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Cache Magazine ‘Sleeping Beauty’ Performers in this classic ballet discuss their journey to the stage

The Herald Journal

MARCH 21-27, 2014


contents

March 21-27, 2014

COVER 8 Cache Valley Civic

Ballet presents ‘Sleeping Beauty’

MUSIC 4 Jasper String Quartet to perform at USU

5 Jazz Kicks Band takes the stage

6 Singer/songwriter Jen

Hajj performing in Logan

MOVIES 3 ‘Muppets Most Wanted’

gets three and a half stars

7 ‘Divergent’ earns two stars

THEATER 4 Auditions for ‘Seven

Brides for Seven Brothers’

13 ‘The Addams Family’ coming to Ellen Eccles Theatre

COLUMN 10 Dennis Hinkamp talks bucket lists

CALENDAR 15 See what’s happening this week

From left: Steven Freestone, McAuley Shoemaker, Hanna Corcoran and Luke Anderson, who will perform in Cache Valley Civic Ballet’s production of “Sleeping Beauty.” On the cover: Hanna Corcoran, who has been cast as Aurora in “Sleeping Beauty.” (John Zsiray/ Herald Journal)

FROM THE EDITOR It is no secret I am anxious for summer to arrive. I need more sunshine in my life and this waffling between sunny and cloudy weather just isn’t doing it for me. My lament over cold weather has been almost continuous since fall, so I was excited about the nice weather we had last weekend. I spent some time outside and it was lovely. The overcast skies have got

me feeling pretty antsy, so until we get more consistent clear skies and high temperatures, I’m trying to keep myself busy — going to different events around the valley and spending time with family and friends. Last weekend, my brother-in-law ran in a 5K, so I was there to support him. I also went to Celtic Night at Ellen Eccles Theatre. This weekend, I have plans to see “Tarzan: The Musical.” There are a lot of events scheduled for the coming days. Performances of “Sleeping Beauty” begin today at Ellen Eccles Theatre. There are two productions of “Heads and Tales” on

Saturday at Unicorn Pillow Theatre. The Jazz Kicks Band has a concert Tuesday, March 25. And on March 27, Four Seasons Theatre Company begins its production of “The Sound of Music” I find that going to the movies is a nice escape, too. Cache Magazine movie critic Aaron Peck reviews two of the movies — “Divergent” and “Muppets Most Wanted” — coming to theaters this weekend. Read about these events and more in this week’s Cache Magazine. — Arie Kirk


‘Muppets’ packed with laughs

“Being cast as Aurora has been one of my biggest dreams since I started ballet.”

By Aaron Peck Cache movie critic

Rarely does a franchise translate so well from generation to generation. Introduced to the world by Jim Henson in the mid-’50s, The Muppets have shown uncanny ability to flow and change with the times. Ageless puppets that seem to be universally beloved by both old and young, audiences and celebrities. Characters, that as far as we’re concerned, are operating independent of any puppet master. Something quite unique occurs to any person who happens to be on camera with them. A small twinkle in the eye, a slight childlike grin. Not too many other characters have quite this effect on people. “Muppets Most Wanted” is a follow-up to “The Muppets,” but as we’re so kindly informed during the first song-and-dance number, this is actually the seventh sequel since the original film, but who’s counting, right? Speaking of the first musical number, the entire song is a freeassociation brainstorming session concerning what this movie should be about. Self-awareness has always been a Muppets mainstay, and this song merely sets up how gloriously self-referential the movie will become. During that opening number not one of the Muppets speculated the true plot of the movie though. Through their loveable naiveté the Muppets have hired a new manager with an ominous sounding name, Dominic Badguy (Ricky Gervais) to

– Hanna Corcoran on her role in Cache Valley Civic Ballet’s production of “Sleeping Beauty” (Page 9)

PET OF THE WEEK Available for adoption

AP photo/Disney

Tina Fey, left, and Kermit the Frog in a scene from “Muppets Most Wanted.”

★★★

ridiculous accent with Kermit’s equally ridiculous, but iconic, voice is really something to behold. Director // James Bobin The cameos come furiously Starring // Tina Fey, Ricky Gervais, Ty Burrell fast as notable celebs pop up Rated // PG for some mild action in the unlikeliest of places. Where else will you see Ray Liotta, Danny Trejo and promote a new world tour. committing crimes. Jemaine Clement dancing in Halfway across the world, Constantine really is the a chorus line, singing showlocked away in a Russian star of the show here. Vogel’s Gulag is The World’s Most voice work is masterful. Usu- tunes, while in a Russian prison? Good-natured ribbing Dangerous Frog, Constantine ally when a movie equates is dished out to every celeb. (Matt Vogel). Constantine funny sounding accents Get a ton of famous people, escapes, in an action tracking with comedy, the result is throw them in a movie with shot that outdoes many of the dire (see: “Despicable Me Muppets, and suddenly action movies which have hit 2”). Though, “Muppets they’re the ones that are star theaters recently. ConstanMost Wanted” is a delightful struck. Such is the magic of tine has an evil plan. Slap a exception to that rule. WitMuppets. replica of his noticeable mole nessing Constantine’s tough New Muppet Walter (Peter onto Kermit’s face, have the transformation from hardLinz) who was introduced in police apprehend Kermit and ened Russian amphibian to take him back to the Gulag, cuddly show runner is down- “The Muppets” takes a back while he takes over the Mup- right hilarious. How Vogel is pets and travels the world able to meld Constantine’s See LAUGHS on Page 11

‘Muppets Most Wanted’

Pet: Laura From: Cache Humane Society Why she’s so lovable: I am Little Laura and I love people! I love getting cuddles, getting my back scratched, playing games and chasing things around the floor! So it’s easy to say that I love getting attention in general. Sometimes I have a hard time sharing the attention with other cats, so I would prefer to be the only cat, but if you are willing to put in the effort I know I could overcome it! Come see me playing at the shelter and make sure to bring a toy!

Page 3 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

ALL MIXED UP

Quotable


Page 4 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

all mixed up Jasper String Quartet coming to Logan The Jasper String Quartet performs the closing concert of the Chamber Music Society of Logan’s 2013/2014 season at 7:30 p.m. Thursday, March 27, at the Performance Hall on the USU campus. Described as “powerful” (The New York Times), “polished, engaged” (The Classical Voice of North Carolina) and “compelling” (The Strad), the Jasper String Quartet will play a wide-ranging concert, including music from the 18th,19th and 20th centuries. The quartet is made up of J. Freivogel, violin, Sae Chonabayashi, violin, Sam Quintal, viola, and Rachel Henderson Freivogel, cello, who have played together as the Jaspers since 2006, when they formed the quartet at Oberlin Conservatory. Jaspers perform pieces emotionally significant to its members ranging from Haydn and Beethoven through Berg, Ligeti, and living composers. They have commissioned string quartets

WHAT: The Jasper String Quartet WHEN: 7:30 p.m. Thursday, March 27 WHERE: USU Performance Hall COST: Tickets $24, students $10. Tickets available at arts.usu. edu, 435-797-8022, and CCA Box Office, Chase Fine Arts Center, and at the door.

Quartet’s “programming savvy” (clevelandclassical.com) and they have performed throughout the United States and in Canada, England, Italy, Japan, Korea, Norway and Panama. Educational outreach is a highlight of the Jasper quartet’s professional life. The members have brought well over

100 outreach programs into schools and enjoy educational work of all types. During the week before their performance in Logan, they plan three days of outreach with Cache Valley high-school and elementary-school students, as well as a master class at Utah State University. During a musical residency at

the Banff Centre, they embarked on “guerrilla chamber music,” performing concerts in unusual settings around Alberta, Canada. Currently, the quartet works closely with Philadelphia’s Astral Artists to bring outreach activities to schools. At Oberlin Conservatory, the Jasper String Quartet studied with James Dunham, Norman Fischer, and Kenneth Goldsmith as Rice University’s Graduate Quartet-in-Residence. In 2008, the quartet continued its training with the Tokyo String Quartet as Yale

riage backfires when the brothers, in their enthusiasm, kidnap six women from a neighboring town to be their brides. Bursting with the rambunctious energy of the original film, “Seven Brides for Seven Brothers” is all boisterous fun and romance that harkens back to the glory days of the movie musical.

Cast requirements: Adam Pontipee, age 20-40, Baritone Millie, age 20-40, Mezzo soprano range Brothers, ages 15-35, singing and dancing required Suitors, ages 15-35, dancing required Brides, ages 15-35, singing and dancing required Various townspeople

Time commitment: Rehearsals: April 1 through opening in June, Tuesday, Wednesday, Thursday nights, Saturday mornings. Production dates: June 6-28, Monday, Friday, Saturday performances with matinees on June 14 and June 21. Audition requirements: Perform one verse of an upbeat Broadway

Mozingo Photography

The Jasper String Quartet will perform Thursday, March 27.

from some of today’s up-and-coming composers, including Andrew Norman, Nicholas Omiccioli, Conrad Tao and Annie Gosfield. They are delighted to be in the midst of a commissioning project with Pulitzer Prize-winning composer, Aaron Jay Kernis. Critics and audiences commend the Jasper String

University’s Graduate Quartet- in-Residence. After winning the grand prize and the audience prize in the 2008 Plowman Chamber Music Competition, the Jaspers went on to win the grand prize at the 2008 Coleman Competition, first prize at Chamber Music Yellow Springs 2008, and the silver medal at the 2008 and 2009 Fischoff chamber music competitions. The quartet won the 2012 Cleveland Quartet Award. Based in Philadelphia, Penn., the Jasper String Quartet is the ensemblein-residence at Classic Chamber Concerts in Naples, Fla. The quartet recently released two highly acclaimed albums for the Sono Luminus label featuring the works of Beethoven, Schubert, and Aaron Jay Kernis. In 2014, they will digitally release Beethoven Op. 131 on Sono Luminus as well. For more information, please visit cmslogan.org, www.jasperquartet.com or www.facebook.com/ jasperstringquartet.

song and be prepared to learn a dance combination (please dress appropriately). Please bring a photo and resume, including dance experience, if possible. Audition forms available online at http://www. heritagetheatreutah. com/. If unable to attend audition dates, please contact the director, Dee Pace, at 435-730-7422.

Auditions set for ‘Seven Brides for Seven Brothers’ The Heritage Commu- and Saturday, March nity Theatre is holding 29, from 9 to 10:30 a.m. auditions for “Seven with call backs by inviBrides for Seven Brothtation at 10:30 a.m. ers.” Set in Oregon in 1850, Seeking many fea“Seven Brides for Seven tured roles; ensemble Brothers” tells the story cast, showcases dancers. of Millie, a young bride All roles available. Cast- living in the Oregon ing actors, singers, danc- wilderness. Her plan to ers, male gymnasts. civilize and marry off Audition dates: her six rowdy brothersWednesday, March in-law to ensure the 26, from 7 to 9 p.m. success of her own mar-


The Jazz Kicks Band, directed by Larry Smith, is presenting the second concert of Stan Kenton’s music Tuesday, March 25, in the Performance Hall on the USU campus. Concert time is 7:30 p.m. Admission: $8 for adults, students are free. When pianist Stan Kenton (1911-1979) launched his new band in southern California in 1941, he composed and arranged most of the music himself. His band, which he called “Artistry in Rhythm,” gained popularity in 1943 while playing at the Rendezvous Ballroom in Newport Beach. Soon, the band was popular across the U.S. Stan was always looking for new ideas and new composers and

WHAT: The Jazz Kicks Band WHEN: 7:30 p.m. Tuesday, March 25 WHERE: USU Performance Hall COST: $8 for adults, students are free

arrangers who could make his band the most modern and creative of the big bands. His “Progressive Jazz” was very popular with the college crowd. Kenton used five trumpets, five trombones, five saxophones and four rhythm, making his band the biggest and the loudest of the big bands. He often featured the lush warm sound of the trombone section on slow ballads. Stan thought other bands lacked rich

low sounds. He used two around the U.S. Kenton bass trombones and two played many dances and baritone saxophones to concerts in Utah, playfill out the low register of ing at Saltair, Hotel Utah, his band. Lagoon, Rainbow RenMost of the popular dezvous, the Cocoanut big bands of the ’30s Grove and USU. and ’40s had broken The Jazz Kicks Band up by 1948, due to the will play selections the decline of dancing after Kenton band played the war, but Kenton kept from the ’40s through touring with his band the ’70s. The Jazz Kicks until his death in 1978. Band includes Greg Stan became involved Wheeler, Tyler Whittaker, in music education as a Larry Smith, Mike Reedway to keep “Progressive er and Jon Gudmundson, Jazz” alive. When his saxophones; Hal Briggs, band played on a college James Canty, Alex Meicampus, he and the band bos, Sherrie Lynn Clarke members would work and Juan Pablo Palacios, with the jazz students trumpets; Roger Karren, and demonstrate how to Andrew Watkins, Spencreate the amazing Kencer Jackson, Justin Slack ton sound. In the summer, and Todd Fallis, tromin addition to playing bones; Kyle McKenna, dances and concerts, piano; Nate Ostermiller, he and the band gave guitar; Jim Schaub, bass; weeklong Kenton clinand Jason Nicholson, ics on college campuses drums.

‘Sound of Music’ on stage Four Seasons Theatre nuns that will raise the Company proudly presroof with their powerful ents the world’s most singing. beloved musical, “The “The Sound of Music” Sound of Music.” features songs such Maria (Sarah Huff), a as “Edelweiss,” “Climb prospective nun, proves Every Mountain,” “Dotoo high-spirited for the Re-Mi” and the title song religious life and is dis“The Sound of Music” and patched by Mother Abbess two songs which were (Brittany Dunn Perkins) cut from the 1965 movie. to serve as governess This production is cofor the seven children directed by Jon and Kody of widowed Captain von Rash and music directed Trapp (Daniel Huff). The by Jennifer Bohman. family’s famous narrow “The Sound of Music” escape over the mountains runs March 27-29, 31 and to Switzerland on the eve April 3-5 at 7:30 p.m. in of World War II provides the Sky View Auditorium, one of the most thrilling with a matinee Saturday, and inspirational finales March 29, at 1:30 p.m. ever presented in the Tickets are $10 in theater. The production advance and $12 at the also includes the talents door and can be purof Afton Lovell as Elsa chased online or by callSchräder and Rod Lewis ing 435-752-4835. Visit as Max Dettweiler as well fourseasonstheatre.org Photo courtesy Four Seasons Theatre Company as two fantastic groups of for tickets and additional “The Sound of Music” will be performed in the Sky Von Trapp Children and show information. View Auditorium.

Photo courtesy of Dream Pointe Ballet Company

“Cinderella” will be performed at 6:30 p.m. Saturday, March 29, at Box Elder High School.

Performance of ‘Cinderella’

Dream Pointe Ballet Company of Brigham City proudly presents “Cinderella” at 6:30 p.m. Saturday, March 29, at Box Elder High School. Tickets are $9 per person; $8 for five or more. Tickets may be purchased online at www.starstruckarts.com, in person at 2895 S. U.S. 89 in Perry, from 3:30 to 6:30 p.m. Monday through Thursday, or by calling (435) 239-8338.

Benefit concert at USU

A concert to benefit Dallin Wengert and his family will be Friday, March 21, at the Kent Concert Hall on the USU campus. On May 30, 2013, Wengert was on his way to work at the USU farm when he was struck by an oncoming SUV traveling 60 mph. Wengert was in a coma for almost two weeks, and then he faced months of intensive speech, occupational and neuropsych rehabilitation in Arizona. Fortunately, he is now well on his way to a full recovery. Doors will open at 6:30 p.m. and the concert will start at 7:30 p.m. The Ellis Boys will open the show, followed by County Red. Advance tickets are $15 for adults, $10 for youths and USU students; tickets at the door are $18 and $12.

‘Heads and Tales’

Unicorn Pillow Theatre presents “Heads and Tales” by Carol Lauk at 2 and 4 p.m. Saturday, March 22, at the CVCA Bullen Center, 43 S. Main St. In “Heads and Tales,” a whimsical and energetic “professor” and her comical assistants guide 10-year-old T.J. through a series of adventures to free her imagination. Tickets are $3 and will be sold at the door. Seating is limited, so come early. For information, visit www.centerforthearts. us/unicorntheatre.htm.

Page 5 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

Jazz Kicks Band to perform Coming up


Page 6 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

Cold Creek to perform in Montpelier

Concert at Crumb Brother’s Bakery Bridger Folk Music Society presents a concert with singer/songwriter Jen Hajj at 7:30 p.m. Saturday, March 22, at Crumb Brothers Bakery, 291 S. 300 West in Logan. Tickets are $13 and are available via PayPal at www.bridgerfolk.org, by calling (435) 757-3468, or take your chances at the door. Seating is limited; advance purchase is recommended. The concert is co-sponsored by Utah Public Radio and Import Auto.

Cold Creek, Utah’s premier bluegrass band, will perform at the Allinger Community Theatre in Montpelier, Idaho, on Friday, March 21. A dinner Photo courtesy Cold Creek option of Yankee pot roast Cold Creek will perform Friday, March 21. will precede the concert at 6 p.m. with the show to lead vocals; Blaine Nelvocals; Jake Workman on follow at 7:30 p.m. son on banjo; Andrea Ivey mandolin; and Rob Ricks All show tickets are $15 Banner on bass and lead on fiddle. each with a dinner option for an additional $15. SUNSTONE TOP 10 VIDEO Show and meal tickets are DVD/BLUERAY RENTAL SCHEDULE New Release Titles $2.99 Return Next Day now on sale at the gift shop inside the National Oregon/ All Other Titles $1.99 Keep One Week Rent 3 Movies $4.99 Keep One Week California Trail Center, by Rent 5 Movies $6.99 Keep One Week calling (208) 847-3800 Rent 10 movies $11.99 Keep One Month or online at www.oregon THOUSANDS OF MOVIES • ALL CATERGORIES trailcenter.org. Cold Creek hails from American Fork and performs across Utah and many Western states. SUNSTONE The band is comprised of TOP 10 VIDEO 31 North Main • Downtown • 753-3838 Bill Sprunger on guitar and (60 days from release)

Photo courtesy Jen Hajj

Jenn Hajj will perform Saturday, March 22, at Crumb Brother’s Bakery in Logan.

(Saturday Rentals Return Monday)


The Reel Place Aaron Peck

“They say the war was terrible,” narrates our plucky protagonist, and just like that we’ve been thrust into yet another teenage-centric dystopian future where oppression is the new hotness. We descend on an overgrown Chicago. A distant future where people have been separated into districts… ahem, excuse me … “factions.” The go-to storytelling device of societal oppression, class systems. “Divergent,” along with just about every other young adult dystopian story, is obsessed with its clever ideas. Right from the outset we’re mired in copious amounts of exposition. Tris (Shailene Woodley), the plucky protagonist mentioned earlier, is tasked with getting us up to speed on the happenings of this supposed utopian society. The prologue is a dense jumble of plotting. The factions are named and explained — Abnegation (selfless), Amity (peaceful), Candor (honest), Dauntless (brave), and Erudite (intelligent). At some point I assume we’re supposed to let out a collective gasp at how original and creative this concept seems. Then we realize it’s simply a cliffnotes version of the Boy Scout Law (wonder which one of those fac-

They’re rebels. Since most of the movie is comprised of scenes that discuss what the movie is actually about, I had trouble plotting out this review. AP photo/Summit Entertainment Steering away from Shailene Woodley, left, and Theo James in a scene from “Divergent.” simply regurgitating the story and how Tris navigates it is indeed a difout of the mouths of the ficult task. When you’ve movie’s would-be charspent two hours being acters. simply directed through Giving each faction a particularly uninterestDirector // Neil Burger one main trait seems ing labyrinth of ideas that Starring // Shailene Woodley, Theo James and Kate almost like an excuse were better conceived in Winslet to write completely flat, past sci-fi movies and Rated // PG-13 for intense violence and action, theunder-developed charnovels, it’s hard to not matic elements and some sensuality acters. Tris, of course, is get caught up in it all. different. Because all There’s so much telling, tions is the thriftiest). At This is all covered at and so very little showteenage heroines who any rate, the factions length during the endless threaten the standard ing. Show us the oppreseach perform a certain stream of expository dia- rule of law in dystopian sion. Don’t just tell us service for the society. logue that comes gushing futures must not conform. about it in voiceovers.

★★

‘Divergent’

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See STORY on Page 12 UNIVERSITY 6

March 21 - March 27

9:50

“Divergent” lacks any sort of emotional connective tissue. At least “The Hunger Games” movies have a semblance of humanistic emotion. “Divergent” is void of any sort of societal context. We’re only allowed to know what we’re told. The characters aren’t given any wiggle room to show us the true horrors they live amongst. “Divergent” is so in love with its own plot it drops characterization by the wayside. With so many of these angst-driven scifi teen dramas coming out, a formula is taking root. A needlessly detailed prologue leads us in; we’re introduced to a young heroine with a wacky name who refuses to conform; segregation occurs; training commences; coming-of-age initiates: unlikely friends emerge; forbidden romances blossom; and eventually the oppressive powers-that-be meet their greatest

Page 7 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

‘Divergent’ a mediocre and soggy story

3:30 8:15


‘Sleeping Beauty’ Performers in this classic ballet discuss their journey to the stage

T

he main character in “Sleeping Beauty,” is of course, the princess Aurora. However, her story wouldn’t be complete without the attention of the princes in her kingdom, including the dashing Prince Charming. Director Sandy Emile, director of the Cache Valley Civic Ballet, said while ballet brings to mind visions of beautiful ballerinas, ballet was once considered a form of martial arts limited to men only. The present full-length version of “Sleeping Beauty” opens at the Ellen Eccles Theatre this weekend, and five young men have starring roles in this classic ballet. Each of them has a unique story about how they were drawn to ballet. Steven Freestone of Amalga said if it would have been up to him, he wouldn’t have had anything to do with ballet because he thought it was “too girly.” However, after an unlikely series of events led him straight to ballet, he now has one of those lead roles in “Sleeping Beauty.” According to Freestone, his mom finally convinced him to take one year of ballroom dance when he was about 12 years old. At the end of that time period, Freestone said his mom would not push him into dance anymore if he really didn’t like it. “I fell in love with it (ballroom dancing) about halfway through,” he said. Some time later, he spent the night at a friend’s house, and the next morning, his friend said Freestone could either go home or go to ballet practice with him.

He went to ballet practice because he didn’t want to walk home in the rain, Freestone said. Once there, the teacher told him he could stand out in the rain — or he could dance. Stephen Milsap said as a child, he grew up watching recordings of his mom, who was once in “The Nutcracker.” At the age of 6, he expressed his interest in ballet. His family was living in Salt Lake City at the time and they commuted to Logan for years so he could dance with the Cache Valley Civic Ballet, which is one of only two community ballets in Utah. “I fell in love with it but my mom didn’t,” Milsap said. The family has since moved to Honeyville and Milsap now has one of the prince roles. McAuley Shoemaker of Logan joins Freestone and Milsap on the ballet stage. Shoemaker said his start in ballet came after a friend invited him to be a mouse — and at the time, he didn’t really know what that meant, so he just said “sure.” Shoemaker, who was participating in Aikido, a form of Japanese martial art, said he was actually excited when he arrived at the Whittier Center and learned he would be dancing in “The Nutcracker.” “I thought the ballerinas were beautiful and graceful and I wanted to be a part of that,” he said. Tabor LeCheminant describes himself as the “infant” of the group because he just started dancing last year. While he had grown up watching ballet and he thought male dancers were “cool,”

Photos by John Zsiray/Herald Journal

Luke Anderson and Hanna Corcoran will perform in Cache Valley Civic Ballet’s production of “Sleeping Beauty.” Left: Pictured from left to right are Steven Freestone, McAuley Shoemaker, Luke Anderson, Tabor LeCheminant and Stephen Milsap, who are in “Sleeping Beauty.”

he had never pursued dance himself. Last summer, he was invited to the Civic Ballet by a girl — Freestone’s sister — and he has been there ever since. “It has been a really great experience to see how hard everybody works,” he said. These four princes dance along with Luke Anderson, who plays Prince Charming. They are all trying to capture Aurora’s heart.

Anderson is a USU engineering student and figure skater-turned-dancer. Inspired by the skaters who participated in the 2002 Winter Olympics, Anderson started figure skating to begin with. However, his instructor said he needed to work on becoming a more graceful skater, so Anderson was sent to Emile, who jokes that his grace is still an ongoing project. Over time, Anderson said he ultimately fell in love with dance and quit skating. “Dancing for me is a matter of being well rounded,” Anderson said. “I love the science in engineering, but also the art in ballet. I wouldn’t be happy with just one.” Each of the princes are featured in what could have been the first bachelor rose ceremony, and of course, Prince Charming has the magical kiss that wakes Sleeping Beauty, who is performed by leading lady Hanna Corcoran. “Being cast as Aurora has been one of my biggest dreams since I started ballet,” Corcoran said. At the age of 12, Corcoran danced in a single act version of the ballet as a maid of honor. Now, she has been cast in the role of the princess, an opportunity she says is the most challenging but also the most rewarding. “Sleeping Beauty,” which was first performed in 1890, begins Friday with an evening performance at 7:30. Saturday performances are at 1:30 p.m. and 7:30 p.m. and the final performance will be Monday, also at 7:30 p.m. Tickets are available at cachearts.org or at the Ellen Eccles box Office at 43 S. Main St. in Logan. — Amy Macavinta


‘Sleeping Beauty’ Performers in this classic ballet discuss their journey to the stage

T

he main character in “Sleeping Beauty,” is of course, the princess Aurora. However, her story wouldn’t be complete without the attention of the princes in her kingdom, including the dashing Prince Charming. Director Sandy Emile, director of the Cache Valley Civic Ballet, said while ballet brings to mind visions of beautiful ballerinas, ballet was once considered a form of martial arts limited to men only. The present full-length version of “Sleeping Beauty” opens at the Ellen Eccles Theatre this weekend, and five young men have starring roles in this classic ballet. Each of them has a unique story about how they were drawn to ballet. Steven Freestone of Amalga said if it would have been up to him, he wouldn’t have had anything to do with ballet because he thought it was “too girly.” However, after an unlikely series of events led him straight to ballet, he now has one of those lead roles in “Sleeping Beauty.” According to Freestone, his mom finally convinced him to take one year of ballroom dance when he was about 12 years old. At the end of that time period, Freestone said his mom would not push him into dance anymore if he really didn’t like it. “I fell in love with it (ballroom dancing) about halfway through,” he said. Some time later, he spent the night at a friend’s house, and the next morning, his friend said Freestone could either go home or go to ballet practice with him.

He went to ballet practice because he didn’t want to walk home in the rain, Freestone said. Once there, the teacher told him he could stand out in the rain — or he could dance. Stephen Milsap said as a child, he grew up watching recordings of his mom, who was once in “The Nutcracker.” At the age of 6, he expressed his interest in ballet. His family was living in Salt Lake City at the time and they commuted to Logan for years so he could dance with the Cache Valley Civic Ballet, which is one of only two community ballets in Utah. “I fell in love with it but my mom didn’t,” Milsap said. The family has since moved to Honeyville and Milsap now has one of the prince roles. McAuley Shoemaker of Logan joins Freestone and Milsap on the ballet stage. Shoemaker said his start in ballet came after a friend invited him to be a mouse — and at the time, he didn’t really know what that meant, so he just said “sure.” Shoemaker, who was participating in Aikido, a form of Japanese martial art, said he was actually excited when he arrived at the Whittier Center and learned he would be dancing in “The Nutcracker.” “I thought the ballerinas were beautiful and graceful and I wanted to be a part of that,” he said. Tabor LeCheminant describes himself as the “infant” of the group because he just started dancing last year. While he had grown up watching ballet and he thought male dancers were “cool,”

Photos by John Zsiray/Herald Journal

Luke Anderson and Hanna Corcoran will perform in Cache Valley Civic Ballet’s production of “Sleeping Beauty.” Left: Pictured from left to right are Steven Freestone, McAuley Shoemaker, Luke Anderson, Tabor LeCheminant and Stephen Milsap, who are in “Sleeping Beauty.”

he had never pursued dance himself. Last summer, he was invited to the Civic Ballet by a girl — Freestone’s sister — and he has been there ever since. “It has been a really great experience to see how hard everybody works,” he said. These four princes dance along with Luke Anderson, who plays Prince Charming. They are all trying to capture Aurora’s heart.

Anderson is a USU engineering student and figure skater-turned-dancer. Inspired by the skaters who participated in the 2002 Winter Olympics, Anderson started figure skating to begin with. However, his instructor said he needed to work on becoming a more graceful skater, so Anderson was sent to Emile, who jokes that his grace is still an ongoing project. Over time, Anderson said he ultimately fell in love with dance and quit skating. “Dancing for me is a matter of being well rounded,” Anderson said. “I love the science in engineering, but also the art in ballet. I wouldn’t be happy with just one.” Each of the princes are featured in what could have been the first bachelor rose ceremony, and of course, Prince Charming has the magical kiss that wakes Sleeping Beauty, who is performed by leading lady Hanna Corcoran. “Being cast as Aurora has been one of my biggest dreams since I started ballet,” Corcoran said. At the age of 12, Corcoran danced in a single act version of the ballet as a maid of honor. Now, she has been cast in the role of the princess, an opportunity she says is the most challenging but also the most rewarding. “Sleeping Beauty,” which was first performed in 1890, begins Friday with an evening performance at 7:30. Saturday performances are at 1:30 p.m. and 7:30 p.m. and the final performance will be Monday, also at 7:30 p.m. Tickets are available at cachearts.org or at the Ellen Eccles box Office at 43 S. Main St. in Logan. — Amy Macavinta


trip where I stop at an animal shelter in every lower 48 states and pick up the saddest, oldest looking rescue dogs available. Three times a day I drive up to a McDonalds drive up window and order $100 worth of nuggets. You now get the paper towels and Febreze reference and the subtle “embark” reference. The dogs are all hanging their heads out the window drooling and barking at everyone. We are soon officially banned from every KOA in America. After traversing the country I let them all out on the dog beach just

nation can conjure up. I’ll go first: I rent the biggest RV on the lot and sign an open-ended contract. After stocking it with 500 rolls of paper towels and 50 containers of Febreze I embark on a C

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arts.usu.edu • 435.797.8022 CCA Box Office | Chase Fine Arts Center 139-B USU Campus Adults $18, Seniors & Youth $15, Faculty & Staff $10, USU Students w/ID $5 Box Office Hours : Mon–Fri 9–5PM

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It’s trendy to talk about your bucket list and the 50 things you absolutely positively should eat/see/read/hear/ buy/attend before you die. It is also the worst kept secret that these lists are just advertisements for products and vacations. The bucket list is really all about perspective; like the proverbial glass, is the bucket half empty or half full? Of course if you kick the bucket it’s 100 percent empty so that’s where the metaphor falls apart. But still, it’s pretty easy harmless fun to rattle off everything your greedy little imagi-

DENNIS HINKAMP

Page 10 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

Bucket list really all about perspective south of San Francisco where there is a houseboat funded by a new Animal Planet reality TV show is waiting for us. I leave a note on the RV that says, “Sorry, keep my deposit” to Cruise America RV place and get on the boat with my dogs. Dennis’s Barking Barge Bucket List Cruise enjoys limited and short lived success until the sponsors bail out due to the high cost of dealing with 48 geriatric seasick dogs and a drunken captain. With what remaining money, Dramamine and kibble we have left we cruise up the coast to Oregon where I’m hoping euthanasia is still legal.

I know there some practicalities here that don’t work out; that’s why I said it is a dream. I know many of you have had the same dream; I was just the first one to write it down. But maybe the bucket is half full. Maybe there are things that you don’t want to don’t want to do before you die. Again, I’ll go first. I hope I don’t go crazy and get hair implants or a sports car; whichever costs less. I hope I don’t literally meet my maker. I would have liked to when I was younger and still under warranty but at this point all I would do

is complain about the built-in obsolesce of this particular model. I hope not to be a greeter at Walmart but could possibly consider something at Dunkin Donuts; everybody is happy around donuts. I hope I never look my age or like Keith Richards, whichever comes first. I hope to never look or sound like any of the people on “Duck Dynasty” even thought I did grow up in that neck of the woods. ——— Dennis Hinkamp would like to thank you all today just in case this bucket list is put into motion tomorrow.


Musicians to perform Brahms’ Requiem By Eric Warren USU Media Relations

Cache Valley will play host to one of the most celebrated and recognizable pieces of music to come from Germany when the 300 members that make up the American Festival Chorus and Orchestra perform Johannes Brahms’ Ein deutsches Requiem at 7:30 p.m. Friday, March 28, at the Ellen Eccles Theatre. “We are delighted to be able to perform this beautiful and very moving piece in Cache Valley,” said Craig Jessop, director and conductor of the American Festival Chorus and Orchestra. “Brahms’ Requiem presents us with a unique opportunity to bring together musical talents from all over the valley, and beyond, to one

stage and perform a magnificent piece of musical history.” Jessop said that Brahms’ Requiem reflects a time of tragedy in Brahms’ life and shows how he chose to commemorate loss. Rather than use remorseful Latin prose, he created a celebration of life; a musical tapestry filled with elegant melodies, infused with the rich vocal textures of Germanic prose, and coupled with the beautiful sonance of a full orchestra. According to Utah State University assistant professor of musicology Christopher M. Scheer, Brahms’ Requiem is arguably one of the most important pieces of choral music written in the 19th century. “The inspiration for its composition may have been the passing of

Laughs

vised by Bret McKenzie of Flight of the Conchords fame, are energetically comical. None of the songs measure up Continued from Page 3 to the masterpiece that seat here. His appearwas “Man or Muppet,” ances almost feel a little forced like maybe he had but each stand out in their more to do with the story, own right, especially Conbut his impact was scaled stantine’s introductory vildown in the editing room. lain song. “Muppets Most Wanted” packs in everyThat’s OK though, since thing you’d expect from Walter was never the a Muppet movie. Songs, strongest aspect of “The jokes, puns, cameos and Muppets” anyway. laughs. A perfect outing The musical numbers, for the whole family. which are lovingly super-

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WHAT: American Festival Chorus and Orchestra performance WHEN: 7:30 p.m. Friday, March 28 WHERE: Ellen Eccles Theatre COST: Ticket prices are $12, $16 and $20.

Brahms’ beloved mother, though many scholars have noted that some musical material used in the Requiem dates from 1856, around the time of the death of his close friend, the composer Robert Schumann,” Scheer said. Though modeled on the Roman Catholic mass for the dead, Brahms drew his texts from Martin Luther’s German Bible,

which is why the work is in German and not in the customary Latin. Scheer commented that Brahms takes many liberties with the traditional requiem texts, playing down and expunging references to Christian dogmas, while emphasizing the human experiences of suffering and bereavement. The work reflects Brahms’ personal view of the spiritual, and he is even said to have remarked that the work should be called a human requiem. “Everything about Brahms’ masterpiece is elegant and exquisite,” said Jessop. “My hope is that our audience will fully experience the music as it fills the hall and reverberates with the grace it was composed for.” To help accomplish

that, Jessop has enlisted renowned vocalists Cindy Dewey and Steve Meredith. Dewey, an associate professor at Utah State’s Caine College of the Arts, has appeared as soprano

soloist with orchestras across the United States and Canada. She has performed numerous works with American Festival See BRAHMS on Page 12

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Page 12 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

Books Writer reprises cross-country bicycle trip By Jerry Harkavy Associated Press

A cross-country bicycle trip, like an end to end hike of the Appalachian Trail, is usually a one-and-done experience, a once-in-a-lifetime adventure that doesn’t bear repeating. Not so for Bruce Weber, a longtime reporter for The New York Times who at age 57 decided to reprise the coast-to-coast ride he took 18 years earlier, post a blog at stops along the route and then make the journey the focus of his latest book, “Life Is a Wheel.” After flying to Portland, bike to fly to a funeral in Los Ore., to pick up the $8,000 Angeles and a wedding in bike he shipped from New New Orleans. York, Weber set out from For readers who haven’t coastal Astoria on what pedaled the roads for some would be a 4,122-mile ride time, the author lays out the that took him to 15 states familiar agonies and dangers over a 101-day stretch that of long-distance cycling: included a few days off the

Story Continued from Page 7 threat. “Divergent” ticks away like clockwork, checking off all mandatory boxes on its dystopian-future checklist. Without any original thoughts, it flounders along defunct of heart or worthwhile characters. It’s too bad, since Woodley is such a superb actress when given the right material. Check out her work in “The Spectacular Now” and then watch “Divergent.” You’ll understand what you’re missing. She does the absolute best with what she’s given, but the

script is so bland, so sanitized. Never challenging the viewer (or in the case of Veronica Roth’s novel, the reader) to think for themselves. The generic instructions are laid out; all that’s left is to match the numbers with their corresponding colors and presto! A mediocre story, which hopes one day to be the next big billion dollar franchise. “Divergent” is a soggy story, bogged down by dopey romance and wooden characters. It’s hard to fault Woodley for wanting to helm her own YA franchise as an up-and-coming young actress, but sadly she’s overqualified for such derivative drivel.

steep, muscle-straining hills, fierce head winds, speeding truckers, roads with narrow or nonexistent shoulders and choppy, debris-strewn pavement. But magnificent vistas that elevate Weber’s spirits help compensate for the pain. Even after he bonks for the first time in 90-degree heat in the scrublands of eastern Washington, he abides by his mantra that “moving forward is the cure for all ills. Keep pedaling.” Weber’s trip is a solitary exercise, but the advent of the cellphone and the Internet make it far less lonely than the 1993 ride when pay phones offered his only link to the outside world. “One day you’re a Flintstone, the next a Jetson” is his take on the technology leap that enables him to dispense texts, emails and phone calls at

Brahms Continued from Page 11 Chorus and Orchestra, including Haydn’s Creation, Mendelssohn’s Elijah, Orff’s Carmina Burana, as well as in works by Mozart and Bach. Dewey’s students have gone on to perform at opera houses in the United States and Europe, including the Metropolitan Opera in New York. Meredith is an oft sought-after baritone and was a favorite of Grammy Award-winning conductor Robert Shaw. Meredith sang Beethoven’s Missa Solemnis and 9th Symphony under his direc-

will. The long hours in the saddle gave him ample opportunity for reflection, enabling Weber to share thoughts on life and death, of which he is intimately acquainted through his most recent work as an obituary writer. His book is more than a chronicle of his two-wheel journey across endless prairie and farm fields and through countless small towns and suburbs. One of the most fascinating sections recalls the author’s 1995 bike trip in Vietnam, a more gripping adventure than anything he encounters on his latest ride. He is arrested while riding alone in the jungle, then stranded without food or water, an episode he can now fondly look back on as “one of the great moments of my life.” He writes about his some-

tion with orchestras throughout the United States. Meredith also has appeared regularly with other notable conductors, including Margaret Hillis, Hermann Michael, Stewart Robertson and Robert Page. He is the music department chair and director of choral activities at Snow College in Ephraim, Utah. Dewey concurred that it is generally believed Brahms wrote his German Requiem in honor of his mother, and said that it takes on special significance for her when she can perform it in honor of her own mother. “Because of my close relationship with my mother, it is special to perform a piece that is

times tumultuous relationships with family members, the changing cast of women in his life and how a wife and children never came to pass. But at a stage of life when thoughts of advancing mortality gain traction, Weber finally finds that special woman, a former co-worker named Jan, with whom he wants to share his life. The romance took root during a bike trip — how else? — in the south of France. And if Weber ever decides on a third cross-country bike ride, Jan intends to go with him. This delightful book is sure to appeal to cyclists who may harbor dreams of pedaling from coast to coast. But any reader simply looking for a well-written and entertaining travel story filled with insightful thoughts about life, family and aging will not be disappointed.

about the mother-child relationship,” Dewey said. “In the fifth movement where I sing the soprano solo, the choir’s text translates as ‘I shall comfort you, as one whom his mother comforts,’ and in that moment, I am truly comforted.” Opening the program is Utah composer Jeff Detton’s Tritone: A Concerto for Piano and Orchestra, which was inspired by the 10th anniversary of 9/11, and is based around a tritone, the most dissonant musical interval. This performance marks the debut of Detton’s first major work for piano and orchestra. Born in 1986, Jeff Detton showed exceptional

musical talent from an early age. Self-taught in his earliest years, Detton began composing at age 8, and has been writing symphonic music since age 10. Brahms’ Ein deutsches Requiem will conclude the sixth concert season for the American Festival Chorus and Orchestra. “I can think of no greater season finale than this performance to enable us to continue our goal of providing a culture of musical excellence that edifies, entertains and educates performers and audiences,” Jessop said. Ticket prices are $12, $16 and $20. For more information visit americanfestivalchorus. org, or call (435) 7520026.


The 2013/2014 National Tour of the new musical “The Addams Family,” based on the bizarre and beloved family of characters created by legendary cartoonist Charles Addams, will make its Logan premiere March 29 at The Ellen Eccles Theatre. “The Addams Family” will be performed March 29 at 2 and 8 p.m. at the Ellen Eccles Theatre. Tickets are available now at CacheArts.org, or the Ellen Eccles Theatre Box Office, 43 S. Main St., Logan, or call (435) 752-0026. “The Addams Family,” which began performances in March 2010 at the Lunt-Fontanne Theatre and ran through December 2011, immediately became one of Broadway’s biggest hits. “The Addams Family” features a book by Marshall Brickman and Rick Elice, and music and lyrics by Andrew Lippa. The production is directed by Jerry Zaks with choreography by Sergio Trujillo. Production design (sets and costumes) by Phelim McDermott and Julian Crouch with set adaptations by James Kronzer.

‘Tarzan’ at Old Barn

Tarzan swings into The Old Barn Community Theatre tonight. Tickets for “Tarzan: The Musical” are available by calling (435) 458-BARN, or by visiting www.oldbarn.org. Performances are scheduled for 7:30 p.m. Friday, Feb. 28 through Saturday, March 22, with matinees at 2:30 p.m. on March 8 and 15.

Joe McQueen Quartet

Photo courtesy of “The Addams Family” touring company

“The Addams Family” will be performed March 29.

The production features lighting design by Natasha Katz, sound design by Craig Cassidy and puppetry by Basil Twist. “The Addams Family” features an original story and it’s every father’s nightmare. Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren’t upsetting enough, she confides in

her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents. In a prolific career spanning six decades, Charles Addams created several thousand cartoons, sketches and

drawings, many of which were published in The New Yorker. But it was his creation of characters that came to be known as The Addams Family that brought Addams his greatest acclaim. With a unique style that combined the twisted, macabre and just plain weird with charm, wit and enchantment, Addams’ drawings have entertained millions worldwide and served as the inspiration for multiple television series and motion pictures.

ment head in the Caine College of the Arts and the show’s director. “It asks if family is based on who gave you birth, or who loves and nurtures you.” Risch hopes audience members will walk away from the performance with their own answers to this question. “When Tarzan is finally confronted with humanity, he is quickly exposed to both positive and negative behavior and bases

his final decisions on his need and desire to hold onto the best of both worlds,” said Risch. Tickets for “Tarzan, the Musical” are $18 adults, $15 seniors and youth, $10 USU faculty and staff and $5 for USU students with ID. For more information or tickets, contact the CCA Box Office in room 139-B of the Chase Fine Arts Center on USU’s campus, call 435-797-8022, or visit arts.usu.edu.

‘Tarzan’ at the Morgan Theatre “Tarzan, the Musical” Edgar Rice Burroughs, presented by Utah State “Tarzan, the Musical” is University’s Department the story of a young of Theatre Arts in the man raised by apes from Caine College of the Arts infancy who comes opens Tuesday, March to understand what it 25, at 7:30 p.m. on the means to be a man. As Chase Fine Arts Center’s in Burrough’s book, the Morgan Theatre stage. character in the musical The musical runs nightly adaptation is driven by at 7:30 p.m. through his own curiosity about March 29 with an addiwho he is and where he tional matinee March belongs. 29 at 2 p.m. Based on “The production focusthe popular Disney anies on the way we define mated film and the book family,” said Kenneth “Tarzan of the Apes” by Risch, theater depart-

The Brigham City Fine Arts Center is proud to present The Joe McQueen Quartet at 7:30 p.m. Friday, March 21. Tickets are $10/$6 students. Buy at the door or online at www.bcfineartscenter.org. Arriving in Ogden, Utah, on Dec. 7, 1945, Joe McQueen originally intended to play a week’s worth of gigs at the famed Porters And Waiters Club, but wound up staying and making Utah his home. Over the years, Joe McQueen has had the distinction of being the first African American Musician to play white clubs in Ogden, Utah, as well as being the first African American to attend white clubs in Salt Lake City, when Dizzy Gillespie put Joe and famed jazz DJ Al Jazzbo Collins on the guest list. During his lifetime, Joe has had the opportunity to perform with such noted legends as Count Basie, Duke Ellington, Ray Charles, Nat King Cole, Louis Armstrong, Cab Calloway, Lester Young, Charlie Parker and many, many others. In 2002, Utah Governor Mike Leavitt declared April 18 to be Joe McQueen Day. Over the past 12 years, this date has been marked with many concerts, celebrations and events. At the seasoned age of 94, Joe McQueen is not slowing down. He continues to perform more than 60 shows a year with his quartet featuring Ryan Conger on Hammond organ, Brad Wright on guitar, and Dr. Don Keipp on drums.

High school art contest

The Brigham City Museum of Art and History is sponsoring a statewide, all-media art competition titled “Young Masters, 2014.” The competition is open to regular and home-schooled students in grades nine through 12. Artwork should be delivered to the museum March 22 through April 4. Only school teachers can submit works. For more information, visit brighamcitymuseum.org, email klandon@ brighamcitymuseum.org or call (435) 226-1439.

‘Into the Woods’

The Heritage Theatre in Perry will present “Into the Woods” from March 7 to 29. Based on the musical by Stephen Sondheim, “Into the Woods” will take the stage at 7:30 p.m. Mondays, Fridays and Saturdays. Matinees will also be performed at 2 p.m. March 15 and 22. Tickets are $10 for adults; $9 for seniors and children. For reservations, call the Heritage Theatre box office at (435) 723-8392 from 11 a.m. to 2 p.m. daily except for Tuesdays and Sundays. Tickets can also be purchased at www.heritagetheatreutah.com, or at the Heritage Theatre box office, 2505 S. U.S. Hwy. 89 in Perry.

Page 13 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

‘Addams Family’ coming to Logan Coming up


Page 14 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

CrossworD By Myles Mellor and Sally York Across 1. Watchband sometimes 6. Grind 11. Back in time 14. “Wonderland” bird 18. Israeli city 19. Arm bones 20. Shibboleths 22. India setting 23. Jazz players 27. Piece of earthenware 28. Taking care of business 29. Weave 30. Shady bower 31. Itinerary 33. I- ___: musical device 34. Quebec native 35. Clinton to Bush 39. Ivanhoe’s allies 44. Lend a hand 45. Checkers color 46. Be profitable 47. Possesses, old-style 48. Doggy doc. 49. Treasure-trove 51. Former trade org. formed in 1958 52. Bottled spirits 53. Mongolian desert 54. Jazz players 60. Unwanted growths 61. Roman street 62. Kindle 63. Starbucks employee 65. Defeat thoroughly 66. More 69. Caboose locale 70. Obstinate animal 71. Do it with difficulty 72. Jazz players 80. Milo’s pal, in a 1989 film 81. Grown-up 82. Keats work 83. Trim to fit, maybe 84. Spicy lentil sauce 85. Ibis habitat 86. Cow noise 87. They fill up the day,

briefly 90. S.American tuber 91. With panache 94. Wild West Show star 97. S. American tubers 98. Polished off 99. Dome-shaped Buddhist memorial 100. Middle Eastern dish 102. Industrial diamond 104. Inn inventory 105. King in India 109. Jazz players 113. Stone 114. A snap 115. Durable fabric 116. Compensate 117. Sage 118. Item on a driver’s license 119. Varieties 120. Botherer Down 1. Jerk 2. White ___ 3. Erosion formed channel 4. Scared, in the South 5. Audio systems, for short 6. Give the right to 7. Oceanic war fleets 8. Underground entrance 9. “___ boom bah!” 10. Cookout flavoring 11. Fungi features 12. Trot or canter 13. Night hooter 14. Afternoon nap site 15. Ibsen hangout 16. Designer--Christian 17. Rowboat need 21. Enterprise, e.g. 24. Sedate 25. Eliminate 26. Turf 32. “___ the glad waters of the dark blue sea”: Byron 33. Take game without permission

34. Charmingly attractive girl 35. Chums 36. Barrel of laughs 37. Old literary work 38. Detailed proposals 39. Pincer 40. Doctor Who villainess, with The 41. Brought forth 42. Revolutionary group 43. Use a spoon 50. Snares 51. Priest who returned with Zerubbabel 52. Understanding 53. Gain the good will of 55. Latin American percussion instrument 56. Lead characters in “Mork & Mindy”? 57. Wee one 58. Dispatch boat 59. In a state of entanglement 63. Harsh 64. Old Roman magistrate 65. Cousin of “ahem” 66. Kind of terrier 67. Sonnet ending 68. Dove’s sound 70. Back street 71. Finish with 72. Foreshadow 73. Ambitious and aspiring young person 74. Blue-pencils 75. Break 76. Whom to trust, in spy films 77. Graven image 78. Fine 79. Abide 86. Kind of pick that is used for digging 87. Men liking women and vice versa 88. Do more than wake 89. Juice 92. Turkey call 93. Berry touted as medicinal

95. A honeymooner’s destination 96. _____ kid 98. Geometry line 100. French military cap 101. Memorable periods 102. Military HQ 103. Black chalcedony 104. Related 106. Superhero; Ant 107. 2007 Oscar-nominated teen role for Ellen Page 108. Prayer’s end 109. Question for Sherlock 110. Outmoded, with been 111. Sorority letter 112. Wee one

answers from last week

Herald Journal one to two days prior to the event. Calendar items can be submitted by Deadlines The email at hjhappen@hjnews.com. Any press releases or photos for events listed in the first Cache Magazine calendar items are due Tuesday by 5 p.m. They will also run for free in

half of Cache Magazine can be sent to jhunter@hjnews.com. Poems and photos can also be sent to jhunter@hjnews.com and run on a space-available basis if selected.

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Friday Utah State University’s Science Unwrapped presents “CSI Chemistry: I Know Where You’ve Been and What You Ate” at 7 p.m. Friday, March 21, in the Eccles Science Learning Center Auditorium on the USU campus. Featured speaker is chemist Lesley Chesson, president of Salt Lake City’s IsoForensics, Inc. Admission is free and all ages are welcome. Refreshments and learning activities follow the lecture. For more information, call 797-3517 or visit www.usu.edu/ science/unwrapped. The annual Bridgerland Literacy Scrabble Scramble will be at 6 p.m. Friday, March 21, at Copper Mill Restaurant, 55 N. Main St. A benefit to help adult literacy, come join us in an evening full of friendly competition. There will be a Scrabble tournament, refreshments, bidding wars, music and more. Register online today or at the door. Online/preregistration prices: $90 a team; $180 for two teams (or table); $30 per person or $10 spectator. Door prices: $100 a team; $200 for two teams (or table); $34 per person or $15 spectator. Visit www.bridgerlandliteracy.org for more information. “March Madness” is coming to Logan. The LDS Mid-Singles Activity will be from 9:30 p.m. to midnight, Friday, March 21, at the Sports Academy, 1655 N. 200 East. If you’re between 31-45 and you love to play, come join us at the Sports Academy where admission will be reduced to $3 for one night only. There will be basketball, wallyball, dodgeball and a giant foam pit of fun. Drinks, snacks and board games will also be provided in the lounge. Bring your single friends and get ready for a great night. Mid-singles 31-45 with ID required. No children please. Visit cachesingles.org for more information.

Sourdough Pizza, 99 E. 1200 South. Hailing from Mesa, Ariz., Pack is a music education major at USU. She was one of the main performers at the Utah Ukelele Festival last summer, singing and playing her acoustic-electric concert ukelele. Oh, Maryland will perform at 7 p.m. Friday, March 21, at Why Sound, 30 Federal Ave. Admission is $6.

SATURDAY Izaak Alexander will perform from noon to 2 p.m. Saturday, March 22, at Caffe Ibis, 52 Federal Ave. Alexander is a true original. Come on in and see for yourself. The Scouting for Food Drive will be Saturday, March 22. Scouts from the Trapper Trails Council and Old Ephriam District will be gathering food for the Cache Community Food Pantry. For information, call 563-6731. The Children’s Renaissance Faire will be from noon to 3 p.m. Saturday, March 22, at the Whittier Community Center, 290 N. 400 East. Cost is $5 per person. Earn badges and become a knight or a lady while involved in events like sword making, unicorn racing and marshmallow crossbow shooting. Visit whittiercenter.org for information. The Clash 9 MMA will be Saturday, March 22, at the Eccles Ice Arena in North Logan. More than 10 bouts are scheduled beginning at 7 p.m. General admission tickets are $20; VIP tickets are $55. Visit theclash mma.com for more information.

The Logan Library presents “Learning @ the Library” — classes showing how to get the most from your e-reader device or computer using the free resources available at the library. “Computer Basics” will be taught at 10:30 a.m. Saturday, March 22, at the Logan Library. You can Amazing jazz ukelele sensause the library’s devices or bring tion Emily Pack will perform from 6 to 8 p.m. Friday, March 21, your own. Sign up at the information desk or call 716-9120. at Pier 49 San Francisco Style

Positive discipline, assertiveness, strengthening relationships, stepfamilies and forgiveness are a few of the topics available at the Child & Family Support Center’s third annual Strengthening Families Symposium slated for 9 a.m. to 3 p.m. Saturday, March 22, at Bridgerland Applied Technology College. Join our all-star presenters to be educated, uplifted and re-energized during this free conference. Registration is available online at childandfamilysupportcenter.org. Owen Bradley will perform from 6 to 8 p.m. Saturday, March 22, at Pier 49 San Francisco Style Sourdough Pizza, 99 E. 1200 South. Everyone welcome. Wes Urbaniak will perform with Colby Bair and James Shepard at Why Sound, 30 Federal Ave. Admission is $5.

SUNDAY Allie Harris will perform from 2 to 4 p.m. Sunday, March 23, at Caffe Ibis, 52 Federal Ave. Currently studying guitar at USU, this indie artist is a must-see. The Post-Mormon Community is a non-sectarian organization of individuals and families who have left Mormonism. The Cache Valley chapter meets for dinner and socializing at a local restaurant at 6:30 p.m. every Sunday. Newcomers welcome. For information call Jeff at 7704263 or visit www.postmormon. org/logan. A fireside featuring Latterday Voices will be at 7 p.m. Sunday, March 23, at the Willow Park LDS building, 340 W. 700 South. The Latter-day Voices, the auditioned choral group from the Logan LDS Institute of Religion, represents LDS Institutes worldwide as they sing in Cache Valley and surrounding areas. They are a talented group of Latter-day Saint musicians who love the gospel, love to sing and love each other. Brother Nyles Salmond conducts the choir. Refreshments served. Visit cachesingles.org for information.

Kelin Gibbons junior jazz recital will begin at 4 p.m. Sunday, March 23, at Why Sound, 30 Federal Ave. Admission is free.

MONDAY USU Emeriti (former faculty, classified employees and Federal collaborators) are reminded to send in reservations for the dinner and program on Monday, March 24. The Fry Street Quartet will present the program in the Alumni Center on campus at 5:30 p.m. For more information, contact Bill at 7529716 or Sarah at 245-0728.

TUESDAY Experience Cache Valley’s top chefs coming together for a night to prepare dishes for your dining pleasure. The Eccles Ice Center presents the 11th Annual Spice on Ice dinner and auction Tuesday, March 25. Appetizers start at 5:30 p.m. Tickets are $50 and can be purchased in person at the Eccles Ice Center or over the phone by calling 787-2288. All funds raised during this year’s Spice on Ice will be critical to the success and continuation of the Eccles Ice Center’s nonprofit community programs. The workshop “Financially Fit #8: Real Estate & Mortgages” will be at 7 p.m. Tuesday, March 25, at the Little Theatre at Macey’s in Providence. Keeping up with the Joneses is still an unfortunate part of our culture, but we don’t need to find ourselves trapped in a home, or any other form of equity that will drag us into financial woe. If you really want to enjoy the fruits of your labor, make sure you know the ins and outs of mortgages by attending this class. You must reserve a seat at the service desk. The Jon M. Huntsman School of Business will hold its Partners In Business Leadership Conference on Tuesday, March 25, at the Eccles Conference Center. It will feature Matt Wells, the USU head football coach; Sean Covey, the executive vice president of

FranklinCovey; and several other business leaders. Registration is at 7 a.m. Visit www.huntsman. usu.edu for more information. Sometimes our spouse/partner can do and/or say things that really bother us. And sometimes they don’t do things that we need them to do. Join us Tuesday, March 25, in the Cache County Administration multipurpose room at 179 N. Main St. for USU Extension’s Dinner Date Night. Lorisa and Nevaloni Pulotu will be our speakers on the topic of “Reshape Your Marriage — by Reshaping Yourself, Not Your Mate.” You and your partner will enjoy a delicious Bluebird catered dinner and learn about the Pulotus’ secrets to a successful relationship. The cost is $12 per person or $20 a couple. Seating is limited. Phone 7526263 to learn how to register for this event.

WEDNESDAY “Spring Forward” is the title of the cooking class at 7 p.m. Wednesday, March 26, at Macey’s Little Theatre in Providence. With Easter just around the corner, plans for family parties and reunions of all sorts are just on the horizon. These plans include everything from which family will host the shindig, how many will attend and what time everything will begin. Of course, one of the biggest worries is over what kind of food will be served. Alissa Weller has found that a real crowd favorite is light spring inspired pies. You must reserve a seat at the service desk, and please be on time. Classes are for ages 10 and up. Visit littletheatrerecipes.blogspot.com for more information. OPTIONS for Independence’s Quilters Group will meet from 10 a.m. to 12:30 p.m. Wednesday, March 26. It will be at OPTIONS, 106 E. 1120 North. Come tie quilts and make hats to donate to people in need. The cost for snacks is $2. For more information or to reserve your spot, contact Royella at 7535353 ext. 105.

Page 15 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

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Page 16 - The Herald Journal, Logan, Utah, Friday, March 21, 2014

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