ARCHITECTURE PORTFOLIO FADEN BEYZA KİRİŞCAN 2015-2019
ABOUT ME Hello, my name is Faden Beyza KiriĹ&#x;can and I have graduated from Bilkent University. As a personality, I have passion to discover new perspectives, focus on details, work with a team and adapt myself to various tasks and works. I am highly motivated person to handle with a problems and carrying the design to the further points. As an architect, I design all projects in an aim to bring about a positive touch in people’s lives. I believe that spaces have a remarkable marks in our perception of the world and architects have a power to make it better. The portfolio is a compilation of my journey. Each project has a story to tell and I hope you enjoy them as much as I do. Thank you!
EXHIBITIONS FADEN BEYZA KİRİŞCAN Architect
CV
Basamaklar Exhibition curated by TSMD, 2018 One of the Selected Work-Reyhanlı Community Center for Refugees
Phone: (+90)0538 383 191 E-mail: beyza.kiriscan@hotmail.com Date of Birth: 20.04.1995 Nationality: Turkish Hometown: Antalya, Turkey
Bilkent Architecture Department Exhibition, 2018 One of the Selected Work-Reyhanlı Community Center for Refugees Bilkent Architecture Deparment Exhibition, 2017 One of the selected Work- Co-Housing Project
EDUCATION
WORK EXPERIENCES
ACHIEVEMENTS & CERTIFICATES
BACHELOR DEGREE OF ARCHITECTURE Bilkent University, Ankara Faculty of Art, Design and Architecture 2013-2019 CPGA: 2.89/4.00
Roya Yapı Tic. A.Ş. İstanbul/Turkey Roya Nova Residence Office Intern Jun 2018-July 2018
Mimari Konsept&Ruhsat Eğitimi, Teamwork Architects 2019
SUMMER COURSE Florence Institude Design International Renaissance Architecture 2016
Yılmazhan Mimarlık Antalya/Turkey Office Intern July 2018-August 2018
HIGH SCHOOL EDUCATION Özel Toros Yağmur Lisesi, Antalya 2009-2013 CPGA: 91.38/100
DKY İnşaat ve Gayrimenkul Yatırım A.Ş. İstanbul/Turkey DKY Kartal Project Construction Intern July 2017- August 2017
Florence Institude Design International Renaissance Architecture Summer Course 2016 Honour Certificates, Bilkent University 2018-2019, Fall&Spring Semester 2017-2018, Fall&Spring Semester 2016-2017, Fall Semester
SOFTWARES AutoCad
LANGUAGES
EXTRACURRICULAR ACTIVITIES
Turkish - Native
TDP-Social Awareness Projects
English - Advanced Italian - Elementary
Manevi Evlat, 2015-2016 Kalpler 1 Lösemi 0, 2014-2015
Rhinoceros Sketchup Revit Architecture Adobe Photoshop Adobe Indesign
INTERESTS Psychology, philosophy, music and travelling
DAS- Design& Architecture Society Tasarım Bilkent, 2017-2018 Tasarım Bilkent, 2016-2017
Lumion 3D Microsoft Office
TABLE OF CONTENTS
STREET ART HISTORY MUSEUM & PERFORMANCE AREA Graduation Project
COMMUNITY CENTER FOR SYRIAN REFUGEES Architectural Design Studio IV
NEW RESIDENTIAL LANDSCAPE, CO-HOUSING PROJECT Architectural Design Studio III
p.01-08 Supervisor: Meral Özdengiz Başak
p.09-17 Supervisor: Giorgio Gasco
p.18-23 Supervisor: Giorgio Gasco
01- STREET ART HISTORY MUSEUM & PERFORMANCE AREA Graduation Project 2018-2019 Spring Semester Supervisor: Meral Özdengiz Başak Location: Prague, Czech Republic
The site is located in Bubny area of Praha 7 Holešovice District that is desolated due to underdeveloped old industrial zone and brownfield area. With returns of these characteristics, it comprises of low sociocultural also economical welfare level residents, various type of graffities and distinctive pieces of street art. There is a island that is a link between the old town and Praha 7 zone to be arranged for serving as bridge for the modern art and street art. The city of Prague is known as a home for the valuable artists and the project aims to transform the Praha 7 post industrial zone to the home for street artists and performers by designing a legal street art zone for the city. The former invisible pieces of street art becomes an indispensable piece of the Prague.
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MASTER PLAN Briefly the master plan is axed from the surrounding roads and left side of the old railway has added programmes as national history museum,archive and regional library because of existing historic feature that are Memorial of Silence while the right side of it is designed to serve street art festival areas,workshops, culture center, drug treatment facilities and accommodations for both guest artists and regional homeless people.
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4 Surrounding pieces of graffities and murals are marked on the site plan. 1-Zeleznicaru Street, Praha 7 2-Dox Center of Contemporary Art, Praha 7 3-Vltavska Metro Station, Praha 7 4-Tesnov Street, Praha 8
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Form Development
SITE PLAN In aspects of designing the site plan, firstly decayed square that has 8m depth is created since emerging walls from level and ramps can be used for graffities and murals. To provide accessibility, 2 level are linked with each other by designing an artificial topography that creates closed street area for adverse weather conditions. To be informed about to birth of this colourful world, street art history museum is designed.
Site Plan Articulation Diagram Street Art History Museum
Landscape Connection
Open Street Performance Area
Closed Street Performance Area Site Plan
Site Plan consist of 3 levels that are Street Art History Museum’s floor, open-closed street performance areas floor and exhibition floor. All level’s circulation is provided by spiral ramp that connect them from outside and circulation hole that link them from interior of the museum.
Section E-E
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-16.00 Level Floor Plan
-8.00 Level Floor Plan
View from closed street performance area that is enlightened from artificial topography’s openings
Besides providing a transition between levels, artificial topography brings about a space that is the closed street art performance area. The area is lightened by the skylight elements that are also create a small hills to serve as a resting area. Also, people can observe existing events of the performance area from the hills. 04
Diagram of lightening for performance are
Diagram of the created hills
Ground Floor Plan
First Floor Plan(+3.00 Level)
View from interior of Street Art History Museum that designed according to give experiences with similar to the City’s streets
STREET ART HISTORY MUSEUM City of Prague consist of levels that are tunnels in the underground, floor that people set foot in as well as and live in and all architectural spaces that are residentials,offices, churches etc. Street Art History Museum is designed according to that base and in interior all guests and visitors has impression of wandering in the Prague’s streets.
Second Floor Plan(+6.00 Level)
Museum’s Axonometric Perspective
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View from interior of museum that indicates to experimental variation of levels
Design of museum acquires distinctive spatial experiences to the visitors by wandering through narrow and low level passages that end up with various areas
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Section A-A
View from interior of museum that presents articulation of floors
In each floor, visitors experience the multilayered articulation of the streets. By visiting their floor, vistors perceive the movement in below and above spaces
Section C-C
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Exterior of the Museum
Entrance of the building
Semi-closed corridor of the Museum
Museum is covered in a translucent skin that is stainless perforated steel sheet to reinforce interaction between exterior and interior spaces also mesh provides to multifunctional usage for the installations. All exterior spaces also can be used as a exhibition area to display pieces of street art
Axonometric Drawing for the Skin 08
02-COMMUNITY CENTER FOR SYRIAN REFUGEES Architectural Design Studio IV 2017-2018 Spring Semester Supervisor: Giorgio Gasco Location: Reyhanlı, Turkey Group Members: Sezen B. Özgür, Duygu Çöplü
The site is located in Reyhanlı, Hatay that is the south eastern border of Turkey. The location affected from the Syrian War and accepted remarkable amount of immigrants who needs to safe and comportoble accommodations to fulfil standard living requirements. Because of the war, the time and labor force is restricted therefore, during the project design, rapid constructive system that can be applied by Syrians without requiring heavy machinery, local materials that can be reached rapidly, environmentally passive systems that does not demand expensive cost and satisfy Mediterrian warm climate are preferred. The community center aims to provide labour opportunity while having commune spaces to meet their needs to the immigrants. From beginning point of contruction to the end of it, immigrants will be involved to the project.
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Day Care Unit: 195 m2
Playing Area, Sleeping Room, Courtyard
Medical Unit: 165 m2
Medical and Phychology Area
Religion Unit: 160 m2 Prayer Area
Head Unit: 180 m2
Multipurpose Hall, Meeting Room, Open Office
Head Unit: 90 m2
Lawyer, NGO and Open Office
Educational Unit: 135 m2
Information Area, Classroom 1, Workshop 1
Educational Unit: 80 m2 Classroom 2-3
Educational Unit: 60 m2
FORM DEVELOPMENT The main design approach is to divide the site to create a small version of a ‘city’.Because of the flood risk that occurs in previous years, the first step to design is providing a platform from gravel. Then private-semipublic-public areas are divided. To reinforce the division, the main axe is broken. Both to provide air circulation and create a connection with the Syrian architecture, courtyards are added. Last form of the masses are designed with respect to the articulation of the spaces and passages is created for the circulation
Workshop 2
Educational Unit: 90 m2
Library & Computer Room, Classroom 4
Production Unit: 170 m2 Production Area 1-2-3
Kitchen Area: 40 m2 Restaurant: 70 m2 Serving Area To Bazaar & Playground: 180 m2 Key Point Master Plan
Platform from gravel
Division of private-semi public-public areas
Design of the courtyards
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View from entrance of the Community Center for Syrian refugees
Design of last form of community center
South Elevation
Section AA
MASTER PLAN Since the site has a long and rectangular shape, easiest way for the communication is having a one main horizontal and many lateral vertical streets that both create wind corridor and end up with a courtyards. Courtyards are surrounded with a various programs that give rise to job opportunity to the immigrants. Products that are obtained from patios and production areas are sold in the bazaar and it contributes to the economy of the refugees. Because of climate is one of the biggest challenge for the location, community center is covered with a canopy system to control the sun in an efficient way
Section BB
Residential Unit
Day Care Center
Health Center
Masjid
Offices
Patios
Storehouse
Production Area
Classrooms
Bazaar
First Floor Plan
Master Plan
Canopy Plan
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Partial Plan
Section A-A
Section B-B
East Elevation
South Elevation
Vegetation Types
PARTIAL PLAN While designing the partial plan main step is being utilized from the light in maximum level. Therefore, the walls in east facade are broken and openings are designed to take inside the south light. Also, with the arrangement of the bricks the spatial lightening is provided from solid-void relationship. Inside of the community center, walls are organized to create efficient various usable spaces. By considering disabled people, the ramps are added for the accessibility to buildings of the community center.
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View from partial plan that shows the relationship with the main road and the buildings
Structural Detailed Section for Community Center
In aspects of the material selection, local, accessible, fast constructible, cost-effective and environmentally sustainable materials are preferred. The additional canopy layer that is valid throughout the site is designed as a sun shading element for the community center and truss system of canopy prevents thermal mass accumulation of the ceilings with the air circulation.
Building Axonometric Drawing
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Flexibility on the workshops
Playground area for the kids and flexibility on the bazaar
Open doors diagram for workshops
Closed doors diagram for bazaar
Pivot pointed doors that are inside of community center
FLEXIBILITY IDEA ON BAZAAR AREA Pivot pointed doors provide flexibility between indoor and outdoor space. Workshop and production units located near the bazaar deck to have possıbılıty of enlarging spaces by opening the doors. While bazaar set up on that is generally in sunday, the area serves to the bazaar facility, other days the space can be used from the utiliation of workshops and production areas.
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Open doors plan
Closed doors plan
Interior of education area
View from interior of prayer room
Interior view from carper viewing production area
Main principle to design interior spaces is being served to programmes in an efficient way. Therefore, for the interior of the prayer room strip openings as skylight is preferred to define prayer line. The angled wall with the hidden windows define the direction of kiblah. For the workshops and production areas, bricks that has solid-void relationship is designed for the lightening. Because of the restricted budget, various gathered bricks are used.
Wall Axonometric Drawing of Community Center
Windows of east faรงade for south light
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View from courtyard that displays main and secondary avenues
TRUSS SYSTEM
Truss provides the winter South light but 16
Truss blocks the North sunlight
blocks the summer South light
For the location of the site, suns’s angle of incidence is 72 ° for summer and 30 ° for winter. Because of the Reyhanlı’s Mediterrian warm climate, truss system is designed to provide incidence winter south light while preventing enter of summer south light.
Walls in front of the openings provide privacy for prayer room and angled gap is for light as a passive solution
SUSTAINABLE SOLUTIONS To handle with the summer in a cost-efficient way, passive systems are preferred throughout the site. For the residential units, wind catchers, trombe walls, and small windows are designed for the air circulation. Air flow diagram for residentials
System diagram for residentials 17
03-NEW RESIDENTIAL LANDSCAPE CO-HOUSING PROJECT Architectural Design Studio III 2017-2018 Fall Semester Supervisor: Giorgio Gasco Location: Ankara, Turkey Group Member: Buse Ilayda Oz
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The design of a co-housing community in the Atakule area, located in the Çankaya Yıldızeveler district, on the central southern sector of the city. The selected site is a vacant undeveloped area at the junction between Hosdere street and Simon Bolivar street. The project implies the construction of a new urban residential settlement to house a diverse group of dwellers as conventional families, unconventional families, groups and singles to establish a socially and varied community. The settlement needs to be conceived in the frame of a co-housing community, where residential units and facilities as well as other services are in common and integrated with the residential area. Behind the accommodation, the project provides common vegetable gardens, kitchens, laundries and commercial activities to the residents. This complex organization of co-housing is intended to serve and to be connected to the immediate environments of the selected area.
Circulation
Patios
Greenhouses
MASTER PLAN While designing the master plan, 1.5m artificial topography is added to create articulation between the levels. With the configuration of the various flat types by shifting the levels patios are emerged. In terms of utilization from agriculture, greenhouses are designed for the usage of 2 block’s residents.
Form Development
MASTER PLAN FIGURES Volume: 9795 m3 Total construction area: 1760 m2 Integrated parking area: 2110 m2 Hard surface/open air grounds: 2325 m2 Soft surfaces/green areas: 2325 m2 n° of residential units: 43 n° of common facilities: 8 n° of public services: 8 CO-HOUSING COMMUNITY PROFILE Singles: 20 Conventional Families: 9 Unconventional Families: 11 Groups: 3 Master Plan
Ground Floor Plan Level:0.00
First Floor Plan Level:+3.00
Second Floor Plan Level:+6.00
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Common courtyard that provides socialization for residents
View from North facade that shows articulation of the floors
Bridge from artificial topography to the commercial area
The plans of the co-housing project is designed by considering structural system that is composed of load bearing walls and concrete beams, circulation core, furniture layout, patios and greenhouses
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Third Floor Plan Level:+9.00
Forth Floor Plan Level:+12.00
View from interior of cold breaker in North façade
Interior of the greenhouses U1 x2
U2 x2
U3 x4
U4 x4
120 m2 For 3 people Has 1 terrace and 2 locas For conventional families
U5 x2
135 m2 For 4 people Has 1 terrace For conventional families
U6 x1
135 m2 For 4 people Has 2 terraces For conventional families
U7 x1
60 m2 For 1-2 people For single-couples
U8 x6
60 m2 For 1-2 people Has 1 terrace and 2 locas For single-couples 90 m2 For 1-2 people Has 1 terrace and 2 locas For single-couples
60 m2 For 1-2 people For single-couples
180 m2 For 5-6 people For groups
Unit Division Diagram 1
Unit Division Diagram 2
The project has 8 diffferent type of living units for the residents. The variety of the layouts bring about to establish a socially rich community. Each plan has different organization to serve its target in a efficient way by responding the resident’s needs.
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To control the light and heat, South and North directed facades have seperated design solutions. In the South facade, to protect from the excessive solar rays, sun breakers that is designed according to function of the interior is preferred. On the other hand, North facade is the colder side of the building so to protect the corridor from cooling, cold breaker is designed.
Diagram of sun breaker Living Room
Kitchen
Bedroom
Circulation -staircases,elevators-
The connection between two blocks of resident units
North Elevation
South Elevation
Diagram of cold breaker’s articulation
In terms of protection from the North directed winds, the cold breaker are designed for the highest floors of the project. 3 different types of articulation are preferred for cold breaker to create spatial variety. 22
Section A-A’
Section C-C’
View from North facade that display organization of cold breaker an the units
Structural detailed drawing of cold breaker
View from South facade with the arrangement of sun breaker, patios and greenhouses
Structural detailed section of wall
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THANK YOU FOR YOUR INTEREST ! MAIL: beyza.kiriscan@hotmail.com PHONE: 0538 383 1981