BRYAN SZETO KA CHUN PORTFOLIO by BryanSzeto

BRYAN SZETO

Mackintosh School of Architecture

DipArch (Part II) | 2020

BRYAN KA CHUN SZETO +852 9217 8927 szeto268299@gmail.com

PERSONAL STATEMENT The architect is merely the curator. He sanctifies and celebrates a phenomenon which predates his involvement. He has complete authorship for it is his intervention that recognizes and makes possible the appreciation of the subject, yet the subject is itself authentic with or without an architect. It is this older authenticity, which originates from the events and social circumstances of the past, that gives weight to the subject.

CURRICULUM VITAE

szeto268299@gmail.com

SKILLS SUMMARY Autocad: Preparing detailed drawings inculding plans, sections, elevations for presentation (2013 - 2020) Sketchup: Sketch 3D modeling experience for quick visualization in conceptual and design stage (2013 - 2020) Revit: 3D modeling experience in conceptual and design development phases (2014 - 2020) Adobe Suite: masterful use of photoshop, illustrator, indesign compelling graphics for presentation (2013 - 2020) Twinmotion: Rendering, VR, videos and perspectives for 3D presentation (2013 - 2020)

EDUCATION Mackintosh School Of Architecture, Glasgow School of Art, Glasgow, United Kingdom

| September 2018- June 2020

- Diploma in Architecture (RIBA Part II)

Curtin University, Bentley, Australia

| October 2014- June 2016

- BAppSc (Architectural science)

HKU Space, Hong Kong | October 2012- June 2014 - Higher Diploma in Architectural Studies RELEVANT EXPERIENCE Spence Robinson Ltd, Hong Kong (Architectural assistant) | January 2018 - July 2018 - Assisted partner in fulfilling several fascinating projects no matter residential projects, commercial projects, commercial projects or master planning - Prepared complex detailed scale tender drawings for submission - Coordinating with interdisciplinary professionals such as structural engineer, architects, contractors

Studio OFF, Hong Kong (Architectural assistant) | November 2016 - November 2017, June 2014 - October 2015 - Assisted partner in fulfilling several fascinating projects no matter residential projects, commercial projects, commercial projects or master planning - Participated in clint project briefing meeting, listening and cooperating with client and teammates - Developed design concepts and ideas in the aspects of facade design, spatial arrangement, interior design, materiality - Prepared complex detailed scale tender drawings for submission - Prepared physical models and visual presentation for client meeting - Coordinating with interdisciplinary professionals such as structural engineer, architects, contractors - Site visit in construction stage

Alexander Wong Architects Limited, Hong Kong (Architectural assistant) | July 2016 - November 2016 - Developed design concepts and ideas in the aspects of facade design, spatial arrangement, interior design, materiality - Prepared complex detailed scale tender drawings for submission ACHIEVEMENTS Central Glass International Architectural Design Competition | August 2020 Scottish Innovative Student Award (Level 1 Future Thinker) | February 2019 Central Glass International Architectural Design Competition | August 2017 West-Kowloon Pavilion Competition | June 2017

Entry Recipient Entry Entry

TABLE OF CONTENT ENTANGLEMENT

P.4-15

THE EXHIBITION / THE “MAKING OF”

P.16 - 27

24-7-365

P.28 - 33

STREET HOUSE

P.34 - 41

PROFESSIONAL WORKS

P.42- 46

ENTANGLEMENT E M B R A C E

T H E

U N C E R T A I N I T Y

ACADEMIC: DIPARCH (PART II) FINAL YEAR PROJECT | 2020 PROFESSOR: MIRANDA WEBSTER TYPE: CULTURAL ARCHITECTURE (LIBRARY & EXHIBITION CENTRE) SITE: ANTWERP, BELGIUM

4 | MANIFESTO

Spectrum of spaces Instead of having a clear separation between indoor a n d o u t d o o r, c a n w e b l u r t h e r e l a t i o n s h i p o f t h e m ?

MANIFESTO | 5

01. MANIFESTO In most of the buildings, the indoor space was enclosed and separated from the environment by means of insulation which means “to make into an island” from its origin Latin word insula. The ‘certain’ approach we used for years disconnrct architecture from nature/environment and deny the possibilities of architecture as part of the environment.

The criteria for architecture after the tsunami is humbleness. - KENGO KUMA

“

To further this concept, the awareness of uncertainty and the ability to adopt to the uncertainty are precisely why human beings have survived to this day. Instead of creating boundary or barrier to separate architecture from environment, can we consider “architecture” and “environment” sharing the same space? This project explores the role of architecture in creating a harmonious social environment in a complex and well-developed cirt - Antwerp. Through the analysis of the urban fabric of the city, this project aims to create a cultural village consists of different public facilities embedded within a natural environment. This proposal will focus on the library design as an example to demonstrate how architecture can be part of the environment while the environment can also be part of the architecture.

6 | STRATEGY

02. STRATEGY In this project, the aim is to provoke another prespective towards the ingrained image of architecture of its certainty and perfection. Instead of finding an ideal utopian solution in a design, how can we create a spectrum or a range of solutions that adapted the site conditions such as rains, wind, sunlight or temperature.

Architecture | Environment

Architecture & Environment

THESIS STATEMENT Allowing uncertainty created by nature - human-nature connection

In most of the buildings, the indoor space was enclosed and separated from the environment to ensure the inner climate can be controlled. This â&#x20AC;&#x2DC;certainâ&#x20AC;&#x2122; approach we used for years disconnect architecture from nature/environment and deny the possibilities of architecture as part of the environment.

Architecture should not be a container that make the spatial qualities

In my final design thesis,inside I hope to provoke a users differentshould perspective towards the ingrained image of architecture its certainty and perfection. identical, experiences different atmosphere in of different Instead of finding an ideal utopian solution in a design, how can we create a spectrum or a range of solutions spaces. that adapted the site conditions such as rains, wind, sunlight or even flooding.

STRATEGY | 7

Columns | Walls Differentiate walls into columns in certain functional spaces for users to find their own spots and environment can impact to spaces.

8 | PHYSICAL MODELS

VERTICAL NOLLI | 9

03. VERTICAL NOLLI Traditional mixed-use buildings erase individual programmatic quality by assimilating programs into a single architectural identity, through means of homogeneous spatial treatment and integration of scale. This act is viewed as bleaching of myriad of characters, and a loss of rich experience.

10 | SECTION

SECTION | 11

1 Outdoor Landscrape 2 Reading Lounge 3 Private Reading Room 4 Library 5 Atrium 6 Roof Landscape

12 | SECTION

SECTION | 13

5 1 Office 2 Main Entrance 3 Library 4 Cafe 5 Atrium 6 Roof Landscape

14 | STRUCTURAL CONCEPT

STRUCTURAL CONCEPT | 15 NOISREV TNEDUTS KSEDOTUA NA YB DECUDORP

PRODUCED AN AUTODESK STUDENT VERSIONits Each program block has its own floor plate, ceiling height,BYand facade that expresses nature and purpose. Not only does it promote diversity, it allows for intuitive way finding. Public spaces enclosed within these blocks of program blocks result in urban living rooms with textured wallpapers. These rooms are scaled in between urban and architecture, enabling a new public strata for interaction and meeting for visitors and inhabitants alike.

THE EXHIBITION

NATIONAL HISTORY MUSEUM AND BEHIND THE SCENE

ACADEMIC: DIPARCH (PART II) 1ST YEAR PROJECT | 2020 PROFESSOR: STUART DICKSON TYPE: CULTURAL ARCHITECTURE (NATIONAL HISTORY MUSEUM) SITE: GLASGOW, SCOTLAND

THE “MAKING OF”

NATIONAL HISTORY MUSEUM AND BEHIND THE SCENE

20 | MANIFESTO

01. MANIFESTO If exhibition is a presentation of aesthetics or perfection, then the “making of” would be the presentation of creativity or imperfection. In this project, the aim is to create a civic building that inspire citizens to think in different prespectives. Architectually, the formation of exhibition space normally just provide an enclosed “black box” and people can just unilaterally experience the fixed simple route provided. However, visitor should interact with the space, exhibits and of course the people. Therefore, civic building should be innovative that provide a different experience to the public.

TICKET OFFICE CLOAKROOM SECURITY

SOUVENIR SHOP CAFETERIA

EXHIBITION SPACE AUDIO / VISUAL EXPERIENCE

Front of House

OFFICES

RESEARCH CENTRE

CONSERVATION

DOCUMENTATION COLLECTIONS

Exhibition

Back of House

Conventional layout of exhibition space

< 50% of the story

TICKET OFFICE CLOAKROOM SECURITY

SOUVENIR SHOP

CONVENTIONAL LAYOUT OF EXHIBITION SPACE

CAFETERIA

Front of House

EXHIBITION SPACE AUDIO / VISUAL EXPERIENCE

“MAKINF OF” SPACE

Exhibition

The “Making of”

CONSERVATION

COLLECTIONS

RESEARCH CENTRE

OFFICES COLLECTIONS

DOCUMENTATION STORAGES Back of House

The conservation work is not easy

Relationship>between exhibition space and “making of” space 50% of the story

The general public (1%) in “making of” space (99%)

The earth is in danger

RELATIONSHIP BETWEEN PERFORMANCE SPACE AND “MAKING OF” SPACE Maybe human will become extinct one day

What’s that?

WOW!!!!

Scientists / Professors

Hope they will enjoy this exhibition

The conservation work is not easy General Public

How can they die?

Different perspective on same objects / events DIFFERENT PERSPECTIVES ON SAME OBJECTS / EVENTS

The general public (1%) in “making of” space (99%)

The scientists (1%) in “exhibition” space (99%)

Exchange positions EXCHANGE POSITION

Hope they will enjoy this exhibition The scientists (1%) in “exhibition” space (99%)

EXCHANGE POSITION

STRATEGY DIAGRAMS | 21

1. City “landscapes”

2. Public landscapes (Exhibition space)

3. Working space (Making of space)

4. Circulation connection

5. Building envelope

6. Spatial formation (Exhibition V.S. Making of)

22 | PLANS

Main Entrance

Staff & Delivery zone

Cloakroom

Reception & Ticket Office

Audiorium

Cafe

GROUND FLOOR PLAN - GROUND ENTRANCE AND MARINE LIFE EXHIBITION

Station Entrance

Laboratory 3

Laboratory 2

Laboratory 1

Office

FIRST FLOOR PLAN - STATION ENTRANCE AND LABORATORY

PLANS | 23

Zon

Dinosaurs Zone

Audio

urs

osa

Din

rium

Souvenir Shop

SECOND FLOOR PLAN - DINOSAURS EXHIBITION AND SOUVENIR SHOP

Lounge

Audiorium

Laboratory 4 Collections Storages

THIRD FLOOR PLAN - LABORATORY AND RESEARCH LEARNING CENTRE

24 | EXPERIENTIAL SECTION

8 6

5 2

EXPERIENTIAL SECTION | 25

4 3

1 Archive & Collection Storage

9 Audiorium 2

2 Object Preparation Room

10 Laboratory 3

3 Reception & Ticket Office

11 Collections Storage

4 Marine Zone

12 Audiorium 3

5 Audiorium 1

13 Bird Zone

6 Laboratory 1

14 Laboratory 4

7 Laboratory 2

15 Restaurant

8 Dinosaurs Zone

SECTION AA

26 | DETAIL Vierendeel Structure

PRIMARY STRUCTURE Concrete service core as huge shear wall

TERTIARY STRUCTURE Raised floor system

SECONDARY STRUCTURE Secondary beam system

PRIMARY STRUCTURE Vierendeel Truss Structure

TERTIARY STRUCTURE Suspended ceiling system

Vierendeel Structure

PRIMARY STRUCTURE Columns structure connecting to ground

CONCRETE SERVICE CORE

Relationship between Primary, Secondary and Tertiary structure

PILE FOUNDATION

Vierendeel Structure as the main structure to support both raised floor system & suspended ceiling system

AT4 Structure Strategies - 20/03/2019

Vierendeel Structure

Raised Floor System

Suspended Ceiling System

Vierendeel Structure as the main structure to support both raised floor system & suspended ceiling system

AT4 Structure Strategies - 20/03/2019

Structure System - 06/03/2019 Structure System - 06/03/2019

SECTION BB

PRODUCED BY AN AUTODESK STUDENT VERSION

Vierendeel Structure

AT4 Structure Strategies - 20/03/2019

DETAIL | 27

02. STRUCTURE STRATEGY Vierendeel Structure is used in this project which perfectly fit the concept of creating hierarchy between exhibition space and â&#x20AC;&#x153;making ofâ&#x20AC;? space, the vierendeel structure allow the possibilities of open landscape formation in the exhibition space that have full flexibility and adaptability for different exhibits.

24 - 7 - 365

C O M M U N I T Y B O D Y C U LT U R E C L U B COMPETITION: CENTRAL GLASS INTERNATIONAL ARCHITECTURAL DESIGN COMPETITION TYPE: CULTURAL SITE: TOKYO, JAPAN

30 | INTRODUCTION

“We’re not on this stage just because of talent or ability. We’re up here because of 4 a.m. We’re up here because of two-a-days or five-a-days. We’re up here because we had a dream and let nothing stand in our way. If anything tried to bring us down, we used it to make us stronger. We were never satisfied, never finished. We will never be retired.” - KOBE BRYANT

“Blood, sweat and respect. First two you give, last one you earn.” - DWAYNE “THE ROCK” JOHNSON

“Work hard in silence, let your success make the noise.” - ARNOLD SCHWARZENEGGER

Tokyo 2020 Olympic and Paralympic will be held this year. Most people will be fascinated by the competitive battle of top athletes, and some people would start sports in response to the stimulus. The first thing that comes to mind from the word “sports” is the competitive sports by top athletes, but nowadays, lifelong sports that everyone, regardless of age or sex, can enjoy for maintaining health towards “the 100 year life” have also increased. In addition, sports that are related to rehabilitation and Para-Sports are also expanding. Hence, within these diverse types of sports, not becoming competitive and enhancing sports as a culture, are coined as “Body Culture” which is a battle to oneself mentally and physically. To further this concept, the character or meaning of time and human interaction will be discussed, the built environment should reflect these changes.

STRATEGY: PLAN & SECTION | 31

Spring

Summer

Autumn

While e

Instead match), Basketball court Badminton court Running tracks

Table tennis room Gymnasium

o-a-days or five-a-days. Weâ&#x20AC;&#x2122;re up stronger. We were never satisfied,

Table tennis room

Day-time

humans

Skateboard area

Dancing studio

Night-time

Rainy day

SITE PLAN By using a circular form, giving users a sense of unity, and sharing the same centre courtyard as their growth mirror, users from any kinds of sports are equal.

s soccer mirror to

y shared rt, "Body rated by

Running le Tennis

SECTION AA People can witness to each others, no matter what sport you play, your hard-working, discipline lifestyle can motivate others to try making a move in their own life.

2020-0102

Basketb the sim Culture

32 | SECTION

1 - APPROACH

2 - VESTIBULE

3 - HOSPITALITY

4 - MAIN HALL

Transition between bridge deck and architecture.

Separation of hostel guests and gallery visitors below.

Capsule hostels open directly onto the vista of Wulinyuan.

Continuous ba perimeter of th

TIME Instead of being fascinated by the competitive battle of top athletes within CAFE + BAR

RECEPTION

DINING

GALLERIES

KITCHEN

SKY SHAFT

Artworks are human interpretations of nature. Here they are compa works of art and poetry, and been the dig site of many scholar’s roc puttimes. emphasis on long-term satisfaction and practice. The environment is Gallery one contains the oldest known artifacts depicting Wu thethree mirrorcontains to reflect the change of time and visualize blood, sweat and contemporary artworks andthe aerial photographs, as w she compares what was seenin throughout tear of human their practice.history to what she can s successfulness of preservation will be measured by this compariso a limited period of time (e.g. 90mins soccer match), “Body Culture” should

ar table around he dining area.

SECTION | 33

5 - FEATURE SPACE

6 - EVENTS

7 - SPECIAL EXHIBIT

Continuous kitchen and bar spans above main gallery.

Linked classrooms allow for larger events.

Storage close to the end of the bridge to ease loading.

HUMAN INTERACTION Basketball, soccer, badminton, running, etc. There are tons of different

ared to the original source. Over the last thousand years, Wulinyuan has inspired countless sports around the world. However, they shared the similar philosophy cks. We propose to separate the gallery area into three phases representing three different behind: move the yourlargest body and healthily. Therefore, compared to and gallery ulinyuan, gallery two hosts bodylive of items from the recent millenia, competitive sport, “Body information. Culture” shouldAs bethe transparant and connecting well as ecological and geographical visitor treads from gallery to gallery, still see today just beyond the glass and walls. are Thenot integrity ofby the landscape and the people through visual andfloor sound. Humans separated different on. kind of sports, but bonded by the same “Body Culture”.

HOSTEL STAFF STORAGE + BOH

Capsule hostels for both guest and staff open directly onto the cloudscape of Wulinyuan. This allows for the best possible view within the most efficient space. The staff and storage areas are located near access points at the ends of the bridge to facilitate loading of supplies and back of house storage of gallery items.

STREET HOUSE

URBAN PROPOSITIONS IN HOUSING ACADEMIC: BACHELORâ&#x20AC;&#x2122;S DEGREE 3RD YEAR PROJECT | 2013 PROFESSOR: LEE SHU FAN TYPE: RESIDENTIAL SITE: TAI HUNG, HONG KONG

36 | STREET HOUSE PROJECT

PROJECT STATEMENT Due to the second highest global housing price in Hong Kong, buying a flat is known as “mission impossible”. Many citizens in Hong Kong can just lived in 48 feets flat which is even smaller than a prison in Hong Kong. Therefore,

what citizens hoping for is just a living space, let alone an all-round living style with communal space and sport facilities. Different from a typical housing strategy, can we build an architecture that actually integrate the

whole community inside a building and share the space they need in order to provide more living space. Personally, “house” should be warm, blessed gift that people can enjoy instead of an agonizing, exhausting burden.

SITE CONTEXT ANALYSIS | 37

1. Site Building Typology

2. High-rise V.S. low-rise

3. Ground Floor Accessibility

4. Site Circulation

5. Crossroad Spot

6. Circulation Speed

38 | DESIGN DEVELOPMENT

DESIGN DEVELOPMENT | 39

Resid

entia

l Spa

Activities Space

Road to Back Lane

Main Street to Road

Communal Spa

Spatial Arrangement

Keeping Site Circulation

Private Circulation

9 Floors building height: 28m Public Circulation

Public / Private Circulation

Keeping Site Building Height

Human Relationship

Visible Activities to Public

Future Housing in Hong Kong - Design Development

40 | SECTION

Home

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Sky Garden with Common Room

Canteen

Study Room Back Lane

Future Housing In Hong Kong - Sectional Perspective

Residential Entrance Fifth Floor 16000 Fourth Floor 13000 Third Floor 10000 Second Floor 7000

Corridor Canteen

Study Room

Back Lane

Study Room

Home

Public Library

Lounge

Using materiality to create sense of journeys Future Housing In Hong Kong - Section Drawing

Sky Garden with Common Room

First Floor 4000 Ground Floor 0

RESIDENTIAL UNITS PERSPECTIVES | 41

Future Housing In Hong Kong - Residential Units Sectional Perspective

PROFESSION AL

WORKS

44 | PROFESSIONAL WORKS

RAINBOW FRACTION // STUDIO OFF

COMPLETED

TYPE: SWIMMING POOL, HOSPITALITY SITE: VANKE CENTER, SHENZHEN, CHINA INVOLVEMENT PHASE: CONSTRUCTION STAGE + Intensively studied and iterated design options for interior lighting, which initially started from competition level, physically impossible structure to elegant tessellated structure that came to be realized. + Constructed flexible and alterable physical models used extensively during design sessions with project shareholders.

ASIAN PACIFIC DESIGN AWARDS BY THE INTERNATIONAL INTERIOR DESIGN ASSOCIATION

LIGHT SHOWER // STUDIO OFF

COMPLETED

TYPE: SWIMMING POOL, HOSPITALITY SITE: BEST WESTERN PREMIER ION DELEMEN RESORT HOTEL GENTING HIGNLANDS, MALAYSIA INVOLVEMENT PHASE: DESIGN DEVELOPMENT, CONSTRUCTION STAGE + Massing iterations for adjacent site to address and negotiate the City of Malaysiaâ&#x20AC;&#x2122;s responses. + Physical and digitial modeling for testing lighting design during design sessions with project shareholders.

2017 FX DESIGN AWARD SHORTLISTED

PROFESSIONAL WORKS | 45 1 25.4

3200

15TH FLOOR LEVEL (14TH FLOOR IS OMITTED) 7848.6

3200

300 300

NEW 27000L F.S. WATER TANK NEW GLASS LOUVER

NEW CURTAIN WALL EXTENDED TO 1400 MM MAX FROM NEW MAIN ROOF S.F.L.

BUILDING LOGO ( TO BE SUBMITTED SEPARATLEY)

NEW FLAT ROOF LEVEL

NEW ARCHITECTURAL FEATURE METAL FIN 250 MAX PROJECTION FROM NEW CURTAIN WALL

NEW ARCHITECTURAL METAL FEATURE 250 MM MAX. FROM NEW CURTAIN WALL

7848.6

EV. CHARGING CABINET

MIN.1100 FROM F.F.L.

3352.80 (11'0")

11TH FLOOR LEVEL

(11'0")

3352.80 (11'0")

NEW CURTAIN WALL 250 MM MAX. FROM OUTER FACE OF EXISTING STRUCTURAL ELEMENT

W 16

W 5

W 13

NEW CURTAIN WALL 250 MM MAX. FROM OUTER FACE OF EXISTING STRUCTURAL ELEMENT

3352.80 (11'0") 3352.80 (11'0") 3352.80 (11'0")

P.D. UP 16R

NEW ARCHITECTURAL FEATURE METAL FIN 250 MAX PROJECTION FROM NEW CURTAIN WALL

(11'0")

UP 4R

SPRINKLER PUMP ROOM

3352.80

5TH FLOOR LEVEL (4TH FLOOR IS OMITTED)

WHOLESALE WING WAH B CHONG YIP S KWUN TONG

UP 3R

3RD FLOOR LEVEL.

3352.80 (11'0")

SHOP4 (11.535 m2)

7848.6

NEW BEAM WITH METAL FINISH ( REFER TO STRUCTURAL DWG TO BE SUBMITTED SEPARATELY)

ELEVATION 2

BUILDING METAL SIGNAGE (TO BE SUBMITTED SEPARATELY)

2ND FLOOR LEVEL.

762

NEW METAL SIGN BOARD

MIN.2750

(12'0")

3657.60

NEW GLASS DOOR

NEW GLASS CANOPY

5383

25.4

EXISTING BEAM TO BE DEMOLISHED (REFER TO STRUCTURAL DRAWING TO BE SUBMITTED SEPARATELY)

MIN 2750

3352.80 (11'0")

NEW CURTAIN WALL 250 MM MAX. FROM OUTER FACE OF EXISTING STRUCTURAL ELEMENT 1ST FLOOR LEVEL.

MIN. 3300

UP 3R

PANTRY (5.459 m2)

H.R

2.0

NEW METAL CANOPY

FSI

NEW METAL FRAME

KERB LEVEL

CONVERSION OF INDUSTRIAL BUILDING // SPENCE ROBINSON LTD 5765.8

5638.8

22860.0

5638.8

IN PROGRESS 5765.8

25.4

TYPE: COMMERICAL SITE: CHONG YIP STREET, KWUN TONG, HONG KONG INVOLVEMENT PHASE: DESIGN DEVELOPMENT, TENDER DOCUMENTS, CONSTRUCTION DOCUMENTS + Prepared complex detailed scale tender drawings for submission + Coordinating with interdisciplinary professionals such as structural engineer, architects, contractors

ENTRANCE

ELEVATION 2

CC CMD

25.4

AL ENTER

7848.6

6TH FLOOR LEVEL

UP23R

KITCHEN (14.421 m2)

SHOP1 (57.412 m2)

W 16

馬海

UP 20R

STORE ROOM

LIFT LOBBY

FS TRANSFER WATER TANK & PUMP ROOM

DN 5R

ENTRANCE LOBBY

7848.6

W 16

8TH FLOOR LEVEL

7TH FLOOR LEVEL

H.R.

8610.6

W 16

9TH FLOOR LEVEL

7747.0

P.D.

F.S. CONTROL CENTRE & SPRINKLER CONTROL VALUE RM

P.D.

PANTRY (16.408m2)

UP 5R

UP2R

7848.6

W 18

NEW CURTAIN WALL EXTENDED MIN 1100 mm FROM 10/F F.F.L.

39192.2

51839 TOTAL BUILDING HEIGHT

NEW TX ROOM

FIREMAN'S LIFT

H.R

UP2R

SHOP2 (76.183m2)

dumbwaiter

E.M.C.

UP 23R

3352.80

10TH FLOOR LEVEL

MAIL ROOM

7747.0

W 18

30602.4

W 18

1835

CANOPY

W 18

12TH FLOOR LEVEL

3352.80 (11'0")

H.R.

3500

CAR PARK / LOADING / UNLOADING 250.40 m²

13TH FLOOR LEVEL (EXISTING MAIN ROOF LEVEL)

2325

RAMP UP min 1:24

7848.6

SHOP3 (52.767)

GAS CONTROL VALVE CABINET

WMC

NEW METAL LOUVER

1100

25.4

(NEW MAIN ROOF LEVEL) (169.183 FT PD)

FUTURE SIGNAGE ( SUBJECT TO SEPARATE APPROVAL ) NEW METAL ARCHITECTURAL FEATURE EXTEND 600mm ABOVE UPPER ROOF F.F.L.

1400

4600

BOUNDARY

3048.0

WMC

GROUND FLOOR PLAN

UPPER ROOF (INACCESSIBLE)

2560

BUILDING MAINTENANCE UNIT SYSTEM (NEW GONDOLA SYSTEM FOR CLEANING CURTAIN WALL)

19812.0

3048

KERB LEVEL

1:100 2601

46 | PROFESSIONAL WORKS

LEI YUE MUN SEAFOOD RESTAURANT // SPENCE ROBINSON LTD

IN PROGRESS

TYPE: COMMERICAL SITE: NO. 48 LEI YUE MUN PRAYA ROAD, HONG KONG INVOLVEMENT PHASE: DESIGN DEVELOPMENT, TENDER DOCUMENTS, CONSTRUCTION DOCUMENTS + Prepared complex detailed scale tender drawings for submission + Coordinating with interdisciplinary professionals such as structural engineer, architects, contractors

BRYAN SZETO KA CHUN SZETO268299@GMAIL.COM