Terence Nicholson: A Polymath

east washington life

Terence Nicholson A Polymath Walks Among Us

by Phil Hutinet

What sign are you?” saxophonist Steve Coleman asked Terence Nicholson. “A Virgo” Nicholson replied. “You guys are good at starting things but not good at finishing them” Coleman declared assuredly. “That was just the thing to say to me to keep me going!” said Nicholson laughing. He had just discovered martial arts, a sport that would become his lifelong passion.

The year was 1994. Nicholson, a 26 year-old Anacostia native and budding lyricist, found himself touring nationally and internationally with a progressive jazz band. Nicholson recalls that Coleman frequently played martial art films in the background when they travelled between sets. Intrigued by what he saw, Nicholson decided to find a studio in DC’s Chinatown and take classes between tours. Ultimately, Coleman’s veiled insult motivated Nicholson to deepen his martial arts practice.

Now a Fourth Duan, 19th Generation Disciple of Wudang Longmen (Dragon’s Gate) lineage of the Tian Shan Pai style of Kung Fu, Nicholson’s mastery of the martial art not only shaped his worldview and philosophical outlook but gave him the discipline he needed to pursue and succeed at several artistic disciplines all of which, like Kung Fu, require repetition to achieve prodigious results.

A true polymath, Nicholson not only excels at Kung Fu, but also fronts local DC hardcore band Thayobleu. He also has a thriving practice as a visual artist and, more recently, has begun to flourish as a curator at the Anacostia Arts Center, Katzen Arts Center at American University Museum and the Hirshhorn Museum.

Terence Nicholson. Courtesy of the artist

Thayobleu at the 9:30 Club. Photo Credit Roxplosion

Early Influences and Education

Born in Washington, DC and raised in Anacostia where hzHigh School in northeast DC. Nicholson reminisces fondly about his education at Archbishop Carol and believes it laid the groundwork for his love of learning.

Nicholson then attended Corcoran School of Art from 1987-1991 where he received a Bachelor’s of Fine Arts. His Fine Arts education provided him with the basics for what would become his critically acclaimed installation and sculptural work. It also connected him with many teaching artists and created a network that he relies on as he advances in his career as a visual artist, installer and curator.

Nicholson’s Musical Journey Nicholson’s musical odyssey began as a lyricist traveling with a progres

sive jazz band in the early 1990s. He then formed Opus Akoben, a Hip-Hop group with two other members. The group produced two albums after landing a re- cord deal with BMG France and toured throughout Europe in the late 90s.

While much has been written about Opus Akoben by local and national me- dia, one of Nicholson’s greatest experi- ences came from his time as US State De- partment cultural ambassador. The US employs “soft power” to create bonds with foreign nations using culture to shape how the US is perceived oversees.

During the Iraq War, the US’s image problem sustained some rifts around the world, particularly in the Middle East. “Send in the musicians, the diplomats aren’t doing the job!” Nicholson joked when describing how Opus Akoben re- ceived grant funding to tour as Cultural Envoys in 2005 and 2006 for the Amer- ican Music Abroad program. “We need you guys to go to Bahrain,” Nicholson recalls a State Department official telling them. The Hip-Hop group subsequently traveled to the Gulf State then to Jordan, Egypt, Palestinian Territories and Isra- el. “We would do workshops and con- nect to the local hip-hop scenes.” Later in 2006, the group toured eastern Rus- sia, Mongolia and China. In 2007, he re- turned to Bahrain and visited Suriname. Nicholson’s touring ended when his wife Sarah became pregnant with his son Ga- briel later that year. The group eventual- ly dissolved in 2008.

However, Nicholson’s musical career would not end there. In 2009-2010, after attending a Queens of the Stone Age and Stone Temple Pilots concert, he decid- ed to change musical genres altogether. He switched from Hip-Hop to Hardcore and founded Thayobleu, a band which he still fronts as its lead singer and bass- ist. The band plays at venues throughout the DC region.

From Honfleur Gallery to the Hirshhorn Museum

While no stranger to East of the River’s art scene—Nicholson has shown work at Honfleur Gallery—a twist of fate found him installing work at the same art space where his work had once hung. Little by little, as several gallery positions were va-

cated, he was strongly encouraged by former Anacostia Arts Center Director Kate Taylor Davis to apply for the Creative Director position. From 2016- 2018, as Creative Director, Nicholson was able to do more than just install work, but actually curate it. He credits Duane Gautier, CEO of ARCH Development, which runs and operates Anacostia Arts Center and Honfleur Gallery, to “allow me to test and spread my wings.”

His curatorial work at Honfleur led Nicholson to connect with people he knew at Katzen Center at American University Museum. In particular he was involved in hanging the work of former teacher, mentor and friend Michael Platt. Platt died suddenly in January 2019 and his exhibition at Katzen Center became something of a posthumous retrospective in which Nicholson played an important role in installing and presenting the work.

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Terence Nicholson, Our Lady of Perpetual Servitude, 2018. Mixed media, 96 x 64 in. Image courtesy of the artist.