Issue 96
NEW YEAR 2020
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Report on Christmas Tea Party Marketing Interview with Jean Fullerton Poetry Corner www.swwj.co.uk
Who’s who Printed by TandC Printers, Bromley, Kent BR1 3PU Issue 96
Editor: Carol Cannavan 10 Dury Falls Close, Hornchurch Essex RM11 3AX Tel: 01708 459376 Mob: 07947 133509 carol@aspire-editorial.co.uk Chairman: Rebecca Harding Highfield, 46 Park Avenue North Northampton NN3 2JE Mob: 07966 459080 rebecca@saltwhistle.com Vice Chairman/ Speakers: Pamela Payne Tel: 01730 892413 pamela@thebeach.com
New Year 2020
Marketing Coordinator: Michelle Harriman Mob: 07894 703717 Michelle@dotiprojects.co.uk Competitions/Social Media/Manuscript Appraisal: Vivien Brown Tel: 01895 254453 vivienhampshire@btinternet.com Archivist: Sylvia Kent Tel: 01277 651062 skent32@tiscali.co.uk
Book Reviews/ Chawton House Liaison: Pamela Birley Tel: 020 7351 6377 Communications Coordinator/Newsletter: bra33@btinternet.com Barbara Field-Holmes Website: Tel: 01959 575031 (Wk) Gywneth Box Tel: 01959 575936 (Home) Mob: 07986 613437 Mob: 07814 738894 hello@gwynethbox.com swwj@bigginwords.co.uk Minutes Secretary: Hon Treasurer: Vacancy Benita Cullingford Tel: 01727 857388 Council Support: b.cullingford@btinternet.com Katherine Bolton Manager, Writer’s Debut Mob: 07834 954993 benitaswwj@btinternet.com katherineindevon@gmail.com Hon Secretary/Events: Janice Grande Tel: 01268 451547 Mob: 07951 671498 grandewords@yahoo.com Overseas: Doreen Friend Tel: 020 8505 2476 doreen.friend@swwj.co.uk SCRIPTORA: Mary Rensten maryrensten@btinternet.com
Patrons: Lady Howard, Sir Tim Rice, The Earl of Stockton, Simon Brett OBE
President: The Rt Hon Baroness Benjamin of Beckenham OBE DL
Vice Presidents: Pamela Birley, Doris Corti,Valerie Dunmore, Joyce Elsden, Barbara Field-Holmes, Sylvia Kent, Jennie Lisney, Jean Morris, Mary Rensten, Jean Marian Stevens
Welfare/Benevolent Fund If any member requires help, please contact Jennie Lisney on 01444 412087 or write to: 4 Larch Way, Haywards Heath, West Sussex RH16 3TY. Email: jennielisney@gmail.com Donations to benefit our members in times of illness or hardship should be made out to SWWJ Benevolent Fund.
Membership Secretary: Valerie Dunmore Tel: 01737 557936 swwjval@aol.com Consultants: Martin Cort (Drama) Tel: 020 7582 5839 mcort1@talktalk.net Patrick Forsyth (Marketing) patrick@touchstone28.com Vivien Brown (Proofreader) Doris Corti (Poetry) Dorothy Pope (Poetry)
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The Woman Writer is published by The Society of Women Writers & Journalists www.swwj.co.uk
SWWJ members have the right to express their opinions in The Woman Writer. These opinions are not necessarily those of the Council or Editor. Neither the Editor nor the Society accepts responsibility for errors in articles. The Editor reserves the right to amend articles submitted.
New Year 2020 The Woman Writer
From the Editor
Contents 4
From the Chair By Rebecca Harding.
5-7
Letters The latest news and views.
8-9
Society news Discover what is happening in the SWWJ.
10 - 11 Members’ news A round-up of news and successes. 11
Drama Drama Workshop – change of venue.
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From the archive By Sylvia Kent.
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Fiction focus The survival of the fittest.
14 - 15 Mission and Manifesto The aims of the Society. 16 - 17 Overseas members Doreen Friend shares the news. 18 - 19 One to One Interview with Jean Fullerton. 20 - 21 Report on the Christmas Tea Ending on a high! 22 - 23 SWWJ Competition winner Vivien Brown meets Ella Cook. 24 - 25 Poets’ corner By Dorothy Pope. 26 - 27 Regional Meeting and Lunch By Marion Field. 28 - 29 Marketing Profitable flexibility. 30
When I was not upon this page Soup, with Doreen Friend.
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Around the regions News from Moonraker Country.
Hi everyone! Christmas may be a distant memory, but I must say how much I enjoyed the SWWJ Tea at The National Liberal Club on 5th December. It was great to see so many members and guests attend. Thanks to Pamela Payne, who does a fantastic job selecting speakers, we were enthralled by ExDetective Chief Inspector Jackie Malton. That woman has true grit! You can read my report on page 20. So, here we are at the beginning of a new year. Already we are planning events for 2020. At the moment we are awaiting confirmation of a date for a superb buffet lunch on the Terrace of the House of Lords. It’s likely to be in June, but we will let you know as soon as possible so you can put it in your diary. Certainly one not to miss! I hope this year brings you lots of opportunities and success.
carol@aspire-editorial.co.uk 32 - 33 Markets & Competitions 34 - 36 Book reviews 37
SWWJ Competition
38
Spring Tea application form
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Diary dates for 2020 Front cover picture
Issue 96
NEW YEAR 2020
A winter scene. Inset: Jackie Malton
• Report on Christmas Tea Party • Marketing • Interview with Jean Fullerton • Poetry Corner www.swwj.co.uk
The Woman Writer New Year 2020
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From the Chair Chair types... by Rebecca Harding, Chairman We had an exciting and progressive Council meeting in November, where we set out our agenda for the coming months and launched a number of new projects. The foundation for this project is the new manifesto for the Society which lays out our priorities and our purpose going forward. You can read about this further later on in the magazine. It has given us a real sense of direction for the future while still building on our roots from the past and also tackles the issue of keeping ‘Women’ in the Society’s name. We have been reviewing our branding and our website and are introducing ambitious projects to modernise our approach, and provide more resources and information for members through the site. Encouraging new memberships, particularly amongst young people, is the most important task of the next year, and it's a challenge that most societies are now facing in a digital age where it is easy to establish contacts with groups of similar people via social media. In order to achieve this we need to build up a membership steering group and we are looking for people who would like to contribute in this area. Val Dunmore has done an amazing job for some years of looking after membership applications and she wishes to retire from this job. We need somebody willing to take this over. This is an essential role. Please do get in touch if you feel this is something you'd be interested in, or if you would like to become part of the membership group looking at bringing in new members and coming up with ideas as to how we might do this. We are working hard to establish close relationships with other writing groups and organisations. In January the secretariat from the government’s All Party Publishing 4
Group are coming to talk to Council. We are also liaising with the ALCS and Women in Journalism. Working closely with these groups will help us to move our agenda forward. There is strength in numbers. We are also excited that a young public relations student will be taking on a social media project for us to attract younger members and students. Nathan Bickerton is currently at university and has many fantastic ideas to help us. Alongside these projects we are continuing our programme of events. These are included in the magazine in more detail. I thoroughly enjoy attending them and meeting the wonderful, talented and diverse people that are our members and I am proud of what the Council team and other volunteers are achieving in terms of high-quality experiences for you. If you haven't come along to an event recently, please do. You would be very welcome and we would be happy to greet you if you have not been before or are coming alone. Please just get in touch or tell us when you are booking the event. We are still looking for volunteers to make up the exciting new steering groups to move the Society forward. Even if you have only two hours to spare a month we would be thrilled to welcome you on-board. Do email me on rebecca@saltwhistle.com 2020 is going to be an exciting year and the prospects for the Society are positive. With our combined enthusiasm we can only flourish.
CONGRATULATIONS! We would like to congratulate our President, The Rt Hon Baroness Benjamin of Beckenham OBE DL, on becoming a Dame. An honour well deserved. New Year 2020 The Woman Writer
Letters Write to us Come on members, let’s hear from you. This is your opportunity to have your say. Send your views to the Editor (see page 2 for contact details).
At last – a poetry day! Apparently, this poetry day had been much requested and Dorothy Pope set about and made it happen on 24th October. And a very good day it was too. We were privileged to dig deeper into the elegant facilities of the National Liberal Club as well as into our imaginations. Dorothy came very well prepared, the format for the morning being two writing exercises and in the afternoon discussion of personal favourite poems, and one of our own. Half a dozen items, including two sets of dice (ones and sixes) a red silk scarf, a partly written envelope, a key, etc, the other a choice of pictures – a child's drawing, two famous paintings and a picture postcard of Jersey's unique lighthouse – started the creative juices flowing. After lunch, discussing each other's choices and our own poems resulted in some worthwhile and helpful contributions and a pooling of both information and ideas
Minutes Secretary required We are looking for someone to take minutes at our SWWJ Council meetings, which take place five times a year at The National Liberal Club, London. Your travel expenses will be covered and you will receive an honorarium of £100. The meetings start around 11.30am and usually finish by 4pm. If you would like more information, please contact Rebecca Harding. The Woman Writer New Year 2020
– not necessarily confined to poetry! It was in all a very profitable day. How sad, therefore, that there were only five of us to benefit. Where were you all? Sylvia Goodman
A day to remember I attended the SWWJ AGM on 9th September, the day that PM Johnson chose to prorogue parliament. Baroness Floella Benjamin, the Society’s President, warned us in her opening speech that at 2.30pm she must be in the House for a debate. It reminded us that we were in a place of work at the time. After the AGM we had a cream tea with wine. That was followed by a tour of the House of Lords. I won’t describe the tour in detail because you would do better to go to the library and seek out a glossy book. The only thing I will say is that I was surprised that the Hansards were in locked cupboards that lined a corridor. I expected them to be in the vaults. For me what made the day most memorable was being shown around by Floella Benjamin. Floella was very friendly, warm and approachable. There were no airs and graces about her. It was her company and personal anecdotes that made the tour special. It was during the reign of Henry II that the Hall first acted as a law court. During the tennis games played in the Hall by Henry VIII the servants, shortened to servs, had to retrieve the balls, hence we now serve the balls in tennis courts. Floella told us that when a beam needed replacing in the Hall her brother was involved in the restoration. He found tennis balls lodged about the beam. As Floella said: “Bet even the top tennis players don’t know that.” For me the tour was secondary, it was Floella who made the day special. She was 5
Letters the perfect hostess who felt very privileged to be a member of the House of Lords. She said she feels that she is doing it for her Trinidadian ancestors and believes they Carol Baker and would be proud Linda Payne (right). to learn that a member of their family had become a peer when the slave owners hadn’t. What I cannot convey adequately in such a short piece is how natural and welcoming Floella was, how delighted, and possibly surprised, that she is a Peer. I wouldn’t mind betting that Floella still pinches herself sometimes. Linda Payne
Congratulations ladies! An extra special Southern Region event was organised by Roberta Grieve and Pamela Payne and held at the Chichester Yacht Club on 16th October. This Southern 125th Anniversary lunch was attended by over 40 members and was a huge success, with some members coming from outside the immediate area. SWWJ member Ginny Vere Nicoll gave an illuminating talk on the ‘Importance of Location’ drawing on her success of marketing her books in the UK, Europe and beyond. It was extremely interesting and sparked quite a few questions. Singer songwriter Tobiah performed several songs starting with two she had written for Ginny to go along with her book. I am sure the members who attended would like to join me in offering my congratulations 6
to both Roberta and Pamela for arranging a great lunch in a terrific setting. The restaurant was a sure winner with magnificent views overlooking Chichester Harbour. I’m sure this new meeting place for the Southern Region will be an inspired setting for any future workshops. Kairen Kellard
Change of name? There has been some discussion whether the SWWJ should change its name. In my view there does need to be an alternative to the Society of Authors, but I believe the SWWJ may be hampered if its title does not reflect a policy of total inclusiveness. I favour the title of The Society of Writers and Journalists; however, I am aware of the history behind the Society’s name and I do defend, albeit uncomfortably, the right of certain small societies to bar women from their premises in accordance with timehonoured traditions. As late as the 1980s one Conservative Club still applied this ruling, from which not even the then Prime Minister, the Rt Hon Margaret Hilda Thatcher, was exempt. That is going to the end of the scale; but opinion on this whole subject varies, nor is it defined by gender with some women objecting to what might seem discrimination against males, while some men do not mind it. Suffice to say that my feelings are sufficiently mixed for me to be able to accept whatever the Council decides on the matter. Women are already well represented among successful authors. Equal pay in the field of journalism is another matter; the discrimination continues and there seems no rational reason for it. In my view the principal reason for our existence as the SWWJ is that a gender-orientated (to some extent) society, whose membership like that of other pressure groups may well consist New Year 2020 The Woman Writer
Letters largely of the group whose interests it serves, is better placed to deal with injustices affecting the element in question. A second non-gender-based society for authors is perhaps a good idea but it would still leave the SWWJ with a raison d’etre. One final thing; if we did change our name in the way I suggested we would inevitably continue for a time at least, if not in perpetuity, to be female-dominated because we had been in the past, rather than because there was conscious discrimination.
Photos from the Christmas Tea
Guy Blythman Note from Editor: Please see page 14 for the SWWJ’s Manifesto, which explains our position on keeping the Society’s name.
Manuscript Appraisal Service All the writers and tutors in our appraisals team are full members of the SWWJ, with many years of professional experience and expertise to offer. Whether you are new to writing, keen to improve your skills, ready to try for publication for the first time, or just want to take a change of direction by exploring a new genre, a member of our team is ready, willing and available to guide you. Please visit our website to see the individuals in the appraisals team, along with their profiles – www.swwj.co.uk – they could help you to fulfil an ambition to get your manuscript published.
The Woman Writer New Year 2020
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Society news Meet our competition judge – Lynne Shelby by Vivien Brown
SWWJ welcomes new members FULL MEMBERSHIP Wendy Pike, Billericay. Wendy is a journalist with many published articles. She has one book published. She also writes short stories and is a broadcasting journalist. Helen Bartlett, Warwickshire. Helen has written two novels on fantasy and romance. She writes short stories, articles for magazines, poetry and content for websites. Helen writes under the name Ella Cook (you can read more about her on page 22.) Janet Dowling, Devon. Janet has two published books on local history in Surrey and Devon. She also writes on bereavement and mental illness plus folklore and Morris dancing. Lisa Horner, Essex. Lisa has written two local history books for Amberley Publishing. An article on The Barge pub appeared in the December 2019 issue of Essex Life magazine.
FRIENDS Seniha Slowinski from London. Lynne Dickens from Northamptonshire. Mike Denham from Farnham. Rupert Matthews from near Market Harborough. 8
Lynne Shelby writes contemporary women’s fiction/romance. She cannot remember a time when she didn’t want to be a writer and first submitted a manuscript to a publisher when she was fourteen. They didn’t publish it, but a kind editor sent her a letter encouraging her to keep on writing – she is very glad she took her advice! Lynne’s debut novel, French Kissing, was published when it won the Accent Press and Woman magazine Writing Competition. Her latest book, There She Goes, is set in and around London’s Theatreland and is one of a series of standalone novels featuring characters who work in showbusiness. Lynne has worked at a variety of jobs from stable girl to child actor’s chaperone to legal administrator, but now writes full time. When not writing or reading, Lynne can usually be found at the theatre watching a play or a musical, exploring a foreign city – Paris, New York, Rome, Copenhagen, Seattle, Athens – writer's notebook, camera and sketchbook in hand or helping backstage at her daughter’s performing arts school. She lives in London with her husband, and has three adult children who live nearby. Lynne will be judging our Winner Takes All Competition – full details can be found on page 37.
New Year 2020 The Woman Writer
Society news Meet our speaker for the Spring Tea and Prize Giving... by Pamela Payne Jessica Fellowes is an author and a journalist and has many novels and nonfiction books to her credit. But yes, the clue is in the name – she is also the niece of Julian Fellowes of Downton Abbey fame. To date she has written five official companion books to the Downton Abbey television series and these led to her international speaking career, touring America from coast to coast, talking to audiences of up to 2,500! She has also made numerous appearances on radio and television and is a contributor to a number of publications including The Daily Telegraph and The Sunday Times Style magazine. She is, however, also known for her Mitford Murder series of novels and has recently agreed the contract to write a further two books in the series. Her fans will be delighted that there will eventually be six in ‘The Mitford Murders’ line-up – one for each sister! These have been translated into several languages. She is currently writing The Mitford Trial, to be published in September 2020. Jessica's career began at the Mail on Sunday as a celebrity interviewer and lifestyle editor,
before going on to be Deputy Editor of Country Life magazine. There she wrote the weekly Town Mouse column as well as a townie's guide to country weekends for The London Paper, the latter of which formed the basis of her first book, Mud & the City. I heard Jessica speak at a Literary Lunch in Hampshire and she was so good I signed her on the spot for our Spring Prize Giving Tea on 19th March 2020. Be sure to make a note in your new diary and fill out the booking form on page 38.
Don t forget! The copy deadline for the Spring issue of The Woman Writer is Friday 28th February 2020
The Woman Writer New Year 2020
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Members’ news
Success! Building on the past... Sylvia Kent was approached by Amberley Publishing a year ago to write her 12th book, Brentwood in 50 Buildings. As a keen history lover, Sylvia enjoyed re-visiting Brentwood's buildings, most of which she had researched/written about over 20 years for local newspaper columns. Inevitably, she discovered many fascinating tales. Sylvia was delighted to be invited to the Town Hall to sign her book by Brentwood's Mayor and Council Leader; she has also been signing in Essex bookshops.
Book launch Alex Rushton launched her latest novel, The Girl at Conway Place, at the Pier Road Coffee and Art shop in Littlehampton, West Sussex, on 20th September 2019. The owners, Mike and Lucy, supplied complimentary wine, soft drinks and snacks. The novel is a dark romance, set in north London in the mid-1980s, and is a prequel to Alex’s first published novel, Sunrise at An Lac, which is a dystopian novel set in 2033. Both have been
Have you recently been published? Share your good news with us! 10
published by SCRIPTORA, the publishing arm of the SWWJ. In addition to chatting to the guests, Alex signed copies of the book, and read two short extracts from the novel (without giving away too much of the plot!), both of which were warmly received. Zoe King, who runs the local writing group ‘From Page to Publication’ was there, along with other members of her group. Some of the other attendees were regular customers at the art shop. Alex also took part in the Surrey Bookcase programme on Brooklands Radio, which was broadcast on 4th October at 7.30pm. The Girl at Conway Place is available in the art shop, or from amazon.co.uk as a paperback for £7 or as a Kindle edition for £3.99.
Two in a row! Margaret Mounsdon’s latest Linford mystery romance came out on 1st December; it is entitled Castle of Flowers. The story follows the powerful Vincente family – what did they do to Evie Quinta's father to make him flee his native Portugal? Evie sets out to find out and discovers a far more shocking secret than even she could have imagined. On top of this, Margaret has just sold her latest pocket novel to People's Friend entitled The Lombardi Emeralds – publication date 14th May 2020. New Year 2020 The Woman Writer
Members’ news Sharing the Joy! Phine Chia’s novel, Big Tree in a Small Pot, won the Singapore Publisher’s Book Award for Middle Grade/Young Adult novel. It was a finalist for the Book of the Year award but didn’t win.
Hollywood calling! Benita Cullingford recently had a Skype call from LA, Hollywood, from Matthew Boda, filmmaker, founder of GIM Productions. He wanted to discuss the production viability of the short script she had entered in the ‘Get It Made’ Competition last October! He suggested that she should make it longer, redraft and submit again to this year’s competition. Benita did just that and resubmitted the script, which is called The Way We Were. Benita was delighted to discover that her script got through to the finals (over 2,000 scripts submitted). Although she didn’t win the competition, her name was called out on YouTube as a finalist and she will receive a professional critique. Since receiving that news, she has been notified that the status of her entry has been updated to ‘Selected’. This means her script was seriously considered for production and will now receive personalised written feedback from working industry professionals. She is now awaiting a phone call about the results and a ‘next steps’ guide to continuing her path to production! The Woman Writer New Year 2020
Drama Next SWWJ Drama Workshop St Anne’s Church Soho, 55, Dean Street, London W1D 6AF Saturday 8th February 2020 from 11am until 4pm The Rev Simon Buckley has generously organised for us to use space at St Anne’s Church Soho, for the next Drama Workshop. The nearest stations are Leicester Square and Piccadilly Circus Station. The Church has a modern front lit glass with neon writing, it’s on the left hand side of the road if you are entering Dean Street from Shaftesbury Ave. The church is the last resting place of writer Dorothy L Sayers who was Church Warden for some time. It has kitchen facilities to enable us to provide members and guests with tea and coffee. There is also space to allow us to consume our packed lunches and provide a buffet lunch to our actors. A great deal of appreciation must go to our actor John Witts, who is the Church Warden at St Anne’s and who has the responsibility of ensuring that we leave the venue clean and tidy. We are planning to start as usual at 11am and to finish at around 4pm. I am looking forward to having your scripts or excerpts from your novels that you would like read as soon as possible. As usual, the earlier the better for me as I will have to try to cast from our pool of friendly actors, who hopefully will have returned from their pantos and seasonal engagements. The Hall is run on a charity basis and would appreciate a donation from the SWWJ Workshop Group, which I suggested should be what we normally pay for the hire of our last venue, to be taken from our usual members’ donations. Scripts to: Martin Cort, Flat F Kingston Mansions, 145-147 Clapham Road, London SW9 0HP. Tel: 020 758 25839. 11
From the archive 1919 and all that... by Sylvia Kent In the ‘afterglow’ of the Society’s 125th Anniversary celebratory lunch at Stationers’ Hall last year, followed by the Southern Region’s splendid lunch in Chichester, we take a look back to see what was happening just a century ago. Autumn 1919 was a decisive time in the Society’s annals. During the Great War, our membership list had decreased. Members whose husbands and sons had not returned from fighting in the trenches could no longer afford their subscriptions. The awful flu epidemic had also taken its toll a year earlier. Some of our male patrons had lost their lives during the war and disarray was all around us in London. At the time our membership roll was divided between ‘town’ and ‘country’ members paying yearly subscriptions of one-guinea (£1.1s) and half-guinea (10s.6d) respectively, acknowledging that members travelling from out-of-town paid more to attend meetings. After the war, many country members were reluctant to travel. Consequently, Society funds were desperately low. Mary Frances Billington had been President from 1913-1919, and despite her hard work and that of the Council, the future of the
Follow the SWWJ on Facebook! Members are invited to ‘socialise’ on the Society Facebook page. Check out swwj.facebook and ‘like’ the page. 12
Society was bleak. During the four waryears, she and members supported the war effort by providing extra finance, knitted and home-made clothes and other needs for the forces. Some of our members had signed up and trained for Voluntary Aid Detachment (VAD) and many were still attached to hospitals. As our 25th Anniversary approached, our Council organised a special dinner linked to a War Victory Dinner and this was held at the famous Criterion Restaurant in Piccadilly in May 1919. Mrs Bedford Fenwick and Mary Billington arranged a successful event with guests of honour including the Earl of Athlone, incoming President Viscountess Northcliffe and our true friend and founder, Joseph Snell Wood. Unfortunately, we have no membership lists for that period but we know that members met at 1-2 Tudor Street, EC4 close to St Paul’s. It appears that this was a useful headquarters to stay daily from 10.30am until 6pm, and here was our library of books and magazines that members had produced. Lunch was simple, but adequate. Tea cost six pence. Here members could work, read and even use the telephone. However, we needed more patrons, sponsors and, above all, new professional women journalists and writers in order for our Society to survive and thrive, but by January 1920, this seemed impossible. To be continued in the next issue…
Follow the SWWJ on Twitter! Find out about the latest news and events by following (and retweeting) @SWWJ. Help to spread the word about our Society! New Year 2020 The Woman Writer
Fiction focus The survival of the fittest by Vivien Brown With so many thousands of new books being released every week, it’s a wonder that any novel ever manages to get itself noticed, let alone generate enough sales to make it into the bestseller lists. Once an author is well-established they can often rely on reputation, with readers of the earlier books eager to come back for more, and occasionally a brand new author strikes it lucky, writes the right book at exactly the right time and becomes an unexpected ‘overnight success’. Yet, sadly, in today’s hugely competitive print and digital book markets, many limp along with minimal impact or simply sink without trace. I thought I would take a look back at what was being published a century ago, to see which authors and which books, if any, have managed to stand the test of time, and maybe even to work out why. Amazingly, some of the names from the 1920 ‘newly published’ list are not only still recognisable today, but are still being read. Agatha Christie’s The Mysterious Affair at Styles was her first published novel, written as the result of a dare from her sister, and the first to feature Hercule Poirot. The book is still in print, still regularly borrowed from libraries, and has been adapted for TV. It has more than 200,000 ratings and 6,000 reviews on Goodreads. Not bad for a book that’s now 100 years old! Other familiar works from 1920 are Edgar Rice Burroughs’ seventh Tarzan book, D H Lawrence’s Women in Love, John Galsworthy’s In Chancery (the second in The Forsyte Saga series), and The Woman Writer New Year 2020
F Scott Fitzgerald’s debut novel, This Side of Paradise. L Frank Baum published his fourteenth and last book set in the land of Oz, Doctor Dolittle made his first appearance, courtesy of author Hugh Lofting and, just to show that women writers were making their mark too, we have Edith Wharton’s The Age of Innocence, which went on to win the Pullitzer Prize the following year. Of course there are many authors from the1920 list that very few modern-day readers are likely to be familiar with: Sherwood Anderson, Rhoda Broughton and Catherine Carswell, to name just a few. So, what made some authors household names and turned their novels into classics, while others faded into obscurity? I think, in the end, it comes down to the same factors that apply today, and which we all still strive to achieve: memorable and likeable characters, especially those who go on to appear in a whole series of books; good plots; a strong authorial voice; and having something new and different to say. Being made into a film or a TV series doesn’t do any harm either, as the wave of renewed interest in all things Poldark 75 years after the first of Winston Graham’s books was published can surely testify!
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SWWJ Manifesto
Mission and Manifesto
T
he SWWJ exists in a very crowded market of writing societies and journalistic organisations. All these organisations have their own brand, their own service offerings, their own marketing and are all seeking new members aggressively. Many of these organisations have full-time paid staff, making it very hard for us to compete, with a small volunteer team and limited resources. And this is all in a market where it is becoming harder and harder to encourage people to join societies, especially the young, as information is available freely and free; web-based groups fulfil a similar role. There has been much debate as to whether we should remove the word ‘Women’ from the title of the Society. If we remove the word ‘Women’ we become simply another writing organisation competing with other, bigger organisations. We will have no unique focus for our activities i.e. nothing that sets us apart or attracts a particular group of people. In this scenario, we do not believe that the Society would be able to compete with the larger societies who have staff and greater resources. Unfortunately, we believe this would lead to the end of the Society and we would eventually die out. The Society was set up to enable women to write, to support them in writing and to allow them to be heard. Even though things have improved hugely in the UK for female writers, there is still a long way to go before we achieve equal rights and there are rapid changes occurring in the market place that are hitting women hard. There is still a marked pay gap. This has been highlighted recently in the press in regards to journalism. Women writers are currently earning on average 75% of that 14
earned by their male counterparts as reported by the ALCS and the All Party Parliamentary Writers Group. Writers’ earnings overall have fallen 42% in real terms since 2005, despite the continued growth of the creative industries, now valued at £101.5 billion. Women have therefore been the hardest hit. Often women writers are expected to work for free. For example, at literary festivals, printers are paid for producing the brochure, but authors are not paid for speaking and, at the end of the day, they are the whole reason the festival is taking place. Women still experience inequality in the workplace in the way that they are treated, the opportunities open to them to reach senior positions, and the low pay that is often part of the lifestyle for freelancers. Freelancers are often women who have made life changes in order to support their families and children and earn a third less than male freelancers. Currently only 16% of working screenwriters are women and 14% of prime TV is written by women. In many foreign countries, women are still not allowed to write or are inhibited in their careers as journalists and professionals. We state that we are an international organisation, which is quite right, as in the world where digital media is growing daily, the need for content from our members is increasing and we have members living and working abroad. Globalisation is happening at a rate that we could not have foreseen. The future is international and therefore one of our key growth areas will be in supporting new and existing members abroad. In order to have a clear identity and purpose sitting amongst all the other societies, we New Year 2020 The Woman Writer
SWWJ Manifesto must build on the heritage and values the Society was established upon in the first place. It is this historic foundation that will provide the future for the Society. We have a duty to support our members in the way that our forebears supported women who had few opportunities to write in the early days. It is by re-engaging with these core and historic values of the Society that we will find our future. As a result of these conclusions, the following new mission statement for the Society was agreed:
Mission We are a non political, professional Society for women writers and journalists. We recognise the professional skills of our members and we protect their interests in their professional work. We promote opportunities for women to write and to be heard, and we defend their rights to do so no matter what their race, religion or geographic location.
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Manifesto The SWWJ will work towards the following aims: • Protect the copyright system and support any necessary improvements to ensure that women writers are fairly recognised for their work. • Equal pay for all women writers and journalists. • An increase in earnings for women writers and journalists to achieve fair market recognition for their work. • Women writers should not be expected to work for free where other professions would be paid. • Equal recognition and equality of opportunity for all women writers and The Woman Writer New Year 2020
journalists, whatever their age, background, race or religion, in all areas of work . Women writers have fair and transparent contract terms with publishers and enjoy the same legal protections that are available to writers in other countries. Protect freedom of speech for women writers and journalists where it is threatened. Protect the rights and professional position of women writers and journalists in the face of new market place developments. Support our members in other countries and be responsive where required to help protect their rights. Encourage writing amongst young women writers. Provide opportunities for networking, friendship, communication and social interaction in order to support the exchange of ideas and to ensure writers do not feel isolated. Provide professional education for writers, via workshops, training and access to speakers and markets to enable them to expand their knowledge, acquire information and take up new opportunities to develop their writing careers.
Membership Secretary required The SWWJ Membership Secretary deals with all new applications, renewals and requests for membership information; prints and provides membership cards; keeps the databank accurately up-to-date; along with various other duties. There is an Honorarium for this role. Further information from Rebecca Harding: rebecca@saltwhistle.com 15
Overseas members A trio of talented international ‘friends’ invite you on a trip to Singapore, France and New South Wales. by Doreen Friend Three pieces of smashing news from Josephine Chia in Singapore:
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“Hello from Singapore! We are suffering a bit from the haze caused by the forest fires in Indonesia! It is so bad, some people have to wear masks! “I think you may have heard my news about my YA book winning the Singapore Book Publisher Book Award. I have been getting congratulatory messages from many SWWJ members. Plus… “I’ve been on cloud nine but am nicely floating back to earth with some school visits. My book about the village I was born in, is now a recommended text so schools
have been inviting me to talk about the Kampong, which has long been demolished. “Also, Big Tree in a Small Pot won the Singapore Publisher’s Book Award for Middle Grade/Young Adult novel! It was a finalist for the Book of the Year award but didn’t win.” Warmest regards Phine www.josephinechia.com Hi from Jenna Hines in France.
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“Ah, the House of Lords. I have been in the Houses of Parliament two or three times. My first visit was when I was14 (many years ago). I was doing a thesis on the then backbench MP Eric Ogden, and I gained a credit in my economics and public affairs exam for it. After that, I visited a couple of times and sat at the back listening to some boring debate about sheep of all things! (Nothing changes does it?... ha, ha... dare I mention the 'B' word? There seem to be many woolly backers in Parliament at the moment.) “Last time we spoke I was launching my latest novel. I know I said I was having a break from writing, but I cannot stop myself. It is like a bug. Anyway, I have started writing my latest novel set in Russia in the late eighteen hundreds. I have been doing lots of research and find the Russian history fascinating. At the moment I'm not certain which way the story will pan out, but I can assure you it will have a theme of romance running through it. I've already written the first six chapters, but there is a long way to go yet.” Regards, Jenna An interesting hello from Patricia Newell Duncan in New South Wales.
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“I am still painting when I get the time; domestic stuff seems to be taking over at 16
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Overseas members the moment and the sudden heat. It must be wonderful to be a member in London as there are some fabulous events and lots happening. “The year seems to have zipped away and Christmas is nearly upon us. I must admit the summer time is not my favourite. I have never got used to the heat, but we did have a lovely winter. Sending you good wishes, and much happiness for the festive season.”
Photos from the Christmas Tea
* A quick email to Patricia reassured us that she has not been affected by the fires currently raging in Australia. “It is ghastly and the worse fires we have had for 20 years; the wind is carrying them further and further. Fortunately I am okay – there are fires on the Central Coast, but not around here so far. Fingers crossed, I feel so sad for the animals and birds as well as the people.” Thanks again, Patricia
WINNERS! We are pleased to announce the winners of the John Walter Salver competition 2019. Entrants were asked to write a short story with a surprise, twist or unexpected ending. Our judge, Clare Cooper, former deputy fiction editor of Woman's Weekly magazine, chose the following winners. FIRST PLACE: Sylvia Kent SECOND PLACE: Patrick Forsyth THIRD PLACE: Beryl Fleming. The winning entry will be published in full, along with extracts from the judge's report, in the Spring issue, following presentation of the prizes on 19th March 2020. The Woman Writer New Year 2020
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Interview
One to one with Jean Fullerton by Doreen Friend A Ration Book Childhood: ‘Ida Brogan is doing her best to keep the family spirits up as they struggle amidst nightly bombing raids in London's East End. Ellen, Ida's oldest friend returns to town, sick and in dire need of help she turns to Ida. But Ellen carries a secret that threatens not only Ida's marriage, but the entire foundation of the Brogan family’. DF: The above snippet gives a gist of A Ration Book Childhood by author Jean Fullerton – it is bound to leave you wanting more. Jean has written a number of historical romance novels set in the East End of London, which her readers find hard to put down. The Brogan family, the Nolan family, Nurse Millie and Nurse Connie are just some of the favourite characters Jean has given life. But for Jean the characters are more than just names on a page. “They are my friends and are real to me albeit we have never met. While I am just starting a book they are standing there waiting for me to get on with it.” DF: As the characters are real to you, do they sometimes not behave as expected? “My characters don’t so much misbehave as have a mind of their own, in that once they are fully fleshed out individuals 18
they will balk at doing something out of character to suit the plot. When I start writing a book I have ideas where it will end up and what might happen along the way, but really plot cannot be separated from the characters. They are the means through which the story unfolds. “I was born and raised in East London when every street door was open and everyone knew everyone, so many stories are woven through the narrative of my Ration Book series. The dialogue attributes and situations are drawn from the community I grew up in.” DF: Does this successful author have a whole series in her head? “I have an overarching idea and theme but only do detailed planning for the first one or two books, as the plots for the subsequent books are built on the foundations laid in the first two. Sometimes an extra story will come to me, as happened with A Ration Book Childhood, which popped into my head while writing A Ration Book Christmas.” DF: Research is of importance to Jean who commented: “Before starting the Ration Book series, I read books about life on the home front during the Second World War and visited the Imperial War Museum’s Home Front Exhibition to get a feel for the period. Having picked up general ideas I start writing, researching the details as I go. New Year 2020 The Woman Writer
Interview Firstly, because there is far too much information to take in, and even if you write notes I guarantee you’ll have forgotten what you filed things under. Secondly, I don’t know what I need to know until I get to that point in the story. Also research is a good way of procrastinating.” DF: Jean worked as a district nurse in East London for over 25 years, she has won multiple awards, and taught creative writing at writers’ conferences. A Ration Book Childhood is the third in the Ration Book series.
Top Tips... Jean has supplied some interesting insights into her work and she has very kindly answered 10 ‘how to’ points for writers. 1. How long does it take to write each book? It takes me six – seven months-ish to write the first draft, another month to six weeks to tidy it up. It is then sent to my agent, then to my publishers. So roughly nine months in all. 2. What are the pitfalls of writing a novel, and how to avoid them? The major pitfall is thinking your novel is totally perfect and needs no editing or revision. Learn to take constructive criticism. It is the only way to produce good quality writing and a page-turning story. 3. Have you faced any rejection? If so how did you handle it? Yes, I have a file at home chock-a-block with letters from editors and agents saying thanks but no thanks. It really hurts but learn from your rejections and move forward. Get a professional critique. The Woman Writer New Year 2020
4. What is your criteria for success? The money’s nice but my criteria is that people read and enjoy my stories. It keeps me going on the days when words flow like treacle. 5. Does everyone have the ability to write? Everyone can write but whether everyone has the inbuilt ability to weave a pageturning story is another matter. But I would urge everyone to try. 6. Is it important to have an agent? Oh, yes. I wouldn’t be without mine, we’ve been together for 12 years, she’s tough and totally on my side. 7. Your writing name – does it matter? I don’t think so. 8. Do you write at a specific time/place such as an office? I have at least four straight working days in any week. If I’m up against a deadline I’ll work every day. I am at my desk by 9.30am, warm up with a couple of hundred words before lunch then crack on until five. I have a break until 7pm-ish. I aim to complete 1,500 words per day which is roughly a scene. 9. Do you stop for a set break? No, I finish when the story takes a natural break and I’ve never had writer’s block. I think writer’s block is the fear that we are writing total rubbish. 10. Tips on how not to become distracted? If you find any let me know!
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SWWJ Christmas Tea
Ending on a high! by Carol Cannavan
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hat a way to end our year of 125th Anniversary celebrations! Over 50 members and guests attended the SWWJ Christmas Tea at The National Liberal Club on 5th December. Sadly, our Chairman Rebecca Harding couldn’t be with us as she was on a business trip, but our Vice Chairman Pamela Payne stood in for her and welcomed everyone. After a delicious tea of sandwiches, cakes, scones with clotted cream and jam, Pamela introduced our speaker, Jackie Malton. Jackie joined the police force in 1970, a time when women officers faced a lot of prejudice from their colleagues. Her main work then was restricted to minor, ‘womenrelated’ tasks. She transferred to the Metropolitan Police in 1979; it was still a white, heterosexual force at that time. Life didn’t get easier as she progressed through the ranks, and in many respects got worse as she was openly gay. She became a Family Ex-Detective Chief Inspector Jackie Malton.
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Liaison Officer. While in this role Jackie became aware of the way the media sometimes twisted stories, or told outright lies when they didn’t get the information they wanted. She also served on The Flying Squad; she was the only female amongst forty men investigating armed robberies – they nicknamed her ‘The Tart’. No one wanted a woman on the team. In the 80s, Jackie became a whistle-blower when she discovered that some officers were planting drugs on innocent people just so they could boost their arrest records. She was seen as a betrayer, and felt totally isolated. This took its toll on Jackie; she suffered panic attacks and turned to drink. Eventually, with the help of Alcoholics Anonymous, she managed to overcome her addiction and has not touched a drink for 27 years. Some years later, the lessons Jackie learned were put to good use – she became an addiction counsellor after gaining an MSc from London South Bank University in Addiction Psychology & Counselling, while undertaking three years’ training in one of Her Majesty’s Prisons. New Year 2020 The Woman Writer
SWWJ Christmas Tea
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swwj society of women writers and journalists
Getting in the party mood!
After detailing some of the cases she had worked on, Jackie talked about when she was introduced to the crime writer Lynda La Plante in 1991. She was asked to assist in the authenticity and storytelling for the award-winning series Prime Suspect. Jackie became the inspiration for Helen Mirren’s lead role of DCI Tennison. She was also a consultant on other TV crime series, such as Cracker, Trial and Retribution and The Bill. Since leaving the police force, Jackie has achieved an MA in Creative Writing and her first play Be Mine was transmitted on Radio 4 Play for Today. She works as a story consultant on many of the major police dramas seen on TV screens. Quite recently she led a 10-part documentary series for CBS Reality called The Real Prime Suspect. Jackie talked about the storytelling process and said crime writers should show the impact the crime has on its victims – how it affects their lives. Also the effect it has on police officers and professionals involved with the case. Explore the human condition: The Woman Writer New Year 2020
the flaws in character, what drives them to do the things they do. The audience was riveted by Jackie’s talk and it was evident from the Q&A session that followed, that there was also deep respect and admiration for this lady. The raffle followed and then it was time to say goodbye. What a great start to the festive season! Pamela Payne (right) assists with the Q&A session.
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Competition winner
A very worthy winner Vivien Brown meets Ella Cook, the winner of The Floella Benjamin Trophy
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hen we launched our new open competition, themed ‘Children are our Future’, via social media on the day of our 125th Anniversary back in May last year, we had no idea whether the idea would work. For the first time we were attempting to go ‘paperless’, asking for all entries and enquiries to come in by email and all fee payments to be made by bank transfer. No paid advertising, no typed manuscripts, no postage costs, no cheques. We need not have worried. Word spread quickly, with our facebook, twitter and Instagram posts being liked and shared among writers far and wide, and soon the entries began popping into my inbox. I won’t say flooding in, because it was only a trickle at first and, just as they do using the traditional paper method, the vast majority arrived in the final few days before the closing date. After a few disqualifications where the rules had not been followed, a shortlisting panel set to work reading, re-reading and making their choices until a final list of twelve of the very best was ready to be sent off to the judge, our very busy and supportive President, Baroness Floella Benjamin. The list was a lovely mix of fact, fiction and poetry, some from SWWJ members and some not, with (I was very pleased to see) one man included. The shortlist was announced in midOctober, again via social media channels, and a buzz began to build as the lucky few waited to hear who had won. Meanwhile, Floella made her choice and I had the wonderful job of phoning the winner – Helen Bartlett, who writes as Ella Cook – to 22
tell her the news. To say she was excited would be a huge understatement. She was almost speechless with disbelief, but also immensely honoured and it is clear that this win has provided a big boost to her confidence as a writer. As soon as the announcement was made public, messages of congratulations came rushing in on our facebook and twitter pages and on hers, including a lovely personal message from Floella, who said that the story had brought a tear to her eye and a smile to her face. Ella is 35 and lives with her husband in rural Warwickshire. She is already a member of the SWWJ, but only just! She joined only a few months ago, around the time she had first seen the competition advertised, urged on by friends and fellow writers from ‘The Wordsmiths’, a weekly writing group she attends – which, incidentally is run by SWWJ member Ann Evans and includes another of our shortlisted writers, Marilyn Pemberton, among its members. What a double whammy for that talented group! Ella tells me she has been obsessed with books since she was a toddler. She decided to become a writer as soon as she realised that stringing letters together in the right order could actually be a career. Since then writing fiction has mostly been a hobby fitted around ‘real life’, although one of her New Year 2020 The Woman Writer
Competition winner short stories won the Coventry Writers’ Group trophy for 2018. Having graduated from university with a BA in Communications, Authoring and Design, Ella now writes funding applications for one of the UK’s largest providers of children’s services, a job which has undoubtedly given her an insight into, and empathy for, children in care, the subject matter of her winning piece. ‘A Monologue from a Child in Care – Boxes and Labels’ is described by Floella as ‘an original, compelling, engaging and emotional read with a strong narrative that draws you into the life of a child in care and helps the reader to get a better understanding of what life can be like in that position. It ends on a positive note and inspires strength and fortitude.’ “Writing means the world to me,” says Ella. “It's given me a career I love, introduced me to my husband, and helped me through some of the worst points in my life. I wrote a lot of one of my novels in my Mum's hospital room – mainly to give her something to read during treatments! I'm hoping the SWWJ will help me meet even more talented, inspirational writers than the ones I'm already lucky enough to know, including those who encouraged (read ‘nagged’) me to join!” Ella has already completed and polished two novels that are ready to submit to agents or publishers, and has contributed to an anthology called The Coffee Break Collection, which I have read and reviewed on page 34. Ella’s prize of £200, a year’s free membership of the SWWJ and the brand new Floella Benjamin trophy will be presented to her formally in London later in 2020. Her winning entry can be read in full on our website www.swwj.co.uk/competitions
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Well done to everyone who entered. The following were short-listed: Meg Gardner Marilyn Pemberton Susan Wickham Lynette Creswell Jill Wilkinson Denise Telford Rob Nisbet Laura Blake Margaret Gallop Rebekah Heaney Celia Anderson
COPY DATE FOR THE SPRING ISSUE The deadline for the next issue of The Woman Writer is 28th February 2020. Please ensure that all copy and images are sent to the Editor, Carol Cannavan, on carol@aspire-editorial.co.uk using Microsoft Word or pasting the text into an email. Please do not embed images into the document/email; always send images separately and make sure that if you are sending via a mobile or computer, that the image isn’t automatically reduced in size. Use the prefix **WW in the subject line (for example, **WWsuccesses). Images should be high resolution (300 dpi) and a good size. Photographs are acceptable but not photocopies of book covers. If you are submitting a photo that doesn’t belong to you, please make sure you have permission for it to be published. Deadlines cannot be changed. 23
Poets’ corner
Poetry Day and the Theme of Chanciness by Dorothy Pope
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he SWWJ Poetry Day was enjoyable: interesting, profitable and fun in a comfortable room with tea on arrival and again later, with dozens of good biscuits. BUT, we were only five (six but for a funeral). Where, we wondered, were those who had urged a poetry day? Strange. What could be nicer than spending time being creative with like-minded people? The first of the four elements of the day was a writing exercise, ideas stimulated by some objects. I started a poem called Short Changed then and there, and finished it at home. It came out of three dice which fell showing three ones, the lowest score, the worst luck. I saw this as the way the genetic dice had fallen for one man and also how unlucky to be trapped in a place where war breaks out, in this case the Channel Islands, for another man.
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However, by next day’s post, an entry form came for The Guernsey Literary Festival’s poem competition, the prize for which is not only money but having one’s poem on a number 21 bus for six months. It fitted the theme and I fancy having a poem on a bus so I sent it off. So here, as they say, “is one I made earlier” on the theme of Chanciness. The third element of the day was introducing a poem new to the others and here with the kind permission of Imtiaz Dharker, Postcards from god (Bloodaxe, 1997) is Living Space – a marvellous poem using the metaphor of an imperfect house for the chanciness of our lives in this world. The fourth element of the day was workshopping a poem of our own. Lovely day! I highly recommend Hugo Williams’s new anthology Lines Off – the deceptively simple poems are brilliant.
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Poets’ corner Living Space
Sandcastles
There are just not enough Straight lines. That Is the problem. Nothing is flat Or parallel. Beams Balance crookedly on supports Thrust off the vertical. Nails clutch at open seams. The whole structure leans dangerously Towards the miraculous.
With pail and spade she reconstructed house and school, cathedral, sweet shop, and with shells, she peopled them with parents, teacher, toys and friends beneath unthreatening skies of gulls that softly cried the grief she’d not expressed. And when they saw the waters coming in, they gently dusted her of sand and dressed her, took her home, for she must not again experience what tides of history could steal for ever. Settled here and cleansed of dread, she paddled in the playful waves with squeals which nowadays were of delight. In bed, tucked, lulled, she breathed, in sleeping synchrony, the soothing music of the rhythmic sea.
Into this rough frame, Someone has squeezed A living space And even dared to place These eggs in a wire basket, Fragile curves of white Hung out over the dark edge Of a slanted universe, Gathering the light Into themselves, As if they were The bright, thin walls of faith.
© Dorothy Pope
© Imtiaz Dharker
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Regional lunch
Southern Regional Meeting Report by Marion Field It was a lovely sunny day on 16th October 2019 when 42 members and guests of the SWWJ met at the luxurious Chichester Yacht Club. Pamela Payne welcomed everyone and thanked the Yacht Club for their generous hospitality. She reminded us that this year we are celebrating our 125th Anniversary and had already held two memorable events – the lunch at the Stationers’ Hall and a tea and tour of the House of Lords by our President Baroness Floella Benjamin. Pamela congratulated SWWJ Overseas member Josephine Chia on winning the Singapore Publishers’ Book Award for her young adult novel. Phine, who used to live in the South of England but now lives in Singapore, sent her regards and said that she was sorry not to be with us. Pamela then said that she hoped some of our guests might consider joining the SWWJ and
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mentioned some of our future events. She ended her introduction by thanking Roberta Grieve for all her hard work organising the Southern Region events and presented her with a bouquet of flowers to celebrate her forthcoming ‘landmark birthday’. The lunch was delicious and the bread and butter pudding dessert was especially popular! After lunch, Ginny Vere Nicoll’s fascinating talk, entitled ‘The Importance of Location’ was about the settings for her novels. Their
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Regional lunch content was influenced by the places she had visited: Under the Olives was inspired by the author’s visit to the Ionian islands in Greece. Loch Island was set in the Scottish Highlands and on the Isle of Skye. The Coldest Night of the Year was set in the Swiss Alps, which were under a carpet of white snow. She then emphasised how important it was to launch the book in local venues, because books would then be bought by both the locals and tourists. Using the antics of her own two dogs, she has recently written and illustrated a delightful children’s book entitled I Can Fly about Nutmeg, a magical flying puppy. Finally, she mentioned her book of short stories Feel Good Tales. This was written when she discovered a collection of her mother’s stories. One of these, My Dream, was set in a house in the West Country. Incredibly, this
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house was the one in which Ginny’s mother had been born. In the church she found a record of her mother’s birth and discovered some family history. After this riveting talk, the afternoon was brought to a close by Ginny’s friend, professional singer/ songwriter, Tobiah. Accompanying herself on the guitar, Tobiah sang five songs, two of which had been inspired by Ginny’s novels. Ginny’s books and Tobiah’s CDs were on sale, as were books by other members of the SWWJ. Pamela presented Ginny and Tobiah with flowers on behalf of the Society. The next meeting will be held at this venue on Thursday February 20th at 10.30am for 11am - 4pm. Please let Roberta (Robbie) Grieve know if you wish to attend. T: 01243 554647 or E: Robgrieve@msn.com
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Marketing
Profitable flexibility Patrick Forsyth suggests that dialling down your Prima Donna may help sales Most writers have a perfectionist streak about their own work, indeed sometimes they take so long to achieve what they regard as ‘perfection’ that productivity or deadlines suffer. But there is more to consider: you have a great idea, it is wellformed and you can see the structure of it in detail. You like it. You write it. You know it will sell. An editor may or may not share your opinion. They may buy … or not. But, there is a third possibility, they seek to influence or change it. This can be hard. You like what you have thought through and think it right (dare one say, that word again: perfect). So your first thought is often defensive: you seek to convince them to approve the original idea. This can be fatal. Some writers are lucky enough to write and sell exactly what they like (but rarely always). More often, especially with non-fiction, the job is to match something you have been commissioned to write with a stated brief.
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This includes a simple level such as hitting the required word count for instance. But it may also involve more. I have written a number of books that, to fit the style of a series, had to conform to a set of fixed parameters. For example, a set number of chapters, chapters with six standard features, such as a particular kind of introductory paragraph and more; one publisher even forbade the use of the word “key” and I was appalled to find how often I used it – and then that I did not find it difficult to choose a (more appropriate) substitute. The experience gave me a key (sic) principle to follow in other writing. There is nothing wrong with an editor specifying in this way, indeed the role of such criteria in defining a series is important, but it is not always what I would have chosen. Indeed such criteria may mean that something takes a little longer than usual to write than something on the same subject in a different style. But if you can comply in
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Marketing this sort of way, and it is not just series that involve very specific briefs of this sort, then it may make the difference between being published or not (and whether or not you are commissioned again). Similarly, with amendments. Even, say, in a straightforward article editors may change things, often titles in my experience, in a way that you are sure reduces the quality of what you like to think of as your deathless prose. Sometimes, of course, you may be right to fight it – or at least to politely double check if a change must be made. And sometimes it proves easy to get something reinstated. But it is also possible to lose clients by protesting too much and it pays to have a degree of flexibility, be careful and consider this. It can be a case of: do you want to try and get something published pristine and untouched – or will you be flexible and get a cheque? Fitting in and making changes can be difficult, maybe even traumatic. So be it; as my mother used to say: given oranges, the job is to make marmalade. You must deliver what is required. So, whenever discussions lead away from your original idea or words, see that as a positive step towards agreement – being flexible and coming to a consensus can give you a job. And besides, it is just possible that the editor knows what will sell better than you do!
Photos from the Christmas Tea
Odd feeling Patrick Forsyth has had the first of his published books republished in audio form; two titles in fact: Negotiation and Building Career Success were published under the name Anthony Jacks by Legend Business, and now, as audio books, by Dreamscape. “I am all for as many editions as possible,” he says, “but I found it an odd experience hearing someone else reading my written words.” The Woman Writer New Year 2020
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When I was not upon this page... Soup by Doreen Friend When I was not upon this page I discovered how to make a special secret soup. The discovery actually came about by accident, and to be perfectly honest the soup in question isn’t the traditional dish where all ingredients are made from scratch using fresh veg and meat. You may recall that I often did a Saturday or Sunday shift at the local hockey club snack bar, where I am glad to say the nearest I came to cooking was heating up sausage rolls, hot dogs and toasted sandwiches. Hockey players, like most sports players, are hungry folk and look forward to their break between play. As well as an almost neverending supply of coffee, tea and mugs of hot chocolate, the players welcome the chance to sit, compare tactics and berate the shortcomings of rival teams. Forgive a boast, but my washing up skills come a mean second to handling a large tea urn and lots of cheese and onion crisps. This may not seem to be vital but when faced with an army of large male hockey players, brandishing hockey sticks, demanding cheese and onion crisps in place of salt and vinegar, or original and barbecue flavour crisps, speed and dexterity are of the essence. In my experience, female hockey players are no shrinking violets. When it comes to winning, going for the puck (ball), scoring a goal and outwitting team-mates, they can be as determined and fiercely protective as a mother with her young. Bruises on the ankles and thighs on show when the ‘ladies’ come inside for a break, can often be compared with those of professional wrestlers. I am not too sure of the rules of hockey but I am pretty confident that the manual does not allow hockey sticks to be used as 30
weapons and they should be kept well away from the rival teams’ legs. Hockey sticks are fairly lethal, the hook at the bottom can cause a nasty wound if brandished hard enough, while the hook has been known to tempt sports players into hooking around ankles; not a very sporting activity. Hot drinks and snacks are served, refreshing cold drinks in the summer and steaming mugs of tea, coffee and soup in the winter. Players burst into the snack bar after a game on a freezing cold day, with cheeks and noses bright red with cold. They stand in line at the counter blowing on their icy fingers, warming them with their breath. Mugs of hot homemade soup are on the menu, unfortunately Paula, the boss, had forgotten the packs of frozen soup needed as a base. It was quite easy really. With row upon row of packets of cup-a-soup in the cupboard; open the sachets, tip the assorted flavours including chicken, onion, oxtail, tomato, mushroom and vegetable, into the caldron mix well, stir gently, season and serve. Everyone said the soup was the best they had ever tasted, but when they asked what flavour the delicious concoction was all I could say is that it was a special secret soup. New Year 2020 The Woman Writer
Around the regions News from Moonraker Country by Dee La Vardera
A relatively new Literary Festival, Salisbury offered a Writers’ Day in October 2019 at Sarum College. I chose this event as it was good value: 09.30-17.00 with lunch for £65; and only an hour away by car from Calne. There were seven speakers including: novelist Paul McVeigh on ‘Writing a killer first page’; Yvonne BattleFelton on ‘Characters you can get your teeth into’; and Tariq Goddard, co-founder and publisher of Repeater Books. Top marks to all. Grade 1 listed Sarum College, situated in the Cathedral Close, is ‘an ecumenical centre for Christian study and research where our passion is learning what nourishes the human spirit. Welcoming people of all faiths and none, we offer space and time for enquiring minds to grow in wisdom and courage’. Salisbury’s Cathedral Close is the largest Cathedral Close in Britain, covering over 80 acres. Nearby properties include: Arundells, home of Sir Edward Heath; Mompesson House, National Trust property; the Rifles Museum (housing the infantry regiments of Berkshire and Wiltshire collections), next door to Salisbury Museum – all a few hundred yards from our venue. The talks were stimulating, the writing tasks interesting and the insider tips and comments from the publishers, particularly valuable. I was surprised though to hear an editor say, in response to a member of the audience who said that she was afraid The Woman Writer New Year 2020
to send her work out as she wasn’t very good at English – Oh, no, people shouldn’t be put off submitting work to publishers or agents even if their language skills aren’t very good. Editors will correct and knock the piece into shape. So, it’s great ideas, original voices and diversity which will catch the attention, it seems. As someone who values good grammar and punctuation, I was taken aback. I love semi-colons and Oxford commas and subordinate clauses and gerunds – but then I was taught all this and I also spent 30 years in the classroom drumming this into kids. Shouldn’t we all try to be effective communicators? That means understanding how our language works and how best to express our thoughts and ideas, and having a range of tools at our disposal. Can’t resist this joke: How do you comfort a grammar fanatic? You pat them on the back and say ‘Their, they’re, there.’ Dee's website: www.dewfall-hawk.com
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Markets & Competitions Writing opportunities by Carol Cannavan Here’s a round-up of markets and writing competitions to keep you busy! Although every effort is made to gather correct information, it is down to you to contact individual publications/agencies and ask for their current writing guidelines and find out if any costs are involved. Good luck!
UK markets Bookouture are looking for gripping, commercial storytelling – books that keep the reader up all night, which effortlessly transport them to another world, with characters they’ll root for all the way. They are interested in: crime & thriller; psychological thriller; domestic suspense; police procedural; women’s fiction; contemporary romance; romantic comedy; multi-cultural fiction; cosy crime; historical fiction; chick lit and non-fiction. Website: http://www.bookouture.com
Overseas markets V A Press accepts submissions all year round for finished manuscripts, twenty-five pages or more, of all forms (poetry, essay, fiction, drama, etc). Cover letters are discouraged. Your work should speak for itself. There is no submission fee. Response time is reasonable. Payment is usually ‘one third of total book sales’. Further details are on the website.
Competitions Spotlight First Novel Competition The competition is open to unpublished novelists in all genres, regardless of location. Self-published writers are eligible. Full details are posted on their website. Prize: Professional input worth up £1,270. Closing date: 14th February 2020 Entry fee: £16 Website: http://adventuresinfiction.co.uk/spotlight1st-novel/ National Flash Fiction Day Microfiction Competition Flash fiction up to 100 words. Prizes: £75, £50, £25 Closing date: 15th February 2020 Entry fee: £2, Website: http://nationalflashfictionday.co.uk/index.php/ competition/ Fish Publishing The Fish Flash Fiction Prize is an opportunity to attempt one of the most interesting and rewarding tasks – to create, in a tiny fragment, a completely resolved and compelling story in 300 words or less. Prizes: €1,000, €300, Online Writing Course with Fish Closing date: 28th February 2020 Entry fee: €14 Website: www.fishpublishing.com
Email: vegalpress@gmail.com Website: www.vegetarianalcoholicpress.com
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New Year 2020 The Woman Writer
Markets & Competitions Bridgend Writers’ Circle Stories on a theme of your own choice, between 1,500 and 1,800 words. An entry form can be downloaded from the website. Prizes: £100, £50, £30 Closing date: 1st March 2020 Entry fee: £5 Website: www.bridgendwriters.org Windsor Fringe Award – Kenneth Branagh Award for New Drama Writing Amateur playwrights world-wide are invited to submit unpublished one-act plays. Only amateur playwrights are eligible and only one script per author will be accepted. Each script must be an original work and not have been previously published or performed. Three winning scripts will be selected for fully-staged performances during the Fringe Festival in October. One of the three scripts will be chosen for the prize, judged purely on the writing. See website for details. Prize: £500 Closing date: 5th March 2020 Entry fee: £10 Website: www.windsorfringe.co.uk Fowey Festival Short Story Competition The theme for this short story competition is: ‘Not After Midnight’ – up to 1,500 words Download an entry form from the website. Any profits made from this competition will go into the du Maurier Festival Society Fund.
Prize: €1,000 Closing date: 30th March 2020 Entry fee: €12 Website: www.thecaterpillarmagazine.com Writers Bureau Annual Short Story Stories must not exceed 2,000 words and must be typed using double line spacing. Full details are on the website. Prizes: £300, £200, £100, £50 Closing date: 31st March 2020 Entry fee: £5 Website: www.wbcompetition.com Swanwick Summer School Win one of three places at the 2020 Writers’ Summer School by entering a poem up to 40 lines, a short story up to 1,000 words, or children’s fiction up to 1,000 words. The theme for all entries is: ‘Vision’. Prizes: A fully inclusive week at the 2020 Summer School for the winner in each category; Writing Magazine manuscript appraisal for the second prize; and a copy of the Writers’ and Artists’ Yearbook 2020 for the third prize. The winning entry for each category will be published in Writing Magazine. Closing date: 30th April 2020 Entry fee: £6 Website: www.swanwickwritersschool.org.uk
Prizes: £100, £75 Closing date: 16th March 2020 Entry fee: £5 Website: www.foweyfestival.com Caterpillar International Poetry Prize The prize is for a single unpublished poem written by an adult for children (aged 7–11). The poem can be of any length and on any subject. The Woman Writer New Year 2020
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Book reviews Brentwood in 50 Buildings by Sylvia Kent Published by: Amberley Press ISBN-978-1-4456-9213-5 (print) ISBN-978-1-4456-9124-2 (e-book) Reviewed by Jim Reeve What an interesting read! I thought I knew Brentwood but Sylvia’s book has opened my mind to what I have missed. The accurate research that has gone into it must have taken ages and out of the 500 listed buildings in Brentwood, Sylvia has chosen wisely and her selection of 50 are full of interest. She obtained many original photographs and gives the history of each building in a most descriptive and interesting form. It is difficult to believe that the thriving town of Brentwood today was once a small hamlet in the parish of South Weald that was mentioned in the Domesday Book. Brentwood came into its own after Thomas Becket’s murder in 1170 after which he was canonised. Pilgrims from all over the country flocked to Canterbury Cathedral, travelling via the ancient Essex Great Road to Brentwood, where they rested. As a result, Brentwood is mentioned in many early historical documents. In giving the history of the buildings, Sylvia mentions the many famous people who lived in or visited them. For example, Henry Roper lived in Marygreen Manor and held the stewardship of the young Princess Catherine of Aragon, who first married Prince Arthur and then, on his death, Please send all books for review to: Pamela Birley, Flat D, 49 Christchurch Street, London SW3 4AS. Tel: 020 7351 6377
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married Henry V111 and became Queen of England. Byron stayed in Gilstead Hall (built in 1726) while visiting his friend and legal advisor, James Hanson. Doctor Samuel Johnson camped in the grounds of Warley in 1778 while visiting the troops and found it very uncomfortable. Soon after, in 1805, the Army built barracks on the land. These were extended by the East India Company when they took over but the Army reclaimed them and used the barracks throughout the two World Wars. In 1960 Fords took over the area and demolished the buildings, establishing their European Headquarters in their place. It is said that in 1555 a young Protestant named Hunter spent his last night on earth in The Swan Public House, before he was burnt at the stake during the reign of Queen Mary. There is so much information in this book on the history of Brentwood and the 50 buildings that, in such limited space, it is impossible to do it justice and I respectfully suggest you go out and buy a copy and like me, you will not be able to put it down!
The Coffee Break Collection by The Wordsmiths Independently published ISBN-978-1696547994 Reviewed by Vivien Brown Picking up this book was like picking up a favourite magazine: short, easy-read stories, poems and articles, with each one taking only minutes to read. The twelve writers (including five SWWJ members), all live in the Coventry area and belong to a writing group led by author Ann Evans. Many of the pieces were inspired by class exercises or word prompts. What would different writers do when asked to include the same New Year 2020 The Woman Writer
Book reviews three random words, write about a closing door, or interpret the theme of shadows? It was fascinating to find out. I especially liked Marilyn Pemberton’s alphabet poem, which painted a wonderful autumn scene, so well written that the A-Z device almost disappears, it is so unobtrusive. Of the stories, I was immediately drawn into Ann Evans’ tale of a neglected house that falls in love with its new tenant and refuses to let her leave, and Margaret Mather’s heartfelt description of a man helping to apply his wife’s make-up as they wait for her to die, while Maxine Burns’ article about the Summer of Love took me straight back down Memory Lane. Those were the days! The collection certainly has something for every taste – danger, poignancy, humour, families, several ghosts and, in Ella Cook’s closing story, quite possibly an angel in disguise. Yet, no matter how short, in fiction something has to happen or change. Sadly, a few here are more anecdotes or incidents than stories, but enjoyable nonetheless, and it’s important to remember that for some of the writers this is their first time in print. Well done to them! The biggest negative for me was in the editing. There are a few too many typos, misspellings and oddly placed commas, but they did not detract from the creativity and obvious enthusiasm that bounces off the pages.
Daisy’s War by Roberta Grieve Published by: BWL Publishing Inc. ISBN-978-0228610465 Reviewed by Jill Rutherford This is a book very much of its genre and does it well. It has a good story-line and was well researched and developed. Daisy is an The Woman Writer New Year 2020
ordinary young woman living an ordinary life but then the Second World War starts and nothing is ordinary anymore. For Daisy, this means she has to part from her love – the boy next door – when he joins the army. They promise themselves to each other, forever. The innocence of young love shows through until, inevitably, they mature and life intervenes. This story revolves around these issues and how the characters cope with the challenges presented to them in wartime. I felt the atmosphere of the area – the Isle of Sheppey – was particularly well-drawn as were the workings of the NAAFI and the sacrifices everyone had to make. All these things contributed to my enjoyment and I was keen to read through to the end. However, I did have a problem with the author’s writing style which concentrated only on ‘telling’ us the story. This was fine until we got into the more personal parts of Daisy’s life. I so wanted to feel her emotions, to experience them with her and identify with her deep inner feelings and conflicts. But we are just told of these things and, for me, this lack of depth made the story less than it could have been. Nevertheless, I still enjoyed it and can recommend it as a good read.
The Kambatan Assignment by Guy Blythman Published by: New Generation ISBN13: 978-0228610465 Reviewed by Celia Pyke The International Petroleum Company (IPL), whose headquarters is based in Hammersmith, London, are facing problems in the West African state of Kambata, where militants are threatening to disrupt the company’s oil production. IPL send in their brilliant and brave female trouble-shooter to investigate. She uncovers plots from various 35
Book reviews ethnic factions and splinter groups while discovering the local government is also corrupt and grossly inefficient, making it impossible to bring about a practical solution for all parties. As the story unfolds the danger increases while the scope of the difficulties widens, culminating in her being kidnapped by one of the factions. In this atmospheric tale, the author brings to life the tensions amongst the population’s poor due to the government’s failure to include them in Kambata’s prosperity. As if she didn’t face enough problems, our heroine discovers IPL itself might be guilty of conspiracy and double-dealing. It’s up to her to untie the knots in this great tale of derring-do, and try to bring matters to a satisfactory conclusion. The Kambatan Assignment will enhance your knowledge of political Africa and keep you wondering what the outcome will be.
I enjoyed the story very much but I would have difficulty placing it in a particular genre. In the beginning I thought it might be a chick lit type romance but as the story developed I felt it was more of a thriller, then another twist made me think again. A minor criticism here is I feel the title does not do justice to the novel. It begins in the pre-social media days of the late 1980s, and when single parent Cathy Simpson joins a dating agency she meets a man who seems a perfect male role model for her son Jason. We soon realise all is not what it seems and when her friend Holly steps in to help the story takes an unexpected turn. This is an unusual tale of past love and the diverse cultures that can take a life on many different paths. It was a satisfying read, which left me wanting to read more from this author.
The Girl At Conway Place by Alex Rushton Published by: SCRIPTORA ISBN-978-0-9500591-3-6 Reviewed by Margaret Mounsdon Alex Rushton is a new name to me and I wasn’t sure what to expect from this novel, which I understand is a prequel to her debut novel Sunrise at An Lac. The Girl At Conway Place is an engrossing read full of plot twists and turns with an unexpected ending.
Please send all books for review to: Pamela Birley, Flat D, 49 Christchurch Street, London SW3 4AS. Tel: 020 7351 6377
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New Year 2020 The Woman Writer
SWWJ Competition
Winner Takes All Competition Theme: There’s no business like show business Write a short piece of fiction, non-fiction, a review, poem or play with any aspect of show business at its heart
Max 250 words (excluding title) Whether it’s an am-dram show, a school nativity play, a film, a ballet or a West End performance… a backstage or audience experience… or a tribute to your favourite performer… we want to read about it!
Judge: Lynne Shelby Entry fee £3 per entry. Cheques payable to SWWJ Closing date: 30th June 2020 There will be ONE cash prize for this competition, equivalent to the total entry fees received. Winner takes all! The more entries received, the higher the prize! Send your entries to: Vivien Brown, 16 Abingdon Close, Uxbridge, UB10 0BU
NOTE: Our usual rules do not apply For this competition ONLY, there is no limit to the number of entries you can submit. Entry is open to ALL SWWJ members, including Friends and Writer’s Debut members. The only identifier on your entry should be your SWWJ membership number. Please attach a separate sheet with your name and full contact details. No handwritten entries. No recorded delivery or ‘signed for’ post please. You are reminded to retain a copy as we cannot be held responsible for lost entries. Enclose a sae or stamped postcard if you want us to send an acknowledgement of receipt and/or a sae for a copy of the judge’s report. The prize for this competition will be awarded in Spring 2021 during our annual prize-giving ceremony in London.
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Spring Tea & Prize Giving application form
Spring Tea & Prize Giving Thursday 19th March 2020 at The National Liberal Club, 1 Whitehall Place, London SW1A 2HE Arrive 12.30pm for 1.00pm
Guest speaker: Jessica Fellowes (Application form can be photocopied) Name ………………………………………………. No. @£22 ...…..….
Guests @£25 .…..……
Membership No. ……………
Cheque amount ………………
Name of guest(s) ………………………………………………………………………… …………………………………………………………………………………………… Any dietary requests. (Please ensure you list all dietary requests. These cannot be provided without notice.) …………………………………………………………………………………………… Receipts are available on the day. Tickets are not being issued. If you would like an acknowledgement please add your email address below. Email ...................................................................................................................................................... BOOKINGS MUST BE RECEIVED BY 6th March 2020. There can be no refunds after this date. Please send completed form with any dietary requests, together with a cheque made payable to SWWJ, to:
Janice Grande, 4 Fraser Close, Laindon, Basildon, Essex SS15 6SU.
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New Year 2020 The Woman Writer
Diary dates DATES FOR YOUR DIARY 2020
2020 8th February:
Drama Workshop at St Anne’s Church Soho
28th February:
Copy deadline for the Spring issue of The Woman Writer
2nd March:
SWWJ Council Meeting at NLC
19th March:
SWWJ Spring Tea & Prize Giving
22nd May:
Copy deadline for the Summer issue of The Woman Writer
8th June:
SWWJ Council Meeting at NLC
TBC June:
SWWJ Summer Gathering and AGM at the House of Lords
30th June:
Deadline for Winner Takes All Competition
28th Aug:
Copy deadline for the Autumn issue of The Woman Writer
7th September:
SWWJ Council Meeting at NLC
23rd November:
SWWJ Council Meeting at NLC
3rd December:
Christmas Tea
The Woman Writer is published four times a year: New Year (January), Spring (April), Summer (July) and Autumn (October). Copy dates are listed above. Send your copy to carol@aspire-editorial.co.uk The SWWJ Newsletter is published bi-monthly. Copy that misses the WW copy dates will be passed to Barbara Field-Holmes for the Newsletter at swwj@bigginwords.co.uk To receive the Newsletter, please make sure we have your current email address. Regional meetings take place at the advertised venues. Council meetings are held at The National Liberal Club,1 Whitehall Place, Westminster, London SW1A 2HE. The Woman Writer New Year 2020
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28 | Diary & Services
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