R. J. Kern 1090 Blackface, Carver County, Minnesota, USA, 2016 archival pigment print From the series Out to Pasture Edition of 3 + 1AP Image Size: 36 x 49 inches Paper Size: 39 x 52 inches Starting at $2,600 unframed
Edition of 7 +1AP Image Size: 23.5 x 30 inches Paper Size: 24.5 x 32 inches Starting at $950 unframed
Edition of 10 + 2AP Image Size: 17 x 20 inches Paper Size: 20 x 24 inches Starting at $750 unframed
R. J. Kern is an American artist whose work explores ideas of home, ancestry, and a sense of place through the interaction of people, animals, and cultural landscapes.
Alyssa Baguss Untitled, 2017 perforated Tyvek print 36 x 48 inches framed $1,500
“Throughout history, wayfinding has relied on stars, human guides, paper maps, and now the digital navigation systems in our cell phones. How does our growing dependence on screens influence our expectations of the environment and our relationship with the natural world? This series is a hands-on exploration of place through the guidance of seeing machines.” – Alyssa Baguss
Paul Winstanley Utopia I, 2005 oil on linen 75 x 93 inches $25,000
Paul Winstanley blends photo-realism and painterly softness, calling into question the quiet psychology of public and private spaces.
Pamela Carberry Morning Tree, 2019 intaglio on paper Edition AP of 6 + 1AP 10 x 8 inches unframed $275
“My prints explore the relationship of color on color and the shifting horizons as I move about in the natural environment.” – Pamela Carberry
Isa Gagarin Circling (2), 2020 graphite, charcoal, water-soluble crayon on paper 12 x 18 inches unframed (diptych – each sheet is 12 x 9 inches) $600
Circles are a recurring motif throughout my work, a shape that connects to my interest in oceanic tides and the orbiting movement of the moon and stars. The hands, lifting and catching and touching circles, reflect my interest in haptic experiences of color and light. In the current context of sheltering in place, these tracings of my hands also convey my current longing for touch and social contact.. – Isa Gagarin
Michael Crouser Madison House, 2009 toned silver gelatin print From the series Mountain Ranch 14 x 11 – Ed of 25 – Starting at $1,000 20 x 16 – Ed of 25 – Starting at $1,500 24 x 20 – Ed of 15 – Starting at $2,000 40 x 30 – Ed of 15 – Starting at $3,800 60 x 40 – Ed of 15 – Starting at $6,000
Crouser’s series, Mountain Ranch features 165 toned black and white images from the disappearing world of cattle ranching in the mountains of Colorado.
KCHO Sin Titulo (Untitled), 2003 mixed media on canvas 54 x 61 inches framed $15,000
KCHO is a contemporary Cuban artist working in sculpture and mixed-media. His work features boats and boat-like forms referencing childhood passions while grouping up on an island as well as addressing the concept of migration, escape and freedom.
Joshua Huyser Two Car Garage, 2014 Watercolor on paper 22.5 x 25.5 inches framed $1,650
“For me, art making is very much about the visual experience and its effect on our being… My interest lies in telling and sharing the quiet stories of my private visual discoveries.” - Joshua Huyser
Tomás Sánchez Liberation in Green, 1979 tempera on paper 33.5 x 25 inches framed $15,000
One of Cuba’s leading contemporary artists, Tomás Sánchez (b. 1948) depicts rich and dream-like portraits of nature untainted and otherworldly.
Teo Nguyen Untitled 53, 2019 Acrylic on vellum mounted to aluminum 43 x 43 inches framed $7,500
"These artworks are an interpretation of what I feel and see; moments in which we are alone even as we are connected to each other, connected to each other in our aloneness. I hope that my work will create for the viewer that moment as I see it—no longer looking with eyes cast down but still not straight on either--when ordinary things become remarkable and beautiful.” – Teo Nguyen
Zeng Fanzhi Untitled, 2008 Lithograph on paper Edition 44/65 34.25 x 46.5 inches framed $8,000
Contemporary Chinese painter, Zeng Fanzhi, is best known for his Expressionist and psychologically probing portraits. He depicts human faces with vivid and lively brushworks that can at times border on abstraction.
Carter Continuous, 2011 Screenprint on paper Edition 13/25 Published by Highpoint Editions 29.5 x 36 inches unframed $2,750
Carter’s work is characterized by an elusive quality, questioning conventional ideas about portraiture, identity, and social conventions.
William Kentridge Bocce, 1999 Drypoint on wove paper Image: 6 3/8 x 7 ž inches Frame: 15 ½ 14 3/16 inches $4,500
Often possessing an autobiographical quality, a work by Kentridge analyses his life in apartheid South Africa as a white Jewish male and his relationship to the suffering that was occurring around him by the black South African majority.
David Rathman Nadine, 2018 Watercolor on canvas 24 x 30 inches $4,500
“Frequently incorporating text and image, David Rathman’s works present themselves as fractured narratives—a singular, crucial moment of action in an otherwise protracted story that has been gradually unfolding out of view.” (Rochester Art Center, 2013)
James Chronister 10 Mile 4, 2010 Oil on canvas 40 x 40 inches $6,000
San Francisco painter James Chronister employs a labor-intensive, pointillist technique to achieve strikingly nuanced tonality and depth in his paintings.