CARMON COLANGELO: Glocal Diptychs by Bruno David Gallery

CAR M O N CO L A N GE LO GLOCAL DIPTYCHS

bruno david gallery

CARMON COLANGELO Glocal Diptychs

April 5 - May 4, 2013 Bruno David Gallery 3721 Washington Boulevard Saint Louis, 63108 Missouri, U.S.A. info@brunodavidgallery.com www.brunodavidgallery.com Director: Bruno L. David This catalogue was published in conjunction with the exhibition Carmon Colangelo: Glocal Diptychs Editor: Bruno L. David Catalogue Designer: Yoko Kiyoi and Christy Kirk Designer Assistant: Claudia R. David Printed in USA All works courtesy of Bruno David Gallery, Carmon Colangelo and Pele Prints Photographs by Pele Prints Cover image:

Glocal Yocal (detail) 2012 Monotype, Intaglio, relief, hand color 44.5 x 60 inches (113 x 152.4 cm)

First Edition Copyright ÂŠ 2013 Bruno David Gallery, Inc. All Rights Reserved. No part of this publication may be reproduced or transmitted in any form without the written permission of Bruno David Gallery, Inc.

CONTENTS

Carmon Colangelo: GlocalYocal BY IVY COOPER Afterword BY BRUNO L. DAVID CHECKLIST AND IMAGES OF THE EXHIBITION BIOGRAPHY

CARMON COLANGELO: GlocalYocal BY IVY COOPER

In his seminal 1991 book Postmodernism, or, the Cultural Logic of Late Capitalism, Fredric Jameson describes culture and experience in the postmodern era as being characterized by a delirious depthlessness, reflecting a culture in which object and image have been flattened together into a single sign, and art is largely a matter of pure visual spectacle—as in the work of Andy Warhol, who made photo-silkscreens that transformed celebrities (and other commodities) into glittery visual simulacra. Twenty years later, we find ourselves in an age transformed by the dominance of the Internet, which has taken us beyond flatness and simulacra, and into the realm of the virtual and immaterial. What kind of art can represent a culture largely determined by a global virtual apparatus? As it turns out, it’s not virtual art, or Internet-based projects, which have proven to be exceedingly unsatisfying as visual expressions and unable to maintain critical distance from the subject. What’s called for is a hybrid approach that considers how the virtual interfaces with material form. One finds it in the work of Carmon Colangelo. Take, for example, his astonishing GlocalYocal, a visual statement that deftly transcribes our current cultural delirium onto paper. It’s a scene taking place somewhere in the ether between the real and the virtual: there are stylized clouds or cartoon explosions, evoking Sunday-funnies comics and Japanese Superflat aesthetics. They float against the backdrop of more organiclooking stains and drips representing another layer of atmosphere and another aesthetic—the modernist gestural expressionism of artists like Helen Frankenthaler and Morris Louis. Held aloft in this indeterminate space are interlocking geometrical forms, the kind you see in Hard-Edge painting as well as origami; then again they appear architectural, like tiles, or floor plans; or they might be metastasizing cells. Lurking somewhere underneath all these layers is a tight linear pattern, like a street map or circuits in a microchip. The title, GlocalYocal, echoes text message linguistic shorthand, and perfectly distills the work’s subject—the nonstop toggle between the local and the global, the microcosmic and the macrocosmic, the individual and the collective.

Postmodern culture has witnessed the erosion of such dichotomies, a development that Colangelo both thematizes and deploys in his work. The works in this series are diptychs, two prints separated by the slightest fissure that partially mirror and partially invert each other’s content. Their titles are similarly unstable oppositions: PublicChoice, LikeDislike, TorchPedestal. The aesthetics of the present meet the styles of the past in a way that suggests continuity over rupture, as in HazeLiberty, where one finds snippets of mid-century modern, Beaux-Arts and manga design. In FlatLogic, depth is indistinguishable from flatness, and gestural marks appear markedly controlled, while hard-edged forms are deployed gesturally. Digital processes cohabitate comfortably with inky analog techniques on a soft support of paper. Paper—the material our culture has tagged for extinction, an inevitable casualty of the digital age. Ironically, paper remains the subject (and object) of many of the strongest recent reflections on our age. What come to mind: the flying paper in Jeff Wall’s 1993 photograph A Sudden Gust of Wind (After Hokusai), and Serkan Özkaya’s 2008 hanging paper installation on the same theme; Elena del Rivero’s [Swi:t] Home: A CHANT (2001-2006), an enormous hanging tapestry of paper detritus collected after the collapse of the World Trade Center; and Thomas Demand’s photographs of paper models based on photographs—allegories of the role of paper in the construction of history. In Colangelo’s work, paper functions on at least three levels: as the carrier of a visual message, a metaphor for materiality, and a representation of the interface between the real and the virtual. Paper becomes hybrid in Colangelo’s hands, as do his subjects, processes, and visual impressions. As statements on the nature of contemporary culture, I can think of none more articulate.

Ivy Cooper is professor of art history at Southern Illinois University, Edwarsville, Illinois , where she teaches contemporary art and art theory. She writes freelance art criticism for regional and national art journals and newspapers.

AFTERWORD BY BRUNO L. DAVID 10

I am pleased to present a new exhibition titled “Glocal Diptychs” by Carmon Colangelo at the gallery. Carmon Colangelo’s new work muses about cultural narratives, urban life, human ecologies, globalism, social networking, transcendence, and recording everyday ideas. Glocal Diptychs is a series of nine mixed media prints produced in 2012 at Pele Prints in Saint Louis, U.S.A.. Each of the works is made from a shared matrix and printed on two sheets of paper using monotype, intaglio, relief process as well as hand-coloring. These prints expand on Colangelo’s interest in architectonic forms and the poetics of space with an eye to our changing notions about place and shifts between geographic location and local identity while contemplating a globalized future. Born in Toronto, Canada, Carmon Colangelo received his M.F.A. from Louisiana State University, Baton Rouge, Louisiana. His work has been exhibited widely, from Philadelphia and Washington, D.C. to Argentina, Canada, England, Puerto Rico, and Korea. His works are in collections at the National Museum of American Art, the Whitney Museum of American Art, the Saint Louis Art Museum, and the Fogg Art Museum at Harvard University. He is the Dean of the Sam Fox School of Design & Visual Arts at Washington University in St. Louis and holds the E. Desmond Lee Professor for Collaboration in the Arts. Support for the creation of significant new works of art has been the core to the mission and program of the Bruno David Gallery since its founding in 2005. I would like to thank Amanda Verbeck at Pele Prints for her ongoing support and commitment to provide a printmaking studio in Saint Louis. I would like to express my sincere thanks to Ivy Cooper for her thoughtful essay. I am deeply grateful to Yoko Kiyoi and Christy Kirk, who gave much time, talent, and expertise to the production of this catalogue. Invaluable gallery staff support for the exhibition was provided by, Martin Lang, Christy Kirk, Sophie Lipman, Ashley Milow, and Nicole Fry.

CHECKLIST & IMAGES OF THE EXHIBITION

Glocal Yocal, 2012 Monotype, Intaglio, relief, hand color 44.5 x 60 inches (113 x 152.4 cm)

Flat Logic, 2012 Intaglio, relief, hand color 44.5 x 60 inches (113 x 152.4 cm)

Laughing Ladies, 2012 Collagraph, relief, hand color 44.5 x 60 inches (113 x 152.4 cm)

Foggy Heads, 2012 Intaglio, relief, hand color 44.5 x 60 inches (113 x 152.4 cm)

22 20

21 23

Haze of Liberty, 2012 Intaglio, collage, digital, hand color 44.5 x 60 inches (113 x 152.4 cm)

Green Tilt, 2012 Monotype, Intaglio, relief, hand color 44.5 x 60 inches (113 x 152.4 cm)

Like / Dislike, 2012 Intaglio, relief, collage,digital 44.5 x 60 inches (113 x 152.4 cm)

Public Choice, 2012 Intaglio, relief, digital, hand color 44.5 x 60 inches (113 x 152.4 cm)

Torch and Pedestal, 2012 Intaglio, collage, digital, hand color 44.5 x 60 inches (113 x 152.4 cm)

Carmon Colangelo: Glocal Diptychs at Bruno David Gallery, 2013 (Installation view)

CARMON COLANGELO Born in Toronto, Ontario, Canada Lives and works in Saint Louis, Missouri

EDUCATION M.F.A 1983, Printmaking, Louisiana State University, Baton Rouge, Louisiana. B.F.A 1981, Printmaking and Painting, University of Windsor, Windsor, Ontario, Canada.

SELECTED SOLO EXHIBITIONS 2013 2012 2011 2008 2007 2006 2004 2003

Bruno David Gallery, Glocal Diptychs, Saint Louis, Missouri. Tarble Arts Center, iM here, Charleston, Illinois Bruno David Gallery, O Land O, Saint Louis, Missouri. Bruno David Gallery, Eyedeas, Saint Louis, Missouri. Heuser Art Gallery, Carmon Colangelo, Bradley University, Peoria, Illinois. Bruno David Gallery, Big Bang to Big Melt, Saint Louis, Missouri. Farrell Center Gallery, Carmon Colangelo: Prints, School of Medicine, Washington University in St. Louis, St. Louis, Missouri. Flora Kirsch Beck Gallery, Carmon Colangelo, Alma College, Alma, Michigan. Bruno David Gallery, Pharmland Series, Saint Louis, Missouri. Sandler Hudson Gallery, Carmon Colangelo: Configured/Disfigured, Atlanta, Georgia. Bruno David Gallery, Configured/Disfigured, Saint Louis, Missouri. Sandler Hudson Gallery, Carmon Colangelo, Atlanta, Georgia. Laura Mesaros Gallery, Phantasmagoria, West Virginia University. Museo de Pueblos, Phantasmagoria, Guanajuato, Mexico. Scuola Internazionale di Grafica, Looking Back, Residency, Venice, Italy.

2002 Hope Street Gallery, DA,DA,DA, Liverpool John Moores University Gallery, in conjunction with the Liverpool Contemporary Art Biennial, Liverpool , England. Sandler Hudson Gallery, Fountain of Age, Atlanta, GA. 2001 John and Jane Allcott Gallery, Re-Tracings, University of Chapel Hill, NC. 2000 University of Delaware, Blasted Impulses and Beautiful Impossibilities, Newark, DE. 1996 Crieghton Davis Gallery, Carmon Colangelo, Washington, DC. 1995 Philadelphia Print Club, Carmon Colangelo, Philadelphia, PA. Ohio Wesleyan University, Lynn Mayhew Gallery, Carmon Colangelo, OH. 1994 Bradley University, Heuser Gallery, Carmon Colangelo, Peoria, IL. 1994 Adams State College, Carmon Colangelo, Alamosa, CO. 1993 Shepherd College Gallery, Carmon Colangelo, Shepherdstown, West Virginia. 1993 Rockville Arts Place, Prints and Constructions, Rockville, MD. 1993 Governor’s Mansion, Arts and Letters Series, Carmon Colangelo and Alison Helm. 1992 Windsor Printmaker’s Forum Gallery, Permutations, Windsor, Ontario.

SELECTED GROUP EXHIBITIONS 2012 BLUE-WHITE-RED, Bruno David Gallery, St. Louis, MO. 2011 Prints + Multiples, Bruno David Gallery, St. Louis, MO. 2010 MATRIX, Museum of Fine Arts, Florida State University, Tallahassee, FL. OVERPAPER, Bruno David Gallery, St. Louis, MO. A Survey of Contemporary Prints, Wellington Gray Gallery, School of Art and Design, East Carolina University, Greenville, NC, 2010. 2008 Assorted Printmakers, curated by Jeff Sippel, Gallery FAB, University of Missouri, St. Louis, MO. Overview_08, Bruno David Gallery, St. Louis, MO. Four Aces: Large-Scale Prints from Four Universities, Bruno David Gallery, St. Louis, MO. 2007 Overview_07, Bruno David Gallery, St. Louis, MO. There and Here: Carmon Colangelo, Joan Hall, Peter Marcus, COCA: Millstone Gallery, St. Louis, MO. 2006 Overview_06, Bruno David Gallery, St. Louis, MO.

2005 Impressions, An Invitational Exhibition of Prints, McMaster Gallery, University of South Carolina, Columbia, SC 2004 Handmade Papermaking Exhibition, The Robert C. Williams American Museum of Papermaking, Atlanta, GA. Gallery Artists, College Arts Association, Sandler Hudson Gallery, Atlanta, GA. Works on Paper, Sandler Hudson Gallery, Atlanta, GA. 2003 2K3, Wesleyan College, Macon, GA. Culture Shock: Works by Georgiaâ&#x20AC;&#x2122;s Foreign-Born Artists, Suntrust Plaza Gallery, Atlanta, GA. 2002 Georgia Triennial Exhibition, Traveling. Gallery City East, Atlanta, GA; Macon Museum of Art, Macon, GA; Albany Museum of Art and Telfair Museum, Savannah, GA. 2001 Prints by Georgia Artists, Swan Coach Gallery, Atlanta, GA. 2000 XIII San Juan Print Biennial, San Juan, Puerto Rico. Hypersalon, Prints and Multiples, Atrium Gallery,Virginia Museum of Fine Arts, VA. Interprint, Contemporary American Prints, Maastricht, Holland. Contemporary _ Prints and the Print Process, Albrecht-Kemper Museum, St. Joseph MO. Faculty Exhibition, Lyndon House Arts Center, Athens, GA. 1999 Nexus Biennial: Celebrating Local Figures, Nexus Contemporary Arts Center, Atlanta, GA. 1998 Pervasive Impressions: Contemporary Political Prints, Contemporary Research Center for the Arts, University of Texas, Arlington Gallery, TX. Drawn to Stone, Kennedy Museum, University of Ohio, Athens, OH. Baltimore Contemporary Print Fair, The Baltimore Museum of Art, Baltimore, MD. American Graphic Artists: The 5th Biennial of Slovene Arts, Nova Mesto, Slovenia. El Paso Printmaking Invitational, University of Texas, Fox Fine Arts Center Gallery, El Paso, TX. Are You Looking at Me?, Acme Art Gallery, Cleveland, OH. Texas/Georgia Print Exchange Exhibition, University of Dallas, TX. Multiple Touch: The Tactile Sensation in Prints, Robert Else Gallery, California State University, Sacramento, CA. Faculty Exhibition, Lamar Dodd School of Art, Georgia Museum of Art, Athens, GA. A Strange Vision, Brazosport College, Lake Jackson, TX. World Print Survey, Truman State University, Kirksville, MO. 1997 Allographies, Contemporary Printmakers, University Museum, Indiana University of Pennsylvania, Indiana, PA. Print Panorama: Nostalgia for the Future, Nova Scotia College of Art and Design, Halifax, NS, Canada. Print Panorama: Nostalgia for the Future, West Virginia University, Morgantown, WV.

1997 Litografia Argentina Contemporanea II, Museo Nacional del Grabado, Buenos Aires, Argentina. Litografia Argentina Contemporanea II, Belles Artes Emilio Caraffa, Cordoba City, Argentina. A Thought Intercepted, California Museum of Art, Luther Burbank Center for the Arts, Santa Rosa, CA. Sliced Orbits, (Colangelo, Jaye and Hocking ) Pierce Art Gallery, West Virginia University Institute of Technology, Montgomery, WV. 26th Bradley National Print Exhibitions, University Galleries, Bradley University, Peoria, IL. Group Exhibition, Corcoran School of Art, Printmaking Studio Gallery, Washington, DC. The West Virginia Collection: Figurative Works, Cultural Museum, Charleston, WV. American Print Survey, Highland Community College, Highland, KS. A Strange Vision, Luther College Galleries, Decorah, IA. 1996 Print Invitational, (five person) Atrium Gallery, University of Connecticut, Storrs, CT. The Minnesota National Print Biennial, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN. 6th Clemson National Print and Drawing Exhibition, Rudolph E. Lee Gallery, Clemson, SC. Holler to Holler, Remote State, Monongahela Arts Center and State College Galleries, WV. West Virgina Fellowship Exhibition, Cultural Complex and Museum, Charleston, WV. Summer Exhibition, Bennington College, Bennington, VT. Governor’s Academy Faculty Exhibition (two person), Fairmont College, Fairmont, WV. West Virginia Traveling Exhibition, Tamarack Galleries, Beckley, WV. Print Types, Art Institute for the Permain Basin, Odessa, TX. 1995 17th University of Dallas Printmaking Invitational, University of Dallas, Irving, TX. Print Invitational, Richard E. Beasley Museum and Gallery, Northern Arizona University, Flagstaff, AZ. Miami Print Invitational, New Galley, University of Miami, Coral Gables, FL. Hawaii Print Invitational, University of Hawaii at Hilo, Hilo, HI. McNeese Print Invitational, McCrombie Gallery, McNeese State University, Lake Charles, LA. Works on Paper, Elzay Gallery of Art, Wilson Art Center, Ohio Northern University, Ada, OH. Elvis “ X “ Suite, The Candy Factory, 23rd Southern Graphics Conference, University of Tennessee, Knoxville, TN. 1994 Colorprint USA, Lubbock Fine Arts Center, Texas Tech University, Lubbock , TX. Curated by Lynwood Kreneck. Alternative Prints, University Art Galleries, University of South Dakota, Vermillion, SD. Dakotas International, University Art Galleries, University of South Dakota, Vermillion, SD. Southern Printmakers, Atrium Gallery, University of North Texas, Fort Worth, TX.

1994 Printypes, Tareton State University, Stephenville, TX and Chadron State College, Chadron, NA. 1993 Paradise Endangered: New World of Contemporary Prints, The American Print Alliance, Baltimore City Hall Courtyard Galleries, Baltimore, MD. Naked Pittsburgh ,Views from Zenith Gallery, Pittsburgh, PA. Curated by David Goldstein. 6th Annual Florida Printmaking Society Exhibition, New World School of the Arts Gallery, Miami, FL. 6th Clemson National Print and Drawing Exhibition, Rudolph E. Lee Gallery, Clemson, SC. Society of American Graphic Artists 65th National Print Exhibition, Federal Plaza, New York, NY. Pulling Prints/ Talking Together, 21st Southern Graphics Conference, Thesis Gallery Fox Bldg., Maryland Institute, College of Art, Baltimore, MD. Southern Graphics Traveling Exhibition, University of North Alabama, Montgomery College, MD and Morehead State College, KY. Charlotte International Art Exhibition, Spirit Square Center for the Arts, Charlotte, NC. Juror Amada Cruz, Hirshhorn Museum, Washington, DC. 1992 Earth Views: Landscape Imagery by Mid-Atlantic Printmakers, Rockville Arts Place,Rockville, MD. Group Exhibition, Silvermine Prints International, Silvermine Guild Galleries, New Caanan, CT. Exhibition 280: Works on Walls, Huntington Museum of Art, Huntington, WV. 20th Southern Graphics National Exhibition, (traveling) 1992-94. Printworks, Carmon Colangelo and Sergio Soave, Hoyt Institute of Fine Arts, New Castle, PA. 1991 5th Clemson National Print And Drawing Exhibition, Rudolph E. Lee Gallery, Lee Hall, College of Architecture, Clemson University, Clemson, SC. Florida Printmakers Society 5th Annual Exhibition, Thomas Center Gallery, Gainesville, FL. West Virgina Impressions: Printmaking in the Mountain State, Sunrise Museum Downtown, Charleston, WV. 1990 11th Los Angeles Printmaking Society National Printmaking Exhibition, Laband Art Gallery, Loyola Marymount University, Los Angeles, CA. 1989 The Boston Printmakers 42nd North American Print Exhibition, Fitchburg Art Museum, Fitchburg, MA. U.S. - Korea Traveling Exhibition, (Los Angeles, Seoul, Paris), Los Angeles Printmaking Society and The Korean Contemporary Printmaking Association, Korean Cultural Galleries in Los Angeles and Seoul and the Embassy Cultural Center in Paris, France. 1988 Korean International Print Biennial, International Exchange of Prints 1989, Korean Printmakers Association, Seoul, Korea. International Prints II, Silvermine Guild Galleries, New Canaan, Connecticut and John Szoke Gallery, New York City, NY. 10th University of Dallas Printmaking Invitational, Haggerty Art Center, University of Dallas,Irving, TX. Solo Exhibition, Recent Prints and Paintings, Benedum Gallery, Monongahela Art Center, Morgantown, WV.

1988 The Great White North, Recent Canadian Art, Invitational Exhibition, Staten Island Institute of the Arts, NY. 1987 Prints, Invitational Exhibition, Four Printmakers, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL. 21st Bradley National Print and Drawing Exhibition, Hartman Center Gallery, Bradley University, Peoria, IL. 3rd Clemson National Print and Drawing Exhibition, Rudolf E. Lee Gallery, College of Architecture, Clemson University, SC. 7th Annual National Print Exhibition, Artlink Contemporary Artspace, Fort Wayne, IN. 1986 Philadelphia Print Club 62nd International Print and Photography Exhibition, Print Club Gallery, Philadelphia, PA. Post-Rustic, Artists Liaison Gallery Exhibition, Theater Art Gallery, Design Center, Los Angeles, CA. Society of American Graphic Artists Juried Exhibition, Lumen Winter Gallery of the New Rochelle Public Library, New York, NY. 6th Annual National Print Exhibition, Artlink Contemporary Artspace, Fort Wayne, IN. Scotland tour Exhibition, Works from LSU Print Workshop, Aberdeen Art Museum, Glascow School of Art, Edinboro College of Art, Dundee College of Art, Greys School of Art, Scotland. 9th National Juried Exhibition of the Los Angeles Printmaking Society, (33 Printmakers), Wright Art Gallery, UCLA, Los Angeles, CA. Pratt-Silvermine International Print Exhibition, Silvermine Guild Center for the Arts, New Cannaan, Connecticut and Pratt Manhattan Center Gallery, New York, NY. The 38th North American Print Exhibition, Boston Printmakers, DeCordova Museum, Boston, MA. 1985 The Boston Printmakers 37th National Print Exhibition, Rose Art Museum, Brandeis University, Waltham, MA. 9th Annual Eastern United States Print and Drawing Exhibition, North Carolina Print and Drawing Society, Spirit Square Art Center and St. Johns Museum, NC.

GRANTS & AWARDS 2010 Association of Collegiate Schools of Architecture, (ACSA) Service Award for hosting and the annual ACSA and NCAA (National Council of Art Administrators) conference, Economies: Art + Architecture. 2006 E. Desmond Lee Professorship for Collaboration in the Arts and Medal, Endowed Professorship with Scholarly Support 2004 Alison and Patrick Deem Distinguished Lecturer, West Virginia University, Morgantown, WV. 2003 Distinguished Research Professor, Award, University of Georgia. 2001 Melon Foundation Grant, UGA Libraries and School of Art (Digitize the Carnegie Study of the Art of the United States.) 2000 State of the Art Conference Grant, Cortona International Art Symposium; A Print Odyssey 2001. President’s Venture Fund Grant for Scholarships, Print and Book Arts Maymester Program and Cortona International Art Symposium. 1998 Senior Research Grant in the Fine Arts, Mixed Media Paintings and Layered Impressions, The University of Georgia. 1996 West Virginia Artist Fellowship: Art and Humanities Grant, Cultural Center and Museum, Charleston, West Virginia. Gary Applebaum Purchase Award and the Charbonnel Inks Award, Minnesota National Print Biennial, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN. Jurors Elizabeth Armstrong and Frances Myers. Juror’s Commendation, Sixth Clemson National Print and Drawing Exhibition, Clemson University. Juror, Ruth Wiesberg. International Visiting Artist Grant, Shanghai University, Jingdezhen Ceramic Institute and the Nanjing Arts College, People’s Republic of China. 1995 College of Creative Arts Outstanding Research Award, West Virginia University, West Virginia. 17th University of Dallas Printmaking Invitational Purchase Award, University of Dallas, Texas. Governor’s Award, West Virginia Juried Exhibition, The Cultural Museum, Charleston, WV. 1994 International Visiting Artist Grant, Academy of Fine Arts, Bratislava, Slovakia. 1993 Judith Lieber Purchase Award, Society of American Graphic Artists, 65th National Print Exhibition, Federal Plaza, New York, New York. Juror’s Award, Clemson National Print and Drawing Exhibition, Clemson, South Carolina. Juror, Elizabeth Armstrong, Curator Walker Art Center, Minneapolis. 1992 Sabbatical Research Leave, Board of Trustees, WVU, Fall semester. West Virginia University Senate Research and Scholarship Grant, for “Print Assemblages”. International Visiting Artist Residency Program, Windsor Printmakers Forum, funded by the Canada Arts Council. 1991 Honorable Mention, Exhibition 280: Works on Walls, Huntington Museum of Art, West Virginia. Fifth Clemson National Print and Drawing Exhibition Purchase Award, Clemson University. Juror, Ned Rifkin, Chief Curator Hirshhorn Museum and Sculpture Garden, Smithsonian Institute.

1990 Arjamari-Arches-Rives Purchase Award, 11th National Los Angeles Printmaking Society, Los Angeles, California Senate Research and Scholarship Grant, “Collaborative Lithography,”creation of lithographs at Winstone Press, North Carolina. 1988 10th University of Dallas Printmaking Invitational Purchase Award, University of Dallas, Irving, Texas. 1987 3rd Clemson National Jurors Purchase Award, Clemson University, South Carolina. Juror, Terence La Noue, Painter and Printmaker. 1986 6th Annual National Print Jurors Award, Artlink Contemporary Artspace, Indiana. Juror, Fred Grude, Master Printer, Four Brothers Press, Chicago, Illinois. North Carolina Print and Drawing Society Purchase Award, 9th Annual Eastern United States Print and Drawing Exhibition. Juror, Robert Gordy. West Virginia University Senate Research and Scholarship Grant, Project; Mixed Media Printmaking. 1985 Award of Excellence, West Virginia Juried Exhibition, Cultural Center, Capitol Complex, Charleston, West Virginia. Juror’s Award, Three Rivers Art Festival, Juried Exhibition. Juror Patterson Sims, Assistant Curator of the Whitney Museum of American Art. Consolidated Natural Gas Foundation Purchase Award, Purchase for the University of Pittsburgh, Three Rivers Art Festival Exhibition. Juror’s Commendation, Boston Printmakers 37th National. Juror, David W. Kiehl, Assistant Curator of Prints, Metropolitan Museum of Art.

CURATED EXHIBITIONS 2008 On the Margins, Mildred Lane Kemper Museum, St. Louis, Missouri. Artists: Adel Abidin, Laylah Ali, Paolo Canevari, Enrique Chagoya, Willie Cole, Luis Cruz Azaceta, Willie Doherty, Jane Hammond, Martha Rosler and Do-Ho Suh. Catalogue: On the Margins, with contributions from Eleanor Heartney and Paul Krainak, February 2008. 2001 Ponte Futuro, Co- curator with Judith Brodsky, Girifalco Fortress in Cortona, Italy. Artists: Willie Cole, Magdelena Compos Pons, Leslie Dill, Hung Liu, Igor Makarevich, Young Soon Min, Pepon Osorio, Juan Sanchez, Italo Scagna, Kiki Smith, Komar and Melamid, Mimmo Palladino, James Siena, Robert Stackhouse and William Kentridge. Installed in the town fortress the exhibition exemplified the aesthetic range of artists around the world addressing technology, craft, identity, popular media and globalism after a century of avant-gardism. 1999 Fabled Impressions, Knox Gallery of Prints and Drawings, Georgia Museum of Art. Artists: Luis Cruz Azaceta, Jose Bedia, Leslie Dill, Randy Bolton, Jane Hammond, Bill Fick, Steve Murakishi, Kurt Kemp, Laurie Sloan and Kara Walker. Exhibition focused on works by artists who use allegory and irony to comment on the political, spiritual and technological issues of the late 20th century; 1996 Remote Sensing, Paul and Laura Mesaros Galleries, West Virginia University. Artists: Nancy Spero, Frances Myers, Beauvais Lyon, Tom Nakashima, Simon Penny, Juila Kilgaard, Adele Henderson, James McEllinney, Michael Rodemer, Tanja Softic, Chris Sperandio and Kelley Walker.

BIBLIOGRAPHY Cooper, Ivy Beall, Dickson. Cooper, Ivy Van Uum, Katherine. Beall, Dickson. Lotz, Theo. Spector, Buzz. Cooper, Ivy. Baran, Jessica. Weisberg, Ruth. Murphy, Patrick. Krainak, Paul. Gay, Malcom. Beall, Dickson. Otten, Liam. Bonetti, David. Duffy, Robert. Downen, Jill. Teekell, Anna. Dana, Robin P. Slaven, Michael. Zhiyuan, Cong. Eide, Joel S. Allen, Lynn and McGibbon Phylis

“Carmon Colangelo,” Catalogue Essay, Bruno David Gallery Publication, April 2013. “Carmon Colangelo - O Land O,” Video Interview (2:50 mi.), The St. Louisan, January 2012. “Carmon Colangelo’s Delirious Vision,” Catalogue Essay, Eastern Illinois University Publication, October 2012. “On the Road With Co-Langel-O,” Catalogue Essay, Bruno David Gallery Publications, February 2012. “Nature, Place, Body & Architecture,” West End Word, St. Louis, MO, February 1, 2012. “Seven Days in O Land O,” Catalogue Introduction, Bruno David Gallery Publications, February 2012. “Carmon Colangelo,” Catalogue Essay, Bruno David Gallery Publications, April 2011. “ ‘Eyedeas’ a plenty,” St. Louis Beacon, St. Louis, MO, April 13, 2011. “Eyedeas,” Riverfront Times, St. Louis, MO, April 14, 2011. “Carmon Colangelo and His Big ‘Eyedeas’, ” Catalogue Essay, Bruno David Gallery Publications, April 2011. “From Big Bang to Big Melt,” Bruno David Gallery, TV interview on PBS, “Living St. Louis”. “Carmon Colangelo,” Catalogue Essay, Bruno David Gallery Publications, December 2008. “Four Aces,” RiverFront Times, St. louis, MO, February 27, 2008. “Medical Arts,” West End Word, St. Louis, MO, December 2008. “Art Medicine: Carmon Colangelo,” Record, St. Louis, MO, January 9, 2008. “Art Openings,” St. Louis Post-Dispatch, 2006. “Carmon Colangelo,” Riverfront Times, September 20, 2006. “Carmon Colangelo,” Catalogue Essay, Bruno David Gallery Publications, Fall 2006. “Fit for Print,” RiverFront Times, September 2006. “Carmon Colangelo: Multiple Impressions,” Art Works, pp. 3-4, Vol. 11, Washington University Publications, Spring 2006, St. Louis, MO. (Two color illustrations, “Body Bizarre” and “Gray’s Anatomy”) “Phantasmagoria,” Art Papers, Summer 2004. “The Window Overseas,” Contemporary American Printmaking, Chinese Printmaking, pp. 36-44, Vol. 12, 1998. (two color illustrations, “White Breast with Bunny” and “Kiss and Tell”) “American Graphic Artist,” The 5th Biennial of Slovene Arts (book length), pp. 97-120, October, 1998. (One color illustration). Best of Printmaking: An International Collection, Rockport Publishers, Inc., pp. 158, 1997. “Art, Multiple Touch: The Tactile Sensations in Prints,” The Sacramento Bee, September 6, 1998.

Allen, Lynn and McGibbon Phylis Krainak, Paul. Colangelo, Carmon. Slaven, Michael. Olson, Kristina. Cunningham. Olson, Kristina.

Who’s Who in American Art, 23rd edition. Who’s Who in the South and Southeast, 26th edition. “Appalachian High: Resisting Mis-Representation,” Art Examiner, pp. 31- 35, October, 1997. “Remote Simulations,” Contemporary Impressions, Spring 1995. “Out of Print,” After Image, Spring 1996. “Colangelo,” Art Papers, Rockville Arts Place, July/August, 1993. E.C. Printmaking: A Primary Form of Expression, Colorado Press, 1992. (One Chapter, four reproductions.) “Colangelo/Soave,” Art Papers, Hoyt Institute of Fine Arts, 1992.

FACULTY POSITIONS 2006-Present Dean of the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, St. Louis, Missouri. E. Desmond Lee Professor for Collaboration in the Arts, Washington University in St. Louis, St. Louis, Missouri. 1999-2006 Founding Director of the Institute of Creative Exploration (I.C.E.), University of Georgia. 1997-2006 Director and Distinguished Research Professor, Lamar Dodd School of Art, University of Georgia, Athens, Georgia. 1993-97 Division of Art Chairperson and Professor of Art, Division of Art, College of Creative Arts, West Virginia University, Morgantown, West Virginia. 1988-94 Associate Professor of Art, Area Coordinator of Printmaking, Division of Art, College of Creative Arts, West Virginia University. 1986-94 Graduate Coordinator, Division of Art, College of Creative Arts, West Virginia University. 1984-88 Assistant Professor of Art, Area Coordinator of Printmaking, Division of Art,College of Creative Arts, West Virginia University 1984 Visiting Artist, Printmaking Instructor, Louisiana State University, Baton Rouge, Louisiana. 1983 Printmaking Instructor, Art Gallery of Ontario, Toronto, Ontario, Canada.

SELECTED PUBLIC COLLECTIONS The National Museum of American Art, Washington, DC Whitney Museum of American Art Saint Louis Art Museum, St. Louis, MO Florida State Art Museum, Tallahassee New York Public Library, New York, NY Museo National del Grabado, Buenos Aires, Argentina Kennedy Museum of Art, Athens, OH Butler Museum of American Art Fogg Art Museum, Harvard University Museums Nelson-Atkins Museum of Art University of Pittsburgh Louisiana State University Clemson University West Virginia Cultural Complex and Museum University of Windsor University of Dallas Illinois Wesleyan College Arches-Rives Paper and Ink Collection Hoyt Institute of Fine Arts Huntington Museum of Art, West Virginia Saint Louis University Museum Bradley University Windsor Printmakers Forum Southern Illinois University at Carbondale Ewing Gallery, University of Tennessee University of Minnesota Bibliotheque Nationale, Paris, France

ARTISTS Laura Beard Martin Brief Lisa K. Blatt Bunny Burson Carmon Colangelo Alex Couwenberg Jill Downen Yvette Drury Dubinsky Beverly Fishman

Damon Freed Joan Hall Kim Humphries Kelley Johnson Howard Jones (Estate) Chris Kahler Bill Kohn (Estate) Leslie Laskey Peter Marcus Patricia Olynyk

Gary Passanise Judy Pfaff Daniel Raedeke Charles Schwall Christina Shmigel Thomas Sleet Buzz Spector Cindy Tower Mario Trejo Ken Worley

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