Time in Motion(s) Atlas, Brydie Singleton, Representing and Remembering Place

Page 1

P L A C E

Singleton 699115 The of

T I M E

I N

M O T I O N ( S )

University Melbourne Master

R E M E M B E R I N G

+ R E P R E S E N T I N G

Brydie

of

Architecture 2020

A T L A S


T I M E

I N

M O T I O N ( S )

The site is located in Hawthorn It began as a clay pit for the Old Upper Hawthorn Brickworks site established in 1883, being the largest brick manufacturer in Victoria at one point. It closed in the Great Depression, leaving a huge hole in the landscape. In 1972 the council acquired the land and used it as a rubbish tip. Once it was filled, they let it rest and in 1996 it was turned into a park, named Fritsch Holzer after on the Augustus Fritsch and the Holzer brothers who set up the Brickworks I chose this as my site of exploration due to its layered history Having lived two streets away from it my whole life, I have my own narratives attached to it. Beyond this, there is a deep sense of collective memory embedded into this layered landscape A river once flowed through the site, wattle was thick However, once the clay pit was found, it was dug out Once excavation was exhausted, it was packed in again Today it’s a see of picnics, pets and planting We discover it again Flowing Digging Packing Playing The Atlas is broken down into four stacking boxes, each speak to a shifting time frame, by the forces that was acted upon on it Time in Motion(s) You are invited to excavate, scrummage through the stack, slowly unpack Through poems, soundscapes, fossil artefacts, Maps, collages and photography Through interaction comes discovery Feel, touch, hear and listen to the echo of the sites many histories, which still reverberate through it today






1

2

3

4


https://www.youtube.com/watch?v=FO9Ot7Bdwq8

8


S T A C K E D

A T L A S

:

I N T E R A C T I O N

9


1

1

FLOWING

F L O W I N G

: WATTLE

W A T T L E

A N D

AND WATER

Prior to 1883

10

W A T E R


1

FLOWING

:

WATTLE

AND

WATER

11


1

ST A C K E D

Wattle

and

I N S I D E

Prior to 1883

Water

The signal of spring Days warming Scented smell Carried in air

Buried beneath the ground

First hints Of tiny yellow

By most patrons, it’s unfound

Then explosion Of inflorescence Numerous wattles An aesthetic of many

What once laid low

FLOWING

When spring awakes From its sleep

Meandered freely in its flow

We are always ready

Now sits trapped within pipes Tightly within their gripes

WATTLE

Prior to 1883

Hidden moments, untold 0m

Shackled by human control

50

100

150

200

Ruled by the pursuit of taming

THE

Altering what was, the land reframing

BURIED

WATERCOURSE

FLOWING

But as rain falls down, the humans retreat And all the organisms, regain their feet

Wattle

and

Water

For a moment just so Nature steals back the show

Prior

to

1883

0m

50

100

150

200

: WATTLE AND

GL

YARRA RIVER

D

S

AN

AS

Prior to 1883

CR K

DS

AN

TL

EE

WE

WATTLE

TR L

AI NORTHERN

TRADITIONAL

WURUNDJERI

SOUTHERN

TRADITIONAL

UNDETERMINED

DRAIN

LAND

(RAP) AREA

LAND

(RAP) AREA

RIVER

LO

ST

CR

EE

K:

GO

SITE

OR

IG

Poem

IN

AL

CO

AD

DR

CH

OL

AS

RO

NI

OUTLINE OF BOROONDARA

Cast Artefact: Wattle Imprint

N

AI

ANNIVERSARY TRAIL

NE

Soundscape

AREA

YARRA

MAIN HAWTHORN

WATER

Inside:

BLACK CREEK

UR

SE

OF

GA

RD

Morphology: Map

IN

ER

S

CR

FERNDALE

EE

1933 0m

50

100

150

200

0m

50

100

150

200

TRAIL

K

Stitched Watercourse: Map Indigenous History: Map Wattle: Photography Archival: Collages

TRADITIONAL LAND OF THE WURUNDJERI PEOPLE OF THE KULIN NATION (MAP OF THE CONTEMPORARY REGION OF BOROONDARA) NUMBER OF TRADITIONAL GROUPS IN THE BOROONDARA REGION: 38 THE NAME BOROONDARA ORIGINATES FROM TRADITIONAL WOIWURRUNG LANGUAGE MEANING 'WHERE THE GROUND IS THICKLY SHADED'

12

0km

1000km

2000km

N

LOST CREEK: GONE

LOST CREEK: WALKING TRACK

YARRA RIVER

SOUTHERN TRADITIONAL LAND (RAP) AREA

REMAINING EXISTING CREEK

LOST CREEK: DRAIN

WHERE THE GROUND IS THICKLY SHADED

SOUTHERN TRADITIONAL LAND UNDEFINED (RAP) AREA


1

FLOWING

:

WATTLE

AND

WATER

13


1 FLOWING : WATTLE AND WATER 14

https://youtu.be/oMY35RnjA38


1

S O U N D S C A P E

FLOWING

:

WATTLE

AND

WATER

15


1

A R T E F A C T

FLOWING : WATTLE AND WATER

Wattle Cast Imprint

16


1

P O E M

Wattle

and

Water FLOWING

Buried beneath the ground

:

By most patrons, it’s unfound

WATTLE

What once laid low Meandered freely in its flow

Hidden moments, untold

WATER

Tightly within their gripes

AND

Now sits trapped within pipes

Shackled by human control Ruled by the pursuit of taming Altering what was, the land reframing But as rain falls down, the humans retreat And all the organisms, regain their feet For a moment just so Nature steals back the show

17


1

M A P P I N G

M O R P H O L O G Y

FLOWING

Prior to 1883

Prior to 1883

1933

:

Prior to 1883

WATTLE AND WATER 0m

18

50

100

150

200

0m

50

100

150

200


1

M A P P I N G

B U R I E D

W A T E R C O U R S E

FLOWING : WATTLE AND WATER

Stages of flow from creek to wetlands

19


LAND INED (RAP ) AREA

UNDETERM

DRAIN LO

ST

CR

EE

K:

GO

SITE

I N D I G E N O U S

OR

IG

IN

AL

CO

D

DR

CH

OL

AS

A RO

NI

1

M A P P I N G

N

AI

ANNIVERSARY TRAIL

NE

OUTLINE OF BOROONDARA AREA

RIVER

HAWTHORN

YARRA

N

MAI

BLACK CREEK

UR

SE

OF

GA

RD

IN

ER

S

H I S T O R Y

CR

FERNDALE

EE

TRAIL

K

TRADITIONAL LAND OF THE WURUNDJERI PEOPLE OF THE KULIN NATION 1000km

2000km

N

D

S

AN

AS

GL

YARRA RIVER

0km

K

DS

AN

TL

WE

CR EE

FLOWING

(MAP OF THE CONTEMPORARY REGION OF BOROONDARA) NUMBER OF TRADITIONAL GROUPS IN THE BOROONDARA REGION: 38 THE NAME BOROONDARA ORIGINATES FROM TRADITIONAL WOIWURRUNG LANGUAGE MEANING 'WHERE THE GROUND IS THICKLY SHADED'

TR L

AI

: WATTLE

NORTHERN

TRADITIO

WURUNDJE

NAL LAND

RI (RAP) AREA

AND

SOUTHERN

LO

ST

CR

EE

K:

GO

SITE

IG

IN

AL

CO

D

DR

NI CH OL AS

A RO

OUTLINE OF BOROONDARA

OR

N

AI

ANNIVERSARY TRAIL

NE

AREA

RIVER

HAWTHORN

YARRA

WATER

N

MAI

TRADITIO NAL LAND INED (RAP ) AREA

UNDETERM

DRAIN

BLACK CREEK

UR

SE

OF

GA

RD

IN

ER

S

CR

FERNDALE

EE

TRAIL

K

TRADITIONAL LAND OF THE WURUNDJERI PEOPLE OF THE KULIN NATION

20

(MAP OF THE CONTEMPORARY REGION OF BOROONDARA) NUMBER OF TRADITIONAL GROUPS IN THE BOROONDARA REGION: 38 THE NAME BOROONDARA ORIGINATES FROM TRADITIONAL WOIWURRUNG LANGUAGE MEANING 'WHERE THE GROUND IS THICKLY SHADED'

0km

1000km

2000km

N

LOST CREEK: GONE

LOST CREEK: WALKING TRACK

YARRA RIVER

SOUTHERN TRADITIONAL LAND (RAP) AREA

REMAINING EXISTING CREEK

LOST CREEK: DRAIN

WHERE THE GROUND IS THICKLY SHADED

SOUTHERN TRADITIONAL LAND UNDEFINED (RAP) AREA


The signal of spring Days warming

1

Scented smell Carried in air First hints Of tiny yellow

P H O T O G R A P H Y

Then explosion Of inflorescence Numerous wattles An aesthetic of many When spring awakes From its sleep

W A T T L E

We are always ready

WATTLE

FLOWING :

Then explosion Of inflorescence

WATER

First hints Of tiny yellow

AND

Scented smell Carried in air

WATTLE

The signal of spring Days warming

Numerous wattles An aesthetic of many When spring awakes From its sleep We are always ready

WATTLE

21


1

A R C H I V A L

C O L L A G E

FLOWING : WATTLE AND WATER WATTLE

22


1

A R C H I V A L

C O L L A G E

FLOWING : WATTLE AND WATER

THE

BURIED

WATERCOURSE

23


2

2

DIGGING

D I G G I N G

: CLAY

C LA Y

A N D

C O L O N I E S

AND COLONIES

1883 - 1972

24


2

DIGGING

:

CLAY

AND

COLONIES

25


2

ST A C K E D

I N S I D E

PLAYING Pets + Playing 1996 - current

Clay

and

Prior to 1883

Colonies

Peeking through Reaching out

Walking in step with cuts Edges release

Encrusted in time Locked in by soil Bricks scatter Emerging in hills Buried under foot Remnants of a past life

With each contour

DIGGING

A new crease

Faint echoes A narrative to be discovered By the kid in the dirt Digging for worms If you look You will find

The clay, Drained of its source

BRICK

REMNANTS

1933

The claim, Perceived ownership of force

0m

50

100

150

200

Carving out buildings

BRICK

One brick at a time

HISTORY

DIGGING

In depths of the quarry From which they climb

Clay

and

Colonies

Shovel over shoulder Sculpting of land In kiln turn over Engraved by man

1883

-

1972

0m

50

100

150

200

: CLAY AND COLONIES

Prior to 1883

THERE’S

Inside:

Soundscape Cast Artefact: FH Imprint Poem

1952 0m

50

100

150

200

0m

50

100

150

200

Morphology: Map Brick Pits Watercolour: Map Excavating Narratives: Maps Brick Remnants: Photography Archival: Collages

26

A

HOLE

IN

MY

GARDEN


2

DIGGING

:

CLAY

AND

COLONIES

27


2 DIGGING :

https://youtu.be/NGp-44mUJnU

CLAY AND COLONIES 28

Also includes footage from Living Hawthorn, (2017; Youtube: ACMI Collection, 2017), Video/ https://www.youtube.com/watch?v=tho9vseGf5w. Bricks (1940-1949), (2014; Youtube: British Pathé, 2014), Video/ https://www.youtube.com/watch?v=iZX3Q5Tmkpg.


2

S O U N D S C A P E

DIGGING

:

CLAY

AND

COLONIES

29


2

A R T E F A C T

DIGGING : CLAY AND COLONIES

Fritsch Holzer Cast Imprint

30


2

P O E M

Clay

and

Colonies DIGGING

Walking in step with cuts

:

Edges release

CLAY

A new crease

The claim,

COLONIES

The clay, Drained of its source

AND

With each contour

Perceived ownership of force Carving out buildings One brick at a time In depths of the quarry From which they climb Shovel over shoulder Sculpting of land In kiln turn over Engraved by man

31


2

M A P P I N G

M O R P H O L O G Y

DIGGING

Prior to 1883

1933

1952

:

Prior to 1883

CLAY AND COLONIES 0m

32

50

100

150

200

0m

50

100

150

200


2

M A P P I N G

B R I C K

P I T S

DIGGING : CLAY AND COLONIES 33


2

M A P P I N G

E X C A V A T I N G

H I S T O R Y

DIGGING : CLAY AND COLONIES EXCAVATING

34

HISTORY


2

M A P P I N G

R E V E A L I N G

N A R R A T I V E S

DIGGING : CLAY AND COLONIES

REVEALING

NARRATIVES

35


2

P H O T O G R A P H Y

H I D D E N

DIGGING : CLAY AND

Peeking through Reaching out

COLONIES

Encrusted in time Locked in by soil Bricks scatter Emerging in hills Buried under foot Remnants of a past life Faint echoes A narrative to be discovered By the kid in the dirt Digging for worms If you look You will find

BRICK

36

REMNANTS

B R I C K S


2

Peeking through Reaching out Encrusted in time Locked in by soil Bricks scatter Emerging in hills

P H O T O G R A P H Y

Buried under foot Remnants of a past life

Faint echoes A narrative to be discovered By the kid in the dirt Digging for worms

H I D D E N

If you look You will find

BRICK

B R I C K S

REMNANTS

DIGGING : CLAY AND COLONIES 37


2

A R C H I V A L

C O L L A G E

DIGGING : CLAY AND COLONIES BRICK

38

HISTORY


2

A R C H I V A L

C O L L A G E

DIGGING : CLAY AND COLONIES

THERE’S

A

HOLE

IN

MY

GARDEN

39


3

3

PACKING

P A C K I N G

: REFUSE

R E F U S E

A N D

R E P O S I T O R Y

AND REPOSITORY`

1972 - 1986

40


3

PACKING

:

REFUSE

AND

REPOSITORY`

41


3

ST A C K E D

YARRA RIVER

Prior to 1883

S AS GL

Prior to 1883

Repository

D

and

AN

Refuse

I N S I D E

TL AN

K EE CR

WE DS

TR AI L NORTHERN

Removed at pace

SOUTHERN

MAIN

UNDETERMINED

DRAIN

ST

CR

EE

K:

GO

SITE

AI

ANNIVERSARY TRAIL

NE

50

100

DR

N

AS OL CH

OUTLINE OF BOROONDARA

1933 0m

AD

RO

NI

Cut and cover

1952

Packed with an echo 150

OR

IG

200

0m

50

100

150

200

IN

AL

CO

BLACK CREEK

UR

SE

OF

GA

PACKING

RD

A mine of the discarded

IN

ER

S

CR

FERNDALE

EE

TRAIL

K

A repository of decisions The town’s disposed ghost Captured deep in the incision

Refuse

and

Repository

The Monday line up Toe to toe TRADITIONAL LAND OF THE WURUNDJERI PEOPLE OF THE KULIN NATION

:

The park’s secret

(MAP OF THE CONTEMPORARY REGION OF BOROONDARA) NUMBER OF TRADITIONAL GROUPS IN THE BOROONDARA REGION: 38 THE NAME BOROONDARA ORIGINATES FROM TRADITIONAL WOIWURRUNG LANGUAGE MEANING 'WHERE THE GROUND IS THICKLY SHADED'

Most people don’t know

1972

-

1986

0m

50

100

150

200

REFUSE

0m

50

AND REPOSITORY`

Collected by the by the Carving Carving out space out space Collected routine rhythms rhythms in the in ground the ground routine

Inside:

Soundscape Cast Artefact: Plastic Imprint Poem Morphology: Map Tip Thresholds: Map Excavated Meeting Minutes: Artist Book 168 Bins: Photography

42

LAND

(RAP) AREA

LO

The giant groove

The land reprove

LAND

(RAP) AREA

TRADITIONAL

AREA

RIVER

No visible trace

HAWTHORN

YARRA

Refuse thrust

PACKING

TRADITIONAL

WURUNDJERI

Natural topography

Monday alarmalarm of of To pack To pack in a in a Monday the pick up truck up truck wasted wasted time time the pick capsule capsule Crammed Crammed into into ground ground A repository A repository NeverNever againagain to to An inventory An inventory be found be found Discarded Discarded moments moments Filling the land the land WhichWhich tell tell a a Filling Covered up with up with storystory Covered dirtydirty sand sand

1 6 81 6B8I NBSI N S

100

150

0km

1000km

2000km

N

200

LOST CREEK: GONE

LOST CREEK: WALKING TRACK

YARRA RIVER

SOUTHERN TRADITIONAL LAND (RAP) AREA

REMAINING EXISTING CREEK

LOST CREEK: DRAIN

WHERE THE GROUND IS THICKLY SHADED

SOUTHERN TRADITIONAL LAND UNDEFINED (RAP) AREA


3

PACKING

:

REFUSE

AND

REPOSITORY`

43


3 PACKING : REFUSE AND REPOSITORY` 44

https://youtu.be/NuuZYED7SaM


3

S O U N D S C A P E

PACKING

:

REFUSE

AND

REPOSITORY`

45


3

A R T E F A C T

PACKING : REFUSE AND REPOSITORY`

Discarded Plastic Cast Imprint

46


3

P O E M

and

Repository

PACKING

Refuse

:

Removed at pace

Packed with an echo The land reprove

REPOSITORY`

Cut and cover The giant groove

AND

Refuse thrust No visible trace

REFUSE

Natural topography

A mine of the discarded A repository of decisions The town’s disposed ghost Captured deep in the incision The Monday line up Toe to toe The park’s secret Most people don’t know

47


3

M A P P I N G

M O R P H O L O G Y

PACKING

Prior to 1883

1982

2020

:

Prior to 1883

REFUSE AND REPOSITORY` 0m

48

50

100

150

200

0m

50

100

150

200


YARRA RIVER

SITE

OUTLINE OF BOROONDARA

AREA

3

M A P P I N G

B O U N D A R Y

M 5K

T I P

BOROONDARA WASTE COLLECTION REGIONS 0km

1000km

2000km

PACKING

RESIDUAL ANNUAL TONES 38.5K

N

COMINGLE ANNUAL TONES 21.2K GARDEN ORGANICS ANNUAL TONES 15.4K

YARRA RIVER

TOTAL ANNUAL TONES WASTE GENERATED 72.64K

:

TUESDAY

WEDNESDAY

THURSDAY

FRIDAY

REFUSE

MONDAY

AND REPOSITORY`

YARRA RIVER

OUTLINE OF BOROONDARA

AREA

SITE

M

5K

BOROONDARA WASTE COLLECTION REGIONS

49 RESIDUAL ANNUAL TONES 38.5K COMINGLE ANNUAL TONES 21.2K

0km

1000km

2000km

N


3

A R C H I V A L

M E E T I N G

M I N U T E S

PACKING : REFUSE AND REPOSITORY`

Excavated Artist Book 60 pages of Boroondara Council Meeting Minutes between the dates of 1972-1986 Each extracted page references the Rose Street Tip

50


3

P H O T O G R A P H Y

B I N

S E R I E S

Collected by the routine rhythms

To pack in a wasted time capsule

Monday alarm of the pick up truck

BINS

AND

168

Filling the land Covered up with dirty sand

REFUSE

Discarded moments Which tell a story

Crammed into ground Never again to be found

:

A repository An inventory

PACKING

Carving out space in the ground

REPOSITORY` 51


4

4

PLAYING

P L A Y I N G

: PETS

P ET S

A N D

P L A N T I N G

AND PLANTING

1996 - Current

52


4

PLAYING

:

PETS

AND

PLANTING

53


4

ST A C K E D

I N S I D E

PLAYING Pets + Playing 1996 - current Invisible movements Meandering ghosts Capture the shadow’s gaze Fleeting Impossible moments Taken Palimpsest of the air Consciousness of the park

Pets

and

Prior to 1883

Planting

SUNDAY

STROLL

Slicing through the middle Conveyor belt of paws and feet

The sound of soft landing

Neighbours in habitation Strangers in speech

Paws race among meads

Colliding in time Across paths Little do they know The path speaks another truth

The park our only getaway

PLAYING

The truth of once was Flowing in course

Loikeet in the reads

Now flows of humans Once flowed of water

0m

The noisiest of minors

50m

100m GRASS

CUT

The birds and the babes

TREES + PLANTING

WETLAND + POOLING

FORMAL GRAVEL PATH

INFORMAL PATH

N

THROUGH

MATERIAL MAP

2020

Sing in daisy fields Cluster under shade

0m

50

100

150

200 Fur fleets Bounding breath Echo in the grass History talks

Dodging snails under foot

Breath of memory In sway

Just at the surface

Repressed water Another stream prevails

PLAYING

Slowly A wetland seeps through

A complex topography below

Through the shadows Communicating

Grounded by purpose

Pets

and

Planting

ACROSS

But now the land rests

THE

REEDS

Green blades dance back Wetland where the creek once ran A saturated comeback

1996

-

Current

The sandy trail Loosely innocent

0m

50

100

150

200

Seized in speed Freed under foot The surprise of a corner The comfort of a stranger

:

Through conversation Embraced Park lessons capture the young Lasting transience

PETS

Implicit in experience Learned forever

SUNDAY

SIGNS

STACK

OF

FRITSCH

HOLZER

AND

Imprints of determination Traversing Cross the buried river Caught in the drift Up against A mother’s tide Strong as the bond Tender to the touch

PLANTING

NEIL

Inside: Governed by the sun Twilight in our grasps The park is our restaurant Our grassy deck Antipasto politics Intertwined The smell of eucalypt Our entree Walking beers Foot to foot We march on Capturing the last moments Until dusk steels Another evening

Soundscape

GRAIN THE

TWILIGHT

OUTLIER

MARCH

Cast Artefact: Rock Imprint Poem Morphology: Map Material, Grain Outlier, Paws and Feet, Signs of Hawthorn: Maps Rock Printing: Map Texture: Photography

TEXTURE

REFLECTIONS

Pooling water Catches the sun

Open Shutter: Photography

Gum leaves sway Shaking hands with the wind Reflecting To itself

1

Textures in Reciprocity

0m

50m

100m

N

FPEAEWT RROOUUTTEESS

54


4

PLAYING

:

PETS

AND

PLANTING

55


4 PLAYING : PETS AND PLANTING 56

https://youtu.be/UvnNP5ZhWFs


4

S O U N D S C A P E

PLAYING

:

PETS

AND

PLANTING

57


4

A R T E F A C T

PLAYING : PETS AND PLANTING

Rock from Site Cast Imprint

58


4

P O E M

Pets

and

Planting PLAYING

The sound of soft landing

:

Paws race among meads

PETS

Loikeet in the reads

Sing in daisy fields

PLANTING

The noisiest of minors The birds and the babes

AND

The park our only getaway

Cluster under shade Dodging snails under foot Just at the surface A complex topography below Grounded by purpose But now the land rests Green blades dance back Wetland where the creek once ran A saturated comeback

59


4

M A P P I N G

M O R P H O L O G Y

PLAYING

Prior to 1883

2020

Prior to 1883

:

Prior to 1883

PETS AND PLANTING 0m

60

50

100

150

200

0m

50

100

150

200


4

M A P P I N G

M A T E R I A L

PLAYING : PETS AND PLANTING

0m

50m

100m GRASS

TREES + PLANTING

WETLAND + POOLING

FORMAL GRAVEL PATH

INFORMAL PATH

N

MATERIAL MAP

61


4

M A P P I N G

F E E T

PLAYING : PETS AND PLANTING 0m

50m

100m

N

FEET ROUTES

62


4

M A P P I N G

P A W S

PLAYING : PETS AND PLANTING

0m

50m

100m

N

PAW ROUTES

63


4

M A P P I N G

G R A I N

O U T L I E R

PLAYING : PETS AND PLANTING GRAIN

64

OUTLIER


4

M A P P I N G

B L O O M I N G

W A T T L E

PLAYING : PETS AND PLANTING

BLOOMING

WATTLE

65


4

M A P P I N G

T O P O G R A P H I C P R I N T

PLAYING : PETS AND PLANTING

Abstract Printing with rocks from the Site

66


4

M A P P I N G

S I G N S

O F

H A W T H O R N

PLAYING : PETS AND PLANTING

SIGNS

OF

FRITSCH

HOLZER

67


4

P H O T O G R A P H Y

T E X T U R E

PLAYING : PETS AND PLANTING

TEXTURE

REFLECTIONS

Pooling water Catches the sun Gum leaves sway Shaking hands with the wind Reflecting To itself Textures in Reciprocity

68


4

P H O T O G R A P H Y

O P E N

S H U T T E R

Invisible movements Meandering ghosts Capture the shadow’s gaze Fleeting Impossible moments Taken Palimpsest of the air Consciousness of the park

PLAYING : PETS

SUNDAY

STROLL

AND PLANTING

Slicing through the middle Conveyor belt of paws and feet Neighbours in habitation Strangers in speech Colliding in time Across paths Little do they know The path speaks another truth The truth of once was Flowing in course Now flows of humans Once flowed of water

CUT

THROUGH

69


1

P H O T O G R A P H Y

O P E N

S H U T T E R

Fur fleets Bounding breath Echo in the grass History talks Breath of memory In sway Repressed water Another stream prevails

FLOWING

Slowly A wetland seeps through Through the shadows Communicating

: WATTLE

ACROSS

AND WATER The sandy trail Loosely innocent Seized in speed Freed under foot The surprise of a corner The comfort of a stranger Through conversation Embraced Park lessons capture the young Lasting transience Implicit in experience Learned forever

SUNDAY

70

STACK

THE

REEDS


4

P H O T O G R A P H Y

O P E N

S H U T T E R

Imprints of determination Traversing Cross the buried river Caught in the drift Up against A mother’s tide Strong as the bond Tender to the touch

PLAYING : PETS

NEIL

AND PLANTING

Governed by the sun Twilight in our grasps The park is our restaurant Our grassy deck Antipasto politics Intertwined The smell of eucalypt Our entree Walking beers Foot to foot We march on Capturing the last moments Until dusk steels Another evening

THE

TWILIGHT

MARCH

71


1

2

3

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Brydie Singleton 699115 The of

T I M E

I N

M O T I O N ( S )

University Melbourne Master

of

Architecture 2020

A T L A S


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