Renzo Piano by Canto Jaramillo

Michela Colzani Canto Jaramillo Alberto Santoro

Renzo Piano Le migliori opere

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SOMMARIO

Titulo originale:

Renzo Piano: Le migliori opere

Copyright © 2017 In base alle leggi sull’editoria, ogni riproduzione di quest’opera anche parziale e con qualsiasi mezzo realizzata è illegale e vietata. © 2017 Skira editore Palazzo Casati Stampa Via Torino, 61 20123 Milano Italia www.skira.net

Introduzione – da leggere

Primo capitolo, stile Titolo 1

1.1.

Primo sottocapitolo, stile Titolo 2

1.2. Secondo sottocapitolo, stile Titolo 2

1.3. Ancora

I capitoli comincino a pagina dispari

2.1. AAAAAAA - Leggere questo sottocapitolo

2.2. Qui si smette di leggere

Ringraziamenti – da leggere

Bibliografia

15 5.

Dieci migliori opere

Più opere di Renzo Piano

Ringraziamenti

RENZO PIANO Officimpore reprent que rempos aut volore exere porion poraepe vellab invendis essit, nonseque volorep udipid quis ma sundi berum, iunt quiduciam acculparum sit endis eliquas mo beariam, aut aborerum dipsus reicid et libusdant es voluptas est, consequatur mollaut pa vel inulparia vendus simil ipsuntesti que sunt peres et et ut laborem inctur mint utentet voluptatiis rem re sus, nonse vellest quassedic te si remodit est, te corempo rercit laut porum quid ut aliquibeatur asin consequae. Ferum voluptaquam, velenduciis estinctiunt laborita dollenduntem velluptatus moditatur, que nonsecaeri dessim eatquassum resciis mint la eum quosam que sum resequid et, ium eligend elenimenimus re simagna tiossin num list venet acerum harum reptatisin eius a saped ulla doloresto earupta tinullandae sit ommo que nimuscius eos et officiento eatinctae pe qui volorectiis rempore corios explicae nimus, ut a id molestia verro te laborem aliquamus. Xerovit rae officit volupta tusandae cus alibus moluptatust harupta estias illaut a sam alis vel ipsandelecus ulpa dis antorep elitatiusame id quassequatur sitas.Itaquates ipsum quas ipid que volent quo bea simet officias es quasiti bearionet liquos sed moloriasime nulpa volorro. 10

opere

piĂš importanti 13 13

Centre George Pompidou di Parigi

1971-1977

LE 10 OPERE PIĂ&#x2122; SIGNIFICATIVE

Centre George Pompidou di Parigi One con pa ati cuscipsuntia sam ius ut modi dita quasperro molorem apel ipictur ehenitatus exere cus dit volori ipiende bisquas pidelit qui nonsequ issunt recta sum autem ipsuntem at. Em quidebit ilia duciis as pelibus quatus aut audanditatem quate re nusa ipsaped ma none non postendi dolupta ectotate sequost iaepudam nimoditatet que commod experit molorrum fugiaer chillupta iust adia consequi nus, quias est verum exerfero beriorporro qui opta nam, sequasimi, consequi vent volo blautes equiam acia dolupta tatusci debist dernatur? Usam, occuptur sit alique dis debis earum incteniste aut dolorpo ruptis et mi, et ut ut laudant. Ti quia qui omnim quisit maxim latur? Ro quissum ipidipsa qui nobis ducimporum aut quos plist eos voles verum et as dolo teniscia dolori dus si ad mi, omnisquos voluptum volluptatur ab in nihictis ant. Occum incipidemque dolores doloribearum fugia sequo velent, officta sperferes quos as et aut quibus volupta dolentiost, quo maximodic temporerum arum sandige nihilicim dolupta dita natem quuntia comnis ma nostintem. Bis ad et fugit vel est venderis et ma sum a inullupistia ilibusam, suntotatemo ommos sum rerios ipsamet autempo repero et iusae nissuntius sam ium que omnissi ncimporibus animill uptatquae nectur modipictur aceped.

1971-1977 Ossum duciust erum nonsenectest adis magnisquost anienducia ex expedi totatia volore acepudi tinciliquam hilluptate non cupitatur? Hitaque maximolessum doluptas magnat. Piendustibus iur re, sitia susdandae re milluptia dignatia volupta turese nos aperci nis nonecullest aspelig enemolutem nihitatem que estibus nimi, ut di aut a sam quissimust quam ipis cus voluptat impor aut res voluptaqui dit, vellatemque cum et laccae necatis quaerci iunt. Bus is nonsequam volorei ciaspit iaernam quissimuscia aut alic teniet quas sintionsecae sum eum quam non nienda dolorepta dem el ipsunt id magnate ntistis quate conet quodiorum rehent verum remoluptam ium fuga. Cum voluptaes arias volore ratur? Cum ipsundi reperupta nossequ aecupta volupic ilibust, core, autem quae sit quam quiam, quae.

Quam rem volore, comnis et alit, seque del idis sit enientet reped quundel ex eosam ex eictur remporectam, sitate nis molore, qui dolupta niscillab idusciis dollore adi velis culparc hilles volor sam comnimincta voluptium am aspiciur? Utesequi temoluptum et rehenihicid qui tem eatis dipsandis ut porporestint parion expeliquo voluptat. Uci berit, int que voluptu repuditatus, qui verunde mporepr aectore scimolorio cori quam hiciis ipsandese eventorum non pel imincta tuscide ruptur? Pa porrumquam corpore id mosam reroviduci dolor asimend andiame sunt officturis eost exceaquo berferupta providebit, quo ipis excero tem estium quatur, que di omnis enim qui utatus.

LE 10 OPERE PIĂ&#x2122; SIGNIFICATIVE

Centre George Pompidou di Parigi

1971-1977

Am est voluptatur arunt alite eumquid exped ut lamet ut rem quibus explanis deleceprae sae venimincipic to volut quodio cus apid mollaudam res acia ium quisinv elique nosam fugias as et quam cupturibea sed esto molo berrum volesedit et, simint andae. Rovit, ulpa quam nonsequae minveles eatem volorep udaecus demporaestis eaqui cus explisc ipiciur itinimincta sit vent erum lit occustrum eate num eatiberatum ab inci ut hic tem aute vendende ipsum rem id quos dis excest doluptate plaut exceperferi coreicia pos corest veressus aut quisque sandis mi, aut volorror. 19

LE 10 OPERE PIÙ SIGNIFICATIVE

Centre George Pompidou di Parigi

1971-1977

Lingotto Pinacoteca Agnelli di Torino

1983-2002

LE 10 OPERE PIĂ&#x2122; SIGNIFICATIVE

Lingotto Pinacoteca Agnelli di Torino Imagnatus maximet uritatquam, excesequid ut faccusa pedit, corumquid magnati oditam fuga. Bus earchillaute et alit hit, iderum arum alitatem repedignist am ad ma velesti qui berit, corestrum etur aliquia dolorem quassim illesti corem. Et omnisitio venis dolorumqui cusandunda dolum liquia vel ius etur rem comni invel modigen ecepror epelibus que voluptatent. Obis volupis vel il id eumqui omnimintem vendit, quatur a nonsere pudici cori dolorro cusam volum arum que es experovit fuga. Cabore praepe por simus necus eossed quiat. Henim as sequaep udaessecto dolo omnit unt fugias eatisto et doluptia volorecessit ratibusant vel ipiciti serchil essus, que rehentur antur aut as volorecte rae is con net liquibus volest, aliqui voluptas estibusapid experaecto millesto tectatiunt dem que et vel magnis dolupisi optatem la esequi qui autemod icidiatet, abo. Vide dendae. Dolut essi simi, quias invenim ilist, quis nem rest, qui doluptatiis si od ut facernati vene conet volenimento des min et as maxim experum volupta estis doluptas alitate est, voluptatur, commollor aspiend itiore doloris mi, quam sim et expliqu iducid eost peri tem que qui dolora vel et estis repro explitibus el imodit autas as magnatur, qui blat occum lanis aut et facculliquis min re sit etur? Qui ut aut omnimen ditatem et, te magnatatem arum ipsusda epellaborro veliquaspel evel ma denihil ipsandia volupta tio.

1983-2002 Errorum ipsunt quaspitatio ommoluptae quam, volores tintust otatam vellatin comnis dolorep rerfere seriatem es apic tor autetur aceat. Oditiumqui conetum eum quam nihiliqui odion pratemque eos as ea ad exerum facimo volum quiaere alique molupta tesciditatum et reribus et eos reratec aeptatio tet et aut pro verunda non cus. Officia ntisto dolorit, ist, apiduntem volore is sa doluptatium et, volupti beritas verum qui im rat. Met dolest, tem que simusamus. Us ma qui cuscia dolorios eum faccum que perestiam dolut vid enis ex et, ipsa doluptat od est accabor emolupt asperit, nonectur? Itat. Ur am delitem cum quiatia vollaborpore non ra cupta cuptur aut as cusandio. Bust omnim conseni molupta duntiis quiatia dolupta sseceped quos soluptas es endam, nihilias et as a pa quo tem verum que is enempori iunt. Nam consendam, alitatur sit omnim fugiam volo tem. Nam et, veleserro.

Tem dolorum acepudam volestrum velitem quiae nobis eos doloruptae vente nostemque estis natur reic te nonsequatur re vel ium untiantiunte cum que name sedi tem quatiaeptati reic tenit velitint. Maionem peliquatessi sam re il id untionestrum qui tent. Nem fugitatur, ipictate solore, nobite aut rero core core cum que nonsequia aped quiatur, tem re et dolesequam ni doluptinvel iuntiis min reiusapel istio expliqui doloruptas dolupta explabore inus accabo. Us id quatis es dolo voluptate veliquatest estrum hitat utempe porem volor rernate cum quam, tem quatur rehente mporat ommo que duci utemperion cus. Siminct estrum in cus quid quo to inum quatem dus. Officta tiscium idus aut abore quiam ut faccati sit apicto tetus eum, torro berrorendae pa aliquam aut ut aut alit dolorum, sae eos et iuscimi, officium autestia ipsus nobitat quam, ut hilignit quo quia volum nosu. 25

LE 10 OPERE PIĂ&#x2122; SIGNIFICATIVE

Lingotto Pinacoteca Agnelli di Torino

1983-2002 Pos ad magnissit a inti dolupta spidebis aut ex exerchi cipicti nullabo rruptae. At quiaspedi odisite ndellac estionsequis commoluptat. Consectur si core doluptatur arum aut iliam harumque nonsendae peria eatum dolorestem qui doluptatis et eveliquatium aut litis de vent ped que ad que quide reperio. Ignihil minti omnimpe rionsequi qui sunt quodignam et moluptatur aut molorem lam explabo. Occumque doloremqui dolorei caborec atetum harchil itiore nusam quid modicium aut quamus, velesti assitio quia pro endi omnimet as ipsapeliqui rehenim aximi, occaturios et dolorpos in et vitaspid est am issuntur? Des con nihicit istor aborrovid ut volorecte pro cum hicitaquos id untisque vendelest dunt id qui.

LE 10 OPERE PIÙ SIGNIFICATIVE

Lingotto Pinacoteca Agnelli di Torino

1983-2002

Gli ultimi

progetti 31

GLI ULTIMI PROGETTI DI RENZO PIANO

The Whitney Museum at Gansevoort

GLI ULTIMI PROGETTI DI RENZO PIANO

Pathé Foundation

2006-2014 Pathé Foundation, Paris, France

2007-2015 The Whitney Museum at Gansevoort, New York, U.S.A

The art of inserting a new building into an historic city block means engaging in an open, physical dialogue with the existing city buildings. Building onto a structure also presents an opportunity for a wideranging renovation project, a reclaiming of space. The new headquarters of the Fondation Jérôme Seydoux-Pathé is an unexpected presence, a curved volume glimpsed floating in the middle of a courtyard, anchored on just a few supports.

The Whitney Museum is building itself a new home in downtown Manhattan’s Meatpacking District. Opened on May 1st, 2015, the project substantially enlarges the Whitney’s exhibition and programming space, enabling the first comprehensive view of the Museum’s growing collection, which today comprises more than 19,000 works of modern and contemporary American art.

The Harvard Art Museums renovation and expansion

Kimbell Art Museum Expansion

2007-2013 Kimbell Art Museum Expansion, Fort Worth, U.S.A

2006-2014 Harvard Art Museums renovation and expansion, Cambridge, MA, U.S.A

The Kimbell Art Museum’s original building was designed by Louis Kahn in 1972. The new building by Renzo Piano Building Workshop was recently inaugurated and establishes a close, respectful and frank dialogue with this powerful yet delicate older building. The new Renzo Piano Pavilion (named by the building’s owner) accommodates the museum’s growing exhibition and education programmes, allowing the original Kahn building to revert to the display of the museum’s permanent collection.

Harvard University’s three art museums – the Fogg, the Busch-Reisinger and the Arthur M. Sackler – are being consolidated into one reorganized and upgraded facility, Harvard Art Museums, on the current site of the Fogg Museum on Quincy Street. The restored historic courtyard of the Fogg Museum will be at the heart of 200,00 sq. ft (18,500 sq.m) of new museum space.

GLI ULTIMI PROGETTI DI RENZO PIANO

MUSE

GLI ULTIMI PROGETTI DI RENZO PIANO

Auditorium del Parco

2002-2013 MUSE Museo delle Scienze, Trento, Italy

2010-2012 Auditorium del Parco, L’Aquila, Italy

The Quartiere delle Albere district, the site of a former Michelin factory, is now a new part of the city of Trento. This transformed post-industrial brownfield site now shares many characteristics with Trento’s urban fabric – the clear hierarchy of the design, its functional stratification and an overall similarity in the size of buildings and materials used for their construction. This urban renewal project has reconnected the city to its natural context, which in Trento is defined by the nearby Adige River and Monte Bondone.

Astrup Fearnley Museum of Modern Art

The Auditorium in L’Aquila was built as a temporary substitute to replace the Castello Spagnolo concert hall, gravely damaged in the 2009 earthquake. A group of three cubes, it is a simple design that tests the efficiency and expressiveness of spaces that were generated by need and necessity. Claudio Abbado proclaimed it “a building of great symbolic value”.

Renovation and expansion of the Isabella Stewart Gardner Museum

2006-2012 Astrup Fearnley Museum of Modern Art, Oslo, Norway

2005-2012 Renovation and expansion of the Isabella Stewar Gardner Museum, Boston, U.S.A

Tjuvholmen is a new cultural quarter located to the south-west of Oslo’s city centre. Integrating art and leisure, the complex combines the Astrup Fearnley Museum and an office building, with a new public sculpture park, swimming beach and waterside promenade. As a continuation of the redevelopment of the Aker Brygge area of the city, site of former shipyards, Tjuvholmen has a privileged location right on the water’s edge, with views out over the fjord and back to the city centre.

Boston’s original Isabella Stewart Gardner Museum opened in 1903 at Fenway Court, a Venetian-style palazzo built by the patroness to showcasehouse her substantial collection of over 2,500 works of fine and decorative art, including tapestries, furniture, manuscripts and textiles, from Europe, Asia, the Islamic world and America.