Artist Risk Construction History Imagination Technology Efficiency Contemporary Tectonics Urbanism Respect
Carmen Mencos Mora Figueroa CV + Portfolio
CURRICULUM VITAE CURRICULUM VITAE
Carmen Mencos Mora-Figueroa C/Cardenal Ilundain 3 p/3 1ยบC 41013, Seville, Spain DNI: 28844908-X Mobile: (+34) 666166490 Email: mencoscarmen@gmail.com Date of Birth: 20/05/1990 Place of Birth: Seville, Spain
Academic Training Undergraduate Degree in Architecture (taken in English), IE University, Segovia. (2008-2013) Minor in Business (taken in English), IE University, Segovia. (2009-2013) Undergraduate Thesis Project. Grade: 9
Professional Experience Intership in MUSAC. Museo de Arte Contemporáneo de Castilla y León, León. (March-June 2010) Collaboration of Designing & Construction of ‘La Fuerza de la Palabra’ Exhibition, Guadalajara, México. (November 2010) Intership in Rare Architecture studio, London. (March-June 2011) Intership in VAMOS Architects, New York. (March-June 2012) Intership in Articam. Agronomy Engineering Studio, Seville. (June-July 2012)
Complementary skills Cycle of Lectures ‘El papel del dibujo’, Esteban Vicente Museum, Segovia. (April 2009) Sofa design for ‘La Fuerza de la Palabra’ Exhibition, artist: Emese Benczúr, Guadalajara, México.
Publications Author: AAVV. Carmen Mencos Mora- Figueroa Title: 4.“(Old) Spaces, (New) connections”. IE University. Bachelor of Architecture Program. Prof. Romina Canna. Alternative practices. The City. Author: IE University. Bachelor of Architecture Program. Prof. Sergio Irigoyen Title: Alternative practices. Digital Studies. Author: IE University. Bachelor of Architecture Program. Prof. David Diez Title: Alternative practices. Design. Author: IE University. Bachelor of Architecture Program. Prof. Marta Landazábal & Ana Coello Title: Alternative practices. Landscape & Environment.
Software skills AutoCad, Rhinoceros, 3DMax, Unity, Sketchup, Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Adobe Premier...
Languages Spanish (native) English (high level) French (basic level)
since to create space of meeting but Iatwant the sane timeawith little of intibut at the sane time with little of intimacy. macy.
08-09 Virtual Space_1st Year
Prof. Miguel Paredes (Cuartoymitad)
Grasshopper_Landscape museum & Waterfall structure LS´
L
CS
LS´
LS
Plan view_1:200
Front elevation view_1:200
Plan view_1:200
Front elevation view_1:200
CS´
Pl Plan The space has a function The space depending has a function on how many depending people onare how inside. manyWhen people there are inside. are a lot When of people therethe areglass a lot of panels people change the glass to soft panels colours change to soft colours and in the other wayand change in thetoother darkway colours, change inside to dark of the colours, range of inside blue.ofBecause the range this of effect blue. Because tries to imitate this effect the sensation tries to imitate and the theexperience sensation and of the experience of a waterfall and also awith waterfall this changing and alsocolours with this the changing waves and colours the movement theare waves and of the the water. movement of a the The space has a function depending on how many people inside. When there are lotwater. of people the glass panels change to soft colours
and in the other way change to dark colours, inside of the range of blue. Because this effect tries to imitate the sensation and the experience of a waterfall and also with this changing colours the waves and the movement of the water.
Longitudinal section_1:200
_1:200
Landscape museum is an example project to prove different tools of Cross section view_1:200 grasshopper, creating movement and a new way of driving on a road or tunnel. Giving a regular MUSEUM shape, 07_VIRTUAL SPACE_LANDSCAPE Professor Miguel Paredes_Carmen developing patternsMencos_02June09 and openings on the surfaces and also calculating the interior and exterior skin structure make these continuous path a real experience of the environment and mood of the museum.
_VIRTUAL SPACE_LANSCAPE MUSEUM
This project is inspired in a waterfall, Longitudinal section_1:200 trying to give movement and entertainment in different levels, also having a sensation of intimacy. It is a place to stay with friends outside in the street to enjoy the night and drinks. Glass panels and steel structures that it made Carmen Mencos Carmen Mora-Figueroa Mencos Mora-Figueroa off change to soft/ darks colours 5 de-5 pending on numbers on people inside, + imitating the effect and sensation of Carmen Mencos Mora-Figueroa Details wavesfachades and movement of water. STOP
STOP
STOP
Circulation
Size structure
Waterfall structure
Interior space with human scale
5
Carmen Mencos Mora-Figueroa Carmen Mencos Mora-Figueroa
Axonometric view
This project is inspired in a waterfall, trying to give movement and entertainment in different levels, also having a sensation of intimacy with your friends.
08_VIRTUAL SPACE_LANDSCAPE MUSEUM Professor Miguel Paredes_Carmen Mencos_02June09
Exterior space with human scale
Exploded axonometric
Carmen Mencos Mora-Figueroa
3
Axonometric view
Elev Elevat
Architectural Geometry_1st Year 08-09
Prof. Roberto Molinos
Rhinoscript _University Life Virus_with Teresa Rodríguez- Gimeno
_EXTENDED SURFACE FOR CONSTRUCTION (scale 1:1)
_PROCESS OF JOINING SIDES OF PIECE
Option Explicit 'Script written by <carlos de la b> co-written <carmen y teresa> 'Script copyrighted by <designemergente.org> 'Script version martes, 21 de abril de 2009 10:12:44
_GROWTH SYSTEM (ORIENT 3PT)
b´
Call Main() Sub Main()
b
a
_1 PYRAMID GENERATION
Dim unit: unit = Rhino.GetObjects("select the first familie") If IsNull(unit) Then Exit Sub
_Draw equilateral triangle
_Find mid point
_Find height
_Draw lines to join ends with height
_AND NOW YOU GET YOUR PYRAMID!
a-b
c´
_EXTENDED SURFACE FOR CONSTRUCTION (scale 1:1) Dim poly : poly = funcAnnealing(unit)
D SURFACE FOR CONSTRUCTION (scale 1:1)
a´
h
h
_PROCESS OF JOINING SIDES OF PIECE _Step 1
_PROCESS OF JOINING SIDES OF PIECE
b-
_Step 2
c
c-c
'////MASTER ARRAY//// Dim MasterArray() ReDim MasterArray(0) = unit _2 PIECE GENERATION
Dim r For r = 0 To 10 _Draw equilateral pyramid with triangular base
'eleccion de la curva Dim c1 : c1 = Int(rnd * 4) Dim c2 : c2 = Int(rnd * 4)
URFACE FOR CONSTRUCTION (scale 1:1)
_PROCESS OF JOINING SIDES OF PIECE
_Step _Step 31 2 _Step
_Step 1
_EXTENDED SURFACE FOR CONSTRUCTION (scale 1:1)
_Divide sides in 10 parts, join 5th points to form new triangles
_Eliminate extra pyramid, create control point curve on hexagons
_Trim area inside curves on hexagons join surfaces to create a singular element
_Create planar srf from new triangles,and irregular hexagons created
_Step _Step 2 4 _PROCESS OF JOINING SIDES OF PIECE
Dim nUnit : nUnit = Turn(MasterArray, Poly(c1), Poly(c2))
_RANDOM GROWTH
Next
_3 TECHNICAL DRAWINGS
End Sub Function Turn(u, crv, crv2) Turn = Null
ENDED SURFACE FOR CONSTRUCTION (scale 1:1)
Dim vert: vert = Rhino.PolylineVertices(crv) Dim vert2: vert2 = Rhino.PolylineVertices(crv2)
Call Rhino.OrientObjects(u, vert, Array(vert2(2),vert2(1), vert2(0)), 1) & DETAILS Architectural Geometry II CONSTRUCTION
(Algorithmic Design) End Function
_Step 5
_Step 6
_Step23 _Step _Step 4
_Step 4
_Plan 1:2 _PROCESS OF JOINING SIDES OF PIECE _Step 1 3 _Step NAME_1:
BOARD TITLE:
BOARD # : 7 / 8
NAME_2:
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
_Step 1
NAME OF THE PROJECT :
_Front elevation 1:2
_UNUSED AREAS
University Life Virus
_PATIOS
_CAFETERIA
_COMMUNICATION
BOARD TITLE:
Architectural Geometry II
(Algorithmic Design)
Dim Mid : Mid = MidPt(vert(1), vert(2))
_Step 5 _Step 6
Function midPt(a, b)
_Step 1
TITLE: BOARD TITLE: midPt = Array((a(0) + b(0)) / 2, (a(1) + NAME_1: b(1)) BOARD /Carmen 2, (a(2) + b(2)) / 2) _Step 3 Mencos Mora-Figueroa
End Function CONSTRUCTION & DETAILS Architectural Geometry II tectural Geometry II (Algorithmic Design)
NAME_2:
Teresa Rodríguez-Gimeno Wiggin CONSTRUCTION & DETAILS
BOARD # : Virus 7/8 University Life
BOARD # : 7 / 8 Function funcAnnealing(U)
NAME_1: NAME_2:
_HALLS OF RESIDENCE
_CLASSROOMS
NAME_2:
_HALLS OF RESIDENCE
_CLASSROOMS
_BATHROOMS
_ADMINISTRATION
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
NAME OF THE PROJECT :
University Life Virus
_Step 6
_Step 4 _Step 2 Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin _Step 3
NAME OF THE PROJECT :
NAME OF THE PROJECT :
NAME_1:
DESIGN CONCEPT
BOARD # : 3 / 8
End Function _Step 5
_Left elevation 1:2
_Back elevation 1:2
_CAFETERIA
_COMMUNICATION
_Step 2 _UNUSED AREAS
Function rotate(u, vert)
mic Design)
_Right elevation 1:2
_PATIOS
_Step 4
University Life Virus
_ERROR! (ABBORT MISSION)
_CONGRATULATIONS! (CONTINUE MISSION)
Dim i, c : c = 0 Dim arrC() For i = 0 To UBound(U) If Rhino.IsPolyCurve(U(i)) Or Rhino.IsPolyline(U(i)) Or Rhino.IsCurve(U(i)) Then
_Step 5
_Step 6
_Step 5 BOARD TITLE:
ectural Geometry II
ic Design)
ReDim Preserve arrC(c)
NAME_1:
CONSTRUCTION & DETAILS arrC(c) = U(i)
c = c+1
NAME_2:
_Step 3
BOARD TITLE: NAME OF THE PROJECT :
CONSTRUCTION & DETAILS Else# : 7 / 8 BOARD University Virus Architectural Geometry II Life
_Step 5
_Step 6
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
BOARD TITLE:
University Life Virus
NAME_2:
University Life Virus
_5 pieces _6 pieces
University Life Virus
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
NAME OF THE PROJECT :
_4 pieces
BOARD # : 6 / 8
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
University Life Virus
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
NAME OF THE PROJECT :
NAME_2:
NAME_1:
NAME_2:
NAME_2:
NAME_1:
NAME OF THE PROJECT :
PROJECT SENARIOS
DRAWINGS & DIAGRAMS
BOARD TITLE:
Architectural Geometry II
(Algorithmic Design)
NAME_1:
Design of an architectural element based on the growth pattern of Ivy (Hedera helix). It will University Life Virus colonize the University in the same way as the flu virus does, taking the DNA of the infected body to become unique and powerful. Our architectural “virus” made by a system and calcalculation with rhinoscript programing, will find its way around the Convent of Santa Cruz la Real, recognizing those areas where university life is low, and “infecting” them with spaces full of life and activity, and ignoring places where innovation and university actions are happening. The virus is reproduced as furnitures, stores, benchs, decoration etc. becoming in part of the architecture.
NAME OF THE PROJECT :
BOARD # : 4 / 8
SPACE ANALYSIS
Mencos Mora-Figueroa BOARD # : 1 / 8 Teresa Rodríguez-Gimeno Wiggin BOARD TITLE:
(Algorithmic Design)
DRAWINGS & DIAGRAMS
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
University Life Virus
BOARD TITLE:
Architectural Geometry II
(Algorithmic Design) NAME_1: Carmen
NAME_2:
NAME OF THE PROJECT :
BOARD # : 1 / 8
BOARD # : 5 / 8
Architectural Geometry II
NAME_1:
SPACE ANALYSIS
_3 pieces
NAME OF THE PROJECT :
BOARD # : 7 / 8
BOARD TITLE:
Architectural Geometry II
(Algorithmic Design)
_COMBINATIONS
NAME_2:
University Life Virus
_RENDERED VIEWS (COMBINATIONS)
ithmic Design)
NAME_1:
CONSTRUCTION & DETAILS
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
NAME OF THE PROJECT :
_POSSIBLE ELEVATION
BOARD TITLE:
hitectural Geometry II
NAME_2:
Architectural Geometry II
BOARD # : 7 / 8 End If Next 'al final del loop tenemosnuestro array con lascurvas funcAnnealing = arrC End Function
NAME_1:
(Algorithmic Design)
Rhino.Print U(i) (Algorithmic Design)
_Step 6
_Step 4
Carmen Mencos Mora-Figueroa Teresa Rodríguez-Gimeno Wiggin
_BATHROOMS
09-10 Intership in Musac_Museo de Arte Contemporáneo de Castilla y León “Fuerza de la Palabra” Exhibition, Guadalajara (Mexico) & Emeze Bénczur sofa design
27 de noviembre, 2010 - 23 de enero, 2011: Instituto Cultural Cabañas. Cabañas 8. Plaza Tapatía centro. Guadalajara, México
Emeze Benczur sofa design & construcion
The word as a constitutive element of language allows build, communicate, transmit. The works presented in the exhibition La Fuerza de la Palabra highlight how through the word and the discourse it generates, the artists express their point of view towards society in which they live. I collaborate in the design and montage of the exhibition in Mexico, organizating with artists the way of presenting their works, also Emeze Benczur give me the opportunity to design the green furniture of his work of art.
1. ANTONI ABAD. Ego, 1999 2. IGNASI ABALLI. De la serie LISTADOS, 1997-2005 3. PILAR ALBARRACÍN. Espejito, 2001 4. TXOMIN BADIOLA. Malas formas [Una historia que se cuenta con historias de otros], 2002 5. EMESE BENCZÚR. Spend Time on Making Time Turn in Itself, 2002 6. MIRA BERNABEU. “El hueco del espectáculo. Espacio de reflexión”. De la serie MISE EN SCÈNE VII, 2001 7. MARK BIJL. Reason to Believe, 2004 8. CANDICE BREITZ. Aiwa to Zen, 2003 9. CARLES CONGOST. That´s my Impression, 2000 10. DILLER + SCOFIDIO. Soft Sell, 1993-2003 11. DORA GARCÍA. Todas las historias, 2003 12. DORA GARCÍA. Lo posible, 2004 13. CHUS GUTIÉRREZ. El inmóvil viaje, 2003 14. PIERRE HUYGHE. One Million Kingdom, 2001 15. IMMO KLINK. De la serie MAYDAY AT MAYFAIR, 2002 16. JUAN LÓPEZ. Desgrava, 2005 17. CRISTINA LUCAS. Mi Lucha, 2004 18. ALICIA MARTÍN. Contemporáneos, 2000 19. TRACEY MOFFAT. De la Serie Scared for life, 1999 20. YASUMASA MORIMURA. Dialogue with my self 3, 2001 21. MUJERES CREANDO. Utopía, 1999 22. MUNTEAN & ROSENBLUM. Untitled [You are part of…], 2003 23. MUNTEAN & ROSENBLUM. Untitled [We have begun…], 2006 24. SHIRIN NESHAT. The Last World, 2003 25. FERNANDO RENES. De la Serie DIBUJOS CASEROS, 2003 26. FERNANDO RENES. Instant Gratification, 2006 27. CLAIRE ROJAS. Library, 2007 28. FERNANDO SÁNCHEZ CASTILLO. Vivo sin trabajar, 2002 29. NÉSTOR SANMIGUEL. Las emociones barrocas, 1997- 2005 30. YINKA SHONIBARE. Dorian Gray, 2001 31. SANTIAGO SIERRA. Palabra Tapada. Pabellón Español. Bienal de Venecia. Italia, 1993 32. EULALIA VALLDOSERA . El inocente, 2003 33. GILLIAN WEARING. De la Serie SIGNS THAT SAY WHAT YOU WANT THEM TO SAY AND NOT SIGNS THAT SAY WHAT SOMEONE ELSE WANTS TO SAY…, 1992-1993 34. CERITH WYN EVANS. Dreamachine Installation, 2008 35. CERITH WYN EVANS. Visibleinvisible, 2008
Source: TECHNOLOGY
PNEUMATIC PNEUMATIC
Pneumatic reference photograph
Source: TECHNOLOGY
Pneumatic also known as cover in some regions, is a piece of rubber ring is placed on the wheels B.of various vehicles and machines. Its main A. C. Pneumatic also known as cover in some regions, D.is a piece ofE.rubber function is to allow adequate contact for adhesion and friction with Prof. Manuel PĂŠrez (Nodo17 Architects) ring is placed on the wheels of various vehicles and machines. Its main the pavement, allowing the start, braking and guidance. function is to allow adequate contact for adhesion and friction with the pavement, allowing the start, braking and guidance.
7-10cm
Construction System_3rd Year 10-11 20-23cm
185mm
Frankenstein catastrophe & concepts
Olympus Binacular reference photograph
7-10cm
1.
308,88
Tread block
60% of 111mm height respect 185mm width 186,57
111mm
Grooves
185mm 308,88
60% of 111mm height respect 185mm width 111mm
1019,7 1019,7
186,57
14 plg
666,44
14 plg
666,44
20m 20-23cm
B.
A.
C.
D.
7-10cm
A. LOW PRESSURE B. HIGH PRESSURE C. NORMAL PRESSURE D. MOVABLE TIRE E. ISOMETRIC AXIS
View point
Shoulder 20m
2.
Cap piles
3.
Wear tires
399,42
Pressure Front: 2,0 bar/ 29psi Back: 2,2 bar/ 32psi
WET PNEUMATIC
DRY PNEUMATIC
Pressure Front: 2,0 bar/ 29psi Back: 2,2 bar/ 32psi
WET PNEUMATIC
DRY PNEUMATIC
Steel belts
View point
20-23cm
3.
Pneumatic reference photograph DIOPTER CONTROL WITH CLICK-STOP ADJUSTMENT
Bead chafters
Pneumatic reference photograph
20m
corrects normal right eye/ left eye vision imbalance
WATERPROOF CONSTRUCTION total confidence in any situation
Bead
B.
A.
Sculpture B.
A.
C.
D.
C.
D.
Flank
E. E.
Interior plastic coating Canvas frame
Centre cordon A.
B.
A.
B.
Ring
Heel base
C.
D.
C.
D.
Joint
E.
Wear tires
ASPHERICAL EYEPIECE LENSES distortionfree viewing DIOPTER CONTROL WITH CLICK-STOP ADJUSTMENT
View point
Pneumatic also known as cover in some regions, is a piece of rubber ring is placed on the wheels of various vehicles and machines. Its main function is to allow adequate contact Pneumatic lock detail Tread block for adhesion and friction with the Grooves Tread block pavement, allowing the start, braking Grooves Sipes and guidance.
2. 1.Eyepiece 2.Prisms 3.Objective
corrects normal right eye/ left eye vision imbalance
WATERPROOF CONSTRUCTION TURN&SLIDE RUBBER total confidence in any EYECUPS situation
retracts for use with eyeglasses
ASPHERICAL EYEPIECE LENSES BAK 4 PRISMS distortion- free viewing
the ultimate in sharp, clear images
TURN&SLIDE RUBBER EYECUPS INTERNAL BLACKENING
retracts for uselight withloss eyeglasses eliminate inside binacular tubes
DIOPTER CONTROL WITH CLICK-STOP ADJUSTMENT corrects normal right eye/ left eye4vision imbalance BAK PRISMS the ultimate in sharp, clear images
WATERPROOF CONSTRUCTION MULTI-COATED LENSES total confidence in any situation maximun brightness, constrast & true- color
INTERNAL BLACKENING
Sipes Shoulder
E.A. LOW PRESSURE
B. HIGH PRESSURE C. NORMAL PRESSURE D. TIRE A.MOVABLE LOW PRESSURE E. AXIS B. ISOMETRIC HIGH PRESSURE C. NORMAL PRESSURE MOVABLE TIRE PneumaticD.parts detail E. ISOMETRIC AXIS
1. 1.Eyepiece 2.Prisms 3.Objective
Radial piles
399,42
Top
2.
1.
Sipes
E.
Binoculars or eld glasses are a 3.pair of identical or mirror-symmetrical Mecanism binacular telescopes mounted side-by-side and aligned to point accurately in1.Eyepiece 2.Prisms the same direction, allowing the 3.Objective binacular viewer to use both eyesMecanism (binocular vision) when viewing distant objects.
eliminate light loss inside binacular tubes
ASPHERICAL EYEPIECE LENSES distortion- free viewing
Shoulder Cap piles
RUBBER DetailTURN&SLIDE parts binacular
MULTI-COATED LENSES
EYECUPS maximun brightness, constrast & truecolor retracts for use with eyeglasses
CARMEN MENCOS MORA-FIGUEROA Cap piles
BAK 4 PRISMS
Steel belts
the ultimate in sharp, clear images
Wear tires
Detail parts binacular
Steel belts Radial piles
INTERNAL BLACKENING
eliminate light loss inside binacular tubes
CARMEN MENCOS MORA-FIGUEROA Mecanism binacular
CARMEN MENCOS MORA-FIGUEROA
Radial piles Top
Bead chafters
Top
Bead chafters
MULTI-COATED LENSES
maximun brightness, constrast & true- color
Protective/Elastic bulletproof system
+
Bead Flank Sculpture
Bead
Detail parts binacular
Flank
CARMEN MENCOS MORA-FIGUEROA
Sculpture Interior plastic coating Interior plastic coating Canvas frame
Pneumatic lock detail
Canvas frame
Pneumatic lock detail Centre cordon Centre Ringcordon
Joint Joint
New baby generationRing stroller Heel base
+
Heel base
Pneumatic parts detail Pneumatic parts detail
CARMEN MENCOS MORA-FIGUEROA CARMEN MENCOS MORA-FIGUEROA
The idea is acquired the knowledge about the history evolution of the construction systems from two clear positions: the discovery and interpretation of the tradition. Taking some everyday objects create a new frankenstain, in this case is for new era babies heroes generation protective, movable and waterprofing stroller
Movable/Rotable pneumatic mechanism
+
Folding/Auto-movable transportation
1. baby stroller structure
2. main structure/movable pieces
3. rail suppoted structure
4. protective rotable mechanism
5. wheel tire support
6. pneumatic finished layer
The main idea of this project was creating an individual housing prototype produce with some of them, an urban scale, a city. Initially housing had to be elevated and supported by stilts, but with some studies Tapestry-vertical city is the best adjetive to describe it, growth in vertical and horizontal way depending on the ground. The combination of different residential pieces generates several public and common spaces. There exists balconies, patios, courtyards and gardens that cretes different green areas and atmospheres depending on the vegetation and the geography where is situated.
City on stilts_City Typologies
Prof. Jaume Mayol (TEd’A arquitectes)
11-12 Design Studio_4th Year
Prof. Jaume Mayol (TEd’A arquitectes)
Housing prototype has this “Z” shape to adapt to the terrain, also take advantage of interior spaces and also different heights allow to have different kind of natural light inside. Volume I is for a couple, the spaces and furnitures are movable and changeable made with neutral materials; wood and blanch materials, to generate several moods in the same space. The idea is exploit to the maximum the space to have continuous and free places. The materials are basically concrete and wood to try to achieve the most efficient housing prototype in terms of money, technology and energy. There exists two others kind of volume that sum one and two volumes for more numerous families and in case of the neccesity of more space.
Housing Typologies
11-12 Construction System_4th Year El Bulli Restautant II_Proyecto Básico y Ejecución _with Teresa Rodríguez- Gimeno & Ana González
Bulli Restaurant II is the new Ferran Adria’s investment in Madrid located in an industrial area. The building is designed in a peculiar way, trying to enjoy and experience the process of cooking something in this famous and glamorous restaurant. The circulation of the building is focused in a central lift to go up and then start the route. Cold and Hot kitchens are the original places with a translucent cutlery finished.
Prof. Luis Álvarez
2. Fix latice bamboo envelope C-1500
3. Pladur interior partitions walls 4. Pladur battens/structure windows 5. NOVI Bath+Kitchen prefabricated module
x6
7. Exterior Pinewood Street path
C-2000
C-2000
C-2000
C-2000
C-2000
Construction System_4th Year 11-12
6. PVC+Steel grid orchard
Prof. Ruth Vega (Cuartoymitad)
C-1500
BASIC UNIT
DYS Shelter_with Beatriz Fernández & Candela Oliva STRUCTURE PLAN
DYS is an emergence removable shelter against natural disasters in Quintana Roo, Mexico. The basic idea is designed in modules to facilitate the construction. The materials are steel structures (Rehasa factory) joint with screws and covered with waterproof and isolated materials and the interior made of pladur. A combination of different modules create an urban scale, a city.
2
1
4
3
5
Boiler
VR-1500
VR-1500
VR-1500
VR-1500
7
VR-1500
VR-1500
VR-1500
6
Materials 1. Movable/Folding bamboo envelope 2. Fix latice bamboo envelope C-1500
3. Pladur interior partitions walls
C-1500
C-2000
C-2000
C-2000
C-2000
3
C-2000
4. Pladur battens/structure windows 5. NOVI Bath+Kitchen prefabricated module 6. PVC+Steel grid orchard
X 32
C1.c1
20
C1.c2
16.2
A2.c2 SLOTTED TENSION BOLT WITH NUT
20 X 12
C1.c3 16.2
0,2
A2.c3
X 32 A2.c3
Boiler
X 32
X 12
X 12
STEEL TWIN DISK SOIL ANCHOR
0,06
0,75
7,02 eurSOIL ANCHOR STEEL TWIN DISK
X 12
D_Walls
5,35 eur
542,25 eur
2 00
components
1.200 eur
x2
components
X1
P
1
D1.c8 120 x 2.25
50
25
70
x2
25
88
L
3
x6 x2
L-250
x1
21 17
20 16
D5 01
45
44
43 42 41 40
D5 01_Metal roof with trapezoidal 2mm ribs each 22mm,180x90x2mm 13_Bamboo beam, Ø60mm 40_Metal string_Ø55mm_400mm long 41_Metalic head_Ø45mm 42_Metal roof joint 43_Metal roof support 44_100mm Screw_Ø15mm 45_20mm Screws_Ø3mm_eave & endlaps
components
total 56,16 eur
04
Program
Materialsurban scale plans
0,8
100
80
x4 x5
L-214 L-240
4
private orchards for self-consumption [A]
1,8
20 200
25
88
31
20 200
200
130
x2
P public/share patio]
total 65,34 eur
D5
50
D1 77
11 10 06 31
D1.c9 120 x 2.25
B
sleeping [B] wet areas [B]
02 ??? eur
04 P public/share patio] BASIC UNITS (room modules)
25
70
25
D1.c10 120 x 2.25
88
32
D1.c11 120 x 2.25
x
08 35 36 37 D2
BASIC UNITS (room modules)
components
D4 06_Metal façade substructure 08_REHASA structure 2,25 10_Bamboo support 11_Bamboo sticks, Ø50mm 35_Bolt 36_Support plate 37_Adjustable rod components 04 38_Pyramid-share open frame 39_ABS pad footer 6
20
77
x2
B
A
living / eating [B]
32
100
70
Materia
street [A]
A
semi-covered circulationPVC+Steel N-S grid orchard
25
31
02
31
38
semi-covered circulation N-S
22
P
2,25
L-180 L-205
3
130
77
x2
NOVI prefabricated module
total 420,75 eur
3,6 total 65,34 eur
32
0,6
3,5
x 99 6
D2.c1 L-214
x1
31
P
fixed measures
3 3,4 08_REHASA xstructure x 09_Metal tube D2.c2 1,1 0,6 10_Bamboo support D1.c10 120 x 2.25 D1.c11 120 x 2.25 D2.c3 11_Bamboo sticks, D1.c4 86 x 2.25Ø50mm D2.c4 D1.c1 52 x 14 2.25 60 x 2.25 D1.c3 75 x 2.25 24 D1.c226 25 D2.c1 movable fachade D2_PLADUR LAMINATED12_Bamboo METAL PROFILES D_Walls 542,25 eur L 15 D2.c1 13_Bamboo beam, Ø60mm 3. 14_Bamboo0,1structure, Ø70mm 5 D1_PLAFUR BOARDS “N” D2.c1 L-214 x 99 x1 x4 x2 x15_Metal 10 piece 27 16_REHASA structuretotal 420,75 eur Kitchen 3,6 Boiler Program L17_Metal façade substructure x2 x3 x3 18_Substructure rail 3, Hot/Cold Plumbingx 1 D1.c5 100 x 2.25 D1.c6 110 x 2.254 D1.c7 120 x 2.25 0,1 0,7 0,6 0,4 sytem 19_FaçadeD1.c8 wheel private orchardsØ32for self-consumption [A] fixed measures 120 x 2.25 11 19 L-180 x4 K+WC Sink downpipe 20_Metal façadeD2.c2 support 18 12 10 General downpipe D2.c3 L-205 x5 21_Metal channel D1.c4 86 x 2.25 K+WC Sink downpipe street D2.c4[A] L-214 x6 D1.c1 52 x 2.25 D1.c2 60 x 2.25 D1.c3 75 x 2.25 x2 x2 x 222_Anchorage total 65,34 eur L-240 channel D2.c1 x 2Ø32 L D2.c1 L-250 x 1 23_Pladur pannels Ø50 Ø110 3.5 2,25 living / eating [B] x 24_Pinewood pannel total 56,16 eur B1.c2 SLOTTED TENSION BOLT WITH NUT X 12 25_Bamboo Ø110 substructure for the ceiling x1 x4 x2 x 10 manuf: NOVI Industries De Mexico D1.c11 120 x 2.25 sleeping [B] D1.c9 120 x 2.25 26_Anchorage 29 D1.c10 28 120 x 2.25 0,99 eur 1,2 0,4 0,2 27_Multipurpose hanging piece_250mm manuf: NOVI Industries De Mexico 28_PM Screw_Ø2mm wet areas [B] D1.c5 100 x 2.25 D1.c6 110 x 2.25 D1.c7 120 x 2.25 29_T-47 pladur profile fixed measures NOVI Industries De Mexico components D1.c8 120 x 2.25 77
D4
Movable/Fix bamboo fachade + Interior Pladur walls
total 56,16 eur
31
50
10
30 31 34 32 33
x1
x6 x2
100
01
77
80
23
11
x4 x5
D2.c1 L-250
D2_PLADUR LAMINATED METAL PROFILES
4
0,7 20 200
130
x2
542,25 eur D1.c7 120 x 2.25
D1.c9 120 x 2.25
G_ceiling 01
D2.c2 L-180 D2.c3 L-205 D2.c4 L-214 D2.c1 L-240
x4
x 10
D1.c6 110 x 2.25
shelter plans D2
x2 x3
13
covered street height: 3,1m
constructive details
D3 10_Bamboo support 11_Bamboo sticks, Ø50mm 12_Bamboo movable fachade 16_REHASA structure 17_Metal façade substructure 20_Metal façade support 21_Metal channel 22_Anchorage channel 23_Pladur pannels 30_Varnish covering layer 31_Merbau flooring10mm 32_PVC insulation layer 5mm 33_Pinewood pannel 1500x2500x20mm 34_Pinewood substructure beams 30x50x2500mm
Exterior Pinewood floor
P
3 x1
D1.c5 100 x 2.25
08 x2 09
D2
77
D3
PVC+Steel grid orchard
3,4
Novi WA pannels
20
03 04 05 06 07 08 09
10 11
x3
L
200
??? eur
D1 01_Metal roof with trapezoidal 2mm ribs each 22mm,180x90x2mm 02_Galvanized gutter, 25mm section 03_Silicon shock absorber, 25mm 04_Half sphere aluminum plate 05_Aluminum cone 06_Metal façade substructure 07_Welded surface 08_REHASA structure 09_Metal tube 10_Bamboo support 11_Bamboo sticks, Ø50mm
01 02
P
total 420,75 eur
3.5
D1_PLAFUR BOARDS “N”
D1
P
D2.c1 L-214 x 99 open air circulation E-W
L
D1.c4 86 x 2.25
D1.c3 75 x 2.25
Ø110
D_Walls
G_ceiling
x1
D1.c2 60 x 2.25
x2
Novi steel battens
Movable PVC door
0,8
0,1
D1.c1 52 x 2.25
1,5
39
0,8
x3
01
Ø50 01
components
Bath+Kitchen prefabricated module manuf: NOVI Industries De Mexico
03
3,6
0,3
80
B_Bath+Kitchen module
Bathroom
DWELLING 2
X 80
D2_PLADUR LAMINATED METAL PROFILES
D1_PLAFUR BOARDS “N”
manuf: R&G Mobile Home Supply
7,02 eur
B1.c1
DWELLING 1
5,35 eur
manuf: R&G Mobile Home Supply
A2.c4
B1_PREFABRICATED COMPONENT
4
STEEL PROFILE TYPE CORREA ST [L-2000]
150
16.2
A2.c4
16.2
X 32
C1.c5
16.2
DWELLING 1
PVC+Steel grid orchard
ABS FOUNDATION PAD manuf: R&G Mobile Home Supply
5,35 eur PAD ABS FOUNDATION manuf: R&G Mobile Home Supply
5,35 eur
0,4
38
0,06
A1.c3
X 32
X 32
5,35 eur
0,2
A1.c3
STEEL PROFILE TYPE CORREA ST [L-1500]
DWELLING 1
DWELLING 2
DWELLING 2
P P
39
Exterior Pinewood floor
4
C1.c4 16.2
5,35PLATE eur STABILIZING manuf: R&G Mobile Home Supply
0,4
X 48
250
01
X 12
STABILIZING PLATE manuf: R&G Mobile Home Supply
8 0,2 0,25
4,25 eur
0,25
3
STEEL PROFILE TYPE VIGA STR [L-2500] 4,25 eur
20
8
manuf: R&G Mobile Home Supply
4
X 12
5
0,99 eur
X 32
P P
open air circulation E-W
open air circulation E-W
interior height: 2,2m
4,25 eur STEEL FRAME PIER A1.c2 PYRAMID-SHAPED
0,2
STEEL PROFILE TYPE VIGA STR [L-1500] 4,25 eur
15 0
0,99 eur
A2.c2 SLOTTED TENSION BOLT WITH NUT A1.c2 PYRAMID-SHAPED STEEL FRAME PIER
NOVI prefabricated module
X 32
2,30 eur
shelter plans
Exterior Pinewood floor
2,30 HEAD eur FOR STEEL PIER ADJUSTABLE manuf: R&G Mobile Home Supply
X 33
4
A1.c1
4
STEEL PROFILE TYPE VIGA STR [L-250] 3,25 eur
25
3,13 eur
manuf: R&G Mobile Home Supply
08 35 36 37
X 12
3,13 eurHOOK FRAME TIE WITH manuf: R&G Mobile Home Supply
6
0,1
ADJUSTABLE HEAD FOR STEEL PIER manuf: R&G Mobile Home Supply
3,3
A1.c1
4
16.2
manuf: R&G Mobile Home Supply
A2.c1 0,1
BASIC UNITS (room modules)
1046,45 eur
XC1_ 12 STEEL PROFILES
FRAME TIE WITH HOOK
Movable/Fix bamboo fachade + Interior Pladur walls
3
semi-covered circulation N-S
578,88 eur
A1_PIER
D4 06_Metal façade substructure 08_REHASA structure 10_Bamboo support 11_Bamboo sticks, Ø50mm 35_Bolt 36_Support plate 37_Adjustable rod 38_Pyramid-share open frame 39_ABS pad footer
D4 11 10 06
PIER
A2.c1
0,6
7
A1_ A_foundations
P public/share patio]
C_structure
A2_ANCHOR
0,75
6
28
A2_ANCHOR
578,88 eur
0,1
29
wet areas [B]
A_foundations
0,3
19 18
0,03
11 10
sleeping [B]
0,03
12
B
A
living / eating [B]
20
27
street [A] 2
200
26 25
0,2
14 24
15
Materials Ø50
Ø110
private orchards for self-consumption [A]
0,4
13
4
Program
STRUCTURE PLAN
D2
0,1
180x90x2mm
BASIC UNIT
D2 08_REHASA structure 09_Metal tube 10_Bamboo support 11_Bamboo sticks, Ø50mm 112_Bamboo movable fachade 13_Bamboo beam, Ø60mm 14_Bamboo structure, Ø70mm 15_Metal piece 16_REHASA structure 4 17_Metal façade substructure 18_Substructure rail 19_Façade wheel 20_Metal façade support 21_Metal channel 22_Anchorage channel 23_Pladur pannels 24_Pinewood pannel 25_Bamboo substructure for the ceiling 26_Anchorage 27_Multipurpose hanging piece_250mm 28_PM Screw_Ø2mm 29_T-47 pladur profile
0,2
180x90x2mm
08 09
0,4
??? eur
0,8
x6
7. Exterior Pinewood Street path
P P
P P
P
P
D3
P P 13
D4
urban scale plans
constructive details
01
02
Shelter section
u
seem to be paths to go through but not inivite you to stay in. Public spaces grows in the interior of buildings because has not enough spaces in the street.
Sing
Dance
7th Ave
Central Park South
Renovation&Rehabilitation of Theater District
Open
59th St
This new eco strategic in Theater District would like to improve the ecosystem in this area and also decrease the
in the city. At the same time the proposal implements recreation, artitical and cultural spaces built in low Design Studio_4th Year 11-12 Urban Workshop &pollution Stakeholders buildings in private and public companies that help and contribute to allow and mantein this new confortable and Eco-Theatre Incubator
Public
Green
Lexington Ave
Traffic jam
Scale_New Streets becomes rooftops_M healthy mood. They are builtYork with recycle materials taking from rubbish or containers out of the city, to costruct it fast Interpret
nalysis
Zoom in
Renovation&Rehabilitation of Theater District Ads Panelboards and easy for disambling them for uses and neccesities. The collection of all the modules becomes the entrance for the 40th St Madison Ave
Open
PRIVATE
Sing
Dance
5h Ave
Prof. Bárbara Pons
8th Ave
XL-L
Theater District, NY Surface: 34 blocks Land use: 7,347.6 sq. ft Green space: 120.4 sq.ft
40th St
Thisneed new eco Theater District would like tostreet. improve the ecosystem in this areaVacant and also decrease rooftop or the container to save the materials and objects it strategic for theinperformances in the space: 70.2 sq.ftthe WEAKNESS STRENGHTS - Private companies pollution in the city. At the same time the proposal implements recreation, artitical and cultural spaces built in low USA - PublicManhattan administration,NY, councial + 02.Heights Different heights on buildings - Central situation 01.Density buildings in private and public companies that help and contribute 03.Public/Private to allow and mantein this new confortable and Theatre District is-in the middle of Midtown in Renovation&Rehabilitation Population: 1,634,795 bof Theater District Eco-Theatre Incubator
alysis) is a evaluate ons, Opporproject or in ifying the r project ternal vorable to
34th St
26th St
Commercial uses 1000 +-
0,1sq.ft
Green space: 1,120.4 sq.ft 04.Green spaces
Public
Green
Open - Theatres administrations Midtown District, NY lack ofand public and green spaces of the Program area - Theatres industry Manhattan with a- dense populated area of Sing Dance healthy mood. They are built withAve. recycle materials taking from rubbish or containers out of the city, to costruct it fast Land use:& 770.065.7 sq.ft Americas - Acting, Dance Film schools - No much life on nights Population: 8,363,710 - Advertisiment agents residential and commercial/office Interpretthe ecosystem in this area and also decrease the spaces. There This new eco strategic in Theater District would like to improve Open/green spaces: 118,046.9 sq.ft and easy for disambling them for uses and neccesities. The collection M of all the modules becomes the entrance for the - Advertisement agents Land use: 28.999.8 sq.ft - Artist andEco-Theatre students areare involved most of the well-known theatres in New pollution in the city. At the same time the proposal implements recreation, artitical and cultural spaces Incubator built in low Vacant land: 14,179.5 sq.ft rooftop or the container to save the materials and objects need it for the performances in the street. - Connected transportation Open/green spaces: 948.4 sq.ft York around this district. This area is divided in 1000 0,1sq.ft Public Green L 14th St buildings in private and public companies that help and contribute to allow and mantein this new confortable and Green space: 1,120.4 sq.ft Vacant land: 293.1 sq.ft 34 blocks between 6th-8th avenue and 42nd53th Street. The definition of the avenues arehealthy mood. They are built with recycle materials taking from rubbish or containers out of the city, to costruct it fast Interpret Height levels high buildings or skyscrapers with panelboard and easy for disambling them for uses and neccesities. The collection of all the modules becomes the entrance for the Manhattan Midtown Theater of advertisments in front of their facades. Districts council Ads in Panelboards the street. However the cross streets has tiny and lowerrooftop or the container to save the materials and objects need it for the performances 1000 +0,1sq.ft PRIVATE Green space: 1,120.4 sq.ft Roof building that used to be housing or WEAKNESS STRENGHTS Create new recyclable and renovable advertisi- Private companies dwellings. This area doesn´t have too much ment panelboard continuing with Times Square councial - Public administration - Different heights on buildings SWOT analysis (alternately analysis) is aThe streets open/green spacesSLOT to the public. - Central situation - Theatres administrations prototype to advertise the new area for dancers, Street strategic - lack of public and green spaces method to evaluate Theatres industry seemplanning to be paths toused go through but not inivite OPPORTUNITIES THREATHS 25% 3.3% 0.5% - Acting, Dance & Film schools actors... and also the neighbourho- No much life oninterpreters, nights the Strengths, Weaknesses/Limitations, OpporCentral Park South - Advertisiment agents you to stay in. Public spaces grows in the - Advertisement agents tunities, and Threats involved in a project or in od to have new green spaces from the rooftops - Artist and students are involved 1000 +Green spaces 0,001sq.ft 57th St interior of buildings has - Increase interpretative activities and Subway connection - Abecause lot of traffic jam enough and pollution - Connected transportation a business venture. It involves specifying thenot to the street opening useless spaces to the city. Residential uses mood 59th St spaces in the - Private/Public objective of the business venture or project own properties 1 street. - improve threater district and identifying the internal and external - Lack of space factors favorable and unfavorable to - new open,green areas tothat theare city - Up/down circulation in buildings The strategy is to bring the street to the top/roof of objective. CITIZEN/PUBLIC - new area to show achieve artistic that abilities the lower buildings in the crossing streets providing 8th Ave - bring the street useless rooftops -GreeNYC suppliers RooftoSetting the objective should be done after the new green/open spaces for the city and also recreate - new relationship neightbourd Lexington Ave Theaters - Institute of Architecture& SWOT analysis has been performed. This would Create new recyclable and renovable advertisisome places related with interpretations and 7th Ave XL-L allow achievable goals or objectives to be set ment panelboard continuing with Times Square Urbanism dancing that characterize this area. Producing a new Street for the organization. prototype to advertise the new area for dancers, - People of neighbourdhood THREATHS cultural layer with the creation of micro streets OPPORTUNITIES interpreters, actors... and also the neighbourho- Workers/ Dwellers of the area theatres to allow people exhibit their skills and http://es.wikipedia.org 40th St od to have new green spaces from the rooftops - Increase interpretative activities and - A lot of traffic jam and pollution hobbies. - Student artists Madison Ave to the street opening useless spaces to the city. 47-50StRockefellers Crt (B,D,F,M)
Swot analysis
ne after the d. This would s to be set
34 St-Penn Station(1,2,3)
Penn Station
+ -
Stakeholders
49St (N,Q,R)
Times Sq42St (S)
Times Sq42St (7)
Times Sq-42St (1,2,3)
42St5 Av (7) Bryant Pk(B,D,F,M)
34 StHerald Sq(B,D,F,M) 34 StHerald Sq(N,Q,R)
38
37
36 35 34 33
wikipedia.org
32
1. Recycle/Reuse
1. Colonize
ences
25 28 24
7
4
2. Connect
mood - Private/Public own properties - improve threater district - Lack of space - new open,green areas to the city - Up/down circulation in buildings - new area to show artistic abilities - bring the street to useless rooftops Manhattan ,NY, USA Midtown District, NY Program area new relationship neightbourd UrbanLab´s project envisions Chicago evolving into a model city for “growing water” by creating a series of Eco-Boulevards spread
48 St
34th St
26th St
Ave. of the
Trafficsuppliers jam -GreeNYC
Theater District, NY 01.DensitySurface: 34 blocks Land use: 7,347.6 sq. ft Green space: 120.4 sq.ft Vacant space: 70.2 sq.ft
49St (N,Q,R)
ble the increment green-artistic spaces. The Following the strategy of Chicago the idea of this project is is created this connectivity and loop among green spaces in Manhattan, L city is for all! starting in Theater district. The stater point is to colonize and reuse empty spaces in rooftops, the reason is not enough vacant space Growing water, Chicagoidea to provide green and open in th ground. Creating a double level street in the top of the buildings is a ecological and sustainable places to stay in and enjoy the city. 1 + by02.Heights UrbanLab´s project envisions Chicago evolving into a model city for “growing water” creating a series Districts of Eco-Boulevards council spread 01.Density 47-50StRockefellers Crt (B,D,F,M)
Times Sq42St (S)
nlab.com/h2o
3. Growth
Times Sq-42St (1,2,3)
3. Re-CREATE 34 St-Penn Station(1,2,3)
1. Colonize
Population: 8,363,710 Land use: Roof 28.999.8 sq.ft 57th St Open/green spaces: 948.4 sq.ft Street Vacant land: 293.1 sq.ft
2. Connect 7th Ave
2. Connect 38
32
Street
Green 120.4 shown in public spaces and the rest of thespace: city around it, sq.ft because these new creative incubators are space: envolving the sq.ft Vacant 70.2 area into a a model district for “growing green spaces”.
Theater District, NY
40th St
Roof
Theater District, NY Manhattan Surface: 34 blocks Land use: 7,347.6 sq. ft Green space: 120.4 sq.ft Vacant space: 70.2 sq.ft
Midtown 3.1 Re-CREATE Street
Theater Residential uses
3. Growth
Urban Workshop III 3.3% Now Street becomes rooftop 1000 +0,001sq.ft M Scale
20
11
Green spaces
After...
3.1 Re-CREATE
0.5%
Swot analysis
After...
Carmen Mencos
The strategy is to bring the street to the top/roof of the lower buildings in the crossing streets providing new green/open spaces for the city and also recreate some places related with interpretations and dancing that characterize this area. Producing a new cultural layer with the creation of micro streets theatres to allow people exhibit their skills and hobbies.
5h Ave
+
0.5%
1000 +0,001sq.ft Green space: 120.4 sq.ft
Belasco Theatre
Carmen Mencos
Public Participation&Methodology 0.5%
Carmen Mencos
Open uses
Create new recyclable and renovable advertisiment panelboard continuing with Times Square prototype to advertise the new area for dancers, interpreters, actors... and also the neighbourhood to have new green spaces from the rooftops to the street opening useless spaces to the city.
THREATHS - A lot of traffic jam and pollution - Private/Public own properties - Lack of space - Up/down circulation in buildings
CITIZEN/PUBLIC
-GreeNYC suppliers - Institute of Architecture& Urbanism - People of neighbourdhood - Workers/ Dwellers of the area - Student artists
25%
This idea will create a cultural/artistical environment and a community mood among people from other buildings in the same streets and also from other districts and people over the world. Colonizing the rooftops of building will cretate a new street level providing new green and open space for staying in and enjoy it.
Enough green space ?
Growing water, Chicago
Green areas
http://www.urbanlab.com/h2o
UrbanLab´s project envisions Chicago evolving into a model city for “growing water” by creating a series of Eco-Boulevards spread throughout the city. Te Eco-Boulevards will function as a giant “Living machine” which will treat 100% of Chicago´s wastewater and stormwater naturally, using micro-organisms, samll invertebrates, fish and plantas. Ultimately, the Eco-Boulevards will create a closed water loop whitin Chicago. Following the strategy of Chicago the idea of this project is is created this connectivity and loop among green spaces in Manhattan, starting in Theater district. The stater point is to colonize and reuse empty spaces in rooftops, the reason is not enough vacant space in th ground. Creating a double level street in the top of the buildings is a ecological and sustainable idea to provide green and open places to stay in and enjoy the city.
Recreate, advertise and discuss threatre district area with a Facebook webpage. NYC citizens comment and gove new ideas to make possible the increment green-artistic spaces. The city is for all!
Context & Problematic Methology
Roof Street
The strategy is to bring the street to the top/roof of the lower buildings in the crossing streets providing new green/open spaces for the city and also recreate some places related with interpretations and dancing that characterize this area. Producing a new cultural layer with the creation of micro streets theatres to allow people exhibit their skills and hobbies.
Urban Workshop III Street becomes rooftop
OPPORTUNITIES
- Different heights on buildings - lack of public and green spaces - No much life on nights
1000 +0,1sq.ft Green space: 1,120.4 sq.ft
Public Participation&Methodology
Theater
Urban Workshop III 25% Street becomes rooftop3.3% M Scale 1000 +0,001sq.ft
Ads Panelboards
- Private companies - Public administration councial - Theatres administrations - Acting, Dance & Film schools - Advertisement agents
Context & Problematic
- Increase interpretative activities and mood - improve threater district - new open,green areas to the city - new area to show artistic abilities - bring the street to useless rooftops - new relationship neightbourd
References
Enough green space ?
Mood space
Urban Workshop III Midtown Street becomes rooftop M Scale
WEAKNESS
- Central situation - Theatres industry - Advertisiment agents - Artist and students are involved - Connected transportation
http://es.wikipedia.org
Stakeholders
PRIVATE
Streets becoming new level `Eco-rooftops´
0.5% 1000 +- 2020... 0,001sq.ft Green space: 120.4 sq.ft
Times Square
This idea will createuses a cultural/artistical environment Industrial and a community mood among people from other buildings in the same streets and also from other districts and people over the world. Colonizing the rooftops 25%of building will cretate a new + street level new green and open space for 1000providing 0,1sq.ft Green 1,120.4 staying inspace: and enjoy it.sq.ft
Green areas
STRENGHTS
SWOT analysis (alternately SLOT analysis) is a strategic planning method used to evaluate the Strengths, Weaknesses/Limitations, Opportunities, and Threats involved in a project or in Open uses a business venture. It involves specifying the objective of the business venture or project and identifying the internal and external factors that are favorable and unfavorable to achieve that objective.
Setting the objective should be done after the SWOT analysis has been performed. This would allow achievable goals or objectives to be set for the organization.
48 St
47St
Green spaces
Enough green space ?
Streets becoming new level `Eco-rooftops´
Mood space
Streets becoming new level `Eco-rooftops´
27
23
The New Street reflects the mood of the district. Artistic and cultural environment Theaters evolves from these éco-micro theatres´where small and big artists, singers Theater District, NY and interpreters show their works to the city Surface: 34 blocks 40th St anduse: everybody Land 7,347.6 sq. ftcan joint and enjoy it.
Manhattan
This idea will create a cultural/artistical environment and a community mood among people from other buildings in the same streets and also from other districts and people over the world. Colonizing the rooftops of building will cretate a new street level providing new green and open space for staying in and enjoy it.
The New Street reflects the mood of the 2.district. Connect Artistic and cultural environment evolves from these éco-micro theatres´where small and big artists, singers and interpreters show their works to the city and everybody can joint and enjoy it. Belasco Theatre
7th Ave
26
5
2020...
Industrial uses
48 St
Street
25%
1
M
Theaters 3.1 Re-CREATE
Streets-´Eco-micro-theatre`
Roof
37
31
The strategy is to bring the street to the top/roof of the lower buildings in the crossing streets providing new green/open spaces for the city and also recreate some places related with interpretations and dancing that characterize this area. Producing a new cultural layer with the creation of micro streets theatres to allow people exhibit their skills and hobbies.
1.1 Recycle/Reuse
Commercial uses
3. Growth
5h Ave
Streets-´Eco-micro-theatre` 30 29
0.5%
0,001sq.ft Open uses
5h Ave
Street
Now
3
3.3% 1000 +-
27
20
Times Square
38
4
Context &
Carmen Mencos
11
47St
7th Ave
40th St
22 17 21 18 8 16 15 19 9 14 13 10 12 6
Urban Workshop III Street becomes rooftop MMidtown Scale Residential usesTheater
23
co-working proyect with the city Surface: and invite people to 34 blocks come there and enjoy it.
1930
Land use: 7,347.6 sq. ft 2. Connect Also this innovator and creative actittude want to be
40th St
Green space: 120.4 sq.ft Vacant space: 70.2 sq.ft
04.Green spaces
Streets becoming new level `Eco-rooftops´ Theater District, NY
Surface: 34 blocks Streets-´Eco-micro-theatre` Land use: 7,347.6 sq. Height ft levels2012 Green space: 120.4 sq.ft 3. Growth 57th St The New Street reflects the mood of3. the Vacant space: 70.2 sq.ft 3. Growth 1 Re-CREATE district. Artistic and cultural environment
32
3
Green spaces
31
Roof
4 2
57th St
24
Enough green 04.Green spacesspace ?
03.Public/Private
26
1
M
36 35 34 33
30 29
Street 1. Colonize
this workshop school. The proposal is located on the top of an existing known
Roof
evolves from these éco-micro theatres´where small and big artists, singers and interpreters show their works to the city and everybody can joint and enjoy it.
24
22 17 21 18 8 16 15 19 9 14 13 5 10 12 6
7
5h Ave
25 28
Industrial uses
25%
37
36 35 34 33
25 28
Roof
There are temporary housing for people whose want to
Roof
1. Recycle/Reuse
Streettheatre and closed to an open space area connecting this
3.1 Re-CREATE
2
03.Public/Private
02.Heights Belasco Theatre
03.Public/Private
1.1 Recycle/Reuse7th Ave
34thpractice, St to do an interview or enjoy the activities inside
Traffic jam
Roof
7
+
40th St Times Square
This idea will create a cultural/artistical environment and a community mood among people from other buildings in the same streets and also from other districts and people over the world. 04.Green spaces Colonizing the rooftops of building will cretate a new street level providing new green and open space for staying in and enjoy it.
Street
Madison Ave
14th St
Street
47St
Mood space
Roof
59th St
Roof
Roof
co-working proyect with the city and invite people to 1930 come there and enjoy Roof it. Also this innovator and creative actittude want to26th beSt 2. Connect shown in public spaces and the rest of the city around it, Street because these new creative the Midtown District, NY incubators are envolving Ave. of the area into a a model district for “growing green spaces”. Americas
3. Growth
5h Ave
Commercial uses
02.Heights
Roof
The Street New Street reflects the mood of the Street Thedistrict. idea is created new places workshop,Methology academic Artistic andforcultural environment Street classes and practice environment for artistic people. 8th Ave 1. Colonize evolves from these éco-micro 1.1housing Recycle/Reuse 1. Colonize Lexington Ave There are temporary for people whose want to practice, to do an interviewsmall or enjoyand the activities inside singers theatres´where big artists, this workshop school. 1 Recycle/Reuse 1. interpreters Colonize and show1.their works to the city Roof The proposal is located on the top of an existing known The idea 40th St is created new places for workshop, academic theatre and closed to an open areaand connecting and everybody canspace joint enjoythisit. Street classes and practice environment for artistic people.
2012
20
11
34 StHerald Sq(B,D,F,M) 34 StHerald Sq(N,Q,R)
Streets-´Eco-micro-theatre` Roof
+
throughout the city. M Recreate, advertise and discuss threatre district Te Eco-Boulevards will function as a giant “Living machine” which will treat 100% of Chicago´s wastewater and stormwater naturally, Street area with a Facebook webpage. NYC citizens using micro-organisms, samll invertebrates, fish and plantas. Ultimately, the Eco-Boulevards will create a closed water loop whitin comment and gove new ideas to make possiChicago. ble the increment green-artistic spaces. The Following the strategy of Chicago the idea of this project is is created this connectivity and loop among green spaces in Manhattan, 1 city is for all! starting in Theater district. The stater point is to colonize and reuse empty spaces in rooftops, the reason is not enough vacant space ParkCreating South Height levelsgreen and open 57th St in thCentral ground. a double level street in the top of the buildings is a ecological and sustainable idea to provide Subway connection Manhattan places to stay in and enjoy the city. http://www.urbanlab.com/h2o
Penn Station
ology
-
01.Density
42St5 Av (7) Bryant Pk(B,D,F,M)
27
23
CITIZEN/PUBLIC
Population: 1,634,795 b Americas - Institute of Architecture& Population: 8,363,710 throughout the city. Urbanism Land use: 770.065.7 sq.ft Roof Land use:naturally, 28.999.8 sq.ft Recreate, advertise and discuss threatre district Te Eco-Boulevards will function as a giant “Living machine” which will treat 100% of Chicago´s wastewater and stormwater - People of neighbourdhood Open/green spaces: 118,046.9 sq.ft NYC Dwellers citizens of the area Open/green spaces: 948.4area sq.ftwith a Facebook webpage. using micro-organisms, samll invertebrates, fish and plantas. Ultimately, the Eco-Boulevards will create a closed water loop whitin - Workers/ Vacant land: 14,179.5 sq.ft St to make comment and gove new14th ideas possi- Student artists Chicago. Vacant land: 293.1 sq.ft Street Times Sq42St (7)
3
2
31
26
1
References
Growing water, Chicago
30 29
22 17 21 18 8 16 15 19 9 14 13 5 10 12 6
1930
The idea is created new places for workshop, academic classes and practice environment for artistic people. There are temporary housing for people whose want to practice, to do an interview or enjoy the activities inside this workshop school. The proposal is located on the top of an existing known theatre and closed to an open space area connecting this co-working proyect with the city and invite people to come there and enjoy it. Also this innovator and creative actittude want to be shown in public spaces and the rest of the city around it, because these new creative incubators are envolving the area into a a model district for “growing green spaces”.
1. Colonize
1.1 Recycle/Reuse
Roof Street
2. Connect 57th St
Urban Workshop III Street becomes rooftop M Scale Carmen Mencos
Green areas
7th Ave
5h Ave
2012
(M Scale)Detail Proposal Roof
Theater District, NY 40th St
Surface: 34 blocks Land use: 7,347.6 sq. ft Green space: 120.4 sq.ft Vacant space: 70.2 sq.ft
Street
3. Growth
Now
3.1 Re-CREATE
After...
Plans
Streets become rooftops is a project in S and M scale, architectural and urban scale. It is a public intervention to promote more green areas in the middle of Manhattan, taking the low rooftops as a part of the streets. Due to the location, ‘Theatre District’ Renovation&Rehabilitation of Theater District This new eco strategic in Theater District would like to improve the ecosystem in this area and also decrease the is raised for artists, interpreters and pollution in the city. At the same time the proposal implements recreation, artitical and cultural spaces built in low buildings in private and public companies that help and contribute to allow and mantein this new confortable and dancers to show their work and also healthy mood. They are built with recycle materials taking from rubbish or containers out of the city, to costruct it fast regular people can sit and stay inand easy for disambling them for uses and neccesities. The collection of all the modules becomes the entrance for the rooftop or the container to save the materials and objects need it for the performances in the street. this places to see them and also rest in this relaxing green areas.
(Zoom in) Strategy
RoofTop
+
Open
Sing
Dance
Eco-Theatre Incubator
Street
Public
Green
Interpret
1000 +0,1sq.ft Green space: 1,120.4 sq.ft
Street Level1:100
Private entrance Public entrance Main entrances
Service entrance
Renovation&Rehabilitation of Theater District This new eco strategic in Theater District would like to improve the ecosystem in this area and also decrease the pollution in the city. At the same time the proposal implements recreation, artitical and cultural spaces built in low buildings in private and public companies that help and contribute to allow and mantein this new confortable and healthy mood. They are built with recycle materials taking from rubbish or containers out of the city, to costruct it fast and easy for disambling them for uses and neccesities. The collection of all the modules becomes the entrance for the + 02.Heights rooftop or the container to save the materials and01.Density objects need it for the performances in the street.
1000 +0,1sq.ft Green space: 1,120.4 sq.ft
03.Public/Private
04.Green spaces
Roof
1st Level_Public space_1:100
Street
1. Colonize
Temporary Housing
Exhibition+Public space
1.1 Recycle/Reuse
Co- working area
Roof Street
2. Connect
Natural Light
abilitation of Theater District
Theater District would like to improve the ecosystem in this area and also decrease the e same time the proposal implementsRoof recreation, artitical and cultural spaces built in low ublic companies that help and contribute to allow and mantein this new confortable and Street uilt with recycle materials taking from rubbish or containers out of the city, to costruct it fast hem for uses and neccesities. The collection of all the modules becomes the entrance for the 3. Growth - 3.1 Re-CREATE o save the materials and objects need it for the performances in the street. + 02.Heights 01.Density
/Reuse
Temporary Exhib.
Natural Ventilation
03.Public/Private
04.Green spaces
1000 +0,1sq.ft Green space: 1,120.4 sq.ft
Vegetation-reduced pollution
Streets-´Eco-micro-theatre` The New Street reflects the mood of the district. Artistic and cultural environment evolves from these éco-micro theatres´where small and big artists, singers and interpreters show their works to the city and everybody can joint and enjoy it.
osystem in this area and also decrease the tion, artitical and cultural spaces built in low allow and mantein this new confortable and h or containers out of the city, to costruct it fast areamodules and alsobecomes decreasethe theentrance for the ofthis all the calperformances and cultural spaces in low he in the built street. mantein this new confortable and iners out of the city, to costruct it fast modules becomes the entrance for the mances ATE in the street. + 02.Heights
4th Level_Dwellings/workshops_1:100 Translucent PVC glass
Streets becoming new level `Eco-rooftops´ Terracota 1000 +0,1sq.ft Green space: 1,120.4 sq.ft
Bricks Glass
03.Public/Private
1000 +0,1sq.ft Green space: 1,120.4 sq.ft
04.Green spaces
atre`
Singers
the ment
Dancers
singers the city .
Streets becoming new level `Eco-rooftops´ 03.Public/Private
03.Public/Private
Street mood is reflected in the 1st level of the rooftops in buildings providing a green-open public space combines creative and artistic shows and interpretations.
04.Green spaces
04.Green spaces
Rooftops-´New street level`
Urban Workshop III Street becomes rooftop M Scale Carmen Mencos
Actors Neighbors
Detail Proposal
12-13 Aternative Practices_5th Year
Prof. David Diez (DDZ)
Design_Segovia Design week Segovia Design week consist in an event organized in Segovia related with art, architecture and design. Artist can show their work in different ways in this week, making an exhibition in streets and also in commemorative building. There is also a competition where can contest proffesionals and students, with public votations through an urban generator bilboards creating animations and interactions screens to show designerâ&#x20AC;&#x2122;s work.
During 1st semester of 5th Year, the course has been divided in three weeks each of Alternative Practices. It is composed of different subjects referenced to architecture. There are composed by Design, Landscape & Environment, The City, Digital Studies and Management & Entrepreneurship. Digital Studies consisted in used new digital programs to design and programming a video game and know how to upload on Internet. Management & Entrepreneurship is how to design, organize and produce a real company considering market, product, price, marketing, company, distribution...and make it real with classmates. These different subjects are related with the architecture and design.
http://www.daviddiez.com/SDW/ https://vimeo.com/77625540
Prof. Romina Canna & Marta LandazĂĄbal
The City_Old Spaces, New Connections & Landscape & Environment_City orchards
Parks/ Green spaces
Making a regional, city and park/garden analysis of Rio Eresma in Segovia, the proposal was to improve the existing place giving it a personal character. This location is a park near a university and the city centre. The project was made a public and private orchards taking part the citizens to produce a new and productive vegetation.
A mapping of chewing gums used and dropped on the pavement by pedestrians is used as an evidence of how people use public space. Analyzing different plazas of Segovia center and some characteristics of these ones as pavement, shadows, paths...the idea is to locate places without interests and generate and activate them with a new activity. Wifi stations are the new connections to invite people, especially young students, to stay and also create a union inside the Old Town, producing new environment and life.
Systems City orchards/Public eating spaces
chewing gum open space A mapping of chewing gums used and dropped on the pavement by pedestrians is used as an evidence of how people use public space. The density of these stains suggest how people move and where they stay, in the axis of the Calle Real and four different squares: Plaza Mayor, Plaza de San MartĂn, Casa de los Picos and Plaza del Azoguejo. There is a clear relationship between the physical components of the city (pavement, urban equipment, spatial configuration) and the way people use these spaces.
Systems
mapping CHEWING GUM (1:2500)_behaviour + activity
Furnitures
Systems
public
private
Irrigation Furnitures
Furnitures canal public
cover canal private
Roads/paths Irrigation
canal walking path
cover canal
cycling path
agriculture path
public Roads/paths
walking path
cycling path
agriculture path
3% 1,3M
10% 3M www.puertogijon.es
Tourism connections
12-13 PFC_5th Year
Prof. Lina Toro (Dosmasunoarquitectos)
EconomybehindTourismtroughCosmetic e.t.c- (Economy behind Tourism through cosmetics) consists in the rehabilitation and reactivation of an abandoned mine through an specific market, cosmetics. The intent of this project is not only to create a new touristic attraction in the area, otherwise create jobs with existing raw mining materials but targeted at a very specific new market, cosmetics. The combination of tourism + employment create three different kind of tourists: international, national and local. They all depend on how long tourists want to spend; from weekly to daily experience. Finally e.t.c promotes a close relationship between worker-visitor and also between local-foreign to be part of the process of the experimenting cosmetics. There are two users: workers and tourists so the building is divided in two programs independently but with some connected points and also related with the two process explained. Workers have the task from the extraction of the minerals, studies of the composition of the cosmetics to its sale, it´s called ‘Cosmetic Factory’, instead tourists experience this process and prove the products and take part of its process, it´s called ‘Centre of relaxation’.
The World of Residensia London
Vision of Seas
Luanco
Royal Caribbean
Autopista del Mar
15km 24min
Brussels
20km 38min
Avilés
Paris
83.517
Barcelona
Gijón 277.559
39km 44min
Barcelona Madrid Mallorca
Oviedo 225.391
Alicante Sevilla Málaga
2010
Now 10.3% 15M
2015
After... 20%
Lanzarote
25M www.aena-aeropuertos.es
3% 1,3M
10% 3M www.puertogijon.es
Tourism connections
43
The World of Residensia Vision of Seas
Luanco
Royal Caribbean
Autopista del Mar
15km 24min
20km 38min
Avilés 83.517
Gijón 277.559
39km 44min
Oviedo 225.391
La
+5.00 +5.00
+1.50 +1.50
+0.00 +0.00
-1.00
-3.00
-5.00
Tech.Prof. Manuel Pérez (Nodo17 Architects)
5. TRANSPORT 4.STORAGE
1. Almacen I 2. Almacen II 3. Almacen III 4. Estacion de Clasificacion de Material 5. Bocamina 6. Nave I: Oficinas & Casa de Aseo 7. Nave II: Almacen & Taller Mecanico 8. Casa de Maquinas
MAR CANTÁBRICO
2.CLASIFICATION 1.EXTRACTION
1. 6.OFFICE
1.
3.PRODUCTION
5 2
1
MINERY PROCESS
extraction-clasification-production-storage-transport-office/sale
3
4
1. International tourist
8
1. 1. 2.
6
sea swim.pool
1. 1. 2. 2.
WET RELAX WET RELAX hotel hotel sea sea swim.pool swim.pool showers DRY RELAX DRY RELAX
HOTEL
howers LAX masage
sauna wimming pool
1. 2. sauna 2. restaurant restaurant
DRY RELAX DRY RELAX hydromasagehydromasage
sauna masage roommasage room
swimming pool
hotel
COSMETIC PROCESS
restaurant
Visual connections
restaurant
gym HOTEL hotel
gym
HOTEL
10% base en polvo
HOTEL
95%
exicipientes
hotel
restaurant
Margas calcareas arcillas arenas calizas dolomias areniscas margas yesiferas pizarras carbon cuarcitas perferoides
restaurant
ENTRANCE ENTRANCE hot bed
hot bed
3.INVESTIGATION
conservation-production-investigation-experimentation
hotel
swimming pool
3. 3. hot bed hot bed 2. shop shop 3. relax room relax room 3. 4. HOTEL DRY RELAX DRY RELAX hydromasage hydromasage relax relax room 2. room showers hotel 4. swimming swimming hotel pool pool 3. entrance entrance swimming masage roommasage room pool 3. Visual connections restaurant restaurant
weekly
HOTEL
jacuzzi
shop
gym
4. 3. 4.
gym HOTEL
gym gym relax room relax room HOTEL VISITOR PROGRAM VISITOR PROGRAM
HOTEL hotel
entrance-wet relax-hotel relax-dry relax-hotel relax roomentrance-wet relax-dry ELAX romasage hotel hotel
5. 4. 4. swimming swimming 3. entrance entrance pool pool 5.
COSMÉTICO
200mlbody cream
HOTEL
0,02mlminerals
VISUAL CONECTIONS VISUAL CONECTIONS
VISITOR PROGRAM VISITOR PROGRAM
hotel
restaurant
3%
activos
2%
aditivos
VISUAL CONECTIONS VISUAL CONECTIONS
entrance-wet relax-dry entrance-wet relax-hotelrelax-dry relax-hotel
restaurant
restaurant restaurant Visual connections
ENTRANCE
4. 4.
gym
gym gym AMrelax room HOTEL hotel
restaurant
gym
5. 5. 6. 6.
7. 5. 6. 6. 7. 5. 6. 6. VISITOR PROGRAM VISITOR PROGRAM nce-wet relax-dry entrance-wet relax-hotelrelax-dry relax-hotel 7. 7. 7.
7.
6. 6.
7. 7.
58
There are many different visual connections where the tourist is involved in the process of elaborating the cosmetics. They are never in touch, the tourist can see what the worker does, but the VISUAL CONECTIONS VISUAL CONECTIONS doesn´t see the tourist to not be distracted. Also this holes of visualisation work for natural lighting in the whole building. VISUAL CONECTIONS VISUAL CONECTIONS
gym HOTEL
5. 5.HOTEL hotel 4. 6. 5. 5. restaurant 6. 4.
otel
gym
4.EXPERIMENTATION daily
HOTEL
relax room relax room
masage roommasage room jacuzzi
1.CONSERVATION
3. Local tourist
jacuzzi
showers
2.PRODUCTION
sauna
Visual connections jacuzzi
2. National tourist
7
masage roommasage room
3. turc bath 1. 2. 2. HOTEL HOTEL 3.
urc bath
DRY RELAX DRY RELAX
sea swim.pool sauna
turc bath
IGATION auna
Tourism + Employment
1. 1. 2.
HOTEL
VISITOR PROGRAM VISITOR PROGRAM
VISITOR PROGRAM VISITOR PROGRAM
entrance-wet relax-dry entrance-wet relax-hotelrelax-dry relax-hotel
VISUAL CONECTIONS VISUAL CONECTIONS
59
58 restaurant
VISUAL CONECTIONS VISUAL CONECTIONS
worker entrance-wet relax-dry entrance-wet relax-hotelrelax-dry relax-hotel
hotel
restaurant
There are many different visual connections where the tourist is involved in the process of elaborating the cosmetics. They are never in touch, the tourist can see what the worker does, but the VISUAL CONECTIONS Also this holes doesn´t see the tourist toVISUAL not CONECTIONS be distracted. of visualisation work for natural lighting in the whole building. VISUAL CONECTIONS VISUAL CONECTIONS
VISITOR PROGRAM VISITOR PROGRAM worker
VISUAL CONECTIONS VISUAL CONECTIONS
entrance-wet relax-dry entrance-wet relax-hotelrelax-dry relax-hotel
VISITOR PROGRAM VISITOR PROGRAM
entrance-wet relax-dry entrance-wet relax-hotelrelax-dry relax-hotel
Cuaternario Terciario Cretácico Jurásico Triásico+Permico Cenozoico 59 Mesozoico
58
0
5
65
Carbonífero
250
VISUAL CONECTIONS VISUAL CONECTIONS Camb.medio Devonico Silurico ordvov. inf. Paleozoico Precambio 550
<4500
65
There are many different visual connections where the tourist is involved in the process of elaborating the cosmetics. They are never in touch, the tourist can see what the worker does, but the 65 doesn´t see the tourist VISUAL CONECTIONS VISUAL CONECTIONS to not be distracted. Also this holes of visualisation work for natural lighting in the whole building. VISUAL CONECTIONS VISUAL CONECTIONS
VISITOR PROGRAM VISITOR PROGRAM worker
entrance-wet relax-dry entrance-wet relax-hotelrelax-dry relax-hotel
58
VISUAL CONECTIONS VISUAL CONECTIONS VISUAL CONECTIONS VISUAL CONECTIONS
59
65 There are many different visual connections where the tourist is involved in the process of elaborating the cosmetics. They are never in touch, the tourist can see what the worker does, but the worker doesn´t see the tourist 65 to not be distracted. Also this holes of visualisation work for natural lighting in the whole building. VISUAL CONECTIONS VISUAL CONECTIONS
VISUAL CONECTIONS VISUAL CONECTIONS
59
65
7. 7.
+5.00
A’
B’ C’ +1.50
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Polysterene, Expanded thermal Polysterene, insulation thermal insulation 20mm 20mm 3. Expanded Polysterene, thermal insulation20mm 20mm 5. Concrete slab 5. Concrete slab 300mm 3. Expanded Polysterene, thermal insulation crete slab 300mm 300mm 3. Drainage, perforated/porous pipe 150mm O15mm O15mm 6. Concrete 6. Concrete slab slab3. Drainage, perforated/porous 150mm 5.pipe Concrete slab 5. Concrete 300mm 4. Cellular glass, 4.300mm Cellular thermal insulation thermal O15mm insulation 15mm 15mm mm O15mm Cellular glass,insulation thermal insulation 6. Concrete slab 6. Concrete slab 150mm 150mm 6.slab Drainage, perforated/porous perforated/porous pipe pipe glass, O15mm 4. Cellular4.glass, thermal 15mm 15mm 4. Plywood boards, 4. Plywood paintboards, finish paint finish 6. Drainage, 10mm 10mm 4. boards, Plywoodpaint boards, paint finish 6. Drainage, 10mm perforated/porous 6. Drainage, perforated/porous pipe pipe O15mm 4. Plywood finish 10mm 4. Expanded 4. 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Duripanel, wood-cement Duripanel, wood-cement particleboard particleboard 10mm 10mm 2. 2. 2. 1. 1. Duripanel, 1. wood-cement Duripanel, wood-cement particleboardparticleboard 10mm 10mm mm 10mm 2. 2. 2. Isofloc,2.cellulose Isofloc, cellulose wool wool 2. 15mm 15mm 1. cellulose 1. wool 1. Duripanel, 1. wood-cement Duripanel, wood-cement particleboard 10mm 10mm 2. Isofloc,2.cellulose Isofloc, cellulose wool1.particleboard wool 1. 15mm 15mm 2. Isofloc, 2. Isofloc, cellulose 1. 4. 15mm Duripanel, wood-cement Duripanel, wood-cement particleboard particleboard 10mm 10mm wool4. 1. Duripanel, 4. 2. Isofloc, cellulose 2. Isofloc, wool cellulose 15mm 15mm 1. 4. mm 1. wood-cement Duripanel, 15mm wood-cement particleboardparticleboard 10mm 10mm wool ipanel,15mm wood-cement particleboard 10mm 3. Plywood 3. Plywood boards, paint boards, paint finish 10mm 10mm ood-cement particleboard 10mm 1.particleboard Duripanel, wood-cement particleboard 2. Isofloc, cellulose 2. Isofloc, wool cellulose wool 10mm 15mm 15mm 3. Expanded 3. Expanded Polysterene, Polysterene, thermal insulation thermal insulation 20mm 20mm 1.finish Duripanel, 1. wood-cement Duripanel, wood-cement particleboard 10mm 10mm 1. Duripanel, wood-cement particleboard 10mm 3. Plywood boards, 3. Plywood paint boards, finish paint finish 10mm 10mm 2. Isofloc, cellulose 2. wool cellulose wool 15mm 15mm 2. 2.thermal insulation 3. Expanded Polysterene, 3. Expanded thermal Polysterene, insulation 20mm 20mm 2. Isofloc, mmwool O15mm wool 2. Isofloc, cellulose 2. Isofloc, wool cellulose wool 15mm 15mm floc, cellulose 15mm 2. pipe 4. Cellular4.glass, Cellular thermal glass, thermal insulation 15mm 15mm ose 15mm 2. Isofloc, cellulose wool 15mm 15mm 3. Drainage, perforated/porous 3. Drainage, perforated/porous pipepaint O15mm O15mm 4. Plywood 4. Plywood boards, boards, paint 10mm 2.insulation Isofloc, cellulose 2. Isofloc, cellulose woolwool 15mm 2. wool Isofloc, cellulose 15mm 4. Cellular glass, 4. Cellular thermalglass, insulation thermal insulation 15mm 15mm insulation 1.paintboards, 3. finish Plywood boards, 3. Plywood finish10mm paint finish 10mm 10mm 1. finish 4. Plywood boards, 4. Plywood paint20mm boards, finish 1.paint finish1. 10mm 10mm mmpaint 20mm 3. Expanded 3. Polysterene, Expanded thermal Polysterene, thermal insulation 20mm wood boards, paint finish 5. Ventilated 5. Ventilated cavity 10mm cavity 20mm rds, finish 10mm 3. Expanded Polysterene, thermal 20mm 4. Expanded Polysterene, 4. Expanded thermal Polysterene, thermal insulation 20mm 5. insulation Concrete 5. Concrete slab insulation slab 300mm 300mm 3. Drainage, perforated/porous 3. Drainage, perforated/porous pipe 20mm pipe O15mm O15mm 3. Expanded Polysterene, thermal insulation 20mm 5. Ventilated cavity 5. Ventilated cavity 20mm 20mmpaint finish5. Concrete10mm 4. Cellular glass, 4.20mm Cellular thermalglass, insulation thermal insulation 15mm 15mm slab 5. Concrete10mm slab 300mm 300mm 300mm 4. Plywood boards, 4. Plywood paintboards, finish ular glass, thermal insulation 15mm 6. Concrete 6. Concrete slab slab 150mm 150mm ,mm thermal insulation 15mm
10mm 15mm 20mm 10mm 300mm O15mm
10mm 2. 15mm 1. 20mm 10mm 300mm O15mm
3.
2.
1.
-3.00
3. 4.
4.
-5.00
Prof. Lina Toro (Dosmasunoarquitectos)
EconomybehindTourismtroughCosmetic The general strategy consist in the superposition of different layer divide in two worlds: geology (below) and topography (up). Some existing galleries of the mine are the basis of the project (starting point),but there is two programs completely independent with two diferent types of users: the worker and the visitant. The first program is a cosmetic factory while the second program involves the testing of these cosmetics named a relaxation center. There is a interconecction between this two layers that are visual conenctions and courtyards.
1 Solar protection/Secundary wood structure
2 Wood primary truss structure
3 Existing metal truss
4 Existing brick+plaster building ruin
5 0/-1 Plan
6 -3/-5 Plan
63
Tech.Prof. Manuel Pﾃｩrez (Nodo17 Architects)
1.
entrance
Minery vs Cosmetic process
1. EXTRACTION
5. TRANSPORT
machinery
2.
formulation
4.STORAGE 2. PRODUCTION
1. Almacen I 2. Almacen II 3. Almacen III 4. Estacion de Clasificacion de Material 5. Bocamina 6. Nave I: Oficinas & Casa de Aseo 7. Nave II: Almacen & Taller Mecanico 8. Casa de Maquinas
MAR CANTﾃ。RICO
mirador
clasifier
design
calification
3.
laboratories
2.CLASIFICATION
3. INVESTIGATION
4.
1.EXTRACTION storage sanity/health
managment offices
5.
6.OFFICE 3.PRODUCTION
5
6.
4. EXPERIMENTATION
Superposition of layers
2
MINERY PROCESS
4
7.
3 Workers plan/circulation
1. International tourist
8
4 Visual connections/courtyards 8.
DRY RELAX
sea swim.pool
Tourism + Employment
3
extraction-clasification-production-storage-transport-office/sale
6
There are many differents between minery and cos2. National tourist metics process. Minery is composed and determined different steps from extraction, clasification, production, storage, transportation and sale, meanwhile cosmetics is based on conservation, production, investigation and experimentation. The idea is to mix both process and also try to use the existing building 3. Local tourist as support to construct the new process of cosmetics. The extraction of the minerals is going tobe extracted daily weekly from the existing mine, only 10%, and after this process of coservation-production-investigation-experimentation also has to be organized for tourisits for enjoying and take part of the process.
7
sauna masage room turc bath
2.PRODUCTION
jacuzzi HOTEL
relax room
Some existing galleries of the mine are the basis of the project (starting point),but there is two programs completely independent with two diferent types of users: the worker and the visitant. The first program is a cosmetic factory which produce these such from the extraction of minerals, production, processing to sale of the product, while the second program involves the testing of these cosmetics named a relaxation center where can also observe their development and be part of it design. There is a interconecction between this two layers that are visual conenctions and courtyards. WET RELAX
hotel
hydromasage
showers
swimming pool
1.CONSERVATION
1. Nave I: Oficinas & Casa de Aseo
hot bed
shop
4.EXPERIMENTATION
2. Nave II: Almacen & Taller Mecanico
3.INVESTIGATION
restaurant
gym
entrance
ENTRANCE
COSMETIC PROCESS
conservation-production-investigation-experimentation
46
1 Existing ruins
52
3. Casa de Maquinas
53
2 Tourist plan/circulation
Artist Risk Construction History Imagination Technology Efficiency Contemporary Tectonics Urbanism Respect