Chenchumun mmd49 booklet 1207

Page 1

H HELV ETIC A

HE LV ETICA Typography


C

Content

History

Introduction

Family

Anatomy

Characteristics Application


H

History

H

elvetica designed in 1957 by Max Miedinger and Eduard Hoffman, Helvetica design’s is based on that of Akzidenz Grotesk (1896), and classified as a Grotesque or Transitional san serif face. Originally it was called Neue Haas Grotesque; in 1960 it wan revised and renamed as Helvetica (Latin for Switzerland “Swiss”).


I

Introduction We asked experts we admire to round up typefaces that share a common use, style, or concept. Indra Kupferschmid is a German typographer and writer who lives in Bonn and teaches in Saarbrücken at the French border. As co-author of “Helvetica forever”, Indra is often asked what typeface to combine with the world’s most famous font. As Indra puts it, “Helvetica is often described as the tasteless white rice among typefaces: satisfies easily, cheap and fast. But the good thing is, you can take the design into different directions with the sauce and side dishes (the typefaces you pair with Helvetica).” Indra shares her favorite Helvetica companions with the following guidelines in mind: “Focusing on contrast makes combining fonts easier. Better not pair Helvetica (or other Neo-Grotesques) with another sans serif (like a Humanist Sans). Instead, choose a serif or a slab. Transitional and Modern (bracketed) serifs work quite well with Helvetica. So do most Garaldes like Garamond — it all depends on what kind of atmosphere you’re aiming for. Browse the list of ideas below, or look for faces with broad proportions, a large x-height, or similar characteristics, like an uppercase ‘R’ with a vertical tail.”


F

Family

Helvetica Ultra Light Helvetica Ultra Light Italic Helvetica Thin Helvetica Thin Italic Helvetica Light Helvetica Light Italic


Helvetica Roman Hevetica Italic Helvetica Medium Helvetica Medium Italic Helvetica Bold Helvetica Bold Italic Helvetica Heavy


Helvetica Heavy Italic Helvetica Black Helvetica Black Italic


A

Anatomy

o t crossbar

counter


s R rounded square tail of R

square looking s


aA apex

two storied a (with curves of bowl and stem)


s e k

spine

arm

eye

leg


C tf Characteristics Narrow t and f


A

Application

From airlines, to car companies to the largest sofware company, Helvetica’s use in logos throught the world remains as stronger as ever.


XYZ

[];’: ”<> ?/

^&* (){}

#$%

890 !@

VW STU QR

OP

N LM

IJK

456 7

H EFG

123

CD

AB

A


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