Chris Kahler: On Paper

CHRIS KAHLER ON PAPER

bruno david gallery

CHRIS KAHLER On Paper

March 27 - April 25, 2015 Bruno David Gallery 3721 Washington Boulevard Saint Louis, 63108 Missouri, U.S.A. info@brunodavidgallery.com www.brunodavidgallery.com Owner/Director: Bruno L. David This catalogue was published in conjunction with the exhibition Chris Kahler: On Paper Editor: Bruno L. David Catalogue Designer: Laine Johnson Designer Assistant: Claudia R. David Printed in USA All works courtesy of Bruno David Gallery and Chris Kahler Photographs by Bruno David Gallery Cover image:

Biolumens 3A, 2015 (detail) Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

First Edition Copyright Š 2015 Bruno David Gallery, Inc. All Rights Reserved. No part of this publication may be reproduced or transmitted in any form without the written permission of Bruno David Gallery, Inc.

CONTENTS

CHRIS KAHLER: OF LUMINESCENCES

BY BUZZ SPECTOR Afterword

BY BRUNO L. DAVID CHECKLIST AND IMAGES OF THE EXHIBITION BIOGRAPHY

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CHRIS KAHLER: OF LUMINESCENCES

BY BUZZ SPECTOR Chris Kahler’s paintings and aqueous medium drawings are, collectively, intensely hued rapture. The artist describes his endeavor as one of relating biomorphic forms to the ephemeral, but shape does not constitute time. What he means, I think, is a matter of reverie more than form, of associations that come and go while contemplating artworks in which the accidental, the chemical, and the phenomenal, seem to occlude such acculturated references as taxonomy, inscription, or mapping.

Putting such constructs into the shadows, though, is not to eliminate them entirely from mind. The rhapsodic play of color and viscous traces in Kahler’s work are a result of its working conditions as well as the sum of its effects. These works are painted flat; that is, on table or floor, and this orientation is critical. We know the map is not the territory, but every map brings us to its spatiality from above.

In this art understanding its orientation is a means to recognize the movement of the eye as a disembodied form of wandering through its chromatic territory.

Piet Mondrian was insistent that the vertical and horizontal lines in his mature work were not a response to the artificiality of a Dutch landscape at least partially reclaimed from the sea. Similarly, Kahler insists that paint, not landscape, is the subject of his work, but he acknowledges that his frequent drives through central Illinois farmland (he lives in Champaign, IL, but teaches at Eastern Illinois University, 45 miles due south) give him time to meditate on visual incidents across some of the Midwest’s flattest terrain. Mondrian employed straight lines to generate visual tension, but this in itself does not explain the lush accumulation of paint on his surfaces. For Kahler, the fluidity of his pigment application suggests an artist unconcerned with gridding, but his almost every work is suffused with an understructure of parallel or crossing catenary lines, maplike, but without locations.

The most ambitious physical traversal in this exhibit is Bioluma, 2015, a 5 x 20 foot acrylic and mixed media work on Mylar. The panoramic scale of the work proposes that we regard it from some distance, but its roiling vortices of color and gesture do more to draw us near than its sheer size does to push us back. Bioluma is a procession of effects; glowing color incidents seemingly strung together by dashes and swirls, initially evoking synaesthetic cursive handwriting, but coalescing in mind more like colorful floats in a resplendent parade.

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The title Kahler has applied to the works in this exhibit, Biolumens, is a neologism; that is, a new or rather, invented word formed through the conjunction of parts of more familiar words. “Lumens,” in optic science, are units of luminous flux, equivalent to candle power, but Kahler’s reference is better understood as a contraction from “luminescence,” of light as emission. The artist doesn’t paint with true phosphors, but the glow-in-the-dark brightness of his colors is responsive to gallery lighting conditions and even more so to direct sunlight. This vividness may reflect Kahler’s study with Ed Paschke and William Conger, eminent painters with bright and acidic palettes of their own, in graduate school at Northwestern University in the mid-1990s. The “Bio-” reference, evoking the ecologies of regions, is also a pragmatic way for Kahler to distinguish this selection of all works on paper from the earlier paintings on canvas that he exhibited under the heading, Dialumens.

So, “lumens” unifies this suite of works with its predecessor, but I want to offer a further reflection on Kahler’s prior choice of the prefix, “Dia-.” I construe it as a contraction from “dialectic,” the Hegelian term for the opposition, in language, between thesis and antithesis, reconciled at a higher level of truth by a third proposition, the synthesis. This metaphysical invocation is the way Kahler invites us to comprehend a destination for our wandering eyes. As T.S. Eliot phrases it, “We shall not cease from exploration / and the end of all our exploring /will be to arrive where we started / and know the place for the first time.”

Buzz Spector is an artist, critic, and professor of art in the Sam Fox School of Design and Visual Arts at Washington University in St. Louis. This text is one in a series of the gallery’s exhibitions written by fellow gallery artists and friends.

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AFTERWORD

BY BRUNO L. DAVID 4

I am pleased to present a new exhibition titled “On Paper” by Chris Kahler. This show marks Kahler’s seventh solo exhibition with the gallery.

“On Paper” offers a unique body of work emerging from a three-year exploration of drawing, systematic drafting, and watercolor techniques. Kahler’s exploration of negative space, light, and intersecting planes has resulted in arresting juxtapositions of biomorphic and ephemeral forms. As with “Disequencing”, Kahler’s 2013 exhibition of paintings at Bruno David Gallery, these drawings explore the “boundaries between physical and psychological time, between phenomena and the variable conceptual filters for understanding them.”

Chris Kahler is a Professor of Painting and Drawing at Eastern Illinois University. He received his B.F.A. at Ohio Wesleyan University and M.F.A. from Northwestern University, Chicago, IL. Kahler has been the subject of numerous one-person exhibitions at venues including the Richard Ross Art Museum, Delaware, OH (2014); Anita Wooten Gallery, Valencia College, Orlando, FL (2011); John P. Weatherhead Gallery, University of Saint Francis, Fort Wayne, IN (2009); Museum of Surgical Science, Chicago, IL (2002).

Support for the creation of significant new works of art has been the core to the mission and program of the Bruno David Gallery since 2005. I would like to express my sincere thanks to Buzz Spector for his thoughtful essay. I am deeply grateful to Eileen Milford and Laine Johnson, who gave much time, talent, and expertise to the production of this catalogue. Invaluable gallery staff support for the exhibition was provided by Keri Robertson, Cleo Azariadis, Eileen Milford, Daniel Stumeier.

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CHECKLIST & IMAGES OF THE EXHIBITION

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Biolumens 9A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 2A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 5A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 3A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 4A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 10A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 14A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 11A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 12A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 16A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Bioluma, 2015 Acrylic on Mylar 5 x 20 feet (152.4 x 609.6 cm)

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Biolumens 13A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 6A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 1A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 7A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 15A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Biolumens 8A, 2015 Acrylic on Mylar 30 x 22 inches (76.2 x 55.88 cm)

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Dialumens 1A, 2013 Acrylic on panel 16 x 16 inches (40.6 x 40.6 cm)

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Chris Kahler: On Paper (installation view)

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Chris Kahler: On Paper (installation view)

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Chris Kahler: On Paper (installation view)

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CHRIS KAHLER EDUCATION M.F.A. M.A. B.F.A.

1995, Painting/Printmaking concentration, Northwestern University, Evanston, Illinois 1992, Painting/Drawing concentration, Eastern Illinois University, Charleston, Illinois 1991, Painting concentration, Ohio Wesleyan University, Delaware, Ohio 1990, Study Abroad, Parson’s School of Art and Design and The American University, Paris, France

SOLO EXHIBITIONS 2015

2014

2013 2012 2011 2010 2009

2007 2006 2004 2002 1997

Bruno David Gallery, Chris Kahler: On Paper, St. Louis, Missouri (catalogue) River Campus Art Gallery, Chris Kahler: Emanations, Southeast Missouri State University, Cape Girardeau, Missouri Bruno David Gallery, Chris Kahler: Dialumens, St. Louis, Missouri (catalogue) Richard M. Ross Art Museum, Chris Kahler, Delaware, Ohio Bruno David Gallery, Chris Kahler: Disequencing, St. Louis, Missouri (catalogue) Bruno David Gallery, Chris Kahler: Recent Paintings, St. Louis, Missouri (catalogue) Anita S. Wooten Gallery, Chris Kahler: Duality, Valencia College, Orlando, Florida David Richard Contemporary, Bio-Dynamic, Santa Fe, New Mexico (catalogue) Bruno David Gallery, Chris Kahler: Hybrid Dynamic, St. Louis, Missouri (catalogue) The John P. Weatherhead Gallery, Chris Kahler: Interconnectivity, University of Saint Francis, Fort Wayne, Indiana Bruno David Gallery, Chris Kahler: VIRAL, St. Louis, Missouri (catalogue) Bruno David Gallery, Impulsive Systems: The Works of Chris Kahler, Saint Louis, Missouri (catalogue) Elliot Smith Contemporary Art, Chris Kahler: Recent Works, Saint Louis, Missouri The International Museum of Surgical Science, Chris Kahler: ANATOMICA, Chicago, Illinois John Almquist Gallery, Dismantling Beauty: Christopher Kahler, Winnetka, Illinois

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SELECTED GROUP EXHIBITIONS 2015

2014 2013 2012 2011

2010 2009

2008

2007

2006

2005

2004

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and/or, Bruno David Gallery, St. Louis, Missouri OVERVIEW_2015, Bruno David Gallery, St. Louis, Missouri OVERVIEW_2014, Bruno David Gallery, St. Louis, MIssouri BLUE-WHITE-RED, Bruno David Gallery, St. Louis, Missouri W.O.P. I, Bruno David Gallery, St. Louis, Missouri OVERPAPER, with Carmon Colangelo, William Conger, Alex Couwenberg, Jill Downen, Yvette Drury Dubinsky, Beverly Fishman, Joan Hall, Ann Hamilton, Kelley Johnson, Chris Kahler, Matthew Penkala, Judy Pfaff, Paul Henry Ramirez, and Buzz Spector. Bruno David Gallery, St. Louis, Missouri (catalogue) Gallery Artists, Bruno David Gallery (Project Room), St. Louis, Missouri NEXT, Art Chicago, Chicago, Illinois, (Bruno David Gallery) Overview_09, Bruno David Gallery, St. Louis, Missouri Synchronous Events, Works of Chris Kahler and Charles Schwall, Purdue University, Patti and Rusty Rueff Galleries, Lafayette, Indiana New Paintings, IL+MO, Edwardsville Arts Center, Curated by Daniel Raedeke, Edwardsville, Illinois Controlled Chaos, Bruno David Gallery, St. Louis, Missouri Overview_08, Bruno David Gallery, St. Louis, Missouri ArtsDesire, Contemporary Art Museum St. Louis, St. Louis, Missouri.

Biennial 24, South Bend Museum of Art, Curated by Meg Sheehy and Myra Casis, South Bend, Indiana Paper Now, I Space, Chicago, Illinois Overview_07, Bruno David Gallery, St. Louis, Missouri Drawing & Watercolor, Tarble Arts Center, Charleston, Illinois Overview_06, Bruno David Gallery, Saint Louis, Missouri Inaugural Exhibition, Bruno David Gallery, Saint Louis, Missouri Le Papier, Gescheidle Gallery, Chicago, Illinois The (In)Visible Body. Curated by Heather Weber, NIU Gallery, Chicago, Illinois Noire, Curated by Bruno L. David, Elliot Smith Contemporary Art, Saint Louis, Missouri Abstract Painting: Six Points of View, Curated by Belinda Lee, RAC Gallery, Saint Louis, Missouri 1984-2004 Twentieth Anniversary Celebration, Curated by Bruno L. David, Elliot Smith Contemporary Art, Saint Louis, Missouri Art St. Louis XX, Curated by Chakaia Booker, Art St. Louis Gallery, Saint Louis, Missouri

2004

2003

2002

2001

2000

1997 1996

Everything You Ever Wanted To Know About Art..., Elliot Smith Contemporary Art, Saint Louis, Missouri Size Matters, Curated by Bruno L. David, Elliot Smith Contemporary Art, Saint Louis, Missouri Midwestern Exhibition, Rockford Art Museum, Rockford, Illinois Art St. Louis Selections, Schmidt Art Center, Belleville, Missouri 2004, Curated by Mel Watkin, Art St. Louis Gallery, Saint Louis, Missouri Greater Midwest, International Exhibition XIX, Art Center Gallery, Central Missouri State University, Warrensburg, Missouri Works on Paper, I-Space Gallery, Chicago, Illinois Systematic, Cade Center for the Fine Arts Gallery, Anne Arundel Community College, Arnold, Maryland Art St. Louis XIX, Art St. Louis Gallery, Saint Louis, Missouri Ready for War, University Galleries, Illinois State University, Normal, Illinois Southern Illinois Artists Exhibition, Mitchell Museum, Mount Vernon, Illinois Polka-dots and Squiggly Things, Gescheidle Gallery, Chicago, Illinois Inspired in Illinois, Lakeview Museum of Arts and Sciences, Peoria, Illinois Artists-Alumni: Masters of Fine Arts from Northwestern’s Department of Art Theory and Practice, Block Museum, Northwestern University, Evanston, Illinois Nineteenth Biennial Southern Illinois Artists Exhibition, Mitchell Museum, Mount Vernon, Illinois The 13th Biennial Drawing/Watercolor: Illinois Exhibition, Tarble Art Museum, Charleston, Illinois The 2000 Rockford-Midwestern Exhibition, Rockford Art Museum, Rockford, Illinois Americas 2000, Northwest Art Center, Minot State University, Minot, North Dakota Seventh Biennial Regional Arts Exhibition, University Museum, Southern Illinois University, Carbondale, Illinois John Almquist Gallery, Dismantling Beauty: Christopher Kahler and Armin Mersmann. North Shore Country Day School, Winnetka, Illinois Gary Justis Appoints Three: Regina Allen, Chris Kahler, and Brian Schuetz, Lineage Gallery, Chicago, Illinois

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GRANTS & AWARDS 2015 2013 2011 2010 2008 2007 2006 2004

Distinguished Alum Exhibitors Award, Ohio Wesleyan University Emerging Arts Administrators Fellowship, National Council of Arts Administartors Redden Grant, Eastern Illinois University Redden Grant, Eastern Illinois University Painting’s Edge Residency, Idyllwild, California Painting’s Edge Residency, Idyllwild, California Honorable Mention, Drawing/Watercolor: Illinois - 16th Biennial Exhibition, Tarble Arts Center, Charleston, Illinois Vermont Studio Center, Johnson, Vermont. Artist Grant Art St. Louis XIX, Art St. Louis Gallery, Saint Louis, Missouri, Award of Excellence, One of Five, Best in Show. Juror: David Pagel Achievement and Contribution Award, in the Balanced Category, Eastern Illinois University Honorable Mention, Body of Work, Rockford Midwestern Exhibition College Travel Fund Award, Eastern Illinois University 2003 Southern Illinois Artists Exhibition, Mitchell Museum, Mount Vernon, Illinois, Painting Honorarium Award 2002 Faculty Development Mini-Grant, Eastern Illinois University

College Travel Fund Award, Eastern Illinois University

Redden Grant, Eastern Illinois University 1997 Vermont Studio Center, Johnson, Vermont, Artist Grant 1995 11th Annual All-Illinois Graduate Art Exhibition, Jones Resident Prize 1993-95 Teaching Assistant Scholarship, Department of Art Theory and Practice, Northwestern University 1993 Department of Art Theory and Practice, Northwestern University, TA Scholarship (2 years)

24th Bradley National print and Drawing Exhibition Award 1991-92 Teaching Assistant Scholarship, Eastern Illinois University

OTHER 1999 - Present

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Professor, Painting/Drawing, Eastern Illinois University, Charleston, Illinois

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“Chris Kahler”, Catalogue, Essay. Bruno David Gallery Publication, March 2014 Smith, Jad. “Chris Kahler: Dialumens”, Catalogue, Essay. Bruno David Gallery Publication, March 2014 Smith, Jad. “Chris Kahler”, Catalogue, Essay. Bruno David Gallery Publication, April 2013 Swenson, Eric.

“Chris Kahler: Disequencing”, Video-Interview (4:05 min.), April 2013

https://www.youtube.com/watch?v=wRdpZRAyGO4&list=UUKAC75pa4JEEq8ta48pmluQ Iannaccone, Carmine. “Picture Creation”, Catalogue, Essay. Bruno David Gallery Publication, March 2012 Gordon, Kara.

“Kairos”, Catalogue, Essay. Bruno David Gallery Publication, March 2012 Charlston, Rebekah “Architectural Abstraction”, April 30, 2012 Miller, Sarah Bryan “Bruno David unveils new exhibits at his gallery”, St. Louis Post-Dispatch, April 20, 1012 Baran, Jessica “In the Galleries - NEW: Chris Kahler: Recent Paintings“, Riverfront Times, April 19, 2012 Abatemarco, Michael “Chris Kahler: Bio-Dynamic”, The Santa Fe New Mexican, September 2010 Singh, Abhilasha “Bio Dynamic”, ARTslant-Santa Fe, September 2010 Pagel, David “Forever Now”, Catalogue Essay: Bio-Dynamic, David Richard Contemporary Publication, October 2010 Cooper, Ivy “Chris Kahler: Bruno David”, Art in America, February 5, 2010 Baran, Jessica “Chris Kahler: Hybrid Dynamic”, Riverfront Times, November 25, 2009 Cooper, Ivy “Bright Spots”, St. Louis Beacon, November 23, 2009 Moynihan, Miriam “Chris Kahler Exhibit Shows Artist’s Study of Color”, St. Louis Post-Dispatch, December 18, 2009 Yood, James.

“Chris Kahler: Hybrid Dynamic”, Catalogue, Essay. Bruno David Gallery Publication, November 2009 Cooper, Ivy “Edwardsville Show Includes Some of the Area’s Best”, St. Louis Beacon, June 18, 2008 Beall, Dickson.

“Live Virus”, West End Word, November 7, 2007 Artner, Alan.

“Paper Now”, Chicago Tribune, September 21, 2007 Houston, Joe. “Chris Kahler: Viral”, Catalogue, Essay. Bruno David Gallery Publication, October 2007 Bonetti, David.

“Biology in art”, St. Louis Post Dispatch, March 29, 2006 Downen, Jill “Chris Kahler: Impulsive Systems”, Catalogue, Essay. Bruno David Gallery Publication, March 2006 Bonetti, David.

“Chris Kahler: Impulsive Systems”, St. Louis Post Dispatch, March 9, 2005 ____________ “Five Galleries Not to Miss.” Where Magazine, March 2006

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Miller, Rob. Cooper, Ivy. Bonetti, David.

Crone, Tomas.

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Miller, Rob. Beall, Hugh.

Bonetti, David.

Sieloff, Alison.

Bonetti, David.

Murphy, Anne.

Cooper, Ivy. Callahan, Teresa.

Weir, Alex. ___________ Bonetti, David.

Cooper, Ivy.

Martelli, Rose.

Bonetti, David.

Cooper, Ivy. Bonetti, David.

Cooper, Ivy. ___________ ___________ _________ __ _________ __ _________ __

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“’Over hung’ show or ‘Hung over’ critic?” Saintlouisart, November 17, 2005.

“Bruno David Gallery: Inaugural Exhibition”, Riverfront Times, November 9, 2005 “Bruno David Gallery”, St. Louis Post Dispatch, November 9, 2005 “Bruno David to Open on Friday”, 52nd City, October 2005, http://blog.52ndcity.com/archives “The Bruno buzz”, West End Word, October 26, 2005 “Bruno David Gallery: Inaugural Exhibition”, Saintlouisart, October 25, 2005.

“Bruno David Gallery: Inaugural Exhibition”, Illusion Junkie, October 25, 2005. Video. http://illusionjunkie.blogspot.com/2005/10/bruno-david-inaugural-exhibition.html “Bruno David Gallery: Inaugural Exhibition”, St. Louis Post Dispatch, October 20, 2005 “Grand Grand Center”, Riverfront Times, October 19, 2005 “Gallery musical chairs”, St. Louis Post Dispatch, October 1, 2005 “Art News”, The Healthy Planet, September 2005, “Abstract Painting: Six Points of View”, Riverfront Times, November 10-16, 2004, p. 40, St. Louis, MO. “Abstract Painting: Six Points of View”, West End Word, October 27-November 2, 2004, p.13. St. Louis, MO. “The Symbiosis of Pride and Biology”, Riverfront Times, October 20-26, 2004, p.32 St. Louis, MO. “Hot Picks”, Vital VOICE, October 8-22, 2004, p. 15. St. Louis, MO. “Artist Celebrate Elliot Smith With Works Incorporating 20,” St. Louis Post-Dispatch, October 3, 2004. p. F6. St. Louis, MO. “1984-2004 Twentieth Anniversary Celebration At Elliot Smith”, Riverfront Times, September 29-October 5, 2004, p. 178.

St. Louis, MO. “Smith Elliot: The Gallery Looks In The Mirror For Its 20th.”, Riverfront Times, September 15-21, 2004, p. 32. St. Louis, MO. “Legends of the Fall - Critic’ Picks,” St. Louis Post-Dispatch, September 2, 2004. p. 2 (Get Out). St. Louis, MO. “Everything You Ever Wanted To Know About Art...”, Riverfront Times, July 28-August 3, 2004, p. 42. St. Louis, MO. “Everything Show”, , July 18, 2004. p. F8. St. Louis, MO. “Size Matters”, Riverfront Times, June 9-15, 2004, p. 39. St. Louis, MO. New American Paintings, Midwest Issue, August, 2004.

National Juried Art Exhibition. Exhibition catalogue, El Dorado Museum, El Dorado, KS, 2003.

Southern Illinois Artists Exhibition, Exhibition catalogue, Mitchell Museum, Mt. Vernon, IL, 2003.

“Paintings by Kahler on Display at Chicago Gallery”, Charleston Times Courier, December 16, 2002.

“Anatomica: EIU Art Professor’s Work Exhibited in Chicago”, Charleston Times Courier, Cover of Lifestyles section, March 20, 2002.

_________ __ _________ __

Guo, Yang Chang.

McConnell, Gordon. _________ __

Chicago Reader. Exhibition announcement with photograph, Chicago, IL, April 5, 2002, March 15, 2002, April 11, 1997.

Artists/Alumni: Masters of Fine Arts from Northwestern’s Department of Art Theory and Practice. The Mary and Leigh Block Museum of Art Press, Exhibition catalogue, Northwestern University, 2001. 72-3, 109.

“Christopher B Kahler,” Vermont Studio Center Press, Liao Ning Fine Arts Publishing House, 2000, pp. 145-151.

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ARTISTS Laura Beard Heather Bennett Lisa K. Blatt Bunny Burson Michael Byron Carmon Colangelo Alex Couwenberg Jill Downen Yvette Drury Dubinsky Beverly Fishman Damon Freed

Douglass Freed Ellen Jantzen Michael Jantzen Kelley Johnson Howard Jones (Estate) Chris Kahler Bill Kohn (Estate) Leslie Laskey Patricia Olynyk Gary Passanise Judy Pfaff

Daniel Raedeke Tom Reed Frank Schwaiger Charles Schwall Christina Shmigel Thomas Sleet Shane Simmons Buzz Spector Cindy Tower Ken Worley Monika Wulfers