CAN DEMIRTAS
PORTFOLIO 2018 SELECTED WORKS
| Personal Informations |
Yenimahalle, Ankara / Turkey 29.04.1994
+90 554 981 76 19 can.demirtasss@gmail.com
İ. Can Demirtaş
instagram | @ccandemm facebook | can.demirtasss
Architect
INDEX
CV PROJECTS OTHER WORKS
Education September 2013 - June 2018
Eskişehir Osmangazi University | Eskişehir, Turkey Faculty of Engineering and Architecture Department of Architecture ( Bachelor Degree )
January 2016 - July 2016 September 2013 - June 2014 September 2008 - June 2012
The Institute of Technology and Business | Czech Republic
Faculty of Technology : Department of Civil Engineering and Architecture
Eskişehir Osmangazi University Preparoty School Halide Edip High School
Experiences July 2017 - September 2017
Özer/Ürger Architects | Ankara, Turkey Intern Architect / Office Internship
July 2016 - September 2016 August 2015 - September 2015 June 2015 - July 2015
Hacettepe University Construction and Technical Directorate | Ankara, Turkey
Children's Hospital Construction / Site Internship
Historical Building Survey | Nevşehir, Turkey Measurement of Historical Houses / Team Work
Topography Intership | Eskişehir, Turkey Making Basic Measurements / Team Work
Skills Computer Languages Personal Abilities Interests Journeys
Autocad | Sketchup | Rhinoceros 3D | Vray Render | Lumion | Adobe Photoshop | Adobe Illustrator | Adobe Premiere | Microsoft Office Engilish | C1 -Upper Intermediate - Turkish | Native Language Teamwork | Problem solving and critical thinking | Motivation Entrepreneurship | Creativity | Communication | Working in harmony Photography | Photo manipulation | Video editing | Collage | Sketching | Austria | Belgium | Cyprus | Czech Republic | France | Germany Hungary | Italy | Netherlands | Slovakia | Switzerland
Teamworks and Organizations 2014 - 2018 2015 - 2018
Bademlik Design Festival
2015 | 2016 | 2017 | 2018 Team Member
‘’ Kayıt-sız ’’ Architecture and Design Club | Eskişehir Osmangazi University 2016 | 2017 | 2018 Team Member
Competitions April 2018
Exhibiton Prize | Özyeğin University MİTA 2018 (Symposium on Design Research in Architecture II )
December 2017
XII. RAF Product Review Cover Design Contest | Arkitera
December 2017
V. Ceramic Design Contest ‘’Regular Irregularity’’ | Yurtbay Ceramic Company
October 2017
ArcED 3rd. Category | Association of Architectural Education (MİMED)
November 2017
The Architecture Lose The Person... Person Looking for Place... Photography Competation | The Architects’ Association 1927
September 2017
‘’Door to the Story‘’ Door Design Contest | Kale Kilit Group
March 2017
‘’Cities Without Architecture’’ International Photography Competition
March 2017
Design a Sustainable Future | Renaissance Holding with Gizem Demirhan, Gözde Yiğit, Mehmet Ali Kımıcı, Nuray Gül
December 2016 December 2016 December 2016
VIII. Concrete Ideas Project Competition | with Nuray Gül Jury Special Prize | ArcED 2nd. Category | Association of Architecture Education (MİMED) İstanbul as a ‘’Palimpsest City’’ and Endless Design Layers | with Gözde Yiğit, Hidayet Balkır
October 2015
ArcED 1st. Category | Association of Architecture Education (MİMED)
August 2015
Gölpazarı Municipality | Iskenderun Municipality Logo Design Contest
Workshops and Lectures July 2018 December 2017 August 2017 May 2017 April 2017 December 2016 December 2016
XVI. Venice Architecture Biennale, Turkish Pavillion | Venice / Italy
Participant | Curator : Kerem Piker | Tutor : Avşar Gürpınar, Cansu Cürgen, Studio Totale
PechaKucha - Snap to Point | Eskişehir / Turkey Speaker | Bademlik Design Festival Team
XVI .Betonart Architecture Summer School | Bursa / Turkey
Participant | Curator : PAB Architectural Design | Tutor : Avşar Gürpınar, Cansu Cürgen
Mind the Bug - Conflicting Drawings | Eskişehir / Turkey Participant | Tutor : Ozan Avcı
Tripedia 3D Design and Modeling | Eskişehir / Turkey
Tutor and Participant
Kayıt-sız Atelier III | Eskişehir / Turkey Tutor | Sketching
Açıkfakülte Seminerleri No.52 at Bilgi University | İstanbul / Turkey
Speaker | Kayıt-sız Architecture and Design Club
December 2016
Praxis Lectures at Kadirhas University | İstanbul / Turkey
September 2016
Memory Palaces | Istanbul Design Biennial
December 2015 Novermber 2015 January 2015 November 2014
Speaker | Kayıt-sız Team
Participant | Tutor : Erdem Üngür, Asiye Akgün, Ceren Göğüş, İlke Tekin, Erenus Atilla
Kayıt-sız Atelier II | Eskişehir / Turkey
Tutor | Production | Club Room Design
Whatabout | Eskişehir / Turkey
Participant | Synesthesia
National Architecture Students Meeting (UMOB 14.5) | Gebze / Turkey Participant | Tutor : -trak design | X / X Temporary Spaces
Urban Experience as a Flâneur | Kocaeli / Turkey Participant | Tutor : Çizik & Kayıt-sız
Projects
re-union of the zonguldak tetratopia coffee house sustainable youth center no-w-here thinking-center palimpsest concrete pavilion mega-structure x/x
| Zonguldak Miners Museum | Memorial Diploma-Graduation Project Re-union of the Zonguldak Location : Zonguldak / Turkey
Zonguldak is a very young city that is first noticed when examined. In fact, Zonguldak has a city history developing only in the last 100-130 years. The whole story of Zonguldak begins with the discovery of coal in the region. In the region, which is the size of an undeveloped coastal town just before coal, coal manages to create its own culture. Zonguldak is the scene of many firsts and developments in this short but intensive historical process. Therefore, in a very short time, it becomes a city with many adjectives. A Levantine City influenced by the French who settled in the region to operate the coal in Ottaman times, a mining city with the discovery of coal, first city of the republic, after the proclamation of the Republic of Turkey's, an industry and port city, together with the developing coal industry and trade, a workers' city due to the mass of workers coming with the industry, a lament city as a result of accidents and losses and it turns into a mosaic of all. Each of these identities is influenced, articulated by each other, clashing, reconciling with each other and creating the present Zonguldak. Today many of the city while similar development issues and problems in the World and Turkey.So, what is it that makes it unique to the region this problem? The answer is that such an intense change of Zonguldak is lived in a very short period of time. As a result, the region is unable to keep its memory physically and mentally, and is undergoing a memory erosion.
1940
1829
The coal was discovered in Zonguldak.
Labor Liability was being implemented.
1956
Lavuar area (coal washing) was built.
1856
The first port was built.
1950
New port was built.
1848
The coal was starting to operate.
2006
The area was registered and destruction has started.
View of the Project Area from the Top
Underground Silos
Port
Visuality Silos
Tunnel
Different identities of Zonguldak Mi n Cit ing y
Republic City
Port City
Agricultural City
Coal City
In
du s Ci tria ty l
Wo rke Cit rs y
The Image of the Zonguldak
MINER
LOCAL
Labor | Disease | Lamentation | Slogan | Work | Family | Destiny
TOURIST
Coal | Black Diamond | Lavuar | Industry | Environmental Pollution Coal | Black Diamond | Mine | Explosions | Slope
Melting Physical Memory PORT PIER
3
GOVERNORSHIP
WORKES OFFICE
4
1930 - 2001
5
1910 - 2001
1930 - 1990
COAST MEDICAL BUILDING
EKONOMA OF THE FENER
2
6 4
7 5
6
2
1900 - 1964 CENTRAL LAVUAR
1950 - 1990
SĂœRMEN WEDDING HALL
(coal washer)
1
7
1
1957 - 2006
1960 - 2001
Besides, the acceleration of the region with the mine and falling with the mine, mining accidents, workers' actions, physical, psychological and perhaps most importantly, environmental impacts of heavy industry left the city still hanging in the air.The Lavuar Area has been operating as a heavy industrial zone for ďŹ fty years when it is operated with the advantage of its proximity to the port. With the demolition decision taken in 2006, this industrial heritage is being destroyed and abandoned to its fate. At the moment, there are only 3 tower-silos and silos under the ground.The task of the project area after this stage can be grouped under 3 headings. A center where the melting physical and mental memory is kept, a rehabilitation space for facing dozens of problems hanging in the air, and a space for the heavy industry to reclaim the healthy environmental conditions and green space it receives from the region.
Intensity
Lineaments
RELATIONSHIP WITH SEA
Port of Zonguldak
TOPOGRAPHY
Lavuar Area PAST
FUTURE OF THE CITY
dolu | boĹ&#x; analizi
Map of the Project Area
2 The Last Destroyed Building
1 Silos
Potentials of the Project Area
Ă– : 1/5.000
Full - Empty
Train Station
port train line
highway
3 Underground Tunnel Connection 4Underground Silos
Physical State in the Area As a result of the urban transformation projects, there is only one (3) underground tunnel that connects with the underground silo and maintains its existence in the new project. The destroyed (2) Kribnaj Building was revitalized by keeping its gabaris and volume in the project.
Approach to the Area Framing and marking traces that are important for the physical and mental memory of the existing or recently destroyed of the project area
Past of the Area The lavuar area was an old, heavy industrial facility in the city. In addition to the structural renewal, one of the important decisions is to leave the area green and nature to rehabilitate damage that this industry has caused to the people, the environment and nature in the past.
Relationship with the Sea Relation to the sea and coast due to the fillings required for the port, the road and port are almost zero. Providing this connection in the project is one of the other important points.
Wooden structure was construced to cover the gabaris and volume of the representing the destroyed ‘’ Kriblaj ‘’ elimination building which the last physical element that melts in the project area. At the same time, it serves as an exhibition and information space for the production at this center.
A
In the empty space remaining from the underground silos, it was transformed into a memory place for mine workers who had lost their lives, had accident due to , explosions, accidents, neglect. The installation work consisting of dozens of gypsum works in the area was formed by the molds taken from these miners' families and mine workers.They still reach out to us, try to make their voices heard.
B
4
3
2 4
7 A 3
7
5 6
5
2
C
6
1
1
B
Memory tunnels were construced with reference from the reinforcement system built to provide movement and flow within the mines.It is designed to provide both flow, movement and exhibition space.
C
-3.00
-1.60
Restaura
nt
+ -0.00
60 m²
Souvenir
D
+ -0.00
435 m²
Cold Storage
A
Kitchen
Storage
80 m²
15 m²
Storage
WC 9 m²
WC 7 m²
WC 7 m²
WC 7 m²
WC 7 m²
Exhibitio
n Hall
WC 9 m²
470 m² + -0.0 0
-0.00 +
Disabled WC 18 m²
+ -0.00
+1.00
+ -0.00
um
Stage
600 m²
B + -0.00
Storage 32 m²
Exhibitio Auditori
+ -0.00
A
WC 15 m²
n Hall
470 m²
WC 15 m²
-8.00
+ -0.00
Foyer + -0.00
B
Enteran
+ -0.00
ce
Atelier-I
+ -0.00
C
300m²
Storage
20 m²
Dressing Room
Informati
Library
on
185 m² + -0.0 0
WC
+ -0.00
+ -0.0 0
WC
WC + -0.00
Library
+ -0.00
WC
320 m²
+ -0.00
Dressing Room + -0.00
C
+ -0.00
+ -0.00
Storage
20 m²
Atelier-II
D
300m²
+ 0.00 PLAN +10.00
+9.20
+8.00
+4.00
+4.00
+ -0.00
SECTION DD
+25.00
+10.00
+10.00
+5.20
+
-0.00 -1.50
-8.00
SECTION CC
Atelier-
-8.00
Atelier-
III
-8.00
840 m²
III
840 m²
-8.00
ound Sil
e Storage
Space
-8.00
-8.00
75m²
n Storag WC
os
-4.00
WC
Exhibito
WC
Installation
-8.00
Undergr -4.00
-8.00
Enterance
Dressing Room
WC
WC
Dressing Room
Storage Parking
Tecnical -4.00
Room
Enterance
Parking
115m²
-4.00 PLAN
Visitor Enter
ance
-8.00 PLAN
Cafe in front of the Library
Exhibition Hall in the Inner Courtyard
SITE PLAN
+9.50
+9.50
+7.50
+4.00
+4.00
SECTION AA
Restaura
nt
+4.00
75 m²
Coffee
435 m²
+4.00
Cold Storage
Kitchen 80 m²
Storage
WC 10 m²
WC 7 m²
WC 7 m²
Exhibitio
n Hall
470 m² + -0.0 0
+4.00
+4.00
Technical Room
600 m²
375 m² +4.00
Storage 32 m²
Auditoriu m
Stage +1.00
Platform
375 m² +4.00
WC 15 m²
+ -0.00
Viewing
Viewing
Platform
Disabled WC 18 m²
WC 15 m²
+4.00
Kitchen 25 m²
Stage Storage
Exhibitio
62 m²
Balcony
100 m²
Office
115 m²
n Hall
+4.00
600 m²
+4.00
Curator Room 60 m²
Gallery
215 m² +4.00
+ -0.00
+4.00 + -0.00 + -0.00 + -0.00
Gallery
320 m²
+ -0.00
Checkroo m 30 m²
+ -0.00
Exhibitio +4.00
n Hall
600 m²
+4.00 PLAN
+9.20
+10.00
+4.00
SECTION CC
General view from the Inner Courtyard
An Exhibition in the Memory Tunnels
| Tetratopia - İzmir as a Portcity 4th Grade Architectural Project 401 with Gizem Demirhan, Gözde Yiğit, Nuray Gül Location : İzmir / Turkey
The project area is one of the most active points of İzmir which is İzmir Port and Port Back Area. In order to develop the viewpoint of the project more healthily, a city study was done based on historical, physical and cultural references of İzmir and this region. The city was built around an inner harbor called the ‘’Agora ‘’. Later, it lost its portability and changed to the port and commercial port of Alsancak. The development of railways and transport with containers is becoming easier and the potential of the region is increasing. This increased potential calls for an intense industry like Sumerbank, the Gas Plant, the Oriental Industry, and the Tile factory. With some neoliberal movements in the 90s and the removal of industrial areas from city centers, there are some idle fields that we can characterize as industrial heritage.
SITE PATTERN ANALYSIS
INDUSTRIAL HERITAGE COAST AND RECREATION MIX USED FREE SPACES RESIDENTIAL COMMERCIAL AREA PORT
PUBLIC PUBLIC AND PRIVATE FREE SPACES PRIVATE AREA COMMERCIAL AREA PORT
INDUSTRIAL HERITAGE | PUBLIC AND PRIVATE COAST AND RECREATION | PUBLIC MIX USED | PUBLIC AND PRIVATE FREE SPACES RESIDENTIAL | PRIVATE COMMERCIAL | PUBLIC AREA PORT
After the analyzes made, the underlying problem was identified. The coast, port,the areas behind the port were designed as separate pieces from the whole of the city. These separate working parts have created and still bear many physical, psychological bounders.We asked what is the method of preserving and improving this dynamic situation of the borders in the city. If we want to build some bridges from city to this area again, believe that should protect the distance between the city and this area. CURRENT SITUATION
CURRENT SITUATIONFRAME 1
FRAME 1
FRAME 2
FRAME 2
FRAME 3
Publicized Viaduct Feet
FRAGMENT 1 FRAGMENT 2
CURRENT STATE OTHER INITIATIVES URBANITE INITIATIVE
First Movement
First Movement
Sumerbank Old Campus
Sumerbank Old Campus
Shiffting Ege Neighborhood texture
Shiffting Ege Neighborhood texture
CURRENT STATE OTHER INITIATIVES URBANITE INITIATIVE
NOWADAYS 2018
NOWADAYS 2018
7 YEARS LATER 2025
7 YEARS LATER 2025
19 YEARS LATER 2037
19 YEARS LATE 2037
ER
BOUNDARY MELTING GRAPHICS
port and coast line port and portback line
port and coast line port and portback line +X Year
nowadays
port and coast line port and portback line
port and coast line port and portback line +2X Year
+3X Year
Because when we reduce distances we begin to assimilate, and when we increase distances we cause conflicts. So we're losing dynamic state here. The simultaneous overlapping of this infinite variety determined by boundaries was the focal point of the project. The search for a new alternative urban pattern, space, which will meet this situation,has entered.Looking at this alternative to see if there is a contradiction in the literature, meet with the concept that Fuko called heterotopia . FRAME 3
FRAME 4
FRAME 4
FRAME 5
New Cruise Ship Wharf
FRAME 5
New Cruise Ship Wharf
Publicized Viaduct Feet
Old and New commercialArea
Old and New commercialArea
New Residental Area
Continuation of publicity in the viaduct at the port.
Continuation of publicity in the viaduct at the port.
New Residental Area
Recycling Centers and Recreation Area
32 YEARS LATER 2050
32 YEARS LATER 2050
43 YEARS LATER 2061
43 YEARS LATER 2061
55 YEARS LATER 2073
55 YEARS LATER 2073
Recycling Centers and Recreation Area
PUBLIC INITIATIVE
Heterotopia (3rd space) is what we refer to as the simplest, with reference to the real world, that is, a dynamic character that changes and transforms temporally and spatially. This dynamic character is the region where we can read most comfortably, the port and the back of the port. Why? Because; this region has developed industrially with the port, OTHER INITIATIVE
then lost its significance and turned into idle fields by pushing industrial-industrial zones into city facades. There are certain transformations now being made. For example; the conversion of the Old Gas Factory to a cultural center,conversion of part of the old settlement of Sumerbank to High Schoolor, the existing residential texture ; all of these feed the concept of heterotopia. BORDERS
Publicized Viaducts Section
New Green Area -Recycling Center-
Umurbey District
New Station Existing Texture - 3. Space Relationship Ege District Administration Buildings
Residences Viaduct-Commercial Texture Relationship
Alsancak Train Station
Coast Right | First Movement
Residential | Commercial Texture
Strip-Mall
Intensive Commercial Texture
Historical Air Gas Factory Eastern Electricity Factory
Inert Viaduct Feet Kordon
Movement in Space
Public Viaducts
Port
Reclaimed Wharf for Cruise Ship.
transformation of a space with time
Patterns in Region
recycling with participation citizens
Nowadays | 2018
After the Motion Has Started
After the recycling centers were established
shifting and developing settlement texture distribution at different elevations provides new relationships and connections. transformation of existing structure with time
Metal Panel Wooden Floor
Prefabricated Reinforced Concrete Floor Panel
Shade Metal Wing
Reinforced Concrete Concrete Panel
the behavior of the third place in existing reinforced concrete structures. new variations of different materials coming together.
A
makeshift that are referred to when creating the third place.
key plan
A
B
B
key plan
SECTION AA
new fictions with changing parts.
new settlements
+ Local People
Patterns in Region
+ After the Transformation
Visiters
Metal Frame third space spread between two commercial building new stores, ateliers, open and close places
Wooden Floor
changing movements with time and users
Composite Flooring
Rusted Metal Floor and Stairs
Steel Carriers
makeshift that are referred to when creating the third place.
C
new pattern that will develop and nourish the potential of having commercial area
C
key plan
SECTION BB
SECTION CC
| Walker's Coffee House January 2018 with Gizem Demirhan, Gözde Yiğit, Nuray Gül Location : Eskişehir / Turkey
Walkers Coffee House converted from an old car repair shop to Cafe, is located in Hat Boyu Street and Baydemir Street Eskişehir. The Coffee House's interior and facade are designed. The Coffee House, which is on both sides of the street, is 38 square meters in total,
5c
m
A
44
73
0c
m
CAFE 38 m² WC 5 m²
KITCHEN 15 m²
453 cm
Brick Wall Aerated Concrete Wall
A 530 cm
WALL Cafe: Grey, Water-Based Interior Wall Paint RAL 7032
Toilets : White Ceramic Tile (6x25 cm)
410 cm
207 cm
cassa
Kitchen : White Ceramic Tile (6x25 cm)
FLOOR Cafe: Ceramic Tile (60x60 cm)
Toilets : Patterned Tile (20x20 cm)
SIDE PLAN 460 cm
+4.50
+4.00
+3.25
+2.50
SREKLAW esuoh effoc
+0.75
SECTION AA
| Renaissance Holding Design a Sustainable Future Competation | Sustainable Youth Center Competation | Participant
Since 1987, when the concept of sustainability ďŹ rst came into being, it has undergone rapid changes and transformations. As Cook and Golton point out, "Sustainable design varies in a wide variety of ways, incorporating many perspectives and allowing broad interpretation." When we examine a large number of articles, reports and books on sustainability in different disciplines, we see that there are very different interpretations of what the sustainable space will represent. As Susan Maxman says, '' There is no recipe for sustainability. It is a mindset and approach - and should not need any labels.'' In addition to the structural decisions of sustainability, cultural, sociological and economic aspects are equally important. The resulting structure should go beyond just material and energy continuity, and it should be able to sustain the concept of 'sustainability' at its most basic. This is what this youth center is based on in the sub-text of the decisions made during the design phase.
1 2 3 4 5 6 7 8 9 10 11
1
indoor sports hall locker rooms table sports hall music atelier/studio sustainable atelier I enterance hall children atelier cafe
2 3 13
4 5 6 7 8 9
library I cafe & lounge restaurant
10
green house 13 park and landscape 14 conference hall 15 enterance hall 16 offices & management 17 meeting rooms 18 craft atelier 19 cafe 20 outdoor sports
12
12
table sports hall sustainable atelier II dance & yoga studio theater atelier/studio library II restaurant exhibition hall exhibition hall sculpture & ceramics atelier cafe & lounge restaurant one of the sources that will provide income to the center.
11
10
9
fields for practical training.
14
8 7
15
3
6
sustinanla atelier for apartment and urban farming
5
4
17
3
16
19
1
18
20
+ 0.00 PLAN
4
2 1
20
2
5
roads provide navigation to the entire area.
Vegetables grown in the greenhouse for the use of the restaurant are also sold at the same time, providing income to this center.
pedestrian and bicycle routes
6
atriums for meetings and intersections
7
8
9 10
+ 4.00 PLAN
SIDE PLAN
KONUT
OTOPARK
AVM
KONUT
DURAK
1
IMPORTANT POINTS OF SETTLEMENT REFERENCE
SUN - WIND ANALYSIS
2
In the project area, the river on the north wall, the mall and parking on the south wall, housing texture in the south and west walls; climatic characteristics, environmental data were the main influences on the area of distribution.
It is located on the ground because that it can be utilized at maximum level of solar energy.
3
APPROACH TO THE PROJECT AREA With reference to the slope in the land, two main axes were determined with the objective of minimizing the intervention in the area.
4
APPROACH TO THE PROJECT AREA It is aimed to provide flow from every direction considering the mass of these factors in the project area. In order not to draw a border between the built environment and nature, it was allowed to infiltrate the walls.
4m
4m
removable CTL Panel System
Passive Warming and Cooling with Trombe Wall
In connection with sustainability principles, wood is the preferred material for design; natural and human friendly material. Cross-laminated timber (CLT) is an important innovation. Also wide openings can be passed. It can also be easily integrated with steel, reinforced concrete and wooden frame systems. This system has is more advantageous sound insulation, heat insulation, air tightness or fire protection in terms of physical and structural features
dance | yoga atรถlyesi theater atelier table spors hall locker room indoor sport hallc
children atelier
children atelier
restaurant | cafe restaurant | cafe library
Sustainablea atelier enterance hall
greenhouse restaurant
cafe cafe
exhibition hall meeting rooms
fuaye
Program on the area.
auditorium enterance hall
cafe administration craft ateliers
sculpture |ceramic ateleirs
exhibition hall
Roads for access,exit to the area.
Horizontal Circulation
General view from the Center
Entrance from the exhibition hall to the Center
| A UTOPIA DESIGN ; No-w- here 2nd Grade Architectural Project 201
ArcED 2nd Category | Jury Special Prize The chaos which has expected to find humankind came and it found the humankind one day. So-called free governments, which seemed to be multi-voice, began their propaganda to keep people under control. Infact, this multi-voice is controlled by a single voice of big companies, and they wanted to convince people; streets are no longer safe because the streets were people's socializing areas, the streets were filled with "possible" danger which is only they know. We no longer needed nature because it reduced our commitment to them. The great powers on our heads already met all our needs. It does not matter where it comes from or how it is obtained. People were now away from nature. There is no other knowledge of nature except flowing water from the tap, the last few animal photos on the internet and the tree that appears far away from a corner of the window. This insecure world was too dangerous to go out. In a society where you trusted nobody ,communication was already an unnecessary item. The last straw was came out. "Innocent" chips produced with the aim of protecting people from bad environmental conditions, illnesses and "possible" dangers. These chips have become mandatory by governments for every individual in society. Now they were determined to get into people's minds. It was time to go for the against group, Perhaps the last change to make a new society which will not include past's mistakes, chaos. It will be refined new society. There was no-where now and now it was time to move on - now-here -
11 2
Life Units System based on basic needs and can be developed with new needs and people
2
3
1 6
Drying Terraces to provide longer and healthful storage of field harvests due to lack of electricity
3
1
1
4
Stores | Warehouse products collected from the fields are stored here. *In these drawings, hand drawings are developed by digital method.
4
Daily Storages
for daily using of stored materials.
3 2
5
5 5
6
5
Workshop | Atelier
for daily repairs, new discoveries and everything else‌ 6
6
wooden panels from the surrounding forests
Social Spaces meeting places and points for people
NO-W-HERE
1
Bringing pieces together with wooden-pieces
Drying Terraces 4 3
2
Stores positioned by reference to tree heights. It provides long-term storage of food.
Simple structure adaptable to changing needs and increasing population.
In the new community some migration routes are being followed to communicate with nature again. (1) Firstly, there is a settlement between the trees to adapt to this land, which is mostly covered with forests (2) it is settling on the edge of the lake, which is a still waters edge to restore the connection with the water (3) And finally settlement to an island for the development of the relationship between water, forest and nature. Then, some migration routes are determined so that this relationship is not lost in new generations and in arriving people
Agricultural Land Fields where vegetables suitable for drying are grown.
1 3
NO PROFESSIONALIZATION ! Wells Wells used to when stay away from the stream and don’t pollute the water
Changing tasks and work descriptions in some periods according to needs
2
Sustainable Forest New trees planted instead of cutting trees to keep the balance of nature
number
First Migration Route Possible Migration Routes
Fruit Tress
Trees where fruits suitable for drying are grown.
SOUTH-EAST VIEW
B
A
B
A
BB SECTİON
*In these drawings, hand drawings are developed by digital method.
AA SECTİON
| Yunus Emre Culture Center 3rd Grade Architectural Project 301 Location : Eskişehir / Turkey
Yunus Emre was both a poet and a sufi. If you want to know Yunus with which identity, these two shirts have made a strange Yunus. He saw come and go through to this life as a way. Every experience he had on this path, every life he touched and touched him, short encounters, long companionship ... In short, what Yunus knew and what he learned on the way. The way has always called Yunus, and he has responded to every call, because every new call has prepared him for his real world, - to his trut- This world was the world of distractions and struggles. But it was filled with lectures and manners that would make life a reality. Every living thing suddenly joins the hurry called life and after that, it draws a way to itself. Either it goes over the drawn roads or it breaks and opens new roads to itself. But whatever , eventually it reaches the truth and infinite knowledge. I am looking for the trail of a troubled strange Yunus, who passed away from this world for centuries after his death, but left behind huge traces of him. I trail this trail just like Yunus ; deeply, like the cracking stinging that goes on without revealing itself It must be modest like him in this building which would bring his system of thinking and beyond to life, not in sight butaccessible ... So that, this is to make Yunus Emre's intellectual home to us, a structure that meets all underground, with novisible factions on the surface at all. As you have entered life, you will suddenly be included in this thought house. Yunu say that, '' to leave the comfort, for going out '' So, in this building you will find yourself choosing a way to leave your comfort just like life... Who will not dare, will go from a single road and only learn from this way , while others will add something from every road. But whatever you earn, whatever you lose, we will all meet in eternal knowledge and spaciousness as Yunus hopes.
d
di
A
B
Important Points of Region
Accessibility to the Project Area
ANADOLU UNIVERSITY
ES P MA ARK LL
PROJECT AREA
ATION TRAIN ST
SUGAR REFINERY
Tram Line Tram Line
C
TCDD Line
Bus Line
TCDD Line
Bus Line
Location of Project / Eskişehir
D
Location of Project
Project Area
Structure that meets all underground, with no visible factions on the surface at all. As you have entered life, you will suddenly be included in this thought house. Yunus says that, '' to leave the comfort, for going out '' So, in this building you will find yourself choosing a way to leave your comfort just like life … Who will not dare, will go from a single road and only learn from this way , while others will add something from every road. But whatever you earn, whatever you lose, we will all meet in eternal knowledge and spaciousness as Yunus hopes. DEATH AND AFTER
ENCOUNTER
Meet new passengers!
INTERSECTION
Cross the road with new people!
TRANSITION
Chance to experience other ways on journey!
DON’T GO ! JUST FEEL Some ways just need to watch and feel !
In order to form a reference to the cracks in the project area and the hulls, a pattern of the land was prepared and plaster casts. The typology of the fractures was examined each time the plaster mold was broken.
LIFE
1
2
ROAD EXPERIENCE - II On this route where the water leads you, if you want to you can experience the water or stop and watch
ROAD EXPERIENCE - I
A
If we were to perceive the world with only one sensation ! It's a dark passage that you just walked on pebbles. Rammed Earth 1
3
B
2 C B
Brick
C
A
3
MAIN ROADS
Buildings in the program were bricked. Other slit and cracked masses were turned into rammed earth. So at Yunus' house we can experience both raw and cooked earth together.
CRACKS LEAKAGES
ROAD EXPERIENCE - III
The water creates different shadows on the walls and on the ground at different times of the day through to the day light.
Y
DAAYMAK
LA LGA KE NMA SEÇSİŞİM İM
HA
AKIREKET IŞIK
SIZ Ş FE M ESA KIRAK M YO IK L
Glass encounter walls
-see but don’t speak-
-4.00
Exhibition Hall
-4.00
340 m² -4.00 WC 15 m²
Stor 35 age m²
WC 13 m²
-4.00
WC 13 m²
260 m²
Dis
ab
-4.00
led 10 WC m²
A
13 WC m ²
Dressing Room 18 m²
Backstage
Stage Storage
-4.00
A
ge ra ² Sto 15 m
Book Storage 28 m²
WC 15 m²
Dressing Room 18 m²
13 WC m²
Atelier
Disabled WC 10 m²
85 m²
C ² m
W
13
Stage 105 m²
-4.00
A
W
C ² m
510 m²
13
C W ² led m ab 10
Dis
Library
A
Square
-4.00
-4.00
WC 17 m²
-3.00 Disabled WC 9 m²
-4.00
-4.00
WC 17 m²
Storage 15 m² Disabled WC 9 m²
-4.00
-4.00
-4.00
Baby Room 15 m²
om
ro
ck
Che
ce
et
Offi
Tick
Auditorium 165 m²
Cafe
Foyer 240 m²
-4.00
A -4.00
Exhibition Hall
-4.00
330 m² -4.00
Road Experience - II
A
13 WC m²
-4.00 Dis
A
Rammed Earth
So
op ² Sh200 m
or
St
A
ab
led 10 WC m²
ir
en
uv
e&
WC 15 m²
Stor 20 age m²
ok
Bo
ion ² at 120 m
m
or
Inf
13 WC m ²
ge ra ² Sto 30 m
-4.00
.00
-4
Disabled WC 10 m²
-4.00
WC 9 m²
Dressing Room 15 m²
WC 13 m²
Atelier 330 m² -4.00
C ² m
W
-4.00
WC 13 m²
C ² m
.00
-4
13
Offi
Storage 10 m²
165
Dining Hall 115 m²
-4.00 Kitchen
28 m²
inis
m
Ad
13
A
-4.00 PLAN
tra
r nte ² Ce 2 m 4
W C W ² led m ab 10
Dis Disabled WC 10 m²
n
tio
IT
ce
m²
Road Experience - III -4.00
+ -0.00
-4.00
3 + -0.00
-1.0
0
+ -0.00
2 -2.0 0
+ -0.00
4
+ -0.00
1
+ -0.00
+ -0.00
+ -0.00
-4.00
+ -0.00
-4.00 -4.00
-2.00
-1.00
-4.00
+ -0.00
3 + -0.00
+ -0.00
5
-4.00
+ -0.00
Library | Cafe 2 Atelier 3 Exhibition Hall 4 Auditorium | Conference Hall
+ -0.00
1
5
Center 6 Administration +
- 0.00
PLAN
+ -0.00
+ -0.00
Road Experience - I -4.00
2 + -0.00
+ -0.00
6 + -0.00
-4.00
SECTION AA
| Istanbul as a ‘’Palimpsest City ‘’ Competation | Participant Istanbul has always been the city of great projects, great powers; These projects, which were introduced into politics-commissioning such as new bridges, settlements with a population of one million people, super transportation networks, rapid and big urban transformations, unidentification and gentrification, - without relying on scientific criteria, public interest and planning, without distinction of professional and social reaction - directly identified the city's macroform. As a result, the population is expected to be 22-25 million in 2023, and the city faces the danger of depletion of all its vital resources such as agriculture, forests and water basins. This city, which hasn’t begun to recognize the right to live a living thing in the city, has become a silhouette of the inadequacies In this geographical region, which loads the secrets, sorrows and beauty of hundreds of years, it will no longer be as easy to see the beginning nor the end. Istanbul is a monster that consumes the day it lived... In the year 2023, the city, which started to fill up with newcomers, has started to be no one but to be the same for everyone. This city, which has no place to live for people, has always been open to new constructions, new rents and new transformations. Every time the machines and vehicles were made available, it could not fit people and nature. It gave to part of its soul each comer. Istanbul changed when it gave place and started not only to its rapid transformation processes but also protect its memory . Istanbul was not for living anymore. It was a means to come and go. bridged city, roads, big city, Istanbul ... Every new road, every new bridge will not be enough anymore to meet the need of the Istanbul revolution. Istanbul must be a big bridge.
HOW MANY ISTANBUL IS İSTANBUL'S URBAN DEVELOPMENT SCENARIO
15. Century
2000
1950
İstanbul started to split into parcels with "ideal measures". Now every square meter is ready to serve. These parcels have turned into areas where every individual in Istanbul now has to live. .
'' Emerging new technology '' allowed Istanbul to divide. Every piece was a new bridge for tens of new insatiable Istanbul. and every new bridge would open a new rent gate. Because what we do after the first one, Istanbul will always feel a bridge missing.
Construction of the new type of each piece is continuing under water, while the city parts are known to be full of one day.
The new piece to open the door for the new needs -rant- is completely ready for use.
Now, with these parts that are divided, everyone will have a Bosphorus -artificial- beauty. Even the groups that are to be excluded and want to be othered will be liked by these lies. The fake nature you couldn’t even touch when you walked by, the silhouettes you lie to see from afar, and the smiles on people's faces….
New piece rises. It will continue its power until it completes the part of the time. Until it discover the way to get more …
IN AT THIS ISTANBUL?
2080
2023
3000
DEVELOPMENT PROCESS OF SOME PARCELS
3000
2080
23
20
SULUKULE DISTRICT
HAYDARPAÅžA TRAIN STATION 23
20
2080
3000
| VIII. Concrete Ideas Project Competition Competation | Participant The concrete that entered my life again in the 20th century; its strength, its easy shape and size, its compatibility with other materials and its economical structure. Concrete is frequently used in constructions today with its carrier properties. But it is not open to the user experience. Sadly, the examples that can go beyond that in today's design are very limited. Concrete has always been cold, rigid and leakproof. It can not be passed through, it is perceived as closed to intervention and it is introduced. The point we have dealt with in the design we have developed for solving this problem is basically the destruction of this perception. I mean, to break this stiff attitude, to pass through the concrete, to feel its touch and to experience it ... In the middle of a crowded square, we can embrace the concrete with this design that will allow us to come face to face with concrete suddenly in a quiet corner of a street corner. Each mass involved in this design has been poured out in different physiologies - such as age, gender, obstacle state, etc. - with the help of molds created by reference to human bodies. In today's fast life tempo, it reminds us of the ties that human beings have lost with human beings and other life, we are waiting for a ďŹ ction that is based on the properties of concrete binding, supporting, and assembling. At every step of your journey, this is a short journey where you are not your concrete anymore, but the concrete has shaped you and you have to integrate it with your body, touch it, feel it and feel it. At last you can embrace it, hold hands and look at the sky, or you can love a little charming friend.
Level - I
The 10 cm spaces between the units are covered with glass to prevent rain water, snow, dirty and garbage
Level - II
20cm 10cm
5.0
The pavilion is built by steel bars mounted between the concrete blocks. In this way, it is easy and fast to build.
0m
Level - III
Level - IV
Level - V
it has the potential to bring people and living things together from every segment through the changeable concrete molds
view from side
2,3
0m
The moment people meet inside PLAN
| MEGA STRUCTURE 1st Grade Architectural Project 101 with Hidayet Balkır, Pelin Üstündağ Location : Bademlik Campus / Eskişehir
In this work, which was the theme is rhythm, it is aimed to design a rhythm that comes together with its own rise and fall, based on certain rules. Grid system was aimed to provide minimum contact point vertically.The horizontal axis used the three-piece gridal system as a support element. and the woods were mounted to the grid system in a vertical axis, with different lengths, following a crossed path (x-axis). The reference points of the height of our work proceed parallel to the height of the space we are building. At the same time, the distance left on the ground was transformed into a space where people could enter and experience inside. 525 wooden laths were used. The cubic meter is about 58 meters in size (6,6 x 2,2 x 4).
VIEW - I
VIEW - II
420 cm
680 cm
220 cm
| X / X Temporary Spaces Workshop National Architecture Student Meeting 14.5 Location : Gebze / Turkey Tutor : Design -trak | Teamwork
It is designed as a portable exhibition space using only paper bobbin and corrugated cardboard, and at the same time a unit of seating for the function of an urban furniture. The paper bobbin and corrugated board has been combined with different joining and folding methods to increase the strength and stiffness of them. The design, which had a detachable joining system, was rebuilt in the city square after it was built from the workshop area.
with different ways of combining, the carrying capacity has been increased. main materials
+
Different ways
easily portable structure.
openings that carry outdoor voices into the exhibition area
at the same time provides a playground
other works
other works non- communication regular Äąrregularity cover design space and belonging photography
Publication Stand | A manifesto of on non-communication
90 cm
The mirror surface on which the manifest is written. Holes in which you can visually feel the presence of the other person. 2m
Area where manifest broadcasts are hanging
main materials The soil you can stand with your bare feet.
corrugated cardboard
+
screw
First of all you should know that this is the article you will not be able to read with your great and noble loneliness. This time you need someone to openly accept ; forget the unnecessary pride and bullshit that big cities teach you ! Don’t read this alone read only with one. Now, if someone isn’t there, get in touch with one and bring one in ! if there is one, wait for him/her to read first paragraph in loud voice, after that your turn. When you come to the line, start to read your paragraphy in loud voice. It's time to play a mutually enjoyable game. As Holstee Manifesto say : ‘’This is your life. Do what you want and do it often. If you don't like something, change it. If you don't like your job, quit. If you don't have enough time, stop watching TV. If you are looking for the love of your life, stop; they will be waiting for you when you start doing things you love. Stop over-analysing, life is simple. All emotions are beautiful. When you eat, appreciate every last bite. Life is simple. Open your heart, mind and arms to new things and people, we are united in our differences. Ask the next person you see what their passion is and share your inspiring dream with them. Travel often; getting lost will help you find yourself. Some opportunities only come once, seize them. Life is about the people you meet and the things you create with them, so go out and start creating. Life is short,live your dream and wear your passion.” Essence of this work, this manifesto is the manifestation that two people can communicate their own will without without any obligation. The great troubles of the big cities can not swallow us. Now stop reading this paper, tear it down and hug the people other side of platform.
Theme : Regular Irregularity | Ceramic Design Contest 2017
30 cm
30 cm
30 cm
30 cm
Different design examples that can be created
30 cm
30 cm
1
Either be disorder in the great order in nature,
or order in great irregularity in nature !
2
3 4
30 cm
15 cm
15 cm
15 cm
15 cm
15 cm
15 cm
Through the design created with four different parts, each user can create their own regularity and irregularity in their own nature Ă– : 1/20
Different color uses
XII. RAF Product Review Cover Design Contest | Arkitera
Construction Sea
PHOTOGRAPHY Ankara | Turkey
Ankara | Turkey
one-point-one
Düzce | Turkey
Paris | France
invert the light
Eskişehir | Turkey
Budapest | Hungary
dracarys
zigzag
İzmir | Turkey
Düzce | Turkey
Berlin | Germany
Hamburg | Germany
Ankara | Turkey
air conditioner kingdom
Ankara | Turkey
Eskişehir | Turkey
civilization with my sheep
Brussels | Belgium
Berlin | Germany
Ankara | Turkey
İzmir | Turkey
scarpa’s door
Venice | Italy
Ankara | Turkey
THANK YOU industrial heritage
İzmir | Turkey
Budapest | Hungary
goodbye Lenin
Berlin | Germany