Andréa Stanislav: Cosmist Reconstructions by Bruno David Gallery

AN D R E A STAN I SL AV Cosmist Reconstructions

bruno david gallery

ANDREA STANISLAV Cosmist Reconstructions

November 18, 2017 - January 20, 2018 Bruno David Gallery 7513 Forsyth Boulevard Saint Louis, Missouri 63105, U.S.A. info@brunodavidgallery.com www.brunodavidgallery.com Owner/Director: Bruno L. David This catalogue was published in conjunction with the exhibition “Andréa Stanislav: Cosmist Reconstructions” at Bruno David Gallery. Editor: Bruno L. David Catalogue Designer: Ruoyi Gan and Lauren R. Mann Designer Assistant: Claudia R. David Printed in USA All works courtesy of Andréa Stanislav and Bruno David Gallery Photographs by Bruno David Gallery Cover image: Vanishing Point (detail), 2008 Mixed media 84 x 96 x 96 inches (213.4 x 243.8 cm) First Edition Copyright © 2018 Bruno David Gallery All Rights Reserved. No part of this publication may be reproduced or transmitted in any form without the written permission of Bruno David Gallery

CONTENTS

ANDRÃ&#x2030;A STANISLAV: COSMIST RECONSTRUCTIONS BY MARIA ZAVIALOVA AFTERWORD BY BRUNO L. DAVID CHECKLIST AND IMAGES OF THE EXHIBITION BIOGRAPHY

ANDRÉA STANISLAV: COSMIST RECONSTRUCTIONS BY MARIA ZAVIALOVA

Sleek rigid surfaces of industrial materials and soft faunic textures intersect in Andréa Stanislav’s work. Man-made meets wildlife – two different worlds that jar and unsettle the glance. Qualities of beloved contemporary media, steel and glass, collide with those of animal fibers. There are birds, a coyote, a goat. As the eye explores the juxtaposition of materials, a realization comes that while some of the lifelike animal specimens are made from synthetic materials, others are taxidermic. The undertones of a taxidermic object are disturbing. Taxidermic objects in an art installation usher in the specter of a resurrected lifelike presence, and at the same time, manifestly, the aura of the very real death. Stanislav’s artworks have a cyborg quality to them, built from mechanical and organic body parts. Diverse elements combine to create enunciations, and the viewer is invited to read them. But what is the grammar of this language? Do we even know it? It may seem that the artist cites the all too familiar nature and culture binary – but the references are more specific. These objects enunciate genealogies that spread across a large international realm revealing the transfer of ideas across cultural and temporal zones. As the exhibition’s title would disclose, it is not nature and culture, but rather ‘biosphere’ and ‘noosphere’ that are the appropriate terms here. These diverse objects and materials spotlight the cultural moment fantasied by philosophers of the unique and little-known school of thought known as cosmism. To understand the aesthetics proposed by Stanislav, an excursion into the cosmist universe is in order. Nikolai Fedorov is the name most commonly associated with cosmism. In late 19th century tsarist Russia, a philosopher imagined a world entirely based on technological developments, exploring the ideas of a hi-tech recreation of a human being, regulation of nature, alternative sources of nutrition and energy and more – way before modern science coined the terminology to discuss these topics. Probably the most peculiar cosmist idea was the reproduction of life by scientific methods. Fedorov was fascinated with the idea of resurrecting past generations and settling planets with resurrected tribes. This resurrection from the dead was to be accomplished by science –the premonitions of genetic engineering before the human genome was discovered more than a century later. Some of the most daring cosmist thinkers envisioned a humanity colonizing the entire universe. Fedorov’s follower, Konstantin Tsiolkovsky

wrote, “Humanity as the object of evolution is undergoing changes to become, in billions of years, a unified radiating energy, the energy that will fill cosmic space.” Often called the father of Russian rocket science, Tsiolkovsky wrote numerous theoretical works on space exploration and designed rockets in his log house in Kaluga in the early 20th century, partially inspired by the idea to transport resurrected populations to other planets. For Fedorov, physical resurrection of the dead was the humanity’s primary responsibility. According to his book The Common Task, the only thing that unites all people is their mortality; hence the only common goal is the overcoming of death. It is not as insane as it seems (as Leo Tolstoy noted). Tolstoy was fascinated with Fedorov’s ideas, although he did not share his beliefs. Not only Tolstoy, but many 20th century cultural figures were captivated by the global and indeed cosmic, span of Fedorov’s thought. Without dwelling too much on the subject of resurrection, cosmism addresses the problem of organizing human life within the infinite cosmos and through endless time. In cosmist thought, technological progress transforms global environments, and the Darwinian evolution is reinterpreted in a non-biological but rather social, political, and cultural sense. Human evolution is firmly placed within the environment always already changed by humans – the noosphere. What we see and feel around us is the projection of the human mind – the unfolding of the human spirit almost in a Hegelian sense. And ultimately, at the core of cosmism is the issue of human freedom, infringed upon by time and space: freedom is not completely free if it is limited by the inevitability of death and the impenetrability of the far reaches of the universe. Too eccentric and radical for early 20th century scientific thought, cosmism found shelter in the era’s burgeoning Russian avant-garde art movements. Futurism, rayonism, suprematism, analytical art were partially fueled by these fantastic dreams. After the 1917 revolution, Fedorov’s thought broadly resonated with early Soviet yearnings for the transformation of society and humanity. Avant-garde poets, philosophers, and artists of the early post-revolutionary Soviet era were taken with the cosmist idea. Fairly unknown in the West, the bio-cosmist art movement of the early 1920s was directly inspired by Fedorovian visions. Bio-cosmists published two journals, “Biocosmist” and “Immortality,” in Moscow. The 1921 Biocosmist Manifesto states, “Biocosmism is a new ideology of the growth and creativity of a human being grounded in immortality and in the cosmos. We believe that essential human rights are the right to being, which is to include immortality, resurrection, and rejuvenation, and the right to movement through the cosmos.”

As one of the founders of the movement, A. Svyatogor stated, their aesthetic was “not historical or psychological. It is entirely goal oriented. Our creative style is not based on individual elements but on sets. We create artistic sets rather than individual images. Images are descriptions and impressions, and, as such, they are insufficient and superficial. The art of sets is based on the diversity of different combinations of elements. We are not image spreaders; we are set-makers. By the imaginative will of a creator, individual elements inhabit a set in multiple new ways. … We are set-makers, but sets for us are living cells in an organism. An art organism is our final goal.” The aesthetics of bio-cosmism may be the key to a better understanding of Stanislav’s work. In the spirit of cosmist thought, Stanislav’s artworks are sets where individual elements are interpreted based on the environment in which they are placed. The black goat breaking through the mirrored wall – nature penetrating culture, passing through the technological frontier and emerging on the other side in its resurrected state, becoming part of the noosphere. Viewed from the bio-cosmist perspective, the black goat is an exuberant animal force of joyful survival that pushes humanity through technological barriers towards its cosmic future. A wild animal was a privileged participant of cosmist thought. Published in the first issue of Bio-Cosmist journal (921), the article, “The Joy of a Playful Animal,” states, “We affirm joyful play as inner freedom. And in this, we are like a playful animal. We proclaim animalism. We all need to get in touch with our internal animal. The joy of a playful animal is our starting point and the stimulus for our movement. We turn to the primordial source of creativity. This joy fuels our unquenchable desire for immortality and our push into the cosmos. Biocosmic creativity will win because immortality and the cosmos are undefeatable and universal.” In the 1920s, bio-cosmist poets proclaimed the animal kind to be superior to humankind: ancient gods presented themselves as animals, didn’t they?

Is not the Pig the greatest of miracles? Its udder is tender and pink Like the morning sky’s vault. The Milky Way’s chalice is as full to the brink, As the Pig’s udder and likewise eternal. (1921, “Bio-Cosmist”)

Andrea Stanislav’s white peacock on a mirror structure would evoke the rich symbolism the bird has possessed across cultures. The beautiful unfolding of the tail with its starry ‘eye’ pattern has historically symbolized heightened awareness, purity, beauty, renewal, and much more. But cosmist art is not the art of individual symbols. It is a set-making art: individual connotations add up to create a futurist narrative that visually articulates itself within each set. In the cosmist universe, the taxidermic white bird would summon the vision of resurrection. The peacock is placed next to the photograph referring to a Soviet astronaut who perished during a spaceflight. There is an inscription “red star” on the pedestal. Red star refers both to the 1903 sci-fi novel by Bogdanov and the familiar Soviet symbol. Inserted into the set, the white peacock is put into a long trajectory of historical events that spells into a narrative of humanity’s journey towards the future and the complex relationships it entails. Stanislav’s art often cites a self-reflective thinking universe, the noosphere of a remote future envisioned by cosmist thinkers. The Shifter series is aglow with the Tsiolkovskian vision of humanity as living energy, scattering from its original center, the human mind. The mind is represented by a female head surrounded by diverse cultural artifacts emanating from their source, the brain. In this context, being ‘scatterbrain’ is a great achievement that shifts boundaries and transcends limitations, securing humanity’s boundless future in the cosmos. The Solaris piece presents a transformed universe of made up of one beautiful mind. Stanislav Lem’s Solaris is a referenced source. The Wishing Machine is inspired by Tarkovsky’s science fiction film Stalker (1979), his mysterious creation, “transcendental, absurd, absolute” (Tarkovsky’s 1974 diaries), based on the Strugatski brothers’ novel, Roadside Picnic. The Wishing Machine was the film’s earlier title. In Tarkovsky’s film, the Wishing Machine (represented by the Room) is the heart of the Zone, a mysterious and dangerous area left behind by travelers from space/time. The Wishing Machine reads and fulfills human wishes in their totality, but it is the hidden unconscious portion of the wish that sets in motion a sequence of events to actualize the wish. Stanislav’s Wishing Machine has at its center a horse’s skull whose rotation triggers the motion of other elements of the installation. Interpretive approaches to works of individual artists often presume that art is a sort of text that can be read, and the reading written down. Stanislav’s “Cosmist Reconstructions” art installation unfolds a context more than it spells out a text. Within this context, individual elements are not divisible into discrete objects but rather engage in a fluid interplay, as exemplified by The Wishing Machine. Informed by an original school of thought, Cosmism, Stanislav’s art is a new take on the distinguished art movement of Futurism. (Translations from Bio-cosmist publications were done by M. Zavialova for this article) Born in St. Petersburg, Russia, Maria Zavialova received her doctorate from the University of Minnesota. She is Chief Curator and Head of Exhibitions & Collections at The Museum of Russian Art, Minneapolis, MN. She has curated more than fifty exhibitions at the museum. She is an award-winning translator of African American women writing into Russian, a co-director of the folk performance group Nitka, and a board member of the American Siberian Educational Foundation.

AFTERWORD BY BRUNO L. DAVID

I am pleased to present an exhibition titled “Cosmist Reconstructions” by Andréa Stanislav at the Bruno David Gallery. This is the artist’s first solo exhibition with the gallery. For this exhibition, Stanislav uses sculpture in concert with her collage and text constructions to tap into the utopic philosophical and cultural phenomenon of Russian Cosmism. Cosmism’s widespread reemergence is virtually unknown in the west, this early 20th- century Russian philosophy included diverse thinkers such as Nikolai Fyodorov, Konstantin Tsiolkovsky, and Vladimir Vernadsky amongst others, who formed ideas of active approaches to space exploration and colonization, personal immortality, and a resurrection of the dead. Space exploration and immortality explored through film, literature and pop culture derived from Cosmism are longstanding informants in Stanislav’s work. With the fall of the Soviet Union, suppressed Cosmist texts reemerged as part of a search for a new Russian identity, and a potential answer to the longest standing question in Russian intellectual history, “Chto delat’? - What is to be done?” Stanislav’s work positions this prescient question in the present, where Cosmism is a portent, where these ideas are channeled through her experiential and concretized narratives. Stanislav exhibits several glitter on black mirror constructions from her Solaris series, including a largescale construction Champagne Supernova, made from glitter and cut refractive films suspended in layers resin on an obsidian-like black ground. These works conjure images of distant galaxies from the Hubble Space Telescope, while a subtle optical illusion of depth activates the glitter forms so that they appear to float above the work’s surface. Red Solaris possesses an uncanny resemblance to the Ivan Kliun’s 1923 Suprematist painting Red Light Spherical Composition. Stanislav became aware of this painting after the completion of her work, which gives the work a transcendent sensibility. Stanislav’s new text construction The Visitors, consists of seventy-five red glitter encrusted plaques embedded with black vinyl names of Cosmist representatives suspended between layers of resin. The formation of plaques takes on an elegiac presence of a utopia that never was to be.

Stanislav’s Shifter collage constructions are activated by fleeting optical color shifts that occur in the constructed layers of hand-cut refractive and dichroic films, woven through digitally altered hand cut images and suspended between layers of resin. The images are anchored by the soulless shells of faces that were once Russian models, with negative voids where images of human eyes once were, revealing the refractive surfaces beneath, while staring back at the viewer. Fractured images of cosmonauts, minerals, Soviet relics, abstractions, along with Stanislav’s self-referential sculptures expand in a disorderly timeline of a long 20th century. Animal forms frequent her sculptures as an interlocutor — the natural world puncturing the solid, modern form. An interruption of the old ways, the old modes of existence, these animals and objects become effigies of the past, present, and future. Through manipulation of symbolic and traditional sculptural objects (monoliths, pentagons, equestrian forms), Stanislav disrupts their signal. A black goat jumps through the mirror surface of a monolith with TMab Mirror, questioning the existence of evil in a morality relative universe, while summoning the monolith from Arthur C. Clark’s The Sentinel and 2001 a Space Odyssey. A life-size headless rotating equestrian form — The Vanishing Points, embellished with dichroic rhinestones, invokes a defeated trophy of bygone empires as it slowly spins on a circular mirrored platform. The mirrored surfaces serve to reflect, redirect, confuse and implicate, as they bring the viewer into the work, creating a “physicality of ideas”, where the metaphors in the artwork reach the viewer as a visceral experience, not simply as an intellectual or visual phenomena. Recent solo exhibitions and projects include: The Saint Louis Art Museum, St. Louis, MO; The Museum of the Defense and Siege of Leningrad, St. Petersburg, Russia. Other solo exhibitions and projects include: The 2014 Manifesta 10 European Biennial/Art-Centre Pushkinskaya-10 Parallel Public Program, St. Petersburg, Russia; Minneapolis Institute of Arts, Minneapolis, MN; Weisman Art Museum, Minneapolis, MN; 21c Contemporary Art Museum, Louisville, KY; Pelham Art Center, Pelham, NY; thisisnotashop, Dublin, Ireland; The Bemis Center for Contemporary Art, Omaha, NE; and the Grunwald Gallery of Art, Indiana University, Bloomington, IN.

Stanislav’s work has also has been featured and exhibited at: The Museum of Non-Conformist Art, St. Petersburg, The 5th Moscow Biennial, Moscow, Russia; The U.S (Ambassador’s) Residence, Stockholm, Sweden; Al Sabah Gallery, Kuwait City, Kuwait; Socrates Sculpture Park, New York City, NY; Delaware Center for Contemporary Art, Wilmington, DE; Minnesota Museum of American Art, St. Paul, MN; Plains Art Museum, Fargo, ND; The John Michael Kohler Arts Center, Sheboygan, WI; Kentucky Museum of Arts and Craft, Louisville, KY; Dumbo Arts Center, Brooklyn, NY; and Catalyst Arts, Belfast Northern Ireland. Ms. Stanislav has been the recipient of numerous awards and grants including: The 2015/2016 Freund Teaching Fellowship, Sam Fox School of Design and Visual Arts, Washington University in St. Louis and the St. Louis Art Museum; The 2015 Target Studio Artist in Resident, Weisman Art Museum, Minneapolis, MN; The Lower Manhattan Cultural Council 2012 Swing Space Artist Residency, New York City, NY; a 2010/2011 McKnight Artists Fellowship for Visual Arts, Minneapolis, MN; a Socrates Sculpture Park 2009 Jerome Emerging Artist Fellowship, New York City, NY. She is an Associate Professor of Sculpture in the Department of Art, University of Minnesota - Minneapolis. Andréa Stanislav (b. 1968, Chicago) lives and works in Minneapolis, New York City and St. Petersburg, Russia. She received an MFA from Alfred University, New York in 1997; and a BFA from The School of the Art Institute of Chicago in 1990.

Support for the creation of significant new works of art has been the core to the mission and program of the Bruno David Gallery since its founding in 2005. I would like to express my sincere thanks to Maria Zavialova for a very thoughtful essay and Dean Lozow for his tireless support. I am deeply grateful to Ruoyi Gan and Lauren R. Mann, who gave much time, talent, and expertise to the production of this catalogue. Invaluable gallery staff support for the exhibition was provided by Cleo Azariadis, Haleigh Givens, Christina Lu, Ruoyi Gan, Thomas Fruhauf, Peter Finley, and Viola Bordon.

CHECKLIST & IMAGES OF THE EXHIBITION

Vanishing Points II, 2008 Mixed media 84 × 96 × 96 in (213.4 × 243.8 × 243.8 cm)

Vanishing Points II, (detail) 2008 Mixed media 84 × 96 × 96 in (213.4 × 243.8 × 243.8 cm)

Tycho Magnetic Anomaly, 2012 Mirror acrylic, cast polyurethane, steel, MDF, epoxy resin, synthetic polyester fur, glass goat eyes Edition of 3, 1 AP 81 × 36 × 73 in (205.7 × 91.4 × 185.4 cm)

Tycho Magnetic Anomaly,(detail) 2012 Mirror acrylic, cast polyurethane, steel, MDF, epoxy resin, synthetic polyester fur, glass goat eyes Edition of 3, 1 AP 81 × 36 × 73 in (205.7 × 91.4 × 185.4 cm)

Pink Cube, 2014 Mirror, acrylic, wood, taxidermied bird 33 × 30 × 33 in (83.8 × 76.2 × 83.8 cm) 20

Rising, 2013 Taxidermied coyote and rabbit, mirrored glass, crystal, silver thread 96 x 22 x 22 in (243.8 x 55.9 x 55.9 cm)

RED STAR (After Vladimir Komanov), 2017 Taxidermied peacock, mirrored glass, vinyl letters 53 x 51 x 17 in (134.6 x 129.5 x 43.2 cm)

RED STAR (After Vladimir Komanov), (detail)

RED STAR (After Vladimir Komanov), 2017 Taxidermied peacock, mirrored glass, vinyl letters 53 x 51 x 17 in (134.6 x 129.5 x 43.2 cm)

Someday Never Comes, 2014 Taxidermied ptarmigan, oak branch, refractive film, MDF board 24 × 23 × 40 in (61 × 58.4 × 101.6 cm)

Wild Horses, 2012 Rhinestones, polyurethane, glass eyes, mirror glass, electric motor Edition of 3, 1 AP 30 × 30 × 30 in (76.2 × 76.2 × 76.2 cm)

Shifter I (Catherine Deneuve), 2014 Epoxy resin, holographic film, refractive film, digital print

48 × 48 × 3 in (121.9 × 121.9 × 7.6 cm)

Shifter V, 2016 Epoxy resin, holographic film, refractive film, digital print 36 × 36 × 3 in (91.4 × 91.4 × 7.6 cm)

Shifter IV, 2016 Epoxy resin, holographic film, refractive film, digital print 36 × 36 × 3 in (91.4 × 91.4 × 7.6 cm)

Ballerinas, Models and Cosmonauts XV, 2016 Epoxy resin, refractive film, holographic film, digital prints 10 × 10 × 3 in (25.4 × 25.4 × 7.6 cm)

Shifter VI, 2016 Epoxy resin, holographic film, refractive film, digital print 36 x 36 x 3 in (91.4 x 91.4 x 76 cm)

Dispersion / Red Fire, 2014 Epoxy resin, holographic film, refractive film, digital print 12 × 12 × 3 in (30.5 × 30.5 × 7.6 cm)

Dispersion / William Defoe, 2014 Epoxy resin, holographic film, refractive film, digital print 16 × 16 × 3 in (40.6 × 40.6 × 7.6 cm)

Dispersion / Heroes, 2014 Epoxy resin, holographic film, refractive film, digital prints 24 × 24 × 3 in (61 × 61 × 7.6 cm)

Dispersion / Corpse, 2014 Epoxy resin, holographic film, refractive film, digital prints 24 × 24 × 3 in (61 × 61 × 7.6 cm)

Ballerina, Models and Cosmonauts VIII, 2016 Epoxy resin, refractive film, holographic film, digital prints (10 × 10 × 3 in) (25.4 × 25.4 × 7.6 cm)

Ballerinas, Models and Cosmonauts XI, 2016 Epoxy resin, refractive film, holographic film, digital prints 10 × 10 × 3 in (25.4 × 25.4 × 7.6 cm)

Dispersion / White Horse, 2014 Epoxy resin, holographic film, refractive film, digital prints 24 × 24 × 3 in (61 × 61 × 7.6 cm)

Sleep till Noon (Magenta), 2017 Epoxy resin, polyester gliter, enamel paint, on MDF board Edition of 6, 1 AP 24 × 24 × 3 3/4 in (61 × 61 × 9.5 cm)

Sleep till Noon (Gold), 2017 Epoxy resin, polyester gliter, enamel paint, on MDF board Edition of 6, 1 AP 16 × 16 × 3 3/4 in (40.5 × 40.5 × 9.5 cm)

The Visitors, 2017 Epoxy resin, polyester glitter, enamel paint, on MDF board (72 elements) Edition of 2, 1 AP 63 × 120 × 2 1/2 in (160 × 304.8 × 6.4 cm)

Champagne Supernova, 2013 Epoxy resin, polyester glitter, enamel paint on MDF board 95 × 142 × 3 in (241.3 × 360.7 × 7.6 cm)

Solaris XIV, 2017 Epoxy resin, polyester glitter, enamel paint, on MDF board 12 x 12 x 3 in (30.5 Ă&#x2014; 30.5 Ă&#x2014; 7.6 cm)

Solaris XVI, 2017 Epoxy resin, polyester glitter, enamel paint, on MDF board 16 x 16 x 3 in (40.6 x 40.6 x 7.6)

Red Solaris, 2017 Epoxy resin, polyester glitter, enamel paint, on MDF board 48 × 48 × 3 in (121.9 × 121.9 × 7.6 cm)

AndrĂŠa Stanislav: Cosmist Reconstructions (installation view)

The Wish Machine 2017 Mixed media Size variable (Window on Forsyth view)

ANDREA STANISLAV Lives and works in Minneapolis, MN; New York City and St. Petersburg, Russia

EDUCATION Nova Scotia College of Art & Design, Halifax, Nova Scotia, Canada, M.F.A. Kansas City Art Institute, Kansas City, MO, B.F.A.

SOLO EXHIBITIONS

2017 Andréa Andréa Andréa Andréa

Stanislav: Cosmist Reconstructions, Bruno David Gallery, St. Louis, MO. Catalogue. (November 18, 2017 – January 20, 2018) Stanislav, Indianapolis Museum of Contemporary Art, Indianapolis, IN Stanislav: Forget Your Past, The Museum of Non-Conformist Art, St Petersburg, Russia, curator: Anastasia Patsey Stanislav - Mid-Career Retrospective, Plains Art Museum, Fargo, ND

2016 Currents 112: Andréa Stanislav: Convergence Infinité, St Louis Art Museum, St. Louis, MO: curator: Simon Kelly Andréa Stanislav - Preternatural Shadow Shifter, Galleria Ca’ d‘Oro, New York City, NY, curator: Virginia Villari Blanc 2015 Andréa Stanislav: Lake Ladoga - Video Sketches and Collage, Gallery 2.4, Art-Centre Pushkinskaya-10, St Petersburg, Russia, curator: Anastasia Patsey Andréa Stanislav - Refractions, Twelve 21 Gallery, Orlando, FL 2014 In the Courtyard: Andréa Stanislav – Wonderwall, Pelham Art Center, Pelham, NY Nightmare on the Neva, Gallery 2.4, Art-Centre Pushkinskaya-10, St Petersburg, Russia Andréa Stanislav - Phase Velocity, Burnet Art Gallery, Minneapolis, MN

2013 Wilderness of Mirrors, Packer Schopf Gallery, Chicago, IL Feature Solo Project: Andréa Stanislav - The Vanishing Points, Cynthia Corbett Gallery, London UK, 2013 Houston Fine Art Fair, Houston, TX Andréa Stanislav - Everything is Permitted, REDUX Contemporary Art Center, Charleston, SC Andréa Stanislav - The Vanishing Points, Scope Projects, Scope New York 2013, New York, NY, curator: Daria Brit-Shapiro 2011 Andréa Stanislav - Vanishings Points and Ghost Portraits, 1 Museum Plaza Gallery, 21c Museum, Louisville, KY, curator: Alice Gray Stites 2010 Andréa Andréa Andréa Andréa

Stanislav Stanislav Stanislav Stanislav

Lightning Struck Itself, Burnet Art Gallery, Minneapolis, MN Darkness Doubled, Art Ecology, Louisville, KY to the Western Lands, Packer Schopf Gallery, Chicago, IL Blue Room, Thomas Hunter Project Gallery, Hunter College, New York, NY

2009 Andréa Stanislav - Fogtîogarburn, Thisisnotashop, Dublin, Ireland, curator: Jessamyn Fiore Andréa Stanislav - Holiday in the Sun - Burnet Art Gallery, Minneapolis, MN 2008 Andréa Stanislav - Land of the Lost, Garner Arts Center, Garnerville, NY, curator: James Tyler Andréa Stanislav - Flashland, Jonathan Shorr Gallery, New York, NY Andréa Stanislav - River to Infinity - The Vanishing Points, Minneapolis Institute of Arts, Minneapolis, MN 2006 Andréa Stanislav - Unenchanted, University of Nebraska - Omaha Art Gallery, Omaha, NE 2004 The House of Red on White, seven room installation, Coleman Center for the Arts, York, AL 2001 Andréa Stanislav - The UFRO Project, Bemis Center for Contemporary Arts, Omaha, NE 1000 Kisses, SoFa Gallery, Indiana University, Bloomington, IN 2000 Andréa Stanislav - UFRO, Monk Gallery, Brooklyn, NY

1999 Andréa Stanislav - The Pink Room, Maryland Art Place, Baltimore, MD Andréa Stanislav - Unrecognizable Objects of Desire, Project Space, Bemis Center for Contemporary Arts, Omaha, NE Andréa Stanislav - Utica - Migration, Sculpture Space, Utica, NY 1996 Andréa Stanislav - Contract in Fur, Robert Turner Gallery, Alfred, NY Andréa Stanislav - Labyrinth, Gallery Zero, Barcelona, Spain 1995 Andréa Stanislav - Cross of Tongues, 14 Sculptors Gallery, New York, NY Andréa Stanislav - Silver Sky, Raw Space, ARC Gallery, Chicago, IL 1994 Andréa Andréa Andréa Andréa

Stanislav Stanislav Stanislav Stanislav

Himmel und Erde, Amos Eno Gallery, New York, NY Himmel und Erde, ARC Gallery, Chicago, IL Spinal Games of God, ARC Gallery, Chicago, IL Migration, Work Space Gallery, Toronto, Ontario, Canada

1991 Andréa Stanislav - Camping with Bill, Raw Space, ARC Gallery, Chicago, IL

SELECTED GROUP EXHIBITIONS

2016 Memorial Exhibition, Museum of the Defense and Siege of Leningrad, St Petersburg, Russia LA Art Show, Cynthia Corbett Gallery, London UK, Los Angeles, CA OVERVIEW_2017, Bruno David Gallery, St. Louis, MO 2015 Summer Windows, Garis and Hahn Gallery, New York, NY, curator: Kristin Sancken Transpositions, Museum of Non - Conformist Art, St Petersburg, Russia, curator: Anastasia Patsey (catalogue) Pop Stars! Popular Culture and Contemporary Art, 21c Museum, Durham, North Carolina, curator: Alice Gray Stites London Art Fair, Cynthia Corbett Gallery, London UK Palm Springs Fine Art Fair, Cynthia Corbett Gallery - London UK, Palm Springs, CA Incognito 2015, Santa Monica Museum of Art, Santa Monica, CA New Artists Preview, Melissa Morgan Gallery, Palm Desert, CA 2014 Ten Years, Cynthia Corbett Gallery, London, UK, curator Cynthia Corbett 2014 Minnesota Biennial, Minnesota Museum of American Art, St. Paul, MN Once Lived, House of the Nobleman/Rush Gallery, New York, NY, curators: John Jay McGurk and Kristin Sancken Second Life, Kentucky Museum of Arts and Craft, Louisville, KY, curator: Joey Yates Art Miami 2014, Cynthia Corbett Gallery - London UK, Miami, FL LMCC Autumn Art Auction and Exhibition, William Holman Gallery, New York, NY Art Silicone Valley, Cynthia Corbett Gallery - London UK, San Francisco, CA Night Windows, SPECIALS ON C, New York, NY, curator - Erika Yeomans ARTECHO 2014 Miami Exhibition and Auction, Art Basel, Miami, FL 2014 Spring Gala Art Auction & Exhibition, Plains Art Museum, Fargo, ND Incognito 2014, Santa Monica Museum of Art, Santa Monica, CA ARTECHO 2014 New York City Exhibition and Auction, Four Seasons Restaurant â&#x20AC;&#x201C; Seagram Building, New York, NY, curator: Jonathan Shorr 2013 Tetractys, CultZavod MosChaos, The Fifth Moscow Biennale of Contemporary Art, Moscow, Russia. curator: Marika Maiorova 20 Years of Public Art on Campus, Weisman Art Museum, Minneapolis, MN Regis Center for Art 10th Anniversary Faculty Exhibition, Nash Gallery, Minneapolis, MN

2013 Nurture Art 2013 Benefit Exhibition, Bernarducci Meisel Gallery, New York, NY Toronto Fine Art Fair, Cynthia Corbett Gallery - London, UK, Toronto, Canada Art Southampton, Cynthia Corbett Gallery - London, UK, Southampton, NY Mill Valley Film Festival - Gala Art Exhibition, California Film Institute, San Rafael, CA Art Wynwood 2013, Cynthia Corbett Gallery - London, UK, Miami, FL The Story of the Creative, See//Me Gallery, Long Island City, NY 2012 Young Country, Delaware Center for Contemporary Art, Wilmington, DE, curator: Maiza Hixson Art Miami 2012, Cynthia Corbett Gallery - London, UK, Miami FL Volta -- at the Top, Ronnette Riley Architects, Empire State Building, New York, NY, curator: Cynthia Corbett Magnetic Truths, See//Me Gallery, Long Island City, NY, curator: Emily Kochman Scope Miami 2012, TincaArt, New York, NY, Miami, FL 14th Annual Art Auction and Exhibition, Bemis Center for Contemporary Art, Omaha, NE Visions Did Appear, PSPS Gallery, New York, NY, curator: Catinca Tabacaru San Francisco Fine Art Fair, Cynthia Corbett Gallery - London, UK, San Francisco, CA Art Hampton, Cynthia Corbett Gallery - London, UK, Bridgehampton, NY Untitled, Kristine Dittmar Collection, Aspen, CO, curator: Elizabeth Jacoby Art Wynwood 2012, Cynthia Corbett Gallery - London, UK, Miami, FL Art Palm Beach 2012, Cynthia Corbett Gallery - London, UK, Palm Beach FL, 2011 Memorial Project, Commemorating Civilian Deaths, EFA Projects Space (Elizabeth Foundation for the Arts), New York, NY, curators: Joseph DeLapp and Raul Zamundio Expanded Music Project, Land of Tomorrow Gallery, Louisville, KY, curator: Joey Yates Iraqi Memorial Project, Commemorating Civilian Deaths, Works/San Jose, San Jose, CA, curators: Joseph DeLappe and Raul Zamundio 2010/2011 McKnight Artists Fellowship for Visual Arts Exhibition, MCAD Gallery, Minneapolis, MN (catalogue - essay by Dan Byers, Curator, Carnegie Museum of Art) Art Chicago 2011, Packer Schopf Gallery, Art Chicago, IL Social Photography, Carriage Trade Gallery, New York, NY Fresh, Burnet Gallery, Minneapolis, MN, curator - Jennifer Phelps 2010 Transparency and Trans-formations: American Art at the Residence, Stockholm, Sweden, curator: Alice Gray Stites (catalogue) Animal Instincts, Kohler Art Center, Sheboygan, WI, curator: Leslie Umberger

2010 Pulse Miami 2010 Contemporary Art Fair, Packer Schopf Gallery - Chicago, Miami, FL Scope New York 2010, Jonathan Shorr Gallery, New York, NY Incognito 2010, Santa Monica Museum of Art, Santa Monica, CA Blank Magic, Cameo Gallery, Brooklyn, NY, curator: Tom Newman Visual Mischief, The Front, New Orleans, LA, curator: Erika Yeomans Iraqi Memorial Project, Commemorating Civilian Deaths, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV, curators: Joseph DeLappe and Raul Zamundio Art Chicago 2010, Packer Schopf Gallery, Chicago, IL 2009 Next Ten, Franklin Art Works, Minneapolis, MN, curator: Tim Peterson Exporting Pop, Dean Projects at Al Sabah Gallery, Kuwait City, Kuwait, curator: Mark Dean (catalogue essay by Eleanor Heartney) Scope New York 2009, Jonathan Shorr Gallery, New York, NY Last Supper, 3rd Ward, Brooklyn, NY, curator: Carolina Meyer Double Dutch - NYC 400, GAGA Arts Center, Garnerville, NY, curator: Jonathan Shorr New Work, Packer Schopf Gallery, Chicago, IL Chicago Next 2009, Packer Schopf Gallery, Chicago, IL 2008 Scope New York 2008, Jonathan Shorr Gallery, New York, NY New Work, Packer Schopf Gallery, Chicago, IL Anonymous, Jonathan Shorr Gallery, New York, NY Woman Made, Ann Street Gallery, Newburgh, NY Latitude NYC, NYCAMS Gallery, New York, NY 10th Annual Art Auction & Exhibition, Bemis Center for Contemporary Arts, Omaha, NE 2007 Latitude LON/MSP/NYC, Fieldgate Gallery, London, UK SAD, Weisman Art Museum, Minneapolis, MN, curator: Diane Mullin Multiples, Usdan Gallery, Bennington College, Bennington, VT, curator: Jon Isherwood Inside Out, Jonathan Shorr Gallery, New York, NY Summer Love, GAGA Arts Center, Garnerville, NY 35th Annual Kips Bay 2007 Decorator Show House, New York, NY (catalogue) New â&#x20AC;&#x2122;07 - Celebrating Ten Years of Nurturing the Edge, Nurture Art and the CUE Art Foundation, New York, NY Get Lucky, SOO Visual Arts Center, Minneapolis, MN

2006 Seventh Annual Winter Show and Auction, Dumbo Arts Center, Brooklyn, NY, curator: Christopher K. Ho 25th Anniversary Exhibition, Bemis Center for Contemporary Arts, Omaha, NE The Mixture and Collision of the East & West, Luxan Academy Gallery, Sheyang, China, (catalogue) 2005 Codependent, The Living Room - Miami Basel, Miami, FL, curator: Christopher K. Ho Bunny, SOO Visual Arts Center, Minneapolis, MN, curator: Suzy Greenberg New Paradigms of Sculpture for the 21st Century Exhibition, Wonkwang University Gallery, Iksan, Korea, (catalogue) 2004 Interplay, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN Perspective 2004, Ormeau Baths Gallery, Belfast, Northern Ireland, curator: Vittorio Urbani, (catalogue) GAGA Summer Show, Garner Arts Center, Garnersville, NY, curator: James Tyler 2004/47th Annual International Exhibition, San Diego Art Institute, San Diego, CA 2004 Salon Show, Jonathan Shorr Gallery, New York, NY 2003 Telling, Five Myles Gallery, Brooklyn, NY, curator: Tom Kotik UFRO, Projection Room, Candid Arts, London, UK 2003 Salon Show, Jonathan Shorr Gallery, New York, NY New Work 2003, Jonathan Shorr Gallery, New York, NY 2002 Village Voice Outdoor Sculpture Show, Siren Festival, Coney Island, Brooklyn, NY, curator: Vallessa Monk 2001 Gen Art Shape Show, Gen Art, New York, NY, curator: Adam Walden New Work, Jonathan Shorr Gallery, New York, NY Sculpture Space NYC Art Auction and Exhibition, The Elizabeth Foundation for the Arts, New York, NY 2000 Clean Air, Parker’s Box, Brooklyn, NY Speaking in Tongues, V Gallery, Brooklyn, NY Festival of the Elements: Sculptors’ Drawings, University of Bridgeport Art Gallery, CT, curator: Peter Lundberg MOMA Coat Check Show, Museum of Modern Art, New York, NY

1999 APOCALYPSE 1999, Williamsburg Art & Historical Center, Brooklyn, NY Sensation, V Gallery, Brooklyn, NY Land of Milk and Honey, Catalyst Arts, Belfast, Northern Ireland, (catalogue) 1998 Temporary Contemporary, Bemis Park, Omaha, NE, (catalogue) 1996 Signos y Sugerencias, Gallery Zero, Barcelona, Spain Summer Residency Show, Vermont Studio Center, Johnson, VT “prouetas fiminas”, Gallery Zero, Barcelona, Spain Guernica, Gallery Zero, Barcelona, Spain, traveled to Casa de Cultura, Guernica and Basaurai, Spain, (catalogue) 1994 Farber Birren Color Award Show, (best of show award) Stamford Art Association, Stamford, CT Flora ’94, Exhibition Hall, Chicago Botanical Garden, Glencoe, IL, Clay National, Zoller Gallery, Penn State University, PA, (catalogue) 1992 Grit and Polish: Art and Space, The State of Illinois Art Gallery, Chicago, IL, (catalogue) Women Who Build, ARC Gallery, Chicago, IL Una Ventana al Mundo, Tonalli Gallery, Mexico City, Mexico, (catalogue) 1991 Around the Coyote, Drum Factory, Chicago, IL Women Artists at Harper College, Fine Arts Gallery, PalaTranspositionsntine, IL New Work - 91, ARC Gallery, Chicago, IL

TWO AND THREE ARTIST AND COLLABORATIVE EXHIBITIONS

2015 Big Bridges, Weisman Art Museum, Minneapolis, MN 2013 Felt /String/Theory - Installations by: Liz Miller, Andréa Stanislav and Randy Walker, Minnesota Museum of American Art, St Paul, MN, curator: Christina Chang Habitat for Artists, Pelham Arts Center, Pelham, NY 2007 Intelligent Design Project III, with Michael Zansky and Michael Reese, Kasia Kay Art Projects, Chicago, IL Intelligent Design Project II, Museum of New Art (MONA), Detroit, MI Intelligent Design Project I, Silvermine Guild Arts Center, New Canaan, CT 2006 Quantum Circus - the Intelligent Design Project, collaboration with Michael Zansky, Michael Reese, SOO Visual Arts Center, Minneapolis, MN Revisionist History, with Michael Zansky and Dominic Lombardi, Dam Stuhltrager Gallery, Brooklyn, NY 2005 Andréa Stanislav and Erika Harrsch, Edward Hopper House Art Center, Nyack, NY 2000 The V and A Show, with Vallessa Monk, Monk Gallery, Brooklyn, NY 1997 Arousing the Mass of Sound, MFA Thesis Exhibition, Fosdick Nelson Gallery, Alfred, NY Fetish May I Help You? (The Memory Store), interactive CD-Rom and installation with Andrea Polli, Alfred University, Storefront Gallery, Alfred, NY 1991 Cleveland, Gallery II, The School of the Art Institute of Chicago, Chicago, IL, multi-media sound installation with Clay Cousins and Andre Polli

SELECTED AWARDS, FELLOWSHIPS, GRANTS AND RESIDENCIES

2016 Minnesota State Arts Board Grant, Minneapolis, MN 2015 2015-2016 Henry L. and Natalie E. Freund Teaching Fellowship, Sam Fox School of Design and Visual Art, Washington University in St. Louis / Saint Louis Museum of Art, St Louis, MO Target Studio for Creative Collaboration - 2015 Artist in Residence, Weisman Art Museum, Minneapolis, MN CLA Faculty Development Leave, College of Liberal Arts, University of Minnesota, Minneapolis, MN Single Semester Leave Research Award, University of Minnesota, Minneapolis, MN 2014 Research Grant-in-Aid Award, College of Liberal Arts, University of Minnesota, Minneapolis, MN Art-Centre Pushkinskaya-10, St. Petersburg International Arts Residency, St. Petersburg, Russia European Consortium Travel Grant, University of Minnesota, Minneapolis, MN 2014 Art-Centre Pushkinskaya-10, St Petersburg International Arts Residency, St. Petersburg, Russia European Consortium Travel Grant, University of Minnesota, Minneapolis, MN 2013 The 20th Dorothy and Lillian Gish Prize (nominated) Imagine Fund Award, University of Minnesota, Minneapolis, MN 2012 Lower Manhattan Cultural Council - Swing Space Artist Residency, Governors Island, NYC, NY 2012 Minnesota State Arts Board Grant, Minneapolis, MN Forecast Public Art Grant McKnight, St. Paul, MN (funded proposal finalist) 2011 Can Serrat International Art Center Resident, Full Award Fellowship, Barcelona, Spain 2010-2011 International Visiting Artist, University of Calgary 2010-2011, Alberta, Canada Sculpture Key West 2011 Artist Funding Award, Sculpture Key West, Key West, FL Funded Faculty Sabbatical Leave, College of Liberal Arts, University of Minnesota, Minneapolis, MN

2010 2010/2011 McKnight Artists Fellowship for Visual Arts, McKnight Foundation, Minneapolis, MN Awarded CLA Faculty Development/Research Single Semester Leave, College of Liberal Arts, University of Minnesota, Minneapolis, MN The Imagine Fund Award, University of Minnesota, Minneapolis, MN 2009 Socrates Sculpture Park, Emerging Artist Fellowship 2009, Long Island City, NY Metro Magazine Keeper Award 2009, Minneapolis, MN Sculpture Key West 2009 Artist Funding Award, Sculpture Key West, Key West, FL Awarded Research Single Semester Leave, College of Liberal Arts, University of Minnesota, Minneapolis, MN The Imagine Fund Award, University of Minnesota, Minneapolis, MN 2008 Institute for Advanced Study Collaborative Fellowship, University of Minnesota, Minneapolis, MN Grant-in-Aid Research Award, College of Liberal Arts, University of Minnesota, Minneapolis, MN Office of International Affairs Program Travel Grant, University of Minnesota, Minneapolis, MN Alexander Dubcek Fund Award, University of Minnesota, Minneapolis, MN Interdisciplinary Program in Collaborative Arts Grant, University of Minnesota, Minneapolis, MN The Imagine Fund Award, University of Minnesota, Minneapolis, MN 2007 New York Center for Arts and Media Studio, Emerging Curator Fellowship, New York, NY McKnight International Travel Grant, University of Minnesota, Minneapolis, MN The Institute of Global Studies Faculty Travel Grant, University of Minnesota, Minneapolis, MN Office of International Programs Travel Grant, University of Minnesota, Minneapolis, MN Graduate Research Program Prize with Gail Heidel, MFA candidate, University of Minnesota, Minneapolis, MN 2006 Curators Exhibition Funding Award, The Soap Factory, Minneapolis, MN European Studies Consortium Travel Grant, University of Minnesota, Minneapolis, MN McKnight International Travel Grant, University of Minnesota, Minneapolis, MN Chairâ&#x20AC;&#x2122;s Merit Award, Department of Art, University of Minnesota, Minneapolis, MN

2005 Jerome /Franconia Sculpture Park Fellowship, Minneapolis, MN - New York, NY McKnight International Travel Grant, University of Minnesota, Minneapolis, MN McKnight Summer Research Fellowship, University of Minnesota, Minneapolis, MN Faculty Summer Research Fellowship, University of Minnesota, Minneapolis, MN Grant-in-Aid Award, College of Liberal Arts, University of Minnesota, Minneapolis, MN 2004 Municipal Workshop Project, York, AL, invited visiting artist residency McKnight International Travel Grant, University of Minnesota, Minneapolis, MN 2002 A.S.A.P. (Acadia Summer Arts Program), Mt. Desert Island, ME, inviting visiting artist 2001 Fully Funded Artist Residency Fellowship - Bemis Center for Contemporary Arts, Omaha, NE Lab-Site Project Fellowship and Visiting Artist Residency, Indiana University, Bloomington, IN 1999 Flax Art, Artist Residency Fellowship, Belfast, Northern Ireland 1998 Artist Residency Fellowship, Bemis Center for Contemporary Arts, Omaha, NE 1997 Artist Residency Fellowship, Sculpture Space, Utica, NY Experimental Television Center - Residency, Newark Valley, NY 1996 Artist Residency Fellowship, The Vermont Studio Center, Johnson, VT 1994 Farber Birren, SAA Best of Show Award, Stamford Art Association, Stamford, CT

SELECTED PUBLIC ART COMMISSIONS AND PROJECTS

2018 Ascend, The Hagfors Center for Science Business and Religion, Augsburg College, Minneapolis, MN (permanent commission - forthcoming) 2015 Crystal Wave, University of Minnesota Ambulatory Care Center, Minneapolis, MN (permanent commission) Cherry Blossom Sky, Royal Cruise Lines, ICArt Miami and Mindy Solomon Gallery, Miami, FL, (permanent commission) 2014 Nightmare on the Neva, 10th Manifesta European Biennial Parallel Public Program with Art-centre Pushkinskaya-10, St. Petersburg, Russia - public video travels down the Neva River Gold Hearts/Gold Lips, Quantum of the Seas, Royal Cruise Lines, ICArt Miami and Mindy Soloman Gallery, Miami, FL (permanent commission) 2013 Reflect, Northern Spark and the Minnesota Museum of American Art, St Paul, MN, curators: Steve Dietz, Christina Chang 2012 One + One + One, Lower Manhattan Cultural Council, Governorâ&#x20AC;&#x2122;s Island, NYC, NY, public video project and performance Mountain Interventions, Monserrat, Barcelona, Spain, site specific land art installations Reflect, Plains Art Museum, Fargo, ND, public performance walk 2011 Earth Mirrors, Morningside College Sioux City, IA, permanent commission Reflect, Sculpture Key West, Key West, FL, public performance walk Nightmare, Nuit Blanche, Mississippi River, curator: Steve Dietz, traveling public video project Lumenata, Prime Therapeutics Headquarters, Bloomington, MN, permanent commission 2009 Ghost Siege, 2009 Emerging Artists Fellowship Exhibition, Socrates Sculpture Park, Long Island City, NY, catalogue Reflect on 14th, SIGN, AiOP on 14th St., New York, NY, curators: Erin Donnelly and Radhika Subramaniam Reflect - D.U.M.B.O, 13th annual D.U.M.B.O Art Under the Bridge Festival, Dumbo Arts Center, Brooklyn, NY, public performance walk Siege, Sculpture Key West 2009, Key West, FL, curators: Robert Chambers and Shamin M. Momin, (catalogue)

2008 Obelisk Migration II, Jonathan Shorr Gallery, sculpture migration/performance through New York City, NY 2007 The Garden of Iron Mirrors, Weisman Art Museum - Minneapolis, MN, permanent installation Spectral Chambers, Science Museum of Minnesota, St. Paul, MN, permanent installation Taconite Tables, Educational Sciences Building, Capital Planning and Project Management, University of Minnesota, Minneapolis, MN, permanent installation 2005 Web, Sculpture in the Park 2005, Rockland Center for the Arts, Nyack, NY, curator: Eric Laxman Lost, Sculpture 2005, Franconia Sculpture Park, Shafer, MN 2000 Siren Song, Sculpture 2000, Bridgeport Sculpture Park, Bridgeport, CT, curator: Peter Lundberg Obelisk Migration I, sculpture migration/performance from New York City to the Washington Monument, on the Mall, Washington, DC

SELECTED EXHIBITION CATALOGUES

Andrea Stanislav: Cosmist Reconstructions, 2018, Bruno David Gallery Publications, St. Louis, Missouri. Essay by Maria Zavialova Transpositions, 2015, Art-centre Pushkinskaya-10 Museum for Contemporary Art, St. Petersburg, Russia: curator - Anastasia Patsey, forward by Anastasia Patsey Second Life, Kentucky Museum of Art and Craft, Louisville, KY, forward by Joey Yates, curator Optical Illusions, Plains Art Museum, Fargo, ND, 2014, forward by Colleen Sheehy, director 5th Moscow Biennial of Contemporary Art, Moscow, Russia, 2013 Art Takes Miami, New York City, NY, 2012 Sculpture Key West, 2011, Key West, FL, forward by Lilly Wei 2010-2011 McKnight Artists Fellowship for Visual Arts, McKnight Foundation, Minneapolis, MN, essay by Dan Byers, curator, Carnegie Museum of Art, 2011 Transparency and Trans-formations: American Art at the Residence, Stockholm, Sweden, essays by Alice Gray Stites, Director, 21c Contemporary Art Museum, 2010 EAF 2009 Socrates Sculpture Park, Long Island City, NY, 2010 â&#x20AC;&#x201C; 2011 AiOP 2009, New York, NY, 2009 Exporting Pop, Dean Projects at Al Sabah Gallery, Kuwait City, Kuwait, essay by Eleanor Heartney, 2009 Sculpture Key West, 2009, Key West, FL. forward by Shamin Momin The Mixture and Collision of the East & West, Luxan Academy of Art Gallery, Shenyang, China, 2006 New Paradigms of Sculpture for the 21st Century, Wonkwang University Gallery, Iksan, Korea, 2005 Perspective 2004, Ormeau Baths Gallery, Belfast, Northern Ireland, essay by curator Vittorio Urbani, 2004

SELECTED INTERVIEWS AND REVIEWS

2017 Kerry Marks, “Andrea Stanislav” HEC-TV, November 2017. https://www.youtube.com/watch?v=ELbMDKtnLFw 2015 Editors, Tribeca, “MUST SEE: EXPERIMENTAL FILM SERIES PLAYS NIGHTLY FROM NYC GALLERY WINDOW”, August 14, 2015 (photos) The Editors, Art News, “9 ART EVENTS TO ATTEND IN NEW YORK CITY THIS WEEK,” August 31, 2015 (photos) Art Review, “Andrea Stanislav’s video exhibition at Pushkinskaya 10”, Time Out Moscow, Page 10, August 7, 2015 (photos) Anastasia Loszko,” Andrea Stanislav’s Forget Your Past and the Leningrad Blockade” Interview, St. Petersburg Nevskoye Vremya (front page of the arts and entertainment section, August 29, 2015 (photos) 2014 Jessica Klingelfuss, “Labyrinths”, Wallpaper* Magazine, August, 2014 (photo) Marianne Combs, State of the Arts — News and reviews Opposites collide in ‘Phase Velocity’, Minnesota Pubic Radio, September 12, 2014 (photos online) Mary Abbe, “Scene + Heard: The Walker’s Avant Garden benefit”, Star Tribune, September 20, 2014 (photo) Piter TV, St. Petersburg, Russia, Mamonov Tvorcheskie Stajirovki Inostrancev 28 07 14 sujet 08 35. NTV Russia, На Неве, Фонтанке и Малой Невке петербуржцы смогут наблюдать уникальный видео-перфоманс State TV and Radio Company “Saint-Petersburg” Interview, July 28, 2014 Mamonov Tvorcheskie Stajirovki Inostrancev 28 07 14 sujet 08 35 1 Erin Keane “Second Life: New Exhibit Explores Taxidermy, Animals Bodies in Fine Art”, Arts and Culture, WFPL News 89.3 Louisville, KY, National Public Radio broadcast, June 11, 2014 Share This, AU News, ‘Art Installation brings “Wonderwall interactive experience for visitors’, Alfred University Alumni News, Alfred, NY, July 6, 2014 (photo) Mary Shustack, Editorial, Web Exclusives “Lighting Up Pelham”, WAG Where Class Meets Sass, A Life Style Magazine, June 25, 2014 (photo) Nicole Briggs, “Pelham Art Center Featuring New Outdoor Exhibition Buy Andrea Stanislav”, Pelham Daily Voice - News, June 13, 2014 (photo) Sandra Bertrand, ‘“Breathless” Exhibit Features Gorgeous, Grotesque Animal Art’, Highbrow Magazine, Photography and Art, New York City, NY, March 5, 2014 (photos) Shelia Regan, “MMAA opens “2014 Minnesota Biennial”, City Pages, Art, Minneapolis, MN, June 12, 2014 (photos) Marianne Combs, “Local Art Shines in MN Museum of American Art exhibit”, State of the Art, NPR News, Minnesota Public Radio, June 26, 2014 Oscar Laluyan, “Picture This: Leaving You Breathless at RUSH Arts Gallery”, Arte Fuse, NewYork, NY, March 3, 2014 (photos) * Nightmare on the Neva - St. Petersburg also received over 65 print reviews and three radio interviews in Russian

2013 Andréa Stanislav: The Artist Behind The Headless Horse That Rocked Scope (photos, interview), Huffington Post, Arts & Culture, March 14th, 2013 Paul Kline, First Exhibits of 2013 Open - Chicago Around the Town, Huffington Post, January 9, 2013 Olivia Pool, “Spoleto, Piccolo bring extra energy to town “Nothing is True”. ARTSCENE, The Post and Courier, (photo) pp. E16 - E17, May 23 Dan Conover, “Headless Horsewoman Andréa Stanislav gazes into the looking glass”, Visual Arts, Charleston City Paper, (photo) p. 87, May 22 Blouin ARTINFO, “Andréa Stanislav: Wilderness of Mirrors”, Visual Arts, Events Reviews, International Edition, Jan 1 Rebecca Norton, “Andréa Stanislav”, Interview, ArtxFM, September, http://www.artxfm.com 2012 Andréa Stanislav, Feature Interview, Cream Magazine, December 2012 2011 Visual Commemoration: The Iraqi Memorial Project, Critical Inquiry, Chicago Journals, Joseph DeLappe and Dr. David Simpson, Summer 2011 Contemporary Artist Andréa Stanislav, MN original, Twin Cities Public Television, air date October 2011 Sizzle & Fizzle: Minneapolis College of Art and Design showcases new work by four winners of McKnight Fellowships, Star Tribune, Abbe, Mary, July 15, 2011 Earth Mirrors: sculpture installed on Morningside College Campus, Morningsider Magazine, Jenny Welp spring/summer 2011 2010 Andréa Stanislav at Packer Schopf Gallery - Diamond Maps”, Art on Ice, Norman Winfield, May, 30, 2010 Andréa Stanislav at Packer Schopf Gallery, Chicago Art News, June 8, 2010 Andréa Stanislav at Packer Schopf Gallery, Feature, Chicago Art Magazine, June 2010 State of the Arts - A society spinning its wheels, Minnesota Public Radio, interview, Marianne Combs, January 15, 2010 Seeworthy - Lightening Strick Itself, Star Tribune, Abbe, Mary, January 15, 2010 2009 Metromix - Lightening Struck Itself, KARE 11 television interview, Chris Kallal, January 13, 2010 Spare Times - Art in Odd Places, The New York Times - Arts, Anne Mancuso, October 1, 2009 BLINK: DAC’s Art Under the Bridge, Art Fag City, NYC, Paddy Johnson, September 30, 2009 News From the Home Front, Public Art Review, John Spayde, spring/summer, 2009 Like Art? You’ll Love Our Condos, The New York Times, Alison Gregor, May 8, 2009 Ghost Town Andréa Stanislav Brings a Burning Tiger to Smithfield Market, Totally Dublin, Sheena Madden, March, 2009 Andréa Stanislav at thisisnotashop,” Dublin City FM 103.2, Morning Show, Gerard Counihan, March 25, 2009 Winter exhibition offers a ‘Holiday in the Sun’,” Minnesota Public Radio, interview, Marianne Combs, January 16, 2009 The Keepers Awards - Andréa Stanislav visual artist, Editor’s Note -- Congrats to Everyone -- A random ode to creative genius, in three parts, Metro Magazine, Chuck Terhark, January 2009

2008 Andréa Stanislav River to Infinity, Art Papers Magazine, Chris Atkins, May 2008 Shattered - Installation of Mirrors and Symbols for Interpretation, Review Magazine, Stefan Osdene, June 2008 River to Infinity - the Vanishing Points, Star Tribune, Mary Abby, March 7, 2008 2007 Michael Zansky and Andréa Stanislav Contemporary 21 Magazine, Jay Murphy, no. 9, 2007 Latitude, Time Out London, Martin Coomer, January 31 - February 6, 2007. Latitude, The Saatchi Gallery: Your Gallery, The Charles Saatchi Art Newspaper. CAL, January 2007 Quantum Circus: the Intelligent Design Process, NY ARTS Magazine, Amanda M.Vail, January/February 2007 2006 The Five-Point Weekend Escape Plan, Admire Architecture in Minneapolis: #4. Insiders Tip - Quantum Circus: the Intelligent Design Process, New York Magazine, October 11, 2006 8 x 8 x 8 at the Soap Factory in Minneapolis, Review Magazine, Lauren DeLand, September 2006 2004 Belfast, Perspective 2004 at Ormeau Baths Gallery, CIRCA Magazine, Cristin Leach, winter 2004 Perspective, a-n Magazine London, Gemma Tipton, December 2004

SELECTED PUBLIC COLLECTIONS

Royal Caribbean International Ltd, Miami, FL 21c Museum, Louisville, KY Drura Parrish/Land of Tomorrow, Louisville, KY Larry and Ladonna Shapin Collection, Louisville, KY Bemis Center for Contemporary Arts, Omaha, NE Weisman Art Museum, Minneapolis, MN Annelaine Foundation, Indianapolis, IN Gen Art, New York, NY The Detroit Institute of Arts, Detroit, MI

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ARTISTS Laura Beard Heather Bennett Lisa K. Blatt Michael Byron Bunny Burson Judy Child Carmon Colangelo Alex Couwenberg Jill Downen Yvette Drury Dubinsky Damon Freed Douglass Freed

Michael Jantzen Kelley Johnson Howard Jones (Estate) Chris Kahler Xizi Liu Kahlil Robert Irving Bill Kohn (Estate) Leslie Laskey James Austin Murray Yvonne Osei Patricia Olynyk Gary Passanise

Ellen Jantzen

Judy Pfaff

Charles P. Reay Daniel Raedeke Tom Reed Frank Schwaiger Charles Schwall Christina Shmigel Thomas Sleet Shane Simmons Buzz Spector Andrea Stanislav Cindy Tower Monika Wulfers