M y b ro t h e r h a s b e e n m y b i g g es t p e rs o n a l m o t i va t i o n t h ro u g h o u t t h i s p ro j e c t . H e i s a u t i s t i c . G row i n g u p w i t h h i m , I wa s ex p os e d to h i s c h a l l e n g es a n d u n i q u e p e rce p t i o n o f t h e wo r l d fro m d a y 0 1 . H e ra re l y eve r fe e l s co m fo r ta b l e i n m o s t s p a ce s , a n d s t r u g g l e s to i n te g ra te i n to a wo r l d t h a t i s n o t d e s i g n e d fo r h i s n e e d s . T h i s ca u s es h i m , a n d s o m a n y o t h e rs l i ke h i m , to b e co m e eve n m o re ‘o t h e re d ’ b y s o c i e t y a s a res u l t . I t i s t i m e to c h a n g e t h a t .
savannah carrick_capstone_INTD5002
sensory sensitivities a m e n d i n g A DA d e s i g n s ta n d a rd s fo r i n te r n a l i m p a i r m e n t s & i m p l e m e n t i n g s e n s o r y co m fo r t i n to a s o c i a l s p a ce
the problem : most interior spaces do not take into account the sensory needs of many individuals with internal disabilities.
01_the problem
While American Disability Act and its design standards have revolutionized the building experience for so many people, the ADA design standards only cover physical disabilities. Thus, exposing just how exclusive and lacking the very standards for inclusivity are. Within all 10 chapters of the ADA design standards, there is little to no mention of internal issues - such as, Autism Spectrum, Anxiety disorders, PTSD, ADHD, and many more internal impairments that greatly affect individuals’ quality of life and experiences in interior spaces. Many who do have these internal impairments often feel ‘othered’ in society due to their differences, a lack of awareness, and the inequitable design of so many spaces. Our world is busy, and often chaotic, thus furthering this need for more sesnory / comfortable spaces to benefit all people and act as an escape from the world’s noise and daily clutter.
02_intro to the problem
mapping
timeline of ADA design standards: U.S. Department of Justice (DOJ) 1991 Fair Housing ADA Standards Amendments Act for Accessible (FHAA)—Requires Design / DOJ adaptable features in certain adopted ADAAG as its standard for covered multiADA Title III new family dwellings construction and with 4 or more alterations. units
Architectural Barriers Act (ABA)—Requires that facilities designed, constructed, altered, or leased with certain federal funds be accessible to persons with disabilities 1968
ADA Accessibility Guidelines— Amended to include play areas
Update to ADA and ABA Accessibility Guidelines for Buildings and Facilities
U.S. Department of Justice (DOJ) updates 2010 ADA Standards for Accessible Design—Contains accessibility scoping and technical requirements (most recent - used today)
2000
2004
2010
1991
1988
Present
1960
1961 American National Standard Institute (ANSI) A117.1 Accessible and Usable Buildings and Facilities—Became the private sector model for a technical standard for accessible features
03_history of ADA design laws
1984 Uniform Federal Accessibility Standards (UFAS)— Contains accessibility scoping and technical requirements implementing the Architectural Barriers Act of 1968
1990
1998
2002
2005
2014
Americans with Disabilities Act (ADA)—establishes design requirements for the new + existing facilities required to be accessible. It covers facilities in the private sector (places of public accommodation and commercial facilities).
ADA Accessibility Guidelines— Amended to include state and local government facilities (federal part of ABA)
ADA Accessibility Guidelines— Amended to include recreation facilities
U.S. Postal Service (USPS) Standards for Facility Accessibility— Contains accessibility and technical requirements in ABA
U.S. Access Board ABA Accessibility Guidelines and U.S. General Services Administration (GSA) ABA Standard amended to include Outdoor Developed Areas on Federal land
current ADA design coverage : In sect io n A.1 o f the 2 01 0 A DA standards , it says : (a) Des ig n and co n s tr u c t i o n. (1) E a ch fa ci l i ty o r p a r t o f a fa c ilit y const r uc te d by, on be ha lf of, or for the u s e o f a p ub l i c e n t i ty s h a ll be designed and constructed in such
manner that the facility or part of the facility is readily accessible to and usable by individuals with disabilities , if t he cons t r u cti on was co m m en ce d af te r J anua r y 26 , 19 9 2. The D ep a rt m e n t o f J u s ti ce s tates t hat :
“disability is defined by th e ADA as a person who has a physical or mental impairment tha t substantially limits one or more major life activities , a p e rs o n w ho ha s a histor y or re cord of suc h an imp a irm en t , o r a p e rs o n w ho is pe rce ive d by ot he rs a s ha v ing su ch an imp a irm en t .”
It is time for an update. W i t h i n t h e h i s to r y o f A DA d e s i g n s ta n d a rd s , t h e re h a ve b e e n n u m e ro u s u p d a te s a n d a m e n d m e n t s m a d e . T h e s e u p d a te s s e t p re ce d e n t a n d s h ow t h a t t h i s co d e i s n o t p e r fe c t , n o r i s i t i m p e r m e a b l e to c h a n g e. A s h u m a n s , we te n d to b e l i eve a n d c re a te s o l u t i o n s fo r t h e t h i n g s t h a t we ca n s e e, m a k i n g i t eve n m o re d i f f i c u l t fo r i n d i v i d u a l s w i t h c h a l l e n g e s t h a t ca n n o t b e s e e n fro m t h e o u t s i d e . T h u s , i t i s p e r t i n e n t t h a t we d eve l o p A DA , b e i n g t h a t i t i s t h e co d e fo r s p a t i a l d e s i g n e q u i t y, to b e u p d a te d fo r a l l p e o p l e a f fe c te d b y s p a ce w i t h a n d w i t h o u t d i s a b i l i t i e s .
04_current ADA design laws
CC
the solution : amend ADA to fit the needs of internal impairments for sensory-friendly design
05_solution
ways to combat overstimulate in an interior space : *** acousti cs ** insulated spaces, manipulation of sound pressure / levels, white noise / rhythmic
spati al conf i gurati on orderly, defined, sequential circulation, flexible / malleable configuration, enclosure/edges, compartmental, scale
re gul ati on / re tre at spaces separate zones for expression, decompression, and physical / emotional regulation
transi ti on zones smooth / slow threshold and transition spaces for sensory and stimulation reset
l i ghti ng / col or small areas of bright color, steady lighting, soft tones, low intensity
* Image courtesy of Dezeen
06_hierarchy of sensory needs
m ate r i al i ty soft, comforting, clean, plush, not itchy, sound and light absorbing
the update. T h e p ro p o s e d s e t o f s ta n d a rd s w i l l a c t a s a n t h e a m e n d m e n t to A DA t h a t i s s o d e s p e ra te l y n e e d e d . T h i s s e c t i o n w i l l b e co m p o s e d o f s eve n s e c t i o n s t h a t a d d re s s t h e m a i n m o d e s o f co m b a t i n g ove rs t i m u l a t i o n , a n d w i l l a d d re s s t h e n e e d s o f i n d i v i d u a l s w h o a re m o s t a f fe c te d b y t h e s e s t i m u l a to r y i n te r i o r co m p o n e n t s . T h e A DA d e s i g n s ta n d a rd s h a ve co m p l e te l y revo l u t i o n i ze d a n d o p e n e d u p t h e wo r l d fo r s o m a n y p e o p l e w h o we re o n ce exc l u d e d fro m e n j oy i n g m a n y s p a ces . T h e s ta n d a rd s h a ve a l s o b e n e f i te d m a n y p e o p l e w h o m t h ey m a y n o t h a ve b e e n o r i g i n a l l y i n te n d e d . Fo r exa m p l e , t h e u s e o f e l eva to rs i n te n d e d fo r t h o s e i n w h e e l c h a i rs h a ve b e n e f i te d m a n y w h o a re e l d e r l y, i n j u re d , o r eve n p re g n a n t . I n te r n a l d i s a b i l i t i e s i m p a c t h ow p e o p l e p e rce i ve a n d i n te ra c t i n s p a ce , a n d ca n b e j u s t a s d e b i l i ta t i n g a s a p h y s i ca l d i s a b i l i t y i s . T h i s n ew s e t o f s ta n d a rd s w i l l c h a l l e n g e w h a t we k n ow n ow, h ow we d e s i g n , a n d t h e l a c k o f a wa re n e s s o r n e u ro d i ve rs e n e e d s a n d re p re s e n ta t i o n i n t h e d e s i g n wo r l d a n d b u i l t e n v i ro n m e n t a s i t s ta n d s to d a y. Image courtesy of Anthony Tusler
07_the need
New proposed sensory standards : sections a - c s ection a ) ge n e ral 1. sen s o ry zo ni n g o f s p a ces must account for :
- 1 % o f s p a ces 5 0 0 - 1 0 0 0 s q. f t
- 3% of s paces 10 0 0 -550 0 sq . ft
- 5% of spaces > 550 0 sq . ft
s ection b ) acous t ics 1. acoustical panels in sensory zones must be both present and on 25% of surfaces 2. acoustical panels must be a minimum of 3” thick
3. speakers in sensory zones must be controllable separate of those throughout the rest of the space and remain in the range of 0-50 dB in volume
3” thick
0
50
130
s ection c) s pat ial conf i g u ra t i o n 1. sensory spaces must include spatial configurations of privacy
3. spatial configurations must feature compartmental spaces of small scale and
2. sensory spatial configurations should not face > 2 areas seen by others
enclosure for comfort
08_new proposed standards
New proposed sensory standards : sections d - e s ection d ) re gulat io n / ret rea t sp a ces 1. every space must provide separate rooms for expression, decompression, and physical / emotional regulation as follows :
1 room fo r s p a ces 5 00-3000 sq. f t
2 ro o m s for spaces 30 0 0 -750 0 sq . ft
3 -5 ro o m s for spaces > 750 0 sq . ft
2. regulation rooms must be low light and sound insulated from the remainder of the space
s ection e) t rans it io n zo n es 1. thresholds to sensory zones must have transitions from non-sensory zones that feature: - steady increase in acoustic levels - slow transitional lighting from main space to sensory space lighting levels - a steady decrease in scale (if applicable)
09_new proposed standards
2. transitional spaces to sensory zones account for 5% of the sq. footage of the sensory zone
New proposed sensory standards : sections f - g se ction f ) ligh t ing / co l o r 1. sensory zones must feature LED lighting for constant and steady lighting
4. colors used in sensory zones must be dark to moderate in saturation/ brightness
2. sensory zones must use lighting that closely resembles the color of natural light - color rendering index (CRI) as close to 75
100
75
0
5. lighting in sensory zones must be controlled & dimmable separate from the rest of the space
excellent
good
poor
3. lighting must be dim to moderate in brightness ( < 1000 lumen)
s ection g ) mate r ialit y 1. materiality in the sensory zones must be smooth and soft to the touch
1. materials with low to no reflectivity must be used in sensory zones
2. materiality in the sensory zones may not feature a majority of hession, polyester, wool, and spandex, in the construction due to the abrasiveness of these fabrics 0% wool 0% spandex 0% hession 0% polyester
10_new proposed standards
2. materials that absorb sound and light are preferred in sensory zones
w h o + how m a ny d o s en s ory i ssu es a ffec t ?
1 in 68 people diagnosed with Autism Spectrum Disorder * 1 in 11 people diagnosed with ADHD as children 1 in 50 people diagnosed with Fibromyalgia 1 in 330 people diagnosed with Multiple Sclerosis * 1 in 20 people diagnosed with Sensory Processing Disorder 1 in 131 people diagnosed with Chronic Fatigue Syndrome * 1 in 162 people are diagnosed with Tourettes syndrome 1 in 5 people diagnosed with Anxiety 1 in 11 people diagnosed with PTSD 1 in 4 people are introverts * = (in USA)
11_sensory overload - related conditions
h ow sen so ry ove rload h a p p en s :
brain perceives stimuli
body receives message and wants to retreat
body panics and feels stuck
brain feels overwhelmed + trapped by amount of input
comm o n sy mp to m s o f exp erien c in g sen so ry overload :
...
!
panic attacks
difficulty focusing
extreme
restlessness and
due to competing
irritability, anger,
discomfort
sensory input
or tantrums
!!!
feeling overly excited /
stress, fear,
higher levels of
urge to cover
wound up
anxiety, about
material sensitivity
ears or eyes
surroundings
( tags, fabric,
from sensory
clothing, etc.)
input
12_sensory overload - symptoms
application : breakdown of typologies + spatial needs of a sensory-friendly restaurant / bar
why a restaurant / bar? the restaurant and bar scene is at the epicenter of social life in our culture today. however, these spaces can be very overwhelming with the amount of open space and stimulation. for many who deal with sensory sensitivity, it is already very hard to be social. so how then do we expect people to go out of their comfort zone in a space where they are not comfortable?
13_application + reasoning
is ol a ti o n a s a res u l t o f sens o r y- u n fr i e n d l y s p a ce :
increased depression
lack of selfesteem
increased risk of suicide
Z
? Z
Isolation and self-seclusion is a common theme amongst ma ny pe o ple wit h intern a l d i sa b i l i t i es w h o ex pe r i e nce
increased risk of physical inactivity
s ensory s e n s it iv it y. T h i s sel f- sec l u si o n i s o f ten a d ire ct resu lt of u n co m fo rta b l e s p a ce s a nd l a c k o f s e n s or ythis is olat io n can gre a t l y a f fec t t h e p h ysi ca l , me nta l , ne e d for s oc ializat io n a s h u m a n s, a n d a l a c k o f a b i l i ty to
insomnia / poorer sleep quality
26 %
friend ly spati al des i g n t h a t f i t s t h ei r n eed s. O ve r ti me, a nd be hav io ral h e alt h o f i n d i v i d u a l s d u e to a b i o l ogi ca l
decreased cognitive function / increased dementia risk
Z
increased risk for high blood pressure
increased likelihood of mortality
increased risk of obesity
d o s o in a comfor table a n d m o re sen so ry- fri en d l y sp a ce.
increased fragility
14_effects of isolation
increased risk of heart disease + stroke
increased risk of smoking addiction / habit forming
qualitative program : - entry threshold - hostess space - digital check-in
- main dining space - private dining rooms
- kitchen - loading / unloading zone - staff area - mechanical / storage
operate arrive
dine integrate
decompress
navigate
- prefunction space : bar + pods + lounge
- regulation rooms - restrooms
- transition sequences - thresholds
decompress
integrate BOH dine
Image courtesy of frenchyfancy.
15_programming
arrive navigate
quantitative needs : arrive
integrate
dine
decompress
navigate
operate 16_programming
- hostess space
400 ft 2
- digital check-in
50 ft 2
- pre-function space -prefunction lounge -bar area -waiting pods
2000 ft 2
- main space - semi-private booths - sunken space - fin walls
2350 ft 2
- private dining room
475 ft 2
8,175
- regulation rooms
375 ft 2
- single stall restrooms
650 ft 2
total sq. footage needed*
- transitional corridor - thresholds / circulation
450 ft 2 175 ft 2
- kitchen
900 ft 2
-BOH space -loading zones - staff area - mechanical / storage
350 ft 2
ft 2
site needs :
minimum of 8,000 ft 2
proximity to nature
accessible roads for deliveries
public transit access
urban / suburban area
P parking area
17_site requirements
135 plymouth street brooklyn, ny 11201
Image courtesy of Google Earth
7000 ft2
Image courtesy of Spectrum News NY1
main street park -- 472 ft
on corner of adams & plymouth st. john & pearl st. adjacent
P
street parking F train-- 0.2 mi A, C train -- 0.4 mi 2 , 3 train -- 0.6 mi DUMBO brooklyn Manhattan adjacent
Image courtesy of Brooklyn Eagle
18_site
Original Photo
the site.
Located in DUMBO, Brooklyn, New York, this site is situated perfectly in a small pocket within a large urban area. With ample public transportation access (which many people rely on, especially those who are disabled) nature adjacency, and a large restaurant scene, this space is contextually appropriate for this program. Additionally, the site sits within a quieter pocket of the busy metropolitan area, and is currently being used a library, showing how it can simultaneously accomplish the goals of the program and sensory component.
19_site context
20_site context
site traffic patterns
site views
site noise
site adjacencies
concept : a e s t h e t i c s
Image courtesy of Santa Monica Proper Hotel
e n c l o s u re
Image courtesy of ArchiExpo
s oft a rchitect ure
t e c h n i c a l
Image courtesy of willmoneymaker.com
des ert fo rms + co lo rs
Image courtesy of rT avel + e L isure
comfort code
Image courtesy of BrownGurl.Tumblr.com
sensory design
t h e co n ce p t fo r t h i s p ro j e c t i s t wo - fo l d . F i rs t i s t h e te c h n i ca l co n ce p t , b e i n g s e n s o r y d e s i g n a n d t h e a p p l i ca t i o n o f t h e n ew A DA co d e s ta n d a rd s . S e co n d i s t h e a e s t h e t i c co n ce p t a n d i n te r i o r d e s i g n fo r m s . A m o n g s t i n d i v i d u a l s o n t h e a u t i s m s p e c t r u m , a s t u d y s h owe d t h a t t h e m o s t fa vo re d co l o r i s t h a t o f a s o f t p i n k a n d wa r m to n e s , w h i c h i n s p i re s ca l m n e s s . Fu r t h e r, o rg a n i c fo r m s a n d p o c ke te d s p a ce s w i t h i n s p a ce s a re i n te r i o r a rc h i tce t u ra l m ove s t h a t a re o f te n b o t h p re fe r re d a n d p o s i t i ve l y s t i m u l a t i n g fo r m a n y i n d i v i d u a l s . T h e re fo re, t h e co n ce p t o f t h e d e s e r t a n d i t s ca n yo n fo r m s h e l p to t ra n s l a te t h e co l o r a n d fo m a l n e e d s to a c h i eve a d e s i g n e r s e n s o r y s p a ce a n d i n te r i o r d e s i g n l a n g u a g e.
21_concept introduction
Image courtesy of DEOURST American e W st
Image courtesy of Grace .J Silla Image courtesy of e K lly e W arstler
Image courtesy of Etsy
Image courtesy of e R sidence Magazine
Image courtesy of KSh Design Bureau Image courtesy of a W llpaper*
Image courtesy of DPages
Image courtesy of vtgohokies
22_mood imagery
Image courtesy of Italian Bark
Image courtesy of CheWei Chang
Image courtesy of UniqueTravelPhoto.com
the plan.
i s ra d i a l l y o rg a n i ze d s o t h a t t h e p e r i m e te r o f t h e p s a ce h o u s e s t h e m o s t e n c l o s e d o r p r i va te s p a ce s w i t h i n t h e re s ta u ra n t . i t t h e n g ra d i e n t s i n wa rd s o t h a t t h e s p a ce s g ra d u a l l y g e t m o re p u b l i c a n d o p e n towa rd s t h e ce n te r o f t h e p l a n . t h e m a i n d i n i n g s p a ce , h oweve r, i s o rg a n i ze d i n ve rs e l y, h a v i n g t h e m o s t e n c l o s e d s p a ce a t t h e ce n te r s u n ke n a re a , g ra d u a l l y g e t t i n g l e s s e n c l o s e d a t e a c h s e a t i n g t y p o l o g y t h a t ra d i a te s o u t to t h e o u te r e d g e s o f t h e m a i n d i n i n g a re a .
Secondary Exit
Regulation Rooms
Restrooms Server Station
Screens
Window Tables
Ramp
Transition Hallway
Fin walls
Rock Forms
Restrooms
Dishwashing zone
Pre-function Pods Range + Ovens
Sunken Dining Space
Prep counter Refrigerators
Kitchen Bar
Sink
Pre-function / Bar Space
Dry Storage Semi-private booths
Main Dining Space
Pre-function Pods
Curtain Dividers
Hostess Server Station
Private Dining Rooms
23_ floor plan
scale : 3/32” = 1’-0”
Digital Check-in
In-person check-in
Main Entry + Exit
Open Waiting Lounge
main dining : seating typologies
24_main dining : privacy scale + typologies
window tabletop
high back booths
fin wall booths
sunken area
section A
s ca l e : 1 /8 ” = 1 ’ - 0 ”
section B
s ca l e : 1 /8 ” = 1 ’ - 0 ”
the section. A B
25_sections
a l s o r e i n f o r c e s t h i s i d e a o f v a r y i n g e n c l o s u r e a n d c o m p re s s i o n l e v e l s within the space. The ceiling dips the lowest at the center of the main dining space, over t h e s u n ke n d i n i n g a re a , f u r t h e r i n g t h e e f fe c t o f e n c l o s u re. A l s o - t h e ce i l i n g ’s u n d u l a t i n g fo r m t h ro u g h o u t t h e e n t i re t y o f t h e re s t a u ra n t a l s o c o i n c i d e s w i t h t h e d e s e r t fo r m c o n c e p t a n d r e s e m b l e s t h e o r g a n i c a n d s o f t a r c h i t e c t u r a l f o r m s o f c a n y o n s a n d ro c k f o r m a t i o n s , w h i l e a l s o a c t i n g a s v i s u a l a n d a co u s t i c t re a t m e n t fo r t h e s p a ce s ’ s e n s o r y f u n c t i o n .
26_exploded axon
the material strategy. E a c h zo n e i s t i t l e d a f te r a d e s e r t e l e m e n t o r l a n d fo r m o f w h i c h t h e m a te r i a l p a l e t te s o f t h e s p a ce i s d e r i ve d . D i v i d i n g t h e p l a n i n to zo n e s h e l p s to c re a te a s p a t i a l p ro g re s s i o n t h ro u g h t h e d e s e r t b y t h e t i m e o n e m ove d t h ro u g h t h e s p a ce , a n d a l s o a i d s i n s p a t i a l zo n i n g a n d m a te r i a l co n n e c t i v i t y t h ro u g h o u t .
T h e b l o o m s zo n e i s t h e e n t r y a n d h o s te s s a re a . T h i s s y m b o l i ze s t h e s h o r t s e a s o n i n t h e d e s e r t w h e re n ew l i fe a n d o p e n i n g o cc u rs , s y m b o l i c o f h ow w h e n o n e e n te rs t h e re s ta u ra n t t h ey a re e n te r i n g t h e ex p e r i e n ce a n d o n l y l i n g e r i n g i n t h e e n t r y s p a ce fo r a s h o r t p e r i o d o f t i m e . T h e v i s i to r t h e n m ove s o n to t h e r i ve r s p a ce , w h i c h i s t h e b a r a n d p re f u n c t i o n l o u n g e a re a . T h i s zo n e i s b o t h e m b l e m a t i c o f t h e r i ve r i n b o t h fo r m s a n d co l o rs , w i t h l o t s o f re d to n e s a n d s to n e . T h e s u n r i s e zo n e a re t h e p re f u n c t i o n p o d s , w h i c h a re l i g h te r i n to n e, a n d s y m b o l i ze a n a wa ke n i n g fo r t h e s ta r t o f o n e’s d i n i n g ex p e r i e n ce. T h e u s e r t h e n m ove s t h ro u g h t h e ca n yo n t ra n s i t i o n co r r i d o r, w h i c h i s m e a n t to fe e l a s i f t h ey a re n a v i g a t i n g t h ro u g h t h e ca n yo n s o f A r i zo n a , w i t h ro c k fo r m a t i o n s g u i d i n g c i rc u l a t i o n a n d a f fe c t i n g ove ra l l s ca l e a n d l i g h t a s o n e m ove s fro m p re f u n c t i o n to d i n i n g s p a ce . T h e m a i n d i n i n g i s t h e d e s e r t , b e i n g t h e m o s t p e r va s i ve o f t h e s p a ce s , a n d h a v i n g a n e u t ra l p a l e t te w i t h va r y i n g s e a t i n g t y p o l o g i e s , s i m i l a r to h ow a d e s e r t h a s va r i o u s e l e m e n t s w i t h i n g a l a rg e r, o p e n s p a ce. T h e p r i va te d i n i n g ro o m i s t h e d u s k , b e i n g a m o re i n t i m a te , m o o d y d e s t i n a t i o n a n d u n i q u e fro m t h e p a l e t te o f t h e re s t o f t h e s p a ce , ye t s t i l l co n n e c te d . T h e re s t ro o m s a re t h e n a r rows , b e i n g t h a t t h ey a re c u r ve d , f u l l y e n c l o s e d a n d te r ra co t ta co l o re d l i ke t h e fo r m s i n t h e n a r row s o f Z i o n . F i n a l l y, t h e re g u l a t i o n ro o m s a re t h e m e s a , w h i c h a re fo r m e d d e s e r t m o u n ta i n s w i t h a f l a t to p, m a k i n g t h e to p l i ke a s a n c t u a r y a n d s a fe s p a ce s u r ro u n d i n g b y m o u n ta i n g ra d e c h a n g e o n a l l s i d e s . Image courtesy of vtgohokies fiickr
27_sequential experience
MESA N A R ROWS C A N YO N DESERT
N A R ROWS
RIVER SUNRISE DUSK B LO O M S
28_material strategy
i m a g e r y.
ff&e items.
Image courtesy of o F rrest Mankins
materials. Image courtesy of Marie Claire
B LO O M S
29_hostess / entry space
BLOOMS
i m a g e r y.
ff&e items.
Image courtesy of Moab Adventure e C nter
materials. Image courtesy of a Z cariah Schnepf Photography
RIVER
30_prefunction : bar / lounge space
RIVER
i m a g e r y.
ff&e items.
Image courtesy of vollerfernweh
materials. Image courtesy of Artifact Uprising
SUNRISE
31_prefunction : pods
SUNRISE
i m a g e r y.
ff&e items.
Image courtesy of Divisare Image courtesy of Society6
materials. Image courtesy of Etsy
C A N YO N
32_transitional corridor
CANYON
i m a g e r y.
ff&e items.
Image courtesy of Nelson a Z miah
materials. Image courtesy of a K leela
DESERT
33_main dining space
DESERT
i m a g e r y.
ff&e items.
Image courtesy of Shutterstock
materials. Image courtesy of a W llpaper Flare
DUSK
34_private dining rooms
DUSK
i m a g e r y.
ff&e items.
Image courtesy of o T m Mark Henry Image courtesy of Y rT avel Blog
materials. Image courtesy of Christa Brady
N A R ROWS
35_restrooms
NARROWS
i m a g e r y.
ff&e items.
Image courtesy of e K rry Mark e L ibowitz
materials. Image courtesy of Hand u L ggage Only
MESA
36_regulation rooms
MESA
thank you. capstone _ savannah carrick _ interior design _class of 2022