MUSE 2019

Page 8

Max Agigian ’19

Excursion Smiling faces, larger than life, greet me as I disembark with a blast of cold air at Boston University East. Neither friends nor strangers, these pastelcolored acquaintances might someday soon decorate my home, or I might leave them behind as I travel to far-removed lands, there to continue my education. But that will be then, and this is now, and I am crossing the street to stand nearer to them. The glowing red hand bids me stay, but the river of cars has parted, and I take advantage of Commonwealth Avenue’s momentary emptiness. As I arrive on the other side of the street, I walk not towards the almost-youths but away from them, in the eastward direction whence I came. Were there rain or snow falling, the awning might protect me; as it is, the bitter chill reaches under it with ease. I walk along, passing by posters advertising upcoming events, passing by a crosswalk and a green sign entitled BU East, passing by storefronts (much more distinct than those one sees when confirming that one is not a robot), and eventually I come to a Starbucks with a bus stop in front, meaning it is time to turn right. I could not tell you the street onto which I turn, for I know it is not Cummington Mall, but instead some obscure throughway that is the sidest of side streets, bordered on the far side by what is either a very small park or a very large lawn, and on the near by the less publicfacing face of Warren Towers. This is not marked by inviting shops and welcoming murals, but by dark entrances to parking garages with fluidmottled pavement, by sundry signs and traffic cones strewn as if in storage. It feels as though I am seeing something private, perhaps even painful, as if the building is exposing a grievous wound to air and has not noticed me staring. There are many places on and near Cummington Mall where one feels like an intruder. I have walked through long underground hallways in buildings with no classrooms; I have ascended stiflingly hot stairwells with discarded equipment languishing at the bottom; I have pushed through doors with printed-out warnings reading “CAUTION—FIRE HAZARD— DO NOT PROP OPEN.” There are places whose very atmospheres seem to say that one does not belong, but which have no people, signs, or locks that tell one to keep out. One must step a few paces into an empty garage to reach the desolate staircase that leads into the alleyway separating the backs of the buildings on Cummington Mall from the backs of the buildings on Commonwealth Avenue. As always, I look at the staircase that leads up, wondering what is at the top, but, as always, I take the staircase down instead. 1


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Articles inside

A Hard Place, Henry Song ’21

5min
pages 71-73

Language Is My Lover, Anonymous

1min
page 55

The Lucky Ones, Ashleigh Woolf ’19

14min
pages 57-64

the beginning and especially the end of all things, Anonymous

0
page 69

Sophomore Sonnets, Aditi Deokar ’21, Kenzie Urbano ’21

1min
page 67

Sophomore Sonnets, Saoirse Killion ’21, Cole FitzGibbons ’21

1min
page 66

That’s Just the Way It Is Sometimes, Max Agigian ’19

0
page 54

real, Anonymous

1min
pages 51-52

what keeps me up at night, Anonymous

0
page 53

Love Letters, Saoirse Killion ’21

0
page 50

How Far Gone?, Cole FitzGibbons ’21

3min
pages 47-48

Somnambulation, Emelie Watkins Valls ’20

1min
page 46

Beowulf Fights Ohthere], Henry Song ’21

1min
pages 41-42

Soul, Max Agigian ’19

1min
page 43

Soon, Max Agigian ’19

2min
page 40

Admitting to the Crowd, Emelie Watkins Valls ‘20

0
page 35

Between Two Worlds: The Raven’s Point of View, Ashleigh Woolf ‘19

2min
pages 37-38

Sesquicentennial, Milo Simpson ’20

10min
pages 15-19

Excursion, Max Agigian ’19

4min
pages 8-9

A & P, Max Agigian ’19

11min
pages 24-28

Under the Stars, Julia Dickinson ’22

0
page 29

Water, Kenzie Urbano ’21

0
page 12

Cookies, Mell Aguiar ’22

0
page 33

Pie, Max Agigian ’19

0
page 34

Water, Mell Aguiar ’22

0
page 11
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