Yvette Drury Dubinsky and Vicky Tomayko: Steamroller Collaborations by Bruno David Gallery

Y VE T TE DRURY DUBINSKY VICKY TOMAYKO Steamroller Collaborations

bruno david gallery

YVETTE DRURY DUBINSKY - VICKY TOMAYKO Steamroller Collaborations May 16 - July 12, 2019 Bruno David Gallery 7513 Forsyth Boulevard Saint Louis, Missouri 63105, U.S.A. info@brunodavidgallery.com www.brunodavidgallery.com Owner/Director: Bruno L. David This catalogue was published in conjunction with the exhibition “Steamroller Collaborations” at Bruno David Gallery and “Steamroller Collaborations” at A.I.R. Gallery (March 15 - April 14, 2019) Editor: Bruno L. David Catalogue Designer: Lauren R. Mann and Sara Ghazi Designer Assistant: Claudia R. David Printed in USA All works courtesy of Yvette Drury Dubinsky, Vicky Tomayko and Bruno David Gallery Photographs by Bruno David Gallery Cover image: Sausalito, 2018 (detail) Ink, monotype on Japanese paper 19.75 x 17.5 inches (50.2 × 44.8 cm) First Edition Copyright © 2019 Bruno David Gallery All Rights Reserved. No part of this publication may be reproduced or transmitted in any form without the written permission of Bruno David Gallery

CONTENTS

TRACES OF ALCHEMY: THE PRINTS OF DUBINSKY & TOMAYKO BY KAREN FISH AFTERWORD BY BRUNO L. DAVID CHECKLIST AND IMAGES OF THE EXHIBITION BIOGRAPHY

TRACES OF ALCHEMY: THE PRINTS OF DUBINSKY AND TOMAYKO BY KAREN FISH

The very essence of the mono print introduces the notion of the one-of-a-kind, which might run counter to the way printmaking is generally considered, the ability to create multiples, to do a print run. Dubinsky and Tomayko fell into collaborating by happy accident, both attending a community event at the Truro Center for Arts. The art center brought in a steam roller to take printmaking to exaggerated playfulness, inviting young and old to try spontaneous prints en plein air. The print Dubinsky and Tomayko made on the ground that day with the steam roller press was the first unintentional collaboration. At that point, they were seasonal walking buddies, doing three miles on national seashore trails on the wooded land back off Old County Road in Truro. In all of these prints, there is the suggestion of depth, of surface, of layers—made all the more provocative, since these pieces are the result of collaboration. In some pieces, without the context of the others, the viewer might think of an underwater scene because of the organic shapes and their simplistic nature. When viewed together, one sees that these shapes might be found in any garden or place where objects collect and collide. But what is interesting about the prints is not what they are depicting but what they suggest: color change, the way certain shapes are made dynamic, layers of drowned time. These prints, one would imagine, would be pleasing to those that have enthusiasm for abstract expressionist boldness. Strong, consistent, decorative—only in the sense that they compliment. At the same time, those that have enthusiasm for naturalistic illustration and still life set ups, which leads me to the strength of the collaboration. The pieces are self-referential of collaboration, and even someone knowledgeable of Tomayko’s or Dubinsky’s individual work would be hard-pressed to know who did what. There is a wittiness to the interplay, to the lack of realism. The interaction is curious; the content is all about suggestion in suggestiveness. The layers, the images, their inherent mystery, and the juxtaposition of the color fields are dynamic, provocative, strong, and playful. Thus, we see the exciting nature of this collaboration: not two people who came together and worked side by side, but a true fusion, intertwined echoes, that create a third voice altogether individual and compelling. It is as if Tomayko and Dubinsky are another artist, together, rather than two artists side by side—a credit to them both. They integrated not only their artistic expertise but left the images and subject matter that they are both known for at the door, creating prints that truly defy each of the individual artist’s signature styles.

What is most interesting about these prints is the space. There is a flatness while at the same time there are shallow layers of space, very much like currents within shallow water. There is a foreground and a background—and movement suggested—but the strength is the matte colors, ways in which the stencils overlap to create impact. The composition allows a drifting. However, there are no shadows here. One would be hard-pressed to know if the stencils used to create these images were part of the finished piece (as in a collage overlay) or which of the shapes are actually printed on the page. It’s like the underwater dream of the beach comber, giving the viewer a peek into the bucket: threads, curly cues, thorny pods, tubulars, and a snake with two heads. In “Dust Devil,” the whole piece is activated by a spiral of shaded blue that suggests vortex, taking in seed pods of rust and orange. In the end, the hallmark of this new work is the exactness of color and an interplay that expresses an indisputable optimism. It is the articulation of a celebration.

Karen Fish is the author of two collections of poems, “The Cedar Canoe,” and “What Is Beyond Us.” Over the years her work has appeared in The New Yorker, Yale Review, American Poetry Review, Poetry,The New Republic and Slate. She lives in Baltimore, Maryland. This text is one in a series of the gallery’s exhibitions written by fellow artists, friends and art critics.

AFTERWORD BY BRUNO L. DAVID

I am pleased to present Steamroller Collaborations, a collaborative exhibition by Yvette Drury Dubinsky and Vicky Tomayko. This will be Dubinsky’s fifth exhibition with the gallery and Tomayko’s first.

Steamroller Collaborations is a duo exhibition by Yvette Drury Dubinsky and Vicky Tomayko. The exhibition had two venues: New York at A.I.R. Gallery and St. Louis at Bruno David Gallery. Each with a strong solo exhibition history and many years of experience as artists using various media and processes, the two are both moving toward the height of their careers. They spent a good part of 2018 and 2019 making this (distinct from each of their individual work) exhibition together in Dubinsky’s studio. Both artists live in Truro, Massachusetts, Dubinsky for a long summer, Tomayko year-round.

It began when a local Art Center in Truro held a public event, to allow anyone to make large works of art using the weight and heft of a steamroller to press ink into a substrate. Tomayko and Dubinsky separately made stencils and combined them, inked and/or used them to resist the ink, then placed them on a concrete driveway to be run over by the truck. The results were so bad, and humorous, that there was no fear that they could be made worse by continuing to work on them. The oneday steamroller project launched a collaboration to rescue the day’s work and create new monotypes and collages, in some cases using the byproducts of the first ones. From the steamroller event the collaboration moved to Dubinsky’s studio and a 38 inch press, more paper, more stencils, more inks and a project that continued over several months, eventually making the work for this exhibition. This is their first collaborative exhibition, a project which profits from each artist’s separate talents. Though the work is abstract, it is inspired by walks through trails and on the beaches of Cape Cod National Seashore. Observations about nature, color, shapes, atmosphere are apparent. Discussions about family, friendships, politics, the state of our planet/world and what its like to be in this world as an artist are more subliminally present.The one-day project launched a vitalized collaboration to create new monotypes and collages.

The joint work culminated in this series but the collaboration is ongoing. Steamroller Collaborations was initially exhibited at A.I.R. Gallery in Brooklyn, NY in March and April of 2019. It was shown at Bruno David Gallery in May 2019.

Yvette Drury Dubinsky is based in Truro, MA, St. Louis, MO and New York City. She studied at the Art Institute of Chicago, before attending what is now the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, where she received an M.F.A. in 1990. In 2018, she had a solo exhibition at the Provincetown Art Association and Museum. Her work is in the public collections of the St. Louis Art Museum, The Provincetown Art Association and Museum, The Margaret Harwell Museum, The Federal Reserve Bank of St. Louis, and has been a part of the Art and Embassies program of the United States Department of State.

Vicky Tomayko, based in Truro, MA, is a former Fine Arts Work Center (in Provincetown, MA) fellow and manages the print studio there. She is the recipient of two Ford Foundation grants and has an MFA from Western Michigan University. Her most recent exhibition was at the Schoolhouse Gallery in Provincetown in Summer, 2019. Her work is part of the public collection of the Provincetown Art Association and Museum.

Support for the creation of significant new works of art has been the core to the mission and program of the Bruno David Gallery since its founding in 2005. I would like to express my sincere thanks to Karen Fish for her thoughtful essay. I am deeply grateful to Lauren R. Mann and Sara Ghazi, who gave much time, talent, and expertise to the production of this catalogue. Invaluable gallery staff support for the exhibition was provided by Taylor Fulton, Katie Engelmeyer, Damaris Dunham, Peter Finley, Natalie Snyder, Matt McLoughlin, and Jin Xia.

CHECKLIST & IMAGES OF THE EXHIBITION

Rain Check 2018 Monotype, collage, pencil on Japanese paper 19 5/8 x 19 5/8 inches (49.8 x 49.8 cm)

Favorite Red 2018 Monotype, cyanotype, collage on Japanese paper 19 5/8 x 19 3/8 inches (49.8 x 49.2 cm)

Coexistence 2018 Monotype on Japanese paper 38 5/8 x 30 1/8 inches (98.1 x 76.5 cm)

Coexistence (detail)

Dust Devil 2018 Monotype and collage on Japanese paper and card 28 1/2 x 38 5/8 inches (72.4 x 98.1 cm)

Dust Devil (detail)

Plants and Animals 2018 Monotype and collage on Rives, cardboard and Japanese paper 43 1/4 x 31 3/4 inches (109.9 x 80.6 cm)

Plants and Animals (detail)

Running for Shelter 2018 Monotype on Japanese paper 39 1/2 x 28 inches (100.33 x 71.12 cm)

Running for Shelter (detail)

Crabcakes 2018 Monotyp and acrylic with collage on Japanese paper 28 1/8 x 39 5/8 inches (71.4 x 100.6 cm)

Crabcakes (detail)

Quadriptych 2018 Monotype on Japanese paper 36 1/2 x 59 inches (92.7 x 149.9 cm)

Quadriptych (detail)

Sculpture Garden Duos 2018 Monotype and collage on Japanese paper and card stock 50 x 38 inches (127 x 96.5 cm)

Sculpture Garden Duos (detail)

Storm Surge 2018 Monotype and collage on Japanese paper and card stock 38 5/8 x 25 inches (98.1 x 63.5 cm)

Storm Surge (detail)

Reptile File 2018 Monotype on Japanese paper 38 5/8 x 25 inches (98.1 x 63.5 cm)

Reptile File (detail)

Holy Mola 2019 Monotype on Japanese paper 17.75 x 23.50 inches (45.08 x 59.69 cm)

Frontal Rain 2019 Monotype Japanese paper 16.75 x 22.50 inches (42.54 x 57.15 cm)

Sausalito 2018 Monotype on Japanese paper 19.75 x 17.75 inches (50.2 x 44.8 cm)

Yvette Drury Dubinsky - Vicky Tomayko : Steamroller Collaborations (installation view at Bruno David Gallery, St. Louis, MO)

Yvette Drury Dubinsky - Vicky Tomayko : Steamroller Collaborations (installation view at A.I.R. Gallery, New York, NY)

YVETTE DRURY DUBINSKY Lives and works in St. Louis, Missouri, Truro, Massachusetts and New York

EDUCATION M.F.A. M.A. A.B.

Printmaking, Washington University School of Art, St. Louis, MO Sociology, Washington University Graduate School of Arts and Sciences, St. Louis, MO Cum Laude, Washington University, St. Louis, MO

SELECTED SOLO EXHIBITIONS 2019 Bruno David Gallery, Steamroller Collaborations, (with Vicky Tomayko), St. Louis, MO (catalogue) A.I.R. Gallery, Steamroller Collaboration, (with Vicky Tomayko), Brooklyn, NY. 2018 Provincetown Art Association and Museum, Yvette Drury Dubinsky: Here and Gone, curated by Christine McCarthy, Provincetown, MA (catalogue) 2017 Bruno David Gallery, On the Move, St. Louis, MO (catalogue) 2016 A.I.R. Gallery, On the Move, Brooklyn, NY 2015 A.I.R. Gallery, Tondos, Tornadoes and Torpedos, Brooklyn, NY Bruno David Gallery, Reprise, St. Louis, MO Harvard University Spring Arts Festival, Memory Library (Participatory Performance with Shu Cao Mao and Joseph I. Steele, Cambridge, MA 2014 S.E.A. (Science, Environment, Art) Space for the Center of Coastal Studies, Turbulences (Installation and Works on Paper), Provincetown, MA 2013 Bruno David Gallery, There and Gone, St. Louis, MO, June. (Catalogue) 2010 Farm Gallery, Yvette Drury Dubinsky, Wellfleet, MA Koussevitzky Art Gallery, Yvette Drury Dubinsky, Pittsfield, MA 2009 Bruno David Gallery, Dividing Time: New Work on Paper, St. Louis, MO, May. (Catalogue) 2007 Bruno David Gallery, Cité des Arts: Mixed Media, St. Louis, MO, April. (Catalogue) 2006 Cité Internationale des Arts Gallerie, Formes Biologiques, Paris, France 2005 Elliot Smith Gallery, Alternatives, St. Louis, MO (Curated by Bruno David) COA Art Gallery, Antioxidants and Alternatives, Truro, MA

2003 2001 2000 1999 1994 1992 1991 1989

Bonsack Gallery, Cuba, St. Louis, MO Canyon Ranch Gallery, Antioxidant Vegetables and Fruits, Tucson, AZ Bonsack Gallery, Antioxidants Images: Works on Paper, St. Louis, MO Fleishman-Hillard Inc., Antioxidants Images: Works on Paper, St. Louis, MO Elliot Smith Contemporary Art, Works on/of Paper, St. Louis, MO Sazama Gallery, Contacts, Chicago, Il Elliot Smith Contemporary Art, New Work, St. Louis, MO Margaret Harwell Art Museum, Tactile Exteriors, Poplar Bluff, MO Martin Schweig Gallery, Surfaces, St. Louis, MO Meramec Theatre Gallery, Prints, St. Louis, MO

SELECTED GROUP EXHIBITIONS

2019 2018 2017 2016 2015

LINES, Bruno David Gallery, St. Louis, MO NADA House, Governors Island, New York, NY Small Worlds, Bruno David Gallery, St. Louis. MO The Big Fat Flowers Show, The Fine Artwork Center, Provincetown, MA and the Provincetown Art Association and Museum, Provincetown. MA OVERVIEW_2018, Bruno David Gallery, St. Louis, MO NADA Miami, with A.I.R. Gallery, Miami Beach, FL XV, The Turnage, Pimlico Art Center, Washington, DC Reenter, Bruno David Gallery, St. Louis. MO Women on the Line, Studio 44, Stockholm, Sweden Who Cares? AIR Gallery, Governors Island, NY Cooperative Consciousness, Collateral exhibition, Kochi-Muziris Biennale, Gallery OED Compound, Kerala, India Woman on the Line, Studio 44, Stockholm, Sweden Cooperative Consciousness, Collateral Exhibition, Kochi-Muziris Biennale Monoprint Project/Artists Project, Fine Arts Work Center, Provincetown, MA Editions / Artistsâ&#x20AC;&#x2122; Book Fair (E/AB FAIR), New York, NY Printmaking in St. Louis Now, Curated by Olivia Las Gonzales, Sheldon Art Galleries, St. Louis, MO AND / OR, Bruno David Gallery, St. Louis, MO (catalogue)

2015 2014 2013 2012 2011 2010

Unframed, New York Artist Exhibition, AIR Gallery, Brooklyn, NY Editions / Artists’ Book Fair (E/AB FAIR), New York, NY Group Exhibition, CENTRAL BOOKING, New York, NY AIR ReFreshed, AIR Gallery Travelling Exhibition: Ground Floor Gallery, Nashville, TN; ADORE, San Francisco, CA; Princeton University’s the Center for Gender and Sexuality Studies, Princeton University, Princeton, NJ Off on a Tangent, Unique Techniques in Print on and Off the Wall, Washington Arts Center, Washington, CT If These Walls, AIR Gallery Project, 5B Nolan Park, Governors Island, NY Beyond Violet with the Emperor Scorpion, Des Lee Gallery, St. Louis, MO St. Louis Shoots: Contemporary Street Photographers from St. Louis, International Photography Hall of Fame, St. Louis MO Boston Printmakers 2013 North American Print Biennial, Boston, MA Spring Competition, Schoolhouse Gallery, Provincetown, MA Monoprint Project, Fine Arts Work Center, Provincetown, MA BLUE-WHITE-RED, Bruno David Gallery, St. Louis, MO Work on Paper I, Bruno David Gallery, St. Louis, MO Monoprint Project and Artists Project, Fine Arts Work Center, Provincetown, MA Members Juried Exhibition, Provincetown Art Association, Provincetown, MA Group Exhibition, Gallery Ehva, Provincetown, MA OVERPAPER, with Carmon Colangelo, William Conger, Alex Couwenberg, Jill Downen, Yvette Drury Dubinsky, Beverly Fishman, Joan Hall, Ann Hamilton, Kelley Johnson, Chris Kahler, Matthew Penkala, Judy Pfaff, Paul Henry Ramirez, and Buzz Spector. Bruno David Gallery, St. Louis, MO (catalogue) Spring Arts Competition, Schoolhouse Gallery, Provincetown, MA Green, Provincetown Art Association and Museum, Provincetown, MA Members Juried Exhibition, Provincetown Art Association, Provincetown, MA Monoprint Project, Fine Arts Work Center, Provincetown, MA Gallery Artists, Bruno David Gallery (Project Room), St. Louis, MO Group Exhibition, Gallery Ehva, Provincetown, MA Group Exhibition, Washington University School of Law, St. Louis, MO

2009 2008

Monoprint Project, Fine Arts Work Center, Provincetown, MA Overview_09, Bruno David Gallery, St. Louis, MO Group Exhibition, Truro Center for the Arts at Castle Hill, Truro, MA Monoprint Project, Fine Arts Work Center, Provincetown, MA Four Aces, Bruno David Gallery, St. Louis, MO (Traveling Exhibition) Overview_08, Bruno David Gallery, St. Louis, MO 51

2008 2007 2006 2005 2004 2003 2002 2001 2000 1999

Spring Arts Competition, Schoolhouse Gallery, Provincetown, MA ArtsDesire, Contemporary Art Museum St. Louis, St. Louis, MO Rivulet, Bruno David Gallery, St. Louis, MO Metro, 2007, looped DVD projection, 3 minutes, Video by Yvette Drury Dubinsky and music composed by Axel Singer, Bruno David Gallery (new Media Room), St. Louis, MO Overview, Bruno David Gallery, St. Louis, MO Monoprint Project, Fine Arts Work Center, Provincetown, MA Member Juried, Provincetown Art Association and Museum, Provincetown, MA Inaugural Exhibition, Bruno David Gallery, St. Louis, MO Monoprint Project, Fine Arts Work Center, Provincetown, MA Women Only, Elliot Smith Contemporary Art, curated by Bruno David, St. Louis, MO Group Show, Photo District Gallery, NY, NY Twenty, Elliot Smith Contemporary Art, St. Louis Earth, Landscape and The Pamet, Ethan Cohen/Arthaus, Truro, MA SCOPE Art Fair, (With Ethan Cohen Fine Art, NY, NY) Miami Beach, FL Group Exhibition, Provincetown Art Association and Museum, Provincetown, MA Regarding Objects, The Sheldon Gallery, St. Louis, MO and Innsbrook Conference Center, MO Group Exhibition, Provincetown Art Association and Museum, Provincetown, MA Group Show, Elliot Smith Contemporary Art, St. Louis New Group Exhibition, Provincetown Art Association and Museum, Provincetown, MA Sun Works, The Art Institute of Boston, Boston, MA Prints, Triton Museum, Santa Clara, California Contemporary Print Expo, Elliot Smith Contemporary Art, St. Louis, MO New Traditions in Printmaking, Hunt Gallery, Webster University, St. Louis, MO Group Exhibition, Provincetown Art Association and Museum, Provincetown, MA Group Exhibition, Elliot Smith Contemporary Art, St. Louis, MO The People Project, St. Louis, MO Group Exhibition, Provincetown Art Association and Museum, Provincetown, MA Of Self and World, St. Louis Art Museum and Innsbrook Estates, curated by Olivia Las Gonzales, St. Louis, MO Art, St. Louis Repertory Theatre, St. Louis, MO Group Exhibition, Provincetown Art Association and Museum, Provincetown, MA Group Show, Hunt Gallery, St. Louis, MO Competition Exhibition, Provincetown Art Association and Museum, Provincetown, MA

1998 1997 1996 1995 1994 1993 1992 1991 1990

Group Exhibition, Gallery 551, San Francisco, CA Group Show, Elliot Smith Contemporary Art. St. Louis, MO Group Show, East End Gallery, Provincetown, MA St. Louis, The City Series, Cedar Rapids Museum of Art, Cedar Rapids, IA Group Exhibition, Cherry Stone Gallery, Wellfleet, MA NAWBO Awards Exhibition, St. Louis Art Museum, St. Louis, MO Group Exhibition, Elliot Smith Contemporary Art, St. Louis, MO Group Show, Cherry Stone Gallery, Wellfleet MA Sharing Images, Maryville University Gallery, St. Louis, MO Group Exhibition, The Saint Louis Art Museum, St. Louis, MO Group Show, Elliot Smith Contemporary Art, St. Louis, MO The Harbor, Provincetown Art Association and Museum, Provincetown, MA Absolutely Abstract, Elliot Smith Contemporary Art, St. Louis, MO The Box (From Duchamp to Horn), Ubu Gallery, New York, NY The Return of the Cadavre Exquis, The Forum for Contemporary Art, St. Louis, MO Group Exhibition, (California Society of Printmakers), Triton Museum, Santa Clara, CA New Work by Gallery Artists, Elliot Smith Contemporary Art, St. Louis, MO Group Exhibition, Chicago International Art Forms, Chicago, IL Gallery Artists, Sazama Gallery, Chicago, IL A compassionate Response to AIDS. The Design Center, St. Louis, The Return of the Cadavre Exquis, The Drawing Center, New York, NY Art St. Louis IX, Art Saint Louis Gallery, St. Louis, MO Summer Salon, Sazama Gallery, Chicago, IL US-Norway Exchange, Galleri Norske Grafikere, Oslo, Norway 510 Compton Show, Elliot Smith Contemporary Art, St. Louis, MO LAPS 93, Los Angeles, CA Crossroads, Art Festival, St. Louis, MO The Human Form, Metropolitan Square Building, St. Louis, MO Picture This, Atrium Gallery, St. Louis, MO VII Harwell Mail In Show, Margaret Harwell Art Museum, Poplar Bluff, MO Art St. Louis VII, Art Saint Louis Gallery, St. Louis, MO The Indomitable Spirit, The Greenberg Gallery, St. Louis, MO ACLU Biennial, Randall Gallery, St. Louis, MO

1990 1988

National Exposures 90, Winston-Salem, NC Art St. Louis VI, Art St. Louis Gallery, St. Louis, MO Portrait, St. Louis Artists Guild, St. Louis, MO Thesis Exhibition, WU Gallery of Art, Washington University School of Art, St. Louis, MO Photography, St. Louis Artists Guild, St. Louis, MO Intimate Translations, The Hunt Gallery, Webster University, St. Louis, MO National Aperture 4, Associated Artists gallery, Winston-Salem, NC Prints and Drawings, St. Louis Artists Guild, St. Louis, MO

GRANTS & AWARDS Distinguished alumni Award, Sam Fox school, Washington University in St. Louis. MO.2017 Distinguished Alumni Award, Washington University, St. Louis, MO, 2009 Residency, Cité Internationale des Arts, Paris, France Provincetown Art Association and Museum, National Finalist Competition National Association of Women Business Owners - St. Louis Honoree, “Artists Choose Artists” Art St. Louis X, First Place Purchase Award, Margaret Harwell Art Museum Honor Award, Art St. Louis VI

BIBLIOGRAPHY Fish, Karen. Kerry Marks. Melandri, Lisa. Karren, Howard Alvin, Rebecca McCarthy, Christine. Kerry, Marks Kerry Marks. Spector, Buzz.

“Traces of Alchemy: The Prints of Dubinsky and Tomayko”, Essay, Catalogue, 2019 “Yvette Drury Dubinsky and Vicky Tomayko”, Interview, HEC-TV, May 2019 “Map of Life: The Art of Yvette Drury Dubinsky”, Essay, “Yvette Drury Dubinsky: Here and Gone” Catalogue, 2018 “Yvette Drury Dubinsky pushes the printmaking envelope” Provincetown Banner, May 3, 2018 “Moving Through the Layers”, Provincetown magazine, April 11, 2018 “Esthetic Relations”, Introduction, “Yvette Drury Dubinsky: Here and Gone” Catalogue, 2018 “From Syria and Uncharted Waters to Interior Design”, HEC-TV6 “Yvette Drury Dubinsky”, Interview, HEC-TV, April 2017 “AND / OR,” Catalogue essay, Bruno David Gallery Publication, November 2017

Colucci, Emily. “Yvette Drury Dubinsky: On the Move, Nancy Morrow & Erin Wiersma: With/drawn and Yun Shin: Filtering”, ArtfCity.com, October 7, 2016 Cooper, Ivy “Prints in the Gateway City”, ArtinPrint.org Beall, Dickson. “Traveling in Our Times”,Interview, St.Louisan.com, April 2016 Dayal, Mira. “Yvette Drury Dubinsky on ‘Tondos, Tornadoes, Torpedos”, On Verge, June 12, 2015 O’Shaughnessy, Tracey“Printmaking Goes ‘Off the Wall’”, Waterbury Republican American, October 22, 2014 Shabbot, Laura. “Bridging Science and Art on Commercial Street”, Provincetown Banner, September 12, 2014 Duffy, Robert W. “Dubinsky’s ‘There and Gone’ offers glimpses of Syria before and during civil war”, St. Louis Beacon, May 22, 2013 Baran, Jessica. “In the Galleries: Yvette Drury Dubinsky: ‘There and Gone’ closes June 22 at Bruno David Gallery”, Riverfront Times, June 6, 2013 Butler, Kate “Yvette Drury Dubinsky”, Catalogue Essay, Bruno David Gallery Publications, June 2013 Duffy, Robert W. “Dubinsky’s ‘There and Gone’ offers glimpses of Syria before and during civil war”, STL BEACON, May 22, 2013 Baran, Jessica. “New - In the Galleries: Yvette Drury Dubinsky”, RiverFront Times, June 6, 2013 Butler, Karen K. “There and Gone”, Bruno David Gallery Publications, Catalogue Essay, 2013 Friswald, Paul. “The New Hue Review: ‘Blue, White, Red’”, Riverfront Times, November 22, 2012 Marcus, Peter. “Dividing Time”, Bruno David Gallery Publications, Catalogue Essay, 2010 Duffy, Robert W. “Yvette Drury Dubinsky”, Bruno David Gallery Publications, Catalogue Essay, May 2009 Stone, Harriet. “Paris Palimpsest”, Bruno David Gallery Publications, Catalogue Essay, April 2007 Bonetti, David. “Highlights”, St. Louis Post Dispatch, April 19, 2007 Beall, Dickson. “Three’s Company”, West End Word, St. Louis, April 18, 2007 Miller, Rob. “Over hung’ show or ‘Hung over’ critic?” Saintlouisart, November 17, 2005. David, Bruno. “Bruno David Gallery: Inaugural Exhibition”, Interview, 2005 Cooper, Ivy. “Bruno David Gallery: Inaugural Exhibition”, Riverfront Times, November 9, 2005. Bonetti, David. “Bruno David Gallery”, St. Louis Post Dispatch, November 9, 2005 Crone, Tomas. “Bruno David to Open on Friday”, 52nd City, October 2005 Beall, Hugh. “The Bruno buzz”, West End Word, October 26, 2005 Miller, Rob. “Bruno David Gallery: Inaugural Exhibition”, Saintlouisart, October 25, 2005 Beall, Hugh. “Bruno David Gallery: Inaugural Exhibition”, Illusion Junkie, October 25, 2005. Griffin, William Web Video: http://illusionjunkie.blogspot.com/2005/10/bruno-david-inaugural-exhibition.html Bonetti, David. “Bruno David Gallery: Inaugural Exhibition”, St. Louis Post Dispatch, October 20, 2005 Sieloff, Alison. “Grand Grand Center”, Riverfront Times, October 19, 2005 Bonetti, David. “Gallery musical chairs”, St. Louis Post Dispatch, October 1, 2005 Murphy, Anne. “Art News”, The Healthy Planet, September 2005

Bonetti, David. “Art in 2004,” St. Louis Post-Dispatch, January 2, 2005 ------------------ “Yvette Drury Dubinsky“, Cape Cod Voice ----------------- “Yvette Drury Dubinsky“, Provincetown Banner ----------------- “Artist Celebrate Elliot Smith With Works Incorporating 20,” St. Louis Post-Dispatch, October 3, 2004. p. F6. St. Louis, MO. Cooper, Ivy. “1984-2004 Twentieth Anniversary Celebration at Elliot Smith”, Riverfront Times, September 29-October 5, 2004, p. 178. St. Louis, MO. Cooper, Ivy. “Women Only”, Riverfront Times, April 28, 2004, St. Louis, MO Duffy, Robert W. “Tim Curtis…Yvette Drury Dubinsky: Alternative Photo Process with Mixed Media on Paper and Wood”. St. Louis Post Dispatch.1994 Bellos, Alexandra “Tim Curtis: Sculpture, Yvette Drury Dubinsky: Photography”. The Riverfront Times.1994 Wasserman, Tina “Sazama Gallery”. New Art Examiner. 1994 Weinstein, Michael “Contacts at Sazama Gallery” New City Art.1994 Duffy, Robert W “Subject, Ideas, Processes Make Harmonious Union”. St. Louis Post Dispatch.1992 Bellos, Alexandra “Sketchbook: he Group Exhibition at the Blue Moon”. The riverfront Times. 1991 Crets, Jennifer “Variety Highlights Award Exhibit”. St. Louis Post Dispatch,1991 Macias K. Patricia. “Art Honor Show Features 2-D Work”, The West End Word, 1991, St. Louis, MO Schmittendorf, Karen.“100 Works Offer Overview of St. Louis Art Scene”, St. Louis-Post Dispatch, 1990, St. Louis, MO Wolf, John-Paul. “Intimate Translations”, St. Louis Artists Coalition Newsletter, 1990 Shepley Ferring, Carol “Art St. Louis”, New Art Examiner, 1989

PUBLICATIONS - FILM “Here and Gone” Director’s Choice exhibition catalog, Provincetown, Art Association and Museum, 2018 Essays by Christine McCarthy and Lisa Melandri, PhD Editor, “LINDA SKRAINKA REFLECTIONS: CLOSE TO HOME”, St. Louis University Press, 2016 Blog, “Yvette en France”, Residency at the Cité des Arts, Paris, France Exhibition catalog, “there and Gone”, 2013.Bruno David Publications, essay by Karen K. Butler, PhD Exhibition catalog, “Dividing Time”, 2010. Bruno David Publications, Essay by Peter Marcus Exhibition catalog, “Cité des Arts 2007”, Bruno David Publications, essay by Harriet Stone, PhD Blog, “Yvette en France”, Residency at the Cité des Arts, Paris, France The Book of Alternative Photographic Processes, Editions 1 and 2, Christopher James Announcement Design, “Hand in Hand”, Center for Contemporary Art, St. Louis, MO. Cover design “Ovations”, Brochure and Programs for Edison Theatre 1994-1995 Season, Washington University Truro Neighborhood Association. Postcard Design

River Styx, #34 and #65. Cover Design Yvette Drury Dubinsky, Dickson Beall, 4 minute video, April 2007

COLLECTIONS (SELECTED PUBLIC & CORPORATE) Art In Embassies Program, The United States Department of State (temporary) Provincetown Art Association and Museum, MA The Saint Louis Art Museum, MO The Buhl Collection, NY Federal Reserve Bank of St. Louis, MO Thompson Coburn Law Firm, St. Louis, MO Margaret Harwell Art Museum, Poplar Bluff, MO CORTEX: Biotechnology incubator headquarters, St. Louis, MO Westin Cupples Station Hotel, St. Louis, MO USBank, St. Louis, MO McCarthy Construction Company Headquarters, St. Louis, MO Senator Thomas F. Eagleton, MO Elizabeth Millard, OR

VICKY TOMAYKO Lives and works in Truro, Massachusetts.

EDUCATION M.F.A. B.F.A.

Western Michigan University, Kalamazoo, MI Wayne State University, Detroit, MI

SELECTED EXHIBITIONS 2019

Bruno David Gallery, Steamroller Collaborations, (with Yvette Drury Dubinsky), St. Louis, MO (catalogue) A.I.R. Gallery, Steamroller Collaboration, (with Yvette Drury Dubinsky), Brooklyn, NY. The Schoolhouse, Project, Provincetown, MA Big Fat Flowers, Hudson D, Walker Gallery, Fine Arts Work Center and the Provincetown Art Association, Provincetown, MA

2018 2017

New Work, Schoolhouse Gallery, Provincetown, MA Faculty Exhibition, Higgins Gallery, Cape Cod Community College, West Barnstable, MA A Selection of Work, Wellfleet Library, Wellfleet, MA Facing Disjunction, National Members Exhibition, A.I.R. Gallery, Brooklyn, NY Multiplicity, Group Exhibition, Provincetown Art Association and Museum, MA Connections: Visual Fellows of the Cape, Cape Cod Museum of Art, Dennis, MA Roots and Branches, Group Exhibition, Berta Walker Gallery, Provincetown, MA Visual Committee and New Fellows, Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown, MA Guest Artist, Cross Rip Gallery, Harwich Port, MA New Work, Schoolhouse Gallery, Provincetown, MA Exhibition, Off Main Gallery, Wellfleet, MA Vicky Tomayko and Bert Yarborough – Collaborations, Two Rivers Printmaking Studio, White River Junction, VT Gathering Differences, National Members Exhibition, A.I.R. Gallery, Brooklyn, NY Collaborations: Maryalice Johnston, Vicky Tomayko, Bert Yarborough, Arts of the Pamlico Gallery, Washington, NC Color/Aid A Fundraising Exhibition for PAAM’s Youth Programs, Provincetown Art Association and Museum, Provincetown, MA Winter Art, Arts Foundation of Cape Cod Group Exhibition, Cotuit Center for the Arts, Cotuit, MA 59

2016 2015 2014 2013 2012 2011

Elephant Gate: Vicky Tomayko and Bert Yarborough, Pop-up Exhibition, Fine Arts Work Center, Provincetown, MA Summer Faculty Exhibition, Fine Arts Work Center, Provincetown, MA Gala Honoree Exhibition, Provincetown Art Association and Museum, Provincetown, MA Umbrella Sulkey Recital, Collaborative Installation and Performance, artSTRAND, Provincetown, MA A Year of Months, Schoolhouse Gallery, Provincetown, MA Lost Cat: Art in the Age of Digital Media, Invitational, Cape Cod Museum of Art, Dennis, MA Working Women, Marian Graves Mugar Gallery, Colby-Sawyer College, New London, NH Providence to Provincetown, Contemporary Women Artists Invitational, Gallery X, New Bedford, MA Monoprints, Gosa Gallery, Mashpee, MA Anxiety and Relief in the 21st Century, Invitational, Brickbottom Gallery, Somerville, MA Animalia, Invitational, Galetea Fine Art, Boston, MA A Place Where Something Flourishes, Cutrona Studios, Mashpee, MA What We Have Gained, Collaborative Installation with Maryalice Johnston, 10 Days of Art, Town Hall, Provincetown, MA New Works, Gallery Installation, Schoolhouse Gallery, Provincetown, MA JAMATAV, Collaborative Installation with Maryalice Johnston, Gallery Ehva, Provincetown, MA Hereâ&#x20AC;&#x2122;s Wishing You the Way, Collaborative Installation with Maryalice Johnston, Herring Cove Bathhouse, Provincetown, MA Navigator, Berkshire Community College Gallery, Pittsfield, MA

2010 2008 2007 2006 2005 2004

Artist-in-Residence Exhibition, Higgins Art Gallery, Cape Cod Community College, West Barnstable, MA Vicky Tomayko at FP3 Gallery, Boston, MA New/Now at Schoolhouse Gallery, Provincetown, MA Art Basel, Ethan Cohen Fine Arts, Basel, Switzerland Exquisite Futures, Directors Choice Exhibition, Provincetown Art Association and Museum, MA Four Seasons, Schoolhouse Gallery, Provincetown, MA Heaven and Earth, Schoolhouse Gallery, Provincetown, MA Art Haus Miami, Ethan Cohen Fine Arts, Miami, FL New Prints, Schoolhouse Gallery, Provincetown, MA Recent Work, Art Haus, Ethan Cohen Fine Arts, Truro, MA New Work, Schoolhouse Gallery, Provincetown, MA Two Continents and Beyond, Istanbul, Turkey Mobile Monsters, Art Haus, Ethan Cohen Fine Arts, Truro, MA New Work, Schoolhouse Gallery, Provincetown, MA Melbourne Art Fair, Melbourne, Australia Art Incubation, Group Exhibition, Ethan Cohen Fine Arts, NY, NY

2003 2001 1999 1997 1990 1987 1986 1985 1980 1981 1979 1978 1977

Art Basel, Ethan Cohen Fine Arts, Miami, FL Monotypes, Boathouse Gallery, Provincetown, MA Adrian’s, Truro, MA Bang’s Street Gallery, Provincetown, MA Fiore Gallery, A Fairy Tale, Boris in Bug Creek, Brooklyn, NY East End Gallery, Provincetown, MA Fellowship Exhibition, Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown, MA Zoë Gallery, Boston, MA Café Edwige, Provincetown, MA Solo Exhibition, Manwaring Gallery, Connecticut College, New London, CT New Gallery, New London, CT Connections, Kalamazoo Art Institute, Kalamazoo, MI MFA Exhibition, Steers Street Gallery, Western Michigan University, Kalamazoo, MI “Monosemblance”, Gallery II, Western Michigan University, Kalamazoo, MI Michigan Association of Printmakers Juried Exhibition, Detroit Institute of Arts, Detroit, MI

TEACHING EXPERIENCE 2001 – 2019 Adjunct Professor of Art, Cape Cod Community College, Barnstable, MA 2001 – 2019 Faculty, Provincetown Art Association and Museum School, Provincetown, MA 2004 – 2019 Summer Faculty, Fine Arts Work Center, Provincetown, MA 2008 – 2013 Visiting Artist and Print Studio Manager, Massachusetts College of Art Low Residency Masters Program at the Fine Arts Work Center, Provincetown, MA 1979 - 1981 Assistant Professor of Art, Connecticut College, New London, CT

GRANTS AND AWARDS 2015 1985 1978 1977

Gala Honoree for Artistic and Teaching Excellence, Provincetown Art Association and Museum, MA Fellowship, Fine Arts Work Center, Provincetown, MA Ford Foundation Grant Ford Foundation Grant

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ARTISTS Laura Beard Heather Bennett Lisa K. Blatt Ben Brough Michael Byron Bunny Burson Judy Child Carmon Colangelo Terry James Conrad Alex Couwenberg Jill Downen Yvette Drury Dubinsky Damon Freed Douglass Freed

Richard Hull Ellen Jantzen Michael Jantzen Kelley Johnson Howard Jones (Estate) Chris Kahler Xizi Liu Bill Kohn (Estate) Leslie Laskey Justin Henry Miller James Austin Murray Ralph Nagel Yvonne Osei Patricia Olynyk

Gary Passanise Charles P. Reay Daniel Raedeke Tom Reed Frank Schwaiger Charles Schwall Christina Shmigel Thomas Sleet Buzz Spector Cindy Tower Mark Travers Monika Wulfers