BUSE
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T A S. E L I
PORTFOLIO
CONTENT PROJECTS 00 01 02 03 04 05 06 07 08
3DLIVE (GRADUATION) GRAFFITI WALLS NOTH’OUSE AN UNDERWATER RESEARCH CENTER MISSION AQUARIOUS SHADE OF THE TOWN LANDSCAPE DESIGN SPEECH AUDITORIUM GÜMÜLDÜR PROJECT INTERIOR RENDERS
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BUSE
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T A S. E L I selected works
PORTFOLIO
EXPERTISE
HANDS-ON Model Making Hand-Drawing Photography
2008-2011
Atatürk Secondary School
PERSOAL INFORMATION Name Date of Birth Nationality Adress Contact Language
Izmir
: Buse Taşeli : Edirne, 08 December 1997 : Turkish : Gaziemir/Izmir : busetaseli@hotmail.com +09 506 617 4700 :Turkish
English
Italian
Deutsch
Lumion
SOFTWARE
Archicad
3D Max
Autodesk-Autocad
Adobe - Photoshop
Microsoft - Word
Google Sketchup
Adobe - Illastrator
Microsoft - PowerPoint
Rhinoceros
Adobe - Indesign
Microsoft - Excel
EDUCATION Izmir / Turkey
Izmir University of Economics
Izmir / Turkey
Izmir Anatolian High School
Izmir / Turkey
Atatürk Secondary School
2015-2020 Architecture 2011-2015 2008-2011
EXPERIENCE Render Works Discovery, length in metres and budget studies Workshop Assistant Office Intern Construction Intern Atlier Intern
Bitra FBN İnşaat Mimarlık ve Mühendislik AŞ Hatıra Ağları ARCH+DSGN Summit İzmir Menderes Municipality Musa Çiçek Construction Art-Vital Studio
December-July 2020 November-Deceber 2019 November 2019 September 2019 July-August 2019 July-August 2018 July-August 2017
“And I think that is indeed what architecture is. It is a story. By the way, it is a story that is told through its hard materials. But it is a story of effort and struggle against improbabilities� Daniel Libeskind
PROJECT
Mixed Use Building Live, Work, Play İzmir, Bölge
00 ARCH 98 ARCHITECTURAL DESIGN STUDIO SPRING 2019-2020
3DLIVE aims to develop 3D printer technology and to produce 3D houses and to be used in areas where it is needed. It works to improve the quality of life and strengthen buildings by experimenting and producing different materials. In this process, architects, civil engineers, mathematicians, biochemists work together. At the same time, they test 3D houses by living in the houses they produce. Produced houses can be sent to the communities in need. For example, now for Coronavirus, it can be sent to hospitals with insufficient areas, to people who need to live in a different place due to illness, or to people who are homeless in the Elazig earthquake.
SITE PLAN
SITE SECTION
The site is located in a site area, which is right next to the Bรถlge Metro stop and where those who will go to Bรถlge are used. It is on the Uล ak - Manisa and Orbital Road as a highway. Access to the area by land and rail is very simple.
CONCEPT IDEA As a concept approach, the potential for the use of the surrounding people is incorporated into the land. It was intended to involve land users in the project by showing them the concept of the project. 3D printer technology, on the other hand, has been introduced and taught what can be done, allowing them to have an idea and see that they can use 3D printers themselves. At the same time, by seeing the buildings coming out of the 3D building printer, they have the opportunity to see how they move and structure.
SECTION BB’
FUTURE PROGRAM The building is expected to grow in future years as the building can improve itself. As long as the columns and floors continue, the houses printed on the 3D printer can be added to the building. The building will continue to grow as needed. New experiences, new materials will be able to be experienced at the same time.
ARCHITECTURAL PROGRAM
STRUCTURE
3D LIVING IDEA During the design stages, drawings and modeling are done by architects and engineers as needed. They choose the material selection according to the need and the conditions of the destination. The house that comes out of the 3D Construction Printer is transported in such a way to go to the needy or to be added to the building. And the product is placed in the appropriate place.
DESIGN PROCESS
PROJECT
Project definition: Art Center Program: Together Location: Alsancak/Ä°zmir
01 ARCH 401 ARCHITECTURAL DESIGN STUDIO V FALL 2019-2020
GRAFFITI WALLS
SITE ANALYSIS
SITE POTANSIAL
SITE PROBLEMS
An art developed in Alsancak ; Graffiti. Walls, streets everywhere, graffiti artists are leaving a piece of themselves. A building that aims to bring artists and people together as a concept. Everyone wonders; how do they make these graffiti? It’s a building concept where people can experience it as they visit the building, and eventually they can experience it. It’s a building that tries to incorporate the surrounding buildings into it by potentially seeing them. People who have to wait around for something are expected to get together with graffiti artists to pick up a piece of them. Areas where they can spend time are designed and areas where they can intertwine with the building and track people who make graffiti are designed. it’s a place where they can sit in a cafe and watch artists. They will be able to see the artifacts inside the building as they pass through the street that was created inside the building.
STRATEGY WALLS
VISITOR
GRAFFITI ARTISTS
CIRCULATION
CONCEPTUAL SPACES
The areas in front of the surrounding buildings formed as social spaces. But it was also intended to gather everyone in the same place with a circulation where those areas could come together. Visitors met with graffiti walls .The building was formed with the strategy to examine, pass, touch and experience graffiti walls while touring the building. While touring the building, the exhibition inside was tsarınlarını by visiting the main exhibition in a way that could be decamable from where they left off. Learning spaces, accommodation spaces were positioned according to the level of need. People who work in the office, live in the accommodation area and come to learn can see the walls
SECTION BB’
SECTION AA’
The most important thing in the building concept study was the potential mass of the surrounding buildings. What we saw in field exploration was there were a lot of people waiting around and they didn’t have areas to wait. A strategy study developed to design areas that could track graffiti walls while creating areas where they could expect them.
PROJECT
An Urban Habitation House for painter and writer Asansör /izmir
02 NORT’HOUSE ARCH 201 ARCHITECTURAL DESIGN STUDIO II FALL 2017-2018
+85 BALCONY
+675
WORKING ROOM
A
A
A
A +675
+75 WC
+85
GUEST BEDROOM
GUEST BEDROOM
WC
GROUND FLOOR PLAN
SCENARIO :
FIRST FLOOR PLAN
Painting and writing require creativity in every sense. While creating, thinking, resting helping to create for itself to leave that eternity of the sea. North’ouse, which was designed to leave itself in the sea in every sense, also does not forget the neighborhood relations at te same time. This house, built on not to obstruct the flow of air in the back home, also allows integration with people walking on the street. And aims to provide a comfortoble life with private part of the house and the whole street.
SITE PLAN
A
A
+370
WC
WC
SECOND FLOOR PLAN
N
NORTH ELEVATION
+965 +940 +915
+655 +630
+370 +345
+85 +50
The purpose of lifting the house up; do not obstruct. the air going home in the east. The neighboors will benefit from the wind blowng in the summer months. There is an air filter to prevent the impurities from the wind where the air pass is. House elevation provides more benefits to the sun. For winter months, insulation material is lagging to protect from cold.
VENTILATION IDEA
+965 +940 +915
+655 +630
+370 +345
+85 +50
EAST ELEVATION
+965 +940 +915
+655 +630
+370 +345
+85 +50
CIRCULATION Transportation is provided by ladder and elevator. At the same time, a house that allows people with difficultly in walking to easily reach their habitat. On the first floor, they can do all the daily.
FORMATION PROCESS
slope
+940
+655
+370
+85 +50
SECTION A-A’
PROJECT
Research center An underwater research center Sığacık/izmir
03 ARCH 202 ARCHITECTURAL DESIGN STUDIO SPRING 2017-2018
SECOND FLOOR PLAN
FIRST FLOOR PLAN
EXHIBITION HALL
SITE PLAN
GROUND FLOOR PLAN
SCENARIO : The purpose of this building, which is
close to the sea to survey the submarine labarotuars. And, also the angle of the buil seperates the building from the surrounding tourist areas. Visitors will able to visit without going into private areas. They can visit restaurant, exhibition hall, library and multi purpose hall. Spaces are spacious and light. Every places are located with a sea view. The large windows give feeling we’re in for if the sea.
ANALYSIS
Public area
Privite area
NORTH ELEVATION
Education area
Private Public Vertical circulation
Circulation in the project is designed by separating private and public areas. Incoming visitors do not need to enter special fields. The upper part of the building is for visitors, and the sea level is for educational and private individuals.
CIRCULATION
SITE SECTION
EAST ELEVATION
SECTIOAN A-A’
CAFE
OPEN OFFICE
PROJECT
Project definition: A biomimetic structural system Program: Upside-Down word research center Location: India Group members: Buse Taşeli, İsmail Biçer, Ceren Uğurlu, Ceren Limboz, Yağmur Taylan
04 ARCH 202 ARCHITECTURAL DESIGN STUDIO SPRING 2017-2018
MISSION AQUARIUS
Jellyfish colony
JELLYFISH biomimetically inspired sea creature
UPSIDE-DOWN WORLD RESEARCH CENTER Imagine that you are living in a underwater complex which is totaly eco-friendly. It is not so far. In 2030, ‘Upside-down World’ enables archeologists, scientists, engineers and oceanographers from all around the world to research the area effectively and reveal sunken cities. The capacity of the building is 200. However, it has ability to expand in time. Upside-down World Research Center provides people scientific labs, computer labs, living units and recreation areas. Do you want to search another site? Collapse all structure and go another site by using solar power and current energy. Who doesn’t want to live underwater by seeing natural beauty while not damaging to land?
ARCHAEOLOGICAL SITE Gulf of Khambhat INDIA
Living units Laboratory
JELLYFISH MOVEMENT
UNITS
Attracting attention of fishes by lightining like a JELLYFISH
FISHFARM/HATCHERY Nourishment Collapsable system Convenience for movement Reducing energy Benefit from sun power
MOVABLE SYSTEM
CONNECTOR Limited ability to move Open-Close system Unit can leave PROPELLER Rotation of propeller: 360* So can go every direction
Spired : going easily to surface Photovoltaic panels: getting solar power from every degree Fillet
FROM 2030
to the future....
PROJECT
Project definition: Barbaros Project Program: Walls to building Location: Barbaros Village/Urla
05 ARCH 301 ARCHITECTURAL DESIGN STUDIO FALL 2018-2019
SHADE OF THE TOWN
STREET ELEVATION Barbaros Village is located 20 km from Urla and 50 km from Izmir. The village is also an old Turkish village. There are windmills, wells and ponds in the villge. Agriculture is the main source of income.here are patchwork workshops, activities making strawmen with kids, various competitions, such as best strawman, local cooking, best garden, milking and water extraction at the festival. There are also some exhibitions, such as Bonsai trees, patchworks, photographs, figures made from felt and wedding chests. So , Barbaros village preferred as tourist attractions.
STREET COLLAGE
MANIPULATED SILUET
SITE PLAN
Buildable area
Collages to streets
PLAN
Walls to shading, sitting area and roof
Circulation
Walls to spaces
SHADE OF THE TOWN Building located of the heart of Barbaros village. The people who come to the village are on a path that will surely pass.People can find cafĂŠ, open and closed exhibition hall and library together. There are also 2 different studios in different studios and each studio has an open area. The ruins in the land were restored and converted into accommodation. Stone walls and wood were used as the material to prevent the integrity of the village. The shadows falling on the walls with woods provide a pleasant display for the exhibition grounds.
SECTION BB’
SECTION AA’
SOUTHERN WEST ELEVATION
WEST ELEVATION
PROJECT
Project definition: Barbaros Project Program: Redesign to site Location: Süleyman Ersever Park Balçova/İzmir Group Members: Ceren Uğurlu, Buse Aydın
06 LANDSCAPE IAED 460 CONTEMPORARY ARCHITECTURAL LANDSCAPING FALL 2018-2019
DESIGN IDEA The idea of long trees to isolate from the surrounding building.The idea of removing people from urban life.A project that can be used easily by people from public buildings in the area.Beside we tried to apply new functions too.For example:workshop area , cafe.
PLAN
PLAN CHART
MATERIAL CHART sand
wood deck
concrete
stone
The site has wide and different user profile because of location. Around the area,there are primary school,residences,football field and semt evi. Therefore the design should involved these people who has different ages, gender and status.
PROJECT
Performance Spaces Speech Auditorium Ayşenur Saraçoğlu İsmail Biçer
07 ARCH 390 PERFORMANCE SPACES SPRING 2018-2019
SPEECH AUDITORIUM
EXCEL TABLES FOR REVERBERATION TIME CALCULATIONS
Sound absorbing wooden parquet
Wood carpet
Fabric wrapped absorbing pan
nel
The aim of this project was design a speech or music hall which provide theoretical information about volume acoustics and noise control from Arch 390 performance spaces course and also attach importance to design as an architectural student. We also learned about the acoustical materials and where to use them in the auditorium according to calculations of reverberation time for each material.
Fiberboard Panel (absorbing)
Perforated wooden panel (reflective)
PLAN
B TERRACE
RESTING ROOM
MEETING ROOM
SNACK COUNTER STORAGE MEN ROOM
BACKSTAGE
CONTROL ROOM
STAGE
TICKET OFFICE
ENTRANCE
WOMEN ROOM
STORAGE
WAITING LOUNGE
RESTING ROOM ROOM
TERRACE
B’
SECTION : The areas for different materials on the side walls
Perforated wooden panel (reflective)
TICKET OFFICE
ENTRANCE
15
STAGE
100
425
CONTROL ROOM BACK STAGE
350
Fiberboard Panel (absorbing)
100
FOYER
SPEECH AUDITORIUM Fiberboard Panel Reflective Panels
Perforated wooden panel
SECTION : Ceiling reflections
CONTROL ROOM BACK STAGE
TICKET OFFICE
ENTRANCE
STAGE
Curved reflected panels: SECTION
CONTROL ROOM BACK STAGE
STAGE
TICKET OFFICE
ENTRANCE
Control lines from the mouth of the speaker to the ears of listeners : SECTION
CONTROL ROOM BACK STAGE
STAGE
Fabric wrapped absorbing panel
SECTION B-B’
TICKET OFFICE
ENTRANCE
PROJECT
Project definition : Gümüldür Project Program : Master plan - Concept Location : Gümüldür/İzmir
08 ARCH 302 ARCHITECTURAL DESIGN STUDIO IV SPRING 2018-2019
GÜMÜLDÜR PROJECT
BUILDING CONCEPT Concept idea
Concept model concept Concept mo idea
When separating differences, the unbreakable reality. The design concept shows that by combining natural agricultural products, different species can be united at one point to reveal another product. The products which are the same at the entrance are reunited at the center by placing different new products in the three masses. It sets out a structure based on teaching people that these products emerge as new products from each other and that there is no end to it. In fact, the same product can be in different colors when viewed.
By combining modern world with local agriculture that is suitable for our age , it is building a permanent design and Idea for future generations. He teaches you that when you go to the people of the earth, you can produce completely different products.
GROUP CONCEPT
CONCEPT
Life with all differences is possible
THEME
Agriculture is based on learning.
THE VISION STATEMENT The aim of this study is to protect natural protected areas from intensive structuring and to evaluate the natural and cultural potentials of the area. To create an exemplary Agro-tourism project for sustainability. At the same time, we are aiming to bring mobility to the field with organic agriculture and the activities to provide people to learn and gain experiences in the areas they want by taking agriculture in different ways, with various learning areas.
GROUND FLOOR PLAN
FIRST FLOOR PLAN
EAST ELEVATION
CIRCULATION
SPACES
STRUCTURE
NORTH ELEVATION
SECTION BB’
SECTION AA’
RENDER INTERIOR
Project definition : Gümüldür Project Program : Master plan - Concept Location : Gümüldür/İzmir
08 ARCH 302 ARCHITECTURAL DESIGN STUDIO IV SPRING 2018-2019
GÜMÜLDÜR PROJECT
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BUSE
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T T A S. E L I
+(90) 506 617 4700
busetaseli@hotmail.com Gaziemir/Ä°zmir