Bushwick Notebook Issue 1

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COVER FEATURE


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COVER FEATURE

Shilpa Ray’s Ferociousness Is So Last Year

by Katarina Hybenova

Purgatory & Paradise:

The Story of a Becoming by Vanessa Martir

In the Business of

Bushwick Open Studios

Loftmates by Brittany Natale

Pumps by Henry Miller

by Katarina Hybenova 1


The Notes Editor’s Letter: ...Because Print is Like Vinyls Advertising Hijacks Bushwick Street Art [Comic]......................................................8 Ultimate Curated Guide to Bushwick Open Studios 2015 (June 5 -­June 7)..........................................................................................................10 Subtlety of Bushwick Street Style.............................................................................22 Your Summer of Awesome at the Rockaways A Guide to Eat, Drink, Sleep, Party and Enjoy the Beautiful Peninsula.........................28 A Fish Poop Farm Has the future of farming begun in...Bushwick? A visit to Edenworks’ Farmlab...........34 Trust Fall: An Excerpt.................................................................................................40 Shilpa Ray’s Ferociousness Is So Last Year...............................................................46 Purgatory & Paradise: The Story of a Becoming......................................................52 Loftmates What Goes Down in a Bushwick Loft, Stays in a Bushwick Loft....................................62 In The Business of Bushwick Open Studios What Goes Down in a Bushwick Loft, Stays in a Bushwick Loft....................................74 Pumps Where Old And New Brooklyn Meet And People Get Drunk, Naked And Happy.......82 Bushwick, Brooklyn.....................................................................................................96 On the cover: Shilpa Ray photographed by Ebru Yildiz in Brooklyn

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Sean Alday Modesto ‘Flako’ Jimenez Photographers Ebru Yildiz Katarina Hybenova Alonzo Maciel Gustavo Ponce Meryl Meisler Rafael Fuchs Axel Dupeux

Masthead - ISSUE 1 Publishers Katarina Hybenova Ken Kocses Editor-­in-­Chief Katarina Hybenova

Advertising Sales Ken Kocses Christian Detres

Sponsorship Coordinator Ken Kocses

June 2015 Volume 1 Issue 1 (Summer)

Managing Editor, Copy Editor Wesley Salazar Design & Art Direction Brandt Imhoff Illustration Jeremy Nguyen Graphics Jeremy Nguyen Joe Ruffa Writers Katarina Hybenova Vanessa Martir Brittany Natale Henry Miller Nekoro Gomes Camille Lowder Whitney Jordan Joel Wolfram 4 6

Bushwick Notebook is published by Bushwick Daily LLC, 662 Onderdonk Ave, Ridgewood, NY. Follow us at facebook.com/ bushwicknotebook & instagram.com/ bushwicknotebook For your daily dose of Bushwick news, visit bushwickdaily.com General inquiries bushwickdaily@gmail.com Advertising ken@bushwickdaily.com Subscriptions bushwickdaily.com/bushwicknotebook Talk to us on Twitter, show us on Instagram how you’re enjoying your summer #bushwicknotebook



EDITOR’S LETTER

...Because Print is Like Vinyl in the Age of Spotify Spotify is awesome, don’t get me wrong, but playing music on a vinyl creates an atmosphere of a special and festive occasion, a moment of relaxed nostalgia. No, you will not accidentally read a work email while looking for Madonna’s Immaculate Collection. You will simply sit down, relax and listen to that prickly, rich sounding music filling your room up to the ceilings. Similarly, a beautiful print magazine can create the

And what is the Bushwick way? The Bushwick way

same peaceful joy in your mind. In fact, I strongly

is a return to the origins; it is awakening to one’s

recommend that you read Bushwick Notebook

purpose and doing things without motives other

while listening to your vinyls. Or better yet, while

than for the creative expression and fulfillment

enjoying the summer at Jacob Riis Park beach.

that lies within. The Bushwick way is a way of

(Try to compete with Bushwick Notebook in direct

community. The Bushwick way doesn’t mean

sunlight, dear iPad!) And no, there will be no social

that sufficient compensation isn’t involved, the

media sharing; this magazine is only for you.

Bushwick way means that the compensation flows naturally where the heart goes.

At Bushwick Daily we have lovingly produced a website concerned with local news and all

And so you can read the cover story of musician

kinds of Bushwick quirkiness for five years now.

Shilpa Ray and find out why she is wearing a

We have built a great audience (the best in

monkey costume. By any means dive into Pumps,

the world, as far as I’m concerned). We even

a story about an old-fashioned East Williamsburg

managed, to the wonder of many, to

strip club where lines between art and sex work

reach a good level of sustainability. Despite

are blurry. And to help you start your summer

all that, we’ve been missing magazine-style

the right way—by celebrating Bushwick and

articles—long and detailed, with beautiful

its creativity during Bushwick Open Studios on

photography and design.

June 5 through June 7—we have a curated BOS guide for you, as well as a deeper insight into its

We put the fast and furious world of the digital

organization and impact.

news and short articles aside (for a moment) in order to create this magazine and fill it with

Enjoy this first issue of Bushwick Notebook

content we’ve yearned to write and photograph.

and let us know how you like it by adding

Remaining loyal to our Bushwick roots, we wove

#bushwicknotebook to your social media

these stories around our beloved neighborhood,

messages.

but with hopes that they would transcend it and be a good read for anyone interested in

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Love and summer vibes at you all,

creativity, arts, culture, fashion, lifestyle and

Katarina Hybenova

entrepreneurship the way Bushwick does it.

editor-in-chief



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COVER FEATURE BOS

(June 5 - June 7) by Katarina Hybenova, Henry Miller, Nekoro Gomes, and Camille Lowder Photos by Katarina Hybenova

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COVER FEATURE BOS

If there is one weekend of the summer season you need to be physically present in Bushwick, it’s the first weekend of June, which traditionally belongs to the glorious neighborhood-wide celebration of art and community, festival Bushwick Open Studios. It is the time when hundreds of artists open their studios or homes, and invite us into their magical world; it is the time of the best parties and outdoor events, the time for Bushwick to shine and celebrate all that it stands for. So tell your sister she can get married on some other weekend, and dive into the creative, quirky, magical, thriving Bushwick. Are you getting a serious case of FOMO because of the hundreds of events around you? Inhale, exhale, we got you. We broke down the Bushwick Open Studios area into five districts (East Willy, Morgan, Jefferson, Ridgewick, and JMZ) and hand-picked the most amazing things to see and attend along the way. We even asked three local art experts for their recommendations and sprinkled them on top of this compact guide. Julie Torres (artist and curator); Christopher Stout (artist and founder of Bushwick Art Crit Group) as well as Jason Andrew (curator; founder of Norte Maar and co-owner at Outlet Fine Art gallery) all chipped in recommendations for your total enjoyment of this year’s Bushwick Open Studios!

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COVER FEATURE BOS

The area of East Williamsburg is frequently referred to as Bushwick, Williamsburg and sometimes even as Greenpoint. The truth is, all of these claims can actually be accurate depending on which corner of Morgan Ave you’re standing. Borders issues aside, the East Williamsburg Industrial Park and its often abandoned factories offer the perfect “laboratory” conditions for creativity in visual arts. Get off at the Montrose or Grant L train stop and explore endless converted warehouses, lofts, and be on the lookout for some excellent street art as well.

1. “Re/Post” curated by Ian Cofre

studio of painter, the gallery

4. A Group Show @ Livestream Public

Storefront Ten Eyck,

owner and Bushwick die

Livestream Public,

324 Ten Eyck St

hard, Deborah Brown. Her

195 Morgan Ave

FRI 6-9PM, SAT 12-9PM,

excellent paintings examine

FRI 9AM-11PM; SAT 1-11PM;

SUN 12-6PM

the costumes, coiffures

SUN 12-5PM

Curator Ian Cofre brought

and conventions of self-

What better way to explore

together 10 artists who

presentation.

the tremendous space of

externalize the complexity of

make sure to peek into the

the self in the Digital Age to evolve a personal language

Idio Gallery,

big group show curated by

that vacillates between

976 Grand St

Joseph Meloy features the

abstraction and representation.

SAT-SUN 12-6PM

work of some favorite Bushwick

On Saturday from 6-9 p.m. the

Flavorpill, IDIO Gallery, and

artists, such as Michael Alan,

gallery promises a performance

Arts in Bushwick invited

Christopher Stout, or Morgan

of Dr. Zizmor.

independent curators to

Jesse Lappin.

2. Deborah Brown Open Studio

submit exhibition proposals. Curator Jack Henry, who won this open call, paired

Storefront Ten Eyck,

the work of Bushwick artists

324 Ten Eyck St

John Crowe and Oliver Jones

FRI-SUN 12-7PM

in a multimedia exhibition

While at Storefront Ten Eyck,

to explore the structure of memory.

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Livestream Public (former 3rd

3. Circumstantial Evidence

expanding awareness beyond

Ward building) than to follow around the art on its walls? A


COVER FEATURE BOS

5. Catherine Kirkpatrick Open Studio

10. Juguetería/Toys Warehouse

274 Morgan Ave

8. Unapproachable America: Imagining the New World

SAT-SUN 12-7PM

Project 772,

270 Meserole St

Make use of this opportunity to

772 Metropolitan Ave #2R

FRI-­SUN 11AM-9PM

visit the studio of photographer

SAT­-SUN 12-­7PM

Known as Studio Sweet Home,

Catherine Kirkpatrick who,

Three artists (Claudia Bitran,

two artists from Colombia and

besides her excellent work, is

Billy Jacobs, Matt Ramirez),

Puerto Rico,Yeimi Salazar and

also involved with Professional

featured in a group show

Melvin Sanchez have been

Women Photographers.

curated by Jeremy Jacob

collaborating for almost six

Schlangen, are using

years and together. Their

conceptions of images to make

storytelling crosses between

approaches to what might be

animation, performance,

called America.

sculpture and installation.

mixed media, Jones’ work

9. Cate Woodruff Open Studio

is part hilarious, part funny

395 Johnson Ave

11. Rooftop Party Presented by Sugarlift & Livestream

remembrance of his personal

SAT 11-­6PM, SUN 11­-7PM

Sugarlift, 200 Morgan Ave

mythology.

Multidisciplinary artist, Cate

SAT 12-5PM $10-35

Woodruff, makes photographs

Local online gallery Sugarlift

using layers of reflective

is inviting you all for a good

surfaces and homemade

old rooftop party. They’ll be

lenses to bend and distort the

feeding you with delicious

boundaries of matter beyond

BBQ from Arrogant Swine

the existence of form.

and getting you tipsy/sober

6. Karl Jones Open Studio 55 Meadow St FRI-SUN 1-8PM Working in sculpture and

Recommended by Jason Andrew:

7. Panoply Performance Laboratory 104 Meserole St

Exit Room Gallery,

FRI­-SUN all day

with Sixpoint beer/Bruce Cost

Walking across performance

Ginger Ale—all all that for

disciplines and cultural

free, so hopefully you won’t

spheres, Panoply Performance

mind the cover. A gallery show

Laboratory, is a brainchild

of some of Bushwick’s best

of Esther Neff and Brian

street artists will be on view as

McCorkle. For BOS they’ve

well (Rubin, Elle, Sonni, ASVP,

prepared PERFORMANCY

Eelco Virus, London Kaye,

FORUM: CACHE IN, an event

ChrisRWK & Veng, and more).

that features works dealing with Cache/cash/capitalism and art.

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BOS

The glorious, Morgantown, the land of Roberta’s, Momo Sushi Shack and of course the quintessential yellow 56 Bogart building filled with artist studios and galleries. Everybody either loves or hates it; nobody nobody feels indifferent about it. It’s a catwalk of artists and artist-wanna-lookalikes who show off their coolest thrifted outfits whilst blowing out gray clouds of cigarette smoke (because they’re so bohemian). But be careful, because 56 Bogart building has the ability (and content) to suck you into its vortex for the entire weekend. Get off at the Morgan L train stop and join the artsy circus! 1. Luis Rosenfeld’s Street Gallery

revolving around the concept of

5. Ellen Hackl Fagan Open Studio

27 Knickerbocker Ave

home. The reception with bands

229 Cook St

FRI-SUN 9AM-7PM

and performances goes down on

FRI 5-7PM, SAT-SUN 12-7PM

Photographer/street artist

Sunday from 4:30 to 6 p.m.

The studio of interdisciplinary

Luis Rosenfeld wheat-pasted

abstract painter, Ellen Hackl

27 Knickerbocker Ave. Stop

3. Double Double Vision Vision

by during the weekend and

The Active Space,

Fagan uses synaesthesia,

witness his fascination with

566 Johnson Ave

digital media and interactive

speed light photography and

FRI 6-9PM, SAT-SUN 12-10PM

performance as tools for

its possibilities.

Artist Christian Ruiz Berman has

developing a corresponding

vacated his studio to celebrate

language between color and

his second year of participation

sound.

his portraits onto the walls at

2 . “Home Improvement” on Rock Street

in BOS with a nice big group

Fagan, is tucked behind Odetta gallery, which she also runs.

art show. Expect to see works

6. Victory Over the Sun

Rock St between Bogart St &

by Cristina Camacho, Matthew

Odetta, 229 Cook St

Morgan Ave

F Fisher, Doty/Glasco or Mark

In a two-­person show, Odetta

SAT-SUN 11-6PM

Joshua Epstein.

presents Bushwick­based artist

The small Rock Street doesn’t

and gallerist Mary Judge and

the year as it is privately owned

4. Dan Perrone Open Studio

by Boar’s Head. However,

315 Seigel St

simplicity of fundamental forms,

Rock Street will rock for the

FRI 5-8PM, SAT 12-7PM

the circle and the square, as

third time in a vrow this year,

Photographer Dan Perrone

their jumping off point, and

as Deborah Brown and Leslie

will present his works selected

move into maximalist paintings,

Heller curated a sculpture show

from an on-going series of

employing figure ground

for the occasion of BOS. Expect

large-format photographs titled

reversals, pattern and optical

to see works by Ian Cochran,

“Warm Static” from

diversion.

Jaynie Crimmins,

2007 to present.

see much cultural action during

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or Kate Starbuck Elliot, all

Brooklyn­-based artist Gilbert Hsaio. Both artists use the


BOS Recommended by Jason Andrew:

7. Frank Ape Pine Box Rock Shop,

photograph installed on the street. Phil will have also other work exhibited in studio #2 on the first floor.

12 Grattan St Everybody loves Frank Ape, an iconic character created by

Recommended by JULIE TORRES:

Transplant: Own Your Dirt 16 Harrison Pl SAT 12-10PM, SUN 12-5PM Through visual art, durational performance, and a series of panel discussions, Brooklyn

for us, Brandon is Pine Box’s

10. Thrice Legendary, or Forever Thens

featured artists for this year’s

Centotto, 250 Moore St #108

Bushwick into a site-specific

BOS.

SAT 2-6PM

consideration of physical and

This legendary apartment gallery

psychological placement and

of Paul D’Agostino, Bushwick

replacement.

artist Brandon Sines, and, lucky

8. Rockin’ Granny Love

and Detroit artists transform an empty lot in the heart of

in front of 56 Bogart St

artist, writer, scholar and polyglot,

SAT-SUN 2-5PM

is celebrating its 8th birthday

In her interactive performance,

this BOS. The group show at

Dr. Lisa Levy, the self-

view is “a rather studio-centric

proclaimed psychotherapist,

show featuring works by dozens

15 Thames St #3

dressed as “Grandma” will

of artists based hither and yon,

SAT 7-8:30PM

be sitting in her rocking chair

alongside ‘legendary’ notes to

Join a meditation class for

outside in front of 56 Bogart

send you nearby and beyond.”

practitioners of magic, which

Building instructing passersby

13. LANDED Meditation & Ritual Lab Surreal Estate Redux,

is a discipline of meditation

to sit in her lap so she can rock

11. Sky Fortress Cantina

them and give them some

75 Stewart St #405

magician, witch or mystic. Are

conditional love.

FRI-SUN 8AM - late

you a beginner? Worry not,

Some of you might have

this is open to all levels of

noticed that we featured these

experience.

9. Phil Buehler’s Fergusson

guys in the Loftmates article

to achieve the aims of the

Recommended by JULIE TORRES:

in front of Brooklyn Fire Proof,

in this magazine. Go, peek in

119 Ingraham St

the Sky Fortress loft, which

SAT-SUN 12-7PM

houses a creative collective of

The quiet tree-lined street in

the same name. They will be

Fergusson, MI where Michael

sharing their lifestyle during a

FRI 6-9PM, SAT-SUN 1-6PM Get

Brown was shot and killed

72-hour performance during

ready for a fun, sprawling show

by the police is covered in

which they’ll be serving food

curated by Todd Bienvenu and

flowers and stuffed animals

for donation. Expect also DJs,

Michael David in their studio

these days, portraying a very

performers, painting, and of

across the hall from Life on Mars

different community than the

course a ton of art.

gallery on the ground floor of

riot images continually replayed by the media. Photographer Phil Buehler allows you to step into the scene thanks to his 8’ tall, 8’ diameter panorama

Recommended by Jason Andrew:

12. Spread Art Summer Group Show VIII –

14. Mixtape II 56 Bogart St

56 Bogart building. Peek to the Life on Mars gallery too as they’re hosting a summer invitational group show focused on portrait.

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BOS

Perhaps the most playful district of this year’s BOS is the area around the Jefferson L train stop aka Jefftown. Hundreds of artist studios, restaurants, bars and simple joies de vivre are awaiting you. Explore large 17-17 Troutman St building buzzing with great artists, hang at the Bushwick Collective Block Party, and be grateful for this ultimate Bushwick experience. We know we are!

1. Dress Shop Studios

3. Bushwick Berlin

Dress Shop Studios,

382 Jefferson St

5. Sonomi Kobayashi Open Studio

322 Troutman St

FRI 6-10PM, SAT-SUN 12-

44 Stewart Ave

SAT-SUN 12-7PM

9PM This studio space will

SAT-SUN 1-6PM

A small but richly decorated

be hosting six artists from

Sonomi Kobayashi will be

venue partially hidden

Bushwick and six from Berlin,

exhibiting her abstract oil

between residential buildings,

making for a wonderful

paintings, drawings, etchings

322 Troutman contains new

opportunity to see the

and lithographs, in which

work by Paul Bergeron,

contrasts between the two

she is striving to express

Dominique Festa and Joey

artist havens.

the relationships between

Natoli among others. Jose from previous exhibits make

4. Branded Rose, a Site Specific Sculpture

the promise of this show worth

Norte Maar,

6. Seeking Space

the visit.

83 Wyckoff Ave

Be Electric,

SAT-SUN starts at 11AM

1298 Willoughby Ave

This year Norte Maar

FRI 6-9PM, SAT-SUN 1-9PM

prepared “Branded Rose,”

Celebrating its sixth year,

Brooklyn Brush Studios,

a site-specific sculpture

Seeking Space is the official

203 Harrison Pl

piece featuring hundreds of

group art show of BOS

FRI-SAT 12-7PM

handmade roses by Carlton

composed of artists who are

Best known for her trippy

Scott Sturgill. A stunning

all… well, seeking space to

and playfully entrancing neon

image that is sure to feel

show their work.

light installations, Annesta Le

all the more spectacular in

will be showcasing new work

person, “Branded Rose” will

7. 17-17 Troutman

alongside the vibrant work of

be paired with an exhibit

17-17 Troutman St

Ben Hilario-Caguiat, which

celebrating Norte Maar’s ninth

FRI-SUN 12-7PM

uses elements of anime to

year in Bushwick.

Go pay a visit to one of the

Krapp’s surrealist drawings

2. Annesta Le Open Studio

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humanity, nature, earth and the universe.

create abstract “dream worlds

most prominent art buildings

and shapes.”

in the area but be careful not


BOS 12. 14’ CUBE: mobile gallery VOL.2

to get sucked in for the entire

SUN 1-7PM

weekend. There is A LOT to

Do you love video games

see. Our faves: Studio #315

and video game inspired

will feature works by F.P.

art? Then you must stop

FRI 5-8PM, SAT-SUN 12-8PM

Boué, Peter Clough, Jennifer

by at Arcade 3000 because

Live painting and projection

Gustavson, Rachael Clarke

these guys are, for the third

form the centerpiece of this

Hendel, Jeremy Olson, Russell

time in row, producing an art

unique showcase from baCe,

Perkins, Andy Sowers, Bob

show dedicated to new indie

inc. production company head

Szantyr, and Sarah Tricker;

games. Plus they have

Nahoko Hayashi. An outdoor

studio #311 presents a group

free beer!

photography showcase from

show of excellent Mark Sengbusch and Dave King among others. At studio #319,

Recommended by JULIE TORRES:

33 Wyckoff Ave

other Japanese auteurs like Fumihiko Sigino, Yuji Oboshi and Mari Maeda will be paired

Sienna Reid examines, through

10. Harthous 2015

her multidisciplinary work, how

1042 Hart St

souvenirs courtesy of gift shop

police and prosecutor create a

FRI 6-9PM, SAT-SUN 12-7PM

SHIN-YOSHIWARA.

murderess out of a young girl.

Bushwick (power) couple

8. Street Radio Broadcast – 88.9 FM

Jessica and Oliver Ralli have been organizing a big art show in their house for three

alongside provocative mini

13. Bushwick Collective Block Party Troutman St between St.

Cheap Storage,

years in row. This year they’ve

Nicholas & Wyckoff Aves

49 Wyckoff Ave

invited spectacular group of

SAT 12-6PM, indoor events

SAT-SUN 12-7PM

local artists including Matthew

6PM-midnight

Members of Savage Severe

Miller, Stephen Truax and Ellen

Transport yourself to another

will conduct a Live Radio

Letcher. Make sure you’re

world with the staple of

Broadcast during Saturday

there on Friday at 7:30 p.m.

Bushwick fun, Bushwick

and Sunday of BOS. Feel free

for a dance performance--a

Collective Block Party. Held on

to tune in, drop in, drop out

collaboration between Oliver

the block with amazing street

of their sonic programming

Ralli and The Pharmacy Project.

art murals (and rad bars!), get

featuring all genres of music

ready for some live painting

and non-music, spoken word,

11. NEWD Art Fair

stream of consciousness

1896 Studio Building, 592

street performers, raffle and

poetry, phantom phone call-

Johnson Ave

giveaways. After 6PM, head

ins, creepy station ID’s, open

SAT-SUN 12-7PM

indoors to see bands.

mics for on-the-spot, street

NEWD Art Fair is returning to

level public engagement, live

BOS after its last year’s successful

performance and wild radio

debut. The art fair will feature

activation.

a selection of 11 exhibitors

9. Artcade 3000 Indie Video Game Showcase

action, beer tent, food trucks,

comprised of artist collectives, project spaces, non-profits and artist-run galleries including

214 Starr St

Bushwick’s Fresh Window, Signal,

FRI 5-10PM, SAT 1-10PM,

Sardine and NURTUREart.

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COVER FEATURE BOS

JMZ district feels and tastes different than districts along the L train providing a valuable alternative to overcrowded Morgantown and Jefftown. Elevated JMZ train stations Central and Myrtle-Broadway should be your starting point in the exploration of the plentitude of artist studios located in beautiful mansions.

1. Brooklyn Collage Collective

3. BYO-Art

of the body as integral to the

The Living Gallery,

chemical existence.

37 Troutman St

1094 Broadway Ave

SAT-SUN 1-6PM

FRI-SUN 12-7PM

If you’re like us, a sucker for

This year’s BOS presents…

5. Somebody I Use to Know

collage, you won’t miss the

YOU. Anyone can bring

Elizabeth G. Devlin

group show organized by

a piece of art to be hung

Art Studio,

BCC’s founders Morgan Jesse

throughout the entire

60-62 Putnam Ave #1

Lappin and Lizzie Gill whose

weekend, on a first-come,

SAT-SUN 12-7PM

collective has been growing

first-serve basis, with a

In a visual realization of the

for the past three years.

$10 suggested donation.

Dadaist technique of creating

While this will certainly be a

a poem or other literary piece

showcase of hidden talents,

by taking cut up pieces of a

Tarot Society Gallery and

for enjoyment’s sake, we’re

larger text and recombining

Reading Room,

secretly hoping for a few

them by chance, artist

4 Charles Pl

what-in-the-world? pieces in

Elizabeth G. Devlin paints life-

SAT-SUN 12-7PM

there too. It just wouldn’t be

sized, seated figures in skewed

Photographers Dallas Athent

Bushwick without ‘em.

perspective.

Gianna Leo Falcon explore

4. Auto-Chemistry

6. Coming Home

the finding of the self through

The Hollows Artspace,

Bushwick Community

imagery and portraits. Falcon

708 Bushwick Ave #2

Darkroom,

juxtaposes photographs of

FRI-SUN 12-7PM

110 Troutman St

herself with portraits of a

An exhibition of movement

FRI 12-7PM, SAT-SUN 12-5PM

prominent witchcraft leader,

that utilizes various media

Bushwick Community

while Athent paints runes and

forms and performance

Darkroom celebrates its move

personal thoughts on canvas,

to explore self-propelled

to Troutman Street and its

then photographs them into

perceptual zones and

four-year anniversary with a

warped self-portraits.

differentiated appreciations

member exhibit, including

2. Hermetic Portraits

(Bushwick Daily’s own!) and

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COVER FEATURE BOS works by darkroom founder Lucia Rollow; Scott Nyerges, Sam Margevicious, Caleb Savage, Genevieve Snow, and more.

7. Neocraftism

10. “Purgatory & Paradise: SASSY ’70s Suburbia & The City” Book Launch & Exhibit

12. House of Screwball’s 3rd Annual Bushwick Open Studios Rooftop Party

Bizarre, 12 Jefferson St

142 Stockholm St

FRI 7PM­-late, SAT 12AM-­late,

FRI 8PM-late

SUN 12­-11PM

Did you say you want to chill

The Parlour Bushwick, 791

Bushwick’s legend of a

in a gentle breeze overlooking

Bushwick Ave

photographer, Meryl Meisler,

Manhattan skyline more? Then

SAT-SUN 12-6PM

who used to be an art teacher

you must attend 3rd annual

An all-female exhibition

in the neighborhood in the

BOS party organized by a

showcases artists working with

1980s and 1990s, is launching

party & tarot collective, House

traditional craft media such as

her second photography

of Screwball. They will have

ceramics, yarn, clay or wood

book. Read an interview

DJs, performances and a cake

in current and contemporary

with this fabulous lady in this

to celebrate the birthday of

ways.

magazine, and go shake her

co-founder Darcy Leonard.

8. Shwick Open Studios

hand at Bizarre’s gallery, Black Box.

Shwick, 6 Charles Pl FRI-SUN 11AM-11PM Everyone’s favorite market and a community space has

11. Slideluck Bushwick IV The Living Gallery,

put together a show of 10

1084 Broadway

Bushwick artists. Expect music,

SAT 1PM (BBQ potluck);

drinks, and good vibes all

2:30PM (slideshow)

weekend.

Local non-profit organization,

9. HOTEL

Slideluck, usually travels the world to put on food, art and

796 Broadway #2

community events featuring

SAT-SUN 12-7PM

slideshows of art works

The building off Flushing JMZ

submitted through open calls.

is a home/work space to a

During BOS they’re staying

number of interesting artists.

at home, playing slideshows

Explore their secrets in a

of art dedicated to Bushwick.

slightly spooky mansion.

Come by early for a BBQ potluck!

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COVER FEATURE BOS

The consistent quality of art showcases happening on the Bushwick-Ridgewood border for this year’s BOS is sure to get you on your bike and off the Dekalb and Myrtle-Wyckoff L train stops. Whether you want to keep it closer to the ‘wick or head further into Ridgewood, there’s no shortage of exciting artists working across all manner of mediums in the “northeast kingdom.”

1. Made in Ridgewood

feast with several surrealist

and charcoal drawings of

Alternative Studio Space,

works by artists like Jeff

characters flailing through

1902 Palmetto St, First Floor

DeGolier, Lauren Portada and

space in carefree, dreamlike

Curated by Yulia Touchy

Robin Kang (who collaged

poses, while photographer

of Coworker Projects,

YouTube footage of the NATO

Jonathan Auch inverts that

this exhibition will feature

2012 riots and projected them

intimacy in gritty profile images

contemporary Ridgewood

on huge wood blocks).

of everyday New Yorkers.

artists focused on expanding past the local and having an impact on the borough’s

5. Dan Nation is THIS 16 Cypress Ave

includes a wide diversity of

3. Sylva Dean And Ventiko, Expect Expectations

artistic mediums, including

All over Bushwick SAT-SUN

purchase a few special pieces

installations, videos,

Be on the lookout for rogue

(such as scarves, trinkets and

performances, drawings,

performance artist Sylva

shawls) to take home with

and more.

Dean and Ventiko in wearable

you along with your fond

sculptures made of milk

memories of BOS 2015.

newly established role as a creative hub. The exhibition

2. BBQ @ The Donk Studios The Donk Studios,

cartons from Bushwick Day Care Center.

SAT-SUN 12-8PM ‘THIS’ by Dan Nation is the perfect opportunity to

6. Kings vs. Mullahs 16 Cypress Ave

Who says that high-concept

4. Leah Yerpe & Jonathan Auch Open Studio

art and good ol’-fashioned

283 Linden St

generated no small share

barbecue can’t mix?

SAT-SUN 10AM-7PM

of controversy in recent

Ridgewood art gallery fixture

Artist Leah Yerpe specializes in

years, but Iranian artist Ali

The Donk continues its annual

starkly detailed graphite

Chitsazzedeh’s whimsical

18-28 Troutman St SAT-SUN 12-7PM

20 22

Recommended by CHRISTOPHER STOUT:

SAT-SUN 2-8PM Satirical art that takes aim at Islamic society has


COVER FEATURE BOS depictions of smirking mullahs is more tongue­-in-­cheek than purposely incendiary, poking fun at American status

9. Thunder Dome & Danger Zone Open Studios

11. Color Me Bushwick Pickthorn, 61 Wyckoff Ave

1313 Halsey St

FRI-SUN 2-10PM

symbols like the 10­-dollar

SUN 11AM-5:30PM

Pickthorn, a hair and coloring

bank note as readily as Muslim

Visit Thunder Dome, the

salon is famous for two

clergy. Check out the exhibit

studio of Shayna Hawkins,

things: 1) they color hair of

and judge for yourself.

a digital artist who works in

the baddest models and

print, vinyl, and more; and

actors, and 2) they organize

Danger Zone, the studio of

the purely amazing Color Me

7. Reservoir Art Space BOS Showcase

Nick Brewer, a maker who

Bushwick, a three-day festival

659 Woodward Ave

creates 80s/90s nostalgic

featuring 27 bands, vendors,

FRI-SUN all day

artifacts for the young at heart.

activities, food and drink. You

Operated by co-founders Jamie Powell, Joe Nanashe and Ronna Lebo, this collection of eleven semiprivate art studios has a strong track record of curating sophisticated, thought-provoking shows that invite viewers to consider pollution as art and other

don’t want to miss this one! Recommended by Jason Andrew:

10. Westernized, Watered-down Zen Philosophies… an exhibition of ceramics, sculpture and performance 18-66 Troutman Street,

environmentally conscious

Car Park

works. Their showcase several

SAT-SUN 12-6PM

textile-based fine art pieces,

A Ridgewood car park

along with other mediums.

hosts a showcase of local

8. Elizabeth Waterman Open Studio

interdisciplinary sculptors, musicians, makers and performers whose work

345 Eldert St

examines strategies for

FRI-SUN 12-6PM

creating, resulting in

Waterman, a fine art black and

transgressions of form, craft

white portrait photographer,

and the resulting ideas that

will be showcasing her

arise out of watered down,

ongoing series focused on

misguided, and at times

New York City drag queens,

humorous interpretations of

performers, and revelers,

media, tools, techniques and

as well as her signature

traditions.

triptych portraits of rising art stars, commissioned by EOS Magazine.

21


COVER FEATURE FASHION

By Whitney Jordan Photos by Gustavo Ponce

Subtlety isn’t usually associated with Bushwick, especially when it comes to fashion, a term that’s as defining to the neighborhood as “lofts” or “DIY venues”. When we set out to shoot street style, however, we wanted to unwind the stereotypes, strip away the leopard prints, Doc Martens and facial piercings and really drill down to what defines Bushwick style, what defines our residents and our neighborhood. In these photos you’ll see the idiosyncrasies still exist, the hardware is still present, but there’s something more passive and natural to Bushwick style than meets the eye.

22 24

Name: Ali Weltman Age: 23 Hometown: Philadelphia Occupation: Works at a PR firm


COVER FEATURE FASHION Name: Allison Mapes Age: 25 Hometown: Poughkeepsie, NY Occupation: Fashion Advertising

23


COVER FEATURE FASHION

Name: Maria Occupation: Owner, Angels and Warrior Vintage

Name: Reni Manaj Hometown: Albania Occupation: Electrician

24 26

Name: Kevin Bright Hometown: Bed Stuy Brooklyn Occupation: Artist


COVER FEATURE FASHION

Name: Hoover Age: 44 Current Location: Carroll Gardens, Gowanus Occupation: Creative Director

Name: Isabella Age: 18 Hometown: Ann Arbor, Michigan Occupation: Stylist

25


COVER FEATURE FASHION

Name: Cully Age: 27 Current Location: Colorado Occupation: Food Buyer, Brooklyn Kitchen

26 28

Name: Aisha Age: 28 Current Location: New York Occupation: Art Assistant


COVER FEATURE FASHION

Name: Yan Age: 28 Hometown: Paris, France Occupation: Health Insurance Manager

Name: Leora Age: 24 Hometown: New Jersey Occupation: Musician, music journalist

Name: Michael Age: 20 Hometown: The Bronx Occupation: Housekeeping

27


COVER FEATURE ESCAPES

A Guide to Eat, Drink, Sleep, Party and Enjoy the Beautiful Peninsula by Camille Lowder - Photographs by Alex Uzik

Sun, sand, and surf within the reach of MTA—that’s the Rockaways and, obviously, we’re headed there this summer. But the expansive neighborhood along the largest beachfront in the United States is so much more than that. We hope that using this summer guide to the Rockaways as your starting point, you’ll grow to love it as much as we do, for its beaches as much as the community that surrounds them. A few years ago, the word was that the Rockaways were poised for a comeback. A bit patronizing, sure, but also exciting, for locals and beach-goers alike. Then Hurricane Sandy hit, destroying much of the area. The natural disaster has only served to highlight the ceaseless spirit of resilience along the Rockaways, and not just in its rebuilding efforts along the boardwalk and elsewhere. From locals constantly working on new and innovative ventures, like food and campsites, to visiting hipsters immediately taking on the necessary tasks of “helpsters,” enthusiasm for the Rockaways is infectious. Coming from the city where every bit of personal space is guarded and fought over, the “more the merrier” ethics along the beach are refreshing. We can barely believe how friendly and inviting the vibe is and we’ll be doing our part to maintain it, all while enjoying some of the best New York has to offer in the summertime. We’ve highlighted our favorite spots to relax, play, eat and drink, but we hope you’ll take up the challenge to find your own spots to love. There’s an adventure around every sand-strewn corner, just waiting for you to discover it. Tick tock, tick tock-away...get yourself to the beach! 28 30


COVER FEATURE ESCAPES

Getting There By bicycle (our favorite!) From Bushwick, head towards Williamsburg, then go South on Wythe Avenue to Flatbush

You can also take the J/Z to Woodhaven Boulevard, and take the Q53 or Q21 buses to 108th Street.

By bus:

Pick a Concession Per Your Liking

Avenue. Cross the Marine

Bushwick Beach Bus operates

Pick one of the Rockaways’

Parkway Bridge till you hit

from Bushwick’s Pearl’s

three concession stands as

Jacob Riis Park. Approximate

Social & Billy Club bar (40

your homebase: each of the

travel time is 1.5 hours from

St. Nicholas Ave) and will

three has its own vibe, while

Williamsburg, so it’s a bit of

take you all the way to the

all will provide that beachy,

a doozy. There’s no shame in

Rockaways. For the second

boardwalk feel to your trip.

riding there, and taking the

year in row, this popular

train back.

Bushwick bar will take you

86th Street: Hipster vibe

to “Bushwick’s Hamptons,”

Home to Rippers, a burger

For some two-­wheel

and the trip wouldn’t be

and fries spot that takes pride

sightseeing, head over to

complete with beer sponsors,

in its ingredients, 86th is the

the Rockaway Gateway

more stops, discounts at

lively and spirited youngest

Greenway trails. You’ll find

local Rockaway and Bushwick

sibling of the three, with

some easy asphalt riding from

businesses and newer, nicer

events like tiki parties popping

Floyd Bennett Field to the

buses to get you to the beach

up throughout the summer.

Jamaica Bay Wildlife Refuge.

in comfort and style.

Here’s to a summer with no

NYC Beach Bus will

flat tires or slipped chains but,

take you to the Rockaways

just in case, there’s Paul’s Bike

97th Street: Quintessential Rockaways

on weekends and holidays

This is the main drag, and

Shop (located at 163 Beach

through Labor Day weekend.

thus it has the biggest cross­

116th Street and reachable by

Hop on at one of the three

section of food, events,

phone at 718­-318-­2000) for all

drop­off and pick­up times in

and beachgoers. If you’re

your repair needs along the

Brooklyn and the Rockaways.

looking for that quintessential

Rockaways.

Tickets are $9 one­way, or $12

Rockaways experience, 97th

round­trip.

is a great place to start.

By subway:

Take the A train to Far

By ferry:

It’s home to a number of restaurant outposts, including

Rockaway, and transfer at Broad

Rockaway Beach Ferry goes

artisan ice pop makers

Channel to the S shuttle for the

from Pier 11 at Wall Street to

CitySticks, Bolivian Llama

Rockaways main drag. Get off

Jacob Riis Park Beach. The

Party and Breezy’s BBQ.

at 90th, 98th, 105th, or 116th.

tickets are $20 one way, $30

Alternatively, stay on the Far

round trip, $5 to carry on a

106th Street: Latin vibe

bicycle or surfboard.

This concession has a distinctly

Rockaway/Mott Avenue­bound

Latin vibe, from their food to

train, which serves Beach 67th­

their DJs and dance parties.

Beach 36th Streets.

29


COVER FEATURE ESCAPES Caracas Rockaway, an outpost of Williamsburg’s Caracas

Whit’s End 97­-14 Rockaway

on our way to the beach all

Arepas, provides signature

Beach Boulevard

summer long.

small plates and frozen

Owner and chef Whit Aycock is a bit of a character, known

Connolly’s

up juices, smoothies, and Blue

for swearing and beleaguering

155 Cross Bay Parkway

Bottle coffee.

those who try to order off

This place is a study in

the menu. But his pizza?

mismatched perfection—it’s

Absolutely f**king worth it.

a basement Irish bar...in a

Follow the rules—no slices,

Victorian house on the beach?

no red pepper flakes, no

We know, it sounds strange,

whining—and you’ll be

and Connolly’s definitely isn’t

Only a few years ago,

rewarded with the kind of

for everyone. But if you’re

Rockaway Beach was a desert

perfection that only comes

looking for a dirt cheap frozen

when it came to exciting

from his crazy attention to

cocktail, you’ve found your

cuisine, leaving visitors to lug

detail.

spot. Their frozen piña colada

sangrias, while Conchos serves

Where to Eat & Drink

heavy ice chests from home or snag something uninspired from a boardwalk cart. Thanks

is tops. Tip: Ask for a floater,

Cuisine by Claudette

and they’ll add extra rum on

143 Beach 116th Street

top. Be warned: It’s cash only

to a handful of enthusiastic,

For the past three years,

and it tends to get rowdy after

creative locals, there’s now

owner Claudette has poured

1 a.m.

a myriad of options that are

her heart, and her French

elevated far beyond that

and Moroccan roots, into

The Wharf Bar and Grill

of simple, sand­filled beach

this takeout place. Besides a

416 Beach 116th Street

fare. There’s something for

delicious homestyle menu that

The Wharf is located behind

everyone, including tacos,

changes regularly, including

a gas station and has very

pelmenis, piña coladas, and

epic eat­in specials, they also

little signage, but it is worth

artisanal ice cream. Here are

offer some of the Rockaways’

finding. The food and drink

some of our favorites:

best coffee courtesy of Oslo

menu may be average, but

Roasters.

the waterfront views are

Tacoway Beach 302 Beach 87th Street We’re so thrilled about this

30 32

nitro­infused cold brew coffee

spectacular. They’re

Rockaway Roasters 92­-06 Rockaway

arguably some of the best on the Rockaways.

new venture from Andrew

Beach Boulevard

Field, of Rockaway Taco, now

Speaking of coffee, enter

Uma’s

operating out of Rockaway

Rockaway Roasters. The

92­-07 Rockaway

Beach Surf Club. We’re hoping

discerning locals’ newest

Beach Boulevard

the new location will diffuse

favorite caffeine spot features

Serving up Uzbeki cuisine

the traditionally long lines, but

Stumptown Coffee Roasters,

“with a “rock’n’roll feel,”

who are we kidding? The lure

brewed locally in Red Hook,

Uma’s is one of a kind. Here

of beer and seats at RBSC is

as well as organic juices and

you’ll not only find hearty,

great, but we’d wait forever for

protein shakes. We’ll be

authentic dishes like mantis,

a chorizo taco and corn elote.

stopping in for their on­tap,

bichakis, and borscht but


COVER FEATURE ESCAPES also a well curated beer and wine menu, with especially

Last Dragon Pizza

ups, exhibitions, workshops,

lastdragonpizza.com

etc., many in tandem with

knowledgeable bartenders to

If you’re a fan of old kung fu

their publication, Rockaway

match.

movies, delicious pizza, and

Summer. Their publication

dinner pickup that feels more

serves as a physical guide

like a drug deal than takeout,

to the beach every year, so

Last Dragon Pizza will whet

make sure to pick one up and

70­18 Amstel Boulevard

your every appetite. Owner

follow their website for more

This West Indian takeout spot

Nicole Russell produces the

info (rockawaysummer.com).

is a bit of a walk from the beach

goods out of her home, only on

Unpredictability is the name of

but we’ll make the trip for what’s

Wednesdays and Fridays. The

the game—definitely a spot to

known as some of the best BBQ

seven flavors are inspired by

keep an eye on!

in all of Queens! Try the jerk

the namesake cult film, and are

chicken with oxtail gravy, a side of

worth every bit of strangeness

plantains, and don’t skimp on the

surrounding the whole

Rockaway Beach Surf Club

greens. Tip: Go early, because

process—th pickup location is

302 Beach 87th Street

they often run out of menu

only disclosed after ordering,

RoBe Surf Club is a sweet,

favorites.

online or by phone. To

laid­back spot to mingle and

guarantee one of only twenty

relax a few blocks back from

14” pies made daily, call a day

the beach. They’re passionate

ahead at 917­-780-2570.

about supporting the local

Goody’s BBQ Chicken & Ribs

Chicks to Go 97­02 Rockaway Beach Boulevard

community through promotion

A new venture by the family

of surf culture, artistic

behind La Cevichería, Chicks to Go is a tiny spot serving up pollo

Where to party

endeavors, and a smattering of other events, big and small,

a la brasa, Peruvian rotisserie

Looking for an easy,

so don’t be surprised if you

chicken, as well as salads and

“Rockaway­ing” good time?

wander into a pop­up art

side dishes, like fried cassava

These spots are curated to

gallery or film viewing. It’s

(yummy alternative to fries) and

fulfill all your beach needs,

also the location of Tacoway

sweet and savory plantains.

from food and drink, to

Beach, this

shopping and shows.

year’s new offshoot of

The Fisherman’s Dog 112­10 Beach Channel Drive

Rockaway Taco!

The Palms Beach 96th Street

Riis Park Beach Bazaar

at this beloved food truck. It’s

From the minds of locals David

144-­3 Rockaway

slightly out of the way, but

Selig and Giovanna Maselli

Beach Blvd

conveniently always parks in the

comes a new event space on

Brooklyn Night Bazaar was

same picnic table­filled lot. We

Beach 96th, The Palms. It’s an

priced out from Greenpoint

recommend sticking with the

open space that they intend to

in May only to find a refuge in

seafood options, like their

use largely for hangouts and

the giant Art Deco bathhouse

fish dog or octopus roll, for a

to relax during the day (yes,

at Jacob Riis Park, a National

delicious spin on food truck

underneath real palm trees),

Park Service property. The

classics.

but also as an arena for pop­

new incarnation will feature

Enjoy the best of both worlds

31


COVER FEATURE ESCAPES shopping, music and fun stages with free outdoor

Stay overnight!

concerts every Saturday and

Moored at Marina 59 truckafloat.com

Sunday. It will offer food

One could argue, and locals

Feeling like your Brooklyn

concessions in two of the large

do, that all the solely daytime

apartment bedroom is tiny?

bays that run the length of

beach-goers are missing out on

Try sleeping in a floating

the brick bathhouse, as well

some of the best of what

eco­pod on the waters of the

as smaller food carts on the

the Rockaways have to offer.

Jamaica Bay Wildlife Refuge

boardwalk.

Sunrises and sunsets aside

for a night! A new venture by

(though they’re pretty epic

Andrew Field (Tacoway Beach)

out there along the water),

and Maribel Araujo (Caracas

90­-20 Rockaway

seeing the area extra early or

Arepas Bar), Truck­a­Float

Beach Boulevard

especially late means getting a

promises to be a complete

Known as a space that

special glimpse past the mass

escape from urban living,

pushes boundaries (hence,

“down­for­the­day” mentality,

with pods equipped only with

the name), Topless Gallery is

and into the real heart of the

full beds and fold out tables.

filling the curated art void on

beach. Do yourself a favor and

Rates start at $75/night.

the Rockaways. This summer

book a spot to stay for a night

they’re turning a neglected

or two—we think it’s the perfect

two­story home at 96th and

way to celebrate a special

Rockaway Beach Boulevard

occasion without having to go

dpiperinn.com

into their gallery, with four

crazy far from home.

Your pretty standard cute,

Topless Gallery

scheduled show openings on

D­-Piper Inn 158 Beach 114th.

local inn with some subdued

June 13th, July 4th, July 25th,

Playland Motel

and August 15th.

97­-20 Rockaway Beach

outdoor porch and lounge

Boulevard playlandmotel.com

access. Rates are $180/night.

Lola Star

old Victorian charm, including

Formerly known as the spot

Camp Rockaway

174 Beach 116th Street

for crazy late n ­ ight parties,

Lola Star, the organizer of

Playland Motel is attempting

fantastic roller skate disco

this summer to become

Inspired by Rockaway Beach’s

parties at Prospect Park

more family­friendly with Dan

unique history as an urban

and Coney Island, has just

Cipriani (of Williamsburg’s

retreat in the 1950s and

opened another outpost in

Lodge restaurant) at the helm.

beyond, Camp Rockaway’s

the Rockaways. In addition to

We’ll believe it when we

mission is to get locals and

selling glittering accessories,

see it, but their party­perfect

visitors camping and into the

technicolored hula hoops,

backyard, eclectic

outdoors. While the camp is

beach gear, roller skates and

artist-designed rooms, and

still under development and

“magical mermaid treasures,”

artisan cocktails will definitely

full operation isn’t expected

Lola plans to organize parties

have us swinging by.

until 2017, the founders are

camprockaway.com

and events at Rockaways too,

planning a pop­up camp for

which will include Pin-Up Party,

late summer of 2015 to give

showgirl makeup classes, or

us the taste of things to come.

sunset yoga on the beach.

32 34

Truck-­a­-Float



COVER FEATURE Entrepreneurship

Has the future of farming begun in...Bushwick? A visit to Edenworks’ Farmlab by Joel Wolfram - Photos by Lucia Reed

On the sunny but unseasonably

“We’re often 80 degrees above ambient

chilly March morning of my visit to

[temperature],” Edenworks’ CEO and

Edenworks’ Farmlab, crossing the

Co­Founder Jason Green explains. “So if

threshold of the rooftop greenhouse

it’s 20 degrees outside, and it’s sunny, it

feels like stepping through a portal to

can be 100 degrees in here.”

the tropics. Inside it is sweltering, and

34 36

the thick, humid air hits me like a ton of

Edenworks is an urban agriculture

bricks after the long months of one of

startup founded in early 2014 by Green,

New York’s coldest winters on record.

25, and co­founders Ben Silverman, 28,


Entrepreneurship COVER FEATURE

and Matt La Rosa, 21. The Farmlab

Fish tanks teeming with young tilapia

is their 800-square-­foot rooftop

are nestled underneath sleek, metal

greenhouse prototype located atop a

terraces that ascend to the ceiling like a

Johnson Avenue industrial building,

stepladder and out of which grow rows

which, together with an on­site office,

of shiny, leafy vegetables. The tanks

serves as Edenworks’ home base.

and the growing structure together comprise what Edenworks has dubbed

When the shock of the heat subsides,

a Farmstack, an 8-­foot-long section of

the next thing I notice is a slightly funky

the greenhouse that contains all the

smell, surprisingly not far removed from

components of its aquaponic growing

the mélange of manure and hay you’d

system. Four Farmstacks are lined up

whiff on a country barnyard. There’s no

end­to­end to form the Farmlab, but

hay to be found at Edenworks, and no

each one is a self­contained system,

four­legged creatures either, but there is

functioning independently from the rest.

manure, so to speak. It just happens to come from fish. 35


COVER FEATURE Entrepreneurship

“But it’s not Edenworks’ use of aquaponics that sets it apart from other urban farms. What really distinguishes Edenworks is its technological sophistication.”

level, and the chemistry of the water in

Aquaponic systems like that of

location within the greenhouse for each

Edenworks combine aquaculture, or fish

crop to be grown. The software even

farming, and hydroponics, the method

automatically adjusts the climate­control

of growing plants in nutrient-­enriched

equipment in the greenhouse.

the growing beds and feed this data to a computer via a custom control board of Edenworks’ own design. They use computer software designed in­house to crunch the data and guide decisionmaking on the farm, including the best

water, instead of soil, into a more sustainable, closed­loop system that

“We’re still working on the algorithms,”

minimizes waste and natural resource

Green says. “Like today, it’s a little

consumption. The fish “manure” I

warmer than it should be, so I’ll be

smelled coming into the greenhouse,

turning the fan on and off periodically

it turns out, is key to the system.

throughout the day. But the system is

Beneficial bacteria convert ammonia in

monitoring when I’m turning it on and

the fish wastewater into organic nitrate

off and then it will start making its own

fertilizer. The fertilizer­rich wastewater is

decisions at some point.”

then filtered to remove solid material and pumped through the Farmstack’s

Green even imagines a day when a data-

growing beds to feed the plants, which

driven farm’s artificial intelligence could

absorb the fertilizer and send clean,

be perfected to the point that it could

fish-friendly water flowing back into

be maintained by robots. But right now,

the tanks. This recycling of water and

the emphasis on data at Edenworks is

nutrients makes Edenworks a highly self­

more about improving farming today

sustaining system that uses significantly

than a future where human farmers are

less water and energy—90% less, they

put out of work by our robot overlords.

say—than conventional farms.

They’re looking for correlations between the data they’re collecting on growing

36 38

But it’s not Edenworks’ use of

conditions and the data they will reap

aquaponics that sets it apart from other

on crop performance come harvest

urban farms. What really distinguishes

time—metrics like like total yield,

Edenworks is its technological

nutritional content, and growth rates.

sophistication. The Farmstack system

Aided by these correlations and their

incorporates digital sensors that

computer systems, Edenworks can

measure temperature, humidity, water

continually adjust the Farmstack’s inputs


Entrepreneurship COVER FEATURE and growing conditions to optimize

Like the CEO of a tech startup, Green

production. Green believes that this

has big ambitions for his company’s

technology will allow Edenworks to

innovative, tech-driven farming system.

grow better food more efficiently.

He believes Edenworks can seize the huge market opportunity created by

If that reliance on science and technology

the unrelenting demand for local

sounds incongruous with the traditional

produce among urbanites. Their

idea of a sustainable organic farm, Green

business model is to sell subscriptions

seems well aware of it. “We love small­

for a weekly supply of the farms’

scale organic farmers—they’re doing

produce directly to people who live

tremendously important work keeping us

or work in the buildings beneath

engaged with soil and with with nature—

their greenhouses (the fish will only

but the reality is the world is becoming

be sold wholesale for now). It’s like a

more urban, we have to figure out how

C.S.A. model, except that the farm

to grow better food in less space, and

is not located among rolling hills 50

the only way to do that is make really

miles upstate, but on your roof. Green

informed decisions about how, where and

envisions an urban future where rooftop

what we grow,” he says.

greenhouses are commonplace. “In the same way that buildings provide

That scientific approach also follows

internet and power and water and gas,

naturally from Green’s background

we think that food could be the next

in bioengineering. Before starting

amenity that buildings are expected to

Edenworks, he worked in an academic

provide for their tenants,” he says.

setting designing virtual reality systems to help rehabilitate patients with brain

He’s about to put that hypothesis

injuries. Neither of his fellow co­founders

to the test as Edenworks prepares

come from backgrounds in agriculture

to build their first commercial­scale

either; Silverman is an architect and La

greenhouse in Long Island City, on the

Rosa a builder. Edenworks has hired a

roof of a former factory building that

farmer and an aquaponics consultant

has been converted to offices. The new

who provide the farming know­how. But

greenhouse, at 8,000 square feet and

the leadership by people from technical,

23 feet in height, will cover 10 times the

non­farming backgrounds sets the tone

area of the Bushwick Farmlab and stand

of the organization, making Edenworks

nearly twice as tall.

sometimes seem more like a tech startup than an urban farm. Green uses the term

Beyond profiting from the current

“agtech” to describe their industry so, the

demand for local food, Green believes

truth is, Edenworks is both.

that technologies like those being 37


COVER FEATURE Entrepreneurship pioneered by Edenworks will be necessary to feed the world’s growing population in the future. “To build farm infrastructure to feed all of us, it’s going to take a tremendous amount of design and technology,” he declares. He’s also confident that Edenworks’ finely t­ uned aquaponics system produces a superior product to other commercial urban growers, one that will satisfy chefs and foodies alike. All the technology and data analysis is not just about quantity. “We want to produce more nutritious, more flavorful food,” Green says. As if to demonstrate the correlation between data collection and deliciousness, Green invites me to sample some of the 20 or so crops growing in the Farmlab. Edenworks is experimenting with a roster of about 50 plants before their expansion to Long Island City, and they also plan to raise new varieties of fish in the future, like bass and rainbow trout. We try the Farmlab’s first young crop of green beans together, which even Green has yet to sample. “Wow, that’s awesome,” he exclaims. Awesome indeed—the raw bean pods are crisp and refreshing, with the hint of a fruity, melon­like flavor. Marigolds (who knew they were edible?) don’t disappoint either, their leaves spicy and herbal and their flowers soft and luscious. Eating freshly picked produce is always such a treat, and everything here is bursting with flavor. So far, it seems, more technology means more flavor at Edenworks. Correlation established. 38 40



COVER STORY SHORT FEATURE

:AN EXCERPT by Sean Alday - Photo by Rafael Fuchs - Drawing by Michael Kronenberg

The intent of “Trust Fall” was to sleep in a different place every night for a year. With my friend, artist Mike Kronenberg, we focused on art galleries and artist studios in Bushwick. It was the fall of 2012. We traveled with our clothes and laptops strapped to an unstable cart. We always planned to document the process and write an account. This is an excerpt from the novel documenting “Trust Fall.”

toward the bottom of the window. We kept our hands outside once we’d lit our cigarettes from a cardboard match shared out of a white book from a corner bodega. A commotion rang from the sidewalk beneath us. “Hey!” someone shouted up to us. “Hey!” Mike called back. We looked down and three women gathered on the street below. One was smoking and looking up at us, we smoked and looked down. The ember on my cigarette reflected off of the oil

After we turned onto Bogart Street we made a stop at the liquor store. It

“What are you doing down there?”

was clean, swept and lit up so that the

One shrugged. “Come on up!” Mike

bottles sparkled browns and clears.

said.

We bought a quart of Evan Williams

“Let us in!”

whiskey, then skipped off down the

“Dude...” I said to Mike.

street back to our beige looming

“Don’t worry.” He said and went to

monstrosity of a home of 56 Bogart. In Studio 10 we poured whiskey into

40 42

on my nose.

let them in. I sat on the floor and poured more

plastic cups and drank on the floor.

whiskey. Then I got a pen and journal

We crossed the room and opened a

out of my yellow backpack. Two girls

window. Mike and I leaned our heads

came into the gallery in the midst of


COVER SHORT FEATURE STORY

conversation. One was blonde and the other a brunette. The third, the tallest of the group, was talking to Mike. The girls wore draping dark purples on blacks with high heels. Their lipsticks and heavy mascara matched the purple and black, respectively. There were little purple lipstick marks on their little electronic cigarettes. We poured whiskey into more plastic cups and the brunette pulled a coke bottle from her purse to cut the whiskey. Mike pulled his sketchpad and pens from a satchel. He began by drawing them. The brunette also had a sketchpad. She pulled a pencil from her purse and began drawing as well. “Can I have some paper?” the blonde asked. Mike ripped a sheet from his sketch pad and passed it to her. The brunette did the same. “So come on. This is your dream job. Tell me more,” the tall girl teased her friend in a rib­tickling tone. “I hate it.” “You’ll never make it in sales.” “That’s fine with me.” “Where did you go to school?” the brunette asked Mike. “I went to Parsons. To study drawing and nekkid people,” Mike said, laughing. He was only looking up now to take lines from them, then he turned back to the pad and drew those lines. “What about you?” she asked me. “Me? I didn’t go to school.” 41


COVER STORY SHORT FEATURE “Why not?”

people. Sean over there,” I waved, “and

“I didn’t know what I would study for

I have drawn hundreds of people. It’s

so much money. Too much pressure and

always up to the models how intimate

when it came down to it, I just ran away

they want to get. But it usually involves

instead.”

getting naked and that frees up a lot of

She turned back to Mike, “Why are you using a pen?” “Well, I’m utilizing what’s around me.”

and forth. It’s really open.” “Are you guys from Bushwick?” “Well...” Mike chuckled. “Not from

“I’m a pencil person.”

here. But I have lived here off and on,

“Oh, I like pencils too. Let’s see what

mostly on, for the last eight years. After

you’re working on there.” He leaned his

my divorce I left the East Village and a

head over and lifted his glasses above

friend of mine living in the Bronx and

his eyes. “Yeah. Good stuff. I like the

from Brooklyn suggested it to me as a

crosshatching that you’re fitting in there

cheap place with big spaces and that

too. I also like using brush pens, water

people weren’t likely to bother me out

colors, charcoal...Since we’re moving

here. So I stepped off of the train eight

lightly and are somewhere different

years ago and haven’t gone back.” The

almost every day. I’ve started using the

room was quiet, then Mike laughed. “I

things around me.”

couldn’t get back—the L train wasn’t

“Let’s see what you’re working on

running!” The room stayed quiet and

then.” She took the piece of paper

the girls stared at him. “The L train used

when he passed it over, “Wait, are you

to...never mind. Bad joke.”

drawing us?” “Yeah! You’re my models.” He pointed at the piece. “That’s yours when I’m finished.”

“Do you feel now that you’re being pushed out of your home?” “Well, not as much as you might think. I think that was definitely there

“This?” She held it up.

for a part of the beginning. Keep in

“If you want it. I give anyone a piece

mind that we’re voluntarily homeless. So

if they model for me.” “I don’t know how anyone draws people who don’t stay still.”

we’re trusting in the community to catch us as we fall into it. And so far it’s been good to us.”

“Gesture drawing.” Mike answered.

“Where are you from?” she asked.

“Is that like action painting?”

“St. Louis.”

“Sort of. Except instead of being

She looked at me. “What about

alone in a barn with your cigarettes and paint, gesture drawing, the way I do it, depends on the interactions between 42 44

inhibitions. So we and they push back

you?” “The Keys. How about you?” I asked the group.


COVER SHORT FEATURE STORY

43


COVER STORY SHORT FEATURE “Indianapolis.” “Alberta...Actually, I grew up in British Columbia.” “And what was that like?” the blonde

the page. I heard Mike say, “That’s Jeff Koons for you...” Suddenly there was a terrible crash

asked her friend and put the eraser of

and dread blanketed the room. The

her pencil in her mouth.

brunette put her hands over her mouth

“Snowy. When we were kids my

and stared. Mike looked at a rock

brothers and sisters and I used to put

sculpture, surprise drawn on his face.

maple syrup on snow and eat it.”

The blonde turned and followed both

The blonde laughed.

of their gazes to a toppled rock. The

“Maple syrup on snow is delicious,”

tallest rock with netting covering half of

she asserted. “What about Florida? Did you ever eat alligator?” the blonde asked me. “Alligator tail is also delicious.” I

it was on its side. The two rocks on each side were standing strong. The air had a stillness settling on us like fine dust. No one moved. And then everyone moved.

wrote something in my journal and

I wrote: Then the rock fell.

looked up.

Mike hopped up to set the exhibition

“Coconuts and Satsumas too.” “Stop writing.” The blonde was staring at me when I looked up from the page. “No. Hell no.” I smiled and returned to scrawling away. “You’re my least favorite person in this room,” she said to me. I wrote, Don’t worry, you’re my least favorite person here as well. “Let me see what you’re writing.” She started to crawl toward me. I looked at

back upright. The blonde asked, “Are you okay?” The brunette apologized and said, “I’m okay.” I wrote: Don’t touch the exhibition. “Conceptual art falls over sometimes,” Mike said. “Better than falling flat,” I added. “It’s no wonder we’re graphic designers,” the blonde said. I wrote that down too. The color fields in the gallery

what’s on the page and think about it for

sparkled when cars passed. The average

a moment.

speed:

“No. This stuff needs editing,” I suddenly felt self­conscious. “Sean likes to keep his writing to himself until he’s ready to show it,” Mike said. “Come on. Let me see it.” She was still crawling over. I could see her cleavage. 44 46

I wrote and kept an eye on her and

Green, blue, red. Fast speed: Green blue red. Turning on Siegel street speed: Green. Blue, reeeeed. The girls left, sheepish and embarrassed as they sulked out the door. Mike followed them to lock the doors behind them. He came back


COVER SHORT FEATURE STORY and decided to roll a cigarette after observing the room. “They left their drawings.”

only pauses in the clicks were so that he could look at the camera’s two­-inch screen. Little stick figures painted on the

Rafael Fuch’s assistant carried a light,

bathroom door indicated that it was

a stand, and a tripod from the gallery

a non­gender specific bathroom. The

space to the back sink. Rafael had a

sawhorse that I put my things on was

leather satchel filled with lenses and

right next to me. Under the sink there

at least one camera. Mike and I trailed

was a shallow pan to catch drips.

them, carrying fresh clothes, towels, soaps and shampoos. We put our things down on both

My jeans were crumpled on the floor like someone had vanished out of them. They stood up, the waist standing about

sides of the sink. We both smoked

a foot from the floor. The lights, both

while Rafael set up the tripod. He gave

the source and the illuminations, were in

instructions to the assistant saying,

the shots. Extension cords and tripods

“Eh...Move the light this way a little.

kept them well away from any stray

Now tilt it up...”

splashes.

He took some test shots and then I

It was to this that Mike added

jumped in the frame. A few more test

himself. He began by shucking his

shots and then he said, “Whenever

clothes. He dropped them further

you’re ready.”

from the sink. The foreground in the

I took off my shirt. Then I turned the warm handle on the sink. There was a little warm water in the pipes

viewfinder. Then he strode to the sink nude and began bathing himself. I washed my face a few times so that

somewhere. It usually took a minute to

I had a reason to close my eyes when I

get moving. I was wearing a studded

wanted to. Oddly, wearing the opposite

belt with pirate skulls and Union Jack

shoe in a voyeur and exhibitionist

belt buckle. I unbuckled my belt and

setting wasn’t as personally subversive

slipped out of my holey jeans, boxers

as I thought it might be. I did have

and socks in one motion. Then I pulled

plenty of time for preparation and

off my undershirt and faced the sink.

forewarning, I supposed. It called for

I washed my hair and face first. For a

quiet reflection in the moment.

while it was just me bathing in front of the sink.

Life is nudism for the soul.

Throughout this process I could hear the clicks as Rafael shot photos. The light that bathed and illuminated the frame was blue. He used no flash. The 45


COVER FEATURE MUSIC

46 48


COVER FEATURE MUSIC

Nick Cave’s protegé Shilpa Ray released a new album. Also she’s not pissed off anymore. by Katarina Hybenova - Photos by Ebru Yildiz

Alpha brain waves. Shoppers walk

She then goes on to sing about a

aimlessly, consuming their gelato

masturbation­-free world, and none of

and the window views of Chelsea

the passersby are spared. “Oh my god,”

Market’s artisanal stores and gluten­-free

someone whispers and the laughing

restaurants. Children are chasing each

kid’s mother guzzles down a glass of

other, laughing and squealing in the way

champagne. People stop, and their

that’s long been forgotten by us

faces show a physical reaction to her

grown ups.

music—it’s like Violet Flame—you have to burn in order to emerge pure on

A young woman standing on a small

the other side.

stage is acutely disturbing a peaceful, routine evening at the Market, accompanied only by her harmonium,

It’s a sunny, peaceful weekday afternoon

deep voice, sadness and the occasional

in Greenpoint. Shilpa Ray, a petite, young

outcry of rage. She sings about

woman, a daughter of Indian parents

bride burning, a form of violence

who was born in suburban New Jersey,

against women in India in which the

is sitting at a diner table with her beau,

husband’s family soaks the wife in

English musician William. They giggle

gasoline and sets her on fire if the dowry

like teenagers in love, sharing fried

isn’t deemed high enough.

chicken and jollying around about the 47


MUSIC COVER COVER FEATURE FEATURE

music playing from the speakers. “Your

that I am a writer. He also knew that I do

country will disown you if you don’t tell

something on the side. My music. He

me the name of this band,” she teases

said, ’In your soul you are a writer.’”

as William helplessly scratches his head. “It’s Wire,” she laughs.

“And that’s true,” Shilpa continues, “I enjoy playing but I sing stories. He then

48 50

We talk about cemeteries, ghosts,

said, ’You have something you want to

paranormal and downright spooky stuff

say, badly, which you’re avoiding, and

we’ve witnessed when Shilpa recalls

once you say it then you’re going to

seeing a psychic in New Orleans. “I

get ready to die. That’s it for you.’ And

asked all the wrong questions like...when

then he handed me this massive bottle

I was going to die. It was really intense.”

of vodka that someone had given him,

She doesn’t really want to get into the

and said, ‘For you and your friends.’

details of the prediction and laughs it

We got so wasted that night. We all got

away, but after a while she says, “He

emotional; it was like everybody wanted

didn’t give me a date; it was more like I

to talk about their life. People there are

was going to do something, after which I

heavy; they want to talk about real shit

was going to die. He knew automatically

right away. No weather talk.”


COVER FEATURE MUSIC

Shilpa Ray seems to share this quality

The album was four years in the making,

with New Orleans residents, as her songs

and the writing was the quickest part.

are brutally honest, often processing

“I didn’t want it that way but I fired

very real and burning issues of society,

my previous band because I wanted a

as well as her own trauma. Her new

different sound. And I paid for it out of

record, released on May 19, 2015 by

my pocket on my door­girl salary. I tried

Brooklyn label Northern Spy is titled

different combinations, and it turned

Last Year’s Savage, as in “savage whose

out that the rawest sound was the one

ferociousness is a has been,” says Shilpa.

that worked. We re­-recorded it over and

“Like nobody cares about that anymore;

over again, and I cried a lot during this

all of your youth and all of that craziness

time. It was so frustrating and so dark

is just gone. When I started [in

at times, I never thought it would get

music] I was angry and sad all the time,

finished. I can’t listen to it anymore,”

and this record is about being tired of

Shilpa describes a purgatory, a four­-year

being pissed.”

long limbo she found herself in and 49


COVER FEATURE MUSIC

continues about the emotional fuel behind Savage. “I went through some shit that was really heavy during my childhood and it really influenced my early twenties; it was a dark cloud after a dark cloud, a lot of crap.” Shilpa’s raw and intensely emotional music with poetry of lyrics caught the ear and attention of Nick Cave, who invited her to open for him on his 2014 European tour, and to be his backup singer in the States. “When I was on the tour with The Bad Seeds, I had a conversation about [the childhood trauma] with Barry Andersen. I was saying that I don’t want to be a comically tragic person; it’s not everything that I am and it’s not all I am about. And he was like, ‘Listen, I went through that too, and I did have better things happen to me. After 30.’ And I really needed to hear it from somebody because everybody always glorifies The 27 Club of dead musicians but nobody really wants to be a part of that. Nobody wants to be that sad and go through that shit. You know how people romanticize alcoholism but then you meet a real alcoholic and it is horrible. It’s so painful. Nobody aspires to be depressed; nobody aspires to be a drug addict...But nobody said it was going to be easyt... Oh my god, did I just quote Coldpay?!” Shilpa laughs.

50 52


COVER FEATURE MUSIC

“Finding the right label was difficult as well. I released something on my own before and it’s just incredibly hard; it’s too much work and I’d rather be working on creative stuff than business all the time. My label is really amazing. This was the first time nobody questioned anything. They didn’t want any compromise. I was like, ’This is the work,’ and they didn’t change anything. And the less you compromise, the better your work is going to be,” Shilpa explains. And so on Thanksgiving last year, Shilpa decided on an untraditional album cover photoshoot—she put on a monkey costume and ran around town accompanied by photographer Ebru Yildiz and her husband, who was assisting. “We went to Palace Bar, and a gas station in Queens and to a diner in Queens and to a diner in Greenpoint. I had cab drivers stopping and asking if they could take a picture of me for their Instagram. But most people were like ‘Okay, so she’s in the costume, and so what.’ A woman in a diner was like, ‘I’ve seen worse.’”

Shilpa Ray’s new album Last Year’s Savage came out on May 19 at Northern Spy Recording. Download it at shilparay. net or at northernspyrecords.com/music/ last­years­savage/ photo: Katarina Hybenova

51


COVER FEATURE PHOTOGRAPHY

In her second book, photographer Meryl Meisler juxtaposed 1970’s suburbia and NYC nightlife. by Vanessa Martyr - Photos by Meryl Meisler

The universe brought photographer

And thus began a friendship that has

Meryl Meisler and me togetherin 2012

lasted through the years and includes

when I found an image of my seven-year-

two co-curated Defying Devastation

old self in a Bushwick Daily write up of

exhibits during Bushwick Open Studios

her exhibit Here I Am: Bushwick in the

in 2012 and 2013 at Nyssa Frank’s The

80s at SoHo Photo Gallery.

Living Gallery.

“I found myself in an old Bushwick photo by Meryl Meisler. I am the girl in blue shorts.”

52 54


COVER PHOTOGRAPHY FEATURE

The first exhibit, Defying Devastation: Bushwick in the 80s caught the eye of Jean-Stéphane Sauvaire. Jean had recently bought a building in Bushwick and was researching the neighborhood when he came across Meryl’s photos. He was so intrigued, he came to our show. Meryl Meisler’s second photography book was just released.

A year later, Meryl and I were working on our second exhibit at The Living Gallery, Defying Devastation: Bushwick Then & Now, when we took a much needed break at Bizarre Bar on Jefferson Street.

I met Meryl on a sunny spring day in

As fate would have it, Jean-Stéphane

Inwood Hill Park to interview her about

Sauvaire is the co-owner of Bizarre along

her latest opus. When asked about

with his business partner Gregory

the book title, Meryl took me back to

Baubeau. Jean had recently painted the

1957, when she was just six years old

basement black and dubbed it “The

in Massapequa, Long Island. Meryl

Black Box.” He invited Meryl to show her

befriended a girl her age who had just

work there. Meryl hesitated, thinking

moved to the block. One day, the girl

“I’m going from an under-the-subway

looked at Meryl seriously and said, “You

Bushwick gallery to a basement in a

could never go to heaven.” Though

bar?” I stepped in to bring her back to

Meryl can’t remember the girl’s name, she

earth: “Don’t be such a snob!” I said.

remembers the girl telling her that it was because Meryl was Jewish that she would

Meryl listened and that began a

be banished to purgatory, a word Meryl

partnership that culminated with Jean

had never heard until then. “My aunt’s

publishing Meryl’s first book, A Tale of

a nun and my uncle’s a priest, and they

Two Cities: Disco Era Bushwick. The book

told me.” This was Meryl’s introduction to

was a hit, gaining media attention and

prejudice.

accolades around the world, so when Meryl approached BIZARRE Publishing

Almost twenty years later, when Meryl

with another book idea, Jean was all ears,

returned to New York in 1975, with her

and thus Purgatory & Paradise: Sassy 70s

first paycheckshe bought an antique

Suburbia & the City came to be.

edition of Dante’s Purgatory and 53


COVER FEATURE PHOTOGRAPHY Paradise illustrated by Gustave Doré.

I asked Meryl how her second book

Though Meryl admits to never having

differs from the first. “Purgatory makes

read the book (“it’s incomprehensible,”

Disco Era in Bushwick look mild,” Meryl

she says), the purchase was a symbolic

says with a laugh. “I didn’t think I could

gesture. It was Meryl’s way of saying, “I

ever show anybody some of those

own you.” That was Meryl’s way of taking

pictures.”

back her power.

54 56


COVER PHOTOGRAPHY FEATURE Purgatory & Paradise chronicles Meryl’s

Though known for her photography,

life in NYC from 1974 to 1979, when

Meryl says she only recently started

she says she found a home in the

owning the title of photographer. “I’m a

gritty metropolis of the time. Though

photography-based artist. Photography

she’d initially planned to return to the

is part of my tool kit.” Photography is

University of Wisconsin at Madison for

certainly in her DNA; her father was a

her MFA, the stars lined up to keep her

great photographer and she says she

in NYC, and Meryl began a journey that

never saw her grandfather without a

she chronicled in photos.

camera, though he never showed his pictures.

Meryl’s second book focuses on two cities existing in very different realities.

Trained as an illustrator, Meryl says she’s

Though she concedes that the book

always been in love with the camera

juxtaposes life in NYC to that in suburban

(her parents gave her her first camera

Massapequa, she adds that the worlds

called Adventurer when she was in the

weren’t so separate because “the worlds

second grade), but she really came

intermeshed for me all the time.” Her

to photography in the 1970s. “I was

father went to the city every day to work

walking around the streets, in love with

at his print shop and as a kid Meryl’s

the world.” Meryl found a home in NYC,

family visited aunts and grandparents in

where she met artists, activists, writers

the Bronx religiously every Sunday. “New

and intellectuals who taught her that

York City was always a part of my reality,”

she could be whoever she wanted to

she says.

be. Meryl had just come out to herself and her family and friends, and was in

Born in the South Bronx, Meryl’s family

transition while “the world around me

bought a house in the largely Italian,

was in transition.” Her camera became

Jewish, Irish and German town of

her way of talking to people.

Massapequa (also known as “Matza Pizza”), Long Island in the early 1950s when Meryl was two and half. In moving to the suburbs, Meryl’s parents sought to give their kids what they didn’t have. “They grew up very poor,” Meryl explains, “My dad was bowlegged

Young Meryl Meisler

because of malnutrition. It was the Depression.” 55


COVER FEATURE PHOTOGRAPHY Meryl had no idea the images would

huge smile, “You inspired me. Like

become a book 40 years later. “I was just

you have to write your stories, I had to

in it,” she says. “I wasn’t ready then.”

look through my pictures and put these

She needed four decades of incubation

worlds together. I had to understand

to “see and understand the images

these stories to move forward.”

through time.” Through the visual memoir Purgatory, When I asked her what made her finally

Meryl shows us a world that made Meryl,

compile the books Disco Era and

Meryl. “It’s a coming of age story in

Purgatory, Meryl looked at me with a

pictures,” she says with surety that shows Meryl means business.

56 58


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57


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58 60


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59


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Meryl Meisler’s Purgatory & Paradise photography exhibition is on view at Bizarre’s Black Box gallery through June at 12 Jefferson St., Bushwick.

60 62


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61


COVER FEATURE LIVING

What Goes Down in a Bushwick Loft, Stays in a Bushwick Loft By Brittany Natale - Photos by Alonzo Maciel

If it weren’t for the curtains, plants and

“Magical, versatile, and endlessly

the occasional cat sitting in the windows

inspiring,” Cassandra responds when

of tall industrial buildings in Bushwick

asked to describe the loft in her own

and East Williamsburg, these spaces

words. “Some days we’re having a full

could easily be mistaken for functional

moon circle or a ritual in the sunlight,

factories—something these buildings

other days we’re jamming or having a

actually used to be in their past lives.

blues concert. Sometimes the space is

Some of them, however, have been

covered in sawdust as we further build

reincarnated as residential lofts where

out different sections of the loft.”

many neighborhood creatives live. Seven years ago, Cassandra and To answer the questions of what exists,

her friends had been searching for

and who lives, on the other side of the

the perfect space to house their arts

buildings’ gray exteriors, we explored

collective, Numu Arts Collective (Numu

some of the neighborhood’s most

is an Arabic word meaning artistic or

interesting lofts and found out what

spiritual growth). The original idea was

goes down in them.

to find a loft where local creatives could

The Wilderness Loft

visit and collaborate, exhibit and be inspired by one another. Numu Arts

Location: Jefferson St L train stop

Collective ceased its operation in 2011,

Who Lives Here: Local creatives—

but The Wilderness Loft continues to

artist/musician Cassandra Wildheart,

uphold its original mission: To strengthen

healer Molly Burkett and

the community through art and music

Alphaville chef Aimee Hunter

events as well as a variety of workshops

http://wildernessbk.com/

including tarot classes, energy healing sessions, or figure drawing.

62 64


COVER FEATURE LIVING “This loft is a place of learning and

recent name, The Wilderness Loft,

creativity for me as an artist,” Cassandra

invokes the free spirit in each of us, who

explains. “I’ve built everything in here,

resides in the wilderness, where there are

from the tiling to the dining table and the

no rules but ample inspiration.”

electrical landscape to the ceilings, the paintings and the pottery. I wrote the

Cassandra goes on to share how she

first draft of my novel in the sunlight

feels the space is a “grown-up

here. [This loft] is a hand-built cabin in

fun

the middle of the Industrial Business

where musical instruments and other

Zone in a building that is still mostly a

delightful things to encourage creativity

working factory. The space itself has a

can easily be found throughout. The view

soul that is ever-transforming and has

of the sunset from the large, factory-style

gone and goes by many names. Its most

windows is also truly breathtaking.

house,” a “dream party house”

63


COVER FEATURE LIVING “I’ve been calling it my dream loft,” says Cassandra’s loft-mate, tarot reader and healer, Molly Burkett. “I grew up in a small town in the Midwest, and living independently in NYC as an artist was

A Cabin in a Loft

Location: Morgan Ave L train stop

Who Lives Here: Artists Terri Chiao and Adam Frezza of CHIAOZZA

http://acabininaloft.tumblr.com/

my one specific goal. When I come home and I can see the entire Manhattan skyline from the couch, it’s literally a dream come true. I love living in a place I can really be proud of and excited about.“

Imagine escaping the urban jungle and retreating into an adult version of a childhood tree house...This is a reality for artist couple Terri Chiao and Adam Frezza (aka CHIAOZZA) who come home to their forest cabin every day. This quiet cabin in a loft is situated in Morgantown’s industrial setting among hard hats and hordes of rumbling cement trucks. The 2-bedroom loft, known fittingly as “A Cabin in a Loft,” started in 2009 when Terri moved to Bushwick from Rotterdam and was searching for a raw space that could be built out into a playful live/work space. Trained in architecture, Terri worked with the help of her friends to build a cabin and a treehouse (each impressively with its own garden) that also act as private sleeping quarters. With pitched cabin ceilings, a raised platform and a wooden staircase, the treehouse/cabin aesthetic is a dream fulfilled. The cabin is even available for short-term rentals for those visiting NYC looking for a unique and comfortable place to stay.

64 66


COVER FEATURE LIVING

65


COVER FEATURE LIVING

“The structures within emerged as a way

keep the space light, peaceful, and

to work with the funny geometries in the

inspiring. We move things around a lot

existing space,”explains Terri, “as well

whenever we feel the need to shift the

as to create private spaces that maintain

energy of the space or when we have

a flow of light and air through the

some new needs that might dictate new

apartment and were cozy spaces in and of themselves.” When Terri and Adam met in 2011, additions such as shelving, storage, lighting, more artwork and more plants came about, further transforming their home into a beautiful living collage of light, color, and nature. “We also like to think of it as an airy

“In the busy city, where nature’s solace can be hard to find and usually involves a bit of a car ride, bringing the wilderness indoors is sometimes needed in order to thrive. We need to feel connected to our environment in order to respect it. It keeps us inspired, active, and able,

echo of an island beach house,” the duo

physically, mentally, and spiritually,”

says. “We are artists and are working

Adam and Terri add.

constantly, and it is important to us to

66 68

changes. It’s ever­evolving.”


COVER FEATURE LIVING

The House of Oops

Location: Central M/DeKalb L train stops Who Lives Here: Sabina Appadu, a musician from France and Mauritius; Karin Raudsepp and Sofia Räisänen, both dancers from Sweden; Meli Sanfiorenzo, an artist/creative from the Bronx; and Michelle Kalinkina, a vintage shop owner/event planner from Moscow http://thehouseofoops.tumblr.com/ New York City has always been known as a melting pot and it is truly amazing how many cultures you can experience on a daily basis. Whether it be Flushing’s Asian restaurants, Chinatown’s traditional delicacies or Ridgewood’s Polish and Puerto Rican roots, New York City’s ethnic enclaves are aplenty. But could you imagine experiencing over 100 cultures without ever leaving the comfort of your own home? The House of Oops’ founder Meli Sanfiorenzo has lived with over 100 loftmates of all backgrounds over the past five years, spanning from international artists to local creatives. This is not just a coincidence but The House of Oops’ mission to connect with as many creative energies as possible in the form of a self-residency. “This all started from a feeling I had in my gut while traveling and living a nomadic life with my camera and my 67


COVER FEATURE LIVING journals,” Meli shares. “I realized I was

nomads and gypsies of today. I didn’t

on a search for more meaning in

just want to live in a captivated, artificial

everyday living, expressions, and

way. I wanted to live with expression, for

routines. I lived in Barcelona, Paris,

us to have time with our philosophies

Buenos Aires and had a taste of places

and a base to land in between our

like Berlin and Amsterdam. Through

travels and search.”

these travels, I experienced a lot of squats, community spaces, and collective

So in February of 2010 Meli, along with

movements. It was my dream to give

her two friends Sandra Passirani and

creative living a chance one day and to

Pedro Jimenez, got to work and built

have a unique movement that constantly

out a loft space in the Tea Factory, a

changes. I always had this romantic idea

Stockholm Street building once owned

of living in a salon like the great artists

appropriately by Spice and Tea

in the late 1800s, except in this modern

Exclusively Ltd.

day, cultivating an environment with

68 70

love, support, colors and space to create

“Our loft space is inspired by so many

together. I realized we are the artists,

details from diverse places,” explains


COVER FEATURE LIVING Meli. “One in particular is La Boca in Buenos Aires for its colors and movement. I wanted to make sure I continued a colorful path, understanding how important our surroundings are. Here in this space was the first time we could fully express this.” The loft is indeed decorated in a style reminiscent of La Boca—the space is colorful and whimsical, with playful artwork hung across the walls and ceiling. Every inch breathes creativity into the rooms and there is an opportunity for self expression always within an arm’s length—instruments tucked into corners, art supplies stashed under lofted room platforms, and recycled materials just waiting to be repurposed.

SkyFortress

Location: Jefferson L train stop Who Lives Here: Russ (Science and Operations); Jonathan (Engineering Bay); Jaqui (Beast Master); Michelle (Psychology & Medicine); Mike (Captain); Dane (Security & Recreation); Tori (Master of Arms)

69


COVER FEATURE LIVING On the fourth floor of a working factory

fourth floor of a working factory with our

building, is a living space that is fit for

heads in the sky, thinking above the

an otherworldly creature or someone

clouds without limits.”

looking to have an intergalactic experience. Inspired by spaceships

SkyFortress, which started in the summer

exploring new worlds and galaxies,

of 2014, began as a space where creative

SkyFortress is home to a group of

people from all over the world and of all

creative individuals who all work, play

backgrounds could come live and work

and collaborate daily.

together with the main goal to create both individually and collaboratively.

70 72

“It’s literally a fortress in a sense that

Many people have passed through

the building is one of the last ones

its doors and the space has taken on

to remain untouched by a gentrifying

many different names, but the mission

neighborhood,” loft resident Russ

to create and collaborate has always

explains. “We live, work and play on the

remained the same.


COVER FEATURE LIVING

Loft at Cheap Storage

Location: Jefferson L train stop “SkyFortress is a temple of creative energy,” loftmates explain.”There are no rules and anything goes—ideas, poems, drawings, jokes, and joints are thrown around day and night. These ideas are passed around and thrown into the space itself. We each strive to live these ideas, to experience more than just a meek living. We share our space. We share our food. We share the creative spirit.” Like many creative lofts in the neighborhood, SkyFortress is on a divided factory floor with high ceilings and a wall full of windows. “In the

Who Lives Here: Myles Bennett, a painter; Matthew Chaves, a

photographer; Zachary Weingart, a

lighting engineer; Jon Bozeman, sound engineer

Finding the “perfect” apartment is hard—we have all been there. It is either at an awesome location with no closets or privacy, or it is an amazing space in the middle of No Man’s Land. So imagine finding a super huge, super raw, super amazing potential living space in a great location and getting to decideexactly how things were going to be designed. This is what happened when four guys stumbled across Cheap

summer it feels like I’m camping—totally

Storage’s unfinished spaces four years

exposed to the urban industrial jungle in

ago and were then able to use it as a

Bushwick,” Russ says.

canvas for their creativity.

“One of the social projects we have

The story behind the loft actually took

planned is the SkyFortress Cantina,” Russ

root eight years ago at the infamous

explains. “This will be a donation-based,

McKibbin Lofts. Known for its loud

plate-size brunch spot open on the

parties, bedbugs, and panoramic

weekends with simple food and simple service. The idea is that we have the space to share something so honest as a warm meal and we can’t turn that away. All of us have a passion for cooking and we want to share that outside the home as well as the ideas that come from sharing a meal.”

rooftop views of the city, the McKibbin Lofts were also where these four friends were once all residents and neighbors. “Bushwick was different eight years ago,” explains loft­mate Matthew Chaves. “Neighbors turned to friends and we’ve been a clique ever since.”

71


COVER FEATURE LIVING These four guys’ stint at McKibbin was

The Cheap Storage building, which was

only cut short when Myles and Zach

once indeed a storage building, recently

invited Matthew to check out a space in

served as one of the film settings for

the Cheap Storage building right off of

the Noah Baumbach movie While We’re

the Jefferson Street stop.

Young. It was the space where The Love

“It was intimidating to look at a 10,000 square feet loft,” Matthew says. “We knew we didn’t want to run an artists’ commune to pay the rent so we had the landlord section off the best chunk of the third floor, just shy of 4,000 square feet, making sure we got to keep the 60 feet expanse of window light as well as the freight elevator.”

Supreme shot their fun debut music video and was the subject of Bushwick Daily’s 2014 April Fool’s joke (yes, some people still do believe Madonna bought part of Cheap Storage to make a rooftop restaurant). A year ago, the landlord opened a coworking space, Brooklyn Desks, on the ground floor. Bushwick residents have attended many shows and parties at this building with some awesome rooftop views.

72 74


COVER FEATURE LIVING

“Myles is an architect by education,”

The finished product is a work of art in

Matthew shared, “so he plotted out

itself—Brutalist­-style columns hold up

some blueprints and we spent the early

the ceiling, the concrete floor is almost

part of that summer building out the space. We slept in sleeping bags covered in sawdust, used dozens of lint rollers and lived near exclusively on Los Hermanos tacos and Wyckoff Starr iced Americanos. It was an amazing opportunity to customize our lives and decide how we would live and work. We are all creative people and wanted a

completely painted grey, the space is furnished with loads of hand­made items and there is an array of rare foliage throughout. The afternoons are bright and sunny, and the loft usually smells of warm breeze and Nag Champa. When asked if there were any inspirations behind the loft setup Matthew simply states, “It’s just a much

space that we could live and work, both

grander version of every place we’ve

collectively and separately.”

ever lived in Bushwick.” And isn’t that the goal?

73


BOS

The biggest open studio event in New York City operates on a modest budget and relies on the work of hundreds of volunteers. How does it really work? by Katarina Hybenova - Photo by Phil Buehler

In 2006 Bushwick was already talked

edition of Bushwick Open Studios

about as the next hot neighborhood.

(BOS) was held as a one-day event.

In March, The New York Times ran an

The festival was organized in sweat

article called “Psst... Have You Heard

and sheer determination of a group of

About Bushwick?” that brought this

young, hopeful social entrepreneurs, the

“up-and-coming neighborhood” to

core of which resided at 340 Melrose

the attention of the wider public. Life

Street lofts.

Café at 983 Flushing Ave was serving comfort food to a community of artists

With a particular goal to foster a greater

who rented lofts in defunct factories as

community involvement, Melrose Loft

the manufacturing was slowly but surely

group joined the efforts of a group

abandoning Brooklyn. Bodegas were

behind Bushwick Art Project, a daylong,

selling newspaper, lottery tickets and

curated festival held for the first time

cheap canned beans. “[Bushwick] was a

in 2005. When however, Bushwick

place where you could do things, create

Art Project backed off last minute, the

art, express yourself ... There was a spirit

Melrose Loft group found themselves in

of freedom, innocence ... A feeling of

an uneasy situation.

potential,” photographer Rafael Fuchs, resident of Morgantown since 2005,

“We only have 21 days left to pull this

recalled.

off,” Thomas Bell emailed his friends. “But I think we can make it work.” The

74 76

In the shadows of Bushwick Art Project

response was overwhelmingly positive,

It was in October 2006 when the first

and the group got to work.


BOS

Some of the current generation of Arts in Bushwick organizers (from left): Jillian Salik, Rhett Henckel, Nicole Brydson, Lucia Rollow, Celia Muller, Lauren Smith, Alexandria Hodgkins, Samantha Katz, Cibele Vieira, Nina Keneally, Hanley Ma

Several members of the Melrose Loft

be curated in a show and where they

group moved to Bushwick from DUMBO

could present their work across the

as the neighborhood changed from a

disciplines.”

land of an artistic promise into land of office buildings and designer boutiques.

The group’s first decision was to

In a conceptualization of Bushwick

therefore abandon any curation or

Open Studios, the group was largely

selection of the participants to Bushwick

influenced by DUMBO’s Under the

Open Studios, and to let the festival

Bridge festival (today’s DUMBO Arts

simply curate itself. If you wanted to be

Festival).

part of it, all you needed to do was to register. This democratic approach of

“The main challenge for us, however,

self-curation has been one of the most

was that in DUMBO you needed to

important aspects to make Bushwick

be curated in if you wanted to do, say,

Open Studios such a success in the

something in the streets,” explained

years to come. Thanks to the direct

Christina deRoos. We wanted a different

access to the festival participation,

structure; we wanted to provide a

everyone and everything in the

platform where artists didn’t need to

neighborhood was eligible. 75


BOS The group soon found out that they

Local businesses stepped in

didn’t have the capacity to fulfill all the

Potion (now a defunct café at McKibbin

tasks connected with the organization

Lofts donated space) once participated,

of the festival. “We didn’t know how to

Nut Roaster (today’s Brooklyn Fire Proof)

make maps or the website,” explained

provided live music and performances,

Christina deRoos. On a limited budget,

and Ad Hoc gallery (today an organic

hiring a professional wasn’t an option

grocery store) hosted a group art show

either. The group decided therefore to

of 50 artists who didn’t have studios of

open source the work to its enthusiastic

their own. This tradition, later dubbed

community laying another important

as “Seeking Space” continues to today.

pillar of the festival—reliance on

There was also a curated a film festival,

volunteer work without any hierarchical

a circus performance, burlesque, and

structure.

even a street parade.

“If [the festival] doesn’t get media attention or enough people come, and none of those things were certain, is it still a success?”

“It had the power of bringing people together,” says Christina as she recalls spontaneous moments of joy. “So much was happening, the community was really connected.”

The work on the first edition of Bushwick

At the “we did it” meeting, 15 artists

Open Studios brought up some important

realized that in order to make Bushwick

questions about motivation. “If [the

Open Studios happen again in 2007

festival] doesn’t get media attention or

and hopefully in years to come as well,

enough people come, and none of those

which was something they intended

things were certain, is it still a success?”

on passionately, they had to form

Christina recalls a conversation she had

an organization specifically for this

during this time with Thomas. “For those

purpose. Arts in Bushwick (AiB) was

who define success as a pure artistic

thus born as an egalitarian, volunteer

expression and connection with other

organization leaving enough space and

artists and community, it was a success.

flexibility for years to come…

But not everybody was on board.”

76 78

But Bushwick Open Studios 2006 was

Over 500 artists, spaces and businesses

poised for a success. 85 artists and 15

have registered for Bushwick Open

locations participated that day, creating

Studios 2015, and thousands of visitors

a little cultural upheaval throughout the

are expected to come to Bushwick

neighborhood.

during the first weekend in June. It is


BOS not a stretch to say that in the whole-

Can you contribute in a meaningful

wide, culturally rich New York City, there

way? Be a festival organizer

isn’t a bigger and more celebrated open

The original founders of Bushwick Open

studio event that the one organized by

Studios, have largely moved on to their

Arts in Bushwick.

next projects (Christina deRoos and Thomas Bell moved to Detroit, where

Studios are the primary focus despite the growth of parties and satellite

they run a non-profit organization, an incubator for arts, called SpreadArt.) The

events BOS has always meant to be

new generation of organizers, most of

a big celebration rather than a quiet

whom became involved with the festival

and contemplative artistic event,

in 2012, remains truthful to the all-

but in recent years, the festival has

volunteer and non-hierarchical structure

experienced an increase of loud parties

of Arts in Bushwick set in 2006.

and big events. Bushwick Collective Block Party, held for three years in row

“Anybody can become a team member

at Troutman Street between St. Nicholas

if they are interested and capable of

and Wyckoff Avenues, has been a

contributing in a meaningful way,”

mammoth event that attracts crowds

explained Samantha Katz, one of the

who come for live street art, concerts,

current festival organizers who manages

beer tent and raffles sponsored by

the incoming partnership opportunities,

local businesses. NEWD Art Fair has

and oversees marketing and press

announced its second reincarnation

efforts.

during Bushwick Open Studios, and even though it is not your typical art

Currently, 11 volunteers perform

fair, NEWD brings a new dimension

year-round tasks connected with

(and collectors) to the neighborhood

general operation of the organization.

celebration of arts.

Additional 5-10 core organizers focus specifically on Bushwick Open Studios

Organizers, however, maintain their

and approximately 100 volunteers in

primary focus on the artist studio

total are divided between the various

portion of the event: “We can only

committees.

control what we promote, nothing else,” said Arts in Bushwick representative, “so

“We each have very active lives outside

we are limiting our ‘official’ events and

of the organization, but nevertheless

attempting to draw more attention to

find ample personal time to contribute

regular studios that don’t get attention

to Arts in Bushwick,” said Katz, who

year round.”

herself works as a creative director at a digital advertising agency. 77


BOS “I got involved with AiB within months

leadership programming. Among many

of moving to NYC. I was looking to

partnerships and programs, The Arts in

meet peers, neighbors, and explore the

Bushwick High School Fellows program

local arts scene. […] Involvement with

pairs Bushwick high school students

AiB gives me a sense of community,”

with a team of artist mentors for skill

explained the motives behind hours of

building, community leadership, as well

unpaid work Café Ghia waitress, Willow

as esteem-building opportunities at no

Goldstein, a co-editor of the Arts in

cost to the students or their families.

Bushwick Blog. Volunteer-run festivals have pros In comparison with the years pre-2012,

and cons Volunteer-run festivals

Arts in Bushwick have canceled festivals

of the BOS size, however, remain

Site Fest and Beta Spaces, which their

a rarity in New York. It seems that

predecessors created to showcase

despite its limitations, AiB is able

Bushwick performative arts as well as

to achieve its goals. “As Bushwick

Bushwick’s curated art shows.

experiences a variety of changes we

“They were pet projects of people

are able to respond accordingly and

involved prior to 2012,” told us Lucia

create meaningful programming for

Rollow who fields general inquiries for

all residents through the arts,” told

AiB. “Since 2012 we have redirected the

us AiB representative. Through the

energy that used to go into those events

constant influx of new volunteers, AiB

towards expanding our Community

benefits from new blood and energy,

Projects.”

and the ability to be in touch with community needs to a greater extent.

And Arts in Bushwick seems to very

The connectivity, openness, and

serious about their mission “to

feelings of accessibility and ownership

work towards an integrated and

of the festival follow directly from the

sustainable neighborhood through arts

volunteer structure as well.

programming, creative accessibility,

78 80

and community organizing.” Besides

However, reliance solely on volunteer

the most visible component of their

work brings also a lack in consistency,

work, the Bushwick Open Studios

which is particularly visible on the

festival, AiB offers a full year of

marketing materials of the organization.

programming that includes free and

The annual festival programs come

accessible workshops, events, and

every year with diametrically different

programs for Bushwick residents,

look and size and with a different ways

with a special focus on Bushwick

of mapping of the neighborhood. Their

youth arts education and community

registration website seems to change


BOS every year as well, leaving us without

representatives,“This covers the costs

a structured way to review information

of producing the print materials for

about the previous years.

BOS, event insurance, permits, and transportation costs associated with

Under its volunteer leadership, AiB has

producing the festival. Any additional

not yet been able to obtain a 501(c)(3)

funds go to supporting our year-round

nonprofit organization status throughout

Community Projects.”

nine years of their existence, although the organizers have assured us that they

Interestingly, AiB spends a large part

are currently in process of doing so. The

of its budget ($15-$20,000) on print

organization has been operating as an

of 10,000 copies of festival programs,

incorporated business through a fiscal

which are freely available for a pick up

sponsor, which could also be a limiting

at festival hubs.

factor for benefactors with deep pockets looking for tax deductible opportunities

Arts in Bushwick has not yet been in a

in art.

position of dilemma about big corporate sponsorship money because, as they

It could be argued that the festival

say, they haven’t been approached yet.

could grow faster and the programing

“While we have received the occasional

could bring more tangible results if the

email from a bank or real estate mogul

organization operated through a small,

that we simply ignore, we would

trained full time staff in addition to all

certainly entertain the idea of financial

its volunteers like it’s a case for many

backing--from a company whose values

other non-profit organizations such as

[are] aligned with our own--if it meant

NURTUREart, but perhaps the current

we could improve the festival in ways

size of its operation is just right for the

we have yet to explore,” explained

rapidly gentrifying neighborhood of

Samantha Katz.

Bushwick. AiB budget allows only for the basic Arts in Bushwick currently operates on a modest annual budget. The BOS registration fees ($30 a space), sponsorships provided mostly by local businesses and the annual benefit, during which the organization raffles off donated art work, brings in just

“While we have received the occasional email from a bank or real estate mogul that we simply ignore, we would certainly entertain the idea of financial backing--from a company whose values [are] aligned with our own.”

under $25,000, told us Arts in Bushwick 79


BOS

Some businesses experience 300-

400% revenue increase during BOS, others don’t

Ben and Gina concluded with a very important observation: “The artists in this community are the foundation that we built this thriving neighborhood

The festival has a huge economic

on. It’s pretty important that the

impact on the service industry in the

artists remain here for us to have any

neighborhood. The owners of The

authenticity as a neighborhood or else it

Bodega, a wine bar on 24 St. Nicholas

could jump the shark…”

Ave, Ben Warren and Gina Leone go as far as to claim that Arts in Bushwick has

The family of Salvatore B. Polizzi has

single-handedly saved their business

been operating Tony’s Pizzeria and

from bankruptcy when they first opened

Restaurant, on 443 Knickerbocker Ave

in 2010. “They were coming in all the

in Bushwick for over 40 years. “My

time for meetings, having parties and

brothers and I are very excited to see

drinks with us and the regulars,” the

and hear that the cultural art scene in

owners told us, “but more importantly

this neighborhood has become such a

we were thrilled to be a part of a potent

dramatic force in its own right,” told us

artists community.”

Salvatore. “We’ll see kids and young adults, underestimated only because of

The Bodega has sponsored and

the impoverished neighborhood and the

participated in Bushwick Open Studios

arduous economic conditions they’ve

every year since they opened, covering

grown up in, naturally summoning

their walls with local art and staging

their talents, ” Salvatore continued

poetry readings.

enthusiastically.

“Business skyrockets during the days

“It’s logical to believe that all businesses

of BOS,” the owners told us. “We

in the area are positively impacted [by

actually start planning for it months in

BOS]. However, in speaking to various

advance. We change our menus for ease

merchants in the area, it’s truly hit-or-

of service. Our staff swells to at least

miss,” continued Salvatore B. Polizzi,

double. Everyone elevates their game--

who, to that effect, has been trying to

you can sell 3-4 times as much food and

revive the now defunct Knickerbocker

drink as a normal weekend. After the

Merchant Association. Salvatore, whose

weekend we’re all exhausted and we

restaurant has been experiencing an

usually take everyone out to thank them

uptick in the revenue during the festival

for their tremendous work.”

weekends, explained that the biggest issue facing Bushwick at the moment is

80 82


BOS trying to find the balance between the

function so successfully in any place

new and old Bushwick. “Sadly, not all

other than Bushwick, which despite

of the old Bushwick is experiencing the

its progressing gentrification is full

beauty of what BOS has to offer and

of artists and people for whom pure

that needs to change!”

artistic expression and community connectedness are a success in itself.

“Having posters on Knickerbocker

Despite its imperfections, BOS is an

Avenue as a main commercial zone for

ever-important window through which

Bushwick residents about the event

the world and, more importantly,

can serve to engage those living

Bushwick can see itself…

and working within and without the neighborhood and, in turn, put the

Bushwick Open Studios is held on

event on a pedestal - an event that ALL

June 5 through June 7, 2015. For more

of Bushwick can take part in!”

information, please visit artsinbushwick. org

For the artist community itself Bushwick Open Studios has been a great stimulant for action and a catalysator of their efforts. Paul D’Agostino, local artist, writer, scholar and polygot had taken the necessary steps to open his now legendary loft gallery, Centotto 250 Moore St. #108, in May 2008. “We participated [in BOS] that year and had over 500 visitors in one weekend alone, so we just kept doing shows,” explained Paul D’Agostino. Artist Sophia Chizuco who has been participating in BOS since 2011 said she sold some small works and received press thanks to her open studio at Brooklyn Brush Studios (203 Harrison Pl). Bushwick Open Studios will celebrate its 10-year anniversary next year. Holding onto its innocence, an organization like Arts in Bushwick probably wouldn’t 81


COVERDARK AFTER FEATURE

Where Old And New Brooklyn Meet And People Get Drunk, Naked And Happy By: Henry Miller - Photographs by Gustavo Ponce

82 84


COVER AFTER FEATURE DARK Pumps isn’t working with a whole lot of space, but the mirrors on every wall

made more than forty percent of its

give you the sense of hidden corners,

profits from sexual content (i.e. toys,

side rooms and secret doors. Dirt bikes

porn or tits in the flesh) would be allowed

as well as mementos from the owner’s

to operate within five­hundred feet of a

childhood decorate the walls. The stage

school, place of worship or another

is a simple set­up behind the bar with

such establishment. Members of the

three poles in a line, each continuously

community initially protested it being

mounted by some of the most skilled

allowed even there, according to Andy,

dancers in New York City. A neon red

the fast­-talking, down­-to-­Earth, Brooklyn­

sign above reads, “If you ain’t got no

raised owner and founder of the club.

money, then get your broke ass out.” In a lonely building on Grand Street in East Williamsburg, Pumps rests amongst nameless industrial fortresses and

“Pumps has a reputation for being one of the last old school, unpretentious joints in the city...”

abandoned rail yards a few hundred feet from the muddy waters of Whale

Fortunately for Andy, the location

Creek. As far as New York strip clubs

ended up having an unexpected

go, it has a reputation for being one

advantage when the tidal wave of young

of the last old school, unpretentious

transplants flooded nearby Williamsburg,

joints in the city—a blue collar paradise

Greenpoint and Bushwick.

and cheap alternative to the expensive “Gentlemen’s Clubs” that can be found

Over the past eighteen years, as

in Manhattan. It opened in 1997, when

gentrification leaked over the East River

Mayor Giuliani had already begun

and spread like wildfire along the path of

enforcing the cabaret laws that shut

the L train, Pumps has flourished with the

down many of the strip clubs, peep

new business. The club has even become

shows and porn shops that peppered

a small hotbed of transgressive artists

Manhattan from top to bottom like a

in recent years, reflecting shifts in the

giant titty-­tenderloin.

north Brooklyn neighborhoods that have become known for boundary-pushing

Pumps was allowed to open because its

events like NYC Pornfest, The Smallest

location at the fringes of North Brooklyn

Penis in Brooklyn Contest, Bushwig, and

didn’t violate the 1995 “60­-40” zoning

Tooth Box: A Vagina Dentata

law, which dictated that no venue that

Competition. 83


COVERDARK AFTER FEATURE “This whole spot fell together perfectly.

90 whiskeys, seasonal cocktails and a

It’s the perfect storm. You are not going

frequently rotating list of craft beer

to get a neighborhood that is as cool

on draft.”

as Williamsburg or Greenpoint or this whole surrounding area. This is like a

As the neighborhood transformed, so

soup of cool area,” Andy told me last

did the people who walked into Pumps

November in his manager’s office in the

looking for a job.

basement of Pumps, which is equipped with an aluminum bat and a row of

Stephanie, who graduated college

CCTV sets that he instinctively scans

with a performing arts degree while

every few moments.

training as a ballet dancer, is currently enrolled in circus school and also works

Andy grew up in the surrounding area in

part-­time at Pumps. I first encountered

the ‘80s, a time he remembers as being

the voluptuous beauty last Fall at a

filled with “gunshots and craziness.”

Bizarre Bar production called Tooth

He describes the early days of his

Box: A Vagina Dentata Competition,

club as “off the hook bad. Every night

a show that embraced the male

was a brawl. Every night was terrible.

paranoia­based myth in order to subvert

This whole place, there was nothing

preconceptions of female beauty. It

here. The only reason to come here

was a night filled with cross-dressing,

[Bushwick, East Williamsburg] was

severed penises, big bushes and cheers

to come here.” He raised his arms,

to the downfall of the patriarchy.

gesturing the expanse beyond the basement’s cinderblock

After one performer at the competition

walls, “This whole area was dark. No

severed a fake blood­-filled strap­-on

lights, no nothing.”

dildo from her body and tossed it into the crowd (the winning act), Stephanie

Now there is a BP gas station with

went onstage to do a go­go routine

a Dunkin Donuts across the street,

that struck me as something more

flooding the exterior of Pumps with a

likely to be found in a strip club than at

purifying white light. One block over

an avant garde burlesque show. After

is 1027 Grand Street, a massive brick

I complimented her moves and the

building that hosts Striphanger as well

anaconda tattoo that wraps around her

as a number of other artists’ studios.

body from her toes to her shoulder,

Next to 1027 Grand is the International

Stephanie confirmed my suspicions

Studio And Curatorial Program. A few

about her second job.

blocks away, Kings Tavern offers “over

84 86


COVER AFTER FEATURE DARK A few weeks later at a coffee shop in the Lower East Side, I asked Stephanie about burlesque and its relationship to its seedier, less respected cousin. “Because the frame for this is burlesque versus strip, I think that, for me personally, it’s on the same spectrum,” Stephanie said. “Everything that happens in a burlesque show, or in a strip club—it’s all the same idea.” In her experience, stripping and burlesque are not mutually exclusive professions, and this is especially the case for Pumps.

“Everything that happens in a burlesque show, or in a strip club—it’s all the same idea.” The reason for working in a strip club is typically financial for many other performers at the strip club. Stephanie explained, “You can hands down make more money stripping than through any other dance medium.” Or as Bianca Dagga, who dances at Pumps and was GO Magazine’s “Sexiest Burlesque Performer” of NYC in 2009, told me in Andy’s office: “The difference between burlesque and stripping is that you can fit your costume in your pocket as a stripper, and in burlesque you are paying to create your costume.” Boas, feather fans, and strap­ons can really run up your performance budget. Emily, another burlesque performer who works at Pumps, told me after my interview in Andy’s office that she is 85


COVERDARK AFTER FEATURE

a “fire eater and sex worker’s rights

managed strip club that allows her to

activist” and chose Pumps in part

express her unbridled sexual self. “I am

because there are no house or DJ

there for fun. It is the great existential

fees, which can be up to $150 before

feminist performance art experiment of

the dancer even gets onstage in some

my life, right now.” She is not the only

clubs. “So when do you have a sex

Pumps dancer that feels that way.

worker rights activist working at a strip club?” Andy said in a moment of hubris,

Dawn is a twenty-­three year old

to which the fire­breathing activist armed

performance artist and model who has

with four­inch stilettos immediately

collaborated with a number of New

retorted, “Most of the time.”

York­based artists, including Bushwick local Michael Alan. After moving to New

86 88

For Stephanie, who does not need

York last summer she quickly realized

the income and only works at Pumps a

that her artistic endeavors did not

couple of nights a month, it is a well­

cover the costs of living in the big city,


COVER AFTER FEATURE DARK

so she picked up a few shifts at Pumps.

can be pretty slow (not everybody wants

Dawn now makes pretty good money

to head to Whale Creek on a rainy day).

modeling and doing various other

But a Pumps employee always finds

performances, charging on average $150

something to do—whether it’s reading

per show; however, she still relies on the

Voltaire in the basement, learning new

$400-­600 a week to have a

pole tricks from a friend onstage or

steady income that pays the rent, and and

working on their next burlesque routine

she doesn’t see that changing anytime

upstairs in Andy’s state-­of­-the­art

soon. “I would say that, if you want to be

music studio.

an artist in New York City, you either need to do some kind of sex work or have rich

Andy’s unofficial policy regarding his

parents. Period,” she explained.

employees using the studio is: “If you want to go up there and sing, if you

Dawn works three or four 9PM to 4AM

want to go up there and draw, or if you

shifts a week at Pumps, some of which

want to go up there and, whatever, 87


AFTER COVER FEATURE PUMPSDARK further yourself, I don’t care.” It seems to

“I don’t want my daughter to become

be that freedom and encouragement to

a dancer (because I would like her to

pursue other career goals, even if they

become the first female president or

might be at another strip club, that has

cure cancer) not because of what the job

made Pumps such a popular place to

entails, but if she did I wouldn’t mind it

drop a resume. That and the fact that

as much because of what the job enables

Andy appears to be beloved by everyone

these women to do. Such as having

who works for him.

the freedom to pursue there passion

“If you want to be an artist in New York City, you either need to do some kind of sex work or have rich parents. Period.”

of the arts /school or just the financial independence to do what they want and not have to rely on a ‘man’ for support... What I really meant to say was that the women of today dancing at Pumps are more independent, dynamic and

Dallas, a former dancer and co­producer

goal oriented. Where as 18 years ago

of Girls! Girls! Girls! (a burlesque event

the girls came here made money and

that the club put on in May), has no

usually found a husband (for the good or

reservations in expressing her admiration

bad) got married and left the business,

for the management. “To have not only

today for the most part the girls leave

a boss, but an owner of an establishment

to pursue other avenues in there life for

to forfeit his time and money to boost

themselves.”

moral so that we can launch our careers, it’s huge. Huge,” she told me over a few drinks at the bar in April.

The demographics of the patrons

of the club have also slightly shifted along with the neighborhood. Dallas has

Andy must have enjoyed our first

88 90

noticed a lot of Tinder dates lately. Andy

conversation in November because

says that there are certainly more women

afterwards he offered me a Pumps t­shirt.

than there used to be—perhaps because

While he was unlocking the storage closet

many of the dancers are gay—which is

tucked away behind his office, he quietly

fine so long as they tip just like everybody

told me that, these days, he wouldn’t

else. (According to some of the dancers,

mind if his daughter danced at a place

ladies don’t.) But there is still an “all­sorts”

like Pumps. I later asked him to explain

vibe about the daily crowd that rushes in.

what he meant by email. He responded

In April, a surly looking employee of Andy’s

[sic throughout]:

told me, “If it’s on this planet, it’s in Pumps.”


COVER AFTER FEATURE DARK PUMPS “If you ask anybody about this place, it

say to yourself, ‘I want to see something

is definitely like a Cheers. And I would

else going on.’ For almost the same price

rather have that than some crazy, bottle

of the drinks, you come here and see

service, suck­fuck joint upstairs,” Andy

topless dancing. And all we’re asking is

told me in November. After a handful of

that, when a girl comes over, give her a

visits to the club, I might agree with him.

dollar.”

Pumps is a far cry from Brooklyn’s current

I recommend a bit more than that. She

aesthetic—you won’t find intentionally

just might be saving up for a blood­filled

exposed brick or weathered wood here,

dildo to cut off and toss in the face of the

the lighting isn’t natural or warm, and

patriarchy.

the acoustics can be a bit grating (thanks in part to the mirror­covered walls). But

Upon request, several names have been

Cliff and Norm didn’t keep going back

changed or omitted for the purposes of

because Cheer’s was pretty; they went

this article.

back because it felt like home and nobody from the outside world would bother them there. From the music—which bounces aimlessly from Radiohead to Eminem to Metallica— and the cheap(ish) beer, to the ladies who just want to work on some moves and be your dollar­a­ song therapist. From the lighting that seems like it was stolen off the sign of a 50’s diner, to the doorless lap dance rooms and the miniature Nascar models hanging from the ceiling, this place has an atmosphere that is unlikely to be copied, bought or made family-­friendly, unlike most everything else in this city. Here is Andy’s unofficial pitch: “So you get bored of the Charleston or talking to the same guy for four hours, and you 89


90 92


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Art Spaces 1 ART 3

109 Ingraham St ART 3 offers contemporary art by emerging and mid-career artists. With an online platform and a gallery space, ART 3 aims to be a dynamic place for the discovery of great new talent. Open W-Sa:12pm-6pm, Su:1pm-5pm (646 ) 331-3162 art-3gallery.com

2 Grace Exhibition Space

840 Broadway, 2nd Fl Grace Exhibition Space is devoted exclusively to Performance Art, offering an opportunity to experience visceral and challenging works by the current generation of international performance artists whether emerging, mid career or established. See website for schedule (646) 578-3402 graceexhibition-space.com

3 ODETTA

229 Cook St ODETTA is a new gallery exhibiting works by mid-career artists who have honed their craft and their vision. Special interest in contemporary painting, glyphs, music, color field, Buddha mind, Minimalism, playfulness and encyclopaedic obsessiveness. Open F-Su:1pm-6pm, or by appt. (203) 598-1517 odettagallery.com

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4 Rosy Bleu

119 Ingraham St #100 Rosy Bleu, created by artist Lindsay Rose Risk, will be exhibiting for BOS at her studio located at Brooklyn Fire Proof. Lindsay will also be exhibiting at Schwick Open Studios. Open BOS: 12pm-7pm (310) 779-2544 rosybleu.com

5 Studio 17

1780 Broadway Opening June, 2015. Bushwick’s newest event space and gallery. Gut renovated, oakwood floors, kitchen and bathroom facilities. A beautiful setting for your next party, meeting, exhibition, film or photo shoot. studio17bushwick.com

8 Boobie Trap

308 Bleecker St Boobie Trap is the slumber party that never ended! Come have cheap drinks, play board games , and color some naughty coloring book pages! Don’t get lost in the boobie ceiling bathroom or the bartender might tell you to f#%k off, eeeeck! Open M-Sa:12pm-4am, Su:12pm-12am (347) 240-9105 boobietrapbrooklyn.com

9 Cain’s Tavern

Bars & Restaurants

36 Wilson Ave The neighborhood bar for Bushwick locals. Cheap drinks, great bartenders, and the best jukebox in NYC. Open M-Sa:5:30pm-4am, Su:3:30pm-4am (718) 326-2663 cainstavern.com

6 Amancay’s Diner

10 Divine Bar & Grill

2 Knickerbocker Ave Serving brunch, dinner and late night grub at Bushwick’s first 24/7 restaurant. Hosting live music, parties and private events downstairs in Max Cellar. Open 24/7 (718) 628-8860 amancaysdiner.com

7 BIZARRE

12 Jefferson St BIZARRE is a bar/restaurant/ gallery/venue, hosting burlesque, circus, performance art, live music, drag queen variety shows and more. Happy hour everyday from 11am-8pm Open daily 11am-4am (347) 915-2717 bizarrebushwick.com

896 Broadway Divine is an unassuming haven of familiar faces with a welcoming, unpretentious vibe. Complete with a pool table, backyard and bar grub. Divine is a place to lose track of time. Open daily 4pm-3am (718) 455-5455 divinebarbrooklyn.com

11 Fitzcarraldo

195 Morgan Ave Fitzcarraldo is a rustic Northern Italian restaurant located in Bushwick. Their cuisine is centered around the seafood of the Italian Riviera and the vegetables of the Alps, in particular those of Liguria. Open daily 5:30pm-12am (718) 233-2566 fitzbk.com


12 Heavy Woods

50 Wyckoff Ave Heavy is your go-to Jefferson stop bar & restuarant. Featuring ‘Tchoup Shop’ insane New Orleans grub, beer and shot specials, cocktails, outdoor seating and the ‘Back Woods’ event space. Open daily 9am-4am (929) 234-3500 heavywoodsbar.com

13 Kings County Saloon 1 Knickerbocker Ave Kings County Saloon is a music and performance venue with a great bar and hearty food. Amazing place to catch local and touring bands or hang out in the front room. Join the party! Open daily 4pm-4am (347) 987-3751 kingscountysaloon.com

14 Left Hand Path

89 Wyckoff Ave Left Hand Path is the neighborhood bar for locals and newcomers. Come to relax in their expansive outdoor garden. Stay for cocktails, craft beers, delicious dumplings, and cozy hi-fi vintage audio. Open daily 12pm-4am (302) 750-9689 lefthandpathbk.com

15 Northeast Kingdom

18 Wyckoff Ave Northeast Kingdom is a neighborhood restaurant that uses sustainably grown meats and produce. They grow their own vegetables on their Hudson Valley farm, and forage for wild mushrooms upstate as well. Open daily 6pm-11pm (718) 386-3864 north-eastkingdom.com

16 Pine Box Rock Shop

12 Grattan St With 16 draft lines and a cask, Pine Box is Bushwick’s premiere craft beer bar. Enjoy local beer on their new outdoor patio. Live music, comedy, trivia or karaoke nightly. Open M-F:4pm-4am, SaSu:2pm-4am (718) 366-6311 pineboxrockshop.com

17 Pizza Party

254 Irving Ave Pizza Party is jam-packed with nostalgia, i.e. everything 80’s! Besides all that fun, the Pizza in this Party comes from a 112 year old gigantic coal fired oven. Two elements that you must experience for yourself! Open M-Sa:11am-2am, Su:11am-12am (347) 787-7947 bushwickpizzaparty.com

18 The Bodega

24 St. Nicholas Ave The Bodega is a neighborhood wine bar featuring 14 rotating beer and wine taps, small plates, and outdoor seating. Open daily 12pm-3am (347) 305-3344 thebodegawinebar.wordpress. com

20 The Rookery

425 Troutman St Pub culture and West Indian flavors meet in The Rookery’s spacious beer garden and bar. Late night burgers mean you can eat and drink from 12pm til closing. Garden always open! Open daily 12pm-4am (718) 483-8048 therookerybar.com

21 The Shop Brooklyn

234 Starr St Bushwick’s Barbecue Joint serving up pit to plate barbecue in classic roadhouse style. Live music and entertainment 4 nights a week. Their motto is ‘Cook Slow Ride Fast’. Open daily 4pm-4am (917) 776-8872 theshopbrooklyn.com

22 Union Pizza Works

423 Troutman St Union Pizza Works is a garagelike restuarant featuring a small, rotating menu of woodfired pizzas and Italian desserts, plus a tightly curated wine list and spacious front patio. Open M-Th: 5:30pm-11pm, F:5:30pm-12am, Sa-Su:12pm-12am (718) 628-1927 unionpizzaworks.com

19 The Monk

68-67 Fresh Pond Rd The Monk specializes in Belgian beer carefully selected for quality and a variety of taste experiences. Open daily 5pm-1am (347) 987-4097 themonknyc.com

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Coffeeshops 23 Ange Noir Cafe

247 Varet St You cannot miss Ange Noir Cafe- look for the red phone outside. Stumptown coffee, french pastries, quiches, beers and wine are served all day. Free wifi. Open daily 7:30am-9:30pm (718) 821-2459 angenoircafe.com

24 Barcey’s Coffee

140 St. Nicholas Ave Barcey’s Coffee is a warm and friendly café serving organic coffee, an array of seasonal beverages, with a great everyday menu focusing on made to order sandwiches, smoothies and all-day brunch. Open daily 8am-7pm (718) 484-8183 barceyscoffee.com

25 Central Cafe

108 Central Ave Kick back in Central Cafe’s beautiful garden for weekend brunch with friends, or just relax with a glass of wine, bellini or beer during daily happy hours. Open M-W: 7am-7pm, Th-F: 7am-9pm, Sa: 8am-9pm, Su: 9am-7pm (718) 497-3028

26 Fair Weather Bushwick

247 Wyckoff Ave Cozy café serving healthy options of mainly sandwiches and salads during breakfast, lunch and dinner (summer). Weekend brunch with vegan specials, beer, and wine. Music

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and events throughout the year. Open daily 7:30am-7pm (347) 305-3736 fairweatherbushwick.com

27 Milk & Pull

778 Seneca Ave Milk & Pull is high-grade espresso bar; serving Stumptown Coffee, specialty sandwiches and pastries. Open daily 7am-7pm (718) 821-1155 milkandpull.com

28 Milk & Pull

181 Irving Ave Milk & Pull is high-grade espresso bar; serving Stumptown Coffee, specialty sandwiches and pastries. Open daily 7am-6pm (347) 627-8511 milkandpull.com

29 Wilson’s

164 Wilson Ave Wilson’s is Bushwick’s first tea shop. The perfect place to come get work done with an iced tea latte or buy loose tea to take home. Open M-F: 7am to 8pm, Sa-Su: 8:30am-8pm (718) 576-6003 wilsonstea.com

30 Your Way Cafe

17 Wilson Ave From their famous breakfast burritos and sandwhiches to fresh juice and delicious coffee, Your Way Cafe is the perfect place to work, relax, or meet with friends. Open daily 7am-8pm (347) 406-8510 yourwaycafebk.com

Mind & Body 31 BHATI

1099 Flushing BHATI is a gallery and wellness space, offering therapeutic massage, private yoga instruction and workshops. Also available for room rentals; featuring full kitchen, large dining table, 11.5” ceilings & natural sunlight. Open 7 days, by appt. (718) 417-3191 bhatistudio.com

32 La Luz

135 Thames St La Luz offers a creative space for artistic expression and physical training. La Luz houses 2 studios, a store and a theater with classes and rentals for rehearsals, photo/ video shoots, and shows. Open 24/7 (917) 924-2525 laluznyc.com

33 MEATTT, INC.

184 Noll St MEATTT, INC. is a custom tatto+art shop. They concentrate on creativity, style and individuality, and value the bold, the traditional, the funky and the unusual. Open daily 12pm-8pm (718) 417-4940 meatttinc.com


Offices & Studios

(929) 234-3555 harvestcyclery.com

34 Brooklyn Desks

38 Henry’s Wine & Spirit

49 Wyckoff Ave Brooklyn Desks is an office share and coworking hub just outside the Jefferson L stop. Their 9,000 sq ft space offers both communal work areas and private offices, and is decked out with everything you need to make your business work. Open daily 9am-5pm (718) 366-3865 brooklyndesks.com

35 Brooklyn Fire Proof

119 Ingraham St, Ste 202 Brooklyn Fire Proof is a creative spaces company providing art galleries, artist workspaces, as well as full-service film and television sound stages. Open 24/7 brooklynfireproof.com

Shopping 36 CSI Rentals

1138 Flushing Ave Your one stop shop for all photo & video equipment rentals and expendables in Bushwick. Open M-W:8am-6pm, Th:8am7pm, F:8am-1pm 718-366-7368 csirentals.com

37 Harvest Cyclery

1158 Myrtle Ave Harvest Cyclery is a full-service bicycle repair shop and vintage bicycle showroom specializing in mechanical and cosmetic restoration of vintage, custom, and antique bicycles. Open daily 12pm-8pm

69 Central Ave Henry’s Wine & Spirit offers a friendly environment to buy diverse and eclectic wines and spirits at great prices. Many natural, biodynamic, organic and small production wines with weekly wine tastings. Open M-Th:2pm-11pm, F-Sa:12pm-12am, Su:12pm-9pm (347) 435-0070 henrysbk.com

39 Hops and Hocks

2 Morgan Ave Hops and Hocks is a craft beer, charcuterie, cheese and local provisions shop on Morgan Avenue at Flushing in Bushwick, two blocks from the Morgan L Train. Su-M:11am-9pm, T-Th:9:30am9pm, F-Sa:9:30am-10pm (718) 456-4677 hopsandhocks.com

40 Left Field NYC

657 Woodward Ave American made classics since ‘98. Specializing in selvedge denim and chinos. Offering additional services like chain stitch hemming, denim repair, and embroidery. Open M-W, F:11am-7pm, Th:11am-8pm (718) 366-7308 leftfieldnyc.com

the necessary accessories for the gigging & recording musician make Rock and Roll Supplies your one stop rock shop. Open M-Sa:11am-9pm, Su:12pm-6pm (718 ) 384-4220 rockandrollsupplies.com

42 Shops At The Loom

1087 Flushing Ave Shops at the Loom consists of 21 unique stores in a cool mini-mall art space collective. Find handmade apparel, delicious coffee, bikes & skate boards, office & pet supplies, yoga & more. Open M-F: 8am-8pm, Sa-Su: 9am-8pm (718) 417-1616 shopsattheloom.com

43 SHWICK

6 Charles Pl Shwick is a marketplace every weekend, and many different things throughout the week, from classroom to studio to event space. You never know what’s gonna pop up next... Open Sa-Su:11am-7pm shwick.us

41 Rock and Roll Supplies

176 Bushwick Ave Cool vintage guitars and tube amps, new and used pedals, onsite set ups & repair and all

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