Tony Bennett le�t his heart to generations of music fans

BY DAVID BAUDE�

The Associated Press

NEW YORK—What do Paul McCartney, Queen Latifah, Lady Gaga and Stevie Wonder have in common?

Oh, and Aretha Franklin, k.d. lang, Bono and Billy Joel. Not to mention Carrie Underwood, Judy Garland, John Legend and Placido Domingo. And let’s not forget...

Stop. Listing all of the musicians who performed duets with Tony Bennett would take up our remaining space. His place in music history is already secure.

Bennett, who died at 96 on Friday, was indeed “the last of the great saloon singers of the mid-20th century,” as Charles J. Gans wrote for The Associated Press. Yet that summation befits a man frozen in time, consigned to a specific era, and Tony Bennett was anything but that.

Instead, Bennett transcended generations in a way few musicians have.

He was rightly beloved by older listeners for the way he interpreted the works of songwriters Irving Berlin, Cole Porter, Jerome Kern and George Gershwin in a strong and stalwart voice that remained true into his 90s. He was influenced by and helped popularize jazz, and marched with the Rev. Martin Luther King to fight for civil rights.

He was also admired by those who, if they left their hearts in San Francisco, it was at the corner of HaightAshbury, or a trendy dance club.

“I have to think it comes down to the man itself,” said singer Ben Folds, at age 56 four decades younger than Bennett was at the end.

“You hear his voice, it’s super kind, casual and in the moment,” Folds said. “His phrasing is that way, too. There’s nothing that sounds uptight. It’s very generous. A lot of people in his generation didn’t have that appeal because at the end of the day, you didn’t feel that they cared about you.”

Many of Bennett’s successful late-career duets were a tribute to the savvy marketing of his son and manager, Danny, who kept his dad’s career going long past most peers hit their expiration date. But famous duet partners could have said no. Few did.

Don’t think they didn’t notice the sweet and tender manner he brought to the studio working with people like Lady Gaga and Amy Winehouse, Folds said. Bennett’s duet with Winehouse on “Body and Soul” was the last studio recording she made before she died. Gaga, the New Yorker born Stefani Germanotta who could appreciate the New Yorker born Anthony Benedetto, became like family and ushered him