benjamin, who passed away during this time, and perhaps most profoundly, his beloved refuge: the ocean. In every remarkable choice, Couwenberg draws upon the new vocabulary he gained by listening. When the time came to reenter the studio, Couwenberg attended to freeing himself by working with the intimacy of acrylic on paper. This less temperamental medium allowed him to liberate his intrinsic drive to test the visual gift he is celebrated for in his monumental works on panel in just a fraction of the space. In the very first piece: Tideline, he guts the lozenge and ditches the cube, abandons the architectonic and summons the sensuous, yet formidable rhythms of nature, purposefully working them into the painted surface. The scalloped shapes push and pull over the relaxed textures of coral and aqua, like the tide reinventing itself, over and over again. The painting is pure beauty, offering itself as a harbor in our oftentimes-difficult world. The series takes an unexpected turn with the second piece: Kodiak, where the “swell” motif emerges in a palette of blacks, whites and grays—revealing Couwenberg’s laboratory for experimenting

with an almost undetectable gestural sweep together with bold, jagged edges. Couwenberg continues to move forward by joining opposing forces in Darby. His keen ability to play among layers is apparent here, especially in the swift gestures of under-painting, perhaps implying a turbulent relationship to the ephemeral abyss of the ocean while anchoring to the hot temperature of earth. The transition from paper to canvas occurs sharply with Castaway. A robustly narrative work, Castaway is infused with the hand of the artist, speaking of the moment when Couwenberg fully commits to the gestural sweep. Requiring an involvement of the whole body, not just the wrist, or mind, Couwenberg’s richly textured gestures awaken the relatively intimate size of the work. The reemergence of his signature mid-century architectonic shapes are equally noteworthy here: Couwenberg composes and edits the line with such precision that when viewed against the abundant gesture, it places us simultaneously inside and outside of the painting. The adventure continues with Axiom where we see a groundbreaking expansion into the realm of light. Through pulling larger, more ambitious strokes of pearlescent paint across the canvas, the work reaches a level of translucency not previously seen within his entire creative repertoire. The levels of luminosity in the work shift according to the light source and time of day. “Light becomes a medium maker”, says the artist, meaning that yet another ephemeral quality of the natural world activates his work. From listening to the light as a mode of exploring movement and translucency in Axiom, to employing a greater involvement of the physical gesture in Castaway to experimenting with the scalloped and swell-like shapes of the ocean, as seen in Tideline, Couwenberg’s new work provides an immediate oasis in a world filled with adversity. Taking time away from the work brought the artist closer to it. He infused it with the energy of renewal and with the generous vocabulary that he built simply by listening. Couwenberg’s knowledge and respect for his painting process, together with his raw investigative nature, compliment the new works and provide a vehicle for our own inquiry of freedom.

Monica Lynne Mahoney is a curator at the Lancaster Museum of Art and History (MOAH) in Lancaster, California where she develops and implements the Green MOAH Initiative, a public engagement program that utilizes art and environmental education as a catalyst for living green, more sustainable lives. She holds dual degrees in sculpture and drawing and a Master of Landscape Architecture degree with an emphasis on public art master planning and creative place-making. She has taught at the University of Arizona, The University of Washington and the Southwest University of Visual Arts.

AFTERWORD BY BRUNO L. DAVID

I am pleased to present a new exhibition titled “SWELL” by Los Angeles based painter Alex Couwenberg at the gallery. Couwenberg’s new paintings explore “process” and the “moment” through tightly controlled compositions of paint and mark making. Born and raised in Southern California, Couwenberg creates images that are inspired by the elements indigenous to his surroundings. The work references and suggests the aesthetic associated with mid-century modernism, car culture, skateboards, and surfing. Not to leave out, paying homage to the historical styles of post-war art making associated with Los Angeles and Southern California throughout the 1950’s, 60’s, and 70’s. Couwenberg’s paintings give a nod towards the Hard-edge abstractionists, the finish fetish, and the light and space artists. Not content to replicate, he uses the sensibility of Eames-era design and hard-edge geometric abstraction as points of departure for creating paintings. His process, an additive and reductive series of moves and passes, creates multilayered environments that are deep and sensual. He harnesses these ideas into harmonious results, reflecting the visual landscape of his local environment. Couwenberg received his B.F.A. from Art Center College of Design, Pasadena, California and his M.F.A. from the Claremont Graduate School, Claremont, California. He has exhibited his work nationally and internationally. He lives and works in Los Angeles. Support for the creation of significant new works of art has been the core to the mission and program of the Bruno David Gallery since its founding in 2005. I would like to express my sincere thanks to Monica Lynne Mahoney for her thoughtful essay. I am deeply grateful to Yoko Kiyoi and Christy Kirk, who gave much time, talent, and expertise to the production of this catalogue. Invaluable gallery staff support for the exhibition was provided by, Martin Lang, Christy Kirk, Sophie Lipman, Ashley Milow, and Nicole Fry.

CHECKLIST & IMAGES OF THE EXHIBITION

Libertine, 2013 Acrylic on Canvas 44 x 42 inches (111.8 x 106.7 cm)

Axiom, 2013 Acrylic on Canvas 32 x 36 inches (81.3 x 91.4 cm)

Pony Boy, 2013 Acrylic on Canvas 44 x 42 inches (111.8 x 106.7 cm)

22 18

Cast Away, 2013 Acrylic on Canvas 30 x 28 inches (76.2 x 71.1 cm)

19 23

Atomic, 2013 Acrylic on Canvas 20 x 24 inches (50.8 x 61 cm)

Delta, 2013 Acrylic on Canvas 20 x 24 inches (50.8 x 61 cm)

Refractor 1, 2013 Acrylic on canvas 15 x 14 inches (38.1 x 35.6 cm)

Coral Switcher, 2013 Acrylic on canvas 20 x 24 inches (50.8 x 61 cm)

Boyo, 2013 Acrylic on paper 18 x 18 inches (45.7 x 45.7 cm)

Warbaby, 2013 Acrylic on paper 10 x 10 inches (25.4 x 25.4 cm)

Indian Hill, 2013 Acrylic on Canvas 20 x 24 inches (50.8 x 61 cm)

Kodiak, 2013 Acrylic on paper 30 x 22 inches (76.2 x 55.9 cm)

Tideline, 2013 Acrylic on paper 25 x 18 inches (63.5 x 45.7 cm)

Darby, 2013 Acrylic on paper 18 x 18 inches (45.7 x 45.7 cm)

Alex Couwenberg: Swell at Bruno David Gallery, 2013 (Installation View)

ALEX COUWENBERG Born 1967, Upland, California Lives and works in Los Angeles, California

EDUCATION 1997 1995

MFA, Claremont Graduate School, Claremont, CA BFA, Art Center College of Design, Pasadena, CA

SELECTED SOLO EXHIBITIONS 2013 2012 2011 2010 2009

Bruno David Gallery, Swell, St. Louis, MO Andrea Schwartz Gallery, New Paintings, San Francisco, CA Jennifer Kostuik Gallery, Paintings, Vancouver, Canada William Turner Gallery, Alex Couwenberg and Karl Benjamin: Influence, Divergence, & the Evolution of an Idea, Los Angeles, CA Andrea Schwartz Gallery, New Paintings, San Francisco, CA David Richard Contemporary, Trajectory, Santa Fe, NM Peter Blake Gallery, New Paintings, Laguna Beach, CA Markel Fine Arts, New Paintings, New York, NY Royale Projects, Waimea, Indian Wells, CA San Luis Obispo Art Center, Morphic Traces, San Luis Obispo, CA William Turner Gallery, A Bit Left of All Right, Los Angeles, CA Gilman Contemporary, Singles, Ketchum, ID Peter Blake Gallery, Arcade, Laguna Beach, CA

2008 Bruno David Gallery, Working Space, St. Louis, MO Markel Fine Arts, Bypassing Referents, New York, NY 2007 d.e.n. Contemporary, Cosmetically, Aesthetically, Unregrettably, Los Angeles, CA Gilman Contemporary, New Paintings, Ketchum, ID Peter Blake Gallery, New Paintings, Laguna Beach, CA 2006 Peter Blake Gallery, New Paintings, Laguna Beach, CA Dolby Chadwick Gallery, Black Labeled, San Francisco, CA University Gallery, CSUS, Alex Couwenberg: a ten year evolution, Turlock, CA 2005 Markel Fine Arts, de Stad, New York, NY 455 Market Street Lobby Gallery, Metropolitan, San Francisco, CA Ruth Bachofner Gallery, tussenruimte, Los Angeles, CA 2004 Ruth Bachofner Gallery, Primo, Los Angeles, CA 2003 Gensler, Paintings, San Francisco, CA Riverside Art Museum, Paintings; a seven year survey, Riverside, CA 2002 Ruth Bachofner Gallery, New Paintings, Los Angeles, CA 2001 Ruth Bachofner Gallery, New Paintings, Los Angeles, CA 1999 Ruth Bachofner Gallery, New Paintings, Los Angeles, CA 1997 East Gallery, Claremont Graduate School, The Hot Rod Series, Claremont, CA 1996 Dillingham/Caples Gallery, New Paintings, Claremont, CA

SELECTED GROUP EXHIBITIONS 2013 2012 2011 2010 2009 2008

BLUE-WHITE-RED, Bruno David Gallery, St. Louis, MO Smooth Operations, Lancaster Museum of Art & History, Lancaster, CA W.O.P. I, Bruno David Gallery, St. Louis, MO The Gleam In the Young Bastards Eye, William Turner Gallery, Los Angeles, CA OVERPAPER, Bruno David Gallery, St. Louis, MO (catalogue) Chain Letter, Shoshana Wayne Gallery, Los Angeles, CA Tel-Art-Phone, Beacon Arts Center, Los Angeles, CA A Generous Spirit, Robert and Francis Fullerton Museum of Art, CSUSB, CA OVERVIEW_10, Bruno David Gallery, St. Louis MO Karl Benjamin: Under The Influence, Royale Projects, Indian Wells, CA OVERPAPER, Bruno David Gallery, St. Louis, MO Line, Curve, Form, David Richard Contemporary, Santa Fe, NM Claremont Modernism, OBJCT Gallery, Claremont, CA What, Andrea Schwartz Gallery, San Francisco, CA The New Irascibles, AC Projects, Pomona, CA Rant, Pacific Design Center, Los Angeles, CA Los Angeles Currents, Courier Gallery, Los Angeles, CA Enduring Legacy, Claremont Museum of Art, Claremont, CA ONA2X2, Cypress College, Cypress, CA Liquid Light, Modern Masters Gallery, Palm Desert, CA Between the Lines, William Turner Gallery, Santa Monica, CA 15 Years, 15 Artists, Peter Blake Gallery, Laguna Beach, CA The Finish Fetish, Melissa Morgan Fine Art, Palm Desert, CA Keeping It Straight, Riverside Art Museum, Riverside, CA Works on Paper, Gilman Contemporary, Ketchum, ID

2007 West Coast Abstraction, Peter Blake Galley, Laguna Beach, CA Liquid Light, DBA256, Pomona, CA Off the Grid, William Turner Gallery, Santa Monica, CA Paintings Edge, Riverside Art Museum, Riverside, CA Inland Emperors, DBA256, Pomona, CA Orange County Museum of Art, Newport Beach, CA Inaugural Exhibition, Gilman Contemporary, Ketchum, ID Decade, Dolby Chadwick Gallery, San Francisco, CA Out of Line, Cal State Stanislaus, University Gallery, Turlock, CA Grey Scale, Peter Blake Gallery, Laguna Beach, CA Summer Group Show, Peter Blake Gallery, Laguna Beach, CA Art Auction 12, Long Beach Museum of Art, Long Beach, CA Art Auction = Stimulus, Laguna Art Museum, Laguna Beach, CA Let There Be Light, Phantom Galleries, Los Angeles, CA 2006 Aligning With Abstract Los Angeles, d.e.n. Contemporary, Los Angeles, CA Landscape Perspectives, Art + Industry, Palm Springs, CA Summer Abstraction, Peter Blake Gallery, Laguna Beach, CA Monotype, d.e.n. Contemporary, Los Angeles, CA 2nd Gwang Hwa Moon International Arts Festival, Sejong Center, Seoul, Korea Flow: Fine Lines on Water, Peter Blake Gallery, Laguna Beach, CA Flow: Fine Lines on Water, Lisa Coscino Gallery, Pacific Grove, CA Recent Acquisitions, Riverside Art Museum, Riverside, CA Border Crossing, Sopa Fine Arts, British Columbia, Canada Out of Line, Parks Exhibition Center, Idyllwild Arts Academy, Idyllwild, CA 2005 Inaugural Exhibition, Sopa Fine Arts, British Columbia, Canada A Common Thread, Soho Myriad, Atlanta, GA Out of Line, Riverside Art Museum, Riverside, CA Out of Line, Brandstater Gallery, La Sierra University, Riverside, CA Abstract Los Angeles, Louisiana Tech University Galleries, Ruston, LA Theories: LA Paint, Post, Los Angeles, CA

2005 Monothon, Riverside Art Museum, Riverside, CA 2004 Luster, Gensler, San Francisco, CA Abstract Work from the Permanent Collection, Long Beach Museum of Art, Long Beach, CA Continental Divide: LA/NYC, Planet Thailand, Brooklyn, NY Abstract Los Angeles, Soho Myriad, Atlanta, GA 20th Anniversary Exhibition, Ruth Bachofner Gallery, Los Angeles, CA 2003 No Chaser; Straight Ahead Abstract Painting, Post, Los Angeles, CA Group Show, Dolby/Chadwick Gallery, San Francisco, CA Black and White, Ruth Bachofner Gallery, Los Angeles, CA New Paintings, Soho Myriad, Atlanta, GA 2002 California Dream, Il Museo I Magli di Sarezzo, Brescia, Italy Sam Maloof and Friends, dA Center for the Arts, Pomona, CA 2001 New American Paintings Group Show, OSP Gallery/Open Studio Press, Boston, MA Homage: Roland Reiss, Claremont Graduate School alumni show, dA Center for the Arts, Pomona, CA Monothon, 2001, Riverside Art Museum, Riverside, CA Sequence, Mt. San Antonio College Art Gallery, Walnut, CA 2000 Art 2000: Applauding Revolutionary Talent, Millard Sheets Gallery, Pomona, CA 1999 Faculty Exhibition, Mt. San Antonio College Art Gallery, Walnut, CA Faculty Exhibition, Chaffey College, Ontario Museum of Art, Ontario, CA 1998 Six Gallery Artist, Ruth Bachofner Gallery, Los Angeles, CA Synchronicity, Mt. San Antonio College Art Gallery, Walnut, CA Contemporary Works of the Ruth Bachofner Gallery, Antelope Valley College, Lancaster, CA 1997 Convergent Abstraction, Ruth Bachofner Gallery, Los Angeles, CA L.A. Emerging, Marcia Wood Gallery, Atlanta, GA 3 Weeks in L.A., Richard Heller Gallery, Los Angeles, CA Recent Paintings, Marcia Wood Gallery, Atlanta, GA Fringe of the Fringe, dA Gallery Benefit Art Auction, dA Center for the Arts, Pomona, CA

1996 42.2 - CGS to Paradiso, Gallery Paradiso, Newport Beach, CA Painting and Sculpture, Art Center Alumni Show, Thousand Oaks Municipal Art Gallery, Thousand Oaks, CA 1995 Raw Data, East Gallery, Claremont Graduate School, Claremont, CA 1994 Recent Work, Art Center College of Design, Pasadena, CA Youth Culture, Lava Room, Costa Mesa, CA

BIBLIOGRAPHY Mahoney, Monica L. “Listening: On New Work by Alex Couwenberg”, Bruno David Publications, Catalogue, Essay, April 2013 Frank, Peter. “Alex Couwenberg: Zen and the Art of Im-Perfection”, Essay, Catalogue: “Alex Couwenberg: Selections from 2009 to 2013”, March 2013 Yood, James. “Alex Couwenberg”, Essay, Catalogue: “Alex Couwenberg: Selections from 2009 to 2013”, March 2013 Swenson, Eric. “Alex Couwenberg: Swell”, video-interview (4:14 min.), April 2013. http://www.youtube.com/watch?v=l4TLmGoXLyk Frank, Peter Huffington Post, January 2012 Moret, A. Art LTD., March 2012 Frank, Peter Fabrik, January 2012 Swenson, Eric. “The Making of La Fonda”, Documentary (20:31 min.), April 2013. http://vimeo.com/39522771#at=0 __________ Art Week LA, January 2012 Carasso, Roberta “Colors, Shapes, and Light,” Coast Magazine, October 2011 Walsh, Daniella Riviera Magazine, Spring 2011 Davies, Stacy “OC Weekly,” October 2011 Walters, Danielle “Creating Balance,” Beverly Hills Lifestyle, Spring 2011 Roth, David Square Cylinder, February 2011 Yood, James Art Institute of Chicago, Catalogue Essay, 2011 Spector, Buzz “OVERPAPER,” Essay, Bruno David Gallery Publications, January 2011 ___________ “Left Coast Look,” California Home and Design, February 2011 Dambrot, Shana Nys “New Paintings,” Flavorpill New York, March 2011

__________ “New Paintings” Artdailey.org, March 2010 Zimmermann, Mark Art: Theories and Provocations, March 2010 Biller, Steven “Game On: The ‘Arcade Paintings’,” Palm Springs Life, November 2009 Nichols, Kimberly “Art For Now,” Desert Magazine, November 2009 Melrod, George “Under the Radar,” ArtLTD., May 2009 Myers, Holly Los Angeles Times, January 30, 2009 Frank, Peter “Alex Couwenberg: Working Space”, Essay, Catalog, Bruno David Gallery Publication, April 2008 Frank, Peter “Zen and the Art of Im-perfection,” Catalogue Essay, 2008 Harris, Freddie “Gallery Openings,” Sun Valley Magazine, Winter 2008 ___________ “Art and Antiques,” California Home and Design, September 2008 Gay, Malcom “St. Louis Art Capsules,” Riverfront Times, May 20, 2008 Grossman, Emily “The Straight Take,” Art and Living, March 20, 2008 __________ “Brother Culture,” The New York Sun, January 25, 2008 Biller, Steven “Critics Pick,” Palm Springs Life, January, 2008 Davies, Stacy “Everything Old Is New Again,” IE Weekly, January 17, 2008 Myers, Holly. “Like 50’s lounge music, remixed,” Los Angeles Times, August 17, 2007 Gleason, Mat. ArtScene, July/August 2007 ___________ Artdaily.org, July 2007 ibbitz, Ashley. Flavorpill, July 17-23, 2007. ___________ “Pulse”, ARTltd, July 2007 Bossick, Karen. “Buzzer, Gilman Contemporary”, Wood River Journal, August 1, 2007, Carasso, Roberta. Coast Magazine, September, 2007 Frank, Peter. “Grids Unlocked”, LA Weekly, June 6, 2007 Jit Fong Chin. “Grey Matters”, SqueezeOC, January, 2007 Walsh, Daniella. “Shades of Gray”, Orange County Register, January 14, 2007 Carasso, Roberta. “Artwaves”, Laguna News Post, January 4, 2007 Walsh, Daniella. “The Radar Art”, Riviera Magazine, January, 2007 Rupe, Cynthia. “Picks of the Week”, SqueezeOC, January 4, 2007 Mckenna, John Page. Palm Springs Life, Winter/Spring 2007 Daniels, Diana Asst. Curator, Crocker Art Museum, Catalogue Essay, 2007

Melrod, George. Cripps, Mick Allen, Bobbie Frank, Peter Muckenfuss, Mark Simou, Alexandra Kugelman, Kerry Cullum, Jerry Gilbert, Debora. Gleason, Ma Frank, Peter Novick, La Rue Litz, Paige Moyle, Andrew Nelson, Harold Alfred, E. Anne Dennison, Lisa Roth, Charlene Frank, Peter Johnstone, Mark

“ Culver City: Chelsea West?”, Art Ltd., October, 2006 “Artist Profile”, Lifescapes, September, 2006 “Seven Abstractionists for summer”, Coastline Pilot, July 6, 2006 “Art Pick of the Week”, LA Weekly, October 2005 Press Enterprise, September, 2005 New York Sun, January 26, 2005 Art Circles, fall 2004 Atlanta Journal Constitution, Review, August 29, 2004 Greenline, March, 2004 Artscene, February, 2004 “Art pick of the week” LA Weekly, February, 2004 Daily Bulletin, February, 2004 “Going Beneath the Surface”, Los Angeles Times, October 10, 2003 210 Magazine, October, 2003 Director, Long Beach Museum of Art, Statement, 2002 Asst. Director, Riverside Museum of Art, Statement, 2002 New American Paintings, vol. 37, 2001-02 “Alexander Couwenberg at Ruth Bachofner Gallery”, Artweek, March, 2001 “Art pick of the week”, LA Weekly, January, 2001 ART 2000: Applauding Revolutionary Talent, Millard Sheets Gallery Catalog

VISITING ARTIST / LECTURER Claremont Graduate University, Claremont, CA California State University, Northridge, CA Paintings Edge, Idyllwild Arts Academy, Idyllwild, CA Long Beach Museum of Art, Long Beach, CA Riverside Art Museum, Riverside, CA

Otis College of Art and Design, Los Angeles, CA California State University Stanislaus, Turlock, CA Summer Arts, California State University Northridge, Monterey, CA Idyllwild Arts Academy, Idyllwild, CA Millard Sheets Gallery, Pomona, CA

SELECTED PUBLIC COLLECTIONS

California State University, Stanislaus, Turlock, CA Crocker Art Museum, Sacramento, CA Daum Museum of Contemporary Art, Sedalia, MO Georgia Tech University, Atlanta, GA Laguna Art Museum, Laguna Beach, CA Lancaster Museum of Art & History, Lancaster, CA Long Beach Museum of Art, Long Beach, CA Pitzer College, Claremont, CA Pomona College, Claremont, CA Riverside Art Museum, Riverside, CA

AWARDS 2007

Joan Mitchell Foundation Painters and Sculptors Grant

ARTISTS Laura Beard Martin Brief Lisa K. Blatt Bunny Burson Carmon Colangelo Alex Couwenberg Jill Downen Yvette Drury Dubinsky Beverly Fishman

Damon Freed Joan Hall Kim Humphries Kelley Johnson Howard Jones (Estate) Chris Kahler Bill Kohn (Estate) Leslie Laskey Peter Marcus Patricia Olynyk

Gary Passanise Judy Pfaff Daniel Raedeke Charles Schwall Christina Shmigel Thomas Sleet Buzz Spector Cindy Tower Mario Trejo Ken Worley

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