Theatre & Drama 2013 Catalogue from Cambridge University Press by Cambridge University Press

Theatre and Drama 2013 www.cambridge.org/theatre2013

Highlights DelgADo and gies

A History of

CoNteNts introduction Maria M. Delgado and David t. gies the challenges of historiography: the theatre in medieval spain

A History of

Theatre in Spain

Ángel gómez Moreno lope de vega, Pedro Calderón de la Barca and tirso de Molina: spain’s golden Age drama and its legacy Jonathan thacker the world as a stage: Politics, imperialism and spain’s seventeenthcentury theatre José María ruano de la Haza Playing the palace: space, place and performance in early modern spain Margaret r. greer the art of the actor, 1565–1833: From moral suspicion to social institution evangelina rodríguez Cuadros theatrical infrastructures, dramatic production and performance,

Christopher Innes and Maria Shevtsova

1700–1759 Fernando Doménech rico

Popular theatre and the spanish stage, 1737–1798 Josep Maria sala valldaura

theatre of the elites, neoclassicism and the enlightenment, 1750–1808 rené Andioc Actors and agency in the modern era, 1801–2010 Josep lluís sirera Zarzuela: High art, popular culture and music theatre rafael lamas

Edited by

Nineteenth-century spanish theatre: the birth of an industry José luis gonzález subías

MAriA M. DelgADo and DAviD t. gies

Copyright, buildings, spaces and the nineteenth-century stage lisa surwillo Modernism and the avant-garde in fin-de-siècle Barcelona and Madrid

edited by

David george and Jesús rubio Jiménez Continuity and innovation in spanish theatre, 1900–1936

Paul Edmondson Sta nle y Wells

Dru Dougherty and Andrew A. Anderson theatrical activities during the spanish Civil War, 1936–1939 Jim McCarthy

a nd

theatre, colonialism, exile and the Americas Helena Buffery theatre under Franco, (1939–1975): Censorship, playwriting and performance John london Flamenco: Performing the local / performing the state lourdes orozco Nationalism, identity and the theatre across the spanish state in the democratic era, 1975–2010 sharon Feldman and Anxo Abuín gonzález Directors and the spanish stage, 1823-2010 Maria M. Delgado this evolution is still ongoing Nuria espert theatre as a process of discovery lluís Pasqual theatre is the art of the future Juan Mayorga select bibliography

The Cambridge Introduction to

➤ See page 3

Theatre Directing

SHAKESPEARE Beyond Doubt E v idence, A rgument, Controv er s y

➤ See page 8

➤ See page 7

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This catalogue contains a selection of our most recent publishing in this area. Please visit our website for a full and searchable listing of all our titles in print and also an extensive range of news, features and resources. Our online ordering service is secure and easy to use.

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British theatre 2 American theatre 2 3 European theatre Classical theatre 4 Theatre (general) 6 English literature – Renaissance and early modern to 1700 7 Shakespeare 15 Also of interest 17 Information on related journals Inside back cover

British theatre / American theatre

British theatre The Cambridge Introduction to Tom Stoppard William Demastes Louisiana State University

This Introduction provides an accessible overview of the life and work of Tom Stoppard, widely considered to be one of the most important dramatists of contemporary theatre. In concise and readable form, William Demastes introduces all the complexity and variety that makes Stoppard’s work so unique. Cambridge Introductions to Literature

2012 228 x 152 mm 220pp 15 b/w illus. 978-1-107-02195-2 Hardback £45.00 978-1-107-60612-8 Paperback £15.99 www.cambridge.org/9781107021952

The Performance of Nationalism India, Pakistan, and the Memory of Partition Jisha Menon Stanford University, California

Imagine the patriotic camaraderie of national day parades. How does performance generate patriotic loyalty? How crucial is performance for the sustenance of the nation? This book offers a fresh analysis of nationalism from the perspective of performance and will appeal to those with an interest in history, culture or politics. Cambridge Studies in Modern Theatre

2012 228 x 152 mm 272pp 13 b/w illus. 978-1-107-00010-0 Hardback £60.00 www.cambridge.org/9781107000100

American theatre Sexual Politics in the Work of Tennessee Williams Desire Over Protest Michael S. D. Hooper The Princess Helena College

Hooper questions the now fashionable view that Williams was fundamentally a social writer passionately concerned about the state of twentieth-century America. Through detailed analysis of both canonical and recently discovered texts, this book indicates instead how Williams’ work prioritises sexual power and the experience of the individual over party politics. 2012 228 x 152 mm 260pp 5 b/w illus. 978-1-107-01536-4 Hardback £55.00 eBook available

www.cambridge.org/9781107015364

The Cambridge Companion to African American Theatre Edited by Harvey Young Northwestern University, Illinois

With contributions from the leading scholars in the field, this Companion provides a comprehensive and accessible overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community.

American theatre / European theatre Cambridge Companions to Literature

2012 228 x 152 mm 313pp 8 b/w illus. 978-1-107-01712-2 Hardback £55.00 978-1-107-60275-5 Paperback £18.99 www.cambridge.org/9781107017122

David Mamet and American Macho Arthur Holmberg Brandeis University, Massachusetts

What does it mean to be an American man? Holmberg demonstrates how David Mamet’s plays explore complex issues of masculinity. Cambridge Studies in American Theatre and Drama, 28

2012 228 x 152 mm 322pp 19 b/w illus. 978-0-521-62064-2 Hardback £55.00 www.cambridge.org/9780521620642

European theatre A History of Theatre in Spain Edited by Maria M. Delgado Queen Mary, University of London

and David T. Gies University of Virginia

Leading theatre historians and practitioners map a theatrical history that moves from the religious tropes of Medieval Iberia to the postmodern practices of twenty-first-century Spain. Considering work across the different languages of Spain, from vernacular Latin to Catalan, Galician and Basque, this history engages with the work of actors and directors, designers and publishers, agents and impresarios, and

architects and ensembles, in indicating the ways in which theatre has both commented on and intervened in the major debates and issues of the day. Chapters consider paratheatrical activities and popular performance, such as the comedia de magia and flamenco, alongside the works of Spain’s major dramatists, from Lope de Vega to Federico García Lorca. Featuring revealing interviews with actress Nuria Espert, director Lluís Pasqual and playwright Juan Mayorga, it positions Spanish theatre within a paradigm that recognizes its links and intersections with wider European and Latin American practices. Contributors: Maria M. Delgado, David T. Gies, Ángel Gómez Moreno, Margaret R. Greer, José María Ruano de la Haza, Jonathan Thacker, Evangelina Rodríguez Cuadros, Fernando Doménech, Rico Josep, Maria Sala Valldaura, René Andioc, Rafael Lamas, José Luis González Subías, Lisa Surwillo, David George, Jesús Rubio Jiménez, Dru Dougherty, Andrew Anderson, Jim McCarthy, Helena Buffery, John London, Lourdes Orozco, Josep Lluís Sirera, Sharon Feldman, Anxo Abuín González, Nuria Espert, Lluís Pasqual, Juan Mayorga 2012 228 x 152 mm 558pp 28 b/w illus. 978-0-521-11769-2 Hardback £70.00 eBook available

www.cambridge.org/9780521117692

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European theatre / Classical theatre Dion Boucicault Irish Identity on Stage Deirdre McFeely Trinity College, Dublin

As actor, manager, designer and playwright, Dion Boucicault was one of the most dynamic and influential figures in nineteenth-century theatre. Deirdre McFeely presents the first full critical study of Boucicault, providing analysis of his most significant plays whilst also giving an important overview of his entire career and dramatic output. ‘McFeely is not so scholastically detached as to let us forget that Boucicault’s plays are fun and that he was a master of pithy dialogue and comic inventiveness. This is a wonderfully well-researched and discerning book, placing Boucicault as a much more politically motivated playwright than previous critics have ever suggested.’ Irish Times 2012 228 x 152 mm 228pp 5 b/w illus. 978-1-107-00793-2 Hardback £60.00 eBook available

www.cambridge.org/9781107007932

The Sounds of Paris in Verdi’s La traviata Emilio Sala University of Milan

Emilio Sala re-examines Verdi’s La traviata in the cultural context of mid-nineteenth-century Paris. Including unpublished musical works, journal articles, rare documents and images, the book explores Verdi’s influences in the French capital, particularly that of Alexandre Dumas fils’ La Dame aux camélias.

Cambridge Studies in Opera

2013 228 x 152 mm 200pp 16 b/w illus. 40 music examples 978-1-107-00901-1 Hardback c. £55.00 Publication April 2013 www.cambridge.org/9781107009011

Classical theatre Choral Mediations in Greek Tragedy Edited by Renaud Gagné University of Cambridge

and Marianne Hopman Northwestern University, Illinois

Collection of essays exploring how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. Analyses choruses as fictional, religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves. 2013 228 x 152 mm 430pp 5 b/w illus. 3 maps 978-1-107-03328-3 Hardback c. £65.00 Publication May 2013 www.cambridge.org/9781107033283

Performance and Culture in Plato’s Laws Edited by Anastasia-Erasmia Peponi Stanford University, California

This volume illuminates one underexplored aspect of Plato’s Laws: its uniquely rich discussion of cultural matters. This requires the contributions of scholars whose expertise resides beyond the boundaries of pure philosophical inquiry, spanning art

Classical theatre theory and criticism, social anthropology and comparative literature.

preserving their texts and inscriptions recording their public performances.

2013 228 x 152 mm 456pp 14 b/w illus. 1 map 978-1-107-01687-3 Hardback c. £65.00 Publication May 2013 www.cambridge.org/9781107016873

2013 247 x 174 mm 336pp 40 b/w illus. 978-1-107-00422-1 Hardback c. £60.00 Publication March 2013 www.cambridge.org/9781107004221

Greek Comedy and the Discourse of Genres Edited by Emmanuela Bakola King’s College London

Lucia Prauscello University of Cambridge

and Mario Telò University of California, Los Angeles

Innovative treatment of Greek comedy, showing that an essential characteristic at the heart of its identity is its voracious and multifarious dialogue with a large spectrum of literary, sub-literary and paraliterary traditions which surround and shape it. Explores comedy’s interactions with numerous other genres within a unified interpretative framework. 2013 228 x 152 mm 400pp 13 b/w illus. 978-1-107-03331-3 Hardback c. £65.00 Publication April 2013 www.cambridge.org/9781107033313

Menander in Antiquity The Contexts of Reception Sebastiana Nervegna University of Sydney

Highly illustrated reconstruction of the afterlife of Menander and his plays throughout antiquity and the various social and cultural contexts in which his comedy operated. Employs a broad range of sources such as portraits, illustrations of his plays, papyri

Slaves and Slavery in Ancient Greek Comic Drama Edited by Ben Akrigg University of Toronto

and Rob Tordoff York University, Toronto

This volume offers students and scholars of ancient Greek culture the first major study of the different ways Greek comic drama represents slaves and the institution of slavery. Using textual, arthistorical and comparative evidence, the contributors trace the changing picture of Greek slavery from Aristophanes to Menander and beyond. 2013 228 x 152 mm 288pp 6 b/w illus. 978-1-107-00855-7 Hardback c. £60.00 Publication January 2013 www.cambridge.org/9781107008557

Theater Outside Athens Drama in Greek Sicily and South Italy Edited by Kathryn Bosher Northwestern University, Illinois

The first collection of essays on the development of Greek theater in ancient Sicily and South Italy, written by specialists in a range of fields, including literature, archeology and history. These different perspectives give a more complex picture of the development of western Greek theater than has hitherto been available.

Visit our website at www.cambridge.org/knowledge

Classical theatre / Theatre (general) 2012 247 x 174 mm 496pp 50 b/w illus. 4 maps 978-0-521-76178-9 Hardback £70.00 eBook available

www.cambridge.org/9780521761789

Textbook

Sophocles: Philoctetes Sophocles Edited by Seth L. Schein University of California, Davis

When Heroes Sing Sophocles and the Shifting Soundscape of Tragedy Sarah Nooter University of Chicago

Uses close readings of the Greek texts to examine the lyrical voice of Sophocles’ heroes and to argue that their identities are grounded in poetic power. This study offers new insight into the ways that Sophoclean tragedy inherits and refracts the traditions of other poetic genres. 2012 228 x 152 mm 208pp 978-1-107-00161-9 Hardback £55.00 eBook available

www.cambridge.org/9781107001619

Music in Roman Comedy Timothy J. Moore Washington University, St Louis

Explains the nature of Roman comedy’s music and provides musical analyses of songs, scenes and whole plays. This book will be of interest to students of ancient theatre and Latin literature, scholars and students working on the history of music and theatre and performers working with ancient plays. 2012 228 x 152 mm 468pp 9 b/w illus. 65 tables 978-1-107-00648-5 Hardback £65.00 www.cambridge.org/9781107006485

Accessible edition with commentary of this widely read but highly complex and challenging play. Provides help with morphology, grammar and syntax and interpretation of the text in its historical, social, cultural and intellectual contexts. The introduction also gives an account of its reception from antiquity to the present day. Contents: Introduction; Philoctetes; Commentary. Cambridge Greek and Latin Classics

2013 216 x 138 mm 350pp 978-0-521-86277-6 Hardback c. £50.00 978-0-521-68143-8 Paperback c. £19.99 Publication May 2013 www.cambridge.org/9780521862776

Theatre (general) The Cambridge Companion to Theatre History Edited by David Wiles Royal Holloway, University of London

and Christine Dymkowski Royal Holloway, University of London

This Companion offers students and general readers a lively set of essays on the why, when, where, what and how of writing theatre history. It considers how history is told, from whose point of view in our globalised world and what

Theatre / English literature – Renaissance and early modern to 1700 boundaries we might place around the notion of theatre.

major productions and theoretical principles.

Cambridge Companions to Literature

Contents: Introduction; 1. Traditional staging and the evolution of the director; 2. The rise of the modern director; 3. Directors of theatricality; 4. Epic theatre directors; 5. Total theatre: the director as auteur; 6. Directors of ensemble theatre; 7. Directors, collaboration and improvisation.

2012 228 x 152 mm 320pp 36 b/w illus. 978-0-521-76636-4 Hardback £55.00 978-0-521-14983-9 Paperback £18.99 www.cambridge.org/9780521766364

The Cambridge Companion to Opera Studies Edited by Nicholas Till University of Sussex

Opera studies is a rapidly expanding field, bringing exciting new perspectives to a brilliant and complex art form. This book will give lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today. Cambridge Companions to Music

2012 247 x 174 mm 362pp 978-0-521-85561-7 Hardback £55.00 978-0-521-67169-9 Paperback £19.99 www.cambridge.org/9780521855617

Textbook

The Cambridge Introduction to Theatre Directing Christopher Innes York University, Toronto

and Maria Shevtsova Goldsmiths College, University of London

Christopher Innes and Maria Shevtsova discuss the methods of rehearsal and staging created by the path-breaking directors of the twentieth century and the twenty-first. They offer a broad overview of the roots of modern directing, and highlight its innovative theatre practices through details of

Cambridge Introductions to Literature

2013 228 x 152 mm 270pp 18 b/w illus. 978-0-521-84449-9 Hardback c. £50.00 978-0-521-60622-6 Paperback c. £15.99 Publication March 2013 www.cambridge.org/9780521844499

English literature – Renaissance and early modern to 1700 Shakespeare and the Book Trade Lukas Erne Université de Genève

Shakespeare and the Book Trade follows on from Lukas Erne’s groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare’s printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. Advance praise: ‘An admirable amount of original research has gone into the study,

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English literature – Renaissance and early modern to 1700 making it of use to a wide array of readers. With Shakespeare and the Book Trade, Lukas Erne manages to do that most coveted of things: he has written another book that everyone must read.’

Shakespeare Beyond Doubt

Patrick Cheney, Pennsylvania State University

and Stanley Wells

2013 228 x 152 mm 290pp 25 b/w illus. 21 tables 978-0-521-76566-4 Hardback c. £25.00 Publication April 2013 www.cambridge.org/9780521765664

Shakespeare as Literary Dramatist Second edition Lukas Erne Université de Genève

First published in 2003, Erne’s groundbreaking study argues that Shakespeare wrote his plays not only with audiences but also with readers in mind. This second edition includes a substantial, 10,000-word preface that reviews and intervenes in the controversy that the book has triggered. Reviews of the first edition: ‘The year’s best book on Shakespeare.’ Jonathan Bate, The Times Literary Supplement 2013 228 x 152 mm 320pp 12 b/w illus. 978-1-107-02965-1 Hardback c. £50.00 978-1-107-68506-2 Paperback c. £19.99 Publication April 2013 www.cambridge.org/9781107029651

Evidence, Argument, Controversy Edited by Paul Edmondson The Shakespeare Birthplace Trust The Shakespeare Birthplace Trust

Did Shakespeare write Shakespeare? The authorship question has been much treated in works of fiction, film and television, provoking interest all over the world. The book explores the issues surrounding the debate in the light of biographical, textual and bibliographical evidence to bring fresh perspectives on an intriguing cultural phenomenon. 2013 228 x 152 mm 280pp 5 b/w illus. 978-1-107-01759-7 Hardback c. £50.00 978-1-107-60328-8 Paperback c. £17.99 Publication April 2013 www.cambridge.org/9781107017597

Environmental Degradation in Jacobean Drama Bruce Boehrer Florida State University

Environmental Degradation in Jacobean Drama provides the first general history of the Shakespearean stage to focus primarily on ecological issues. Bruce Boehrer discusses the work of Shakespeare, Jonson, Middleton, Fletcher, Dekker and Heywood, exploring the strategies by which they made sense of radical ecological change in their drama. 2013 228 x 152 mm 260pp 978-1-107-02315-4 Hardback c. £55.00 Publication March 2013 www.cambridge.org/9781107023154

English literature – Renaissance and early modern to 1700 Medieval Shakespeare Pasts and Presents Edited by Ruth Morse Paris-Sorbonne-Cité

Helen Cooper University of Cambridge

and Peter Holland University of Notre Dame, Indiana

Before Shakespeare is our contemporary he is the contemporary of late-medieval European culture, self-consciously regenerating and transforming earlier ideas of history, art, poetry and the stage. This book gives readers the opportunity to appreciate both Shakespeare and his period from the perspectives of the traditions that fostered and surrounded him. 2013 228 x 152 mm 300pp 10 b/w illus. 978-1-107-01627-9 Hardback c. £60.00 Publication February 2013 www.cambridge.org/9781107016279

Mythologies of the Prophet Muhammad in Early Modern English Culture Matthew Dimmock

and sixteenth centuries, but also by his close reading of a wider range of writings than has hitherto been assembled in one place … This book furnishes a detailed and vivid sense of the varied ways in which the early modern English constructed and used the person of Mahomet/Muhammad in the articulation of their own identities, world views and notions of self. As such, it provides a suggestive and instructive point of reference and of self-interrogation for any reader inclined to a historically grounded and culturally contextualized understanding of the many and oftenfraught ongoing twenty-first-century Western engagements with the Prophet of Islam.’ Shahab Ahmed, Harvard University 2013 228 x 152 mm 304pp 25 b/w illus. 978-1-107-03291-0 Hardback c. £60.00 Publication March 2013 www.cambridge.org/9781107032910

Shakespearean Sensations Experiencing Literature in Early Modern England Edited by Katharine A. Craik

University of Sussex

Oxford Brookes University

This book explores how the figure of the Prophet Muhammad was misrepresented in English and wider Christian culture between 1480 and 1735. By tracing the ways in which ‘Mahomet’ was written and rewritten, contested and celebrated, this study explores notions of identity and religion, and the resonances of this history today.

and Tanya Pollard

Advance praise: ‘Dr Dimmock has broken new ground, not only in his excavation of neglected English sources from the fifteenth

Brooklyn College, City University of New York

This lively and accessible collection of essays explores the ways Shakespeare and his contemporaries imagined literature’s impact on audiences’ bodies, minds and emotions. Readers and theatregoers have always sought out literature for its emotional power, and this book shows how seriously early modern writers took their relationships with their audiences.

Visit our website at www.cambridge.org/knowledge

English literature – Renaissance and early modern to 1700 2013 228 x 152 mm 220pp 1 b/w illus. 978-1-107-02800-5 Hardback c. £55.00 Publication February 2013 www.cambridge.org/9781107028005

Late Shakespeare, 1608–1613 Edited by Andrew J. Power Trinity College, Dublin

The Shakespearean Stage Space Mariko Ichikawa Tohoku University, Japan

In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the theatrical artistry of the Renaissance stage. It will offer scholars, students and actors a new way to analyse and interpret early modern plays. 2012 228 x 152 mm 240pp 8 b/w illus. 1 table 978-1-107-02035-1 Hardback £55.00 www.cambridge.org/9781107020351

Early Modern Playhouse Manuscripts and the Editing of Shakespeare

and Rory Loughnane Syracuse University, New York

A team of leading international Shakespeare scholars provides a critical reappraisal of the final phase of Shakespeare’s writing life. Containing original scholarly approaches to the last seven extant plays, the volume includes dedicated chapters on Coriolanus and Shakespeare’s two late co-authored plays, King Henry VIII and The Two Noble Kinsmen. 2012 228 x 152 mm 355pp 5 b/w illus. 978-1-107-01619-4 Hardback £60.00 www.cambridge.org/9781107016194

Rethinking Historicism from Shakespeare to Milton Edited by Ann Baynes Coiro Rutgers University, New Jersey

and Thomas Fulton

Paul Werstine

Rutgers University, New Jersey

University of Western Ontario

This collection of essays reflects on the origins of historicism and its present usefulness as a mode of literary analysis, its limitations and its future. Written by leading voices in the field, the book is designed for scholars and students of early modern English literature (1500–1700).

Early Modern Playhouse Manuscripts and the Editing of Shakespeare analyzes surviving manuscripts and printed quartos marked up for performance in Shakespeare’s time to situate the theory and practice of Shakespeare editing in context. In doing so, it explores editorial choices about what to give today’s readers as ‘Shakespeare’. 2012 228 x 152 mm 448pp 55 b/w illus. 2 tables 978-1-107-02042-9 Hardback £65.00 www.cambridge.org/9781107020429

2012 228 x 152 mm 280pp 1 b/w illus. 978-1-107-02751-0 Hardback £60.00 www.cambridge.org/9781107027510

English literature – Renaissance and early modern to 1700 Milton and the Art of Rhetoric

Shakespeare and World Cinema

Daniel Shore

Mark Thornton Burnett

Georgetown University, Washington DC

Queen’s University Belfast

This book shows how Milton used innovative and cunning means to persuade his readers in an age that was distrustful of traditional rhetoric. It will appeal to readers interested in early modern literature, poetry and polemic, as well as those concerned with Greek, Roman and Renaissance rhetoric.

This book explores the significance of Shakespeare in contemporary world cinema for the first time. Mark Thornton Burnett draws on a wealth of examples from Africa, the Arctic, Brazil, China, France, India, Malaysia, Mexico, Singapore, Tibet, Venezuela, Yemen and elsewhere.

2012 228 x 152 mm 211pp 978-1-107-02150-1 Hardback £55.00

2012 228 x 152 mm 285pp 25 b/w illus. 978-1-107-00331-6 Hardback £60.00 www.cambridge.org/9781107003316

eBook available

www.cambridge.org/9781107021501

Performing Early Modern Drama Today Edited by Pascale Aebischer University of Exeter

and Kathryn Prince University of Ottawa

Little attention has been focused on modern productions of the plays of Shakespeare’s contemporaries. This book offers an overview of, and an essential reference to, recent stage and screen adaptations of early modern drama written by leading scholars and practitioners, including three detailed appendices listing amateur and professional performances.

Problem Fathers in Shakespeare and Renaissance Drama Tom MacFaul University of Oxford

Problem Fathers in Shakespeare and Renaissance Drama explores the central role of fathers in a wide range of Elizabethan and Jacobean plays. Placing Shakespeare among his contemporaries, this book enables an understanding of the development of his dramatic genres and shows how ideas of patriarchy evolved over the period. 2012 228 x 152 mm 264pp 978-1-107-02894-4 Hardback £60.00 www.cambridge.org/9781107028944

2012 228 x 152 mm 258pp 5 b/w illus. 978-0-521-19335-1 Hardback £60.00 www.cambridge.org/9780521193351

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English literature – Renaissance and early modern to 1700 Sleep, Romance and Human Embodiment Vitality from Spenser to Milton Garrett A. Sullivan, Jr Pennsylvania State University

Contributing to the histories of genre, embodiment and vitality, this study shows the impact of Aristotelian and Cartesian conceptions of humanness on works by Shakespeare, Spenser, Milton and Sidney. Sullivan shows how, through the representation of sleep, epic and romance model the distinctive relationships between man, plant and animal. ‘This is a major new study with wide ranging implications for a variety of early modern interests – in the contested category of the human, in the ecological place of the human body in relation to its environment, in the legacy of Aristotelianism against the advent of Cartesianism, and in the relations between epic and romance.’ Gail Paster, Folger Shakespeare Library 2012 228 x 152 mm 216pp 978-1-107-02441-0 Hardback £55.00 eBook available

www.cambridge.org/9781107024410

New in Paperback

Documents of Performance in Early Modern England Tiffany Stern University of Oxford

As well as being called ‘poets’, playwrights of Shakespeare’s period were known as ‘play-patchers’ because their texts were made up of separate documents. Using fresh print and

manuscript evidence, Stern explores the piecemeal nature of the playscript in the theatre, redefining what a play, and what a playwright, actually is. ‘… outstrips the magisterial E. K. Chambers.’ Katherine Duncan-Jones, Times Literary Supplement 2012 228 x 152 mm 376pp 978-1-107-65620-8 Paperback £19.99 Also available 978-0-521-84237-2 Hardback £65.00 eBook available

www.cambridge.org/9781107656208

New in Paperback

Shakespeare and Early Modern Political Thought Edited by David Armitage Harvard University, Massachusetts

Conal Condren University of New South Wales, Sydney

and Andrew Fitzmaurice University of Sydney

This volume is the first historically informed collection of essays focussing on Shakespeare’s engagement with the political thinking of his time. Covering the full range of Shakespeare’s work, a distinguished team of contributors provides a coherent and challenging portrait of Shakespeare’s engagement with the questions of early modern political thought. Review of the hardback: ‘… one of the most important new studies of Shakespeare to have appeared this century. It takes the discussion of Shakespeare and early modern political thought to a hitherto unseen level of sophistication. For the

English literature – Renaissance and early modern to 1700 first time, we are offered a serious and sustained reading of Shakespeare in the light of the ‘Cambridge school’ of work on the language of political theory … contributors come from diverse perspectives … and yet they create a strikingly unified image of a Shakespeare who is at once a deep political thinker, a consummate master of rhetoric and a wily refusenik when it comes to orthodox positions … deserves a prominent place on the bookshelf of anyone interested in Shakespeare – more than that, of anyone interested in the interplay between literature and the history of political thought.’ Jonathan Bate, University of Warwick 2012 228 x 152 mm 304pp 978-1-107-69250-3 Paperback £19.99 Also available 978-0-521-76808-5 Hardback £65.00 eBook available

www.cambridge.org/9781107692503

The Cambridge Edition of the Works of Ben Jonson Ben Jonson Edited by David Bevington University of Chicago

Martin Butler University of Leeds

and Ian Donaldson Australian National University, Canberra

The Cambridge Edition of the Works of Ben Jonson presents Jonson’s complete writings in the light of current editorial thinking and recent scholarly interpretation and discovery. It provides a clear sense of the shape, scale and variety of the entire Jonsonian canon, including plays, court masques and entertainments, poems, prose

works and letters. Each text, edited in modern spelling, is accompanied by an introduction containing essential information about its date, sources and interpretation, and is supported by detailed on-page commentary and collation. The Edition presents Jonson’s texts in a form which combines thoroughness of explanation with readability. An accompanying electronic edition is in development for launch in 2013. The Edition as a whole explicates Jonson’s works fully in the light of modern scholarship, making them accessible to students, scholars, theatrical practitioners and anyone wishing to explore the work of Shakespeare’s great contemporary. For further information, additional resources and textual essays, please visit http:// blog.cewbj.org. ‘… [a] formidable enterprise … There would have to be either a transformation of our mental world beyond present imagination, or some sensational textual discovery before anyone could think it necessary to edit Jonson again.’ Blair Worden, London Review of Books

Contributors: Anne Barton, David Bevington, Karen Britland, Derek Britton, Colin Burrow, Martin Butler, Tom Cain, Hugh Craig, Katharine Craik, John Creaser, Ian Donaldson, Richard Dutton, Inga-Stina Ewbank, David Gants, Eugene Giddens, Suzanne Gossett, Peter Happé, Peter Holland, Lorna Hutson, Gabriele Bernhard Jackson, W. David Kay, James Knowles, David Lindley, Tom Lockwood, Joseph Loewenstein, Randall Martin, Robert Miola, Helen Ostovich, Anthony Parr, Eric Rasmussen, Julie Sanders, William Sherman, Matthew Steggle

eBooks available at www.cambridge.org/ebookstore

English literature – Renaissance and early modern to 1700 2012 228 x 152 mm 5224pp 135 b/w illus. 3 maps 978-0-521-78246-3 7 Volume Set £650.00 www.cambridge.org/9780521782463

The New Milton Criticism Edited by Peter C. Herman San Diego State University

and Elizabeth Sauer

Heresy Trials and English Women Writers, 1400–1670 Genelle Gertz Washington and Lee University, Virginia

By analyzing the interrogations of Margery Kempe, Anne Askew, Marian Protestant women, Margaret Clitherow and Quaker women, Genelle Gertz examines the complex dynamics of women’s writing, preaching and authorship under religious persecution and censorship and uncovers unexpected connections between the writings of women on trial for their religious beliefs. 2012 228 x 152 mm 268pp 978-1-107-01705-4 Hardback £55.00 eBook available

www.cambridge.org/9781107017054

Brock University, Ontario

The contributors to this volume emphasize ambivalence and discontinuity in Milton’s work and interrogate the assumptions and certainties in previous Milton scholarship. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies. 2012 228 x 152 mm 266pp 978-1-107-01922-5 Hardback £55.00 978-1-107-60395-0 Paperback £17.99 eBook available

www.cambridge.org/9781107019225

Versions of Antihumanism Milton and Others Stanley Fish Florida International University, Miami

Stanley Fish’s finest published work is brought together here with brand new material on Milton and on other authors and topics in early modern literature. Lucid, provocative, direct and inimitable, this book is required reading for anyone teaching or studying Milton and early modern literary studies. ‘Fish can be distinctive, absorbing and powerful.’ Times Literary Supplement 2012 228 x 152 mm 300pp 978-1-107-00305-7 Hardback £50.00 978-0-521-17624-8 Paperback £17.99 eBook available

www.cambridge.org/9781107003057

English literature – Renaissance & early modern to 1700 / Shakespeare The Cambridge Companion to Shakespeare and Contemporary Dramatists Edited by Ton Hoenselaars Universiteit Utrecht, The Netherlands

While Shakespeare’s popularity has continued to grow, so has the attention paid to the work of his contemporaries. This Companion introduces the distinctive drama of playwrights from Shakespeare’s time, including Kyd, Marlowe, Middleton, Jonson and Webster. The book also covers Shakespeare as a collaborator and the difficult question of co-authorship. Cambridge Companions to Literature

2012 228 x 152 mm 323pp 7 b/w illus. 1 music example 978-0-521-76754-5 Hardback £50.00 978-0-521-12874-2 Paperback £19.99 www.cambridge.org/9780521767545

Shakespeare Survey 65 A Midsummer Night’s Dream Volume 65: A Midsummer Night’s Dream Edited by Peter Holland University of Notre Dame, Indiana

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year’s textual and critical studies and of the year’s major British performances. The theme for Volume 65 is ‘A Midsummer Night’s Dream’. The complete set of

Survey volumes is also available online at http://www.cambridge.org/online/ shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results. Contributors: Laura Aydelotte, Helen Barr, Michael Hattaway, Jesse Lander, Henry Buchanan, Michael Saenger, Sibylle Baumbach, Stuart Sillars, Laura Levine, Michael P. Jensen, Russ McDonald, Roger Warren, Carol Thomas Neely, Matt Kozusko, Jacquelyn Bessell, Andrew James Hartley, Paul Edmondson, Stanley Wells, Pascale Aebischer, Margaret Tudeau-Clayton, John Jowett, Holger Schott Syme, Robert Bearman, Brian Cummings, K. E. Attar, Todd Borlik, Charlotte Brewer, Robert N. Watson, Andreas Höfele, Toby Malone, Margaret Shewring, Curt L. Tofteland, Hal Cobb, Carol Chillington Rutter, James Shaw, Charlotte Scott, Russell Jackson, Eric Rasmussen Shakespeare Survey, 65

2012 246 x 189 mm 560pp 52 b/w illus. 978-1-107-02451-9 Hardback £75.00 www.cambridge.org/9781107024519

Shakespeare Shakespeare in the Eighteenth Century Edited by Fiona Ritchie McGill University, Montréal

and Peter Sabor McGill University, Montréal

During the eighteenth century, editions and adaptations of Shakespeare proliferated, making him the most popular English dramatist. He exerted a profound influence on a variety of authors and on several other

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literary genres. Shakespeare in the Eighteenth Century explores the impact Shakespeare had on various aspects of society and culture. 2012 228 x 152 mm 468pp 17 b/w illus. 978-0-521-89860-7 Hardback £65.00 eBook available

www.cambridge.org/9780521898607

Textbook

The Tempest Second edition Edited by David Lindley University of Leeds

e re

The TempesT

st elusive, of Shakespeare’s venteenth-century debates duction and commentary the implications of ions and the controversial speare’s experimental apparent in the play’s lly its use of music

Shakespeare

NCS

The New Ca mBr IDge Sh a k e SPe a r e

edited by David Lindley

The TemPeST

The Tempest is one of the most suggestive, yet most elusive of all Shakespeare’s plays, and has provoked a wide range of critical interpretations. In this updated edition, David Lindley has thoroughly revised the introduction and reading list to take account of the latest directions in criticism and performance. Reviews of the first edition: ‘If you are looking for a model edition – by which I mean one that is concerned to honour the text and to explain the processes involved in editing – this is it. If I were ever again to undertake the editing of a Shakespeare play, I would keep Lindley’s edition of The Tempest open beside me.’ Peter Thompson

Contents: List of abbreviations and conventions; Preface to the second edition; Introduction; Note on the text; List of characters; The play; Textual analysis; Appendix 1. The songs; Appendix 2. Parallel passages from Virgil and Ovid; Appendix 3. And others: casting the play; Reading list.

The New Cambridge Shakespeare

2013 228 x 152 mm 280pp 26 b/w illus. 978-1-107-61957-9 Paperback c. £8.99 Publication April 2013 Also available 978-1-107-02152-5 Hardback c. £25.00 www.cambridge.org/9781107619579

The New Cambridge Shakespeare Second edition Edited by A. R. Braunmuller and Brian Gibbons

The New Cambridge Shakespeare appeals to readers worldwide for its up-to-date scholarship and emphasis on performance. The series, edited by an expert international team, includes all Shakespeare’s plays, sonnets and poems, in modern spelling, annotated texts, presented in attractively designed volumes. The New Cambridge Shakespeare

2012 228 x 152 mm 9000pp 978-1-107-65663-5 41 Volume Set £295.00 www.cambridge.org/9781107656635

Shakespeare / Also of interest Textbook

The Two Gentlemen of Verona Second edition Edited by Kurt Schlueter Albert-Ludwigs-Universität Freiburg, Germany

Professor Schlueter approaches this early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story. A thoroughly researched, illustrated stage history reveals changing conceptions of the play and this updated edition features a new introductory section on recent stage and critical interpretations. Contents: Introduction: date; Themes and criticism; Structure and sources; Speed and Lance; The outlaws; Stage history; Recent stage and critical interpretations by Lucy Munro; List of characters; The play; Textual analysis; Appendix: a further note on stage directions; Reading list. The New Cambridge Shakespeare

2012 228 x 152 mm 180pp 16 b/w illus. 978-0-521-18169-3 Paperback £8.99 Also available 978-1-107-00489-4 Hardback £45.00 www.cambridge.org/9780521181693

Textbook

The Two Noble Kinsmen William Shakespeare Edited by Robert Kean Turner and Patricia Tatspaugh

With scholarly attention recently focusing on Shakespeare’s late plays, collaboration and sexuality, The Two Noble Kinsmen has become an essential script. Containing a detailed performance history and a lively

introduction which surveys contemporary critical responses and addresses Shakespeare’s craftsmanship, this edition argues that the play can no longer be marginalized. Contents: Introduction: authorship; Date; Sources; Craftsmanship; Critical reception; Shakespeare’s late style; The Two Noble Kinsmen in performance; Note on text; List of characters; The play; Supplementary notes; Textual analysis; Appendix: The Two Noble Kinsmen: a performance chronology; Reading list. The New Cambridge Shakespeare

2012 228 x 152 mm 246pp 10 b/w illus. 978-0-521-68699-0 Paperback £8.99 Also available 978-0-521-43270-2 Hardback £45.00 www.cambridge.org/9780521686990

Also of interest Antigone, Interrupted Bonnie Honig Northwestern University, Illinois

Antigone, Interrupted explores the intertwined history of law, politics, gender and humanism through a new reading of Sophocles’ classical tragedy. Studying the play in its fifth-century and modern contexts, Bonnie Honig argues for an Antigone committed not just to dissidence but to a positive politics of counter-sovereignty and solidarity. 2013 228 x 152 mm 300pp 978-1-107-03697-0 Hardback c. £55.00 978-1-107-66815-7 Paperback c. £17.99 Publication March 2013 www.cambridge.org/9781107036970

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Also of interest The Handbook of Journal Publishing Sally Morris Ed Barnas Douglas LaFrenier and Margaret Reich

The Handbook of Journal Publishing is an up-to-date and comprehensive handbook written by experienced professionals, covering all aspects of journal publishing, both online and in print. It is a basic reference source for publishers, librarians and scholars dealing with such issues as copyright, business models, scholarly communication and intellectual property. 2013 228 x 152 mm 380pp 8 b/w illus. 43 tables 978-1-107-02085-6 Hardback c. £60.00 978-1-107-65360-3 Paperback c. £19.99 Publication February 2013 www.cambridge.org/9781107020856

Index A Aebischer, Pascale..................................11 Akrigg, Ben..............................................5 Antigone, Interrupted.............................17 Armitage, David.....................................12

Donaldson, Ian.......................................13 Dymkowski, Christine...............................6

E Early Modern Playhouse Manuscripts and the Editing of Shakespeare............10 Edmondson, Paul.....................................8 Environmental Degradation in Jacobean Drama...................................................8 Erne, Lukas.......................................... 7, 8

Bakola, Emmanuela..................................5 Barnas, Ed..............................................18 Baynes Coiro, Ann..................................10 Bevington, David....................................13 Boehrer, Bruce..........................................8 Bosher, Kathryn........................................5 Braunmuller, A. R....................................16 Butler, Martin.........................................13

Fish, Stanley...........................................14 Fitzmaurice, Andrew...............................12 Fulton, Thomas.......................................10

Cambridge Companion to African American Theatre, The............................2 Cambridge Companion to Opera Studies, The...........................................7 Cambridge Companion to Shakespeare and Contemporary Dramatists, The.......15 Cambridge Companion to Theatre History, The............................................6 Cambridge Edition of the Works of Ben Jonson, The.........................................13 Cambridge Introduction to Theatre Directing, The........................................7 Cambridge Introduction to Tom Stoppard, The........................................2 Choral Mediations in Greek Tragedy..........4 Condren, Conal......................................12 Cooper, Helen..........................................9 Craik, Katharine A....................................9

D David Mamet and American Macho..........3 Delgado, Maria M.....................................3 Demastes, William....................................2 Dimmock, Matthew..................................9 Dion Boucicault........................................4 Documents of Performance in Early Modern England..................................12

GagnĂŠ, Renaud........................................4 Gertz, Genelle........................................14 Gibbons, Brian.......................................16 Gies, David T.............................................3 Greek Comedy and the Discourse of Genres..................................................5

H Handbook of Journal Publishing, The......18 Heresy Trials and English Women Writers, 1400â&#x20AC;&#x201C;1670............................14 Herman, Peter C.....................................14 History of Theatre in Spain, A....................3 Hoenselaars, Ton....................................15 Holland, Peter.................................... 9, 15 Holmberg, Arthur.....................................3 Honig, Bonnie........................................17 Hooper, Michael S. D.................................2 Hopman, Marianne..................................4

I Ichikawa, Mariko....................................10 Innes, Christopher....................................7

J Jonson, Ben...........................................13

eBooks available at www.cambridge.org/ebookstore

Index L

LaFrenier, Douglas..................................18 Late Shakespeare, 1608–1613...............10 Lindley, David.........................................16 Loughnane, Rory....................................10

Sabor, Peter............................................15 Sala, Emilio..............................................4 Sauer, Elizabeth......................................14 Schein, Seth L...........................................6 Schlueter, Kurt........................................17 Sexual Politics in the Work of Tennessee Williams................................................2 Shakespeare and Early Modern Political Thought..............................................12 Shakespeare and the Book Trade..............7 Shakespeare and World Cinema..............11 Shakespeare as Literary Dramatist.............8 Shakespeare Beyond Doubt......................8 Shakespeare in the Eighteenth Century...15 Shakespeare Survey 65...........................15 Shakespeare, William..............................17 Shakespearean Sensations........................9 Shakespearean Stage Space, The.............10 Shevtsova, Maria......................................7 Shore, Daniel..........................................11 Slaves and Slavery in Ancient Greek Comic Drama........................................5 Sleep, Romance and Human Embodiment........................................12 Sophocles................................................6 Sophocles: Philoctetes..............................6 Sounds of Paris in Verdi’s La traviata .......4 Stern, Tiffany..........................................12 Sullivan, Jr, Garrett A...............................12

M MacFaul, Tom.........................................11 McFeely, Deirdre.......................................4 Medieval Shakespeare..............................9 Menander in Antiquity..............................5 Menon, Jisha............................................2 Milton and the Art of Rhetoric................11 Moore, Timothy J......................................6 Morris, Sally...........................................18 Morse, Ruth.............................................9 Music in Roman Comedy..........................6 Mythologies of the Prophet Muhammad in Early Modern English Culture.............9

N Nervegna, Sebastiana...............................5 New Cambridge Shakespeare, The..........16 New Milton Criticism, The.......................14 Nooter, Sarah...........................................6

P Peponi, Anastasia-Erasmia........................4 Performance and Culture in Plato’s Laws...4 Performance of Nationalism, The...............2 Performing Early Modern Drama Today...11 Pollard, Tanya...........................................9 Power, Andrew J.....................................10 Prauscello, Lucia.......................................5 Prince, Kathryn.......................................11 Problem Fathers in Shakespeare and Renaissance Drama.............................11

R Reich, Margaret......................................18 Rethinking Historicism from Shakespeare to Milton.........................10 Ritchie, Fiona.........................................15

T Tatspaugh, Patricia.................................17 Telò, Mario...............................................5 Tempest, The..........................................16 Theater Outside Athens............................5 Thornton Burnett, Mark..........................11 Till, Nicholas.............................................7 Tordoff, Rob.............................................5 Turner, Robert Kean................................17 Two Gentlemen of Verona, The...............17 Two Noble Kinsmen, The.........................17

V Versions of Antihumanism......................14

Index

W Wells, Stanley...........................................8 Werstine, Paul........................................10 When Heroes Sing....................................6 Wiles, David.............................................6

Y Young, Harvey..........................................2

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Notes

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MRS PAT AND THE ‘NEW WOMAN’ OPHELIA LETTER TO A DEAD PLAYWRIGHT? POSTDRAMATISM IN THE PLAYS OF MARTIN CRIMP IN SEARCH OF ADOLPHE APPIA NEW MASKS FOR ANCIENT DRAMA THEATRE DE COMPLICITE’S ‘MNEMONIC’ ARGUING WITH THE AUDIENCE DRAMA ONSTAGE AND OFF IN TBILISI

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tem o issn 0040-2982

a quarterly review of modern music

vol. 66 no. 259

vol. 66 no. 259 january 2012

out of the shadows and silences: lotta wennäkoski in profile Tim Howell

schoenberg: the petrarch setting in the serenade, op. 24; form and material in klavierstück, op. 33b Edward Green, Hugh Collins-Rice

‘the space of the soul’: an interview with sofia gubaidulina Ivan Moody

the evolution of form in the music of roger reynolds (part i) Michael Boyd

first performances: proms 2011, cheltenham, presteigne & manchester festivals

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