Cache Magazine WHAT WE SAW IN 2012 Herald Journal photographers select their most compelling images of the year
The Herald Journal
DEC. 28, 2012-JAN. 3, 2013
contents
Dec. 28, 2012-Jan. 4, 2013
COVER 8 Herald Journal staff
shares the stories behind their favorite images of ’12
MUSIC 3 Chamber Music Society welcomes talented trio
4 Feel the riveting rhythms of DRUMLine in January
ARTS 5 Cache Valley Center for
the Arts classes starting up
BOOKS 12 ‘Two Graves’ is an exceptional thriller
MOVIES 6 ‘Parental Guidance’ is ‘tolerable, if uninspired’
6 Tarantino delivers more
blood in ‘Django Unchained’
7 Movie critic Aaron Peck gives new remake of ‘Les Miserables’ 3 1/2 stars
COLUMN 4 Dennis Hinkcamp revels his experiences with guns
CALENDAR 15 See what’s happening this week
Jeff Hunter/Herald Journal
One of my favorite photography opportunities of the year came during the championship game of the WAC women’s soccer tournament Sunday, Nov. 4. Normally my life doens’t work this way (see below), but on this day, I attended the first hour of church and still managed to get to the final five minutes of USU’s 1-0 win over Denver. And even though I was technically at the wrong end of the field, all the best action came my way in the final seconds. On the cover: Some of The Herald Journal photographers’ favorite images of 2012.
FROM THE EDITOR As a longtime photographer myself, I’m always interested in finding out the stories that are behind the images, particularly where photojournalists are involved. That’s why I asked the photo staff at The Herald Journal if they’d be interested in sharing some of their favorite photos of the year and tell us a little bit about the process. Most people don’t realize the effort, patience, talent, expertise and luck that go into making a great image. I was reminded of that recently at the Utah State football team’s final home game against Idaho. Since I hadn’t made it to a game all year, I felt I better make an effort to see at least one contest from the greatest Aggie season ever. So, despite being quite sick — I hadn’t been
off the couch in nearly three days — I made my way up to Romney Stadium. But I wasn’t myself. My anticipation was off. My focus slow. And I was rarely in the right place at the right time, particularly early in the third quarter. Although the Aggies were headed towards the south end zone after halftime, I was near the north end zone, apparently just happy to be there. But before I knew it, the Vandals were driving my way ... and then suddenly right at me. The quarterback lofted a pass up along the western sideline, and as I’ve always done, I hung in there as long as I could trying to get the best shot possible. But where I normally have an escape route in the back of my head or would simply sidestep to my left or right at the last second, I had no options as the Idaho receiver headed right towards me. He didn’t buy any of my takes and just kept on coming since the pass ended up a couple of inches too high.
I honestly don’t remember much of what happened then, but fortunately I DVR’ed the game so I got the instant replay a couple of hours later — much to the amusement of my wife and daughter. Turns out, the Vandal did his best to soften the blow, and even tried to hold me up after the collision. I managed to protect my camera and popped right back without any injuries and found that few people who weren’t poised along the sideline had even noticed. Afterwards, I remember being annoyed that I didn’t fire off even one frame before I was hit — the ball wasn’t caught, but it might have been the last photo I ever took. But it wasn’t until I watched the replay that I found out the overly friendly receiver’s name: Jahrie Level. Please feel free to insert your own obvious joke here. — Jeff Hunter
Vaunted trio coming to Logan Chamber Music Society brings in accomplished musicians for Jan. 8 concert The Chamber Music Society of Logan is delighted to bring the Martinez-Urioste-Brey Trio to Logan for a concert at 7:30 p.m. Tuesday, Jan. 8, at the Utah State University Performance Hall. While the name of this trio sounds a bit unusual, the extraordinary talents of these three musicians provide a world-class performance. The Ravinia Preview Magazine claims they demonstrate “… passionate commitment creating a special magic … a seamless celebration of chamber music.” Every member of the Martinez-Urioste-Brey Trio is a virtuoso in his or her own right. The trio, formed in the summer of 2011, consists of three highly skilled chamber musicians who also enjoy thriving careers on the orchestral stage. Their commitment to education is clearly evident in their community outreach and teaching. Venezuelan pianist Gabriela Martinez, a prizewinner in the Anton G. Rubinstein and Van Cliburn international piano competitions, has performed in well over 50 concert halls and festival venues in the U.S., Europe, Asia and South America, and as a soloist with
rial Prize, an Avery Fisher Career Grant and Young Concert Artists’ Michaels Award. Since 1996, Brey has held the principal cello chair at the New York Philharmonic, where he has appeared numerous times as a soloist and in chambermusic collaborations with his Philharmonic colleagues. For its Logan concert, the Martinez-Urioste-Brey Trio will perform the Piano Trio in D major (“Ghost”), Op. 70, quintessentially romantic, with its eerie second movement. One feels a chill all the way through the composition, with its ominous quality. Next, “Cafe Music” for piano trio by Schoenfield has been noted by New York Arts a masterful blend of traditional classical forms with harmonically scintillating and rhythmically gripping ragtime idiom. Ravel’s Piano Trio in A Minor will close the program. This is a work that lives as much by suggestion and nuance as it does by classical structure. It presents a great interpretative opportunity as it builds a sonic cathedral from a simple reiterating harThe Martinez-Urioste-Brey Trio is comprised of violinist Elena monic base line. The Martinez-UriosteUrioste, left, pianist Gabriela Martinez and cellist Carter Brey. Brey Trio concert promises gious music festivals. She to bring a new, dynamic WHAT: Martinez-Uriostehas performed with many of and compelling chamber Brey Trio the leading U.S. orchestras ensemble, performing with WHEN: 7:30 p.m. as well as in Europe, and in refinement, clarity and some Tuesday, Jan. 8 chamber-music collaboraspectacular moments. WHERE: USU tions with accomplished piaTickets may be purchased Performance Hall nists, cellists and violinists. at the door prior to concert or COST: $10 to $40 Cellist Carter Brey through the Caine College of first gained attention in the Arts Box Office, (Chase numerous orchestras includ- 1981 as a prizewinner in the Fine Arts Center, room 139Rostropovich International ing the Chicago and San B, USU Campus), arts.usu. Cello Competition; subseFrancisco symphonies. edu or by calling 797-8022. Violinist Elena Urioste is quent awards include the For more information, visit a veteran of many prestiwww.cmslogan.org. Gregor Piatigorsky Memo-
“I don’t think anyone would berate you for stealing from the Nazis.” – Dennis Hinkamp (Page 4)
PET OF THE WEEK Available for adoption
Pet: Big Momma From: Cache Humane Society Why she’s so lovable: My name is Big Momma, and I am way prettier than my name. I love giving affection and receiving plenty of it back. Being an unclaimed stray means they do not know much about me, but I have been sure to show them how darling of a girl I am. My bad habits consist of pulling on a leash, and ... well, just pulling on the leash. It would be smart, upon adopting me to get me on a schedule, and to start obedience classes. I would love to learn to be an even better dog. Meeting new people doesn’t scare me, and I could always use more friends. So come say hi. You’ll for sure fall in love with me.
Page 3 - The Herald Journal, Logan, Utah, Friday, December 28, 2012
ALL MIXED UP
Quotable
Page 4 - The Herald Journal, Logan, Utah, Friday, December 28, 2012
all mixed up DRUMLine Live to perform two shows Tickets range from $30 DRUMLine Live, a to $44 and are on sale show-stopping attracnow at the CVCA ticket tion inspired by 20th Century Fox’s hit movie office, 43 S. Main St., online at www.ellenec“Drumline,” brings clestheatre.org or by show-style marching calling 752-0026. bands to the theatrical If you enjoyed the stage. With riveting performances we prerhythms, bold beats and ear-grabbing energy, the sented of ‘Blast!’ you’ll absolutely want to staged show will be a catch this show,” says synchronized musical Wally Bloss, Executive showcase of the HisDirector for the Cache torically Black College and University (HBCU) Valley Center for the Arts. “This touring promarching band experiduction is a truly one ence. Incorporating original of the most impressive halftime-like shows compositions and soulyou will ever see set on infused interpretations stage.” of top 40 hits, group DRUMLine Live performances will range kicks off its fourth U.S. from colorful, choreotour in the 2012-13 graphed routines to season following its heavy doses of drum extremely successriffs and cadences. DRUMLine Live will ful tours in 2008-09, 2010-11 and 2011-12. perform at 7:30 p.m. DRUMLine Live’s Tuesday, Jan. 15, and Wednesday, Jan. 16, at See LIVE on Page 13 the Ellen Eccles Theatre.
Based on the film “Drumline,” DRUMLine Live will perform at the Ellen Eccles Theatre Jan. 15-16.
My life with firearms: Growing up with BB g Difficult to see an easy solution to the gun issue sometimes we set them on fire with the aid of airplane glue. If none of these toys were available, we held sticks to our shoulders to stand in for rifles or used our index finger and thumb to simulate a hand gun. None of us were taken in for psychological evaluation or counseling. I started target shooting with live ammunition
DENNIS HINKAMP
I was born in 1956 and have had guns around every minute of my life. Most boys of my generation had pop guns, cap guns, pea-shooter guns and army guns before age five. When we played cowboys and Indians, we shot the Indians. When we played with our plastic army men we not only shot them,
Slightly Off Center
at about age nine some place in southern Missouri where everyone went to shoot at stuff.
In fact, I don’t think a beer, soda or bean can was ever thrown away because they were so valuable as targets. Shooting glass bottles filled with water was only for special occasions. Back home, just like the kid in “A Christmas Story,” I got a pump-action BB gun at a young age and patrolled the little patch of woods near the neighborhood trying to shoot birds and squirrels. Every Thanksgiving we went to a strange thing called a “Turkey
Shoot” lovingly sponsored by the Catholic Church. I say “strange” because you were not really shooting at turkeys, you were shooting for turkeys. Right there in suburban neighborhoods, families got together and shot live ammunition at paper targets with only a few hay bales separating live people from live ammo. Memory fades, but I am almost certain that the church also sold beer to shooters to raise money for the poor or some other good Catholic cause.
Dad and grandpa had bird dogs that they regularly trained with guns. From the time they were puppies the dogs had to be exposed to the sound of gunshots so they would not flinch or run away when it came time to hunt. This meant further gun fire in the suburbs. I can’t remember anyone calling the police any more than they would on New Year’s Eve when shotguns were often fired in the air in lieu of fireworks at midnight.
It’s time for winter class registration at the Cache Valley Center for the Arts. Registration is available online, in person or by calling the CVCA Ticket Office. Classes will begin the weeks of Jan. 7 and 14, depending on each individual program. A class is the perfect gift because it’s more than just a nicely packaged gift. For details, visit the Center at 43 S. Main St., online at www. cachearts.org or call 752-0026. During the holiday break (Dec. 22 through Jan. 1), register online. Classes at the Center for the Arts include photography, music notation, digital filmmaking, sound recording with broadcast arts & media; modern dance technique with Valley Dance Ensemble; ceramic classes for all ages and skill levels; creative drama classes all checks payable to CVCA. and production classes with the Unicorn Theatre, mixedBROADCAST ARTS & level yoga with Dennise, and MEDIA full-length fall production class CVCA will offer Broadof “Much Ado About Nothing” cast Arts & Media classes with Logan Youth Shakespeare. for youth and adults. The Classes are held in the Bulsession will include Intro to len Center, 43 S. Main St., or Video Editing & Filmmaking, in the Thatcher-Young ManMUSC Computer Apps 4930 sion, 35 W. 100 South. Make (USU credit available), and
In class, you will be surrounded by other students who love the same things and are looking for the same opportunities to share their ideas, engage their minds, and imagine all the possibilities. The creative process and hands on learning will create lifelong mentors and friendships.
Beginning Digital Photography. The goal of these courses is to give all participants a creative voice through digital expression. Whether it’s through film, radio, music, photography, or audio engineering, it’s all about finding your voice. In partnership with Utah Public Radio, the BAM! Studio is located in
UPR’s downtown studio found in the Bullen Center at 43 S. Main St. The studio provides an atmosphere with professional equipment and a live broadcast studio. The classes are taught by industry professionals that not only work in the field they teach, but who also care about your vision and how you want to voice it.
BEGINNING DIGITAL PHOTOGRAPHY Learn how to take control of that incredible camera you own so that it makes the picture you have in mind every time. No more getting lucky: we make our own luck. This course will be best for people who have a DSLR (with lenses that can be changed). Micro four-thirds is OK, too (you know who you are). Point-and-shoot users will learn a lot, but will be awfully frustrated by what their cameras can’t do. If you are thinking about buying a new camera, feel free to contact Levi for recommendations. The Beginning Digital Photography class will meet at the Thatcher-Young Mansion with Instructor Levi Sim. See CVCA on Page 12
guns and World War II rifles COMING UP I probably forgot to Harry — as investments. mention that dad was a He gave me one when I cop, so we had big, onwas 25. Grandpa Vic was actuduty guns in the house, ally too old to enlist in and small, off-duty World War II, so he lied guns in the car. Mom about his age and went had a tiny lady gun that anyway. His favorite she kept in the night war story was how he stand. I got my first .22 “liberated” a rare Gerrifle at age 13 and was man over-and-under entrusted with the famrifle. “Liberate” was ily heirloom Browning colloquial for stealing at pump-action .22 at age that time, though, I don’t 23. Right before dad think anyone would retired from the police berate you for stealing force, he made sure to buy several extra police- from the Nazis. The interesting part of issue .357 magnums the story is that the gun — roughly the same was so valuable that he weapon used by Dirty
didn’t trust postal workers to not steal it, so he cleverly broke it down into several parts and shipped them separately to grandma. After my father died and my mother subsequently a year later, I cleaned out the house which included about 12 guns and 2,000 rounds of ammunition. I sold most of the guns to envious relatives and neighbors and took the ammunition to the nearest police station. I still have the liberated German over-and-
New Year’s at Ice Center
under and the pump action .22, but I have no The George S. Eccles Ice Center will host a family bullets. I have not fired New Year’s Eve celebration from 7 p.m. until midnight a gun since I was 19. Monday, Dec. 31. There will be three bands playing What’s the point? ’60s, ’70s and ’80s music all night, along with dancing, There is no point. I just want people think about ice skating and entertainment for the kids. The cost is $10 per person. There will also be dinner available by the gun issue. If you Café Sabor for an additional $10 (advance notice needthink there is an easy solution, you haven’t ed). Please visit www.ecclesice.com for more details. thought about it long enough. ————————— Dennis would also like The Cache Valley Folk Dancers and Bridger Folk to thank you all for your Music Society is hosting its “first Saturday” contra years of readership in dance at 7:30 p.m., Saturday, Jan. 5, at the Whittier the off chance that the Community Center, 290 N. 400 East. A $6 donation Mayans were right and is suggested at the door; $3 for children under 12. last week was the end of For more information call 753-2480 or 753-5987. our existence.
Contra dance night
Page 5 - The Herald Journal, Logan, Utah, Friday, December 28, 2012
CVCA winter classes starting up soon
Page 6 - The Herald Journal, Logan, Utah, Friday, December 28, 2012
‘Parental Guidance’ tolerable if uninspired Longtime friends Billy Crystal and Bette Midler team up as grandparents in new comedy
Michael Rechtshaffen Associated Press
The schmaltz is piled on thick, and if the comedy were any broader it would require an Imax screen, but still there’s something touching about how hard Billy Crystal and Bette Midler hustle to peddle the threadbare material that makes “Parental Guidance” a perfectly tolerable, if uninspired, moviegoing experience. As “the other grandparents” who are given a golden opportunity to bond with their seldom-seen grandchildren, Billy and Bette work double-time, well aware that it’s not just
‘Django’ delivers more blood David Germain AP Movie Writer
For his latest blood fest, “Django Unchained,” Quentin Tarantino largely replays all of his other blood fests, specifically his last flick, “Inglourious Basterds.” In that 2009 tale of wickedly savage retribution, Allied Jewish soldiers get to rewrite World War II history by going on a killing spree of Nazis. In Tarantino’s new tale of wickedly See BLOOD on Page 15
to audiences, including bonding grandparents and grandkids, looking for a little undemanding holiday cheer. Crystal is Artie Decker, who has just lost his longtime gig as “De Voice of the Fresno Grizzlies” when the minor-league baseball team decided to upgrade the outfit with the sort of talent that knows its way around a Facebook page or a Twitter account. AP Photo/Twentieth Century Fox Already despondent, Marisa Tomei, left, stars in “Parental Guidance” with Billy he’s not exactly jumping Crystal, Bette Midler and Kyle Harrison Breitkopf. up and down over the news that he and his wife the juvenile characters pull their weight even Diane (Midler) have been they have to entertain, but when the achingly foralso the paying audiences mulaic plotting threatens recruited to babysit their daughter Alice’s (Marisa who could count on both to drag them under is a Tomei) three kids when of them for a good laugh testament to their “let’sback in the day. put-on-a-show” spirit. The See PG on Page 15 That they manage to end result should appeal
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the actor’s faces as they sing, something that you can’t experience when seeing a stage musical. This allows you to take in every subtle facial expression. It’s a very powerful way to take in a musical on this scale. The nearly three-hour movie feels extremely front-loaded, though. That’s probably because Anne Hathaway’s performance as Fantine is this technique has been Oscar-worthy. Watchdone before (see: “Across ing Hathaway sing “I the Universe”) it’s always Dreamed a Dream” is a welcome change. This one of the cinematic AP Photo/Universal Pictures provides a more natural highlights of 2012. It’s Hugh Jackman as Jean Valjean holds Isabelle Allen as young Cosette in a scene from feel as the actors belt out definitely one of the the new film “Les Miserables.” the famous lyrics. most heart-breaking Jackman, with his stage moments of film I’ve It’s a beautiful story. It’s background, is right at seen in the past decade. a story that has stood the home singing in the title Once Fantine is out of test of time and can honrole. Hooper has the good estly be called a classic See FILM on Page 13 sense to put us right up in piece of literature. Director // Tom Hooper What fans of the musiStarring // Hugh Jackman, Anne Hathaway, Russell Crowe, Amanda Seyfried, Sacha Baron Cohen cal want to know is, how Rated // Rated PG-13 for suggestive and sexual does it measures up on the material, violence and thematic elements big screen? How do the musical’s indelible lyrics and tunes sound? French town, but his idyl- Javert has been chasing Hooper has done somelic life is soon threatened him ever since. thing here that is rarely The story is something when Javert (Russell done with cinematic Crowe) enters the picture. we’ve heard over and musicals. He recorded the Javert knew Valjean back over. It covers a vast vocals on set instead of swath of time as Valjean in his days as a prisoner. doing them after in postreinvents himself and Valjean jumped bail and assumed a new identity. takes in an orphaned girl. production. Even though
The Reel Place Aaron Peck
“Les Miserables” is one of those stories that has been adapted so many times that it’s hard to keep them all straight. The classic novel by Victor Hugo was most recently adapted in 1998. That was a straightforward adaption of the source material. The “Les Miserables” in theaters now is an adaption based on an adaption. This time we’re getting a movie musical based on the stage musical. Directed by Tom Hooper (“The King’s Speech”) this newest adaption of Jean Valjean’s harrowing journey from convict to revolutionary, has been one of the most anticipated movies of the year. The musical is wildly popular, so it was only a matter of time until someone put that music on screen in a big budget, Hollywood extravaganza. We all know the story. Valjean (Hugh Jackman) is sentenced to 19 years of hard labor after stealing some bread because he was starving. He gets a new chance at creating a better life after an old priest shows compassion on him. Valjean becomes the mayor of a small
★★★
‘Les Miserables’
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Page 7 - The Herald Journal, Logan, Utah, Friday, December 28,
Hathaway shines in new ‘Les Miz’ film
2012 IN PHOTOS ELI LUCERO • SEPTEMBER 20 I always knew that the ball compressed as a player headed it. I had no idea that it flattened out this much though. It was just luck that I got the frame at that exact time.
JENNIFER MEYERS • SEPTEMBER 3 Photographing a bride and groom racing in the Man vs. Mud race on their wedding day was one of my favorite assignments this year. At the finish line of the race the bride, Kathi Peterson, found a snake sliding through the mud and picked it up to move it from harm’s way. As soon as she saw the snake I knew this would be a perfect ending photograph to show their unique and adventurous personalities.
JENNIFER MEYERS • MARCH 30 I’m sure that Utah State football player Michael Smith was feeling the pressure as NFL scouts timed him sprinting during Aggie Pro Day last spring. This photograph is a behind-the-scenes look in the journey to become a professional athlete. Smith ended up being drafted to play for the Tampa Bay Buccaneers.
The year’s best images and the stories behind them as selected by The Herald Journal’s photographers JOHN ZSIRAY OCTOBER 11 As an avid bird hunter, being able to take part in the release of 75 pheasants for a youth hunt was a neat experience. Being up close and personal with the stealthy ringnecks lends itself to an interesting perspective of how the birds move.
JENNIFER MEYERS • MAY 15 I had a lot of fun hunting insects to photograph for a Horizons page last spring. We run a photo page every week and I had been wanting to photograph bugs for quite some time. With a rented macro lens I was able to get a peek into the tiny lives of different insects around the valley. This image sticks out for me mostly because I remember how difficult it was to point a lens at a fly and have it remain in one place long enough to capture the image.
ELI LUCERO SEPTEMBER 7 I love to shoot sports because of the emotion involved. Too many times you show up to events that are created for you to take pictures. You just can’t fake the emotion that McKade Brady is feeling after beating Utah. Shooting celebrations like this are fun but it is always a crap shoot as to what you will get. When fans rush the field you only can see a few feet around you so you are always moving through the crowd hoping to find something.
JOHN ZSIRAY • SEPTEMBER 20 Just listening to horse trainer Gary Johnson talk about horses makes a person want to be a cowboy. The instruction he provides and life lessons he teaches to those willing to listen make him a pretty special individual.
ELI LUCERO • JUNE 20 A lot of time as a photographer at the newspaper is spent just driving around Cache Valley looking for something to take a picture of. One day as I was leaving my house to go to the office I saw these two kids playing out front of their home in Wellsville.
ELI LUCERO • FEBRUARY 24 We all remember Brady Jardine — how he was a great player, how he was a great person and how his basketball career got cut way to short. On Senior Night, Jardine got to wear his uniform one last time as he was honored on the court by USU head coach Stew Morrill.
JOHN ZSIRAY • AUGUST 15 Despite the fact that it was only 9:30 in the morning, the only thing the children who attended the community safety event in Wellsville wanted to do was play in the water. The young man in the photo was like a race-car driver making laps. Everytime he went through, he would get closer to the red bucket and try to dump the water onto me. By the time I left, my legs and shoes were soaked.
JENNIFER MEYERS MAY 16 A moose wandering into town in the spring may be a common occurance for native Utahns, but to a former New Yorker it was quite a sight. I spent three hours following around law enforcement officers as they diverted the animal away from Main Street. After the moose was sedated I was able to get an up close shot of the young bull before they relocated him back into the mountains.
ELI LUCERO • JULY 27 At the start of the rodeo, girls ride around in the arena. As the sun was setting the arena floor was in shadow but sunlight was still hitting the flags on top of the stands. I knew if I could get into the right position I could silhouette a rider with the flag. The hardest part was that I had to get at a low angle so the stand wouldn’t show. I was constantly afraid that I would get run over by a horse as I was lying on the ground.
JOHN ZSIRAY • NOVEMBER 2 I can remember working during the summers at a scout camp near Preston and stacking the empty milk crates in unique patterns and towers, but the plastic boxes took on a new meaning for me during this event. Students equipped for rock climbing, fashioned towers nearly to the ceiling of the Nelson Fieldhouse during a competition to reach the highest height with a single-stack of crates.
Page 12 - The Herald Journal, Logan, Utah, Friday, December 28, 2012
Preston & Child’s ‘Two Graves’ is a standout thriller Jeff Ayers Associated Press
The names Preston & Child on the cover of a book promise a unique reading experience unlike any other, and “Two Graves” delivers the high thrills one expects from the two masters. A good thriller forces the reader to finish the book in one sitting. An exceptional thriller does that plus forces the reader to slow down to savor every word. With “Two Graves,” authors Douglas Preston and Lincoln Child have delivered another exceptional book. The novel is the conclusion of a trilogy that started with “Fever Dream” and last year’s “Cold Vengeance,” though one could easily pick up this book and not feel lost. The protagonist, FBI Special Agent Aloysius Pendergast, has none of the usual quali-
CVCA Continued from Page 5 MUSC COMPUTER APPS 4930 This all-inclusive 15-week course will cover a variety of computer applications in music. This is a Utah State University concurrent course that is also open to the public. USU students seeking course credit should enroll through the university. The instructor is John Carter. MUSC COMPUTER APPS 4930 This class will focus on video editing and introduce filmmaking concepts as they relate to the process of editing. Class will start by learning how to use Final Cut Pro. Students need to be familiar with computers and basic copy and pasting techniques. After learning how to use the interface, students will focus on telling a story and exploring conceptual editing.
ed to solve a bizarre string of murders occurring in New York City hotels. He’s just learned that his wife, long presumed dead, is alive. The hunt for answers to the murders and what happened to his wife take Pendergast to the edge of his sanity — and career. The gothic atmosphere that oozes from the pages of “Two Graves” will envelop the reader in a totally unique experience. Pendergast is a modern-day Sherlock Holmes, quirks and all, who would live more comfortably in the past but must suffer through the inconveniences that living in the 21st century brings. ties that make a hero. He’s The mystery tantalizes, and addicted to drugs, socially the shocks throughout the inept and has the appearance narrative are like bolts of of a living ghost. But he has lightning. the most brilliant mind imagFans will love the coninable, and his keen insight clusion to the trilogy, and and ability to think outside newcomers will seek out the the box are desperately need- authors’ earlier titles. LOGAN YOUTH SHAKESPEARE Logan Youth Shakespeare provides Cache Valley youth (ages 9 to 19) to learn and perform Shakespeare through performance of his plays, uncut. Young actors experience the beauty of Shakespeare’s language and the relevance of his characters by acting in his plays. A series of detailed line-by-line explanation CDs created by the instructor help actors understand the language and master their parts. In this collaborative non-competitive environment, all actors also work behind the scenes and help direct their counterparts. When they inhabit Shakespeare’s characters and speak his words, kids find themselves and their friends in these 400-year old plays. No auditions. Everyone performs. Register at the CVCA Ticket Office or download registration form at www. cachearts.org.
VALLEY DANCE ENSEMBLE COMMUNITY CLASSES Valley Dance Ensemble classes will begin Tuesday, Jan. 8. VDE class information and registration can be found at www.cachearts.org. Classes are on-going, new students are always welcome. If you’re not sure about it, come try one class for free. The 3- to 4-year Creative Movement classes fill up quickly so don’t wait. All children’s dance classes are capped at eight or 12 students per class and are filled on a first-come, first-served basis. Children’s classes are $80 for 15 weeks. Adults can purchase a 10-week punch pass for $60. Additional punch cards may be purchased as needed and expire one year from the purchase date. Drop-ins are welcome for any of the adult classes at $8 per class (when space allows). Call 752-0026 to check availability or for registration info.
new york times best-sellers HARDCOVER FICTION 1. “The Racketeer” by John Grisham 2. “Gone Girl” by Gillian Flynn 3. “Threat Vector” by Tom Clancy with Mark Greany 4. “Notorious Nineteen” by Janet Evanovich 5. “The Forgotten” by David Baldacci
HARDCOVER NONFICTION 1. “Killing Kennedy” by Bill O’Reilly and Martin Dugard 2. “Thomas Jefferson” by Jon Meacham 3. “Killing Lincoln” by Bill O’Reilly and Martin Dugard 4. “America Again” by Stephen Colbert, etc. 5. “No Easy Day” by Mark Owen with Kevin Maurer
PAPERBACK TRADE FICTION 1. “Fifty Shades of Grey” by E. L. James 2. “Life of Pi” by Yann Martel 3. “Fifty Shades Darker” by E. L. James 4. “Fifty Shades Freed” by E. L. James 5. “The Paris Wife” by Paula McLain
CERAMICS AT THE CENTER Ceramic classes at the CVCA will begin Monday, Jan. 7; check schedule for class breaks and details. Classes are geared for all ages and all skills. Students ages 4 to 11 will learn about clay and create their own ceramic work using a variety of hand-building techniques. All students may try the potter’s wheel. Children under 5 must be accompanied by an adult. Students ages 10 to 19 will learn about clay construction techniques and choose what they most wish to create with a strong focus on wheel throwing. All class sections run for 10-week sessions. Students in the adult class will choose what they most wish to create. Lab times available. Minimum enrollment is six. UNICORN THEATRE DRAMA & ACTING This creative drama course introduces children to ageappropriate theatre and drama skills in a safe and creative
environment. Students will explore improvisation, movement and the creation of dramatic worlds and scenarios. No drama or theatre experience is required or necessary; all are welcome. UNICORN THEATRE PLAY PRODUCTION For youth ages 5 to 18 years. This class will consist of actor training and rehearsal for the winter Pillow Theatre production, which will perform four shows on Saturdays in March. Some acting or drama experience is helpful but not required. Early in the class, students will audition for specific roles in the show; roles are not guaranteed. Unicorn Theatre pillow show auditions are open to the public, though enrolled students will be given a slight advantage over non-students. Students must be available for all performances and should plan to attend all rehearsals, though some limited class absences may be possible if conflicts are disclosed at registration.
Your Stuff “Sasquatch” By Chris W. Mortensen It’s a common night time topic, in the mountains after dark. About the time you’ve settled in, and the campfire throws no sparks. Is there such a thing as Bigfoot, or Sasquatch, as they’re known? Even those who think it’s possible, won’t admit it on their own. There hasn’t been an answer yet, to whether they exist. But here’s my take, you might agree; this point is often missed. To those who sleep in camp trailers, the thought is just absurd. They scoff and say it’s ludicrous, won’t hear another word. But if they’re camping in a tent, they’ll keep an open mind. At least admit it’s possible for science yet to find. But those who sleep under the stars will seldom voice resistance to such ideas; in fact, they might just swear to it’s existence. Some claim they’ve seen the hairy beast, but won’t divulge their names, not wanting all the ridicule, the laughter, and the shame. But what about the plaster casts of giant five toed feet, found twenty miles back in the woods, anatomically complete? Some tracks show minute detail, dermal ridges on the soles, and sweat pores showing on the cast, as tiny little holes. Would a hoaxer go in twenty miles to leave such detailed tracks; just to fool some hardy soul, so far in the outback? And so, I tried these arguments, one night on White Pine creek. Jim listened, sometimes nodded; but Bill had yet to speak. With horses on a highline in a grassy alpine park, we built a roaring fire, to make coals for after dark. We tended the dutch ovens, as they slowly simmered, then, checked the horses one more time, before we ate our dinner. I kept the Sasquatch talk a goin’, then Bill blurted out, “You can’t fool me, I know what this is really all about.” “You guys are nuts, you really think I’ll buy that bunch of crap!” We let him rant and rave a while, before we sprang the trap. Well, Jim would put his size to use, when we had gone to bed, and Bill was snuggled in his blankets, cozy and well fed. Jim was six foot six, three hundred pounds, his hair was long and shaggy. A few years back, he’d started at left tackle for the Aggies. We ate our meal, rolled bedrolls out, the fire slowly fading; then came a splash, from in the creek, like somebody was wading. “What’s that!”, yelled Bill, now bolt upright, his eyes the darkness searching. He saw a shape behind a tree, a swaying and a lurching. Well, Jim and I had used some caution in our wicked fun. We made sure Bill was unarmed, ‘cause real soon he’d want a gun. “Okay,” Bill said, “Where’s Jim; are you guys trying to scare me?” “I saw something, or someone, go and hide behind that tree.” Bill had no clue, but that was Dick, dressed in a black ape suit. He was even bigger than Jim was, and quite muscular, to boot.
About this time, Jim ran in from the woods the other way, from where Bill had been pointing, his face was ashen gray. “Did you see that?”, Jim whispered; now Bill was really scared. He had to ask Jim something, but he hardly even dared. “Where have you been? I thought that what I saw was really you!” Jim said, “Well, Mother Nature called,and then, I saw it too!” “So you weren’t over there, just now, wading in the creek?” “Hell, no,” said Jim, “I saw a squatch, it really made me freak!” I acted like I just woke up, said “Hey, what’s going on?” Bill’s eyes were fixed upon the tree, his mouth was tight and drawn. “Did you see that?”, he said, wide eyed, with terror on his face. “See what?”, I said, “A UFO, and visitors from space?” “Behind the tree!” hissed Bill in fright, “I think he just peeked out!” If Bill was skeptical before, we’d now erased all doubt. Dick played his role with expertise, made me and Jim both proud. Just swaying there behind the tree, moon hidden by a cloud. The darkness did the rest, a man became a frightened boy. Not knowing Dick was Sasquatch, and that Jim was a decoy. Bill ran back to the highway, in the dark for seven miles, and flagged down the first car he saw, hysterical all the while. We tried real hard to catch him, it was to no avail I’m not sure how we missed him, but his tracks weren’t on the trail. Now, looking back, I guess we maybe went a bit too far Bill left a big brown racing stripe on the front seat of that car The driver of the car, and Bill, enrolled in therapy. For post-traumatic stress syndrome; from a beast they didn’t see! So, if you ever wonder if Sasquatch is for real You’ll find a true believer, if you ever talk to Bill. Bill never went back to the woods, he never was the same. And Jim, and Dick, myself, the dark, and Sasquatch are to blame.
“Happy New Year” By Judy Talbot New Year’s is for resolutions, in the coming year. Getting our lives in order, will fill our hearts with cheer.
Let’s make the world, a better place. Bringing happiness, to our friends.
We can do much better, than the year that’s past. Enjoying real happiness, That will always last.
Then we will find, in our lives. Great joy, that never ends.
Continued from Page 4 energetic cast has honed its precision and energy with years of training in marching band programs across the southern United States. This group of musicians and dancers brings an explosive energy and athleticism to an eclectic mix of sounds. Equally at home with contemporary hip hop, R&B, Motown and the rousing sounds of the great brass tradition, DRUMLine Live is thrilled to share the American Marching Band experience with a wider audience.
Film Continued from Page 7 the picture, the movie is held up under Jackman’s broad shoulders. He lifts its bloated mass much like Valjean hoisting up a man-crushing cart. The biggest problem is that after Hathaway departs, we’re left with the Valjean/Javert dynamic. That wouldn’t be so bad if Russell Crowe wasn’t so badly miscast. It’s obvious that he is laboring under the weight of what a musical entails. While everyone around him has some musical training, Crowe appears lost and many of his numbers end up being flat and uninspired. Yes, Crowe drags down the proceedings, but it isn’t enough to overshadow the magnificence provided by Hathaway and Jackman. Especially, Hathaway. I could watch her 15 minutes of screen time over and over and it wouldn’t get old. She’s worth the price of admission alone.
Page 13 - The Herald Journal, Logan, Utah, Friday, December 28, 2012
Live
Page 14 - The Herald Journal, Logan, Utah, Friday, December 28, 2012
CrossworD By Myles Mellor and Sally York Across 1. Sylphlike 8. Book keeper 13. Endogen 20. Gap 21. À la King 22. River to the Atlantic 23. “You’re ___, kid.” (from “The Catcher in the Rye”) 26. Easter’s beginning 27. Put down 28. Subdues, with “down” 29. Had a homecooked meal 32. Rubbish 35. Light line 36. Honey bunch? 41. J.F.K. watchdog 43. Knocking sound 45. Family subdivisions 46. One having similar tastes 51. Fits in 52. Duchamp’s genre 53. Grimace 54. “Step ___!” 55. Is down with 57. Hebrides isle 59. You can count on them 64. 200 milligrams 66. Hula hoop? 67. Tie 68. Why working for more than one employer may be a bad idea (with “No”) 75. Rabbitlike rodent 76. Grant-in-___ 77. Breathing fire 78. Charity, often 79. Emulates Jay-Z 81. Messenger ___ 82. In need of resupply, maybe 86. Acquire 88. Detail 92. Wickets
94. Didn’t help 100. Draw a bead on 101. It may go ballistic 102. ___ Master’s Voice 103. Like a sedimentary rock 104. Lassie portrayer 105. Tucks away 107. Gormandize 111. Put in the cup 113. Give a hand? 115. Skater Babilonia 116. Survival advice 125. Pragmatic one 126. Kind of box 127. Supply with money 128. “___ Love” (Ross/ Richie duet) 129. Grateful? 130. Skullcaps Down 1. Jungle climber 2. Fort Knox bar 3. Metric volume 4. Capitol Hill V.I.P.: Abbr. 5. Scrap 6. Cubic centimeter 7. Revise 8. Eastern ___ 9. Mother ___ 10. Time piece? 11. Unwanted buildup 12. Trilbies 13. Amble 14. Grampuses 15. Govt. agency 16. Sean’s middle name 17. USMC rank 18. Wood sorrel 19. Anderson’s “High ___” 24. Guillemot 25. College class 30. “___ For You”: Dylan song title 31. It’s baked in a tandoor 33. Portico
34. ___ castle 36. Run through 37. Follower of some? 38. Beaufort ___ 39. Misjudge 40. Was on the bottom? 42. Pashtu 44. Afternoon service 45. Wildebeest 46. Blood letters 47. Theme of this puzzle 48. Champ of 10/30/74 49. Peter, Paul and not Mary 50. Tribulation 56. Freelancer’s enc. 58. Soft green fruit 60. Hanger-on? 61. Mad. ___ 62. Elevator part 63. “___ about time!” 64. Family 65. Kisser 66. ___ Zeppelin 67. Inflammation 68. Harebrained 69. Have ___ at 70. Vote in Quebec 71. Feed lines to 72. Drops by 73. “Catch-22” pilot 74. Tropical fruit 79. City on Guanabara Bay 80. Blip 82. Sanctified 83. ___ vapeur (steamed) 84. Hi-___ graphics 85. D.C. setting 87. Get older 89. Pitch’s partner 90. Spew 91. Stenches 93. Nile bird 94. Functioned as 95. Flue residue 96. Resting place 97. Zilch 98. Catch-22
99. More modern 104. Some wines 106. Master 108. Female parts 109. Two-timing 110. Marching band instruments 111. Amerada ___ (Fortune 500 company) 112. Oration station 114. Margarita fruit 116. High dudgeon 117. Jack’s inferior 118. ___ sack 119. Pipe bend 120. Struggle 121. Degree in math? 122. ___ simple 123. Wharton degree 124. Catch some rays
answers from last week
Herald Journal one to two days prior to the event. Calendar items can be submitted Deadlines inbyThe email at hjhappen@hjnews.com. Any press releases or photos for events listed in the Cache Magazine calendar items are due Wednesday by 5 p.m. They will also run for free
first half of Cache Magazine can be sent to jhunter@hjnews.com. Poems and photos can also be sent to jhunter@hjnews.com and run on a space-available basis if selected.
www.ThemeCrosswords.com
Friday
29, at Why Sound, 30 Federal Ave. Cost is $5.
Wade Evans will perform at 4:45 p.m. Friday, Dec. 28, at Caffe Ibis, 52 Federal Ave. A multi-instrumentalist, Evans graces the Ibis.
SUNDAY
SATURDAY
New Folk Revival will perform at noon Sunday, Dec. 30, at Caffe Ibis, 52 Federal Ave. With a nice variety of great songs both new and old, New Folk Revival is a soothing mixture of rich vocal harmony, a dash of humor and tasteful instrumentation.
Wretched Bones will perform along with Mountain Woman and St. Peter at 8 p.m. Saturday, Dec.
The Post-Mormon Community is a non-sectarian organization of individuals and families
Tr3ason will perform along with Smoke Hollow at 8 p.m. Friday, Dec. 28, at Why Sound, 30 Federal Ave. Cost is $6.
Blood Continued from Page 6 savage retribution, a black man (Jamie Foxx) gets to rewrite Deep South history by going on a killing spree of white slave owners and overseers just before the Civil War. Granted, there’s something gleefully satisfying in watching evil people get what they have coming. But “Django Unchained” is Tarantino at his most puerile and least inventive, the premise offering little more than cold, nasty revenge and barrels of squishing, squirting blood. The usual Tarantino genre mishmash — a dab of blaxploitation here, a dollop of Spaghetti Western there — is so familiar now that it’s tiresome, more so because the filmmaker continues to linger with chortling delight over every scene, letting conversations run on interminably and gunfights carry on to grotesque excess. Bodies bursting blood like exploding water balloons? Perversely fun the first five or six times, pretty dreary the 20th or 30th. Tarantino always gets good actors who deliver, though, and it’s the performances by Foxx, Leonardo DiCaprio, Christoph Waltz and Samuel L. Jackson that make “Django Unchained” intermittently entertaining amid moments when the characters are either talking one another to death or just plain killing each other. Foxx’s Django starts literally in chains, part of a line of slaves on
who have left Mormonism. The Cache Valley chapter meets for dinner and socializing at a local restaurant at 6:30 p.m. every Sunday evening. Newcomers welcome. For more information call Jeff at 770-4263 or visit our website at www.postmormon. org/logan.
MONDAY The George S. Eccles Ice Center will host a family New Year’s Eve celebration from 7 p.m. until midnight Monday, Dec. 31. There will be three live bands playing ’60s, ’70s and ’80s music
all night, along with dancing, ice skating and entertainment for the children. The cost is only $10 per person. There will also be dinner available by Café Sabor for an additional $10 (advance notice needed). Please visit www.eccles ice.com for more details. Bring your date, bring the neighbors and the kids and come help celebrate the new year at the Eccles Ice Center. Photography student Sayre Harvell will be holding an opening for his body of work entitle “Surreal-Estate” from 7 to 9 p.m., Monday, Dec. 31, at the Thatch-
their way to the auction block. Gen- Tarantino’s “Pulp Fiction” co-star). teel bounty hunter King Schultz Tarantino mostly lets them prattle (Waltz, an Academy Award winner on to such lengths that whatever tenfor “Inglourious Basterds”) turns sion was building is defused. A scene up searching for Django because in which a posse of Klan forerunthe slave can identify three elusive ners (led by Don Johnson) debates overseers with a price on their heads. the difficulties of seeing out of their Next thing you know, Django’s white hoods is hilarious for a few apprenticing as a bounty hunter, moments. But then they talk the gag into the ground, and keep on talking. The humor co-exists uneasily and often clumsily alongside a story so charged with racial enmity. Tarantino’s solution to everything is to put guns and dynamite into people’s hands, and while that might be good escapism in a gangster story, it feels flimsy and childish here. In the wake of the school shootings at Sandy Hook in Connecticut, Foxx talked about the need for Hollywood to accept the fact that movie violence AP Photo/The Weinstein Company can influence audiences. Tarantino Christoph Waltz, left, and Jamie Foxx countered that blame should fall to star in “Django Unchained.” those who actually carry out a crime. They’re both right, and it’s absurd forming a partnership with King that to think that the cartoon bloodshed takes them deeper south in hopes of of “Django Unchained” might put freeing Django’s wife, Broomhilda viewers over the top and send them (Kerry Washington). out on a shooting rampage. The trail leads them to a plantation Yet it is reasonable to ask why we owned by Calvin Candie (DiCaprio), find a Tarantino-style body count so a dandy who trains slaves for barba- entertaining that he can keep doing rous Mandingo fighting. the same thing over and over, and There are morbidly funny we keep paying to see it. moments as Django and King infil——— trate the plantation posing as buyers, “Django Unchained,” a Weinstein Co. the two sharing twisted exchanges release, is rated R for strong graphic with the flamboyantly creepy Candie violence throughout, a vicious fight, lanand his chief house slave and Uncle guage and some nudity. Running time: Tom gone psycho, Stephen (Jackson, 165 minutes. Two stars out of four.
er-Young Mansion. The show will be hanging throughout the month of January.
THURSDAY OPTIONS for Independence will be holding its Autism Spectrum Disorders Support Group from 7 to 9 p.m., Thursday, Jan. 3, at 1095 N. Main St. Benefits specialist Shirley Christensen will be presenting. This group is for people with autism, family members and friends. For more information contact Jennie at 753-5353 ext. 104.
PG Continued from Page 6 she and her tech-geek husband Phil (Tom Everett Scott) get a last-minute opportunity to have some out-of-town alone time. As expected, uptight Alice’s no-sugarallowed helicopter parenting clashes mightily with Artie and Diane’s old-school approach to child-rearing, not to mention the fact that Phil has programmed his smart home to be intuitive within an inch of its inhabitants’ lives. Also as expected are the resulting gags built around technologically challenged Artie. Fortunately, old pro Crystal comes armed with an arsenal of rim-shot-ready rejoinders that hit the mark more than they miss. While his character has been given more of an emotional arc than Midler’s (unsurprising, since the genesis of “Parental Guidance” came from a newly minted grandparenting experience in producer Crystal’s life), it’s still nice to see Midler strutting her stuff in her first onscreen comedy role in years. And Tomei is always a welcome presence, even when she’s saddled with what’s essentially a one-note character for most of the film. It would have been nice if director Andy Fickman (“Race to Witch Mountain”) and husband-and-wife screenwriters Lisa Addario and Joe Syracuse (“Surf’s Up”) could have mined some fresher stuff from this frequently played ballgame, but at least when you’ve got Crystal calling the shots, you can still count on the occasional change-up. ——— “Parental Guidance,” a 20th Century Fox release, is rated PG for some rude humor. Running time: 104 minutes.
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calendar
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